Podcasts about euripedes

Glorious Exploits by Ferdia Lennon is a novel that takes us back to ancient Syracuse, where war, art, and humanity collide. This gripping tale follows two down-on-their-luck potters who hatch an audacious plan to produce a performance of the works of Euripedes despite the fact that their actors are prisoners of war and their stage set a death camp in a marble pit. It's a story of resilience, friendship, and the power of art in the face of destruction, but did it make for a good book club book?  Regular book-club reporter Phil Chaffee dials in from New York to join Kate alongside keen readers and returning pod guests Emily Bohill and Sarah Oliver in London.  And find out Laura's thoughts at the end as we consider what makes Glorious Exploits such a standout debut, whether or not you need to know about Classical history to enjoy it, and why the audio version is such a particular joy. All this plus our recommendations for follow on reads inspired by Glorious Exploits. Booklist The Unselected Journals of Emma M. Lion by Beth Brower The Years by Annie Ernaux Rejection by Tony Tulathimutte  You Dreamed of Empires by Ávaro Enrigue  Metamorphoses by Ovid Piranesi by Susanna Clarke  Enter Ghost by Isabella Hammad  The Netanyahus by Joshua Cohen Circe by Madeleine Miller Patreon Signing up for membership is a great way to support the show, and in return you'll have access to weeklyish bonus episodes, plus the archive of back episodes to enjoy. At the higher tier you can join the podcast book club, currently reading Hateship, Friendship, Loveship, Courtship, Marriage by Alice Munroe. I'd love to have you join us. Instagram & Threads @bookclubreviewpodcast Web Our full archive of episdoes with shownotes  

Join me as chat with Ferdia Lennon, author of Glorious Exploits, a wonderful debut novel listed in the Theater category on Art In Fiction.View the video on YouTube: https://youtu.be/3ZFFQ4rg4DUGenesis for Glorious ExploitsBased on true events that occurred in Syracuse, Sicily during the Peloponnesian war.The theme of friendship in Glorious ExploitsTheater and research of ancient Greek theater in the writing of Glorious ExploitsTraveling to Greece and Syracuse as part of the research processWhy Euripedes? Discussion of Medea and The Trojan Women, the two Euripedes plays put on by the Athenian soldiers in the quarryThe voice of Lampo and why he sounds IrishThe similarities between Ireland as an island nature separate from and yet related to England, and Sicily also an island separate from and yet related to the culture of GreeceThe size and breadth of the ancient world and its many influencesDiscussion of Ferdia's compelling writing styleHow Lampo's character changes and grows in the novelThe making of the audiobook that Ferdia narratedParallels between Glorious Exploits and our own timeReading from Glorious ExploitsPublication journey of Glorious ExploitsOne thing Ferdia learned from writing his novel that he didn't know beforePress Play now & be sure to check out Glorious Exploits by Ferdia Lennon on Art In Fiction: https://www.artinfiction.com/novels/glorious-exploitsFerdia Lennon's website: https://www.ferdialennon.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

The Bacchae is a parennially popular Greek tragedy that portrays the coming of Dionysus to Greece. The Dionysian strikes Hellas like a wave of madness, and the play is full of miracles, illusions and other violations of the natural order. Often interpreted as a play about the conflict between religious experience and established dogma, or between the old order and the new, The Bacchae continues to fascinate because of the many layers of meaning that belie any easy analysis. We'll briefly discuss Nietzsche's opinion of Euripedes, and the ways in which Euripedes innovated the tragic form. Then we'll dive into the text and analyze the themes of the play.

Everyone from Socrates to Euripedes to Virgil Abloh has commanded us to Question Everything. My guest for this episode, television host and professional interviewer Danielle Robay, figured out early on that questions are a superpower - and all of us can develop and tap into it.  At a critical time in Danielle's career, when she was rebounding from the dream job that turned out to be a soul crushing mistake, she turned her superpower inward, asking herself five thoughtful questions per day, and emerged more confident and more clear and committed to her path. Danielle shares... what she learned from her worst interview ever  what she learned from her mentor Larry King how to prepare for an interview how to ask for an interview and her favorite quote from Shirley Chisholm: Service is the rent you pay for a room on this earth. Watch and listen to Danielle's video podcast PRETTYSMART, her love letter to bold, inquisitive women who have something to say. Stay in touch with Danielle on Instagram at @daniellerobay and check out her other offerings: QUESTION EVERYTHING CARD GAME link for purchase: https://prettysmartshop.com/collections/shop/products/question-everything-card-deck-1 PRETTYSMART podcast link: https://pod.link/prettysmart

Alexandre Garcia comenta a prisão do presidente do Solidariedade, Eurípedes Júnior, o crescimento das escolas cívico-militares, o "cheiro de pedalada" na Previdência e a próxima Medida Provisória que deve dar o que falar.

Brazil UFO Talks O editor do canal Brazil UFO Clayton Feltran, trará para um bate-papo descontraído convidados amigos do canal que têm a ufologia em seu DNA. Últimas notícias Notícias sobre avistamentos e fenômenos anômalos ocorridos no Brasil e no mundo. ___________________ Envie seu áudio, fotos e vídeos para: WhatsApp Brazil UFO +55 11 98436-3637 _________________ UFOLOGIA EM QUIXADÁ Neste programa de domingo receberemos o pesquisador, ufologo e empresário, Robisson Alencar, o Bob Peças como é popularmente conhecido. Desde a infância, Bob percebia coisas diferentes, sempre se deparando com sonhos e percepções que lhe deixavam confusos, mas aos 18 anos começou a ter uma atenção especial para o assunto UFO e passou a pesquisar, estudar e tentar achar explicações para toda a sua sensibilidade com fatos relacionados ao assunto. De acordo com relatos, nos anos 80, convidado por um amigo a conhecer uma jovem quixadaense que dizia ter avistado um OVNI nas proximidades do Açude Euripedes, Bob mesmo com um pouco de receio, foi encontrá-la e segundo ele, na ocasião foram surpreendidos com a presença de um ser extraterrestre, chamado “Tomas” que se apresentou e conseguiu manter contato por alguns minutos, chegando a presenteá-lo com uma pequena pedra energética, ao qual ele guarda até hoje. Desde esse dia Bob passou a se dedicar profundamente à pesquisas ufológicas e a inúmeros relatos ocorridos em Quixadá e região. Tornou-se ícone da ufologia na cidade, sendo referência para vários pesquisadores, contactados, curiosos, estudiosos, imprensa nacional e internacional. Até hoje, quase 40 anos dedicados a estudos ufológicos. E pra você, qual a razão de Quixadá ter tantos casos ufológicos? Você não pode perder o programa! Ao Vivo a partir das 20h15. Brazil UFO Talks Com Clayton Feltran, Riba Menezes, Julio Duque e Robisson Alencar. Faça parte do Eu apoio o Brazil UFO Seja um apoiador do Brazil UFO e nos ajude a trazer conteúdos de qualidade a todos os amigos do canal. Sua ajuda fará toda a diferença. Acesse o site: https://apoia.se/brazilufo e seja um apoiador do canal. Se preferir você pode ajudar via PIX: brazil.ufo.sp@gmail.com https://brazilufo.com #brazilufo #brazilufotalks --- Send in a voice message: https://podcasters.spotify.com/pod/show/brazilufo/message

Programação de estudo do livro - Euripedes o Homem e a Missão. Realização: Centro Espírita Semente Cristã.

ISBW S20 Ep3 Debut author Eilish Quin joins us to talk about her retelling of Euripedes' classic story, Medea, with glorious descriptive prose and a feminist point of view. We talk about hurdles and wins and what to keep in mind when doing a retelling. Evergreen Links I don't talk enough about the I Should Be Writing book. It exists. Did you know that? Mur's newsletter, The Hot Mic Socials: Bluesky, Mastodon, TikTok, Instagram, YouTube, Focusmate. Theme by John Anealio I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! (some book links are affiliate, go here if you can't see the widget) And remember, we can't do this without you. Thanks for your support. February 8, 2024 | Season 20 Ep 3 | murverse.com | CC BY-NC-SA 4.0

Como é maravilhoso poder tocar o seu coração com mais um poesia que inspira Este é um quadro de declamações feitas por MIKAEL MARTINS Aqui para o somos poetas Você é quem faz a nossa audiência, aqui valorizamos todo tipo de literatura Brasileira. Com ênfase daquela que está mais perto de você, a nossa literatura local. Se gostou deste episódio não se esqueça de nos avaliar. Compartilhe esta poesia com alguém que possa se sentir Tocado por ela. Quer receber a notificação de novos episódios? Siga, assine ou favorite na sua plataforma de podcast favorita. Vambora com ritmo, se anima com uma cantiga, Assim seu coração baterá com harmonia. --- Send in a voice message: https://podcasters.spotify.com/pod/show/somospoetass/message

Everyone from Socrates to Euripedes to Virgil Abloh has commanded us to Question Everything. My guest for this episode, television host and professional interviewer Danielle Robay, figured out early on that questions are a superpower - and all of us can develop and tap into it.  At a critical time in Danielle's career, when she was rebounding from the dream job that turned out to be a soul crushing mistake, she turned her superpower inward, asking herself five thoughtful questions per day, and emerged more confident and more clear and committed to her path. Danielle shares... what she learned from her worst interview ever  what she learned from her mentor Larry King how to prepare for an interview how to ask for an interview and her favorite quote from Shirley Chisholm: Service is the rent you pay for a room on this earth. Watch and listen to Danielle's video podcast PRETTYSMART, her love letter to bold, inquisitive women who have something to say. Stay in touch with Danielle on Instagram at @daniellerobay and check out her other offerings: QUESTION EVERYTHING CARD GAME link for purchase: https://prettysmartshop.com/collections/shop/products/question-everything-card-deck-1 PRETTYSMART podcast link: https://pod.link/prettysmart

No ritmo da cantiga o coração rima com harmonia. O quadro Poesia Que Inspira tem como objetivo Inspirar, Animar, Motivar e melhorar o dia de nossos ouvintes. Nossos Liriamigos. Estamos no Youtube. Estamos em todas plataformas de podcast como Spotify, Deezer, Amazon Music e muitas outras Estamos no Tik Tok e Facebok No instagram com https://www.instagram.com/somos_poetass/ Nao esquece de seguir, comentar, compartilhar e curtir nossos Reels Você pode enviar sua poesia e ela inspirara outras pessoas --- Send in a voice message: https://podcasters.spotify.com/pod/show/somospoetass/message

This is an older episode uploaded as one complete episode, as I've started doing with the multi-part episodes. Support the showEffed Up History is researched, produced, and edited by Krystina YeagerSee my socials @effeduphistorylinktr.ee/effeduphistory

Justin with Bullet Holes in the Bible joins Joshed Raw (Josh) on Gods of Tomorrow to discuss his wild journey from a former messianic Torah-observant Bible teacher to an agnostic deconstructionist. He shares his years of study and scholarship, especially around the formation of the early church and its misappropriation of prophecy. In this episode, Josh and Justin talk about the "borrowed" influences from Plato, Dionysus, the Orphics, Euripedes, and more. They conclude the conversation by talking about Jewish prophecies and law, and why Jesus could not have been the Messiah. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/godsoftomorrow/support

Austerity and the dangerously stretched state of the NHS have never cut so deep. And yet, that statement felt just as true back in 2015 when Iphigenia In Splott, Gary Owens' lauded monodrama reimagining of Euripedes' Iphigenia In Aulis, first debuted. It's only right that Iphigenia In Splott is back now, once more starring the phenomenal Sophie Melville as Effie – our Greek heroine via Cardiff. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – until one night gives her the chance to be something more. In Greek myth, the story of Iphigenia is a tragedy: a young girl sacrificed for male hubris, ambition and legacy, and Mickey chats to Sophie about the Iphigenias, the Effies, of today, how they're being sacrificed and why the time is ripe for revolution.Iphigenia In Splott is at the Lyric Hammersmith, London, until October 22. Tickets available here: https://lyric.co.uk/shows/iphigenia-in-splott-2/Support this show http://supporter.acast.com/standardissuespodcast. Hosted on Acast. See acast.com/privacy for more information.

Semiose Podcast é apresentado por Luan Mateus criador do podcast Papo de UX, e David Arty criador do Chief of Design, ambos com experiência em apresentações e entrevistas na área. O Semiose é um podcast sobre design, marketing e tecnologia. Cada episódio traz um ou mais convidados especiais para compartilhar suas experiências sobre os assuntos relacionados em formato de áudio e vídeo. No dia 03/09/22 gravamos um especial diretamente do DEX - Desconferência de Design da Mergo. ______________________________________ Siga o Semiose nas redes sociais: Instagram: https://www.instagram.com/semiosepodcast/ Tiktok: https://www.tiktok.com/@semiosepodcast Spotify: https://open.spotify.com/show/4Kx5VnVpFOKB4JU8aCg85i #podcastbrasil #podcastdesign #semiosepodcast

Now we turn to the effect of Euripedes, and Nietzsche's charge that this tragedian came under the influence of Socrates, and the new form of drama, New Attic Comedy, that followed.

Prize-winning poet and playwright Caroline Bird reminds us that “we're all poets when we're asleep. Writing is trying to find a way to dream while we're awake”. On Bob Dylan: “You always hear him choosing the dark side of the road”; “What I love is that his songs are full of denial. Whenever the emotion gets too real, he runs away” and “He's so naïve about love”. On Mr. Tambourine Man, first heard at age eight: “It goes past the point where he's trying to find a truth”. On Dylan's lyrics: “He holds the pain lightly in order for it to resonate”. On a characteristic she shares with Dylan: “Writing is like dancing on hot sand. You can't stand still”.Simon Armitage said of Caroline: “You don't know if a bullet will come out of the barrel or a flag with the word 'BANG' on it”. We do know that we've rarely had more fun recording a podcast.Caroline Bird was one of the five official poets at the 2012 London Olympics. A two-time winner of the Foyle Young Poets Award, her first collection, Looking Through Letterboxes, was published in 2002 - when she was fifteen. Her 2020 collection, The Air Year, won the Forward Prize and was chosen as a Book of the Year by The Guardian and The Telegraph. Her most recent book, Rookie: Selected Poems (2022) is taken from her first six poetry collections. Caroline's plays include her version of Euripedes' The Trojan Women, The Trial Of Dennis the Menace, Chamber Piece, The Wonderful Wizard of Oz, The Iphigenia Quartet and Red Ellen.WebsiteTwitterTrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating. 

O processo de entrevista varia de empresa para empresa, mas sempre há algo em comum. Em geral, você experimentará as seguintes fases: Triagem por telefone, Entrevista por telefone, Entrevista no local, Outros etapas como desafio, critique, case e a oferta. Mas será que as empresas tem projetado intencionalmente o processo de contratação? A jornada do candidato no processo de recrutamento é fundamental. Precisamos de um processo de contratação que identifique rapidamente os candidatos com o maior potencial, para que possamos agir rapidamente e obter uma oferta se eles forem a pessoa certa para o trabalho. E ao mesmo tempo, os profissionais precam de uma clareza maior sobre a empresa e que tipo de trabalho vão exercer, ou serão exigidos. Tanto as empresas quanto os designers precisam ter claro o que fará que esse encaixe (o tal fit) aconteca. Obviamente, o processo é fundamental, pois é através dele que é possível contratar profissionais de UX com as habilidades, conhecimento e experiência para fazer o trabalho que precisamos. Entregar a estratégia de UX definida. Erros cometidos, por exemplo: Que trabalho o novo contratado fará? Publicação de uma posição genérica Entrevistadores não preparados. Que outros erros e incômodos vocês tem se deparado? Outros links: UX Hiring: The Power of the Screening Question https://medium.com/creating-a-ux-strategy-playbook/ux-hiring-the-power-of-the-screening-question-3ba4855b6ea1 Hiring UX Professionals: 3 Critical Mistakes to Avoid https://jmspool.medium.com/hiring-ux-professionals-3-critical-mistakes-to-avoid-10c41ba41a05 Cracking The UX Design Job Interview https://productdesigninterview.com/ux-design-job-interview-process What to Expect in UX Designer Job Interviews https://uxdesign.cc/what-to-expect-in-ux-designer-job-interviews-c7d031c9619 Is the (UX) Design Hiring Process Broken? https://youtu.be/2KbEV2o88ek Livros indicados: Solving Product Design Exercises: Questions & Answers https://amzn.to/3MMQQn0 Liderança em Design: Habilidades de gestão para alavancar sua carreira https://amzn.to/3MNTHfx UX Design Interviews: The job guide for passing interviews and getting UX Design jobs https://amzn.to/3taB3Xi Qual a sua opinião sobre isso? Esse é o Bom dia UX, um programa feito ao vivo no canal do youtube do Design Team, toda quarta-feira de manhã às 7 horas. * Acesse nosso site * http://www.designteam.com.br * Junte-se ao Telegram * https://bit.ly/3dOea2Y * Assine nosso podcast * https://anchor.fm/designteambr

Message Titled: The Accuser of the Brethren

O líder é uma figura essencial dentro de qualquer negócio. Concorda? Tão grande quanto sua importância é a polêmica instalada em torno da figura do líder. Passamos nossas vidas aprendendo, mas uma parte do que aprendemos são apenas mitos. Assim como há uma infinidade de livros sobre liderança escritos por todo o mundo, muitos mitos sobre a habilidade também são espalhados por aí. Liderança é um dom? Todo gestor é um líder? Líderes sempre possuem as respostas certas? Líderes não falham? O líder é uma pessoa extrovertida? O líder tem que saber “falar bem”? Tanto Tulgan quanto Owen, em seus livros, desconstróem cada uma dessas afirmações. Obviamente, nós do BDUX não faríamos diferente! Convidados: Pipo https://www.linkedin.com/in/euripedesm/ Mayra Sasso https://www.linkedin.com/in/mayrasasso/ Artigos relacionados: 6 mitos sobre liderança nos quais você precisa parar de acreditar – Campal Serviços Contábei 5 mitos sobre liderança que podem atrapalhar seu trabalho 8 mitos sobre liderança em que você deve parar de acreditar Livros indicados: Mitos da Liderança: Descubra por que quase tudo que você ouviu sobre liderança é mito por Jo Owen Mitos da Liderança: Descubra por que quase tudo que você ouviu sobre liderança é mito eBook : Owen, Jo, da Serra, Afonso Celso Cunha: Amazon.com.br: Livros Mitos da Gestão: Descubra por que quase tudo que você ouviu sobre gestão é mito Não tenha medo de ser chefe por Bruce Tulgan Não tenha medo de ser chefe Liderança: mitos e verdades para gestores por Jayr Figueiredo De Oliveira Liderança: mitos e verdades para gestores Qual a sua opinião sobre isso? Esse é o Bom dia UX, um programa feito ao vivo no canal do youtube do Design Team, toda quarta-feira de manhã às 7 horas. * Acesse nosso site * http://www.designteam.com.br * Junte-se ao Telegram * https://bit.ly/3dOea2Y * Assine nosso podcast * https://anchor.fm/designteambr Rafael Burity Linkedin: https://www.linkedin.com/in/rafaelburity Instagram: https://www.instagram.com/rafaelburity/ Twitter: https://twitter.com/rafaelburity Rodrigo Lemes Linkedin: https://www.linkedin.com/in/rodrigolemes Twitter: https://twitter.com/rodrigolemes

Podcasting — The evolution of the musical is upon us.It's time for new works. Scattershot Symphony will now evolve from the past, to the present and into the future. It's inevitable. So here we are at the cutting edge of 21st century musicals – the musical podcast.Today we offer a preview, actually, a better word for that would be a PRELISTEN, to songs from a musical of one of the greatest classics of the theater. Euripedes' Iphigenia In Aulis.  It's an ancient Greek story, but it resonates with today's world completely in that it is the story of a war begun with no purpose except to please a deranged leader's egotistical wishes. Sound familiar?Scattershot Symphony is presented by Watchfire Music. Learn more at watchfiremusic.com 

Join us as we discuss the Savage keyword and their frigid outlook on Malifaux.      Do you like the Black Blood Shaman in a Euripedes crew?    Why or Why not?    What are your feelings on a Candy bomb?       If you're looking for our Patreon it can be found here:  https://www.patreon.com/user?u=48170356

Part 2 of the podcast about that witchy and infamous mother, Medea.This part mainly focuses on the story from the play, Medea by Euripides.  TRIGGER WARNING toxic relationship and murder of children. Contact infoeffeduphistory@gmail.com@effeduphistory on all socialsBook a Tour of Salem, MAhttps://www.viator.com/tours/Salem/Curses-and-Crimes-Candlelight-Tour/d22414-325232P2Buy Me A Coffee:buymeacoffee.com/effeduphistoryInterested in starting a podcast of your own? I highly suggest using buzzsprout to list and post! If you use my affiliate link, you get a $20 amazon gift card after 2 paid months.https://www.buzzsprout.com/?referrer_id=1630084Sources:Medea by Euripides translated by Oliver TaplinLOTS of googling and not writing down sources like a bad researcher.Music:Skeleton Dance by MyuuNightmare by Lee RosevereUnderworld by MyuuSupport the show (https://www.patreon.com/effeduphistory)

All aboard Hades express (no not the train, the boat this time!) as we join Dionysus and Xanthias on their descent into the underworld in search of the saviour of art in Stephen Sondheim’s ‘The Frogs'. It’s been a while since Jimi and Tommy butted heads but it is alive and well in this episode! Euripedes v. Aeschylus; Shaw v Shakespeare; and now Jimi v. Tommy! They talk about the legitimacy of Greek theatre today, whether or not the 2004 was an improvement and debate if this show should ever be performed again. Who will win?! Tune in to find out… Support the Show ➤ The Frogs (2004 Broadway Cast Recording) iTunes / Spotify SHOW NOTES First of all Jimi would like to apologise for the audio difficulties with this episode! Just wanted to get into that 'under the River Styx' vibe... If you’re interested in finding out more about Greek theatre then we are not the people to come to obviously. But here’s a fantastic BBC documentary about Ancient Greek comedy that will do much better. Aeneid Saying that if you’re looking for a good translation of the Aeneid (for some reason) Jimi can’t recommend the Robert Fitzgerald one enough. It’s worth listening to the Library of Congress recording to hear some of the songs that didn’t make it into the 2004 production - also because that way you get to sample Evening Primrose too… Here’s a really cool interview from some creatives who have worked with or just love The Frogs for Sondheim’s 90th birthday celebrations last year. Jimi’s journey into intertextuality has obviously only just begun but this is a good place to start if you want to join him! Tommy can’t recommend ‘The Ground on Which I Stand’ enough. Go read. Now. BIG NEWS! We will be celebrating our 100th episode by recording a LIVE Happy Hour with you! Come and join the party online on the 24th April at 2pm PST/5pm EST/10pm GMT etc.! We've got some big announcements and big giveaways so tweet us your questions and favourite moments using #100HappyHours to be in with a chance of winning! Remember you can come chat to us about the episode on Twitter and Instagram @jimandtomic! Or if you wanna pop OFF then jump into our email inbox at jimandtomic@gmail.com! Or come join us on the discord! A (Weird) Romantic Quatement Looking for love? Have we got the show for you. We’re developing a dating app named after our next show. It pares you with another performer who has played the exact same character in this show. Just here these rave reviews from our two happy couples… Learn more about your ad choices. Visit megaphone.fm/adchoices

Musician, playwright, and performer John Epperson, (lypsinka.com)(IG:@lypsinka)(TW:@lypsinka) who is better known as his lip-synching female alter-ego Lypsinka, was born April 24, 1955, in Hazlehurst, Mississippi. In 1978, after training in classical piano from a young age and attending Belhaven University (at that time Belhaven College) in Jackson, Epperson moved to New York City, where he took a job playing piano for the American Ballet Theatre and began performing in drag. Epperson’s character Lypsinka is a renowned drag artist who lip-syncs to the songs and dialogue of iconic screen sirens and to more obscure audio clips (such as a makeup application recording from the 1950s). Epperson has been praised for the pastiches of dialogue he creates, as Lypsinka’s shows bring new meaning to the lines she ventriloquizes through juxtaposition and gender reversal. One critic estimated that thousands of audio pieces are culled together for each Lypsinka show, calling them “expressionistic and hallucinatory one-act audio wonders.” By 1991 Epperson was able to pursue a career as Lypsinka full time, taking her shows around the country and receiving glowing reviews even from serious theater critics. Lypsinka’s blend of drag humor and performance art—in addition to her skill as a comedian—resulted in unique shows that appeal to fans of drag and comedy, as well as theater and performance art.   Lypsinka’s takes on Joan Crawford, Gloria Swanson, Bette Davis, Elizabeth Taylor, and Lauren Bacall have earned praise from critics and a fervent fan base. Her performances are complex and schizophrenic as she careens between emotional extremes cued by intense lighting changes and the sound of a ringing telephone. In shows like “As I Lay Lip-Syncing” and “The Passion of the Crawford,” Epperson creates a new narrative out of sound clips. Some of these pieces of audio are meant to be recognized by the audience, and some of them are not. Part of Lypsinka’s appeal is her ability to bring elements of drag humor and camp to her performances without disrespecting the figures she emulates—often the screen queens of Old Hollywood. Epperson refuses to bring sexist humor into Lypsinka’s shows, saying, “It’s so easy to do misogynistic drag humor” but he “deliberately trie[s] to avoid that.”   Epperson also works in theater and film outside of performing as Lypsinka, and he has played male characters onstage and in film. He has appeared in several feature films, including Black Swan and Kinsey. He referenced his roots in his update of Euripides’ Greek tragedy Medea, which he adapted to a Jackson, Mississippi, setting. In Epperson’s campy Southern Gothic version, titled My Deah, the protagonist who kills her children to get revenge on her husband. The New York Times wrote, “Although Lypsinka herself is absent from the stage in My Deah, Mr. Epperson brings the same deconstructive and reconstructive skills he uses to showcase that grande dame to his Mad magazine rewrite of Euripides. [H]e has found clever Deep South analogues for the workings of fate that ruthlessly hem in our desperate heroine.”   While Epperson has described growing up in small-town Mississippi as stifling, saying that he “felt like an alien” among his family and experienced bullying from his peers, Mississippi’s culture and artists have clearly influenced some of his work, from My Deah to the title for “As I Lay Lip-Syncing.” A gay bar in Jackson, Mississippi, was the first place Epperson remembers seeing drag queens perform lip-syncing routines, an experience that deeply inspired him although he did not begin performing in drag until he moved to New York years later.   Lypsinka is now considered a foremother of today’s most popular drag artists. She continues to appear and perform at drag events and fashion shows regarded by fans as a legend who influenced contemporary drag performance. Lypsinka’s takes on Joan Crawford, Gloria Swanson, Bette Davis, Elizabeth Taylor, and Lauren Bacall have earned praise from critics and a fervent fan base. Her performances are complex and schizophrenic as she careens between emotional extremes cued by intense lighting changes and the sound of a ringing telephone. In shows like “As I Lay Lip-Syncing” and “The Passion of the Crawford,” Epperson creates a new narrative out of sound clips. Some of these pieces of audio are meant to be recognized by the audience, and some of them are not. Part of Lypsinka’s appeal is her ability to bring elements of drag humor and camp to her performances without disrespecting the figures she emulates—often the screen queens of Old Hollywood. Epperson refuses to bring sexist humor into Lypsinka’s shows, saying, “It’s so easy to do misogynistic drag humor” but he “deliberately trie[s] to avoid that.” Epperson also works in theater and film outside of performing as Lypsinka, and he has played male characters onstage and in film. He has appeared in several feature films, including Black Swan and Kinsey. He referenced his roots in his update of Euripedes’s Greek tragedy Medea, which he adapted to a Jackson, Mississippi, setting. In Epperson’s campy southern gothic version, titled My Deah, the protagonist who cooks her children to get revenge on her husband batters the kids up in a fried chicken recipe. The New York Times wrote, “Although Lypsinka herself is absent from the stage in My Deah, Mr. Epperson brings the same deconstructive and reconstructive skills he uses to showcase that grande dame to his Mad magazine rewrite of Euripides. [H]e has found clever Deep South analogues for the workings of fate that ruthlessly hem in our desperate heroine.” While Epperson has described growing up in small-town Mississippi as stifling, saying that he “felt like an alien” among his family and experienced bullying from his peers, Mississippi’s culture and artists have clearly influenced some of his work, from My Deah to the title for “As I Lay Lip-Syncing.” A gay bar in Jackson, Mississippi, was the first place Epperson remembers seeing drag queens perform lip-syncing routines, an experience that deeply inspired him although he did not begin performing in drag until he moved to New York years later. Lypsinka is now considered a foremother of today’s most popular drag artists. She continues to appear and perform at drag events and fashion shows regarded by fans as a legend who influenced contemporary drag performance.

Musician, playwright, and performer John Epperson, (lypsinka.com)(IG:@lypsinka)(TW:@lypsinka) who is better known as his lip-synching drag queen alter-ego Lypsinka, was born April 24, 1955, in Hazelhurst, Mississippi. In 1978, after training in classical piano from a young age and attending Belhaven University in Jackson, Epperson moved to New York City, where he took a job playing piano for the American Ballet Theater and began performing in drag. Epperson’s character Lypsinka is a renowned drag artist who lip-syncs to the songs and dialogue of iconic screen sirens and to more obscure audio clips (such as a makeup commercial from the 1950s). Epperson has been praised for the pastiches of dialogue he creates as Lypsinka’s shows bring new meaning to the lines she ventriloquizes through juxtaposition and gender reversal. One critic estimated that thousands of audio pieces are culled together for each Lypsinka show, calling them “expressionistic and hallucinatory one-act audio wonders.” By 1991 Epperson was able to pursue a career as Lypsinka full time, taking her shows around the country and receiving glowing reviews even from serious theater critics. Lypsinka’s blend of drag humor and performance art—in addition to her skill as a comedian—resulted in unique shows that appeal to fans of drag and comedy, as well as theater and performance art. Lypsinka’s takes on Joan Crawford, Gloria Swanson, Bette Davis, Elizabeth Taylor, and Lauren Bacall have earned praise from critics and a fervent fan base. Her performances are complex and schizophrenic as she careens between emotional extremes cued by intense lighting changes and the sound of a ringing telephone. In shows like “As I Lay Lip-Syncing” and “The Passion of the Crawford,” Epperson creates a new narrative out of sound clips. Some of these pieces of audio are meant to be recognized by the audience, and some of them are not. Part of Lypsinka’s appeal is her ability to bring elements of drag humor and camp to her performances without disrespecting the figures she emulates—often the screen queens of Old Hollywood. Epperson refuses to bring sexist humor into Lypsinka’s shows, saying, “It’s so easy to do misogynistic drag humor” but he “deliberately trie[s] to avoid that.” Epperson also works in theater and film outside of performing as Lypsinka, and he has played male characters onstage and in film. He has appeared in several feature films, including Black Swan and Kinsey. He referenced his roots in his update of Euripedes’s Greek tragedy Medea, which he adapted to a Jackson, Mississippi, setting. In Epperson’s campy southern gothic version, titled My Deah, the protagonist who cooks her children to get revenge on her husband batters the kids up in a fried chicken recipe. The New York Times wrote, “Although Lypsinka herself is absent from the stage in My Deah, Mr. Epperson brings the same deconstructive and reconstructive skills he uses to showcase that grande dame to his Mad magazine rewrite of Euripides. [H]e has found clever Deep South analogues for the workings of fate that ruthlessly hem in our desperate heroine.” While Epperson has described growing up in small-town Mississippi as stifling, saying that he “felt like an alien” among his family and experienced bullying from his peers, Mississippi’s culture and artists have clearly influenced some of his work, from My Deah to the title for “As I Lay Lip-Syncing.” A gay bar in Jackson, Mississippi, was the first place Epperson remembers seeing drag queens perform lip-syncing routines, an experience that deeply inspired him although he did not begin performing in drag until he moved to New York years later. Lypsinka is now considered a foremother of today’s most popular drag artists. She continues to appear and perform at drag events and fashion shows regarded by fans as a legend who influenced contemporary drag performance.

In this second of a two-part mini series on Euripides, Dr. Fleming takes a look at one of Euripides' plays, Hecuba. What was the lot of women, particularly those involved in the Trojan War, what was the role of blood revenge, and the question of becoming what you chase after are just a few of the themes that Stephen and Dr. Fleming discuss in this episode. Original Air Date: May 2018 Show Run Time: 45 minutes Show Guest(s): Dr. Thomas Fleming Show Host(s): Stephen Heiner

In this first of a two-part mini series on Euripedes, Dr. Fleming discusses what (little) we know about Euripedes, his relationship in the mind of the Greeks to Aeschylus and Sophocles, the themes he most frequently considered, and why he's important for us to study today. Original Air Date: May 2018 Show Run Time: 34 minutes Show Guest(s): Dr. Thomas Fleming Show Host(s): Stephen Heiner https://fleming.foundation/2018/06/euripides-introduction-christianity-and-classical-culture-episode-22/

Guilherme Bonfanti é Light Designer paulista e atua também na atua como Diretor, desde a década de 70, desenvolveu dezenas de projetos de iluminação e direção para produções de todo o país. Destacam-se em seu curriculum entre direção e iluminação óperas, espetáculos de dança, exposições, arquitetura, shows. É um dos fundadores do Teatro da Vertigem junto com Antonio Araujo. Trabalhou com diversos profissionais entre eles: Gabriel Villela, Miguel Fallabela, Jean Claude Bernardet, Paulo Miklos, Titas, Zeca Baleiro, Criolo, O Terno, Helio Eichbauer, Gringo Cardia, Paulo Mendes da Rocha, Isay Weinfeld . Trabalhou na XXIII , XXIV e XXV e XXVII Bienal Internacional de São Paulo, responsável por toda a luminotécnica das exposições , III e V Bienal Internacional de Arquitetura, Mostra do Redescobrimento - Brasil 500 anos Artes Visuais (módulo Sec. XX Arte Moderna e Arte Contemporânea, Arte Afro Brasileira, Imagens do Inconsciente, Séc. XIX bem como a coordenação de todos os projetos luminotécnicos do evento). Na área da moda trabalhou em conjunto com o designer Tato Corbett em eventos de moda , tais como São Paulo Fashion Week e Semana da Moda. Em 2007 amplia ainda mais sua area de atuação fazendo Direção de Fotografia para o filme Hipólito, adaptação de Euripedes. Criou e coordena o primeiro curso de iluminação regular de São Paulo na SP ESCOLA DE TEATRO, sendo um de seus fundadores, com duração de dois anos, desde 2010. Atuou em diversos eventos corporativos; Bradesco, Audi, Fiat, Absolut, Natal do HSBC/Santander em Curitiba etc…Tem larga experiência internacional, tendo trabalhado em Nova York, Chicago, Lisboa, Moscou, Ahrus ( Diamarca ), Wroclaw ( Polonia ), Londres, Berlim, Hong Kong, Koln, Caracas, Bogota, Buenos Aires, Lima, Bélgica, França e Romenia. Recebeu 06 prêmios SHELL de iluminação, 04 APCAs (Associação Paulista dos Críticos de Arte), um Prêmio MAMBEMBE, concedido pela Funarte, um APETESP,um prêmio PANAMCO para teatro Infanto Juvenil, Prêmio Aplauso e inúmeras indicações do Prêmio Shell, Panamco de Teatro Infanto juvenil e Apetesp. A peça 'O Filho' é inspirada em obra de Kafka é baseado na obra 'Carta ao Pai' do escritor tcheco. O espetáculo é baseado numa obra do escritor tcheco Franz Kafka, “Carta ao Pai”, e fala sobre o universo da família e os vínculos que a gente cria durante a vida. A peça foca na figura do filho, que é o protagonista da história, e suas relações com seu pai, sua mãe, mulheres e filhos. “Carta ao Pai” é na verdade uma publicação póstuma de uma carta que Kafka escreveu para seu pai, mas que nunca chegou a ser enviada. A montagem, que tem direção de Eliana Monteiro, foi escrita pelo dramaturgo Alexandre Dal Farra e conta no elenco com Antônio Petrin, Mawusi Tulani, Paula Klein, Rafael Lozano (substituido por Rafael De Bona) e Sergio Pardal. A peça “O Filho” fez parte da Ocupação Karta ao Pai, que aconteceu no galpão do Sesc Pompeia e viajou por diversas cidades do Pais. Ficha técnica: Direção: Eliana Monteiro Texto: Alexandre Del Farra Dramaturgismo: Antônio Duran Atores: Antônio Petrin, Mawusi Tulani, Paula Klein, Rafael Lozano e Sergio Pardal Desenho de Luz: Guilherme Bonfanti Cenografia: Marisa Bentivegna Figurino: Marina Reis Trilha Sonora: Erico Theobaldo Assessoria de Imprensa: Canal Aberto – Márcia Marques

Palestra proferida por Alzira Bessa França Amui, que é educadora e escritora. Dirige o Grupo Espírita Esperança e Caridade com sede no Colégio Allan Kardec, na cidade de Sacramento – MG.

The topos of the tyrant was a rhetorical weapon to defend democracy. The current "authoritarian moment" calls for a renaissance of this rhetorical exercise. A speaker can use "the topos of a tyrant" by recounting and elaborating on "the six vices of a tyrant": suspicion, cruelty, savagery, arrogance, immorality, and avarice. As Cicero stated, "when it comes to preserving the people's freedom, no one is just a private citizen." It is the duty of every citizen to guard against tyranny and from becoming tyrants ourselves.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to announced on-line and streaming local theatre & book events   Bookwaves Tony Horwitz (1958 – May 27, 2019) discusses his most recent book, “Spying on the South,” now out in trade paperback, with host Richard Wolinsky. Recorded May 17, 2019. The author of several books that combine scholarship, history and travel, Tony Horwitz was a one of a kind author. In “Confederates in the Attic,” he looked at Civil War re-enactors in the Deep South. In “Blue Latitudes,” he followed the path of explorer James Cook, visiting islands in the Pacific Ocean. And in “Spying on the South,” now his final book, he follows the path of the young Frederick Law Olmstead, later to design Central Park, as he went down the Ohio and Mississippi Rivers all the way to the Mexican border, seeing how a century and a half has changed the landscape and the people. Ten days after this interview was conducted, Tony Horwitz died of a heart attack in Washington D.C., in the middle of his book tour. An extended 49-minute version of this interview can be found as a Radio Wolinsky podcast. Photos: Richard Wolinsky. Artwaves Mavis Gallant, who died in 2014 at the age of 91, was a Canadian short story writer who spent most of her life in France. During her lifetime, she had 118 stories in the New Yorker, which made her one of that magazine's most published writers. Along the way she did write two novels, but it was because of her shorter fiction that she was very much a writers' writer. A very private person, she only rarely gave interviews – but she did go on a book tour for her short story collection, Across the Bridge, and it's then, on October 6, 1993, that Richard A. Lupoff and Richard Wolinsky had a chance to speak with her. Wikipedia notes that her subject was frequently fascism, in particular about what she called “the small possibilities in people” which leaned them toward fascism. In a roundabout way, she discusses that in this interview. New York Review Books Classics has published several volumes of her stories, most notably The Collected Stories, which features fifty two examples of her best work, and Paris Stories, curated by Michael Ondaatje. Across the Bridge is available in an e-book edition from Amazon. Digitized, remastered and re-edited in August, 2020 by Richard Wolinsky Extended 51-minute Radio Wolinsky podcast.Transcript of a 1999 Paris Review interview with Mavis Gallant.     Announcement Links Book Passage. Conversations with Authors features Susan Minot on Saturday August 22, David Sibley on Sunday August 23, and Akwaeki Emezi on Wednesday August 26, all at 4 pm Pacific. The Booksmith features Eric Hatton at 11 am and Richard Kadrey and Christopher Moore at 6 pm Pacific on Monday August 24, and poets Michael Warr and Chun Yu on Wednesday August 26 at 7 pm Pacific. Bay Area Book Festival features Michael Pollan and Merlin Sheldrake on Entangled Life and the world of Fungi, on Wednesday August 26 at 7 pm. Kepler's Books presents Refresh the Page, on line interviews and talks. Registration required.   Theatre Rhino Live Thursday performance conceived and performed by John Fisher on Facebook Live and Zoom at 8 pm Thursday August 20 is Dickens. San Francisco Playhouse fireside chat Thursday August 20 at 7 pm is Louis Parnell with Susi Damilano, and Monday August 24's Zoomlet play is The Bacchae by Euripedes at 7 pm. American Conservatory Theatre (ACT) begins a series of live then streamed ticketed productions, titled InterAct, starting on September 4 with In Love and Warcraft by Madhuri Shekar. 42nd Street Moon. 8 pm Tuesdays: Tuesday Talks Over the Moon. Fridays at 8 pm: Full Moon Fridays Cabaret. Sundays at 8 pm: Quiz Me Kate: Musical Theatre Trivia. Shotgun Players.  A live stream performance of Quack by Eliza Clark, through August 26 Registration required. Berkeley Rep is having a script discussion starting on Monday August 24, with Bright Half Life by Tanya Barfield, and you can purchase and read the script in advance. Another live performance by Hershey Felder, George Gershwin Alone, airs on Sunday September 13 at 5 pm. Theatreworks Silicon Valley is presenting on Women's Equality Day at 5:30 pm live streamed excerpts from the musical Perfect 36 with book and lyrics by Laura Harrington and music by Mel Marvin. California Shakepeare Theatre (Cal Shakes) has various offerings on its You Tube channel. Mission Cultural Center for Latino Arts new on-line programming series featuring classes, concerts, poetry sessions and more.. Aurora Theatre's A new ticketed audio drama, The Flats, written by Lauren Gunderson, Cleaven Smith and Jonathan Spector, with Lauren English, Anthony Fusco and Khary L. Moye, directed by Josh Costello, will stream this fall, date to be announced. Marin Theatre Company Lauren Gunderson's play Natural Shocks streams through Soundcloud on the Marin Theatre website. Central Works The Script Club, where you read the script of a new play and send comments to the playwright. The August script is Bamboozled by Patricia Milton. A podcast will be posted to the Central Works website on August 25. Lincoln Center Live Through September 8, 2020: Carousel, with Kelli O'Hara & Nathan Gunn. Public Theatre: The Line streams through the website. A radio recording of Richard II is also available through the website. If you'd like to add your bookstore or theatre venue to this list, please write bookwaves@hotmail.com.   . The post Bookwaves/Artwaves – August 20, 2020: Tony Horwitz – Mavis Gallant appeared first on KPFA.

Over and over again, the Stoics remind us how weak we are compared to the force of nature and the whims of nature. Why get angry at the world, Marcus asks—quoting Euripedes—as if the world would notice? Seneca pokes fun at Claudius and his absurd delusion to immortalize himself. His impotent declaration of war against the sea and command to his soldiers to attack the waves with their swords. ***If you enjoyed this week’s podcast, we’d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest into it and make it even better.Sign up for the Daily Stoic email: http://DailyStoic.com/signupFollow @DailyStoic:Twitter: https://twitter.com/ryanholidayInstagram: https://www.instagram.com/ryanholiday/Facebook: http://facebook.com/ryanholidayYouTube: https://www.youtube.com/dailystoic

Welcome to the first episode in our series on Greek drama and The Trojan Women by Euripides. Classicist Thomas Banks will be leading the discussion with Angelina Stanford and Cindy Rollins asking questions and adding their own thoughts along the way. If you enjoy these podcasts, you can also check out the HouseofHumaneLetters.com for the summer intensive on Classical Greek Drama. Thomas begins with some background on the development on Greek drama in history. He also explains the role of the chorus in typical Greek plays in contrast to how Euripides uses it in this play. He then gives us a little biographical information on Euripides and places him, along with the other Greek dramatists, in the context of history. He also talks about the questions of theodicy that come up in The Trojan Women and other of Euripides’ works. Thomas points out some resources to give readers background on Greek mythology and characters you will see in these plays. He continues with a brief overview of the Trojan War. Our host wrap up with some thoughts on the prologue of The Trojan Women. Commonplace Quotes: This the story of my life, that while I lived it weighed upon me and pressed against me and filled all my senses to overflowing and now is like a dream dreamed…..This is my story, my giving of thanks. Wendell Berry Sophocles is wise, Euripedes is wiser, but Socrates is wisest of them all. The Oracle of Delphi The past is a foreign country: they do things differently there. L. P. Hartley The Wife of Flanders by G. K. Chesterton Low and brown barns, thatched and repatched and tattered, Where I had seven sons until to-day, A little hill of hay your spur has scattered. . . . This is not Paris. You have lost your way. You, staring at your sword to find it brittle, Surprised at the surprise that was your plan, Who, shaking and breaking barriers not a little, Find never more the death-door of Sedan — Must I for more than carnage call you claimant, Paying you a penny for each son you slay? Man, the whole globe in gold were no repayment For what you have lost. And how shall I repay? What is the price of that red spark that caught me From a kind farm that never had a name? What is the price of that dead man they brought me? For other dead men do not look the same. How should I pay for one poor graven steeple Whereon you shattered what you shall not know? How should I pay you, miserable people? How should I pay you everything you owe? Unhappy, can I give you back your honour? Though I forgave, would any man forget? While all the great green land has trampled on her The treason and terror of the night we met. Not any more in vengeance or in pardon An old wife bargains for a bean that’s hers. You have no word to break: no heart to harden. Ride on and prosper. You have lost your spurs. Book List: (Amazon affiliate links) Trojan Women by Euripides The Go-Between by L. P. Hartley Hannah Coulter by Wendell Berry The Three Theban Plays by Sophocles The Oresteia by Aeschylus The Bacchae by Euripides Mythology by Edith Hamilton Support The Literary Life: Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support! Connect with Us: You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at https://www.facebook.com/ANGStanford/ Find Cindy at https://cindyrollins.net, on Instagram @cindyordoamoris and on Facebook at https://www.facebook.com/cindyrollins.net/. Check out Cindy’s own Patreon page also! Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Mesa Redonda com diversos profissionais da área de saúde sobre a COVID-19. Assuntos Abordados: - Estatísticas referentes ao Vírus. - Quais fatores devem ser levados em consideração ao analisar os números? - Que fatores podem influenciar os números, tanto para cima quanto para baixo? - Quais as melhores fontes para se manter informado sobre os números da COVID-19? - Atitudes que podem impactar o indivíduo para resistência a COVID-19: Microbiota, Alimentação, Controle do Estresse, Sono Adequado, Exposição ao Sol. Lembrando sempre que essas atitudes são crônicas e não agudas. E que seu efeito não te tornar superpoderoso e imune ao vírus. - Atitudes que podem impactar a coletividade para diminuição da disseminação da COVID-19: Higienização, Água, Sabão, Máscara, Isolamento, Toque. - Nesse momento, o que "Não Fazer" é mais importante do que "O que fazer". - Mitos de "soluções" especiais para Sistema Imune. Participaram dessa Mesa Redonda: Henrique Autran (@HenriqueAutran) Dr. João Vitor Nassaralla (@Dr.Joao.Vitor) Dr. Euripedes dos Reis (@PapoDeReto) Dra. Ana Martha Moreira (@AnaMarthaMoreira) Dra. Denise de Carvalho (@dra.Denise_Carvalho) Dr. Alessandro Barilli (@AlessandroBarilli) Nutricionista Natália Tartuce (@NataliaTartuce) Dra. Luciana Sampaio (@DraLuSampaio) Dra. Vivian Campos (@DraVivianCampos)

Nessa série “The Upside Down” eu mudo de posição e passo de entrevistador para entrevistado. Nesse episódio fui entrevistado pelo Dr. Eurípedes Reis, médico proctologista do Distrito Federal. Falamos sobre formação em Nutrição, Influência da Indústria de Suplementos, O Hackeio da nossa mente pela Indústria de Alimentos Ultraprocessados. Conversamos sobre a Rebelião Saudável e sobre o eBook Cozinha Ancestral.

Pr. Euripedes Mendes - Tema: "Vivendo o propósito". by Catedral da Adoração

Sarah Horrocks does it all: she draws, writes, inks, letters and self-publishes her own comics and is a damn good critic too. We talk about how she makes comics and geek out about everything from the inks of Kyoko Okazaki to the queerness of Euripides to the inks and colors of Vertigo comics. Sarah Horrocks is an Eisner-nominated comic artist and critic from Oklahoma. She has done cover work for various Image and Boom Studio projects, as well as comics for anthologies across a spectrum of publications and publishers including the eisner-nominated Twisted Romance from Image Comics.  She has written critically for Fantagraphics, ComicsAlliance, Study Group Magazine, and The Comics Journal.  She co-hosted the Trash Twins podcast with fellow cartoonist Katie Skelly.  Her major comics works include: Dysnomia, Hecate Snake Diaries, The Leopard, Goro, Euripedes’s The Bacchae, and her latest work Aorta. Most of these can be purchased in either print or digital editions through her site: http://Mercurialblonde.squarespace.com. On:  Teaching herself to draw as an adult"If I’d drawn as a teen I would have bene inspired by Rob Liefeld but I started as an adult so it was Guido Crepax and Egon Schiele""People act like transgender was invented on Tumblr 5 years ago. But it’s in the Euripides. It’s in the Bible."Drawing mechs (& getting me to care about them)The power of ink in comicsAmerica isn't ready for EuripidesManga recommendations Self publishing: how & why. Follow Sarah on Twitter: https://twitter.com/mercurialblonde    

[2019 03 10]Pr Euripedes Mendes Tema Restaurando A Familia by Catedral da Adoração

It's another exciting BEHIND THE LENS this week as we welcome writer/director DAVID BURKMAN, plus, hear film critic debbie elias' exclusive interview with cinematographer ED LACHMAN. In his first feature outing, DAVID BURKMAN tackles the Greek system of the college world with HAZE. A "fictional" work structured much like the story of Dionysus in "The Bacchae" by Euripedes, Burkman's approach is hard-charging and at times no-holds-barred shocking but at the same time eye-opening on issues that face us not only on the college campus but within human nature. Filmmakers will appreciate hearing about the logistic challenges David faced as a first-time feature filmmaker over 90 days of shooting during the course of 18 months, as well as score (complete with intonations of ancient Greek melodies and performance by reconstructed ancient instruments), lensing, and with over 300 hours of footage in hand – editing. But first, take a listen to our exclusive interview with cinematographer ED LACHMAN talking about his latest film, the magical and wondrous WONDERSTRUCK. One of the most unique films of this or any other year, adapted by Brian Selznick from his best-selling novel, director Todd Haynes and Lachman bring the worlds of 1927 and 1977 to life through cinematic techniques and image styles of the respective eras, always focusing on the storytelling. And as always with Ed, it's a fascinating interview, filled with plenty of tech talk for the cinematographers and directors listening. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Colm Toibin, author of “House of Names,” in conversation with Richard Wolinsky. “House of Names” is a retelling of the story of the House of Atreus, the classic Greek tragedy of Agamemnon, Clytemnestra, Electra and Orestes, which formed the basis of plays by Sophocles, Euripedes and Aeschylus, as well as influenced playwrights from Shakespeare to Eugene O'Neill. Colm Toibin is the author of several novels, including “Brooklyn,” recently made into an award-winning film. In this interview he also discusses “Brooklyn” and the upcoming film “Return to Montauk” which recently played at the Berlin Festival, as well as some of the current political resonances of “House of Names.” A shorter version of this interview aired on the KPFA program Bookwaves. The post Colm Toibin appeared first on KPFA.

Wagner and NietzscheMichael Tanner looks at the relationship between two titans of German culture, the 55-year old composer Richard Wagner and the precocious 24-year old philologist, who was destined to become the great philosopher, Friedrich Nietzsche. Out of their heady late-night chats about Schopenhauer, Euripedes and Socrates came Nietzsche's first book, The Birth of Tragedy out of the Spirit of Music. The relationship was to darken and turn sour in later years when Nietzsche accused Wagner of "slobbering at the foot of the cross" in his final opera, Parsifal. But to the end Nietzsche was to regard his encounter with Wagner as one of the most important events of his life.

MP3This week, Euripedes and Namssob make up words like outefficienting in order to answer some emails on our relatively slow news week. Specifically, we demonstrate how to make smart decisions about Undermine Journal pricing data as well as spotting trends on various commodities.Here's the RSS feed for our episodes, and here's the iTunes link. You can also find us on iTunes by searching for "call to auction". To ask a question, simply email calltoauction@gmail.com!We're also now on YouTube. Subscribe to our channel for live shows streamed from Google Hangouts On Air or watch the raw unedited audio from previous shows at http://www.youtube.com/calltoauctionThe opening track is called Change. ~ This feed item is from http://calltoauction.blogspot.com

MP3This week, Euripedes and Namssob finally run through the email queue and we find out that there's not really anything special at the end of the queue. We cover everything from TSM to pricing strategies, specifically for Lightning Steel Ingots. Listen to the show for more details!One of the questions dealt with starting to use TSM from scratch, and Olivia Grace from Wow Insider did a nice starter post and its located here.Here's the RSS feed for our episodes, and here's the iTunes link. You can also find us on iTunes by searching for "call to auction". To ask a question, simply email calltoauction@gmail.com!We're also now on YouTube. Subscribe to our channel for live shows streamed from Google Hangouts On Air or watch the raw unedited audio from previous shows at http://www.youtube.com/calltoauctionThe opening track is called Change. ~ This feed item is from http://calltoauction.blogspot.com

MP3This week, Euripedes and Namssob discuss adapting strategies to constantly changing market conditions, specifically including handling price reset attempts (which is basically developing your strategy when someone else tries to control a market).Here's the RSS feed for our episodes, and here's the iTunes link. You can also find us on iTunes by searching for "call to auction". To ask a question, simply email calltoauction@gmail.com!We're also now on YouTube. Subscribe to our channel for live shows streamed from Google Hangouts On Air or watch the raw unedited audio from previous shows at http://www.youtube.com/calltoauctionThe opening track is called Change. ~ This feed item is from http://calltoauction.blogspot.com

MP3This week, Euripedes and Stede address some of our emails that all seem to ask about gold-making with low (or relatively lower) capital. We also talk briefly about the 5.3 PTR, but as with anything on the PTR, anything and everything could change before 5.3 comes out.Here's the RSS feed for our episodes, and here's the iTunes link. You can also find us on iTunes by searching for "call to auction". To ask a question, simply email calltoauction@gmail.com!We're also now on Youtube. Subscribe to our channel for live shows streamed from Google Hangouts On Air or watch the raw unedited audio from previous shows at http://www.youtube.com/user/calltoauctionThe opening track is called Change ~ This feed item is from http://calltoauction.blogspot.com

MP3This week is a news round-up featuring recommendations for the upcoming 5.2 patch and some catch-up advice. This podcast was originally recorded on Google Hangouts On Air and broadcast live through Youtube. This was our first attempt at using this new system and Euripedes experienced some lag near the end, but we're looking to do live broadcasts from here on in if we can get all the kinks out of this system.Here's the RSS feed for our episodes, and here's the iTunes link. You can also find us on iTunes by searching for "call to auction". To ask a question, simply email calltoauction@gmail.com!The opening track is called Change ~ This feed item is from http://calltoauction.blogspot.com

As Suplicantes de Eurípides, representadas no contexto da Guerra do Peloponeso (431-404 a.C.), resultam numa acutilante e sofrida reflexão sobre as consequências da guerra, de todos os tempos. O coro que dá o título à peça é constituído pelas mães dos sete generais que pereceram no cerco de Tebas, aliados de Polinices quando este pretendeu recuperar o poder ao irmão Etéocles. Em termos mitológicos, portanto, a peça vem no seguimento directo dos Sete Contra Tebas de Ésquilo, do Édipo em Colono de Sófocles e das Fenícias de Eurípides, tratando tema idêntico ao da Antígona de Sófocles – o dever de prestar honras fúnebres aos mortos. O mito é já, contudo, um marco central no Ciclo Épico, com as obras Tebaida e Epígonos, de que nos chegaram apenas escassos fragmentos. O pano de fundo da peça é o santuário de Elêusis, ao qual se deslocam Adrasto, velho rei dos Argivos, e as sete mães suplicantes, para pedir a Etra que convença o filho Teseu a reclamar junto de Creonte os corpos mortos dos sete generais. Relutante a início, Teseu aceita a tarefa. Chega entretanto um arauto tebano que conta a vontade contrária de Creonte, o que leva o rei de Atenas a partir para Tebas com um exército, que sai vitorioso. Os cadáveres entram depois em cena e, quando as mães os depositam na pira, surge Evadne, viúva de Capaneu, que, em delírio de Bacante, deseja morrer com o marido. Apesar dos pedidos do pai, ela acaba por se suicidar e arder com o marido, nas chamas que considera o seu leito nupcial. Num happy end tipicamente euripidiano, surge ex machina a deusa Atena, formalizando o pacto de amizade entre Argivos e Atenienses. A guerra (justa e injusta), a morte, o amor e a defesa da Democracia, são estes os grandes temas que Eurípides apresenta e discute em Suplicantes. Uma peça nem sempre fácil de colocar em cena, mas cuja mensagem – grande mérito da tragédia clássica – é de todos os tempos. Carlos Jesus Tradução: José Ribeiro Ferreira Consultor: José Luís Brandão Figurinos: Maria João Antunes, Inês Santos Sonoplastia: Luís Albuquerque Cenografia: Carlos Santos Luminotecnia: Carlos Santos Elenco Ângela Leão (Etra) Luís Marques Cruz (Teseu) Artur Magalhães (Adrasto) Carlos Jesus Vitor Teixeira Nélson Ferreira Sónia Simões Coro: Carla Braz (Corifeu), Susana Bastos, Ândrea Seiça, Patrícia Ligeiro, Carla Rosa, Carla Correia, Susana Rosa, Verónica Fachada.

Nathan Gilmour moderates a discussion of the flexible, durable genre of tragedy, the ways that the Greeks thought about it and the Renaissance reinvigorated it, and the movies that take advantage of its power. Among the texts, authors, and movies discussed are Euripedes, Aristotle, Seneca, Chaucer, Shakespeare, The Godfather films, John Updike, Fargo, No Country for Old Men, and The Wire.

Nathan Gilmour moderates a discussion of the flexible, durable genre of tragedy, the ways that the Greeks thought about it and the Renaissance reinvigorated it, and the movies that take advantage of its power. Among the texts, authors, and movies discussed are Euripedes, Aristotle, Seneca, Chaucer, Shakespeare, The Godfather films, John Updike, Fargo, No Country for Old Men, and The Wire.

Lecture on Egypt's Hold on the Greek Imagination by Marsh McCall. Ma(November 5, 2007)