Podcasts about golliwogs

John Fogerty, eterno líder de Creedence Clearwater Revival, cumple 80 primaveras este 28 de mayo de 2025. En menos de un mes ofrecerá su único concierto en España en el marco del festival Azkena de Vitoria. Dos excusas perfectas para sobrevolar sus 60 años de trayectoria con especial atención a los discos en solitario que ha desperdigado en el último medio siglo.Playlist;JOHN FOGERTY “Lodi” (The Long Road Home; in concert 2005)CREEDENCE CLEARWATER REVIVAL “Green river” (Green river, 1969)THE GOLLIWOGS “Fight fire” (1966)CREEDENCE CLEARWATER REVIVAL “Proud Mary” (Bayou country, 1969)THE BLUE RIDGE RANGERS “Jamabalaya (On the bayou)” (ST, 1973)THE BLUE RIDGE RANGERS “I ain’t never” (ST, 1973)JOHN FOGERTY “Rock and Roll girls” (Centerfield, 1985)JOHN FOGERTY “Goin’ back home” (Eye of the zombie, 1986)JOHN FOGERTY “Change in the weather” (The Blue Ridge Rangers ride again, 2009)JOHN FOGERTY “Hot Rod heart” (Blue moon swamp, 1997)JOHN FOGERTY “Joy of my life” (Blue moon swamp, 1997)JOHN FOGERTY “Deja Vu (all over again)” (Deja Vu all over again, 2004)JOHN FOGERTY “Gunslinger” (Revival, 2007)JOHN FOGERTY and ZAC BROWN BAND “Bad moon rising” (Wrote a song for everyone, 2013)JOHN FOGERTY “Have you ever seen the rain” (The Long Road Home - in concert 2005)Escuchar audio

Una sesión de viaje, cocinada con cariño y sin ataduras, pensando en melodías y ritmos que hagan más agradable el trayecto.Playlist;(sintonía) THE WAILERS “Roadrunner”CANNED HEAT “Going up the country”KITTY DAISY and LEWIS “Buggin’ blues”HANK SNOW “I’m moving on”THE ROLLING STONES “You gotta move”STEALERS WHEEL “Stuck in the middle with you”THE GOLLIWOGS “Call it pretending”CREEDENCE CLEARWATER REVIVAL “Croos-tie walker”LOU REED “I’m so free”CREAM “I feel free”THE MORELLS “Nadine”BEN VAUGHN “The man who has everything”NRBQ “The same old thing”NICK LOWE “Love so fine”TRAFFIC “Feelin’ alright”KEVIN AYERS “Shouting in a bucket blues”RONNIE LANE “One for the road”Escuchar audio

This week on RITY, to correspond with the upcoming ball drop, our mini theme is The "Ball." I'll be playing songs with the word "ball" in the title... Also, "Kindred Spirits": A collaboration between Johnny Depp and Jeff Beck... The story of how an unfinished Bob Dylan bootleg was transformed into a massive hit... "Soulful Strut" is one of the greatest instrumentals of all-time, but was it really recorded by Young-Holt Unlimited? The answer will surprise you!... Plus deep tracks from Nils Lofgren, Manassas, The Golliwogs, Hoodoo Gurus, Les Dudek, and much more! For more info on the show, visit reelinwithryan.com

This is an UNLOCKED episode. For access to premium episodes, upcoming installments of DEMON FORCES, live call-in specials, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad. In Part 4 of CONTRA VII, Dimitri and Khalid begin exploring the musical origins and Shakespearean career arc of the East San Francisco Bay's most legendary quirked up white boys (and eventual Castle Bank victims) Creedence Clearwater Revival, including: the murky and arguably Islamic roots of blues music in the Mississippi Delta, growing up in the sleepy post-war SF suburb of El Cerrito, Tom and John Fogerty getting blues-pilled by the local black radio stations in Oakland, John getting constantly hit on by Christian Brothers at Catholic school, joining forces with schoolmates Stu Cook and Doug Clifford, becoming Tommy Fogerty and the Blue Velvets, signing with the offbeat dirtbag cawmedy jazz label Fantasy Records in 1963, being forcibly named “The Golliwogs” to ride the Bri'ish Invasion wave, John's unfortunate stint in the US Army Reserves from 1966-68, rebooting as Creedence Clearwater Revival during San Francisco's Summer of Love, John's deep hatred of the MK Silk Topper Grateful Dead scene, his even deeper hatred of LSD, Timothy Leary, and stoner culture, his insistence that they always play sober despite CCR's tactical appeal to the psychedelic crowd on “Suzie Q” and “I Put a Spell on You”, John's assumption of full Stalinist leadership over the band, his growing anxiety that there's “somethin' missing” in Doug's shuffle beat, and the construction of Fogerty's mythical bayou from the violent fever dream swamp of the Vietnam War, the political assassinations of 1968, San Francisco MK culture, and President Richard Nixon.

Swamp rock afficianados, this is your podcast!Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock.  They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction.  But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets."  They changed their name to "the Golliwogs" in 1964, then became CCR in 1967.  The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days.  Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily.  This album went to number 1 on the Billboard 200 charts and remained there for nine weeks.  It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.The group would be prolific, but short-lived.  Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter.  But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.Wayne takes us through this classic album of swamp rock for this week's podcast. Who'll Stop the RainOften considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age.  It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.Run Through the JungleAnother song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle.  This was another double A single release, paired with "Up Around the Bend."  It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."Up Around the BendThis track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend.  It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts.  John Fogerty wrote this song, as he did most of the original CCR tracks.Travelin' BandThis song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard.  The lyrics talk about a band on the road.  It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel. ENTERTAINMENT TRACK:Main theme from the television series “Dark Shadows”A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.  STAFF PICKS:Tears of a Clown by Smokey Robinson & the MiraclesLynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love.  The track was originally recorded in 1966, but not released until 1970.  It topped both the UK charts and the US Billboard Hot 100.  Long Long Time by Linda RonstadtRob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist.  The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.Ain't No Mountain High Enough by Diana RossBruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967.  Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns.  It went to number 1 making it Ross's first number 1 solo hit.Vehicle by The Ides of MarchWayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section.  The vocalist and guitarist for The Ides of March would later become a founding member of Survivor.  General Motors used this song extensively in national advertising, and it will tend to get you driving faster! NOVELTY TRACK:Chicken Strut by the MetersThis novelty song inspired a short-lived dance, and wraps up this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Trigger Warning: Sexual AssualtFrom Black men calling Black women Golliwogs, to recharging sex toys, being scared of going broke and sexual attractons that scare us. Dig deep is the episode all about taking YOU on our journey to building and sustaining a healthy sisterhood. We ask each other a series of tough and often intimate questions for the first time.This episode mentions themes of sexual assault, however does not go into specific details. If this isn't something you'd like to listen to please skip: 28.30min - 32.30min and 38.00 - 42.00.________Hosts: Dr. Leanne Levers (@leebeeja) & Roshan Roberts ( @roshanroberts_) ________

There's a couple of updated remakes, covers, classics and plenty of new tracks on the latest Catching A Wave! The Wheel of Fun, Fun, Fun returns as we play 3 randomly selected covers of The Beach Boys (The Surfaris, Danny Gatton and Ramouns). Beth Riley has a deep track from them too in her Surf's Up: Beth's Beach Boys Break. We spin a tune from The Beatles in our Good Times segment from an album celebrating it's 60th anniversary and we drop a coin in the Jammin' James Jukebox to hear our selection of the week! Both Davie Allan & The Arrows and The Explorers Club have new versions of a couple of tunes from their past. We also spin tunes from Danny B. Harvey, Walter Egan, The Beths, Perry Dear & The Deerstalkers, The Chantays, Thomas Lauderdale & Satan's Pilgrims, The Golliwogs, The Coppertones and The Beyonderers!   Intro music bed: "Catch A Wave"- The Beach Boys   Davie Allan & The Arrows- "Blues Theme" The Beyonderers- "Besieged By Orbs" The Beths- "Watching The Credits" Perry Dear & The Deerstalkers- "Our Man Flint" The Chantays- "Sentimental Guitar"   "Good Time" segment: The Beatles 60th Anniversary of With The Beatles (1963) The Beatles- "Hold Me Tight"   Danny B. Harvey- "Movin' On" The Explorers Club- "Forever" (2023 version)   Surf's Up: Beth's Beach Boys Break: The Beach Boys- "Where Is She" Follow "Surf's Up: Beth's Beach Boys Break" HERE   The Golliwogs- "Instrumental #1" Thomas Lauderdale & Satan's Pilgrims- "Night and Day" Walter Egan- "Surfin' & Drivin'"   Wheel Of Fun, Fun, Fun: Ramouns- "Help Me Rhonda" Danny Gatton- "In My Room" The Surfaris- "Dance, Dance, Dance"   Jammin' James Jukebox selection of the week: Henry Gross- "Shannon"   The Coppertones- "Surf Dog"   Outro music bed: Eddie Angel- "Deuces Wild"

Frank & I wrap up our walk down memory lane this week with a look at Creedence Clearwater Revival--Hall of Famers from 1993. Starting out as the Visions, then the Golliwogs, what a hit-filled latter-part of the 60's and into the '70s they had! This was a program from Season 2 (May '21)...Next week, we kick off Season 8 with all-new episodes--beginning with Hall & Oates. New topics are coming your way as well. Thanks for listening to our "Classic Conversations"!

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara' Frequency at patreon.com/subliminaljihad. In Part 4 of CONTRA VII, Dimitri and Khalid begin exploring the musical origins and Shakespearean career arc of the East San Francisco Bay's most legendary quirked up white boys (and eventual Castle Bank victims) Creedence Clearwater Revival, including: the murky and arguably Islamic roots of blues music in the Mississippi Delta, growing up in the sleepy post-war SF suburb of El Cerrito, Tom and John Fogerty getting blues-pilled by the local black radio stations in Oakland, John getting constantly hit on by Christian Brothers at Catholic school, joining forces with schoolmates Stu Cook and Doug Clifford, becoming Tommy Fogerty and the Blue Velvets, signing with the offbeat dirtbag cawmedy jazz label Fantasy Records in 1963, being forcibly named “The Golliwogs” to ride the Bri'ish Invasion wave, John's unfortunate stint in the US Army Reserves from 1966-68, rebooting as Creedence Clearwater Revival during San Francisco's Summer of Love, John's deep hatred of the MK Silk Topper Grateful Dead scene, his even deeper hatred of LSD, Timothy Leary, and stoner culture, his insistence that they always play sober despite CCR's tactical appeal to the psychedelic crowd on “Suzie Q” and “I Put a Spell on You”, John's assumption of full Stalinist leadership over the band, his growing anxiety that there's “somethin' missing” in Doug's shuffle beat, and the construction of Fogerty's mythical bayou from the violent fever dream swamp of the Vietnam War, the political assassinations of 1968, San Francisco MK culture, and President Richard Nixon.

* The photo on the left is of a great frat - swamp rock group from the bay area called "The Golliwogs." (later known as "Credence Clearwater Revival.".  THEME:  "FRAT ROCK PARTY TIME."PLAYLIST:00:00 | DJ | DICK LEE AND THE ICEMAN00:20 | WHAT I'D SAY | THE BRYMERS01:13 | FIT ME IN | BRYMERS02:41 | GIMME GOOD LOVIN | CRAZY ELEPHANT04:57 | LA BAMBA | BRYMERS08:03 | DO YOU LOVE ME | DAVE CLARK FIVE10:51 | INTERVIEW - DAVE DAVIES | THE KINKS12:59 | YOU REALLY GOT ME | KINKS15:45 | TWIST AND SHOUT | ISLEY BROTHERS18:44 | HANG ON SLOOPY |   22:30 | RED RUBBER BALL | CRYKLE26:20 | CHURCH LEY | JIM WALLER AND THE DELTAS30:25 | COME GET YOUR LOVE | RED BONE34:31 | KICKS | PAUL REVERE AND THE RAIDERS37:09 | IN THE SUMMERTIME | MUNGO JERRY40:36 | MONEY | COACHMEN44:28 | WOOLY BULLY | SAM THE SHAM48:45 | DOUBLE SHOT OF MY BABY'S LOVE | SWINGING MEDALLIONS51:34 | UNCHAINED MELODY | RIGHTEOUS BROTHERS58:02 | NA NA HEY HEY | STEAM59:21 | HOLD ON I'M COMING | BRYMERS"Dick Lee and 60's Garage Rock from California" is a weekly one hour show that features great California Garage Rock along with the hits of the day. The show can be heard on KOOL 100.7 FM-Saturdays-12:00 noon (PST-Hanford, CA), Amsterdam International Radio, WYML 99.9 FM (Chicago), M.A.D. FM - New Zealand, Replay Radio FM (U.K.), Way Out Radio FM (U.K.), Experience FM 103.9 ( Indianapolis), 60's Chart Busters (Cyprus), KCEG (N.D.), Supreme VIB-Z Radio (Jamaica), So Faking Radio (Arizona), KOGY 95 FM-Hawaiian Pacific Radio, The Rock 97.3 (Morro Bay, CA), Atlantic Radio FM (U.K.), Riot Radio (Maryville, IL), Black Hole FM (Milford, CT.), Community Radio-Long Island, (N.Y.), KEWL 98 FM (New Jersey), Akaroa World Radio-90.1 FM (New Zealand), FAB Radio Internation (Manchester, England), Classic Rock XL, (Ontario, Canada), Northern Pirate Radio (U.K.), HD Radio Network, (Dealfield, Wisconsin), KHJ FM 105.3 (Albany, Oregon), Canal Side Radio, (U.K.), Remember Then Radio (U.S.) WRTR(Tuscaloosa, Ala), Sixties City Garage Rock, (U.K.), 57 Chevy Radio (U.S.), NWCZ Radio (Seattle-Tacoma), WCNX 1710 AM (Middletown, CT), KRYZ 98.5 FM (Mariposa, CA), WCSQ 105.9 FM (Cobleskill, NY), Brill 1449 Radio (U.K.), WZPH Radio (Dade City, FL), SG1 Radio (U.K.), Radio Flawless (New York), KWRH (St. Louis, MO), KWCZ (Seattle, WA). KITZ (Gilchrist, OR), KNCP (LA Pine, OR.), KZSR (Paso Robles, CA.) KOWS Radio (Sonoma County/Santa Rosa, CA), Heat FM Radio (NY), Griffiti Radio (U.K.), Bay and Basin 92.7 FM-Australia, ZANJ Radio (Jamaica), Dusty Discs Radio (B.C., Canada), The Phoenix Radio Network (U.K.), KCIW 100.7 FM (Brookings, OR), Q95 Oldies (S.C.), KALH Radio (N.M.), KSHD-FM, (OR), Mystery Train Radio (U.K.), Drive-In-A Go-Go Radio (Ontario, Canada), E.K FM Radio (U.K.), Rebel Radio (U.K.), GR8 Chats Radio (U.K.), Thunder Radio Canada (Ontario, Canada), Total Mixx Radio (Virginia), Veterans Family Radio (U.K.), KSVB 91.4 FM (Big Bear, CA), Destiny Radio (U.K.) Fantasy Radio (U.K.), Curve Radio (U.K.), Beatz Radio (Bangladesh), Ambron Radio (U.K.), Curve Radio (U.K.), Fantasy Radio (U.K.), Ohio Broadcast Network (Columbus, OH), Solar FM (U.K.), Sho Off Radio (U.K.), Max Radio (N.Y.), On Air Hits (TX), Sea Wall Radio (Galvaston, TX), Now Hits Radio (U.K.), Cruize Radio (Australia), Urban Essex Radio (U.K.), Corvette Retro Radio (Athens, Ohio), "HU 1 Radio" (U.K.), "Bulls Eye Radio" (New York), Cofton Radio (U.K.), Radio For Fun (Australia), Sanctuary Radio (Denver, CO), Mad Wasp Radio (U.K.), Kings FM Radio (U.K.), OwlTail.com, Cherokee Nation Radio, AKA Radio, (California), Madness FM Radio (U.K.), Global Community Radio (New York), iHeart Radio, Fish Creek Radio (San Antonio, TX), Chris Max Radio (N.Y.), Hot Tunez Radio (U.K.), QSKY Radio (New York), I.E. Radio (U.S. and U.K.), BHP Radio (U.K.), The Mix 96 FM (La, Ala, Ga, and the U.K.), Ken Versa's Power Hit Radio (Colorado), Radio Hawk (Cornwall, Canada), KMBY 95.9 FM (Monterey, Santa Cruz, Carmel), CABMZK Radio (U.K.), 70's Greatest Hits Radio (U.S.), KFOK Radio (Georgetown, CA), KINT 98 FM (El Paso, TX), Scream Radio (UK), A.M.R. Radio (Atlanta, GA), Seabird Radio (U.K.), Thames Valley Community Radio (UK), Arvada Rocks Radio (Colorado), Shore Shore Radio Blackpool (U.K.), KFOK 95.1 FM (CA), Peak Wireless Radio (U.K.), Your Radio (U.K.), KYXZ 107.9 FM (Grover Beach, CA), "Classic Rock XL" (McElmon Media Group - London and Ontario),  "Cool Vibes Radio (U.K.), 121 Radio (U.K.),  P.V.R. Radio (U.K.), and My Mix 94.3 FM (St. Louis, MO).

Mistakenly thought to be from Down South (or The Bayou) by many, this Bay Area quartet rocked the music of the swamp like they were born to it. Follow their career from their high school days, to the heights of superstar status in the year 1969, with the forces of the Fogerty brothers' sibling rivalry coming out to play. The Almost Birthday Twins stick together, overcoming all obstacles, all the way to the Rock n' Roll Hall Of Fame!Find out out it all played out in this episode!Please check out our sponsors:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/And check our blog about exciting premier events for Danny Garcia's new film, "Nightclubbing!" 

We make a big tip of the hat to an institutional…who turns 77 years old this coming week. John Cameron Fogerty grew up in these parts, growing up in El Cerrito to a second grade teacher and linotype operator for the Berkeley Gazette. He was a part-time Army reservist who, after completing his gig in 1968, formed a band with brother Tom called The Golliwogs and then, eventually, Creedence Clearwater. A talented songwriter clearly influenced by the core elements of gospel, bluegrass, rhythm and blues, country, and (certainly) rock ‘n roll, John's catalog of music, his distinctive vocals, and driving melodies are immediately recognizable, if not for Doug Clifford's percussive direction, then for the rhythm and twang that took a Northern California ensemble sound into the mossy swamps and humid climes of the deeper South. Through a messy transition to his solo career to his late career recognition, John Fogerty is a legend and our show today takes some time to reflect…with music from contemporaries, solo efforts new and old, and most certainly a collection of Creedence classics. Tune in.

Gestur þáttarins að þessu sinni er Grímur Atlason framkvæmdastjóri Geðhjálpar. Hann mætir með uppáhalds Rokkplötuna klukkan 21.00. Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er fyrsta plata Creedence Clearwater Revival sem er samnefnd hljómsveitinni. Hún kom út þennan dag fyrir 53 árum eða árið 1968 auk þess sem John Fogerty leiðtogi sveitarinnar á afmæli í dag, hann er 76 ára. Hann var 22 ára þegar þessi fyrsta plata Creedence kom út. Creedence Clearwater Revival hét upphaflega The Golliwogs og Golliwogs var búin að gefa út slatta af lögum á sjöunda áratugnum áður en nafninu var breytt í Creedence Clearwater Revival og fyrsta stóra platan kom út. Árið 1967 keypti Saul nokkur Zaentz plötufyrirtækið Fantasy Records sem hafði gefið út allar litlu plöturnar með Golliwogs. Hann hafði trú á hljómsveitinni og bauð strákunum að taka upp og gefa út stóra plötu ef þeir myndu breyta nafni hljómsveitarinnar. Það var þá sem þeir tóku upp nafnið Creedence Clearwater Revival. Við þessa breytingu tók John Fogerty eiginlega við stjórn hljómsveitarinnar. Hann samdi öll lögin, hann söng og hann stjórnaði upptökunum, en í Golliwogs hafði Tom bróðir hans verið söngvarinn. Platan náði 52. sæti bandaríska vinsældalistans á sínum tíma, seldist þokkalega en gagnrýnendur voru þeim ekki mjög hliðhollir. Í dómi í Rolling Stone segir gagnrýnandi að eini ljósi punkturinn í hljómsveitinni sé John Fogerty. Hann sé yfir meðallagi söngvari og þokkalegur gítarleikari en þar með sé það upptalið. Trommarinn er mónótónískur, bassalínurnar lítið spennandi og ryþmagítarinn heyrist varla. Í seinni tíð hafa dómar verið aðeins jákvæðari þó svo flestir séu sammála um að lagasmíðar Fogerty?s áttu eftir að vrða mun betri á plötunum sem fylgdu í kjölfarið, en John Fogerty samdi næstum öll lögin á öllum sjö plötum Creedence Clearwater Revival.

Gestur þáttarins að þessu sinni er Grímur Atlason framkvæmdastjóri Geðhjálpar. Hann mætir með uppáhalds Rokkplötuna klukkan 21.00. Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er fyrsta plata Creedence Clearwater Revival sem er samnefnd hljómsveitinni. Hún kom út þennan dag fyrir 53 árum eða árið 1968 auk þess sem John Fogerty leiðtogi sveitarinnar á afmæli í dag, hann er 76 ára. Hann var 22 ára þegar þessi fyrsta plata Creedence kom út. Creedence Clearwater Revival hét upphaflega The Golliwogs og Golliwogs var búin að gefa út slatta af lögum á sjöunda áratugnum áður en nafninu var breytt í Creedence Clearwater Revival og fyrsta stóra platan kom út. Árið 1967 keypti Saul nokkur Zaentz plötufyrirtækið Fantasy Records sem hafði gefið út allar litlu plöturnar með Golliwogs. Hann hafði trú á hljómsveitinni og bauð strákunum að taka upp og gefa út stóra plötu ef þeir myndu breyta nafni hljómsveitarinnar. Það var þá sem þeir tóku upp nafnið Creedence Clearwater Revival. Við þessa breytingu tók John Fogerty eiginlega við stjórn hljómsveitarinnar. Hann samdi öll lögin, hann söng og hann stjórnaði upptökunum, en í Golliwogs hafði Tom bróðir hans verið söngvarinn. Platan náði 52. sæti bandaríska vinsældalistans á sínum tíma, seldist þokkalega en gagnrýnendur voru þeim ekki mjög hliðhollir. Í dómi í Rolling Stone segir gagnrýnandi að eini ljósi punkturinn í hljómsveitinni sé John Fogerty. Hann sé yfir meðallagi söngvari og þokkalegur gítarleikari en þar með sé það upptalið. Trommarinn er mónótónískur, bassalínurnar lítið spennandi og ryþmagítarinn heyrist varla. Í seinni tíð hafa dómar verið aðeins jákvæðari þó svo flestir séu sammála um að lagasmíðar Fogerty?s áttu eftir að vrða mun betri á plötunum sem fylgdu í kjölfarið, en John Fogerty samdi næstum öll lögin á öllum sjö plötum Creedence Clearwater Revival.

Gestur þáttarins að þessu sinni er Grímur Atlason framkvæmdastjóri Geðhjálpar. Hann mætir með uppáhalds Rokkplötuna klukkan 21.00. Vinur þáttarins sendir pistil og lag og óskalagasíminn opnar kl. 20.00 - 5687123. Plata þáttarins sem við heyrum amk. þrjú lög af er fyrsta plata Creedence Clearwater Revival sem er samnefnd hljómsveitinni. Hún kom út þennan dag fyrir 53 árum eða árið 1968 auk þess sem John Fogerty leiðtogi sveitarinnar á afmæli í dag, hann er 76 ára. Hann var 22 ára þegar þessi fyrsta plata Creedence kom út. Creedence Clearwater Revival hét upphaflega The Golliwogs og Golliwogs var búin að gefa út slatta af lögum á sjöunda áratugnum áður en nafninu var breytt í Creedence Clearwater Revival og fyrsta stóra platan kom út. Árið 1967 keypti Saul nokkur Zaentz plötufyrirtækið Fantasy Records sem hafði gefið út allar litlu plöturnar með Golliwogs. Hann hafði trú á hljómsveitinni og bauð strákunum að taka upp og gefa út stóra plötu ef þeir myndu breyta nafni hljómsveitarinnar. Það var þá sem þeir tóku upp nafnið Creedence Clearwater Revival. Við þessa breytingu tók John Fogerty eiginlega við stjórn hljómsveitarinnar. Hann samdi öll lögin, hann söng og hann stjórnaði upptökunum, en í Golliwogs hafði Tom bróðir hans verið söngvarinn. Platan náði 52. sæti bandaríska vinsældalistans á sínum tíma, seldist þokkalega en gagnrýnendur voru þeim ekki mjög hliðhollir. Í dómi í Rolling Stone segir gagnrýnandi að eini ljósi punkturinn í hljómsveitinni sé John Fogerty. Hann sé yfir meðallagi söngvari og þokkalegur gítarleikari en þar með sé það upptalið. Trommarinn er mónótónískur, bassalínurnar lítið spennandi og ryþmagítarinn heyrist varla. Í seinni tíð hafa dómar verið aðeins jákvæðari þó svo flestir séu sammála um að lagasmíðar Fogerty?s áttu eftir að vrða mun betri á plötunum sem fylgdu í kjölfarið, en John Fogerty samdi næstum öll lögin á öllum sjö plötum Creedence Clearwater Revival.

RockerMike and Rob discuss the history of Creedence Clearwater Revival also referred to as Creedence and CCR, were an American rock band which recorded and performed from 1967 to 1972. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs. CCR's musical style encompassed roots rock,swamp rock,blues rock,Southern rock,and country rock.Despite their San Francisco Bay Area origin, the band played in a Southern rock style, with lyrics about bayous, catfish, the Mississippi River and other popular elements of Southern United States iconography. The band's songs rarely dealt with romantic love, concentrating instead on political and socially conscious lyrics about topics such as the Vietnam War.The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there. https://mobile.twitter.com/TheOfficialCCR?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor https://www.facebook.com/CCR?refsrc=https%3A%2F%2Fm.facebook.com%2FCCR&_rdr https://creedence-revisited.com/ https://open.spotify.com/artist/3IYUhFvPQItj6xySrBmZkd https://www.amazon.com/Chronicle-Greatest-Creedence-Clearwater-Revival/dp/B000000XB9 https://rockbandmerch.com/collections/creedence-clearwater-revival?gclid=Cj0KCQjwppSEBhCGARIsANIs4p7_LsNAwXciVSy-M5ryFnv34Ag06wTIt7Dczp1qlN7tDENDoTu7Q6waAlevEALw_wcB https://www.instagram.com/accounts/login/ https://music.apple.com/us/artist/creedence-clearwater-revival/2083606 https://www.iheart.com/artist/creedence-clearwater-revival-35051/ https://ccrstore.shop/ https://johnfogerty.com/ Please follow us on Youtube,Facebook,Instagram,Twitter,Patreon and at www.gettinglumpedup.com https://linktr.ee/RobRossi Get your T-shirt at https://www.prowrestlingtees.com/gettinglumpedup And https://www.bonfire.com/store/getting-lumped-up/ Subscribe to the channel and hit the like button --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/rob-rossi/support https://itunes.apple.com/us/podcast/getting-lumped-up-with-rob-rossi/id1448899708 https://open.spotify.com/show/00ZWLZaYqQlJji1QSoEz7a https://www.patreon.com/Gettinglumpedup #creedenceclearwaterrevival #crochet #thecreative #crystals #creativephotography #peoplescreatives #creativelifehappylife #creative #cream #musicvideo #musicindustry #musicislife #musiclover #musician #musiclife #music #musicstudio #musicproducer #musicphotography --- Support this podcast: https://anchor.fm/rob-rossi/support

RARE & SCRATCHY ROCK 'N ROLL_129 – “ORIGINAL NAMES OF 30 FAMOUS ROCK & RHYTHM & BLUES GROUPS” Many of the greatest vocal groups and bands were known by different designations before they found fame using the names by which we know them now. Tracing those antecedent aliases is one of the most interesting and fun parts of rock and roll history. We’ll spotlight 30 of those acts on this episode. Along the way, we’ll identify the vocal groups and bands who used such pseudonyms as the Beat Brothers, Golliwogs, Little Boy Blue & The Blue Boys, The Parliaments, The Four Graduates, the High Numbers, Redwood, Wicked Lester, Shine, The Matadors, The Pigeons, Darrell & The Oxfords, Kenny & The Cadets, and Brave Belt, among others. One vocal group, in particular, set the record for the most stage names by a big-name act – 18 in all. And one family of record labels – Motown – was home to four celebrated sets of performers who parlayed their adopted appellations into solid gold.  

DJ Kingblind presents- The Big Beat online radio show-(Epi 18) This week we talk about & play the best music in a themed Dj set called "I ate an edible and now I feel like I'm in a Wes Anderson Film" A soundtrack to a film that doesn't exist.  The films of Wes Anderson don't just share a visual aesthetic; they're also very much bound by musical inclinations that equally inform his oeuvre. And when it comes to matching music to film, Anderson excels in creating moments that stick in the mind, forever associated with their accompanying songs. Visit us online at www.djkingblind.com or search DJ Kingblind in your favorite podcast app. SIDE NOTE: The ad you hear at the beginning of the episode is for a band called the The Golliwogs. The Golliwogs were an American rock band that later evolved into Creedence Clearwater Revival. https://en.wikipedia.org/wiki/The_GolliwogsHere is a great example of Wes Anderson using a music to enhance a scene in one of his films, The famous fighting pirates scene from Life Aquatic With Steve Zissou.https://www.youtube.com/watch?v=XQbhuxiyv5cSupport the show

We are in Quarter 2 of 2003! I admit my brief obsession with the musical Rent!, as well as being immersed with Nuggets, London Calling the album...and I reveal my subjective favorite song of All Time. And personal anecdotes/asides. Lots of 'em this time. Thanks for listening! Song list: "Rent" by the Cast of Rent!, "Fight Fire" by the Golliwogs, "Complication" by the Monks, "Clocks" by Coldplay, "London Calling" by the Clash, "Couch Potato" by Weird Al Yankovic, "Peacekeeper" by Fleetwood Mac, "I Lie Around" by Paul McCartney and Wings, and "White Lines (Don't Do It) by Melle Mel. --- Support this podcast: https://anchor.fm/musicismyradar/support

Episode 4: Decapitated Morph. Rich is riding high on his newly announced TV success, but will his hubris and champagne drinking bring him crashing down. And what will interrupt him next? There's a special surprise guest star (don't look at the image for the full surprise) and some old friends and Ally and Herring discuss whether President Trump will ever leave, whether Stonehenge is all that impressive, the ownership of dummies, who is the dummy? and the offensiveness of Golliwogs. It's a doll heavy episode, but that's why you're watching/listening you perverts. Rich is on holiday now, but should be back next Friday.

Just going to leave this one here. On Facebook? Check out the Somehow Related Group Links to the answerWikipedia Thinking musicDebussy performance  Somehow Related is produced by Nearly, a podcast network.The robot's voice comes from Google Home. They're pretty good.Original theme music by Kit Warhurst.Artwork created by Stacy Gougoulis. Looking for another podcast?Post Pandemic - expert insight into what's ahead after Covid-1910 Questions with Adam Zwar - The same 10 questions with answers that vary wildly.The Clappers - Pop culture insights with Karl Quinn and Andrew Young.See omnystudio.com/listener for privacy information.

Just going to leave this one here.   On Facebook? Check out the Somehow Related Group   Links to the answer Wikipedia   Thinking music Debussy performance     Somehow Related is produced by Nearly, a podcast network. The robot's voice comes from Google Home. They're pretty good. Original theme music by Kit Warhurst. Artwork created by Stacy Gougoulis.   Looking for another podcast? Post Pandemic - expert insight into what's ahead after Covid-19 10 Questions with Adam Zwar - The same 10 questions with answers that vary wildly. The Clappers - Pop culture insights with Karl Quinn and Andrew Young.

Rock and Roll Hall of Fame member Doug Clifford joins us at What Difference Does It Make. Our discussion starts with the Golliwogs, the band that eventually morphed into Creedence Clearwater Revival and leads into Doug's solo album, Magic Window, an album created from recently located tracks and recorded back in 1985. Side note: Doug's audio during our Zoom call was sketchy at best but we know you will still enjoy hearing from this rock legend. Sign up for our monthly newsletter at https://www.wddimpodcast.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wddim/message

ANSIA TÉRMICA echa thermochispas con Lume! «Los discursos de un loco son absurdos con respecto a la situación en la que se encuentra, pero no con respecto a su delirio». Ha de pensar Beibi que la máxima sartriana de marras, ajústase, cual bella horma a two-tone creepers, a su flamante, telephónico convidado de piedra fuego de la tarde-noche de hoy, víspera de la piriomaníaca, onofrita liturgia del día primo del mes tercero del ano de gracia de 2020. En susodicha liturgia, Lume compartirá tablas con Loe Lof Lon, otro francotirador de aúpa. Ansia Térmica, nos allana, pves, el thermocamino que lleva al Arcadia, intentando combatir, al más puro estilo de The Golliwogs fuego con fuego. A las brasas (no piensen mal) de Lume, Beibi, atizará sus melancólicos thermorrescoldos. Escuchen Ansia Térmica y arrimen prestos el ascua a la sardina de la liturgia de SAN ONOFRE. ¿O, por ventura, desean Vstedes salir escaldados?. Avisados quedan, ¿ein? https://www.ivoox.com/podcast-ansia-termica_sq_f1157297_1.html Viernes 28 febrero 2020. 19:30 h Sábado 29. 2:30 y 9:30 h… 107.4 FM yhttp://www.radioarrebato.net

John Fogerty had already picked up some popularity with his band The Golliwogs, but Uncle Sam came a-calling in 1966. In order to avoid being sent to Vietnam, he instead enlisted in the Army Reserves, where he served for a while until he was discharged honorably. In the days that followed the discharge, he wrote a song that he knew immediately would be a hit on the level of the bigger songs of the Tin Pan Alley days. And, given that other artists recorded the same song within a few months of its release, he was correct in that regard. The new owners of their label, Fantasy Records talked the band into changing their name to something a little less offensive in exchange for the opportunity to record a full-length album (rather than the singles they'd been making), and the band, not being fools, agreed immediately. The original name had come from Fantasy's previous owner, so they weren't really married to it anyway. Thus it was that The Golliwogs became Creedence Clearwater Revival, and Bayou Country their first album. Click here for a transcript of this show.

In November 2018, Ace of Cups released their self-titled debut. The album arrived more than 50 years after the band’s formation. With several tours and a second double album on the way, it’s clear the group has every intention of making up for lost time. The groups was an anomaly during its first go-round. The all-female rock quintet shared stages at legendary venues like the Fillmore with the likes of now legendary contemporaries like Jefferson Airplane and the Grateful Dead. They shared a studio with John Fogerty’s pre-Creedence garage band, the Golliwogs. Ex-pat Jimi Hendrix told Melody Maker that the band was his favorite thing about the States. What sounded like a recipe for superstardom had fizzled by the early 70s. With the band reunited, singer and bassist Denise Kaufman joined us to discuss the band, her time with Ken Kesey’s Merry Pranksters and why the Kawaii-based yoga instructor still has hope for the future of humanity.

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

Gestur þáttarins að þessu sinni er Eyþór Ingi Gunnlaugsson söngvari og tónlistarmaður. Hann mætir með uppáhalds ROKKplötuna sína um kl. 21.00. Við heyrum líka splunkunýtt lag með rokkbandinu hans, Rock Paper Sisters. Plata þáttarins er platan Bayou Country, önnur plata Creedence Clearwater Revival, kom út í janúar 1969, fyrsta af þremur plötur sveitarinnar sem kom út það ár. Fyrsta plata sveitarinnar - sem heitir einfaldlega Creedence Clearwater Revival kom út í maí 1968 og þessi svo rúmu hálfu ári seinna. Eftir að hafa verið að ströggla í áratug undir nöfnunum The Blue Velvets og The Golliwogs sendu þeir John Fogerty (söngur og gítar), bróðir hans Tom Fogerty (gítar), bassaleikarinn stu Cook og trommarinn Doug Clifford frá sér plötuna Creedence Clearwater Revival í maí 1968 og þar er að finna fyrsta lagið þeirra sem náði inn á vinsældalista - Suzy Q sem náði 11. Sæti bandaríska listans. Platan fór hæst í 52. sæti breiðskífulistans. Það var alltaf spenna innan hljómsveitarinnar. John Fogerty sem samdi næstum öll lög sveitarinnar vildi fá að ráða ferðinni, en það var ekki almennt samkomulag um það. Það gekk reyndar ágætlega þegar þeir gerðu fyrstu plötuna, en um leið og vinsældirnar bönkuðu uppá og við byrjuðum á annari plötunni, vildu allir fá sinn hluta af kökunni, þá vildi allir fá að syngja, útsetja og semja. Þeir komast semsagt aðeins í sviðsljósið eftir 10 ára baráttu og spilamennsku á skítabúllum úti um allt, og vildu ekki láta tækifærið sér úr höndum renna. Og alls ekki John Fogerty, hann vildi gera allt rétt og hann taldi rétt að halda sínu striki, hann var söngvarinn í bandinu og besti lagasmiðurinn. Hann sagði í viðtali löngu seinna að hann hafi viljað slá í gegn -bara eins og Bítlarnir, en þeir voru allslausir, voru á samningi við pínulítið plötufyrirtæki, voru ekki með umboðsmann og áttu enga peninga. Það eina sem þeir áttu var hljóðfærin og lögin hans. En þrátt fyrir það náðu þeir að slá í gegn. Við heyrum nokkur lög Af Boyou Contry með CCR í kvöld og A+B er að þessu sinni með The Jam. Þar fyrir utan heyrum við í R.E.M. - Neil Young, Teenage Fanclub, Rory Gallagher, Big Star, Sólstöfum, Edda Grön, Baby Voodrose frá Kaupmannahöf, Oasis, Stone Roses, Wilco, 200 frá Færeyjum Jeff Beck Group, Led Zeppelin og svo framvegis.

Ep 009: Kathleen wants a Nissan Rogue. Puppet show podcast. Kathleen is a medium-functioning alcoholic. Louis CK talk. Kelowna trip. 7-11 stories. Kathleen cleans shit at a Starbucks. Your Opa was Don Draper. Kathleen drinks throughout. Kathleen gives a disclaimer. Sean is concerned about 4 star reviews. Hosted on Acast. See acast.com/privacy for more information.

We're starting on the second half! In which we get very fussy about punctuation, express our relief that the Golliwogs changed their name, and wonder how the Sir Douglas Quintet didn't get sued for plagiarism. Also, TWO of these songs contain well-known rock stars in disguise! The Hombres - Let it Out (Let it All Hang Out) The Golliwogs - Fight Fire The New Colony Six - At the River's Edge The Daily Flash - Jack of Diamonds Lyme & Cybelle - Follow Me The Choir - It's Cold Outside The Rare Breed - Beg, Borrow and Steal The Sir Douglas Quintet - She's About a Mover Opening music: The Hector Collectors  https://thehectorcollectors.bandcamp.com/   Closing credits music: Kenneth Kraylie  https://kennethkraylie.bandcamp.com/ https://casinos.bandcamp.com/

A Greater Manchester Antiques shop has been criticized as 'outdated and offensive' for selling 'Nigger money banks' and golliwogs playing musical instruments. http://www.theclassicmetalshow.com - WEBSITE http://www.facebook.com/thecms - FACEBOOK http://www.twitter.com/cmsrocks - TWITTER http://www.spreaker.com/cmsrocks - PODCAST http://www.chatandkill.com - LIVE CHAT http://www.youtube.com/user/CMSClassicMetalShow - Youtube http://bit.ly/cmsiheart - IHEARTRADIO http://www.zazzle.com/cmsmerch - MERCH STORE

A Greater Manchester Antiques shop has been criticized as 'outdated and offensive' for selling 'Nigger money banks' and golliwogs playing musical instruments. http://www.theclassicmetalshow.com - WEBSITE http://www.facebook.com/thecms - FACEBOOK http://www.twitter.com/cmsrocks - TWITTER http://www.spreaker.com/cmsrocks - PODCAST http://www.chatandkill.com - LIVE CHAT http://www.youtube.com/user/CMSClassicMetalShow - Youtube http://bit.ly/cmsiheart - IHEARTRADIO http://www.zazzle.com/cmsmerch - MERCH STORE --- Send in a voice message: https://anchor.fm/cmspn/message Support this podcast: https://anchor.fm/cmspn/support

Guest Description by Mark Latham: These two stuck-up wankers virtue signal over the supposedly "racist" tradition of golliwogs. Let me get this straight - they're not even accurate depictions of black people and yet somehow they're "racist" because of how they depict black people? Another great example of consistency from the Left. Golliwogs are fine! Not one of them ever used memetic Twitter voodoo to incite a jihad or even once hurt my feelings. And I would know it if they had! My skin, while notoriously thick, has been described by more than one doctor as "singularly sensitive". You can have it all. Also, some more Leftist snowflake drivel: They'll have you believe that the welfare of several psychologically pulverised brown (ie: jihadist) children is somehow worth equal consideration to that of our shapely French friends. Has the sight of a child mistreated with the full weight of reactionary Western monstrosity ever made me pathetically cum my pants as I stood up to deliver a speech about how the spread of Middle Eastern food represents discrimination against the proud Australian culinary tradition of doing British food but shit? I don't think so! It was an ad for Dior standing up the back of the room that day, coaxing thin, acrid fluid from the wizened labyrinth of my seminal vesicles and creating a noticeable wet patch on the front of my half-price Roundboy Special suit. It's the Edict of Fontainebleu all over again and I for one will not lie down for the dragonnade! As if that weren't enough, watch these soy-chugging nongs pussyfoot around the headlines: Scott Morrison maybe masterminded this soft-cock spill bungle where the Silent Majority were robbed of their opportunity to have White Knight Peter Dutton come and solve all our problems with a flick of his discerning ivory wrist. These jokers boo-hoo over Morrison calling the putrid CFMEU photo stunt abuse, which it clearly is because these promising white colts deserve the chance to grow into beautiful racists without the influence of their so-called "fathers". They rightfully rag on Identity Left champion Elon Musk, who wants to build more turnstiles for filthy foreigners to jump probably. AND they weigh in on my defamation case, the boobs, the cretins, and they get it all wrong. It is NOT TRUE that I am a gleaming preposterous child, an extremely vulnerable tag of nerve-dense hysteria condensed into the terrible and shapeless form in which my dessicated, putrid brain now resides. Cancel these morons.

James Nokise, friend of the podcast over liquorice tea, on Golliwogs, explaining consent and inherited trauma.

This month it's a AAA+ rated show featuring. Logies. Golliwogs. Hanson in a Burqua. Monsanto Merger. And Super Saturday By-election. A Rational Fear on Patreon: https://www.patreon.com/ARationalFear See omnystudio.com/listener for privacy information.

This week, host Stephen B. Platt is joined by special guests (and married couple!) Dr. Carmen Dohle and Jason Dohle as they review 1971's "Willy Wonka & The Chocolate Factory." Listen in as they discuss Golden tickets, Gobstoppers and Golliwogs.

Olly Mann and The Week delve behind the headlines and debate what really matters from the past seven days. What should we do with Golliwogs? Should we all be watching e-sports? Do scantily clad women really sell cars? Rebecca Gillie, Arion McNicoll and Cameron Tait reveal allWARNING: contains discussion of offensive language

In this episode, Seth and James meet in Wellington at the Museum of New Zealand Te Papa Tongarewa to talk about shops still selling Golliwogs and other races relations in NZ.

Tea Towels, Phone Numbers and Golliwogs. See acast.com/privacy for privacy and opt-out information.

@highhorseradio on the Twitter for any feedback or topics that you'd like discussed... Know nothing know it all's discussing life's big issues with disturbing results... Society, History, Psychology, Sex, Race and Culture are merely starting points for this Fresh and Dangerous show... Fred Nation, J Dot, Andy Establishment and LinQ feature in this our latest episode *136 of the show that moves and goes where it grooves and flows, liberated syndication at it's finest and kindest, you be the judge and definitely don't budge.   Are golliwogs racist?, doll form, biscuit form, where do their roots lie?. It was British soldiers that occupied Egypt near the end of the 19th century. Egyptian workers wore w.o.g.s on the back of their arms, indicating that they were in fact, (working - on - government - services). JDot and LinQ share their first memories/experiences with racism. We talk relationship differences between children and their parents. The hottest 100 here in Australia is a celebration of music and time spent with the fam(ily). It happens every year on the 26th of January. But not anymore according to Triple J , as they say it should be referred to as "Invasion Day" (the panel do not endorse this). A brief history of Australia is brought up and dissected in our rude and crude kinda way, including the panelists view on immigration policies, which are very different and definitely not agreed on.   Everybody who has a feeling of being entitled, should be called on it says Andy Establishment. The word idiot comes from ancient Athens and referred to people that don't care about politics. Trumps comments directly after 9/11 were absolutely terrible and insensitive, ("looks like I have the tallest building now!") but does that really surprise anyone?. LinQ felt his most superior in China and wants to immigrant, thinks that China is the worlds common sense (nothing to do with his short ass feeling tall for the first time). McDonalds and Walmart are the worlds biggest employers, second only to the armed forces of the United States and China.   Apologies for LinQ's burps - not just tonight but in the history of our great unique cutting edge podcast. He's edgy and ahead of the curb in so many ways, but occasionally his arrogance and tunnel vision get the better of him. This episode caps of our biggest month of downloads in High Horse Radio history. So that's a huge positive wouldn't you say?!.   Download and subscribe to this awesome podcast @ libsyn.com + iTunes (@frednations, @andyestablish, @linQhighhorse, @jdotgater)            

News, Crosstalk, a Spotlight/Lava Lamp segment and we tweak The Stupid Knob! News: Beware Mixing The Safari 3 Beta On Mac! de la Mancha Subhuman 2.0 Free Native Instruments Battery 3 Add-ons Free Native Instruments Battery 3 Video Will Robin Thicke Be The First Funky White Boy? Nexoft's LoopAZoid Free Sampler VST! Free Massey Tools Beta Plugin Pack Crosstalk: PandoraJam Andrew Dubber's New Music Strategies Blog Sony New York Music Studio Closing Spotlight/Lava Lamp Special Report Jeff Conner provides audio lava lamp conspiracy proof. Jeff C., Somewhere In Texas Here's video proof of the lava lamp's involvement in Mike Rowe's career (of Dirty Jobs fame): Listen To CAPE Radio At The Womb (Top Of The Page) Answer To Last Week's Trivia Question: Q: This group started off as the Blue Velvets, then they became the Golliwogs, after one more name change, they hit big with swamp rock! By what name are they known today? A: Creedence Clearwater Revival! This week's winner is Utku Alatas from Istanbul, Turkey! Congratulations, you're taking home a copy of Guitar and Drum Trainer courtesy of Ryan Smith over at GuitarAndDrumTrainer.com. Honorable mention goes out to Thomas Rushton, Kevin Doucet, Pete Buchwald and Jesse Osborne. Great job! See you next week! Related Tags: music recording studio home studio project studio mixing protools plugin frappr creative commons digidesign mix it like a record project studio network bob brooks unsung heroes of the music business the stupid knob lane sumner safari 3 de la mancha subhuman native instruments batter 3 robin thicke bet awards beyonce nexoft loopazoid john legend steven massey massey plugins massey tools pandorajam andrew dubber new music strategies sony jeff connor mike rowe qvc dirty jobs blue velvets golliwogs creedence clearwater revival