Podcasts about credence clearwater revival

Another weekend quickly approaches. Tomorrow, Friday, we end the podcast recording week with our spotlight artists @The Lunar Laugh, THREE more artists from “Pop Garden Radio Presents Commotion – A Tribute To John Fogerty & Credence Clearwater Revival”, and @Screeching Weasel! As hour three draws to a close on Friday, I'll introduce you to NEXT week's featured artists @Suburban Hi Fi, @Chris Church, and @The Split Squad. The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Belter Radio, Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!April 17, 2025, Thursday, book three…@The Knack - I Want Love [Retrospective - The Best Of The Knack]@Nick Frater - Holding On To You [Full Fathom Freight-Train] (@Great Sheiks Music)@Jeremy Morris - Lessons Learned [Pop Overflow] (jamrecordings.com)@The Smithereens - Room Without A View@Screeching Weasel - Bleed Through Me [Some Freaks Of Atavism] (@Rum Bar Records)@The Bloodrush Hours - The Spaces That We Have Made [Who Folds First]@Seth Swirsky - Movie Set [Watercolor Day]@Jason Falkner - This Life Of Mine [I'm OK, You're OK]@The Lunar Laugh - This Must Be The Place [Requested Materials]@Chris Von Sneidern – Sun [Wood + Wire]@Theatre Royal - Locked Together On The Lines [Singles 2010-18] (koolkatmusik.com)@Swingerhead - She Could Be A Spy [She Could Be A Spy]@Irene Pena - Proud Mary [Pop Garden Radio Presents Commotion - A Tribute To John Fogerty & Credence Clearwater Revival]@Dwight Twilley Band - Baby, Let's Cruise [Sincerely]@The Flashcubes Featuring @Mimi Betinis - Baby It's Cold Outside [Pop Masters] (@Big Stir Records)@David Brookings & The Average Lookings - Place We Can Go [David Brookings & The Average Lookings]@Brandon Schott - Thank You For Being A Friend [Drink A Toast To Innocence- A Tribute To Lite Rock] (@Curry Cuts)

Proximamente se van a cumplir 4 años desde que el CUENTA KILOMETROS se puso en marcha, y el segundo PODCAST que publicamos se lo dedicamos a la C.C.R., recuperando las versiones originales de los temas que incluyeron en su discografía de otros autores. Ahora, pasado mas de cuatro años, hemos querido hacer un programa dedicado a ellos y a la trascendencia que supuso la aparición de la CCR a nivel musical y social. No es un programa de analisis de su discografia, simplemente es un programa para recordarles y lo hacemos a traves de la siguiente PLAYLIST: 1.I Put a Spell On You. 2. Get Down Woman. 3. Born On The Bayou. 4. Proud Mary. 5. Green River. 6. Bad Moon Rising. 7. Fortunate Son. 8.Down On The Corner. 9. Don't Look Now. 10. Before You Acuse Me. 11. Travelin' Band. 12. Hey Tonight. 13. Have You Ever Seen The Rain. Si te gusta este PODCAST, te invitamos a suscribirte, es GRATIS¡¡ Un pequeño gesto que ayuda mucho a una mayor y mejor difusión de estos podcast y por lo que te estaré eternamente agradecido. Si estás en la zona de Canarias, mas concretamente Sta. Cruz de Tenerife provincia, tambien nos puedes escuchar en la red de emisiora de ATLANTICO RADIO, en directo, los domingos de 20 a 21 Horas, solo pinchando en el link Si te gusta este PODCAST, te invitamos a suscribirte, un pequeño gesto que ayuda mucho a una mayor y mejor difusión de estos podcast y por lo que te estaré eternamente agradecido. Desde este próximo domingo, tambien nos puedes escuchar en la red de emisiora de ATLANTICO RADIO, en directo, los domingos de 20 a 21 Horas, solo pinchando en el link https://www.atlanticoradio.com/en-vivo/ Si quieres estar más cerca de nosotros, te puedes unir a nuestro Canal de TELEGRAM https://t.me/+5IV98Zpga5IyNjY0 O bien seguirnos en Instagram https://www.instagram.com/cuentakilometrosradio/?hl=es-es Dirección email info@cuentakilometrosradio.es

TALK TO ME, TEXT ITWhy is Kevin Spacey risking it all to stay in his foreclosed Baltimore mansion? And what's behind the shocking allegations against Brent Clifford, son of Credence Clearwater Revival drummer Doug Clifford? Get ready for an explosive start to our latest episode as we dissect these celebrity dramas and crime stories that have gripped the headlines. From Spacey's standoff with investor Sam Asgary to the disturbing accusations surrounding Brent Clifford, we leave no stone unturned in this gripping discussion.Switching gears, we pour into the importance of hydration, especially as we age. Ever wondered how much water you really need to stay healthy? I'll share my personal hydration habits, including my trusty Stanley cup, and debate whether the commonly recommended water intake levels make a difference. If you're looking for a mix of celebrity intrigue and practical health advice, this is the episode for you. Tune in tomorrow for another round of engaging discussions! Exit bumper Not A Democracy Podcast Network made by @FuryanEnergySupport the Show.Tip Jar for coffee $ - Thanks Blog - Carol ReMarksX - Carol ReMarks Instagram - Carol.ReMarksFacebook Page - Carol ReMarks Blog

Here is the music of Little Richard, Led Zeppelin, Howlin' Wolf, Guitar Slim and more. Also a set of music from Woodstock including Credence Clearwater Revival, Santana and Ten Years After live at Woodstock. Enjoy and send me any requests for next Thursday's Bluesland on KMRE 88.3 FM.

Brněnský Kern byla jedna z nejpopulárnějších heavy metalových a později hard rockových domácích formací zejména 80. a později i 90. let. Jejich frontmanem byl v letech jejich největší slávy Jaroslav Kronek, přezdávaný Albert. S ním skupina vydala své největší hity jako Blízko nás nebo Exploze snů, které bodovaly i v tehdejší slovenské televizní hitparádě Triangel. Popularita skupiny však postupně uvadala a v roce 2007 Kronek proto ze sestavy odešel. Dnes koncertuje především s Allbandem, který má blízko i k jeho milovaným Credence Clearwater Revival. O tom všem byla řeč v dalším On Air. Podívejte se na celý rozhovor. ON AIR je talk show hudebního publicisty Pavla Kučery s hudebníky a lidmi z hudební branže. Nový díl je uveřejněn každý týden na YouTube kanálu kytary.cz. Facebook: https://www.facebook.com/onairtalks Přehled starších dílů zde: http://bit.ly/VsechnyOnAirRozhovory Starší díly On Air si můžete poslechnout i ve formě podcastů zde: Spotify http://bit.ly/OnAirRozhovorySpotify Apple Podcasts https://podcasts.apple.com/cz/podcast/on-air #rozhovor​ #kern #allband

The hope state of Rhode island presents us with these guests this week:Singer , songwriter and philosopher ( also film maker) Cole Davidson on Monday.Irish folk music on Tuesday with Mary Pierce and Women FolkWednesday the duo of Two Showed Up.Tequila Jim joins us on Thursday.Friday we wrap things up with with Credence Clearwater Revival cover band called Kelly and the Poor Boys.

Johnny Cash was a prolific hitmaker in the mid 50's to early 60's.  In the late 60's  he released a couple of live albums which had crossover appeal:  "Johnny Cash at Folsom Prison," and "Johnny Cash at San Quentin."  By 1969, Johnny Cash had become an international musical success, selling more records than the Beatles at the time.Cash had left his original label, Sun Records, back in 1958.  However, he had left an extensive catalogue of songs with Sam Phillips at Sun.  Given his success and the upcoming Johnny Cash TV show, Sun Records decided it would be a good time to release a compilation of his earlier hits from 1954 through 1958.  This compilation was released on two albums, "Original Golden Hits, Volume I" and "Original Golden Hits, Volume II," which reached numbers 4 and 3 on the US Country charts respectively.  Cash would go on to fame in TV and film in the 70's, and would continue recording up until his death in 2003.While not strictly rock music, the Man in Black was an icon of American music and an inspiration for many in country, rock, and pop genres.  It is also a special memory for Wayne, as he listened to this  8-track as he traveled with his father out of California to Alabama.Wayne takes us through this greatest hits album for today's podcast. Home of the BluesThe inspiration for this song was the "Home of the Blues" record shop on Beale Street in Memphis, Tennessee.  The store which was open from the late 40's until the mid 70's was a place he used to hang out, buy records, and meet other musicians. Hey PorterThis is Cash's first recorded song.  The setting is just after World War II, and the song focuses on a man returning home from overseas who feels elated to be returning to his native South, the last leg of which is by train.  Note that there is no percussion in this song, but Cash played his guitar with dampened strings to acquire a percussive effect.I Walk the LineJohnny Cash's first number 1 hit on the Billboard country charts eventually crossed over to the US pop charts, reaching number 17 and selling over 2 million copies in the United States.  The lyrics reflect temptations and the need to be accountable for your actions.  The frequent key changes make this song distinctive.Get RhythmThis was the B-side to "I Walk the Line."  It was re-released in 1969 as an A-side, and went to number 60 on the Billboard pop chart.   ENTERTAINMENT TRACK:Main theme from the television series “Fat Albert”The origin of Bill Cosby's animated series was an animated primetime television special that first aired on NBC on November 12, 1969.  STAFF PICKS:Birthday by Underground SunshineRob starts off the staff picks with a cover of the Beatles song by a group from Wisconsin.  The band had been around for a few years, but this cover helped them attain greater success.  Their cover made it to number 26 on the Billboard Hot 100.  Down on the Corner by Credence Clearwater RevivalLynch's staff pick is one of the best known songs by CCR.  The song talks about a band called "Willy and the Poor Boys" playing in the street for spare change.  It went to number 3 on the Billboard Hot 100 by the end of 1969.  I Can't Get Next to You by The Temptations Bruce gets us all moving with the number 1 single from David Ruffin, Melvin Franklin, Otis Williams, Eddie Kendricks, and Paul Williams - better known as The Temptations.  This was the second of four number 1 hits from the group, and was written by Norman Whitfield and Barrett Strong for the Motown label. I'm Tired by Savoy BrownWayne's staff pick charted at number 74 on the top 100, and has a very heavy electric blues feel.  Three members of this group out of London would go on to form Foghat.  The group's name came from American Blues label Savoy Records - a name that had an elegant sound.  "Brown" was added as an extremely plain word that contrasted nicely with the elegance of "Savoy." INSTRUMENTAL TRACK:Treat by SantanaSantana would produce a number of excellent instrumental hits during his decades in the rock scene, and this one is from his debut album. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

They are arguably one of the best bands of their era. They were the epitome of "it's better to burn out than to fade away." Now, Lyle Robichaud joins the show to go through all 7 studio albums from CCR and sort through all that greatness to find just one song off each album. How hard was the task? Listen in and find out. www.notthatbadcast.com Facebook - https://www.facebook.com/onlyonecast Social Media - @onlyonecast (X, Instagram, Threads, Bluesky) Learn more about your ad choices. Visit megaphone.fm/adchoices

*  The photo on the left is of a great San Francisco based group called "The Gollywogs."  They later changed their name to "Credence Clearwater Revival."PLAYLIST:00:00 | DJ | DICKIE LEE AND THE ICEMAN00:28 | WHAT I'D SAY | BRYMERS01:13 | DO YOU THINK YOU LOVE ME | BRYMERS03:56 | WHEN WILL I BE LOVED | EVERLY BROTHERS07:07 | GOOD GOLLY MISS MOLLY | LITTLE RICHARD10:00 | WALK DON'T RUN | VENTURES13:13 | FUN FUN FUN | BEACH BOYS16:55 | MR. TAMBOURINE MAN | BYRDS19:55 | FOR WHAT IT'S WORTH | BUFFALO SPRINGFIELD24:24 | GET BACK | BEATLES26:15 | LUCY IN THE SKY | BEATLES27:31 | BORN TO BE WILD | STEPPENWOLF31:32 | INTERVIEW - JOHN BENTON (FOURTH ONCOME) |  36:10 | CHAINS | FOURTH ONCOME39:31 | SATISFACTION | ROLLING STONES44:27 | EVIL WAYS | SANTANA48:36 | YOU REALLY GOT ME | KINKS51:27 | BREAK ON THROUGH | DOORS53:46 | CAN'T HELP MYSELF | FOUR TOPS56:34 | 25 OR 6 TO 4 | CHICAGO58:51 | HOLD ON I'M COMING  | BRYMERS

É uma cover, popularizada pelos Credence Clearwater Revival, chama-se Suzie Q.Talvez por causa da banda sonora de algum filme, associo esta música à guerra do Vietname. Credence Clearwater Revival | Chronicle (LP) | Suzie Q | 1968/1976

Leo Schumaker's "Bluesland" music podcast from October 19, 2023. Here is the music of Credence Clearwater Revival, Jimi Hendrix, Kim Wilson, The Isley Brothers, James Brown, Charlie Musselwhite and more.

What if we told you that the summer of 1967 could hold the secrets to some of the greatest music ever? With our old pals, Scott, Mark and Lou of the Music Relish Show, we rewind time to this iconic year, unearthing fascinating stories and dissecting pivotal moments in music history. From The Doors' groundbreaking debut album to the first Shafa music festival in Central Park, our conversation takes unexpected twists, even as we navigate technical glitches, sharing laughs, and profound insights along the way.Drum roll, please! We explore the importance of drumming in setting the tone of a song, using The Doors' debut album as a case study. Our banter veers from the arrest of Mick Jagger and Keith Richards to the Beatles' promotional film for Strawberry Fields Forever. But it's not all music - we also dive into the movies, TV shows, and pop culture moments that defined 1967. Elvis Presley's Clambake, the anti-war movie You Only Live Twice, and TV classics like Hill Street Blues and Kojak are all up for discussion.Finally, our conversation circles back to the bands that shaped the sound of '67, featuring Credence Clearwater Revival, Fleetwood Mac, and Earth, Wind, and Fire, among others. We debate the controversy surrounding Bob Welch's exclusion from Fleetwood Mac and reflect on the Grammy Award win of Jethro Tull. It's a vibrant, exhaustive discussion that doesn't shy away from personal anecdotes and playful banter. So, sit back, relax, and let us take you on a sonic journey through 1967 - a year that forever changed the face of music and pop culture.

É um tema histórico, um hit da Motown: I heard it trough the grapevine. Foi escrito para Smokey Robinson, a gravação mais popular foi a de Marvin Gaye, a tal do filme os amigos de Alex, que já te trouxe ao vinil. Mas hoje vamos à versão dos Credence Clearwater Revival. Credence Clearwater Revival |

Salty Dog's CIRCLES Podcast, June 2023 We're going round in circles tone hounds! Time to slow down with some mighty fine mess-o-tunes. Kool cuts from Eddie 9V, Moody Smith, Malcolm Holcombe, Bud Rokesky, Matt Joe Gow, Oscar LaDell, Eric Johanson, John Mellencamp, Jesse Dayton, Johnny Winter, The Blow Out, Jen Mize, Credence Clearwater Revival, Jack Nolan, Buddy and Julie Miller, Nathan Seeckts, Liza Ohlback, The Dig 3, Holmes Brothers, Nic MNoss and Dennnis Gruenling, Yates McKendree, Tom Waits, Chris Whitley. TRACK / ARTIST / ALBUM ** Australia 1. Don't Come Around This House / Eddie 9V / Little Black Flies 2. ** Come See Me / Moody Smith N The Speculators / My Time Ain't Long 3. Papermill Man / Malcolm Holcombe / Another Black Hole 4. ** Floodlights / Bud Rokesky / Outsider 5. ** Between Tonight N Tomorrow / Matt Joe Gow / Between Tonight N Tomorrow 6. ** Stop Telling Lies / Oscar LaDell N Chris Armour / Right Kinda Wrong 7. The Deep And The Dirty / Eric Johanson / The Deep And The Dirty 8. The So-Called Free / John Mellencamp / Orpheus Descending 9. Burning House Of Love / Jesse Dayton / Burning House Of Love 10. I Got My Brand On You / Johnny Winter / Hey Where's Your Brother 11. ** Road Song / The Blow Out / Version of You (Sampler) 12. ** What They Don't Know About Me / Jen Mize The Rough N Tumble / Jen Mize The Rough N Tumble 13. I Heard It Through The Grapevine / Credence Clearwater Revival / Cosmo's Factory 14. ** Strange God / Jack Nolan / That's The Sea 15. In The Throes / Buddy N Julie Miller / In The Throes 16. ** Cassette In The Tapedeck / Nathan Seeckts / Something Rare and Beautiful 17. ** Unravelling / Liza Ohlback / Unravelling 18. Double Cross / The Dig 3 / The Dig 3 19. If I Needed You / The Holmes Brothers / 5 Star Piano Blues 20. The Bait In The Snare / Nick Moss N Dennis Gruenling / Get Your Back Into It 21. It Hurts To Love Someone / Yates McKendree / Buchanan Lane 22. Tom Traubert's Blues / Tom Waits / Small Change 23. Frontier / Chris Whitley / Hotel Vast Horizon

The history of the iconic rock band CREEDENCE CLEARWATER REVIVAL (CCR) spans from humble beginnings to their rise to fame and eventual breakup. Best known for a string of top chart hits, CCR has left a lasting impact on the music scene, inspiring fans and musicians alike. Throughout their journey, the band faced numerous challenges and internal conflicts, contributing to the bittersweet nature of their legacy. Even so, the band's music, characterised by its blend of southern rock and roll influences, remains cherished and celebrated today, demonstrating their enduring influence in the music world. During a chat with founder and drummer, DOUG 'COSMO' CLIFFORD, we talk about the success of Credence Clearwater Revival (CCR), originally formed in 1958 and achieving success only after a decade of playing together. The band reached its peak in the early 1970s with fourteen consecutive top ten singles and five consecutive top ten albums. CCR didn't sound like anything else at the time, and Cosmo credits their success to the roots of rock and roll. Comprised of John Fogerty, Tom Fogerty, Stu Cook, and Doug Cosmo Clifford, CCR weathered several name changes before experiencing their meteoric rise in popularity. Cosmo and I discuss various turning points, triumphs, and challenges the band faced during their time together, painting a vivid picture of CCR's incredible journey and what lay behind many of their evergreen hits. Doug Clifford reflects on the band's career and the difficulties they faced due to internal conflict. Tom Fogerty and Stu Cook had a strained relationship with lead singer John Fogerty due to his poor business acumen. The band ultimately disbanded when John gave the ultimatum that he would only sing one third of the songs and the other members would have to do the other two thirds. After Creedence Clearwater Revival disbanded, Tom and Stu started a production company and a remote recording vehicle and rented it out to other bands. They later formed Credence Clearwater Revisited, but had to change the name because John was not a part of it. Despite John suing them, they still won and the whole ordeal was a waste of money. He talks about how the fans were the biggest winners in the end, because they were still able to listen to the band's music. He also mentions how the death of Tom Fogerty in 1990 put an end to the hope of the band reuniting for one last show. Doug wishes he had done things differently, such as getting an entertainment lawyer and a manager to help mend the tensions between Tom and John. He concludes by recommending the book A Song For Everyone: The Story of Credence Clearwater Revival as the best one so far for the band, as it focuses more on the positives than the negatives. "Music, for me, has always been medicine". - Doug Cosmo Clifford 00:01:05 - Doug Cosmo Clifford's Background, Sandy and Doug discuss his new album, "California Gold," and his record label. Doug shares how he came up with the album and how he got Bobby Whitlock to join him. He also talks about how he and Bobby wrote the songs together. 00:18:22 - Credence Clearwater Revival's History, Sandy and Doug discuss the band's history. 00:21:01 - Credence Clearwater Revival's Beginnings, Doug shares the story of how Tom Fogerty brought them into the studio to record a demo 00:22:15 - Getting Started 00:27:25 - Woodstock Festival 00:31:00 - Staying Sober, CCR's success was largely due to the fact that they were sober while other bands were high on drugs. 00:33:00 - Drumming, Cosmo is considered one of the world's best drummers, and his technique involved using martial arts techniques with his wrist to get power. 00:39:35 - The End of CCR 00:41:40 - Overcoming Challenges 00:48:30 - The End of an Era 00:49:28 - Band Legacy Would you like to suggest a guest for this show? Contact me through the website https://www.abreathoffreshair.com.au To learn more about Doug Clifford https://dougcosmoclifford.com/

(Original air date Feb. 10, 2021 - Season Seven Opener) We kick off Season 7 with one of the biggest American rock bands in history, and one of their most iconic albums! Plus we chat with the album's titular inspiration, CCR drummer Doug "Cosmo" Clifford! In this episode: - The “Do Not Play on Radio” list CCR landed on - How CCR's Woodstock performance almost got derailed by a paper rock - Fogerty, California Swamp Rock, and random saxophone solos - Doug “Cosmo” Clifford's new 30+ year old album! --- Check out Rob's new movie+food podcast, Cinema Snack Bar! --- Join us on PATREON for early access, extended interviews, weekly reaction mini-sodes, full bonus shows, and more ways to be part of the show! patreon.com/greatsongpod Visit greatsongpodcast.com for archives, merch, and more! Connect with us on Facebook, Twitter, and Instagram @greatsongpod, and join the Facebook group at Facebook.com/groups/greatsongpod. Patreon Producers: Andrea Konarzewski, Brad Callahan, Ari Marucci, Michael Conley, Peter Mark Campbell, David Steinberg, Randy Hodge, Chaz Bacus, Juan Lopez, Jason Arrowood, Howard Passey, Micah Murphy, Tim Jahr, Christopher Cudnoski, and Pete Kim --- Send in a voice message: https://anchor.fm/greatsongpod/message

Clint Mephisto's Shit Kickin’ Road Show Episode 273, week of March 21st. Sit a spell with your ol’ drankin’ buddy as we go on an hour long bender of vintage classics and modern barn burners from Roy Orbison, Credence Clearwater Revival, Those Poor Bastards, Amigo The Devil and more!

If you love the content, you can buy me a coffee. I love coffee $2.00CashApp: £djcolzz - Donate just $2.00 PayPal- Donate just $2.00 *** Your donation keeps this podcast alive ***                             Look us up on Deezer, Google Podcasts, Amazon Music, Audacy, Boomplay, iHeart Radio, PlayerFM, Gaana, and TuneIn “Electric Thunder Radio”Apple Podcasts “DJColzz” Sensational sounds of the 70s edition 8 include The Motors, Dire Straits, Donna Summer, Cliff Richard, Racey, David Bowie, Credence Clearwater Revival, Yvonne Elliman, Free, and ELO. Over thirty tracks over two hours and all for your listening pleasure. So take a trip back with me now and enjoy the best of the seventies had to present.However, if you feel like dropping a tip to my cashapp, it keeps me able to do more, for you.Enjoy!

Leo Schumaker's "Bluesland" podcast Oct. 27, 2022-Halloween Special. Here is some spooky blues for you including Screaming Jay Hawkins, Credence Clearwater Revival, Johnny Sansone, Doug Mcleod and more. Also some spooky stories and tales of terror. It's free. Just click on the Frankie picture. Boo!

R&SRNR #_168 – “TOP 40 HALLOWEEN HITS COUNTDOWN” For our Halloween spooktacular, we've conjured up a countdown of the 40 greatest trick or treat tunes of all time. The Rare & Scratchy Rock ‘N Roll grooveyard ghouls have scared up monster hits by Bobby “Boris” Pickett, Michael Jackson, the Rolling Stones, the Ramones, Credence Clearwater Revival, Santana, the Eagles, the J. Geils Band, Warren Zevon, Guns ‘N Roses, Annie Lennox, and Donovan among many others. Some of these macabre melodies have been raised from their vinyl resting places for the first time in decades of Halloweens. Our very own Rare & Scratchy Rock ‘N Roll Rockologist, Ken Deutsch, also drops by with some gruesome goodies – "trailers" and radio commercials advertising some of the most horrible horror movies of all time. So wrap some garlic around your podcast player, don't download this show alone in the dark, and listen to it at your own risk for our selection of the 40 greatest undead ditties.

R&SRNR_167 – “THE COMPLETE HIT SINGLES HISTORY OF CREEDENCE CLEARWATER REVIVAL” a staple of radio, satellite, and Internet channels to this very day. Their southern swamp-rock sound belied their San Francisco-area origin. Their show business fantasies became a reality when they signed on with Fantasy – a jazz-focused independent label that didn't rock. But that little company rocked out during this band's peak years when this group's records outsold their idols and contemporaries – the Beatles. You obviously know we're talking about Creedence Clearwater Revival. We'll trace their history beginning with their numerous recordings under other names for almost a decade until they finally found success. Then we'll sample all of their hit singles, along with the original versions of those songs by other artists who inspired them. Plus, some hit remakes by performers who found solid gold with Credence Clearwater Revival originals. Our resident Rockologist, Ken Deutsch, has lots of fun factoids for you. He'll join Radio Dave as  together we present more of the greatest rock and roll stories on record.  Hear it all here.

Greg and Ed discuss the fascinating topic of old Western pop songs that enjoy a shocking degree of popularity in Thailand. For those foreigners who have spent any amount of time in the Land of Smiles, there are just certain songs you are likely to hear over and over again in restaurants and bars. Why these particular songs? Well, the guys just don't know, but do their best to offer some theories. The big three have to be “Hotel California,” “Country Roads,” and “I Will Survive.” Greg suggests that the 1960s and 70s were a seminal period in Thai history when American pop culture was first being absorbed by Thais (see also the Cambodian surf rock sub-culture and its tragic end). Even though much more was to come, perhaps this first wave left an indelible impression on Thai society. Ed likes this explanation, but also suggests that Thais' penchant for folk and country pop and rock music may be due to their melodic catchiness and ‘heart on the sleeve' sentimentality. Why else would Thais like a song about going back home to West Virginia? :) Ed also offers a specific theory about ‘I Will Survive,' that it appeals to Thai women who are bound by Thai culture to be cute and smile no matter what, even though they may be struggling inside. Greg sees this point, but thinks it might be more due to the song's easy to understand lyrics and easy to sing along melody. The boys go through a number of other tunes that are oddly popular in Thailand, including songs by Credence Clearwater Revival, Stevie Ray Vaughn and even an old Hebrew folk song! Let us know what songs we missed and why you think they are so popular in the Land of Smiles.  Don't forget that Patrons get the ad-free version of the show as well as swag and other perks. And we'll keep our Facebook, Twitter, and LINE accounts active so you can send us comments, questions, or whatever you want to share.

This week Jeff will tell you how his best friend Michael Martin made it rain in the park. He shares his experience of talking with girls, being a street corner kid in the neighborhood. There will be so much music to hear and the stories they can tell. Finally, this episode is dedicated to some amazing musical we have lost recently. Don't forget to stay to the end of the episode to hear a great discussion with Jeff and the producer. Enjoy your coffee today or any day with us.IF YOU LIKE THIS WEEKS EPISODE HELP US GROW THIS PODCAST BY RATING, SUBSCRIBE, AND FOLLOW US ON INSTAGRAM @MARYBS5THSON. FINALLY, PLEASE SHARE THIS PODCAST WITH THOSE YOU LOVE TO HELP US CONTINUE TO CREATE CONTENT FOR YOU TO ENJOY EVERY SUNDAY MORNING OR ANYTIME! -IF YOU WANT TO REACH OUT TO US WE WOULD LOVE TO HEAR FROM YOU! PLEASE EMAIL US AT: marybs5son@gmail.com

* The photo on the left is of a great frat - swamp rock group from the bay area called "The Golliwogs." (later known as "Credence Clearwater Revival.".  THEME:  "FRAT ROCK PARTY TIME."PLAYLIST:00:00 | DJ | DICK LEE AND THE ICEMAN00:20 | WHAT I'D SAY | THE BRYMERS01:13 | FIT ME IN | BRYMERS02:41 | GIMME GOOD LOVIN | CRAZY ELEPHANT04:57 | LA BAMBA | BRYMERS08:03 | DO YOU LOVE ME | DAVE CLARK FIVE10:51 | INTERVIEW - DAVE DAVIES | THE KINKS12:59 | YOU REALLY GOT ME | KINKS15:45 | TWIST AND SHOUT | ISLEY BROTHERS18:44 | HANG ON SLOOPY |   22:30 | RED RUBBER BALL | CRYKLE26:20 | CHURCH LEY | JIM WALLER AND THE DELTAS30:25 | COME GET YOUR LOVE | RED BONE34:31 | KICKS | PAUL REVERE AND THE RAIDERS37:09 | IN THE SUMMERTIME | MUNGO JERRY40:36 | MONEY | COACHMEN44:28 | WOOLY BULLY | SAM THE SHAM48:45 | DOUBLE SHOT OF MY BABY'S LOVE | SWINGING MEDALLIONS51:34 | UNCHAINED MELODY | RIGHTEOUS BROTHERS58:02 | NA NA HEY HEY | STEAM59:21 | HOLD ON I'M COMING | BRYMERS"Dick Lee and 60's Garage Rock from California" is a weekly one hour show that features great California Garage Rock along with the hits of the day. The show can be heard on KOOL 100.7 FM-Saturdays-12:00 noon (PST-Hanford, CA), Amsterdam International Radio, WYML 99.9 FM (Chicago), M.A.D. FM - New Zealand, Replay Radio FM (U.K.), Way Out Radio FM (U.K.), Experience FM 103.9 ( Indianapolis), 60's Chart Busters (Cyprus), KCEG (N.D.), Supreme VIB-Z Radio (Jamaica), So Faking Radio (Arizona), KOGY 95 FM-Hawaiian Pacific Radio, The Rock 97.3 (Morro Bay, CA), Atlantic Radio FM (U.K.), Riot Radio (Maryville, IL), Black Hole FM (Milford, CT.), Community Radio-Long Island, (N.Y.), KEWL 98 FM (New Jersey), Akaroa World Radio-90.1 FM (New Zealand), FAB Radio Internation (Manchester, England), Classic Rock XL, (Ontario, Canada), Northern Pirate Radio (U.K.), HD Radio Network, (Dealfield, Wisconsin), KHJ FM 105.3 (Albany, Oregon), Canal Side Radio, (U.K.), Remember Then Radio (U.S.) WRTR(Tuscaloosa, Ala), Sixties City Garage Rock, (U.K.), 57 Chevy Radio (U.S.), NWCZ Radio (Seattle-Tacoma), WCNX 1710 AM (Middletown, CT), KRYZ 98.5 FM (Mariposa, CA), WCSQ 105.9 FM (Cobleskill, NY), Brill 1449 Radio (U.K.), WZPH Radio (Dade City, FL), SG1 Radio (U.K.), Radio Flawless (New York), KWRH (St. Louis, MO), KWCZ (Seattle, WA). KITZ (Gilchrist, OR), KNCP (LA Pine, OR.), KZSR (Paso Robles, CA.) KOWS Radio (Sonoma County/Santa Rosa, CA), Heat FM Radio (NY), Griffiti Radio (U.K.), Bay and Basin 92.7 FM-Australia, ZANJ Radio (Jamaica), Dusty Discs Radio (B.C., Canada), The Phoenix Radio Network (U.K.), KCIW 100.7 FM (Brookings, OR), Q95 Oldies (S.C.), KALH Radio (N.M.), KSHD-FM, (OR), Mystery Train Radio (U.K.), Drive-In-A Go-Go Radio (Ontario, Canada), E.K FM Radio (U.K.), Rebel Radio (U.K.), GR8 Chats Radio (U.K.), Thunder Radio Canada (Ontario, Canada), Total Mixx Radio (Virginia), Veterans Family Radio (U.K.), KSVB 91.4 FM (Big Bear, CA), Destiny Radio (U.K.) Fantasy Radio (U.K.), Curve Radio (U.K.), Beatz Radio (Bangladesh), Ambron Radio (U.K.), Curve Radio (U.K.), Fantasy Radio (U.K.), Ohio Broadcast Network (Columbus, OH), Solar FM (U.K.), Sho Off Radio (U.K.), Max Radio (N.Y.), On Air Hits (TX), Sea Wall Radio (Galvaston, TX), Now Hits Radio (U.K.), Cruize Radio (Australia), Urban Essex Radio (U.K.), Corvette Retro Radio (Athens, Ohio), "HU 1 Radio" (U.K.), "Bulls Eye Radio" (New York), Cofton Radio (U.K.), Radio For Fun (Australia), Sanctuary Radio (Denver, CO), Mad Wasp Radio (U.K.), Kings FM Radio (U.K.), OwlTail.com, Cherokee Nation Radio, AKA Radio, (California), Madness FM Radio (U.K.), Global Community Radio (New York), iHeart Radio, Fish Creek Radio (San Antonio, TX), Chris Max Radio (N.Y.), Hot Tunez Radio (U.K.), QSKY Radio (New York), I.E. Radio (U.S. and U.K.), BHP Radio (U.K.), The Mix 96 FM (La, Ala, Ga, and the U.K.), Ken Versa's Power Hit Radio (Colorado), Radio Hawk (Cornwall, Canada), KMBY 95.9 FM (Monterey, Santa Cruz, Carmel), CABMZK Radio (U.K.), 70's Greatest Hits Radio (U.S.), KFOK Radio (Georgetown, CA), KINT 98 FM (El Paso, TX), Scream Radio (UK), A.M.R. Radio (Atlanta, GA), Seabird Radio (U.K.), Thames Valley Community Radio (UK), Arvada Rocks Radio (Colorado), Shore Shore Radio Blackpool (U.K.), KFOK 95.1 FM (CA), Peak Wireless Radio (U.K.), Your Radio (U.K.), KYXZ 107.9 FM (Grover Beach, CA), "Classic Rock XL" (McElmon Media Group - London and Ontario),  "Cool Vibes Radio (U.K.), 121 Radio (U.K.),  P.V.R. Radio (U.K.), and My Mix 94.3 FM (St. Louis, MO).

This week, Les chats with Billboard chart-topping singer and songwriter Billy Valentine, best known for his work on The Five Heartbeats, “Boston Legal” and “Sons of Anarchy.” Billy is a multitalented performer whose varied career has taken him across the United States and around the world. For five seasons, Billy's singing voice could be heard every week on the ABC-TV series “Boston Legal” from the theme song right through to the end of every episode. “Sons of Anarchy,” the hit FX series, was a home for Billy's voice throughout its seven season run. His unique take on songs by Credence Clearwater Revival, Bob Dylan, and Sly & The Family Stone introduced a whole new audience to his talents. In 1991, director Robert Townsend chose Billy as the lead singer in his film The Five Heartbeats. As a songwriter and vocalist, Billy has collaborated with such greats as Will Jennings, Burt Bacharach, and The Neville Brothers. We discuss his amazing career, as well as his upcoming show at The Chelsea Table and Stage on Saturday, June 8 at 7:00 PM. Tickets are $35, which includes a $15 food and beverage credit. Tickets: https://chelseatableandstage.venuetix.com/show/details/ObtO4N8JSANt6VQXPXJO/1654729200000

We're both officially huge Beatles fans after listening to this album all week. We never understood the level of influence they had on all the music to come after this time period and beyond until we got into the deep non hits. Listen to this podcast to hear how we tie in soundbytes that influenced songs like "Josie" from Steely Dan, "Livin in the USA" by The Steve Miller Band and "Fortunate Son" by Credence Clearwater Revival. This album is really the dawn of progressive and psychedelic music, or as close as you can get to it. Please listen carefully to all of the songs and you can hear so many sounds you've heard before but from other artists. Enjoy. Support the show

We're both officially huge Beatles fans after listening to this album all week. We never understood the level of influence they had on all the music to come after this time period and beyond until we got into the deep non hits. Listen to this podcast to hear how we tie in soundbytes that influenced songs like "Josie" from Steely Dan, "Livin in the USA" by The Steve Miller Band and "Fortunate Son" by Credence Clearwater Revival. This album is really the dawn of progressive and psychedelic music, or as close as you can get to it. Please listen carefully to all of the songs and you can hear so many sounds you've heard before but from other artists. Enjoy. Support the show

Join me this week as I dive into another listener request: the history of the epic music festival, Woodstock. In the summer of 1969, four young men put on what came to be the most memorable music festival of a generation. For four days, thousands of young Americans enjoyed the performances of the artists that came to define sixties: Jefferson Airplane, Credence Clearwater Revival and Jimi Hendrix. But what was the inspiration of Woodstock? How did it come together? And why does it still remain one of the most memorable concerts in history? Tune in to find out all of this and more. For source material, transcripts and the opportunity to request your own topic, please visit the website at www.civicsandcoffee.comSupport the show

Jenn Ford has been singing her entire life.  Born and raised in East Texas, Jenn first started performing in church, school choir, and marching band. She attended college as a vocal music major and was a member of several select groups and ensembles, before joining the US Army. During her time with the Military Police, Jenn was selected to tour with The United States Army Soldier Show, the 62nd Army Band; and eventually assigned to The United States Army Europe Band and Chorus. ​​Jenn's experience includes radio, television, and stage production, all while pursuing her career as a singer-songwriter. A vast range of musical influences from Patsy Cline to Credence Clearwater Revival to ZZ Top, gives Jenn the diversity to entertain a wide range of audiences.​Having performed worldwide in front of military audiences as large as 40,000, Jenn is at home in front of a crowd and draws her energy from it.  Her gritty, soulful tones that have a bluesy flavor, while staying true to her roots as an East Texas country gal with lots of sass can be heard on her self-titled CD available now.

Die junge Musikerin Julie Fox ist mehrsprachig unterwegs: Sie schreibt und singt Songs auf Schweizerdeutsch, Englisch, Französisch und Italienisch – akzentfrei. «Jeder Song kommt mit einer anderen Sprache neu auf die Welt», erzählt sie. Am 8. März 2022 war Julie zu Gast in der Music Loft. Dass sie stilistisch Americana (Bob Dylan und Credence Clearwater Revival lassen grüssen) macht, liess Simon Müller aufhorchen. Denn das sagen wenige Schweizer Künstler von sich. Andi Meier (Leiter Music Loft) sagt, sie habe ihren Stil bereits gefunden und sei als Künstlerin etabliert. Zudem harmoniere sie grandios mit ihrem Bruder Amos. Im Januar 2022 ist der Music Loft Förderpreis lanciert worden. Musikerinnen und Musiker, welche sich in ihrer Kunst oder persönlich mit christlich-spirituellen Inhalten auseinandersetzen, können sich bis 31. Mai 2022 für diesen Preis bewerben. Im August 2022 wird dann der Förderpreis im Gesamtwert von 5000 Franken vergeben. Stand Mitte April sind 16 Bewerbungen eingegangen.

Dans l'émission de la semaine, nous recevons deux duos : Noah, qui aime Véronique Sanson, Chilla et Elton John, et Robinson, qui aime Renaud, Médine et IAM, rencontrent Benoît, qui aime Arcade Fire, Alain Souchon et Debout sur le Zinc, et Oumou qui aiment Credence Clearwater Revival, Nina Simone et les Kinks. Qui l'emportera ? Pour soutenir l'émission, direction Patreon, et vous recevrez les épisodes en avant-première ! Et comme chaque semaine, la playlist est disponible sur Spotify ! 

Welcome to Season 2! To ring in the new season, Barb interviews our favourite guest, Deb Pedersen, and reminisce about what it was like to be a teenager in the '60s.White Petals by Keys of Moon | https://soundcloud.com/keysofmoonAttribution 4.0 International (CC BY 4.0)https://creativecommons.org/licenses/by/4.0/Music promoted by https://www.chosic.com/Additional Music:"Twist and Shout'' by The Beatles"Hey Jude" by The Beatles"Imagine" by John Lennon"All You Need is Love" by The Beatles"Tomorrow Never Knows" by The Beatles"Light My Fire" by The Doors"Sympathy for the Devil" by The Rolling Stones"California Dreamin'"  by The Mamas and The Papas"Cry Baby" by Janis Joplin"Bad Moon Rising" by Credence Clearwater Revival"Mrs. Robinson" by Simon and Garfunkel"Will You Still Love Me Tomorrow?" by Carole KingWe do not own these samples. All rights are reserved for the respective Artists. Music is used solely for historical commentary.

Looking for a dose of pure musical energy as the sports year heats up? Host Mark Hochgesang breaks down the greatest sports rock song of all-time...John Fogerty's Centerfield. John's resilient career is outlined and the hidden elements of his comeback song are uncovered. Put me in coach!Time-Stamped Show Notes:0:00  -   Put Me in Coach0:20  -   Intro1:35  -   Rebirth and Renewal1:56   -   Why Centerfield?2:44  -    Joltin Joe2:58  -    Childhood Journey 3:22  -    Uncle Sam Wants You3:37  -    Suzy Q and Proud Mary3:56  -    Rulers of Rock4:25  -    Woodstock5:00  -    Going Solo5:10  -    Centerfield Comeback6:57  -    John & Rob Lowe9:25  -    Casey at the Bat10:15  -  Tell it Goodbye10:23 -   Baseball Hall of Fame Induction10:58  -  Centerfield

Lauren & Jeff welcome East Texas singer/songwriter Jenn Ford into the Groove Lab. Jenn has been singing her entire life. Born and raised in East Texas, Jenn first started performing in church, school choir and marching band. She attended college as a vocal music major and was a member of several select groups and ensembles, before joining the US Army. During her time with the Military Police, Jenn was selected to tour with The United States Army Soldier Show, the 62nd Army Band; and eventually assigned to The United States Army Europe Band and Chorus. ​Jenn's experience includes radio, television, and stage production, all while pursuing her career as a singer-songwriter. A vast range of musical influences from Patsy Cline to Credence Clearwater Revival to ZZ Top, gives Jenn the diversity to entertain a wide range of audiences. ​Listen to her music at @ www.JennFord.com --- Support this podcast: https://anchor.fm/groovelab/support

Esta semana en Rock on Rules: Hablamos del disco debut de Creedence Clearwater Revival. Recordamos el By the way de los Red Hot Chili Peppers. Celebramos la vida de Courtney Love y la muerte de Jim Morrison. Continuan los estrenos del Black Album ahora es turno de Biffy Clyro y OFF. Desde Liverpool Demob Happy En Los Angeles BadFlower The Myterines en el Girls To The Front --- Send in a voice message: https://anchor.fm/cereza-radioactiva/message

Theme song: by Braden Mutch https://www.instagram.com/braden_mutch/www.facebook.com/bradenmutchmusicClosing track: Roanna Maria: Same Dress https://www.instagram.com/roannamariaa/?hl=enhttps://www.youtube.com/watch?v=VjamEmCp954Spotify playlist: https://open.spotify.com/playlist/4BWn1zZb6nMgWTcDb6oACdInstagram:  https://www.instagram.com/justhitplaypodcast/Facebook: https://www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.com

The sound of The Byrds will live forever. Roger McGuinn was the lead in this musical dynasty. Here on Jailhouse Radio he delivers many of those hits. Get ready to remember. You will also remember the sounds of John Fogerty who with huis brothers founded Credence Clearwater Revival in the late '60s. Again, get ready to relive so many memories. Also get ready to hear who knows what, with Grady L. Enjoy!

Jenn Ford has been singing her entire life. Born and raised in East Texas, Jenn first started performing in church, school choir and marching band. She attended college as a vocal music major and was a member of several select groups and ensembles, before joining the US Army. During her time with the Military Police, Jenn was selected to tour with The United States Army Soldier Show, the 62nd Army Band; and eventually assigned to The United States Army Europe Band and Chorus. ​​Jenn's experience includes radio, television, and stage production, all while pursuing her career as a singer-songwriter. A vast range of musical influences from Patsy Cline to Credence Clearwater Revival to ZZ Top, gives Jenn the diversity to entertain a wide range of audiences.​Having performed worldwide in front of military audiences as large as 40,000, Jenn is at home in front of a crowd, and draws her energy from it. Her gritty, soulful tones that have a bluesy flavor, while staying true to her roots as an East Texas country gal with lots of sass can be heard in on her self-titled CD available now.https://www.jennfordmusic.com/

Join Heart of Indie Radio co-host Emme Lentino as we welcome singer-songwriter and mental health advocate Chenél No.1 into our studios. Chenél No.1 is a South African songwriter that grew up on the sounds of Credence Clearwater Revival and The Shadows. Listening to music and being artistic has always been an integral part of her life. She loves everything about the creative process and has two published romances and several published poems in my native language, Afrikaans. A few years ago she started playing guitar, which sparked the urge to write her own songs. She released her first single in October 2019 and has been consistent in releasing songs throughout 2020. The music genres she prefers are country, folk, and rock. Recently she has discovered that she also enjoys remixing songs as a bedroom producer and does so under a pseudonym in the EDM scene. Chenél No.1 works as a full-time operations manager, she is married with 3 wonderful girls and pursues her dreams as an independent artist when all family responsibilities are done and everyone goes to sleep. Her latest release, Master of Disguise, is a song that highlights the effects of depression and mental health challenges.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! De acuerdo a lo prometido, aquí están los cincuenta mejores temas de rock que repasamos durante El ContraPunto en los últimos meses. Van todos seguidos para escuchar de un tirón. • The Kinks – You really got me • Deep Purple – Smoke on the water • Jethro Tull – Locomotive Breath • Queen & David Bowie – Under Pressure • The Cars – You might think • Dire Straits – Sultans of Swing • The Clash – Should I stay or should I go • Héroes del Silencio – Entre dos tierras • Bill Haley & His Comets – Rock around the clock • Led Zeppelin – Stairway to heaven • REM – Losing my religion • Elvis Presley – Jailhouse rock • Fleetwood Mac – Dreams • Aerosmith – Walk this way • Warren Zevon – Werewolves of London • Johnny Cash – Man in black • Loquillo – El hombre de negro • Rolling Stones – Start me up • Credence Clearwater Revival – Have you ever seen the rain? • Janis Joplin – Cry Baby • Red Hot Chili Peppers – By the way • Madsen – Der moment • Negramaro – Estate • El Cuarteto de Nos – Así soy yo • ACDC – Thunderstruck • The Corrs – Radio • Gabinete Caligari – Cuatro rosas • Crowded House – Fall at your feet • Verdena – Muori Delay • Scorpions – Still loving you • Johnny Hallyday – Le Penitencier • The Animals – The house of the rising sun • Canned Heat – Let’s work Together • Chuck Berry – You never can tell • Rod Stewart – Maggie May • Mclan – Maggie Despierta • The Police – Every breath you take • Queen – Bohemian Rhapsody • John Lennon – Imagine • The Beatles – Get Back • Blur – Country House • Oasis – Wonderwall • Coldplay – Clocks • The Cranberries – Animal instinct • Joe Jackson – The harder they come • U2 – Elevation • Lenny Kravitz – Are you gonna go my way • Bon Jovi – Livin’ on a prayer • The Housemartins – Caravan of love • Leiva y Sidecars – Lady Madrid Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Meditation Brings Back a Flood of Memories   My fiancee, Howie Baskin and I were on a flight from our home in Tampa, Florida to Los Angeles, California and I was taking advantage of the rare opportunity to indulge in the pleasure of reading a book.  This one was called “Corporate Nirvana” by Judith Anderson.  We were somewhere over the desert and I was getting tired.  The author was detailing her intuitive encounter with a group of business people in which she suggested that they close their eyes and imagine that they were all alone, on a deserted island.  There was no work to do.  No deadlines.  No responsibilities.  No demand on their time.  There was only the island, the sand crunching between their toes and the birds over head.  Their attention was diverted to a beautifully ornate, bejeweled treasure chest in the sand.  As they approach they can see that it is unlocked and they know that inside is their gift.  This gift will be the answer to the question that is plaguing them now.  They will know when they see this gift exactly what it means to them and therein is their answer.   I haven't meditated in the deep relaxed manner that I had been practicing in over a year.  I have been too busy.  Things have been going too well for me to value the need for it.  This seemed like a perfect opportunity to shut the book and try her visualization.  I asked myself, “Why am I always taking on tougher and tougher problems?  Why can't I just say, “enough is enough” and be happy with what I've done?”  Holding that thought, in my sleepy half conscious state, I began the walk down the beach in the deserted island in my head.   Seagulls overhead, palm trees swaying in the tropic breeze, the warmth of the sun on my face and the sand crunching between my toes.  So far, so good.  Ah, there is the treasure chest…going over to admire it…it really is beautiful…I wonder what is inside, but I hesitate.  Do I want to know?  What if I don't find an answer?  What if I do and don't like it?  I stall and ponder the gravity of the moment.  In this box that I made up, in a place that I made up, lays the answer to the one problem that has driven me since childhood.  Here at 30,000 feet, while I look to all the world that I am asleep, I am about to discover the meaning of life…the meaning of my life anyway.   I begin to slowly lift the lid.  There is an aura of purple light escaping from the treasure chest.  “Nice special effects” I compliment to my imaginative self. “I wasn't expecting that.”  I am opening the lid so slowly as if I am expecting some dragon to consume me with its fire breathing anger.  Come on Carole…open the box…its just a box…go on now open it!   Leaping backward from the box as the top swings open I can only see what looks like a purple, fuzzy blanket in the bottom of the box.  Tentatively, I lean forward thinking there must be something under the cloth.  It isn't moving and there doesn't appear to be any real shape to it.  I am disappointed with myself.   “That's it!  That's the best you could do?  You have the opportunity to solve all of your life's struggles in one vision and all you can think of is a blanket!  I must be cold.  That must be what is behind this first thought and my REAL revelation must still be in the box.”  I try hard to see something else in the chest and after a while I resign myself to just being totally unimaginative.   OK then, let's have a look at the fuzzy purple blanket and what ever that could possibly mean to me.  As I am muttering, “purple blanket” to myself I lift it up out of the dark box and hold it full length.  “Well, how about that?” I say to myself as the living material, with a light that gave it the fuzzy appearance, unfolds to the sand.  “It's not a blanket at all.  It's a cloak, shimmering with a life all its own.  It is breathtakingly beautiful!  It is too precious to wear.  No king ever wore a cape as magnificent as this!  I wonder briefly if I am worthy to wear this aura of lavender light?   “Of course I am,” I chide. “I made the thing up.  I can wear it.”  I put it on.  Wow!  I am cloaked in spirituality.  What does that mean to me?  It means that I have remembered who I really am.   I am safe.  I am at peace.  I am at one with God.   Everything I have ever done was leading to this moment.  Every challenge that I ever set myself up for has culminated in this moment of awakening.  All I have ever been trying to do was to reach this moment of spiritual enlightenment.   My driven self said, “OK.  Nice lesson.  Now get back to reading and learn something.”  My spiritual self said, “I am learning now.  I am learning that my drive has come from the need to prove myself worthy, but my spirit has always known that I am and that every lesson in life is about reaching a higher level of Nirvana.”   As if the flood gates had been instantly opened every challenge that had beset me along the way raced through my mind.  I was seeing what was common in every situation:  Every time a challenge presented itself, it was a much more difficult one than the one before.  Every time I succeeded in reaching the goal there were people who I felt were betraying me.  In each case, as the stakes were higher, those people were stronger or greater in numbers than the time before.  It wasn't the tasks or the challenges themselves that were my lessons to learn, but rather, how I would deal with the people who would disappoint me so profoundly.   How I would deal with having betrayed myself.  Nothing on this earthly plane; wealth, fame or fortune means anything.  It is all about reconnecting with God and that is done by reconnecting with ALL of His creation.  Yes, Carole, the people too.  Perhaps the people especially.  It is about remembering who you are and how we are all One.   The author, Judith Anderson  suggests the Piper Principle:   1. What troubles a person most about a situation actually reveals an aspect of themselves (an underlying fear or concern) they don't yet see;  a blind spot. 2. Underlying fears and concerns of leaders, and the unconscious way in which they protect themselves from them, show up in parable form as organizational barriers or blocks to achieving whatever goals are set. 3. When aggravation or blocks show up, a person can pay the piper, investigate the blind spot, and resolve the fear and concern or blame others.  Unproductive patterns reappear until you pay the piper.   I don't think I have ever considered a more truthful thought than that.   Some lessons I just go through over and over and over until I get it.  Once I get it then the next lesson is harder and will keep repeating over and over until I finally get that one too.  Until yesterday I didn't see this pattern of escalation.  I wonder, if I had, would I have had the courage to take on each new challenge, knowing that success ultimately meant a tougher lesson to follow?   Ignorance is bliss, but it is highly ineffective when we know our days are numbered and we have so much to learn in this lifetime.  I am increasingly convinced that we live forever and are doomed to repeat lives of frustration and striving until we each experience our own moment of looking into the treasure chest and discover ourselves and our connection to All that Is.   The rest of this is not meant to read like a resume of accomplishments, but rather as an example of how each of us is presented with unique challenges that we meet to the very best of our ability each time.  Many times challenges have been presented to me that I was incapable of overcoming.  Connecting with people has been the hardest for me.  Sometimes we may look back and think we could have done better, but I don't think so.  I think we are all doing the best we can for the skills we have now and that the only way we will ever “do better” is by learning from each lesson.   My family were fundamental Christians and raised me to believe that we are to strive for perfection, but being human, will always fall short.  The only good news in that was that  God is Love and is capable of loving us even though we are never really good enough or deserving.  This belief was the canvas on which I would paint my life.   I was five years old, naked as a jaybird, cleaning my canary's cage in the front yard with a hose and wondering how a caged bird could sing?  Free birds had something to sing about, but why do caged birds sing?  Caught up in my own reverie and enjoying the summer sun on my skin and the sand between my toes I was quite taken aback by my mother throwing a blanket over me and dragging me into the house, all the while telling me that “little girls don't go out side naked.”  I wondered, “why not?”  I felt so connected to the earth, the sky, the water from the hose, the soft summer breeze in my hair...  “What is this obsession people have with hiding who they are? Cloaking who they are?”   I was a big kid; always head and shoulders taller than my peers, with a shock of short white hair and big blue eyes.  Butterflies would light on me in the playground and every stray followed me home.  I had the same entourage of broken down, unwanted people throughout my life.  All of the kids that were disabled or slow or who just didn't fit in with the “in” crowd flocked around me.  I always tried to help them see what was special about them that no one else had to offer.  It wasn't that I was so understanding and wonderful.  It was because if I could heal them enough to feel that they belonged they would start to fit in with others and would leave me alone.   I preferred the company of the animals and my spirit guides, the two leopard size, glowing white cats who were with me always, but who I wasn't supposed to talk about unless I wanted to merely call them my “imaginary” friends.  It's one of those things that a kid just keeps to themselves when they realize that adults are too scared to talk about invisible, panther like creatures who sound like God when they speak in that still small voice, that carries all of the majesty and power of thunder.   Three years later I am eight and my father is the personal pilot to the governor of West Virginia, Arch Moore.  We live in a trailer park, in a single wide tin can that is always freezing inside.  Our lot looks like the terrain from a hostile planet with its caked, dry and broken clay surface.   Until I was six I was raised by my mother's mother during the day while my parents worked.  At night my parents would pick me up and take me home to sleep and then the next morning I'd wake up back at my grandparent's home.  My grandparents have stayed in Florida and I am still hating this separation from my other parents and the warmth of Florida.  Both of my parents work full time and I have become responsible for taking care of my brother who is six years younger.  There is a seething anger at my situation that seems impossible to me to resolve, and the only respite from it comes from the animals that I rescue.  Taking care of them, takes my mind off what I cannot change.   One day a cat with a couple of bullet holes in her finds her way to my door.  I discover that the man across the street had shot the cat because it was near his trash can.  This man is big (compared to me), has a history of beating his wife and children (Ada), and is ugly to boot.  His face is deeply scarred with pockmarks that indicate a hormonally challenged youth, and maybe one bar brawl too many,  and he is now in his late twenties or early thirties.  He drinks, he swears and he is just about as vile a human as any I have ever encountered.  Until this moment, I have made a point to stay clear of him, even though his daughter and his younger son, have found me to be a safe haven in a life that heretofore was unbearable to them.  It is his children who have come to me and told me that their father shot the cat and was threatening to kill any cat he saw come near his trailer.   Trembling, but fully resolved to make myself clear, I march up to this man and tell him that if he decides to take another shot at a cat, or if I hear a shot being fired and even think it is him, then that gun shot will be the last sound he ever hears.  He just stands there looking down at me, but as scared as I am, I feel like I am in charge of this moment.  I am offering up a challenge, that I have no idea how I will be able to carry out, but I can't let him know that.  After what seems an eternity of staring down this man, through my tear streaming eyes, he turns and goes inside his trailer.  He blinked.  He turned.  He ran from me.  I won!   I never heard another shot being fired.  The word of that confrontation, spread by his own children, earned me a tremendous following in that poor little back woods trailer park.  Now the kids who gathered around me were high school age and I felt like I had the moral support of every kid in the neighborhood.  I used to lead them in money making schemes from selling popcorn and Kool-Aid, to mowing lawns, washing trailers, and making pot holders and such to sell door to door.  Rock bands were making it big and I tried to assemble one, but I couldn't sing and we just didn't have what it took.  I felt like learning to make a living was important and learning to manage others was going to be a crucial part of that.  It felt necessary although I didn't know where it was leading.   I felt like I was in some sort of intensive training for something important.  I didn't know what it was about, but as a child you trust your instincts more.  At school I was quiet and respectful but felt like the public school system was not meeting my educational needs.  There was something important to learn about this thing called life and it wasn't in memorizing multiplication tables.  There were machines that could do that far better than I ever could, so what was the purpose in all of this useless knowledge?  Teach me how to succeed.  Teach me why the caged bird sings…   I wouldn't wear shoes.  You can't be connected to the earth and all of the glorious power that is available to you with shoes on.  It was fortunate for me that we lived in a West Virginian “holler” where going to school barefoot wasn't considered too weird.  After school I went into the forests.  It wasn't your typical kid-playing-in-the-woods so much as going to learn what it was like to be the woods, to be the brook, to be the animals and the wind.  I would climb up as high as I could get in the trees to get a better vantage point on observing everything around me.  I wanted to know how everything worked, how it was all connected.   The teachers would send home piles of homework.  My attitude was that it was a ploy designed to keep bad kids off the street.  If they had to turn in a lot of work the next day they didn't have time to be in trouble.  I wasn't being bad.  I was learning something that I thought was a lot more important and I wasn't going to do class room “busy” work outside of the classroom.  This got me into a considerable amount of trouble with my teachers, but I aced every test and my grades were still As and Bs despite all of the bad marks for refusing to turn in homework.   By the time I was 12 we were back in Florida and I was attending a little private school called Florida College Academy.  There were grades 1 thru 9 there, with one class for each grade level that had 12-24 students.  My great aunt, Mari, was the principal which as her son, my cousin Scott, and I knew was the worst set up possible for a kid.  You were perceived as having special privileges by your peers, and yet the reality was that you were held to a much higher standard because of the fact that relatives see you as a reflection on themselves and they want to be seen as perfect.   It was 1971 and women were burning their bras in the streets a decade before, but our school had held to very antiquated beliefs, that said little girls were to be modest and wear long dresses and never speak out against authority.  I actually bought into most of that but a lot of the girls were not from religious homes and even those that were frequently dressed in pants at home.  They wanted to be able to wear pants to school so that they could play more freely on the playground.  Even though I didn't even own a pair of pants, everyone turned to me to do something about it.  I thought their reasons were sound.  Wearing a dress on the playground was certainly less modest than wearing long pants and so I decided to take the suggestion to the principal.   Not only was my Aunt Mari an authority figure within the family and the school, but she was someone I had observed carefully since I was a toddler in the way in which she dealt with my cousin.  Scott and I were born the same year and day and look like twins.  We have often wondered if we were and just were separated at birth to be raised by two different families because neither one could afford both of us.  My cousin has grown up to be a maintenance man in an apartment building.  I watched his mother tell him he was stupid and that he would never amount to anything his whole life.  By contrast I was always told I could do anything I set my mind to do.  Both of us lived up to our parents' expectations.   I went to my aunt and presented our case and was promptly dismissed as being “un-Christian like”.  I went back to my classmates and suggested that the only way to effect a change in the dress code was to lead an organized uprising against the status quo.  I busily engaged both sexes in my plan and drew up posters and hung them in the halls, held rallies and basically just wouldn't shut up until I got what I was asking for.  I fully expected to be burned at the stake.  Much to my amazement we won.   I went out and bought my first  pair of pants.  (They were plaid and hideous.  It was the 70's after all.)   I kept them for twenty years as a reminder of that success.   Two years later, at the age of 14 I was trapped and raped by three men (Steve & Jim? Crabtree and George Minogue).  They cut my throat and for years I carried a scar that I hid with scarves.  I didn't tell anyone because I fully believed that I was to blame.  If I had not been in a place where I shouldn't have been this would not have happened to me and thus I felt that not only was it my fault, but that it proved I was not worthy as a human being.  I was no longer a virgin and could no longer expect that I would grow up and marry a decent man and live happily ever after.  Within a year I had let this event colour every aspect of my self esteem.  The deeper emotional scarring of this event however came from the betrayal of my best friend.   Cindy Clark Brown and I had been friends since we were nine or ten years old.  I was the innocent; the perfect daughter, cooking and cleaning for my family and joining in working the landscaping business after school.  Cindy was about as wild as they came.  She was a year older than I and was smoking, drinking and experimenting with drugs.  She was always in trouble and would often come stay with me until her family could brace themselves to deal with her again.  She made fun of me for being a goody two shoes and was jealous of my beauty and sense of grace.  People always commented on my air of confidence.  The fact was that my grandmother had always made me walk around the house with books on my head and the result was a walk that had an unintentional  haughtiness to it.   Cindy and I had been out for a walk earlier and she was flirting with three men from the race track.  We went to their house and played cards, while they had both the radio and the T.V. on full blast.  They were all stoned and I watched the scene in amazement.  I had never been exposed to this sort of activity, and although the only part I participated in was the card playing, I was very curious about this sort of approach to life. Cindy was sitting in their laps, giggling and whispering in their ears.  I wondered if they knew how stupid they looked and sounded?   That night, when Cindy and I were supposed to be in bed, she wanted to slip out my bedroom window and go back to their house.  I reluctantly agreed and as we cleared the yard, Cindy said she needed to go back to my room to make a call, and that I should go on ahead of her.  I did as instructed.   They were waiting for me.  What I didn't know, until many years later when Cindy felt compelled to clear her conscience, was that she had told them I was a virgin and had sold me to them for drugs.  The call she made was to let them know I was on the way.   A year later, back in W.Va. I had turned 15.  My mother, who had always been my most trusted friend, and I got into the first fight we had ever had.  She had accused me of having sex with a nice boy I knew and I had not.  I was defending his honour more than my own, because I was so convinced of my own guilt from the rape.  As she was storming off to work she said, “When I get home, I don't want to see your face!”     This was the last family photo before I left home, and yes, I am only 14 in that photo, which explains how I was able to wait tables in bars without being discovered.   I thought she meant that she never wanted to see me again and as fate would have it, I was ready for the next challenge.  A young man named Jim Jones, who I barely knew from Florida, was in boot camp near Washington, D.C.  He had gone AWOL from the army and was driving back to Florida and asked if he could drop by.  I told him I couldn't live here any more and asked if he would take me with him back to Florida.  I packed my cat, my radio and two paper grocery bags of clothes and waited for his arrival.  As we drove away I watched my 9 year old brother playing in the yard and wondered if I would ever see him again?  Taking care of him had always been my responsibility and as much as I hated being saddled with that, I felt guilty leaving him there.   I had known Jim from the skating rink where kids from my church were all taken to be with others of “our own kind”, but Jim worked there and intrigued me.  He was 6 ‘ 4 “ weighed 230 pounds of solid muscle and had long golden hair down to his waist.  He was a genius on skates, if not intellectually.  Running from the U.S. army should have been my first clue that he was never going to be a brain surgeon.  I only knew Jim from the rink and had invited him to one church picnic.  Now I was on the run with him.   I worked bars and restaurants and sometimes held three jobs at once because Jim wouldn't work.   Turned out he couldn't even pass a driver's license test.  He had a bad drug habit and a nasty temper and whenever the two mixed I was caught in the cross fire.  I was always on guard to dodge a swing from a punch that would knock the wind out of me.  He beat me with a bed rail one time so severely that I couldn't go back to work for weeks because I was so badly bruised.  As he swung the rail and hit the concrete walls of the garage we lived in he had knocked huge gaping holes in the concrete as a constant reminder to me of how much it hurt to be on his bad side.  As scary as it was to be with him I believed it was better than the alternative.  I had seen the brutality men could use to crush someone as innocent as I had been and at least there was only one of Jim to deal with.  Jim was the constant validation of my belief that I was unworthy.   Jim decided he wanted to go home and I was driving us there through San Antonio, Florida.  He was drunk and was all over the steering wheel and blocking my vision.  With one arm I was trying to push him back into his seat so that I could see, as I ran a stop sign and was hit broadside in the little Toyota we were driving.  The Mercury Cougar that hit us was later reported to have been traveling in excess of 60 miles per hour.  Drunks seem to never be the victims in auto accidents and Jim was no exception. He walked away without a scratch, once he woke up from the stupor.  I went through the windshield and broke my neck.  I remember getting up and dragging the front bumper of the Cougar out of the road as I went around first to the passenger side and made sure the little old lady was okay and then around to the driver's side to check on the little old man.  He had hit the steering wheel pretty hard, but was able to speak.   What happened next was like the opening scene from the movie, The Gladiator.  When I saw that movie I was awestruck at how it looked exactly as I had seen it all those years ago.  I walked out into a field of tall grass.  The sun was shining.  The wind was blowing softly through my hair, as I reached out with both hands to lightly touch the tops of the waving strands of grass.  Everything was silent and then it went white.   I woke up in a hospital, unable to move.  I was paralyzed and Jim was telling me that he didn't want the doctors to know who I was because he was still on the run from the army.  I remember two doctors standing over me, x-rays in hand, telling me I would never walk again because my neck was broken in three places.  The only hope I would have of even sitting up in a wheel chair was if they fused a steel rod up through my spine.  They obviously didn't know that I was just a child.  I had gotten my first marriage proposal at the age of 12 and had always looked a lot older.   I laid there thinking, “This cannot be my life.  I can't be paralyzed.  This can't be happening to me.”  I suspect most people go through that denial, but I just wouldn't give in to the “reality”.  I had learned from previous efforts that you can't give up.  No matter how big and bad the odds are stacked against you, you just absolutely cannot give up.  Being young and ignorant, I didn't know what these doctors could legally do to me, but I wasn't going to take my chances of waking up and finding that some surgery had left me incapable of ever getting past this paralysis.  I believed I could heal myself, but not if I had a metal rod installed through my spine.   Jim and his friends from the band (Jim said the band's name was Credence Clearwater Revival, but I find that hard to believe in retrospect) came and whisked me out in a wheel chair without telling anyone.  I spent what seemed an eternity at his parent's home unable to walk and only able to drag myself across the room, but I dragged myself a lot.  I wouldn't call my family.  I didn't think I was welcome there anymore.  Jim's parents didn't want to be held responsible for what their son's actions had caused and didn't want the army to find their son, so they were happy to hide me and my affliction.  My grandfather, Floyd Norris, through a miraculous chain of events, somehow found out where I was and got me to a chiropractor who soon had me walking again.   Because I wasn't even old enough to be in a bar, I couldn't work anywhere for very long because I couldn't show the management my driver's license for the employment forms.  After the paralysis I often collapsed and doing that just once with a tray of flaming cherries jubilee was enough for me to think that I needed to find some other sort of work.  I didn't have a high school diploma and was underage but had heard you could get a worker's permit.  Arch Moore was replaced by Governor Rockefeller who decided to replace all of the state's planes with helicopters, but none of the state's pilots, including my father could fly helicopters so my father was without a job.   More as an effort to avenge my father's dismissal from the aviation team I applied for an opening in the state's Department of Business and Economic Community Development and got it.  I quickly advanced through the ranks and became Governor Rockefeller's secretary's secretary.  My job was to investigate officials that Jay would be dealing with and put together photos and bios so that he would look good.  What didn't look good, when the word got out in the press, was the fact that a 15 year old high school drop out had risen through the ranks of the W.Va. government to governor's aide when there were far more “qualified” men and women vying for the position.   1977 was the first time I was in the newspaper as an adult.  Being born the fifth living generation had gotten the family into the newspaper in 1961.     The press made a big fuss of the fact that I moonlighted at a Greek restaurant and insinuated that I might be the veiled belly dancer, Little Egypt.  My boss told me to dress as frumpy as possible that day and wear glasses so that people wouldn't think I was hired for my looks.   Had I known that I was on this learning quest to deal with people issues I think I might have stuck it out and played that hand to the end, but at the time, I thought these challenges were about accomplishments and proving worthiness.  I had proven that I could step out of a wheel chair, out of the smoke filled bars and into the governor's office (and not just any governor, but a Rockefeller) and rise to the top.  I wasn't old enough to run for election.  That would have to wait.   Riding high on this wave of worthiness I drove Jim to his mother's home in Tampa and dropped him and his trailer full of belongings off in the front yard.  I didn't have enough money to get back to my job in W.Va. so I looked through the want ads to find waitress work that would get me enough gas to get back to the job that I was told would still be mine upon my return, despite the media craze that had erupted.   What happened next was one of those near misses.  It is a juncture in your life that is probably meant to happen, but gets thwarted.  I walked into “Our Place” bar on Ben T. Davis beach and was hired on the spot.  20 years later I would discover that my daughter's fiancée (Daniel Capiro) was being raised by the waitresses in that bar and I would have been raising him had I shown up for work, but I didn't.   I had come so far and I just wasn't willing to go back to even a short term job where my ass was constantly being patted and pinched.  Instead, I drove across town to a luncheon spot and was, again, hired on the spot, but I had to have frumpy shoes for the job.  All my feet could ever stand were sandals if I had to wear shoes at all.  I walked across the street to the Zayre's store and overheard a man saying that he needed to hire a clerk to run the automotive department.  That sounded like a new challenge and didn't require stifling shoes, so I asked for and was given the job.  I would work for a couple of weeks, collect my checks and then head back to West Virginia to see where that road would take me.  I never went back to West Virginia.   I was living in a Datsun Pickup truck with a camper on the back.  My cat, Pearlie Mae, who I had had since I was 8, lived with me so I had to park where it was cool for her during the day, but the days were getting hotter and she was going to die in that truck if I didn't find somewhere for her to live.  My manager's name was Michael Eugene Murdock and I spent more time dodging his advances than I did stocking shelves.  He was leaving his wife and moving into an apartment.  I asked if my cat could stay there during the day and I would pick her up at night.  He was happy to trade sexual favours for the cat's room and board.  I hated him.  At night I would pick up my cat, do what I had to do to cover her “rent” and then she and I would back the truck up against a building somewhere so that no one could surprise us by opening the back hatch.   I would wash my hair in the bathroom of the nearest gas station at night after they had closed for the evening.  I tried to maintain my independence for as long as possible, but finally gave in to the pressures of needing a roof over my head as well as the cat's  and moved in with him.   Despite hating Mike, I married him at the age of 17 and gave birth to our daughter at the age of 19.   My mother knew that I was living with a man who was not my husband.  She had just enough psychology in college to believe that if she suggested I marry the man, I would rebel and leave him, which was the result she was really hoping to get.     I thought it was really what she wanted me to do.   I had felt such a loss in the trust that our former friendship had enjoyed and I believed that if I married him, as she suggested I should, then I could be worthy of her love again.  I would do this to please her.  She had no idea how I felt about him.  I stayed with him for eight years, because I was raised to believe that marriage is for life.  When I couldn't take it any more and divorced him, my mother finally revealed that she never liked him and never wanted me to marry him, but had thought that by suggesting it I would run.   Mike was very physically abusive, but clever enough to hurt me in ways that were not visible to the casual observer.  It was again, my sick way of validating my belief that I was not worthy.  Meanwhile my growing and learning self decided to apply for a job at the Tampa Boat Mart in 1984.  The job paid better money than I had made elsewhere and required an interview and an IQ test.  I was fascinated by the opportunity to have my intelligence measured and probably applied based on that aspect more than any other.   The owner's wife did the interview and test and said that I had registered as a genius.  Bolstered by this, I told her I would take the job, but wanted 50% more than the job had offered.  She balked but I could tell that she wanted me for the position, so I made a deal with her.  I would work for the first 6 months at the price in the paper, but at the end of six months she would advance me to the salary that I requested, because I explained that I would be so irreplaceable to her, or else let me go.  She agreed.   I asked her to lay out everything that she could possibly think of as my job description.  When she did, since I was salaried, I asked if it mattered how long I worked to get it all done.  She said if I could do it in four hours that was fine and if it took me ten, that was fine too, but I wasn't getting overtime.  In no time I had automated the process so that I could do it in just a couple hours a day.  This freed up my time to work on a business that I believed was going to be my key to financial freedom.  I left the Tampa Boat Mart in 1985.     This was me working at the Neptune and S. Dale Mabry Hwy Radiant Oil gas station owned by Joe Capitano in 1982.  He had offered me my own station out on Gunn Hwy, but I got the Boat Mart job instead.           At the age of 19 I met and began dating Jack Donald Lewis.  Everyone said he had made his money in illegal drugs, but he told me it was from cutting the axels off trailers for re use by the company and selling the boxes.  While at the bank one day a loan officer told him she had a $20,000.00 mortgage that was in default that she would sell for $2000.00 if someone would just take it off her hands.  Don couldn't read or write above a first grade level, but he could understand getting something for ten cents on the dollar.  He asked her to make a copy of the documents and he brought them to me with the story.  Thinking there must be a catch, he asked me to find out what it was.  I couldn't find one.  If we bought the mortgage for 2000.00 and the people started paying us on the 20,000.00 balance we would be getting a great return on our money.  If they didn't pay and we foreclosed, we would get 20,000.00 at the foreclosure sale or we might even get the house and be able to sell it for more.   We did it and we made more than 20,000.00.  I knew that this was my next big challenge and even then knew that it was just a stepping stone to allowing me to do something far more important than make money, but I didn't know what that was and didn't waste much time thinking about it.  Instead I was calling every bank and loan office in a 5 county area asked to see their bad loans.  They thought I was crazy and I got a lot of resistance at first, but they soon learned that I wouldn't betray their confidence and I would quickly and easily turn their bad loans back into cash for reinvestment.  The Boat Mart gave me the regular paycheck I needed to grow the real estate business so that I never had to take money out of this exponentially growing pot of gold.   I worked crazy hours.  I worked every waking hour.  I divorced the man I hated and lived in a huge house on Lemon Street with lots of rooms that I rented out so that I didn't have to touch my investments for living expenses.  The business had grown to well over a one million dollar value.   I drove an old Impala that I had paid 100.00 for, bought all my clothes at Goodwill and had taken on some investors who were happy to get 12% return on their cash and let me make the difference for growing my portfolio.  It was a man's world but I knew how to play the game.  I started a business called C.Stairs, Investments and told people that I was Mr. Stairs' secretary.  They wanted to deal with a man.  I made one up for them.  I was so convincing that for years after Don Lewis and I married people called him Mr. Stairs because they just assumed I had married my boss.  I had bought into the belief that as a woman I was unworthy of being treated the same as a man.   I am a little hazy on the year, but I was about 27 (1988) when I was driving a drunk, named Bill Benjamin, home from a bar.  My car had stalled and he got out to push it out of the road as I steered.  It was in the early morning hours and a woman who had fallen asleep at the wheel careened into the back of my 1983 Blood Red Volkswagen Rabbit and pinned the drunk to my bumper, while hitting with enough force to give me a concussion and to bend the door frame where my head hit it.   I woke up in the hospital again, but this time with a Viet Nam vet suffering from post traumatic stress who was screaming bloody murder if I tried to leave the room.  I stayed by his side constantly, even though I only knew him as someone I had bought a rug from a few days before.  Both of his legs had been crushed and he was in a lot of pain.  I felt guilty because it was my car he was pushing out of the road.  I had to do something to feel guilty.  It wasn't in my paradigm to go without that cloud of unworthiness hanging over my head.  I was so caught up in Bill Benjamin's drama, that I didn't realize that I didn't know who or where I was.   My secretary (Anne McQueen) found me in the hospital.  I had been missing for days so she had done the obvious and called everywhere until she located a Jane Doe.  Was my name Jane?  When she gets me on the phone she asks where my daughter is.  I have a daughter?  A baby?  “Oh my God, where's the baby?” my mind screams.  Sensing my fear she tells me that maybe my daughter had been living with my husband.  I have a husband?  Then who is this man?  All of a sudden I am aware that I don't know anything about whom or where I am.  I just can't describe that.  I have seen some films since then that try to address what amnesia is like, and nothing really conveys what that fear is like.   She takes me home and there are people living there who say that I own the house.  I walk into an office full of file cabinets, papers and ringing phones and I do not recognize any of it.  I answer the phone and people are asking me questions and giving me information that means absolutely nothing to me.  I spend hours reading every file, looking at photos, meeting my daughter, for what seems like the first time, talking to my secretary and one of the women who lives in my house (Mary Young) to try and reconstruct my life.   Over the next weeks and months I get a handle on it and things start coming back to me, but I never know that something is forgotten until I try to fill in a blank spot or until some revelation comes to me as a memory and I sit there wondering, “Was that in this life?”  At the time I thought it was a very unfortunate setback, but in retrospect it just seems to be another challenge that I posed to myself to see if I could rise to above it.   This time I was betrayed by my own memory.   I discover that when I touch people I see their lives, or what I imagine to be their lives.  I am always confused, still, when I get a rush of feeling, if it is theirs, or if it was mine from long ago, just now surfacing.  One of the most dramatic instances of this happened years later when a volunteer (Crazy Gary) introduced me to his room mate.  I shook the smiling man's hand and immediately fell to my knees sobbing.  The despair was overwhelming.  I was embarrassed by the incident and brushed it off to both of them as just being over worked, but the next day the room mate put the barrel of a shotgun in his mouth and blew his brains all over the ceiling.  Crazy Gary told me he knew that his room mate was sad, but had no idea of the depth of his despair.  I knew.   Don and I married on October 10, 1991 at ten minutes after 10 am.  We lost one million dollars in our assets to settling with his wife and one and a half million in assets to settle with his girlfriend, Pam, who was trying to have him brought down on Racketeering charges so that she could keep our 3 million that was in her name.  I had always allowed Don to hold our money because I believed he would give me what was owed if I were ever to ask for it.  There were a lot of real estate transactions for Pam and her trust in 1991-1996, but they began to taper off and 2004 was the last entry I found for her doing business in Hillsborough County.  She had satisfied a mortgage made by our ex secretary Luba Myck.  I knew Richard Dery was in Camp Pam, but didn't know Luba was.  1995 appears to be her last actions in Pasco County, with one suspicious document between her and Jack Martin.     Since Don could barely read or write he didn't know that she had put the properties in her name, or so he said.  What had been 5 million dollars worth of my work was now reduced to half that, but I could rebuild it and did.  I had learned how to negotiate the best deals and had learned how to do all of our foreclosures, tenant evictions and get people out of the bankruptcy courts when they ran there for protection.   I learned by going to the court house and reading every file I could lay my hands on, copying the language and forms the attorney's used and then setting up charts that showed me what the appropriate times between filings were.  I spent  hours in the law library reading cases and making copies of those that were particularly pertinent to my cases.  I sat in on every hearing that the judges would let me sit in on.  I befriended several of the judges who would afterwards give me their summary of what had just happened.  A lot of the judges did not like that I represented myself pro se and would  hold me to a much tougher standard than the attorney's were being held to, but none could make me give up.   When attorneys were hired to combat me they usually fell into the trap of underestimating my preparedness.  In all these years I only ever lost one case, and I won it on appeal.  Even the judges who had initially tried to run me off ended up being very supportive and would often compliment my ability over that of my licensed peers, which didn't make me very popular among members of that profession.   I was a 30 year old multi millionaire real estate tycoon by anyone's definition, and undefeated in the legal arena.  Everything I touched turned to gold, but I still felt unworthy.  What was next, a billionaire?  Would that make me feel better?   This wasn't working.  Maybe if I could change the world.  Maybe then I would be worthy.  Maybe then I would say, I'm OK.  I belong.  I can be at peace.   Consciously I began looking for a way to give back to God all that He had given to me.  Unconsciously I was setting myself up to fail and validate that long held belief that I was unworthy... or win and prove once and for all that I was worthy.   All you have to do is wave the wand of intention to bring it into your life.  Before I knew what happened we were rescuing cats from fur farms, drug lords, circuses and unprepared pet owners.  I was writing books on exotic cat care and my articles were being published in magazines and newsletters all over the country.  There were more than 200 animals depending on me for support and the IRS said I couldn't call it an expense, despite the fact that it was costing me about 300,000.00 a year, so I called it a non profit in 1995.   Two years later, my husband has disappeared off the face of the earth leaving me as the accused of an unknown crime, and all of my assets are seized by the courts upon a petition by the children of his former wife, and my secretary, my only girlfriend for the past 17 years, who I discover has put nearly 600,000.00 worth of my assets in her maiden name and changed my husband's insurance policy to make her the owner of a one million dollar life insurance policy, just four months before his disappearance.  She tells his children that Don and I were having marital trouble and suggests that they appoint her as conservator of his estate.     His estate!  I don't think anyone knew better than Anne that Don spent all of his time in dumpsters and cruising neighborhoods after yard sales to bring home van load after van load of trash.  I had been trying to get him to an Alzheimer's specialist but Don said Anne was telling him that I was trying to have him committed.  This can't be happening.  This can't be my life.  Sound familiar?   The courts only allow me to use 125,000.00 of my income each year, for the next 5 years, to support the cats, because the courts are “preserving the estate” in case my husband wanders back into town.  In the first years after his disappearance I discover, through the private detective I hire to find him, that my husband, the man I have adored since I was 19 has had a string of girlfriends, mistresses and even prostitutes.  Women come out of the wood work claiming that Don told them he would leave everything to them or their illegitimate children by him.  I discover that the love we shared was a lie.  I was betrayed.   Our expenses are far more than double what the courts will allow me to touch and there is no where for the animals to go.  I get to learn a whole new set of skills in running a non profit, but I haven't chosen just any charity.  No.  I chose the one type of charity that sees less than 1% of all donated dollars.  I had to pick an animal charity.  People give more money to art than to animals.  In retrospect, this would only be a good test of my worthiness if I could overcome insurmountable odds, right?   The People for the Ethical Treatment of Animals, PeTA, brought me a video clip of a lion being beaten senseless with a baseball bat while restrained within the confines of a small transport cage.  They explained that this abuse had been video taped undercover and sent as evidence to USDA, but that when the perpetrator had told his USDA inspector that this was considered a standard training method for big cats nothing had been done to stop him.  The question was posed to me asking if this was, in fact, a routinely accepted practice.  In front of all three major television stations I said that the sad fact is that this sort of brutality is frequently visited upon these innocent animals by people who have USDA's stamp of approval, but that it was inhumane and USDA was negligent in their unwillingness to enforce the animal welfare act that my tax dollars were paying them to implement.   A few weeks later I was served with a summons.  In disbelief I read the case style:   The United States of America versus Carole Lewis.  Being bludgeoned into unconsciousness with a bed rail all those years ago did not take my breath away like reading these few words.  My country.  The one I had pledged allegiance to along with Captain Kangaroo each morning of my earliest remembered years.  The country I sang songs about, even when I wasn't in school.  The one that bore the flag; the mere sight of which could raise goose flesh on my skin with pride and adoration.  My country had not only abandoned me, it was attacking me, and it was doing so because I spoke out against cruelty.   Some pencil pushing bureaucrat was going to show me to keep my opinions about her doing her job to myself and she was in a position to levy the entire nation against me…or so it seemed.  Maybe America did have tanks and jet fighters and nuclear weapons, but I had the truth on my side and was not going to take this lying down.  Our supporter list had grown to about 3000 people and I sent out a newsletter detailing what the charges against me were and why I felt the USDA had taken this action.  More than 2000 people wrote in on my behalf and for a long time I didn't hear from the USDA.   Then I found out how they work.  If they don't have a legitimate claim then they make an accusation and never follow through on it.  This way they can always point to the accusation and say that they cannot comment on pending litigation.  They never have to prove their case.  I would never be able to clear my name of the ridiculous and unfounded charges unless I took control.  So I did.  I learned all I could about how to represent myself in a Federal lawsuit and I called for a final hearing.  I was stalled several times and when the day my “day in court” arrived, I got a call from the Federal judge who said that the USDA had decided to dismiss their suit against me.  Then he asked if I would please let my supporters know to quit sending him mail and calling his office.  With such a victory you would have thought I would have felt vindicated, but all I felt was betrayed.   Over the next five years the court appointed co conservator and attorneys ate away at my estate, in the name of preserving it, until there was only a fraction of it left.  Then they declare my husband dead, when there is nothing left under the court's control to take, and tell me to have a nice life.  Meanwhile the cats are costing nearly half a million dollars a year to care for and the nation is in a recession following the stock market crash that sends everyone scrambling into real estate as the only safe investment.  Having that much money diverted into real estate by people who know nothing of the business drives the price of property through the ceiling.  The government steps in to try and pull the economy back up onto its feet by lowering the interest rates and giving loans to anyone who will take them at rates lower than they have been in my lifetime, makes my niche a little difficult.  I loan at 18% and buy distressed properties at a fraction of the cost and then resell them.  With all of the stock money now in real estate there are no deals and almost no one has to borrow at 18%.   Stress has made me fat and irritable and I drive to the Keys every two years to spend the weekend crying in a hammock on suicide watch until it's time to get back to business Monday morning.  I learn how to raise money by begging; something I wouldn't do when I was living out of garbage cans as a 15 year old run away, but I have to do it now for the cats.  I learn how to manage people and put together a team of volunteers that become world renown for their ability to work together.  I run through a string of low life boyfriends that continue to validate my belief that I am not worthy of the love of a good man.  I lose 70 pounds so that I can be more effective at getting out the message that exotic cats don't make good pets.   The last 20 of those pounds were the hardest and after exhausting every diet known to man, I tried hypnotherapy.  I was just starting to read about spirituality, healing, past lives and was willing to try anything.  I remember that first session like it was yesterday.  In the meditation the therapist asks me to walk down the beach and notice a little girl sitting by the shore.  He tells me to go up to her.  I don't want to.  He urges me on.  I don't want to.  I finally give in and of course, she is me, about 5 years old, full of innocence, big blue eyes and white hair.  He tells me to hold her and to tell her that I will never betray her again.  I will protect her from anything and anyone else who tries to hurt her.  I made a pact.   My life changed again.  Suddenly I find myself asking, “Is this my life? Can this really be my life?  I didn't think I deserved a life this good.”  Enter, Howie Baskin.  He's a brilliant 52 year old bachelor who makes my heart skip a beat.  He is the kindest, most loving, genuinely wonderful spirit I have ever encountered on the planet.  He personifies integrity.  He is way out of my league which, of course, just adds to my desire to have his love.  To Bask-In his love.  (I just couldn't have made this up!) But he is more than just the next level higher of a challenge.  He is both my reward for reaching this level of understanding and my partner in learning to love mankind.  Becoming one with him is my first step in becoming One with all humanity.   I am reminded of a Bible principle that says man's greatest love for God is expressed in being a living sacrifice.  Nothing defines a living sacrifice better than Howie.  His friends all tell me that he is the most wonderful, loving person in their life.  He lives for others.  Watching him, marveling in who he is and how he is, causes me to look inwardly and challenges me daily to be more understanding and more loving.  He says his goal in life is to help me love people the way I love animals.  I thought I took on big scary goals, but this man knows no fear!   Now things are looking better than they ever have before.  I have finally paid the piper in this lesson of betrayal.  I had betrayed myself when I accepted the notion that I was not worthy and the even more erroneous notion that I could achieve worthiness if I overcame the obstacles that I invited into my own path.  I was going to deal with being betrayed by the people I trusted, and loved the most, until I understood. My fortune cookie tonight even confirmed the presence of God in the statement, “You never hesitate to take on the toughest challenges.”  It was as if He said, “I am here with you and this is just my humorous way of letting you know that I am as real as the piece of paper in your hand.”   The real estate business is recovering.  The sanctuary managed to break even on operating expenses, if not capital expenses, for the first time ever last year (2003).  I have been elected as the Vice President of the Association of Sanctuaries and am serving on its Board of Directors.  (From the future: I don't remember I have the opportunity to influence legislation that will protect wild animals and the physical and moral support of a team of family, volunteers and the man I admire most in the world to help me achieve those goals.   What I notice about each of these hurdles is that I was focused on the subject matter. While I may have been successful in dealing with that aspect, what I failed, almost universally, to do was to learn from the interaction with the people.  In most cases I saw the people as the problem and bulldozing them aside was my methodology.  It seems abundantly clear that I will continue being presented with challenges that are stressful and painful until I pay the piper on this issue of loving people other than those in my innermost circle.   I wonder how I could go about this learning in a less painful and ineffective manner?  Maybe it's time to put on the fuzzy purple blanket (to give myself the warm fuzzy I have longed for), the cloak of spirituality, and take a look at reality from a different, non judgmental, perspective.   I've been writing my story since I was able to write, but when the media goes to share it, they only choose the parts that fit their idea of what will generate views.  If I'm going to share my story, it should be the whole story.  The titles are the dates things happened. If you have any interest in who I really am please start at the beginning of this playlist: http://savethecats.org/   I know there will be people who take things out of context and try to use them to validate their own misconception, but you have access to the whole story.  My hope is that others will recognize themselves in my words and have the strength to do what is right for themselves and our shared planet.     You can help feed the cats at no cost to you using Amazon Smile! Visit BigCatRescue.org/Amazon-smile   You can see photos, videos and more, updated daily at BigCatRescue.org   Check out our main channel at YouTube.com/BigCatRescue   Music (if any) from Epidemic Sound (http://www.epidemicsound.com) This video is for entertainment purposes only and is my opinion.

You shouldn’t have come here, we’re all gonna die... laughing.  The next BIG step we take is back to the 70’s and you’ll never forget it with the heavy dose of the classics such as hits from Black Sabbath, Credence Clearwater Revival and Jefferson Airplane.   But enough about that.  You’re really here because you know there’s something else out there the world doesn’t want you to know about - he’s big, he’s dangerous, and he’s living his best, private life before we enter the picture.  We are traveling to an island so dangerous, so elusive... you’d think it was Joel’s air supply!  Join us and Joel "The Voice" Paauwe as we mount up and embark on a new expedition in Kong: Skull Island!

Nummer 94! Flinke groei van het aantal Nederlandse privéjets, vooral in het afgelopen (corona)jaar. Menno Swart en Philip bespreken het interessante onderzoek van Berend Jan Floor (aironline.nl). Lees hier alle info nog eens rustig na: https://www.aironline.nl/weblog/2021/02/08/flinke-groei-aantal-nederlandse-privejets-over-de-laatste-12-maanden/ Primeur: wij weten WELKE drone Is ingezet door Defensie, om de relschoppers op Urk in de gaten te houden. Ga snel luisteren! Jammer: Thai Airways neemt afscheid van de A380. “In plaats van mooie stewardessen een lelijke overste” (uitspraak van de overste zelf): de landmacht zet TUIfly in om Nederlandse soldaten naar Litouwen te vliegen. Onze TUI "commercial" - met een bekende stem - kreeg een retweet van niemand minder dan ambassadeur Bonnie Horbach. Een speciale groet voor onze vrouw in Litouwen! We gaan Kim de Boer (bekend van The Voice of Holland en andere talentenjacht) vragen om onze “nieuwe airline”-jingle in te zingen. Want we hebben weer een verse luchtvaartmaatschappij gevonden, in Kroatië. Volg Kim via Instagram.com/kim.deboer of kimdeboermusic.nl De Space Force claimt zijn plek tijdens de flyover van drie Amerikaanse bommenwerpers tijdens de Superbowl. Het Geheime Hoekje: "UFO-melding" in Florida. Unruly passenger: Marechaussee moet dronken passagier uit Oekraïne - die de veiligheid aan boord in gevaar bracht - terughalen uit Mexico. Duitsers willen een Boeing 707 redden en Groningen schrikt van een Duitse knal. En: goed nieuws voor de Boeing 737 MAX. De rubriek De Luchtvaartplaat is gecrasht maar op luchtvaartplaat.nl kun je luisteren naar 500+ vette vliegtuighits. Commentaar of tips stuur je naar info@tmhc.nl of via onze socials Muziek: "Bad Moon Rising" - Credence Clearwater Revival, "Firestarter" - The Prodigy en het mierzoete “Easy to Fly” - Seth Baer. Geef ons vijf sterren op Apple Podcasts en schrijf aub een positieve review. Michiel Koudstaal is onze voice-over, voor al je stemmenwerk ga naar voxcast.nl I'M A FIRESTARTER

We talk Biden EOs, Trump impeachment, and the wonders of confrontational dialogue. Movie rights to "Goodfellas." Music rights to "Credence Clearwater Revival." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

It's time to scare ourselves with some great tunes starting with Screaming Jay Hawkins, Robert Johnson, Credence Clearwater Revival, Howlin' Wolf and more. It's free. Just clink on the link/picture and get your spook on.

This week's guest is Doug "Cosmo" Clifford. Best known as drummer of Credence Clearwater Revival, Doug's powerful, tuneful playing laid the foundation for countless rock n roll standards. In 1972, Doug released his solo debut, Cosmo. During the 80s, he began work on his second album, Magic Window. The album was shelved until Doug recently discovered the long-forgotten tapes and finished the album. Magic Window is now available for streaming and purchase.

Introducing Herman’s Hermits is the the debut album for the band Herman’s Hermits.  Front man Peter Noone was an actor on "Coronation Street," a British TV soap opera.  The resemblance between Noone and a character named Sherman (from the Rocky and Bullwinkle cartoon) was noted, and this name was shortened to "Herman."  The group would start using the name "Herman and His Hermits," and this was also shortened to "Herman's Hermits."Herman's Hermits were a part of the British Invasion of the early 60's, which included acts like the Dave Clark 5, The Merseybeats, and of course The Beatles.  In fact, the group was curated to appeal to American audiences, with a non-threatening clean cut image very different from that of other rock bands like the Rolling Stones and The Who.  In addition to their music, the band also appeared in several MGM-produced movies at the time, including the 1968 film, "Mrs. Brown You've Got a Lovely Daughter."  This was a very popular band in the early 60's, posting 12 top-10 songs by the middle of the decade.  By 1968, however, music tastes had changed, and Herman's Hermits lost popularity in the United States.  They did see a resurgence in the 80's, and toured in the oldies circuits at the time, though with a different lead singer since Peter Noone left the band in 1971.Peter Noone still tours today, and this would be a great act to catch when he comes to your town.  Mrs. Brown, You've Got A Lovely DaughterThe English accent is exaggerated in this song, a departure from the more common attempts to downplay accents.  "Make a bloke feel so proud!"  This was not intended to be a single, but it went to number 1 on the charts.  The Chipmunks covered this song in 1965 as well.Show Me GirlThis deeper cut was co-written by Carole King and went to number 19 in the UK.  "So if you really care and you're not just wasting my time, come on and show me girl."Henry the 8thAnother song that promotes the English accent, the name is pronounced, "En-e-ry" in the Cockney style.  It is a 1910 British music hall song, but in 1965 it became the fastest-selling song in history.  Herman's Hermit took it to number 1, beating out the Rolling Stones "Satisfaction."  Interestingly, this is not about Henry VIII, king of England, but about the 8th Henry to marry the widow next door.I'm Into Something GoodThis is another song penned by Gerry Goffin and Carole King, it is surprising that it only reached number 13 despite its enduring popularity.  King was inspired by the work of The Beach Boy's Brian Wilson when she wrote this song.  It tells of a new love. ENTERTAINMENT TRACK:Theme from the television series “Lost In Space”This science fiction series was playing at the time.  "Danger, Will Robinson!" STAFF PICKS:“The Boy from New York City” by The Ad LibsBruce brings us a doo-wop quintet from Bayonne, New Jersey.  Though they continued to record into the 80's, The Ad Libs would only post this hit at number 8 from February 1965.  The Manhattan Transfer took a cover version to number 7 in 1981.  And The Darts took it to number 2 in the UK in 1978.“You've Lost That Lovin' Feelin’” by The Righteous BrothersRob's pick also features a song well known from its cover version, this time from 1980 by Hall & Oates.  According to BMI the original and/or its cover versions was the most played song on American radio and TV for 22 years until 2019, when it was usurped by Sting's “Every Breath You Take.”“All Day and All of the Night” by The KinksBrian's staff pick was influenced by a previous Kink's song “You Really Got Me.”  In turn, it also heavily influenced The Doors “Hello, I Love You.”  A young session guitarist, Jimmy Page, is rumored to have played on it, though Davies denied it.“The Midnight Special” by Johnny RiversWayne also brings us a song better known by its cover, this time covered by Credence Clearwater Revival.  Johnny Rivers had this folk song in the top 20 in 1965, but the original was recorded in 1905.  It talks about the dreams of prisoners to be on the midnight train. COMEDY TRACK:“Jolly Green Giant” by The KingsmenThis comedic track is based on the Jolly Green Giant of green beans fame.

In 1977 Leonard Mogel began publishing a dark, illustrated, steampunk, and somewhat erotic science fiction and fantasy magazine called Heavy Metal, and in 1981 an adult animated sci-fi fantasy film by the same name was produced by Mogel and Ivan Reitman.  The film would become a mainstay of the midnight movie circuit (along with “the Rocky Horror Picture Show”) throughout the 1980's, and would also lead to a hit album which would peak at number 12 on the Billboard 200 chart.The movie mirrors a comic book, in that it strings together a number of shorter vignettes into an entire animated movie.  The shorts are loosely held together by the frame of the Loc Nar, an orb that is the ultimate evil.Filled with terrific rock tracks, the soundtrack would become mired with legal issues, causing the CD to not be released until 1995.  If you wanted to hear it before that, you needed to buy the LP.We're only giving you a taste of this album, folks.  You really should download and listen to it in its entirety.  Friend of the show Andy Burt stands in for Bruce in this one way ticket to midnight. Heavy Metal (Takin' a Ride) by Don FelderThis is the title track by once and future Eagles alumnus Don Felder.  Fellow Eagles alumni Don Henley and Timothy B. Schmit also contribute backing vocals. The track would be the only Felder solo effort to chart, appearing at number 43.  The music is associated with the film episode entitled B-17. Veteran of the Psychic Wars by Blue Oyster CultPenned by Eric Bloom and British author Michael Moorcock, this song appears in the story entitled Harry Canyon.  John Candy voices the Sergeant in this segment. The song itself reflects a futuristic soldier exhibiting PTSD.    Heavy Metal by Sammy Hagar“Headbangers in leather!”  This song was written for the movie.  “It's a one-way ticket to midnight!  Cal it - Heavy Metal.”  This iconic track is played in the segment called So Beautiful & So Dangerous.The Mob Rules by Black SabbathThe short entitled Taarna contains this track.  Ronnie James Dio is the front man for this iteration of Black Sabbath.  "If you listen to fools, the mob rules."  This is the concluding vignette from the film.“Reach  Out” by Cheap TrickWayne  doubles up with his out-of-order staff pick, from the Heavy Metal Soundtrack.  This track also takes place in the Taarna vignette. ENTERTAINMENT TRACK“Bad Moon Rising” by Credence Clearwater Revival"An American Werewolf in London" was on the big screen at this time, with some amazing special effects in this day.  CCR contributed this song as the theme of the film. STAFF PICKS:“Gemini Dream” by The Moody BluesBrian's staff pick comes from a synthesizer heavy hit from prog rock superstars The Moody Blues.  It hit number 12 on the charts, and comes from their album "Long Distance Voyager."   Justin Hayward and John Lodge co-wrote this song. “Really Wanna Know You” by Gary WrightRob brings us another synth-heavy hit from the artist best known for "Dreamweaver."  Wright worked closely with ex-Beatle George Harrison, and developed an affinity for eastern religion which permeates his music.“Hold on Tight” by E.L.O.Guest Andy finishes off our staff picks with this somewhat Rockabilly boogie number 2 charting track from the Electric Light Orchestra.  It is off their sci-fi themed album “Time.”  At the time, it was the most expensive video produced.  Interestingly, it only hit number 24 in France despite the fact that it has french lyrics in the song. COMEDY/INSTRUMENTAL TRACK:“Birdy Song” by The TweetsBruce gets blamed for this comedy song choice to finish off an otherwise awesome podcast.

Phil Factor joined us to announce his new grandson and his candidacy for Poway City Council.  Phil shared his philosophy as a humanist and putting people first.  As a Poway Councilman and Representative Phil wants to be a problem solver and be an advocate for the needs of his constituents.  We discussed the Poway Road development, the veterans housing project and Big Stone Lodge.  We also chatted about the Farm in Poway led by Kevin McNamara that will potentially transform the Stoneridge Golf Course pending a vote in November.  Phil talked about the Poway Performing Arts Center, a 4 way stop along Old Pomerado Rd and listening to the audience at Poway City Council meetings.  We spent a great deal of time discussing race relations, diversity and breaking down barriers between people.   We also discuss a range of other people and places including the veterans, NIMBYism, Mainstream Bar & Grill, Barry Leonard, MTS, Poway Business Park, Stoneridge Golf Course, football, John Elway, wrestling, weight lifting, Black Lives Matter, Black Student Union, North County Soccer Park, Iron Mountain, Highway 67, Zip Lucidi, Hamburger Factory, Vern Marston, Poway Unified School District, Mt Carmel High School, Poway High School, Westview High School, Valley Elementary, school busing, Espola Rd, protests, inalienable rights, life, liberty, pursuit of happiness, Vietnam refugees, UC Riverside, chocolate chip ice cream, ESL, English as a Second Language, Torrey Powers, Poway Sheriff, Barney Rubble, La Mesa, Carlos Santana, Easy Rider, Led Zeppelin, Credence Clearwater Revival, Black Sabbath, Simon and Garfunkel, Steppenwolf.   #JohnRileyProject #BLM #Poway #PhilFactor #PUSD #Humanism   JRP0140     Phil Factor Info:   Phil Factor for Poway City Council: https://www.factorforpoway.com/     Our Sponsors:   PowayStore.com:  https://powaystore.com/   Happiness76.com:  https://happiness76.com/   Trigger Energy: https://triggerenergy.com/     John Riley Project Info:   Bookings? Inquiries? Contact me at https://johnrileyproject.com/   Sponsorship Inquiries: https://johnrileyproject.com/sponsorship/   YouTube Channel: https://www.youtube.com/channel/UCJJSzeIW2A-AeT7gwonglMA   Facebook: https://www.facebook.com/johnrileyproject/   Twitter: https://twitter.com/JohnRileyPoway   Instagram: https://www.instagram.com/johnrileypoway/   iTunes: https://podcasts.apple.com/us/podcast/john-riley-project-podcast/id1435944995?mt=2   Spotify: https://open.spotify.com/show/3llrMItpbx9JRa08UTrswA   Stitcher: https://www.stitcher.com/podcast/john-riley-project   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9qb2hucmlsZXlwcm9qZWN0LmNvbS9mZWVkLw   Tune In: https://tunein.com/podcasts/Arts--Culture-Podcasts/John-Riley-Project-Podcast-p1154415/   Listen Notes: https://www.listennotes.com/podcasts/john-riley-project-john-riley-2l4rEIo1RJM/   Music: https://www.purple-planet.com  

Today we are going to talk about “Revival!” Different pictures come to mind when we say the word “Revival.” Some of you were raised in church & you remember the era special church services that would go into the night. Others have memories of a youth camp where God moved in your life in a powerful way. Others think of the band “Credence Clearwater Revival.” But fundamentally, Revival Is God’s People Returning To God. And as a result God’s presence is experienced in a fresh, powerful way.Support the show (https://dreamcitychurch.us/give/)

On this episode of the world famous Sofa King Podcast, we look at Woodstock. Not only was it the most important music festival ever, it set the tone and soundtrack of an entire generation. It helped the nation stop thinking of hippies in so bad a light, and it created the careers of several of the largest musical acts of the era. What started as a music festival that was supposed to make people a lot of money and attract upwards of 50,000 people, became a free hippie love fest of a half a million people that bankrupted the concert planners. When four guys in the music industry decided to have a music festival in New York state, they named their new group after an area where musicians like Bob Dylan would play—an area known as Woodstock. They started looked for large areas of open land that could house their enormous dream, and they settled on Howard Mills Industrial Park in Wallkill, New York. The people of the town, however, voted against the dirty hippies and shut it down with only 6 weeks left to plan. The guys instead found a 600 acre dairy farm owned by Max Yasgur. The crew scrambled to get things ready. They decided they either had time to build a stage and a lighting tower or build a fence and ticket counters. They decided on the stage, which was a good thing. Soon, before the festival even stared, 50,000 people stormed the gates, and made Woodstock a free festival. Within days, a ten mile stretch of highway was filled with abandoned cars. The entire city nearby was shut down as half a million hippies flocked to the show. An estimated half a million more went the other way and headed back home when they encountered the traffic jam to beat all traffic jams. The acts had to be flown in by the national guard. Janis Joplin, Joan Baez, Santana, The Grateful Dead, Credence Clearwater Revival, Sly and the Family Stone, The Who, Jefferson Airplane, Joe Cocker, and Jimi Hendrix just to name a few! But it wasn’t the dream concert some people make it out to be. Raw sewage merged with rain water and the floor around the stage was a dung filled mud pit. It took an hour to get to the bathroom. There was hardly any food because no regular food vender would work there, and two of the three original food stalls got burned to the ground in anger when they raised hot dog prices. Security was mostly comprised of a guy named Wavy Gravy and his workers from a hog farm co-op. They enforced the law by throwing pies at people and hitting them squirts of seltzer water. Like you do. Everything was laced with drugs, and people were roofied left and right. There was dope, sex, acid, music, sex, skinny dipping, more dope, more sex, music, and mud and sex and music. If you want to get nostalgic for the 60s, turn on, tune in, drop out, listen, laugh, and learn.   Visit Our Sources: https://www.theatlantic.com/photo/2019/08/woodstock-50-photos-1969/596107/ https://www.woodstock.com/ https://www.history.com/topics/1960s/woodstock https://en.wikipedia.org/wiki/Woodstock https://www.aier.org/article/woodstock-occurred-in-the-middle-of-a-pandemic/ https://allthatsinteresting.com/woodstock-festival-1969 https://www.youtube.com/watch?v=EAGVGNWQ2Hc  

Primero de los 4 programas que vamos a hacer en el retiro veraniego de Gijón. Sexto programa especial de verano. Trigésimo sexto programa de la temporada. Y quinto de Alemania. Programa ultramegafanen con todo el equipo al completo, historias del Euroyeyé, entrevista al mítico grupo Los Guajes, momento Pinflói... todo ello dedicado a un dinosaurio de mentira, y regado con soul angloibérico: Gizelle Smith, Guajes, Credence Clearwater Revival, De Phazz...

Primero de los 4 programas que vamos a hacer en el retiro veraniego de Gijón. Sexto programa especial de verano. Trigésimo sexto programa de la temporada. Y quinto de Alemania. Programa ultramegafanen con todo el equipo al completo, historias del Euroyeyé, entrevista al mítico grupo Los Guajes, momento Pinflói... todo ello dedicado a un dinosaurio de mentira, y regado con soul angloibérico: Gizelle Smith, Guajes, Credence Clearwater Revival, De Phazz...

Steffan is back from his trip to London, with a few vignettes. Pacific Northwest states are permitting ‘Mental Health Days’ for students. We get the thoughts of listeners on the idea. Credence Clearwater Revival is our ‘Music Monday’ selection.See omnystudio.com/listener for privacy information.

Tonight's episode of Riff Monkeys is all about politics in music. With tracks from Rage Against The Machine, Public Enemy, Asian Dub Foundation, Credence Clearwater Revival, Stone Roses, Prophets of Rage, Muse and Ian Brown. Twat of the Week is Nigel Farage and Hero of the Week is Julian Assange. Tune in on Radio Mix 106 fm from Gibraltar to Nerja or online at www.radiomix106.com from 10 pm CET (9 pm UK time).

Steve Daut (USA)'The Notorious Jumping Frog of Calaveras County', Anne Shimojima (USA) 'The Wave', Farah Masud (Bangladesh) 'Weightlessness'.Storytime Music, published 60's music 'Bad Moon Rising' by Credence Clearwater Revival, story read by Shanthini Venugopal & 'Dear Prudence' by the Beatles,read by Edwin Sumun

Tonight's episode of Riff Monkeys is all about politics in music. With tracks from Rage Against The Machine, Public Enemy, Asian Dub Foundation, Credence Clearwater Revival, Stone Roses, Prophets of Rage, Muse and Ian Brown. Twat of the Week is Nigel Farage and Hero of the Week is Julian Assange.

"I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it." John Mellencamp On this week's episode, DJ Dave will be featuring songs from John Mellencamp, Ariana Grande, Drake with Bad Bunny, Credence Clearwater Revival, Dr. Hook, Post Malone with Swae Lee, Sean Tizzle, Cannonball Adderley, George Clanton, and KC and the Sunshine Band! SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast INSTAGRAM: @MusicFirstPodcast EMAIL: MusicFirstPodcast@gmail.com

RARE & SCRATCHY ROCK 'N ROLL #_073 – THE TOP 40 LOST HITS OF 1968 –  This episode spotlights 40 lost hits from 1968 – that we found in our “Rare & Scratchy Rock ‘N Roll” groove yard.  These are top 40 tunes radio stations no longer play.  They’re by major artists such as the Bee Gees, Credence Clearwater Revival, Smokey Robinson & The Miracles, Donovan, and Elvis Presley, just to name a few.  Why are they called “lost?” Our “Rare & Scratchy Rock ‘N Roll” rockologist, Ken Deutsch, will be along to tell you why these songs have vanished from AM and FM radio station playlists.  And Radio Dave will relate more of the greatest rock and roll stories on record – such as the real-life family group that inspired the fictional Partridge Family television show. And you’ll also hear a band that just might have been the first heavy metal recording artists ever.  So, get your ears in gear for forty forgotten top 40 hits from a fabulous rock and roll year – 1968.

We are back with a new episode this week! Podcast featuring George Rene, Mose Allison, The Proclaimers, George Ezra, Drake, Yelawolf, Eminem, Daft Punk, Credence Clearwater Revival, and Wolfmother!   SUBSCRIBE: iTunes TWITTER: @MusicFirstPcast FACEBOOK: Music First Podcast INSTAGRAM: MusicFirstPodcast EMAIL: MusicFirstPodcast@gmail.com

Back with episode 2, we explore all things urban, hop on the subway and join me for a ride through the city. Enjoying the show? Please support BFF.FM with a donation. Playlist 10080′00″ Bright Lights - Live by Gary Clark Jr. on Gary Clark Jr. Live (Warner Bros) 10089′27″ If You're Going To The City by Mose Allison on The Best of Mose Allison (Atlantic) 10093′12″ I Dig a Big Town by Dan Penn on Close To Me (Ace Records) 10096′00″ Traffic by Marc Maron on Final Engagement (Stand Up!) 10098′13″ Crosstown Traffic by Jimi Hendrix on Electric Ladyland (Sony Music) 10101′00″ City Looks Pretty by Courtney Barnett on Tell Me How You Really Feel (Mom+Pop) 10105′45″ City Summer Blues by Pokey Lafarge on Pokey Lafarge (Third Man) 10109′05″ Commotion by Credence Clearwater Revival on Green River (Concord) 10113′12″ I'm Gonna Move To The Outskirts Of Town - Live by Albert King on Thursday Night in San Francisco (Fantasy) 10120′53″ You Said Something by PJ Harvey on Stories from the City, Stories from the Sea (Island) 10124′02″ In The City by The Jam on Snap (.) 10126′15″ Livin' For The City by The Dirtbombs on Ultraglide In Black (In The Red ) 10129′16″ I Sold My Soul to the City by The Sam Chase on Will Never Die (.) 10133′55″ Life Is A Carnival by The Band on Rock of Ages (Capitol) 10137′53″ Oh, What a Beautiful City by Dave Van Ronk on Ballads, Blues, and a Spiritual (.) 10142′43″ Malibu by Hole on Celebrity Skin (Geffen Records) 10146′28″ Beverly Hills by Circle Jerks on Group Sex (Frontier) 10147′33″ Downtown L.A. by JJ Cale on Grasshopper (-) 10149′55″ Empty Hearted Town by Warren Zevon on Preludes (New West Records) 10155′11″ Lincoln Park Pirates by Steve Goodman on Live at the Earl of Old Town (.) 10158′16″ My Hometown Chicago by Cameron Esposito on Same Sex Symbal (.) 10161′05″ Born in Chicago by Paul Butterfield Blues Band on Paul Butterfield Blues Band (-) 10164′12″ Dallas by Johnny Winter on Johnny Winter (--) 10166′53″ St. Louis Blues by Doc Watson on Doc Watson (-) 10169′25″ Sidewalks of the City by Lucinda Williams on This Sweet Old World (--) 10174′40″ Philidelphia, Don't You Haunt Me by Cyberbully Mom Club on Amy Locust Whatever (Self released) 10177′21″ Sister Cities by The Wonder Years on Sister Cities (Hopeless) 10180′18″ A love letter to New Orleans by Hannibal Burress on Live From Chicago (--) 10182′31″ Rudee Down in New Orleans by Blaze Foley on The Dawg Years (1975-1978) (Fat Possum) 10184′26″ Country Boy Down in New Orleans by Snooks Eaglin on Country Boy Down In New Orleans (Arhoolie) 10186′53″ Living In The City by Hurray for the Riff Raff on The Navigator (ATO) 10190′11″ Hard Times in New York Town by Bob Dylan on The Witmark Demos: 1962-1964 (The Bootleg Series Vol. 9) (Columbia) 10193′18″ In San Francisco by Told Slant on Still Water (Broken World Media) 10196′23″ San Francisco by Alkaline Trio on Goddammit! (--) Check out the full archives on the website.

Follow @mursetcarolyn Hello, and welcome!  This is Song Stories, Quiet Stories podcast, Episode Zero!  I live a quiet life as many of you do, out of the spotlight.  I'm a friendly, half-Hispanic grandma, singer/songwriter tortilla maker. I obsess about a few things, and one of my passions,.... Is keeping a journal and writing a personal history.     I have volumes and volumes of handwritten, type-written, digital, and photo journals. I want you to keep one, too, if you don’t already.  You don’t have to obsess about it, and you can call it whatever you want. Just write something about the everyday quiet, or noisy things you do.  Your life is probably more interesting than you think it is.      In my upcoming episodes, I’m going to tell you stories with songs, about people I know or have known who lead quiet, influential lives.      And then, I’m going to give you one or two writing prompts from the theme you’ll hear in the song story. You’ll have a couple of weeks to toss around ideas of what to write, and then I’ll be back with another song story, and more writing prompts.  No pressure. But, if you choose to write, you’ll be glad you did. People you care about will be glad you did. I will be glad you did, and I would love for you to let me know how you’re doing with it.     I grew up in the 1960’s in Taos, New Mexico. I learned to play the guitar and wrote my first song while I was in high school during the 1970’s. Listen to hear how my Dad repaired my first guitar.     I listened along with my older brother and sister to the Beatles, Simon and Garfunkel, Crosby, Stills, Nash and Young, and Credence Clearwater Revival.  When they left home, I added Linda Ronstadt, and Fleetwood Mac to the stack of LP’s my siblings left behind, and the tunes wafting through the wooden record player console eventually evolved through the decades into my iTunes playlist, with a little Allison Kraus, Chris Proctor,  and Maisy & Lennon thrown in with the predecessors. What genres of music do you listen to?     Because of these musical influences, I consider myself to be a folksy / bluegrassy singer who can’t write a song without inserting a flat 7 chord here and there. If you were a songwriter, what style of song would you write?   My remarkable five children and their incredible spouses have given me and my husband, Rich, thirteen grandchildren!  Some of these youngsters jam with me in my music studio, and some of them dance with me.     So that you don’t envy my life, I want you to know that I don’t sleep enough at night, I scrub the toilet and shower, and make the beds for my AirBnB. I just changed my cat’s disgusting litter box (and I’m allergic to cats!) and I can only eat carrots, broccoli, and chicken without breaking out.  Sometimes I eat the broccoli first.         Did  you listen to my procrastination song, Somethin’ Else?  I’m really good at putting things off. I think I might be addicted to FaceBook and not keeping house, as you’ll hear in the song after that, Domestic Desperation.  What unpleasant tasks do you put off? Do you have any avoidance behaviors?     So come back next time for episode #1.  Subscribe now, here, at mycarolynmurset.com or iTunes, so you don’t miss it.     Awhile back, my siblings  appointed me as the family historian, probably because I’d kept a journal for years and had shown interest in our family ancestry.  Soon after they piled the family records onto my lap, I came across my Grandma Tila’s personal history.          In it, she tells how at age ten she was the family bread maker, and when her older brothers would come home from working in the fields, they’d grab her tortillas  from off the table, eat them, and call them crackers.     So she goes into the garden and in between the rows of corn, prays for help.  I knew as soon as I read this story that I had to do something with it. So, por favor,  come back for episode one and hear the rest of the Tortilla T...

“Rat race” Ralfi Pagan “Rat race” The Specials “Subliminal fascism” Fishbone “No more nothing” FEAR “Deny everything” The Circle Jerks “Guilty of being white” Minor Threat “We will rock you (fast, BBC Session)” Queen “Cum on feel the noize” Slade “Here today, gone tomorrow” The Equals “White light/white heat” The Velvet Underground “Tusk” Fleetwood Mac “Still ego trippin’” Amerigo Gazaway (Fela Soul) “Brooklyn zoo” Ol’Dirty Bastard “It’s still rock and roll to me” Billy Joel “Livable shit” Sleaford Mods “Banned from the Roxy/The Sound of one hand” Crass “Take me home country road” Ray Charles “Looking’ out my back door” Credence Clearwater Revival

Recorded April 12th, 2018 Seamus and Tori discuss the recent news about Paul Ryan deciding not to run for re-election, and what this could mean for the upcoming Midterm elections. Next the two go through data from the Special Elections to see what can be projected into November 2018 based on recent voter behavior. Intro Song Credit: "Bad Moon Rising" -Credence Clearwater Revival

It's a "Halloween Hits Spooktacular!" We’ve conjured up a countdown of the 40 greatest trick or treat tunes of all time. The Rare & Scratchy Rock ‘N Roll grooveyard ghouls have scared up monster hits by Bobby “Boris” Pickett, Michael Jackson, the Rolling Stones, the Ramones, Credence Clearwater Revival, Santana, the Eagles, the J. Geils Band, Warren Zevon, Guns ‘N Roses, Annie Lennox, and Donovan among many others. Some of these macabre melodies have been raised from their vinyl resting places for the first time in decades of Halloweens.   Our very own Rare & Scratchy Rock ‘N Roll Rockologist, Ken Deutsch, also drops by with some gruesome goodies – "trailers" and radio commercials advertising some of the most horrible horror movies of all time. So wrap some garlic around your podcast player, don’t download this show alone in the dark, and listen to it at your own risk for our selection of the 40 greatest undead ditties.

Neil Jackson fills in for MJ and we bring out our Irish side with St. Paddy's Day facts and our Big 5 "girly drinks." The Weird World This Week features A Zach Galifianakis clone, a CIA spy possibly living in your house, and a lawyer, lawyer whose pants are on frawyer. An extra long Nerd Stuff delves deep into the heart of Krypton and looks back on My Cousin Vinny 25 years later. In honer of St. Patrick's Day, "green' is our music al theme with songs by Credence Clearwater Revival, Elvis Costello, and The Lemon Pipers.

Otra semana, y van 73 en la que te traemos noticias frescas, más o menos interesantes, pero frescas y que nosotros sí hemos creido que pueden interesar. Por otro lado, traemos una plataforma web bastante chorra a la par que interesante. Para aquellos que sufren de insomnio y necesitan algo que los aburra, tenemos napflix.tv una plataforma en la que ver vídeos realmente aburridos, distribuidos en distintas categorías. Finalmente, nos vamos con Proud Mary de la Credence Clearwater Revival, que lo podemos escuchar en el juego Mafia III. Os recordamos que todavía puedes ganar una Nintendo Classic Mini si contestas de forma ingeniosa y divertida a la pregunta "¿Cuándo dejan las nuevas tecnologías de ser nuevas?" Contesta a esta publicación, puedes ser un afortunado en tener esta maravillosa consola.

The Boys open the show with that hot Who's the Boss talk you've all been waiting for. Casey Williams had a huge crush on Alyssa Milano. Steve Ausburne tries out his new impression of the dad from ALF. 80's exercise shows are discussed. Thanks to our pal Michael Kosta for the shout out on his show Worst Birthday. Who cares if he got our name wrong! Whiskey Tasting Time! Eagle Rare 10 Kentucky Straight Bourbon Whiskey is what's in store for us today. Peabo Bryson's hit, “If Ever Your In My Arms Again” is broken down. We weave our way through the Eagles, Credence Clearwater Revival and tie it all in to Mungo Jerry somehow. We also discuss the new singles from Metallica and Green Day. “Put me in coach!” Website = http://www.barrelproofcomedy.com/ Facebook = https://www.facebook.com/barrelproofcomedy   Email = barrelproofcomedy@gmail.com Twitter = @barrelproofpod iTunes https://itunes.apple.com/us/podcast/barrel-proof-comedy-podcast/id1029674204?mt=2  

Hoy cocinamos en la cocina de La Encantaria una receta griega...Makarronakia y acompaña a Joan McArra y Pekeño Ternasko un auténtico crack de la restauración y la hostelería aragonesa, como es, Lucio Lanzán....que además nos invita a escuchar un clásico del rock sureño...La Credence...buen profeito ..!!!

Season Two! Third time's the charm... The Doctors try to fill in the cracks -- and wind up sticking their fingers in: Midnight Special, Credence Clearwater Revival, Jeff Nichols,10 Cloverfield Lane, John Goodman, Birdman, The Revenant, Alejandro Iñárritu, Harold Pinter, David Mamet, Leo DiCaprio, Charlie Brown's Christmas Special, The H8ful Eight, Kurt Russel, Quentin Tarantino, The Sixth Sense, Listener Mail, Freddy Got Fingered, Hudson Hawk, Bruce Willis, Moonwalker, Excalibur, John Boorman, Sid & Marty Krofft, Deliverance, Lord of the Rings (1969), Helen Mirren, Gabriel Byrne, Liam Neeson, Patrick Stewart, Ciaran Hinds, Game of Thrones, Political Animals, Glenn Close, The Debt, Tom Wilkinson, Jessica Chastain, Sam Worthington, Mosquito Coast, At Play in the Fields of the Lord, John Lithgow, Tom Berenger, Daryl Hannah, Aidan Quinn, Cathy Bates, Hector Salamanca, Kiss of the Spider Woman, Raul Julia, William Hurt, Peter Matthiessen, Battlefield Earth, The Alamo, John Wayne, At Long Last Love, Peter Bagdanovich, The Last Picture Show, Paper Moon, What's up Doc?, Barbara Streisand, Cole Porter, New York, New York, Beyond the Sea, Kevin Spacey, The Brown Bunny, Vincent Gallo, Chloë Sevigny, Caligula, Cut Throat Island, Grindhouse, Robert Rodriguez, Heaven's Gate, To See or Not to See: The Big Short, Steve Corel, Christian Bale, Ryan Gosling, Marisa Tomei, Hamish Linklater, The New Adventures of Old Christine, Melissa Leo, Rafe Spall, Christopher Eccleston, Spotlight, Mark Ruffalo, Michael Keaton, John Slattery, Stanley Tucci, Hail Caesar!, Coen Brothers, Josh Brolin, George Clooney, Ralph Fiennes, Scarlett Johansson, Alden Ehrenreich, Francis McDormand, Channing Tatum, Gene Kelley, Deadpool, Ryan Reynolds, Morena Baccarin, Gotham, TJ Miller, The Witch, Robert Eggers, Zootopia, Jason Bateman, Idris Elba, Finding Dory, Jungle Book, Star Trek Beyond, Whiskey Tango Foxtrot, Tina Fey, Margo Robbie, Martin Freeman, Alfred Molina, Christopher Abbott, Raiders of the Lost Ark, Kiss of the Spider Woman, Eye in the Sky, Aaron Paul, Alan Rickman, The Boss, Melissa McCarthy, Kristen Bell, Peter Dinklage, Tammy, Ben Falcone, Spy, SNL, Bill Murray, Ben Kingsley, Christopher Walken, Gary Shandling, Jon Favreau, Star Wars: Phantom Menace, Pennies From Heaven, Steve Martin & Louie Prima. Questions or comments? Contact: Adam & Gregor at: show@hollywoodrx.net or tweet them at @hollywood_rx. Review us on iTunes... Today! Like us on Facebook. Or both. Read more at http://hollywoodrx.libsyn.com/#9VfpmPPE0qlX7t6T.99   Recommended Podcasts: Filmspotting Q&A with Jeff Goldsmith

The demonic duo sit down to talk about another of their favorites, An American Werewolf in London. There's not much else to say that can describe this one, other than they love werewolves. Oh, I almost forgot, a werewolf stops by for a special interview. The episode opens with songs from Credence Clearwater Revival, and The Marcels. Then ends with new music from Those Poor Bastards, and Wolfmother. 

We ain't afraid of no ghosts! It's a spooky Samhain Eve in the Windy City Irish Radio studios as Tim and Mike have a devilishly ghoulish time with the traditions of this ancient Celtic holiday season. Samhain is known to be the night when the barrier between worlds is whisper-thin and the spirits mingle among the living and all sorts of mayhem ensues. Join the boys as they tell tales of ghosts, banshees, and the Undead with fiendishly fine music from Dallahan, Shane Mcgowan, Marc Gunn, Rosemary Clooney (Official), Sinéad O'Connor, Lonnie Donegan, Van Morrison (Official), Credence Clearwater Revival, The Cranberries, Moya Brennan with Cormac de Barra, Bing Crosby, Tommy Makem, Dusty Springfield, Megan Mullally and the Man dressed so appropriately in Black, Johnny Cash. It's a special 90 minute holiday extended podcast sure to summon the spirits and get them dancing on their graves! Join Mike Shevlin and Tim Taylor each Wednesday night on WSBC 1240AM Chicago and WCFJ 1470AM Chicago Heights from 8pm to 9pm or listen to our podcast at www.windycityirishradio.com

We're back with a nice frivolous episode after the unprecedented seriousness of the previous one. Patrick talks about a soujourn to Amsterdam during which he watched a king being crowned and a drunk person falling into a canal (not simultaneously). We discuss the virtues of the new Daft Punk songs and we discuss, in somewhat reverent tones, just how handsome Pharrell Williams is. We rhapsodize about our recent conversion to Aeropress coffee, then segue into a breathlessly excited discussion of the music scheduled for release this summer. We give a pretty exhaustive review of Tyler, the Creator's new record Wolf, call Robert Plant a nerd, and further humiliate Patrick re: his dislike of critically-acclaimed, Rock and Roll Hall of Fame–inductees Credence Clearwater Revival. We beg Uniqlo to sponsor our show and Colin does the knowledge on post-war Japanese literature. We launch into a furious, aggrieved cipher on the anti-Millennial horse hockey that has been peddled as of late by the media. And we finish with a digestif discussion of movies that quickly devolves into masturbation euphemisms.

In mid-September we discussed a case of mistaken identity at White Castle; the The Legend of Zelda: The Wind Waker–shaped hole in the Postmodem family, which game may or may not be excellent, and also the other 3D Zeldas; the flaws and virtues of the Wii; the pervasive culture of design-by-project-management and Nintendo's cultural inability to say no; Colin's foray into improv comedy. Feelings and anxiety received an extensive, video games and literature–tinged treatment and we had another potentially family-ending argument this time about Credence Clearwater Revival; Patrick and Colin sang the Crossfire jingle and we all sang the praises of Nick Harkaway once again. Patrick told of his internet-less vacation to France, Phillip called out sanctimonious Internet quitters, and Colin complained about the addictive nature of social media. Hideo Kojima broke the 4th wall, we discussed the Metal Gear Solid: Ground Zeroes trailer and the possibility of Christian Bale as Solid Snake. We discussed a bunch of films including the new Judge Dredd movie, The Raid: Redemption (2011), Shoot 'Em Up (2007), and Bunraku (2010). And fulfilling our music quota, we discussed the new Lil Wayne, the documentary The Carter, the new Atoms for Peace, GZA's classic Liquid Swords, and Pitchfork's practice of re-rating albums including the first Andrew W.K. album. And finally we asked: what if someone quit Wikipedia?

El concepto es Teenage Fanclub, y usando ese concepto como excusa, muchas otras canciones y grupos relacionados de alguna manera, más o menos remotamente, con nuestros protagonistas. (Por Rafael Llarena) 1.The Creation – “Try and stop me”: Si nos remontamos en el tiempo para buscar los origenes de todo esto, uno de los grupos en los que merece la pena detenerse son The Creation. Partiendo de la psicodelia, fueron de los primeros grupos en hacer algo parecido a lo que luego fue conocido como power pop. Y uno de los primeros grupos en coger ese legado y convertir el power pop en lo que ahora es, fueron Big Star, de Alex Chilton… 2.Alex Chilton & Teenage Fanclub – “September Gurls”: Aquí tenemos a TFC, con uno de sus héroes, en un concierto en Glasgow en 1996. Big Star nunca alcanzaron el éxito comercial que se merecían y nunca llegaron a las masas. Pero fueron uno de los grupos que en los 70, comenzaron a hacer lo que ahora conocemos como power pop y grupos como TFC, R.E.M. o The Posies (Jon Auer y Ken Stringfellow acompañan a Chilton en la formación actual de Big Star) siempre han reconocido su influencia. Y puede que Gerard, Raymond y Norman los tuvieran en mente al formar Boy Hairdressers… 3.Boy Hairdressers – “Golden Showers”: Aquí empezó todo. Por primera vez, los futuros TFC, se unen para grabar un single. Tres canciones sólo, en las que sientan las bases del pop melódico y las armonías vocales que llevarían hasta la perfección años después. Sólo publicaron este single, que fue editado por en el sello 53rd & 3rd… 4.Ramones – “53rd & 3rd”: tres acordes. El grupo de Queens (NY), no necesitó más para entrar en la historia de la música. Punks, antes de que existiese el punk. Ruido y guitarras mirando hacia atrás para coger lo mejor del rock (The Stooges o MC5) y lo mejor del pop (Phil Spector o The Beach Boys). Se dice que el título de esta canción se refiere a la esquina donde Dee Dee Ramone ejercía de chapero cuando era adolescente. Fue está canción la que dio nombre al sello de Stephen Pastel… 5.The Pastels – “Nothing to be done”: Stephen fue de los agitadores más importantes de la escena de Glasgow, dando oportunidades en su sello y organizando los primeros conciertos de alguna de las bandas más interesantes surgidas de la ciudad escocesa. The Pastels fue un grupo fundamental en el nacimiento del indie pop, de los 80 hasta la actualidad. Pilares del movimiento C-86, al coger el espíritu DIY del punk y adaptarlo al pop. Muchos grupos han seguido la estela del C-86, incluyendo algún paisano de TFC como Trash Can Sinatras. 6.Trash Can Sinatras – “Circling the circumference”: No sé si será el agua, el clima, o algún tipo de virus, pero Glasgow tiene algo especial que hace que salgan de allí grandes grupos un año tras otro. De allí son Lloyd Cole, The Delgados, Camera Obscura, Franz Ferdinand, Orange Juice, The Rezillos, Belle & Sebastian, Snow Patrol, Travis o Bobby Gillespie. Como ya he comentado, Trash Can Sinatras toman las bases del C-86 de grupos como The Pastels y Beat Happening y las pulen para crear perfectas canciones pop como esta. 7.Beat Happening – “Cast a shadow”: Liderados por otro agitador de la escena independiente pero, en este caso, americana: Calvin Jonson. Desde Olympia, en Washington, fundó el sello K records y Internacional Pop Underground, un festival reuniendo a lo mejor de la escena alternativa americana y una serie de 7” de diferentes grupos incluyendo a TFC con sendas versiones de Beat Happening y Big Star. Esta canción ha sido versionada, entre otros, por Adam Green y BMX Bandits… 8. BMX Bandits – “No future”: Tras la separación de Boy Hairdressers, Norman pasó a formar parte durante un tiempo del grupo de Douglas T. Stewart (y ha seguido muy ligado a ellos todos estos años). Esta canción en concreto, compuesta por Norman, fue grabada por TFC como “Tears”. Ambas versiones tienen la misma música, pero las letras cuentan la misma historia desde puntos de vista opuestos. Más tarde, Norman volvió a reunirse con Gerard y Raymond para formar TFC, contando con el bandido Francis McDonald como batería… 9. Nice Man & The Bad Boys – “Forever Is A Long Time Without”: Francis McDonald es Nice Man. Su primer disco en solitario fue una opera pop. En el segundo fichó a los Bad Boys para tocar joyas tan intensas como esta. Ambos discos fueron publicados en su propio sello, Shoeshine Records, dedicado al pop y al country, en el que ha producido y publicado a gente como Alex Chilton, Michael Shelley, Cheeky Monkey o Astrochimp, grupo que formaban él y Eugene Kelly de los Vaselines… 10. The Vaselines – “Son of a gun”: Con sólo un par de singles y un disco, este grupo escocés no esperaban obtener la relevancia que alcanzaron años después de separarse. Este reconocimiento les llegó de rebote y de la mano de Kurt Cobain, que los reivindicó como influencia en varias entrevistas. Nirvana hicieron tres versiones de este grupo, esta y “Molly’s Lips” recopiladas en “Incesticide”, y “Jesus wants me for a sunbeam” en el famoso unplugged de la MTV… 11. Nirvana – “Come as you are”: Poco queda que decir de este grupo. Su disco “Nevermind” fue la cumbre de todo un movimiento musical y el responsable de que la música alternativa de los 90 llegara al gran público. En la gira de presentación del disco por Europa, impresionados por el “Bandwagonesque”, eligieron a TFC como sus teloneros. Y si Nirvana fueron el mejor representante del grunge, para muchos el padrino fue Neil Young… 12. Neil Young – “Like a Hurricane”: Otra de las referencias de TFC, estos le homenajearon en el “Grand prix” en mi canción favorita de los escoceses “Neil Jung”. TFC también incluyeron versiones de Young en sendos singles (“Don’t cry no tears” y “Burned”). Y hablando de versiones, he aquí una de las más curiosa de los escoceses… 13. Teenage Fanclub - “Like a virgin”: Esta version de Madonna es de las más curiosas que han hecho TFC, y han hecho muchas. Publicadas en singles encontramos versiones de clásicos como The Beatles, Credence Clearwater Revival, Lou Reed, Phil Ochs o The Lying Burrito Brothers y contemporáneos como Beat Happening, Yo La Tengo o Sebadoh. 14. Cecilia Ann – “Si no lo ves”: Y si TFC siempre han reconocido claramente sus influencias, otros grupos han reconocido estar influenciados por TFC. En España encontramos grupos como The Happy Losers o Cecilia Ann, que han sabido emular las guitarras y las armonías vocales de los protagonistas de este recopilatorio. 15. Primary 5 - Ex-batería de Teenage Fanclub, Paul Quinn también ha hecho sus pinitos como líder de una banda, Primary 5, que nos ha dejado dos bonitos álbumes de ese pop de melodías y guitarras que tanto nos gusta. 16. Teenage Fanclub – “Don’t look back (acoustic version)”: Y para terminar, esta version de una de las canciones más conocidas de TFC, publicada en el EP “Teenage Fanclub Have Lost It”, que tiene un encanto especial, que la hace incluso más bonita que la original.

Information Wars, Introduction of Computers and Internet to the Public, Mandatory Computer Usage, World Indoctrination for a World Society, Monitoring Mail - Phones - Computers, Peter Wright "Spy Catcher" Book, Surveillance, Composite Opinions, League of Nations -LON - United Nations - UN, Who Controls the Past Controls the Future (and Present), Plunderers and Pirates, Trading Blocks under World Government - Marx, Passing on Wisdom, Scientifically Designed Schooling, Paper Chases, Ancient Languages, Standardized International Education, Commoners - Marry in Common, Matchmaking by Priesthood, Norms Given to the Public, H. G. Wells - Propagandist for the Crown, The "Great" War, Grand - Great - Freemasonic Terms, Manipulation of Young People, "War to End All Wars", Uni-Form, Controlling and Guiding Populations with Deception, Supplying Leaders for Followers, Most Well-Informed Slaves That Ever Existed, Mainstream and Opposition Media, Lab Rats, Patriot Movement - Venting Steam - What Will They Do Next, Psychological Warfare - Immobilization of the Psyche, Nothing Happens by Chance at the Top, Chemtrails - (Blobs, Zig-Zags, Shapes), "Blade Runner" Movie Predictive Programming, Aerial Spraying - Warming the Air, Open Skies Treaty, Observation Fly-Overs, Foreign Pilots in Domestic Aircraft, OSCE, Helsinki Meeting, "Crisis Management" and "Protection of the Environment", Drifting Trails of Chemicals, Condensation Trails vs Chemical Trails, Health Effects of Heavy Spraying, Keeping the Public Sedated, Nothing Is As It Seems, Genetic Engineering and Modification, Legal Wording - Deception Tactics, "Freemasonry of the Air", Decisions by Intellectual "Betters", Fabian Way of Take-Over, The Cold War - Enemy Over There, Advancement of Sciences to Create a Worldwide Network to Monitor and Control, OSCC, Looking Up, A Good Reason and the Real Reason, (Song: "Windy" by Association, "Bad Moon Rising" by Credence Clearwater Revival)

Freezing Rain, Conspiracy Theory, Dry Dusty Books, Day by Day Blows, Charles Galton Darwin, Culture is Grown, Writing the Congressman, Unraveling Legalities, Parliament Buildings, Passing Debt, Planning Japan, Headspace and Paradigm, Neurosis and Hypochondria, Ritualism, Eternal Truths, Breaking Through, First Miracle, Personality Types, Anti-Human System, (Song: "Early Morning Rain" by Gordon Lightfoot, "The Boxer" by Paul Simon, "Who'll Stop the Rain" by Credence Clearwater Revival")