Podcasts about Fogerty

01. John Fogerty - Have You Ever Seen The Rain 02. Carter Vail - Napoleon 03. Aiko - Opposites Dont Attract 04. JC Stewart - Don't Say You Love Me 05. Cardinals - Unreal 06. Bee Blackwell - Blue 07. Cotton Mather - Girl with a Blue Guitar 08. Ellur - Alive 09. hannah bahng - what never lived 10. Finn Forster - Feels Like

Menú sonoro cocinado principalmente con novedades, aunque con muchos lanzamientos de grabaciones del pasado que ven ahora la luz.Como lo “nuevo” de David Bowie, una actuación en directo del 8 de septiembre de 2003 en los Riverside Studios de Londres. The Damned con las actuaciones de 2022 en la gira de reencuentro de la formación original. Unas grabaciones de Buffalo Springfield en el Hollywood Bowl de Los Ángeles de 1967. Y celebramos el regreso de John Fogerty a nuestro país con fecha exclusiva en el Azkena Rock Festival.Playlist;DAVID BOWIE “New killer star” (Live Riverside Studios 2003)DAVID BOWIE “Love missile F1 11” (single 2003)THE DAMNED “I feel alright” (Live at O2 Apollo Manchester 2022)THE DAMNED “New rose” (Live at O2 Apollo Manchester 2022)BUFFALO SPRINGFIELD “Intro” (Live 1967 EP)BUFFALO SPRINGFIELD “Mr Soul” (Live 1967 EP)NEIL YOUNG “Field of opportunity” (Oceanside, Countryside)CREEDENCE CLEARWATER REVIVAL “Run through the jungle” (Cosmos factory, 1970)JOHN FOGERTY “Rockin' all over the world” (John Fogerty, 1975)JOHN FOGERTY feat BRUCE SPRINGSTEEN “When will I be loved” (The Blue Ridge Rangers Rides Again, 2009)Versión y Original; THE EVERLY BROTHERS “When I will be loved” (1960)THE NIGHTINGALES “Same old riff” (The awful truth, 2025)JESUS and MARY CHAIN “Head on” (Automatic, 1989)PIXIES “Primrose” (The night the zombies came, 2024)Escuchar audio

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Blue Moon Swamp es el quinto álbum de estudio del músico estadounidense John Fogerty, publicado por la compañía discográfica Warner Bros. Records en mayo de 1997. El álbum, es el primero de estudio de Fogerty once años después de Eye of the Zombie, ganó el premio Grammy en la categoría de mejor álbum de rock. 00:00 Southern Streamline 03:57 Hot Rod Heart 07:26 Blueboy 11:28 A Hundred And Ten 15:47 RattleSnake Highway 20:04 Bring It Down to Jelly Roll 22:42 Walking In A Hurracaine 26:23 Swamp River Days 30:00 Rambunctious Boy 33:51 Joy Of My Life 37:43 Blue Moon Nights 40:17 Bad Bad Boy 44:44 Just Pickin' 46:52 Endless SleepEscucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Criminal defence lawyer Rebecca Fogerty recently wrapped up her term as president of the Queensland Law Society. Here, she reflects on her presidential term, what she's learnt about her role as a practitioner, and the experience of the broader legal profession. In this episode of The Lawyers Weekly Show, host Jerome Doraisamy welcomes Jasper Fogerty Lawyers partner and QLS immediate past president Rebecca Fogerty to discuss why she loves criminal defence work, her perception of the challenges and trends facing lawyers in this space (particularly in Queensland), and why she wanted to serve with the Queensland Law Society. Fogerty also discusses the achievements of her presidential term, how she managed to juggle competing roles and the difficulty legal professionals face in trying to have it all, what she's learnt about herself and the broader profession, her changing perception of what makes a good advocate, and what excites her about legal advocacy into the future. If you like this episode, show your support by  rating us or leaving a review on Apple Podcasts (The Lawyers Weekly Show) and by following Lawyers Weekly on social media: Facebook, Twitter and LinkedIn. If you have any questions about what you heard today, any topics of interest you have in mind, or if you'd like to lend your voice to the show, email editor@lawyersweekly.com.au for more insights!

We are joined by midfielder Cameron Fogerty and chat about his career, life at Gigg under Dave McNabb, and the continued aim of promotion despite the first league defeat...Subscribe to us wherever you get your podcasts, and follow The Mighty Shakers on social media... Facebook, X, Instagram and TikTokEmail - themightyshakers@outlook.com Hosted on Acast. See acast.com/privacy for more information.

Originally from upstate New York, Seth began playing drums at the age of three. By age nine, he was sitting in with local bands and even backing up his elementary school choir. He's been in the Nashville music scene for 20+ years and is currently the touring drummer for Carrie Underwood. When Seth isn't on the road, he is in the studio recording and collaborating with some of Nashville's top writers, musicians, and producers. Seth has been in the Nashville music scene for years and has played/recorded with the likes of rockers Quinn Loggins, Joey DeGraw and Sodium. On the rock country and country scene he has performed/recorded with Ruby Lovette (Curb), Anna Wilson (Curb), Amy Dalley (Curb), The Wilkinsons (RCA), The Marie Sisters (Universal/Republic), Wade Hayes (Columbia), Jeff Carson (Curb), Brian McComas (Lyric Street), SheDaisy (Lyric Street), Katrina Elam (Universal South), Gary Allan (MCA), The Wreckers (Maverick), Sarah Johns(RCA), Joe Nichols(Universal South), Julianne Hough(Curb), Phil Vassar, Chris Young, Rodney Adkins(Curb), The Band Perry, Sheryl Crow and Little Big Town(UMG), Keith Urban. TV appearances include, the CBS Early Morning Show, ABC's the View, The Grand Ole Opry Live, CMT's MWL, The CMA Music Festival on ABC, a live concert special with Gary Allan on both MTV and CMT, Good Morning America, Good Afternoon America, Jimmy Kimmel, Jay Leno, Conan O'Brien, Dancing with the Stars, Craig Ferguson, The Talk, Jimmy Fallon, Ellen Degeneres, Fox and Friends, Live with Kelly and Michael, Canada a.m., CMT Awards, The ACA Awards, David Letterman, X-Factor and American Idol.   Gear: Innovative Percussion, Gretsch, Zildjian, Remo, Gibraltar Some Things That Came Up:   -3:00 Big musical family. Moving to Nashville at 18 years old.  -4:40 Playing int he school band  -5:30 Teacher George Lawrence! Passed on The Wilkinsons gig to Seth.  -9:30 Seth's admiration of Carlos Vega. -16:00 Chris Cornell, Rob Lowe -19:00 Tuning hacks.  -20:30 Game changer advice from Chris McHugh…(drum roll)… Puresound “Orchestral” snare wires on all drums. Since 2013 -23:00 Recording with Little Big Town with Jay Joyce producing.  -24:40 “Practice! Practice! Get a good gig and make a lotta cash!” -27:00 Starstruck? No! Playing with Fogerty was pretty surreal. -29:30 There's No Business Like Show Business!!! Everything about it is appealllingggg! -31:30 The perks of the Vegas residency. Play Wednesday, Friday, Saturday.  -33:20 Seth does body weight circuits. -34:00 Seth's home studio and maintaining an 8 acre property. -35:15 Rausch is German!  -37:00 Keith Urban's band would watch Little Big Town open for them every night. Amazing, natural advertising for Seth. Led to the call for Keith Urban.  -38:50 Seth met Cindy Blackman in Vegas -39:40 Advise for up and coming drummers.”Try Not to be an asshole”. “Lots of FAITH! Worrying doesn't do anyone any good. Take it day by day.  -41:20 Seth is a model represented by The Block Agency! -42:00 Harry McCarthy as Seth's drum tech with Keith Urban. Drum Paradise Christmas party?  -44:30 Studio and Touring balance -47:00 We hope Jim's Mom isn't listening! -49:00 “The Fave 5”…Seth's brick pizza oven.  -51:00 Ultimate Tribute Band choice is Led Zeppelin -54:00 Take every gig and don't quit!     Follow:  www.sethrausch.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Well! Take a walk along the Green River with us as we cause a Commotion about Creedence Clearwater Revival's era-defining third album, and their second record in just under a year! We'll learn how the band Golliwogged and Gossamer Wumped their way into a record contract and how they slowly imploded under John Fogerty's scrutiny. The Mixtaper challenges our understanding of what's possible with questionable "facts" about allergies, the USSR, and a tense induction into the Rock And Roll Hall Of Fame. Behold what the Bad Moon Rising represents, learn how the Lodi locals feel about being stuck there, and find out the ill-fated fortune that put Fogerty in a Tombstone Shadow this week. CCR Wrote A Song For Everyone, so fire up this record, cite your sources, and Keep On Chooglin' (and Spinning) with the most accurate source of information on the internet!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro2:55 About Creedence Clearwater Revival11:27 About Green River14:15 Creedence At Woodstock19:17 Breakup And Aftermath25:58 Awards & Accolades28:43 Fact Or Spin29:36 John Fogerty Had A Horrible Allergy31:15 John Fogerty Was Already Famous Before Joining CCR34:54 The Band Had A Unique Performance...38:39 A Debunking Interlude45:01 John Fogerty Was Part Of A Super Trio50:43 Album Art51:32 Green River55:34 Commotion57:07 Tombstone Shadow58:36 Wrote A Song For Everyone1:00:38 Bad Moon Rising1:04:33 Lodi1:06:32 Cross-Tie Walker1:08:07 Sinister Purpose1:09:41 The Night Time Is The Right Time1:11:54 Final Spin Hosted on Acast. See acast.com/privacy for more information.

This is an UNLOCKED episode. For access to premium episodes, upcoming installments of DEMON FORCES, live call-in specials, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad. In Part 4 of CONTRA VII, Dimitri and Khalid begin exploring the musical origins and Shakespearean career arc of the East San Francisco Bay's most legendary quirked up white boys (and eventual Castle Bank victims) Creedence Clearwater Revival, including: the murky and arguably Islamic roots of blues music in the Mississippi Delta, growing up in the sleepy post-war SF suburb of El Cerrito, Tom and John Fogerty getting blues-pilled by the local black radio stations in Oakland, John getting constantly hit on by Christian Brothers at Catholic school, joining forces with schoolmates Stu Cook and Doug Clifford, becoming Tommy Fogerty and the Blue Velvets, signing with the offbeat dirtbag cawmedy jazz label Fantasy Records in 1963, being forcibly named “The Golliwogs” to ride the Bri'ish Invasion wave, John's unfortunate stint in the US Army Reserves from 1966-68, rebooting as Creedence Clearwater Revival during San Francisco's Summer of Love, John's deep hatred of the MK Silk Topper Grateful Dead scene, his even deeper hatred of LSD, Timothy Leary, and stoner culture, his insistence that they always play sober despite CCR's tactical appeal to the psychedelic crowd on “Suzie Q” and “I Put a Spell on You”, John's assumption of full Stalinist leadership over the band, his growing anxiety that there's “somethin' missing” in Doug's shuffle beat, and the construction of Fogerty's mythical bayou from the violent fever dream swamp of the Vietnam War, the political assassinations of 1968, San Francisco MK culture, and President Richard Nixon.

Today, Indiecast co-host, Uproxx cultural critic and author Steven Hyden returns to the show to discuss his book about one of the most iconic albums of all time, "There Was Nothing You Could Do: Bruce Springsteen's "Born in the USA" and the End of the Heartland. Steve talks about the album's uneasy relationship with Bruce's die-hard fans, Bruce's internal tug of war with the level of fame this album brought, misread meanings of Bruce's songs and how his music has become more didactic over time, the universality and timelessness of Nebraska and Born in the USA vs the more explicit protest music of the time, Springsteen the storyteller, the "Bruce voice", the emotional comedown whiplash of exiting an E Street Band show, the death of the unifying American myth, 'heartland rock' as a genre, Bruce's hopefulness vs the fatalism of Fogerty and Mellencamp, why the Replacements were the antithesis of Springsteen, the lessons Bruce drew from Bob Dylan and our hopes for the Born in the USA 40th Anniversary.

I got to have this incredibly insightful conversation with Sam, the COO of Payl8r about how she came to be at the helm of the industry's most disruptive finance solution for millennials. We talk about the disadvantage of not offering Aesthetics Finance, indulging imposter syndrome and how it is for female-led business on the whole. Inspirational and not one to miss! Watch the episode on YouTube: https://youtu.be/WKrVwNATEws SIGN UP FOR FACES FINANCE TODAY: https://facesconsent.com/home Find Out More on Payl8r: https://www.payl8r.com/ Join Faces Consent for FREE: https://www.facesconsent.com  Follow your host: https://www.instagram.com/faceitpod  https://www.instagram.com/jess_messenger

Swamp rock afficianados, this is your podcast!Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock.  They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction.  But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets."  They changed their name to "the Golliwogs" in 1964, then became CCR in 1967.  The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days.  Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily.  This album went to number 1 on the Billboard 200 charts and remained there for nine weeks.  It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.The group would be prolific, but short-lived.  Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter.  But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.Wayne takes us through this classic album of swamp rock for this week's podcast. Who'll Stop the RainOften considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age.  It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.Run Through the JungleAnother song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle.  This was another double A single release, paired with "Up Around the Bend."  It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."Up Around the BendThis track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend.  It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts.  John Fogerty wrote this song, as he did most of the original CCR tracks.Travelin' BandThis song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard.  The lyrics talk about a band on the road.  It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel. ENTERTAINMENT TRACK:Main theme from the television series “Dark Shadows”A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.  STAFF PICKS:Tears of a Clown by Smokey Robinson & the MiraclesLynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love.  The track was originally recorded in 1966, but not released until 1970.  It topped both the UK charts and the US Billboard Hot 100.  Long Long Time by Linda RonstadtRob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist.  The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.Ain't No Mountain High Enough by Diana RossBruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967.  Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns.  It went to number 1 making it Ross's first number 1 solo hit.Vehicle by The Ides of MarchWayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section.  The vocalist and guitarist for The Ides of March would later become a founding member of Survivor.  General Motors used this song extensively in national advertising, and it will tend to get you driving faster! NOVELTY TRACK:Chicken Strut by the MetersThis novelty song inspired a short-lived dance, and wraps up this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Bruce Fogerty reminds us about the Easter Cross ministry. More at https://eastercross.org/See omnystudio.com/listener for privacy information.

Bruce Fogerty reminds us about the Easter Cross ministry. More at https://eastercross.org/See omnystudio.com/listener for privacy information.

In this episode, Ray chats with Mignon Fogerty, aka the Grammar Girl. "Good grammar" may seem like the epitome of prescriptivism, but when it comes to her "Quick and Dirty Tips", Mignon leans on a more ideologically neutral approach. Might you even call "good grammar" ...  a style choice? 

This month, Duane and Scott do something a little different and talk to Glen Warren from the Seasons Eatings podcast about a food-related song called "Miss Fogerty's Christmas Cake". Versions played on this episode: The McNulty Family The Irish Rovers William Brady Wolfetones Sharon Lois and Bram – Canadian Children's Entertainers Rum Ragged – Newfoundland band Clinton Ford Fire in the Glen Ruby Murray – Miss O'Leary's Irish Fruit Cake David Jones Folk songs out of Wisconsin - 1941 - Lewis Moody Trinity Cake by Allan Mills

This man has played with the best of the best! Voted Number 1 session drummer in the world by Modern Drummer Magazine 5 times and 3 times by Drum Magazine - not to mention appearing on Rolling Stone Magazines list of the 100 Greatest drummers of all time! He's played and recorded with McCartney & Ringo, The Rolling Stones, Elton John, Rod Stewart, Tony Iommi, Meat Loaf, John Fogerty, John Mellencamp, Dave Grohl, The Smashing Pumpkins, Johnny Cash, Jerry Lee Lewis, BB King, Lynyrd Skynyrd, Bob Seger, Bob Dylan, Sting... and many many more - too many to mention! Kenny Aronoff has been at the top of the business for for over 40 years and shares some wonderful stories from his extensive career with Paul in this in depth interview. Hear about his friendship with Rush's Neil Peart, the intense working environment - fight or fight - which led to the worldwide number 1 hit "Jack & Diane", how he became one of the leading session drummers in the world, his time with Fogerty, Smashing Pumpkins and Tony Iommi and the special special night honouring the Beatles famous first US TV appearance where he got to hang out and work with Sir Paul McCartney and Ringo Starr. It's all in this action packed episode! Learn more about your ad choices. Visit megaphone.fm/adchoices

Creedence Clearwater Revival has weathered a tumultuous trajectory, including with lead singer/songwriter John Fogerty. We delve into the history of "Bad Moon Rising," Fogerty's storied and stormy history with getting his due with record labels, our memory of seeing Fogerty play at South Street Seaport, and of course, what John thinks about "bathroom on the right." We also chat about the live shows we've recently seen, including a great show from Meute at Los Angeles' The Wiltern. Enjoying the podcast? Please leave us a 5-star review on Apple Podcasts, Spotify, or Goodpods! Find us at @stephaniestalktunes on Facebook, Instagram, and TikTok; @stephaniestalk on Twitter; email at stephaniestalktunes@gmail.com; and stephaniestalktunes.com for all episodes, merch, and more. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Creedence Clearwater Revival has weathered a tumultuous trajectory, including with lead singer/songwriter John Fogerty. We delve into the history of "Bad Moon Rising," Fogerty's storied and stormy history with getting his due with record labels, our memory of seeing Fogerty play at South Street Seaport, and of course, what John thinks about "bathroom on the right." We also chat about the live shows we've recently seen, including a great show from Meute at Los Angeles' The Wiltern. Enjoying the podcast? Please leave us a 5-star review on Apple Podcasts, Spotify, or Goodpods! Find us at @stephaniestalktunes on Facebook, Instagram, and TikTok; @stephaniestalk on Twitter; email at stephaniestalktunes@gmail.com; and stephaniestalktunes.com for all episodes, merch, and more. Proud member of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In celebration of our 20th episode we are discussing Creedence Clearwater Revival's Fortunate Son from 1969. Bro. Felix joins us for a stimulating conversation on the Vietnam War, the Draft, David Eisenhower, John McCain, and all things Fogerty. Were you born with star spangled eyes anon? Your country's military-industrial complex plays Hail to the Chief and points the cannon at you, wyd? Link to the song (and the music video nobody asked for): https://youtu.be/ZWijx_AgPiA Follow Bro. Felix on Twitter (where you can watch the progress of his book writing too): @Bro_TheCat (https://twitter.com/bro_thecat) Follow Scott and Sean on Twitter: Scott - @dotGiff (https://twitter.com/dotGiff) Sean - @HashtagHeyBro (https://twitter.com/hashtag_hey_bro) If you've got a song you'd like us to talk about on the show, send us a DM on Twitter or an email to historyinmusicpodcast@gmail.com

As Donna and Jay continue their series on Veteran Treatment Court, they look at the resources within the Veteran Treatment Court. One of the important aspects of helping our Veterans to move forward is to have a strong peer mentoring program.  Mike Fogerty is the Peer Service Coordinator for the Military Veteran Peer Network (MVPN). He works to recruit, educate and match mentors with Veterans in the Treatment Court. Donna and Jay talk with Mike about his Veteran background, how he became involved in the MVPN, and role of the mentors, and their importance.  Mike's Bio Mike retired after 20+ years as an Air Force Navigator, with the majority of his time on AWACS. In his last years in the military he was at Randolph AFB teaching new navigators in the Nav Training School. After retirement, he spent 16 years as a teacher, with the last 6 focused on Special Ed kids. He went on to a new adventure and spent 3 1/2 years as office manager Canyon Lake Mental Health clinic (Hill Country MHDD). Seven months ago he took training through the Texas Veteran Commission and added on Military Veteran Peer Network Coordinator (MVPN) Peer Service Coordinator (PSC) to his office manager title. Mike's Contact Information Email: michael6652@hillcountry.org Work Cell: (737)221-1494 To Find a Peer Service Coordinator or learn more about the MVPN program in Texas please visit the Veteran Mental Health website. Veteran Justice Outreach Tune into our CHW Streaming Radio and the full lineup at cominghomewell.com Download on Apple Play and Google Play Online-Therapy.com ~ Life Changing Therapy Click here for a 20% discount on your first month. Donna's Links Website: www.rebel-llc.com Consulting/Coaching Book: Warrior to Patriot Citizen (2017) Blog: Taking Off The Armor IG: @thetransitioningwarrior Twitter: @wtpc FB: The Transitioning Warrior Jay's Links Website: https://j2servantleadership.com/ Book: Breaking Average (2020) Thank you for listening! Be sure to SHARE, LIKE and leave us a REVIEW!

(Original air date Feb. 10, 2021 - Season Seven Opener) We kick off Season 7 with one of the biggest American rock bands in history, and one of their most iconic albums! Plus we chat with the album's titular inspiration, CCR drummer Doug "Cosmo" Clifford! In this episode: - The “Do Not Play on Radio” list CCR landed on - How CCR's Woodstock performance almost got derailed by a paper rock - Fogerty, California Swamp Rock, and random saxophone solos - Doug “Cosmo” Clifford's new 30+ year old album! --- Check out Rob's new movie+food podcast, Cinema Snack Bar! --- Join us on PATREON for early access, extended interviews, weekly reaction mini-sodes, full bonus shows, and more ways to be part of the show! patreon.com/greatsongpod Visit greatsongpodcast.com for archives, merch, and more! Connect with us on Facebook, Twitter, and Instagram @greatsongpod, and join the Facebook group at Facebook.com/groups/greatsongpod. Patreon Producers: Andrea Konarzewski, Brad Callahan, Ari Marucci, Michael Conley, Peter Mark Campbell, David Steinberg, Randy Hodge, Chaz Bacus, Juan Lopez, Jason Arrowood, Howard Passey, Micah Murphy, Tim Jahr, Christopher Cudnoski, and Pete Kim --- Send in a voice message: https://anchor.fm/greatsongpod/message

Mike Brian Fogerty returns to the show after a global pandemic nearly made him walk away from sketch comedy.  He talks to Will about the upcoming Solocom 2023 fest at The People's Improv Theater, writing Sketch Comedy, what he's learned about TV Pilot writing, and his break down of Will's Pilot idea, why he almost stopped comedy, what kept him in, and what he's looking forward to in his new Late Night writing workshop.   Mike on Twitter: @themikebrian Mike on Instagram:  https://www.instagram.com/themikebrian/ Mike's class:  https://thepit-nyc.com/events/late-night-style-writing/   Will's Website: www.awesomedisaster.com Podcast Merch: https://teespring.com/stores/between-awesome-and-disaster Get exclusive music and videos at Patreon: https://www.patreon.com/awesomedisaster Listen to Will's band on Spotify: https://open.spotify.com/album/6diGYyCyFjJZNOZ0Madqrl?si=T0jg3j1bS9iXQ47rHekvgg Listen to Will's Solo EP: https://open.spotify.com/album/3jMCe7S0qxESZaXEcfR1Cj?si=9h8vYhNKT5qmQX5g8QvWlw

-Ozzy Osbourne goes 2 for 4 at The Grammys! Largest In Memoriam in ceremony's 65 years! -Mick Fleetwood answers our main episode question from last week. Thanks, big fella! -KoRn Requiem Mass, a Slipknot surprise, and Megadeth to stream from Budokan! -Feuding Floydians, Fogerty's remote festival gig, a Fripp & Toyah update and more! ***FLASH AMERICAN MUSICAL ICON, BURT BACHARACH DEAD AT 94*** Feel free to slide by and visit our website anytime!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

-Ozzy Osbourne goes 2 for 4 at The Grammys! Largest In Memoriam in ceremony's 65 years! -Mick Fleetwood answers our main episode question from last week. Thanks, big fella! -KoRn Requiem Mass, a Slipknot surprise, and Megadeth to stream from Budokan! -Feuding Floydians, Fogerty's remote festival gig, a Fripp & Toyah update and more! ***FLASH AMERICAN MUSICAL ICON, BURT BACHARACH DEAD AT 94*** Feel free to slide by and visit our website anytime!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Katie Fogerty is the host of A Certain Age - an age-positive podcast that helps you live your best-evolving midlife as well as celebrates women who are aging out loud. She is also the creator of the lnstagram community AGE OUT LOUD (@letsageoutloud) that spotlights women reimagining midlife. A former journalist turned career coach, Katie's day job helping executives create impactful LinkedIn profiles has taught her that not everyone is up for owning their age. She created A Certain Age to shift the dated narrative that aging makes you irrelevant. In this episode, Nada sits down with Katie to discuss why she decided to launch a podcast that focuses on midlife. She features women reinventing in midlife and experts to help us navigate this stage of life. Katie shares that the ripple effects of those conversations have spurred her to launch AGE OUT LOUD on Instagram. Her followers can see firsthand accounts of people who have shifted away from the fear of aging and are instead embracing midlife. Nada and Katie both address that we need to question our own biases around age. They acknowledge the shift away from the negative aging narrative as more public-facing women speak about the value of midlife. Embracing this stage of life is both an individual and a communal journey, and the two podcast hosts celebrate the new pro-age era upon us. sBe sure to check out the A Certain Age Podcast and AGE OUT LOUD (@letsageoutloud) community.  Please follow us at @thisislibertyroad on Instagram--that's where we hang out the most. And please follow, rate and review us on Apple Podcast —it helps to know if this podcast is inspiring and equipping you to launch and grow.

This week the boys dive into the historic case of Fogerty Vs. Zaentz as John Fogerty finally regains majority ownership over his publishing rights for the Creedence Clearwater Revival (CCR) catalog and what that means for Fogerty as well as how this decades long battle impacted the music industry. Later, TikTok offers lower add pricing in the hopes of increasing their client base. What does this mean for the company with a creator fund royalty payout system that is under intense scrutiny? This and more every week on The Biztape!    Grammy Big 4 Poll: https://docs.google.com/forms/d/e/1FAIpQLSeslCRNffVOfKV27hHoVmEw5_A6GJ4sbmKi-1YUcIRkOtWEdA/viewform?usp=sf_link   Socials:   Instagram, Facebook, Twitter, TikTok: @TheBiztape Email: thebiztapepodcast@gmail.com   Sources: John Forgerty Regains Control:  https://www.billboard.com/pro/john-fogerty-buys-control-publishing-creedence-clearwater-revival-catalog/ TikTok offers cheap ads in race against rivals: https://www.musicbusinessworldwide.com/tiktok-offers-cheaper-ads-in-race-against-social-media-rivals-meta-youtube-and-twitter-report/See omnystudio.com/listener for privacy information.

So much news, breaking and other wise, to get to this week: -John Fogerty secures his CCR copyrights after decades-long battle! -When Dolly rocks! -Maneskin drops "Gossip," their new single feat. Tom Morello! -Genesis announced box set of mostly unreleased tracks! -Farewells: Lisa Marie Presley, BTO's Robbie Bachman, Screaming Trees Van Conner! And a last second addition: David Crosby of The Byrds and CSNY... Learn more about your ad choices. Visit megaphone.fm/adchoices

So much news, breaking and other wise, to get to this week: -John Fogerty secures his CCR copyrights after decades-long battle! -When Dolly rocks! -Maneskin drops "Gossip," their new single feat. Tom Morello! -Genesis announced box set of mostly unreleased tracks! -Farewells: Lisa Marie Presley, BTO's Robbie Bachman, Screaming Trees Van Conner! And a last second addition: David Crosby of The Byrds and CSNY... Learn more about your ad choices. Visit megaphone.fm/adchoices

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities.But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop.Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS in this encore episode from May 2022 to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency of these strains.Be sure to also check out the other episodes in our series with Dr. Andrew Coop!

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities.But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop.Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS in this encore episode from May 2022 to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency of these strains.Be sure to also check out the other episodes in our series with Dr. Andrew Coop!

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities.But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop.Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS in this encore episode from May 2022 to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency of these strains.Be sure to also check out the other episodes in our series with Dr. Andrew Coop!

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara' Frequency at patreon.com/subliminaljihad. In Part 4 of CONTRA VII, Dimitri and Khalid begin exploring the musical origins and Shakespearean career arc of the East San Francisco Bay's most legendary quirked up white boys (and eventual Castle Bank victims) Creedence Clearwater Revival, including: the murky and arguably Islamic roots of blues music in the Mississippi Delta, growing up in the sleepy post-war SF suburb of El Cerrito, Tom and John Fogerty getting blues-pilled by the local black radio stations in Oakland, John getting constantly hit on by Christian Brothers at Catholic school, joining forces with schoolmates Stu Cook and Doug Clifford, becoming Tommy Fogerty and the Blue Velvets, signing with the offbeat dirtbag cawmedy jazz label Fantasy Records in 1963, being forcibly named “The Golliwogs” to ride the Bri'ish Invasion wave, John's unfortunate stint in the US Army Reserves from 1966-68, rebooting as Creedence Clearwater Revival during San Francisco's Summer of Love, John's deep hatred of the MK Silk Topper Grateful Dead scene, his even deeper hatred of LSD, Timothy Leary, and stoner culture, his insistence that they always play sober despite CCR's tactical appeal to the psychedelic crowd on “Suzie Q” and “I Put a Spell on You”, John's assumption of full Stalinist leadership over the band, his growing anxiety that there's “somethin' missing” in Doug's shuffle beat, and the construction of Fogerty's mythical bayou from the violent fever dream swamp of the Vietnam War, the political assassinations of 1968, San Francisco MK culture, and President Richard Nixon.

Have you heard of Dream Rider? This new comic by Daniel Parada and Louise Fogerty takes place in an alternate, futuristic world inspired by ancient Mesoamerica. In this episode, we interview the creators about their creative process, what the project looks like, and how future readers can help bring this project to life! Click here to support the Kickstarter: https://www.kickstarter.com/projects/zotz/dream-rider-vol-1

Mistakenly thought to be from Down South (or The Bayou) by many, this Bay Area quartet rocked the music of the swamp like they were born to it. Follow their career from their high school days, to the heights of superstar status in the year 1969, with the forces of the Fogerty brothers' sibling rivalry coming out to play. The Almost Birthday Twins stick together, overcoming all obstacles, all the way to the Rock n' Roll Hall Of Fame!Find out out it all played out in this episode!Please check out our sponsors:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/And check our blog about exciting premier events for Danny Garcia's new film, "Nightclubbing!" 

Mistakenly thought to be from Down South (or The Bayou) by many, this Bay Area quartet rocked the music of the swamp like they were born to it. Follow their career from their high school days, to the heights of superstar status in the year 1969, with the forces of the Fogerty brothers' sibling rivalry coming out to play. The Almost Birthday Twins stick together, overcoming all obstacles, all the way to the Rock n' Roll Hall Of Fame!Find out out it all played out in this episode!Please check out our sponsors:Boldfoot Socks   https://boldfoot.comCrooked Eye Brewery   https://crookedeyebrewery.com/Don't forget that you can find all of our episodes, on-demand, for free right here on our web site: https://imbalancedhistory.com/And check our blog about exciting premier events for Danny Garcia's new film, "Nightclubbing!" 

On our second installment of a special two-part series, we continue our look at John Fogerty. We sample Fogerty's self-titled album as we cover the tumultuous middle part of his music career and his later comeback.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

On this first part of a special two-part series, we take a look at the man behind Creedence Clearwater Revival—John Fogerty. We sample Fogerty's debut solo album The Blue Ridge Rangers and explore the early part of his music career.   If you like us, please support us at patreon.com/idbuythatpodcast to get exclusive content (episodes on 45s!), or tell a friend about us. Broke and have no friends? Leave us a review, it helps more people find us. Thanks!

It is no question that we need new ways and medications to manage pain outside of opiates. Could cannabis be the solution?Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007 to 2015.Today Dr. Coop sits down with Dr. Hal Altman MD, MS, and talks about his testimony to the United States Senate Committee on Health, Education, Labor and Pensions (HELP), his mentor John Lewis, and where cannabinoids could fit into pain management practices.

It is no question that we need new ways and medications to manage pain outside of opiates. Could cannabis be the solution?Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007 to 2015.Today Dr. Coop sits down with Dr. Hal Altman MD, MS, and talks about his testimony to the United States Senate Committee on Health, Education, Labor and Pensions (HELP), his mentor John Lewis, and where cannabinoids could fit into pain management practices.

It is no question that we need new ways and medications to manage pain outside of opiates.It is no question that we need new ways and medications to manage pain outside of opiates. Could cannabis be the solution?Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007 to 2015.Today Dr. Coop sits down with Dr. Hal Altman MD, MS, and talks about his testimony to the United States Senate Committee on Health, Education, Labor and Pensions (HELP), his mentor John Lewis, and where cannabinoids could fit into pain management practices.

You may have seen in some shops recently that Delta-8 THC is being sold as a legal substance, right next to the CBD. But there is the question as to whether or not it really is legal.Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.In this episode, we cover the differences between Delta-8, Delta-9, and Delta-10, current research, and the legality of these different strains in certain states.

You may have seen in some shops recently that Delta-8 THC is being sold as a legal substance, right next to the CBD.You may have seen in some shops recently that Delta-8 THC is being sold as a legal substance, right next to the CBD. But there is the question as to whether or not it really is legal.Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.In this episode, we cover the differences between Delta-8, Delta-9, and Delta-10, current research, and the legality of these different strains in certain states.

You may have seen in some shops recently that Delta-8 THC is being sold as a legal substance, right next to the CBD. But there is the question as to whether or not it really is legal.Dr. Andrew Coop is joining us again this episode to talk about THC isomeres. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.In this episode, we cover the differences between Delta-8, Delta-9, and Delta-10, current research, and the legality of these different strains in certain states.

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities. But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency in these strains.

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities. But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency in these strains.

You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis.You've probably heard about the dangers of K2, Spice, and other strains of synthetic cannabis. As well as the horror stories of zombie-like states and fatalities. But you might be surprised to hear about its noble beginnings. That's according to Dr. Andrew Coop. Dr. Coop received his Ph.D. from the University of Bristol in the area of chemistry of drugs of abuse, followed by a Fogerty post-doctoral fellowship at the National Institutes of Health. He has been a faculty member in the Department of Pharmaceutical Sciences at the University of Maryland since 1999, serving as chair of the department from 2007-2015. His NIH-funded research area focuses on the design and synthesis of new opioid analgesics with the reduced tolerance, and the development of novel antidepressants.He joins Dr. Hal Altman MD, MS to talk about his passion for this field, the early days of synthetic cannabis, and the higher efficacy and potency in these strains.

If you want to take back control of your time, listen to today's Preschool All Stars story: LisaRenee Fogerty has taught preschool for a long time in every setting possible. But the longer she taught, the more they wanted her to work: first 8 hours, then staying later and later, attending more events, after school activities, meetings, etc. She was done with the long hours and the long commute. Listen in to discover how you can take back control of your time when you start a preschool, too!  Enroll in Lisarenee's school today: https://www.mywingsrootspreschool.comPlease rate and review us at Apple Podcasts. (We hope we've earned your 5 stars!)GET MY FREE RESOURCES FOR YOUR PRESCHOOL JOURNEY:❤️ Get my FREE “Start Your Preschool” book (+ $7.95 s&h)❤️ Start my FREE “7 Students in 7 Days” Challenge”❤️ Join my Preschool All Stars membership to get mentorship, support, friendship, and training for every step of your preschool journeyFOLLOW ME ON MY MISSION:

Kate Anderson of the Alliance Defending Freedom shares the success of the latest Supreme Court ruling; then, Bruce Fogerty has an uplifting way to celebrate this upcoming Easter Season.See omnystudio.com/listener for privacy information.

Bruce Fogerty brings an uplifting message about his Easter Cross Witness project designed to help local communities and unite the country at large with the message of peace and love.See omnystudio.com/listener for privacy information.