Podcasts about Lupino

Ida Lupino was an actor in some classic movies for close to 50 years, but she directed a few classic thrillers in the '50s too. The Hitch-Hiker is her crowing achievement, with William Tallman doing a wonderfully sinister job in the titular role. He's one of the underrated great villains in cinema history. Edmond O'Brien & Frank Lovejoy are the men he kidnaps and forces them to drive him to Mexico. Only, they don't get to be nearly as interesting. In this one-man show, Ryan reads perhaps more into the hitch-hiker's psychology and his hostage's PTSD than Lupino intended...but this DOES appear to be a deeper film than many have given it credit for. So jump in the back seat and menace the front-seaters as this 665th dose of Have You Ever Seen movie-reviewing looks into the goings on in The Hitch-Hiker. Check out our sponsor, Sparkplug Coffee. They give our listeners a onetime 20% savings if they use our "HYES" promo code. So the website is "sparkplug.coffee/hyes". Subscribe to our show in your podcast app, but also on YouTube (@hyesellis in the search bar). Write a review of our channel and rate us too. Share your thoughts about this episode or any other by writing us an email (haveyoueverseenpodcast@gmail.com). On Bluesky, Ryan is "ryan-ellis" and on Twi-X is "@moviefiend51". Bev is "bevellisellis" on the 'Sky and "@bevellisellis" on the Twitter machine.

En este episodio hemos escuchado a Bill Laurence and The Untold Orchestra;Sex Magick Wizards;Cannonball Adderley;Charles Lloyd;Dúo Lupino;Sultan Stevenson;Circles 44;Benjamin Lackner.

Puntata 513 di Border Nights - La Notte ai confini, in onda ogni martedì alle 22 su Web Radio Network e la domenica sera in onde medie su Radio Briscola (1449 khz). Con noi in questa puntata Claudia Placanica per parlare dell'attacco gender, Samantha Liati con Fabio Borghini sui movimenti astrologici del 2025 e Tom Bosco con Antonello Lupino per parlare di programmi spaziali segreti. Con la partecipazione di Paolo Franceschetti che in particolare racconterà alcuni insegnamenti inediti del Cerchio Firenze 77.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.

Nelkla Sprint rtace di Assen Pecco Bagnaia ha dominato dal primo giro davanti a Martin e Vinales. Marquez è caduto all'inizio del secondo giro salendo su un cordolo e perdendo il controllo della sua GP23. In quarta posizione ha finito Enea Bastianini, lento all'inizio ma come al solito veloce sul finale ed un buon Fabio Di Giannantonio.Ospite della puntata Paolo Ciabatti che ci ha parlato dei recenti successi della 450 Desmo MX Ducati con Cairoli e Lupino.

Scopri tutto sulla dipendenza affettiva con la nostra esperta psicoterapeuta, la D.ssa Giorgia Lupino. In questa intervista approfondita con il dr. Roberto Ausilio, esploriamo le cause profonde, i segnali di una relazione tossica e le migliori strategie terapeutiche per liberarsi dalla dipendenza emotiva. Unisciti a noi per un viaggio verso la consapevolezza e la crescita personale. Guarda il video o ascolta il podcast per non perdere preziosi consigli e strumenti pratici Scarica gratis la Masterclass: Relazione Finita, 7 strategie https://www.psylife.it/liberidiamare-optin In questa intervista esclusiva, Roberto Ausilio di Psylife SRL parla con la D.ssa Giorgia Lupino, psicoterapeuta esperta in dipendenza affettiva. Discutiamo di: - Le cause della dipendenza affettiva - Come riconoscere i segnali di una relazione tossica - Le strategie terapeutiche più efficaci per uscire dalla dipendenza emotiva - Consigli pratici per costruire relazioni sane e appaganti Non perdere questa opportunità di imparare da un'esperta del settore e inizia il tuo percorso verso la piena realizzazione personale. Iscriviti al nostro canale e attiva le notifiche per restare aggiornato su nuovi contenuti! Hai bisogno di Consulenza Personale Online? Clicca qui: https://www.psylife.it/psyonline http://www.robertoausilio.it http://www.psylife.it

Puntata 502 di Border Nights - La Notte ai confini in onda ogni martedì alle 22 su Web Radio Network. Primo ospite l'analista Lamberto Rimondini con cui commenteremo sia gli ultimi episodi in Medio Oriente, sia la lotta tra piramidi del potere e l'origine di tutti gli inganni: il denaro. Nella seconda parte per la prima volta con noi il dott. Carlo Mele che ci racconterà le sue attività di ricerca scientifica sui segreti della mente extradimensionale. Con Paolo Franceschetti ci sarà Elisabetta Giuliani per dialogare ancora sui rapporti sentimentali e non solo. Tom Bosco ospita Antonello Lupino sul caso della morte del presidente israeliano Raisi.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.

Puntata numero 499 di Border Nights - La Notte ai confini, in onda ogni martedì alle 22 su Web Radio Network (www.wrnradio.eu). Primo ospite Piero San Giorgio, il tema sarà come sopravvivere al collasso economico. Nel secondo spazio con noi Aldo Procida con il quale torneremo a parlare degli insegnamenti del Cerchio Firenze 77. Paolo Franceschetti dialogherà con Michela Salotti mentre Tom Bosco sarà in compagnia di Antonello Lupino. Con la partecipazione di Maestro Di Dietrologia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.

What do you get when you combine Ida Lupino and Richard Widmark, two of the most influential people in all of film noir? You get Road House from 1948. Join us as we dissect this melodramatic noir and use it to help highlight the unbelievable contributions of Lupino and Widmark to the world of film noir.Patreon: patreon.com/ShadowsofNoir/Website: shadowsofnoir.comLetterboxd: letterboxd.com/ShadowsofNoir/

**Neil G's Ice Cream Sundae Show Replay On traxfm.org. This Week Neil Gave Us Soulful House/Nu Disco/Remixes From M-Gee Ft Mica Paris, Crazibiza & House Of Prayers, Sheila - SPACER (Dave Lee Disco Fantasy Mix), Lupino, ABC - The Look Of Love (Les Bisous Remix), Jamiroquai - Little L (Dave Lee Disco Re-Blend), Junior - Mama Used To Say (Mikeandtess Quick Edit), Black Box - Fantasy (DJ John Culture Rework), Disco Pinz & JLaforteza, Block & Crown, Ministry Of Funk, Commodores - Easy (Pedro Gil Remix), Diana Ross - I Still Believe (Purple Disco Machine Remix), St Germain, Booker Newbury III - Lovetown (Dr Packer Rework) & More. Catch Neil G's Ice Cream Sundae Show Every Sunday From 1PM UK Time Each & Every Sunday #traxfm #neilg #icecreamsundaeshow #discohouse #remixes #soulfulhouse #nudisco Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Hoje o papo é com o autor Sett Lupino, autor de Fundamentos de Bruxaria Tradicional e Stregoneria, recentemente publicado pela Manus Gloriae Editora, disponível para compra pelo e-mail: manusgloriae@gmail.com Simplesmente uma obra em dois volumes que você precisa ler! Sentiu que é para você? Vem agora para ⁠⁠⁠http://hub.redevampyrica.com/⁠⁠⁠ *Estamos em 2023 são os tempos da #NovaRenascença e a #VoxVampyrica estará sempre com episódios novos nos dias 14 e 28 de cada mês. A apresentação é de Lord A e a Rainha Xendra Sahjaza faz algumas interferências!  Apoie a iniciativa ⁠⁠⁠http://catarse.me/redevamp⁠⁠⁠ Nos siga em ⁠⁠⁠instagram.com/redevamp⁠⁠⁠ e claro, Siga a gente também lá na twitch.tv/redevamp 

The MX Vice Show returns with Lorenzo Resta and Ed Stratmann, as they discuss the 2024 MXGP season, plus talk Prado, Ducati, Cairoli, Lupino, off-season changes and more.

This week Joe is featuring Vocalist and Bassist Dick Lupino from his 2011 cd titled “December Songs.”

durée : 00:03:15 - Le Regard culturel - par : Lucile Commeaux - À l'occasion de la sortie d'un coffret rassemblant ses films en version restaurée, édité aux Films du Camélia, retour sur cette figure marginale dans le Hollywood des années cinquante.

Si les statistiques contribuent régulièrement à rappeler le gouffre de les inégalités professionnelles entre les hommes et les femmes dans le cinéma, son histoire vient tout aussi régulièrement rappeler qu'elle ne s'est pas uniquement écrite au masculin, qu'a défaut de s'être inscrites pleinement dans les encyclopédies, des francs-tireuses ont émergé. Souvent avec plus d'aplomb et d'inventivité pour questionner leur époque et ses valeurs que leurs collègues hommes. Ainsi Ida Lupino, actrice de studio s'émancipant dès la fin des années 40 pour se réinventer productrice, scénariste et surtout réalisatrice. Elle signera huit films, s'emparant des codes du mélo ou du film noir, pour prendre la parole autour de thèmes alors tabous, du viol aux grossesses non désirées en passant par la sexualisation des femmes. La force du cinéma de Lupino étant sans doute de mettre à l'écran une conscience féministe tout en utilisant les méthodes du cinéma fait par des hommes. Quatre de ses opus, Le voyage de la peur, Avant de t'aimer, Faire face et Bigamie, ressortent en salles cette semaine. Portrait d'une fille mère, d'une malade de la polio ou d'un homme partagé entre deux femmes, tous surprennent par cette volonté de raconter a travers des parcours peu ordinaires le monde quotidien tel qu'il est, d'exprimer la difficulté du libre arbitre. Une ligne éditoriale renforcée par une mise en scène tout en efficacité, allant à l'essentiel, mais réussissant a entremêler romanesque et regard quasi-documentaire. Pour pouvoir assumer son besoin d'indépendance, Lupino avait crée sa propre société de production ; nommée The filmmakers. A redécouvrir ses films, réinvention d'un cinéma social tout en restant éminemment populaire, on se dit qu'elle l'avait parfaitement choisi, en donnant un nouveau sens à ce que voulait dire faire des films. Reprise en salles depuis le 20 septembre. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Liesl Radisl und Lupino Valentino sind zwei von vier Klinik Clowns die in den Kliniken im Chiemgau dafür sorgen, dass die Patienten für kurze Zeit auf andere Gedanken kommen. Sie sprechen über ihre Ausbildung, den täglichen Job und auch über die Momente, in denen eigentlich keiner lacht. Aber selbst wenn es noch so traurig ist, ihre Arbeit sorgt immer für wunderbare Momente und herzergreifende Geschichten. Eine kleine Auswahl erzählen sie BAYERNWELLE Moderator Thorsten Jost in dieser Folge.

Get your beer or soda & chili - with or without squirrel - & join us as we discuss Swan Song.  We chat about Ida Lupino's career, Hank Williams, Johnny Cash's career & life, Nichols Canyon in LA, Mike Lally's SON (!!) and more.    Other books & magazines & movies we discussed: -They Drive By Night starring Ida Lupino -Hank Williams' I Saw the Light YouTube video with June Carter, Hank Williams, Roy Acuff -Walk the Line starring Joaquin Phoenix & Reese Witherspoon -My Darling Vivian -Festival -Twilight Zone -Cash: The Autobiography by Johnny Cash -Ida Lupino, A Biography by William Donati   We have EXCLUSIVE content available on Patreon!  Get video recordings of the podcast & monthly updates & behind the scenes. Head to https://patreon.com/trenchcoatcigar to join today!   If you'd like to add to our conversation, you can email us at trenchcoatcigar@gmail.com.  Follow us on Instagram at @trenchcoatcigar to see photos from today's episode.   Get our podcast merch on RedBubble: https://www.redbubble.com/people/trenchcoatcigar/shop?asc=u  

MXGP factory Beta maestro Alessandro Lupino chats with MX Vice Editor Ed Stratmann about a host of topics.

Welcome to the post race podcasts of Trentino. Prado, Geerts, Grimshaw, Ben Watson, Lupino, Guadganini, and more join us.

Founded in 1952 and remaining active until the 1990s, Four Star Television, co-founded by Hollywood legends Dick Powell, Charles Boyer, David Niven, and Joel McCrea (later replaced by Ida Lupino, although she never owned stock in the company), produced several popular shows in the early days in television.

Hoarding two and a half decades-worth of music experience under his belt, Drumcomplex has been crafting his space within the techno industry, as artist and producer and adding label owner to his accolades since 2014. In his weekly show, he features his own live mixes from all around the globe and familiar guests artist no tracklist available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Ida Lupino, une artiste prodige à Hollywood Ida Lupino est à part dans le paysage hollywoodien classique. D'abord parce que c'est une femme. Ensuite parce qu'elle est une actrice à l'origine.  Grâce à sa farouche volonté d'indépendance, elle devient productrice et réalisatrice.  Elle va réaliser des films subtiles, ancrés dans la réalité sociale de son époque. Cette semaine, nous explorons son film The Bigamist, Bigamie en français, film de 1953 avec Joan Fontaine, Edmond O'Brien et Ida Lupino.  Le titre The bigamist est en soi assez explicite mais ce film va tâcher de nous démontrer que derrière ce terme se cache autre chose.  Il va nous révéler qu'un homme menteur, lâche et infidèle n'est peut-être pas le salaud que l'on imagine. The Bigamist est un film où il est question de restaurants chinois, de maisons de stars et de rues en pente.  A quelle émotion renvoie ce film ? Qu'est ce qui le rend unique ? Et pourquoi illustre-t-il parfaitement l'expression "l'enfer est pavé de bonnes intentions"?  CREDITS:  Extraits films :  The Bigamist, Ida Lupino, 1953 The Sea Wolf, Michael Curtiz, 1941 They drive by night, Raoul Walsh, 1940 Road House, Jean Negulesco, 1948 Not wanted, Ida Lupino, 1949 Outrage, Ida Lupino, 1950 Never Fear, Ida Lupino, 1949 To be or not to be, Ernst Lubitsch, 1942 Autres extraits :  Dr Cassandra, televison series Batman, 1967 Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

TRACKLISTLaurie Anderson - Walking And Falling (Heerd Edit)Peter Zherebtsov - SupostatSophie Lloyd feat. Pauline Taylor - Angels By My SideMetropolis feat. The Sweethearts - Everytime I See Him (Lup Ino Rework)Prince - Controversy (Discotron Remix)Mark Lower - Express YourselfAunt B - So HappyCe Ce Peniston - FinallyCrystal Waters - Gypsy Woman/Makin HappyJungle By Night - Marsvin (Kraak & Smaak Remix)

with Tara Deane

Conversamos con Diego Catalán, cofundador de Yoggie, empresa creadora del primer sucedáneo de yogurt vegetal a base de lupino dulce, una leguminosa que no requiere riego permanente, muy atractiva para comunidades, ya que solo requiere aguas lluvia para su cultivo, reduciendo la huella hídrica hasta en un 70%.

We return for a look at the life and work of the great Ida Lupino (1918-1995), a prolific and beloved actress, screenwriter, and director. Born to a family of performers, Lupino was the only woman of her era to claim a director's chair and drafted the blueprint for independent filmmaking in the US, all while maintaining an enviable output. In addition to directing 100+ episodes of television, she helmed seven feature films, many of which shed light on subjects that most studios wouldn't touch, from unwed mothers to polio to rape. As an artist as talented in front of the camera as she was behind it, Lupino enjoyed a productive, albeit tumultuous career that spanned over 40 years. Kisses many.

Veteran ESL teacher Jean Luppino, and her colleague, Kristina Signore, share how their English learners have made rapid progress, real-world connections and gained confidence through STORYWORLD's digital, story-based learning platform. STORYWORLD utilizes reading, writing, speaking and listening to engage students with over a dozen first languages, and is easily implemented by any teacher.   Resources:  Connect to STORYWORLD for English Language Learners Connect to STORYWORLD for World Language Learners   Episode Transcript (electronically generated):   Kristina Signore: [00:00:00] So now I see the kids who never raised their hands before raising their hands in my class because they have something interesting to say they have something to contribute to the conversation. The confidence of my students has completely skyrocketed because of STORYWORLD   Kristi Hemingway: [00:00:56] Hi everyone. It's your host Kristi Hemingway. And before we get started I'm going to shamelessly beg you to right this minute, scroll down, whatever platform you're listening on and leave us a star rating and a one word to one sentence review. Ratings and reviews are the flotation devices in the podcast ocean. And we'd be so grateful for those 30 seconds of your time and effort. And now onto the reason, you came. Our first guest Jene Lupino is an energetic, passionate Elementary educator with a master's in English as a second language when we spoke. She was just starting her 20th year at Fairview Elementary where she works primarily with Spanish speaking students.    Jean Luppino: [00:01:43] Prior to that. I was teaching in Fort Lee, New Jersey back in the 80s, 80s, early 90s. When most of my students were all Asian, it started off with Japanese students and then they all left and went back to Japan. And then the next September, the demographics were all Korean students.   Kristi Hemingway: [00:02:04] Jean has worked with students from all over the world with a wide range of first languages. So she knows the challenge of differentiating instruction. And for English Learners also joining us to talk about second language acquisition was jeans colleague, Kristina Signore.   Kristina Signore: [00:02:19] Even though I'm the general education teacher, my population in my classrooms, all ESL bilingual students. So they're the lower students. A lot of them just came from countries, such as Guatemala, El Salvador, Ecuador  so they have very minimal English.    Kristi Hemingway: [00:02:40] You came here to talk about STORYWORLD, which is a resource that has really helped you work with your English Learners, and I'm wondering prior to you finding STORYWORLD. What was the frustration?  Or the gap or the need that you were seeking to fill or respond to that caused you to be shopping?    Jean Luppino: [00:03:00] Okay, and it's, this is not just because of covid, even prior to covid. There is no specific book for ESL. A classroom teacher General Ed like Kristina, they will have an assigned book, a math book and so on and so on. There really is nothing like that for ESL. You can get some ESL books workbooks, but it's basically worksheets glued together. You need all four domains. I'm Italian. My grandmother spoke to me in Italian all the time. She lived with us. I don't know one word of Italian, but if somebody speaks in Italian, I understand everything they say. I cannot answer. I cannot even say one sentence because I didn't practice it, so, but yet, I was always hearing it. So I had to listening. I never wrote it. I never read anything in Italian, and I never spoke. So, hence. I cannot speak Italian. When I found this program with the four domains. I thought I won the lottery. I almost didn't even want to get paid to go to work because I was on a high.   Kristi Hemingway: [00:04:11] Jean mentioned covid and are English Learners were a big concern for us during remote and hybrid learning. So, I wanted to hear from Jean how she Kept her students progressing and  engaged.   Jean Luppino: [00:04:24] I started watching my kids during the covid time when we were home teaching how they started progressing. How one girl prior to covid a few months before in February when I asked you to read something that I put up on the Smartboard, when she said, Mrs. Lupino, you know, I know can read and all of a sudden having her read this, or quite a few sentences and STORYWORLD with the intonation and with the excitement. She was so good. That I wanted these people in California to hear my girl read, who six weeks prior actually started crying, and how she was reading with such confidence. It was amazing. So, I said, I gotta tell these people in California. They're onto something. And that's how I made contact with them.   Kristi Hemingway: [00:05:20] Yeah, and so, For the people listening right now who are hearing about STORYWORLD for the very first time, explain to us what exactly the resource is and what I mean by that is like, what do you get? And what are students doing with what they get? Is it full class instruction? I mean, how is it implemented?    Jean Luppino: [00:05:45]  It's a reading program where you learn English through literature and through Reading. I start off in September with the easiest level 1 books, which are leveled according to fountas and pinnell. So we start off with the first book, where Am I  about a brother and sister playing hide and seek and the boy is hiding and he's giving a Clues to his sister. Very simple sentences and repetitive sentences also. Where am I? I am in the box and you see a picture of a boy in the box. Then I play it in Spanish first. I click it on in English. Then I click the little button and I do it in Spanish when they had their own computers. They had to put their finger under each word.    Kristi Hemingway[00:06:31] So each student is seeing the story with the illustrations on the words unfold on their own devices or on one big screen.     Jean Luppino: [00:06:44]   Yes.  Kristi Hemingway: [00:06:45] The classroom that students could potentially be doing this individually, or you could bring it for full class instruction.   Jean Luppino: [00:06:49] Yes, both. So I put it on. When I went into Kristina's room I put it up on the Promethean board, but I followed the same instruction. We went through the story Page by Page. They had to repeat and a few times I clicked it in Spanish so that we get the gist of the story and you can also just click on a word. For instance, There's a story called My Clothes Don't Fit And if you click on clothes just the individual word. It will say ropa clothes, ropa, clothes Ropa. In the past when a child had a book to read, who's is helping them decode? What that word was. They didn't know so they would skip over words.Here they don't miss one word. If you don't know the word in then throw in, thank ra, so they get it in English to get it in Spanish. You can read the whole book in. You can read in English and then before you turn the page, click it in Spanish. You can click on each individual word in English and it will tell you the Spanish translation.    Kristi Hemingway: [00:07:55] Jean has also created notebooks for her students to keep track of the details of the story they're reading and the words they're learning and then STORYWORLD provides additional reinforcement and practice through games.   Jean Luppino: [00:08:07] After you read the story there are vocabulary games, then there are three audio questions and they're basically run the questions are always set up the same. There is an inference question and opinion question, look at this picture and tell me something about what you see in this picture and tell me what's going on in the picture. There's always three audio and then the next day I have the students do the three written part 3 written questions, but we go over it in class the three audio questions. Now are they all going to remember what I said in class Of course not, but even if they look at the picture of the story, my clothes don't fit and they don't remember. This picture is about a girl whose clothes don't fit. Of course, they're not going to say that, but if they even write pants or speak pants too big. Okay, they're coming along, they're getting it and it's okay.   Kristina Signore: [00:09:10] It's saves to, like you can refer back to it as well.    Jean Luppino: [00:09:13] You go back and you find that part and then copy the words or you see what it says.   Kristi Hemingway: [00:09:20] So there are four worksheets that correspond to each story and during remote learning in 2020, STORYWORLD added digital versions of those to their site.  Jean Luppino: [00:09:35] One would be matching where the words, you know, the picture of a shirt, pants, belt shoes and then the words are there on the right? So they have to, you know, with their finger on the Chromebook or with the stylus. It allows them to draw the line. And then, they have to unscramble some words, big clothes to Big the,  the clothes are too big. They have to put it in the right order and they could go back to the story and find that sentence. So homework for Monday night there, to two pages, digitally Tuesday night to page three and four digitally Wednesday night. The audio, three questions, Thursday night, the written part. I have listening, speaking, Reading ,Writing all there. And if you're part of the Wida Consortium you  know the access for ELL test that many states are part of. They want you to spend an equal amount of time 25 percent, 25, 25 and 25. You can't Just give them a worksheet.   Kristi Hemingway: [00:10:34] when you say home. They actually are doing it for homework. Am I right?    Jean Luppino: [00:10:40] Correct.    Kristi Hemingway: [00:10:41] Outside of school.  So then Kristina, you are a regular, you're a gen Ed classroom teacher Jene is pushing into your classroom occasionally to work with your students. But then, are you also using STORYWORLD outside of the time that Jene's is in your classroom?    Kristina Signore: [00:10:59] Absolutely. So I love how versatile STORYWORLD is because you can really adapt it to your curriculum. I've used STORYWORLD for grammar for my students because we're still expected to teach them, you know, the third grade standards. So, what I would do is, I would feature the story on my Promethean board, which is my smart board, and we would go through it and say okay show me an example of a statement,  Show me an example of a question. So it's very useful for that. And there's a lot of sciencey kinds of books lso on there about animals. Jean Luppino: [00:11:33] and the nonfiction section.    Kristina Signore: [00:11:34] Actually, yes, the nonfiction section. So we do a lot on biomes and animal life. So I kind of try to adapt it with that and there's new stories coming out. There's actually a story about butterflies, which is a big unit because we talk about life cycles in third grade. So I'm definitely going to be using The Butterfly, A Monarch Butterfly story to help with that. And I also have seen Jene do a lot of a flipped classroom approach with it, which I think is really cool because you can have your kids Read the stories at home and then respond to them while you're in class. So they can, you know, discuss the story a little bit further, but they've already read it previously and that's a little bit better for the advanced students. And I also use STORYWORLD as an approach to teaching the students how to build their stamina. They're reading stamina. So, I am put a week certain blocked amount of time for independent reading for my students. Well, there are some students that are struggling readers and they use STORYWORLD during that time because it's the time for them where they can practice the language. And I've seen them build their confidence because of that, because they're more confident in the language. And they've been learning these words and the vocabulary, and how to speak with Mrs. Lupino. They continue practicing during the independent reading time. And I see that now they are more confident to talk with their friends and discuss stories.   Kristi Hemingway: [00:13:05]  It sounds like you're both very enthusiastic about the content of the stories because sometimes, you know, used to be that you had these leveled readers that were all just about appropriate vocabulary, but the stories themselves were not that engaging. So can you talk to the question of the quality of the literature and the engagement and how do students like it? Do they like the stories?  Kristina Signore: [00:13:28] They really do like it. And I    Jean Luppino: [00:13:29] And I think, Remember Brian,    Kristina Signore: [00:13:30] aww of that was a good one.    Kristi Hemingway:[00:13:27] You have to tell that one.   Jean Luppino: [00:13:34] I read, I read in second grade.    Kristi Hemingway: [00:13:36] I actually lost Jene and Kristina in the middle of this story to a dreaded Zoom freeze. But basically the kids had read a STORYWORLD story about how the pandas are disappearing because they're losing their habitat. The bamboo forests are being cut down. Jean didn't think that this little boy, Brian had comprehended much of the story because his English was very limited and they really hadn't worked through all the vocabulary yet, but then during recess, Brian came, running up to her, tugging on her sleeve, with great urgency and leading her over toward the fence. And she just assumed that someone needed a Band-Aid or maybe some kids needed help with the conflict.  Jean Luppino: [00:14:18] I went over and I said, what is it? What do you want? And this little boy just pointed to the fence and he said, look on the other side of the fence was somebody's house but it was a lot of overgrowth bushes and and I, you know, I wanted to get back to the group that I was supposed to be with, but I said, but what am I looking at? Like I'm thinking, is there a frog? Did they see a snake? Is a bird in the tree, like what am I looking at a butterfly and  the little boy said, bamboo. Look Mrs. Lupino there's bamboo and he said just like in the story. So Mrs. Lupino, If there's bamboo here if the pandas need food, they can come here because there's so much bamboo for them to eat. And then he said do we have any panda bears Where we live? Meaning, New Jersey? And I said, that's a really good question. Jean Luppino: [00:15:18] Yeah,but I actually took a picture of the boy pointing to the bamboo and sent it to STORYWORLD, and sent it to my principal and my our literacy coach saying, this little boy made a connection.    Kristina Signore: [00:15:29] Well, they are very excited and enthusiastic about STORYWORLD because when you came into my classroom the other day Jene and you were like, oh hi guys, welcome back. I said that's Mrs.Luppino  you know she's your ESL teacher. Are we going to do STORYWORLD? Again? The kids are Yeah, you are. Oh, yes. I love STORYWORLD    Jean Luppino: [00:15:50]  Because they can also just read it on their own. They don't have to ask an adult. What's this word? How do you pronounce it?   Kristina Signore: [00:15:55] Like the pictures that go along with the stories too. Because they're sort of interactive.    Kristi Hemingway: [00:16:00] The STORYWORLD platform includes a teacher dashboard to track Student Activity and progress.    Jean Luppino: [00:16:09] Click on the dashboard and I went. Hmm, you did not finish your audio. So you know the three questions so, you know, they'll have an excuse of whatever but I need that done. I use the audio every week as a quiz, I use the written part every week as a test. So yes, I have 1 million test scores, but I like to see how they progress as they're writing. Sometimes as I said, it's just a word and then they can string a couple of words together. Then it becomes a nice sentence. Plus, we go over it a lot. I repeat. There were no surprises in my class.  Kristi Hemingway: [00:16:46] So students like it and they're motivated by their rapid progress, but I wondered about the learning curve for teachers as far as implementation.    Jean Luppino: [00:16:58] There's a lot of things out there. They're really difficult to use for teachers. Okay, you see each other in the hallway saying, do you know how to get onto it? Like what he's supposed to touch? This is not like that. This is easy and then remember our students at home last year was the first time they had ever even touched a computer and they didn't have to call their mom to show them What do I touch? It's very self-explanatory. ,so easy for the kids and the teachers.   Kristina Signore: [00:17:24] It's user-friendly. Lee is just to click on their name like when they go on STORYWORLD they just find their name on your list, they click their name and it logs them in,    Jean Luppino: [00:17:35] Then they are on    Kristina Signore: [00:17:37] They don't have to worry about remembering the password, remembering a username. You know, it's very user friendly, especially for the elementary.   Jean Luppino: [00:17:43] When I check it during the week. I see that some of the kids read five or six stories and it's not just that they opened it and close it. It tells you how much time they spent reading the book and how many sessions and then you could see their comprehension. It gives you a graph with a comprehension. They're listening and the best thing is which is a lot of fun. The company has six games in the exact same games for every story. One is like a tornado spinning around dropping words and you have to put them in order. One is a magic wand that you click the magic wand and then the word comes out and you have to read it the six games. And they like it   so they're playing six games, but it's all related to that story.    Kristi Hemingway: [00:18:34] So the gamified learning is really motivating for the students. That sounds like, it sounds like  their own ability to make fast and measurable progress is also motivating to them And you also said that this is really easy to implement for teachers. Did you receive any kind of training or are there training? Is there training available on the website? How did you get up and running? With the program. And how long did it take? Kristina Signore: [00:18:59]  You all play around with it. Jean Luppino: [00:19:03] But when I first got it, there weren't little short videos because it's so simple. You don't need any of these hour  videos. It was really basic how to put the kids on your roster. right now. It's English, Spanish and Chinese. And you just clock in. I speak Spanish.    Jean Luppino: [00:19:21] I want to learn English. Boom. So always be set up like that or you could write I speak English. I want to learn Chinese, I guess we could learn Chinese.    Kristi Hemingway: [00:19:30] Not only can you learn. Mandarin STORYWORLD's entire program and Library will be released very soon in Cantonese, Arabic, Vietnamese, Korean, Bengali, Filipino, Haitian, Creole and more. There are adding new languages even as you're listening to this podcast. And my second Insider scoop. Is that a free 90 day pilot or trial is available to any teacher through the STORYWORLD website, you have nothing to lose and your second language Learners have everything to gain by you heading to EdCuration.com and reaching out to STORYWORLD. All one word. I'm pretty sure that Jene and Kristina are on a mission to see STORYWORLD in every single school and District.    Jean Luppino: [00:20:18] When I first started using this,and it was the height of covid. I was outside and my neighbor was having her cousin from Brooklyn come by and as she parked, Sitting on my step. She said  Jene. This is my cousin. She's an ESL teacher in Brooklyn. And I said, oh hi, so nice to meet you from across the street, you know, and I said, can I ask you? What do you what do you use?    Jean Luppino: [00:20:41] I'm always interested in  what other ESL teachers use. We were talking in the middle of the street. She said it is so hard. Sometimes I even play my guitar. You look for a zero, you'll make a Xerox copy of this or a Xerox copy of that or you know you kind of all over the place without a system. I need a system.    Kristi Hemingway:[00:21:05] So what did you use before, you found STORYWORLD? How were you addressing this learning?   Jean Luppino: [00:21:07] My sister was a third grade teacher in a second grade teacher. My daughter is a teacher. They would bring me home  grammar books or this or a little paragraphs to read what questions and I say, but my kids can't read those paragraphs unless I sit there and read each and every word. With them and there's no pictures. That's why when people give worksheets just worksheets. What is the worksheet? I mean, you're just copying you. It doesn't mean anything. Kristi Hemingway:[00:21:42] Yeah, like you said, you need the four domains. You need to hear    Jean Luppino: [00:21:48]  what I want to tell you about this girl. So when I asked her, I  said, oh, you teach in Brooklyn. So I said, what do your kids speak? She said, Chinese, so I said, she said, Mandarin Chinese. And I said, wait a minute. I went inside and got my computer. I made her sit on my front steps and I went through it with her. She was so excited. We became cellphone friends.   Jean Luppino: [00:22:06] she would write to me. Oh my God, if the school doesn't buy it for me. I'm going to see if the PTA will buy it for Me. Oh, I don't care if they don't buy it from me. I'm gonna buy it myself. She said that saved her life because it had, it was interesting. It wasn't a worksheet. It's engaging. Imagine going to Russia because your parents have to move there and you're in a classroom and the teacher, you're in the fifth or  sixth grade, the teacher's hand in your worksheet and Russian. What is it? I wouldn't even know which direction to turn the paper to and you're supposed to get a dictionary and look up words and and whose Teaching you the  pronunciation.    Kristi Hemingway:[00:22:46] Yeah , this is the four domains. I love it. Love it. Love it. Love it. Love it.    Jean Luppino: [00:22:50]  This is the four domains. I love it. Love it. Love it. Love it. Love it.    Kristi Hemingway:[00:22:52] It's so important So I'm curious about you. Kristina has this shifted, your teaching in your classroom at all as far as your own pedagogy or your own practice.   Kristina Signore:[00:23:00]  Well, it's definitely shifted the teaching in my classroom because it's shifted The Learning in my classroom. If that makes sense. My students went from kind of quiet, Disengaged, you know, they were afraid to speak up in the classroom because they had limited English. What is now they have something that's reinforcing the language for them and they've become more confident because they're practicing, not just with Jean, but at home alone, or with their friends, how to speak. So now, I see the kids who never raised their hands before raising their hands in my class because they have something interesting to say they have something to contribute to the conversation. The confidence of my students has completely skyrocketed because of STORYWORLD and that's the big thing for me. I feel that the most important thing for students is to be confident learners because when you're a confident learner you're ready to dive into anything new. You're ready to collaborate with your peers. You're ready to take on a project and do critical thinking. So I think that STORYWORLD has definitely contributed to their academic success 100%    Kristi Hemingway:[00:24:19] Grade level wise. What is the span that we're talking about for this resource?    Kristina Signore: [00:24:23] I mean, what would you say?    Jean Luppino: [00:24:26] I think you could read it up through high  school because    Kristina Hemingway: [00:24:28] Kindergarten up through high school.   Jean Luppino: [00:24:29] I believe So Because put yourself going into another country Trying to read a book. The non-fiction books that are listed have a lot of information, but it's in an simpler form, but the vocabulary. STORYWORLD uses a lot of vocabulary that is in the science Book. The Social Studies book. I don't know if I still want to go back and learn Italian. I kind of want a book that I'm going to be able to relate to and it's not going to be way over my head. So to give me the confidence.   Kristina Signore: [00:25:01]  It relates. I think the really amazing thing about STORYWORLD is that it relates to real life experience. Like my clothes don't fit. That's a book that they I can relate to their real life everyday life. They're learning how to say, my clothes don't fit. This is too small. This is too big. They're learning everyday, sort of vocabulary and experiences.    Kristi Hemingway:[00:25:27] Yeah, so it's more about the reading level that a student is at rather than the grade level that they're at.   Kristina Signore: [00:25:32] Yes. Yes, because you've been laying on, you can be in high school and Beyond a fountas and Pinnell D level and Books coincide with the fountas and Pinnell leveling, right. And when you're    Jean Luppino: [00:25:46]  Right and when you're speaking your language proficiency.  Kristi Hemingway: [00:25:49] So I'm curious. So you started using this as a school a year ago, what difference have you noticed with your incoming students? This fall having had STORYWORLD last year. Kristina Signore: [00:25:59] So I have the lowest ESL kids and typically, when I get the really low ESL kids. They have extremely limited English.    Kristina Signore: [00:26:12] I mean they just know how to say yes, no, bathroom simple words. Some of them don't even know how to do that. But because this program has been implemented last year and Jean's already been working with my students. I noticed that the class I've gotten this year everybody speaks English. Now, is it expert level English obviously not but they all can communicate with me. Whereas last year. I had a good chunk of kids that Didn't know how to speak with me at all.   Kristi Hemingway: [00:26:41] We're starting from stracht.    Kristina Signore: [00:26:45] I definitely see a difference with students and I have had students last year, William for instance, beginning of the school year,    Jean Luppino: [00:26:55] Oh my Gosh, amazing story    Kristina Signore: [00:26:56] He was from Guatemala. He came right When, when he was in second grade. He came right at the height of the pandemic. So we shut school down. So he has no in school. He's had No in Sports Experience, basically because of STORYWORLD. He went from not being able to speak any English to fluent in six months.   Jean Luppino: [00:27:20] Not just reading speaking.    Kristina Signore: [00:27:22] Speaking reading. I mean, it's unbelievable. He worked hard. He was using the games and he went from like I said, speaking no English. I'm telling you all that I could say was his name. I was amazed and I'd say, you know, that I like I just want to    Jean Luppino: [00:27:40] I was amazed and I'd say, you know, that I like I just want to   Know he Say,   oh, I read STORYWORLD every night. I love all the stories. I read a lot, and then I'd go, I'd look on  my dashboard and say,oh my god.He went to almost the whole program, you know, and kept going back and read it again and again, and again, and he would practice. And then, you know, what? Well, we were virtual. I would see the mothers coming on when we were talking, they'd say Hi Mrs.Lupino and I said, hi senora and while the they were repeating the mother in the background was repeating Me ropa no me queda! My clothes no fit. Mmm. And then the child would say, don't fit my clothes. Don't fit. Well, actually, yes, Mommy, you could use it to, you're gonna learn a lot of English.    Kristina Signore: [00:28:28] You can review what they did at home and see. Oh, wow, you know, they're having trouble with the vocabulary or they're having trouble with the speaking part and you can kind of adjust your lesson plans to meet the needs of your students.   Kristi Hemingway: [00:28:39] So lots of repetition and low stakes practice.It sounds like   Jean Luppino: [00:28:42] very simple and now because I bragged about this program so much. I really feel it's my Paradigm. I'm sorry. Yeah, I'm other teachers and other schools calling me say Jene. Um, can you tell me all about that? I invite them over. I show them. They can't believe how easy it is.    Kristi Hemingway: [00:29:03] So if there are other teachers listening, like the woman you met from Brooklyn and saying, how can I get my hands on this and if their is a teacher whose school maybe doesn't have the budget for it. Or they're not going to do like a whole adoption thing. Who can  use this? Does it have to be district-wide or school-wide? Can it just be that teacher from Brooklyn who just wants to start using it.   Jean Luppino: [00:29:26] Yes, you can have one person use it. It doesn't have to be an entire District. It's very affordable. And I know this STORYWORLD will work with you. So it usually goes one licenses for like one. It doesn't really go by teacher it. By how many students you have?   Kristina Signore: [00:29:43] So like, if you have, I think it's 30    Jean Luppino: [00:29:45] CEO of this company. Really wants the kids to learn. She will bend over backwards to help you and to get it for you. Just remember that, boy who said, look Mrs. Lupino bamboo. He made a connection.  Kristi Hemingway: [00:30:02] Speaking of connections. You can connect to STORYWORLD. All one word at EdCuration.com and get signed up for their 90-day Free trial, in addition to the many new languages being added to the program. They are developing a new line of lesson plans that include Multicultural and social-emotional extensions and links to other video resources. They're also adding new nonfiction stories with more advanced science Concepts and vocabulary. For example, there will be a unit on the migration of the monarch butterfly Super cool. You like, Jene are going to feel like you've won the lottery. Lottery and your students confidence will soar with the butterflies. Now before I sign off, I'd like to remind you personally. And when I say you, I mean you you each individual listener. You if you're listening to this and didn't do it at the beginning of the episode, Pretty Please, take 30 seconds to scroll down. Whatever platform you are listening on at this very moment and give the EdCuration podcast, a star rating and a one-sentence review. This is Uber important in helping our Podcast be more findable and visible to other Educators like yourself. We would so appreciate it and I guarantee it will not take more than 30 seconds. If you have a resource or topic, you'd like to have addressed on the EdCuration podcast. Leave us a comment and we'll get right on it in an upcoming episode of the EdCuration podcast where we're reshaping learning.  

Pensando rápido.

hi guys and welcome back to the mystery and comedy old time radio podcast. please welcome back to the show this afternoon Mr Bob Hope in this first episode we his guest Ms Constance Bennett in this episode Mr hope and miss Bennett go to a woman's baseball game but unfortunately it is called off. and in the second episode we welcome his second guest Miss Olivia de Havilland. I hope you guys enjoy Mr Bob Hope and his performance on the show this afternoon stay tuned after the show to hear him sing with Mr Bing Crosby and miss Sherry Ross. join me later on tonight guys as I bring to the show Mr Joseph Kearns to chill our spines. then I bring Miss Doris Day to tickle our funny bone. then join me tomorrow night as I bring to the show Ms ida Lupino. and join me in the coming weeks as I bring such stars as Mr Bud Abbott and Lou Costello and I bring back Miss Nancy Kelly to chill our spine. and join me in August guys once again as I bring back the famous writers directors and producers who not only appeared on the big screen but also behind the microphone. then join me every Monday for something to tickle your funny bone and then join me every Thursday in August for those episodes. and always remember guys to enjoy the show thanks.

This week, Ben Taylorson guides you around room number three in the House Of Hammer: Sporting Love, a musical comedy set in the world of horse racing and the bankrupt upper classes, and starring Stanley Lupino, one of the great Lupino dynasty!We'll tell you'll about the film, as well as induct a new Hammer Hero, journey through a retrospective of one of entertainment's most famous names, and even force Cev to confront his greatest genre-nemesis… the sports movie!Follow us on Twitter at www.twitter.com/househammerpodFollow us on Instagram at www.instagram.com/househammerpod“Smokey on… Hammer Hero - J. Elder Wills” - was written and produced by Smokey“Adam on… The Fabulous Lupinos” - was written and produced by Adam Roche“Cev on… Sporting Movies” - was written and produced by Cev Moore“Adam, Smokey, Cev and Ben on… Sporting Love” - produced by Cev MooreThe rest of the episode was written and presented by Ben Taylorson and produced by Adam Roche“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells

Jabolka naribamo skupaj z olupki, saj vsebujejo veliko arome in vitaminov ter mineralov. Pazimo pa, da odstranimo peščišče.

DREAM ON FLY

April marks Parkinson's Awareness Month. Many likely believe that Parkinson's is something that only impacts older people, but Gina shares her story after being diagnosed with PD at just 36 years of age.

Melbourne businessman and influencer George Sykiotis of Lucy Liu and Lupino, speaks on how we can improve the hospitality industry, financial fundamentals, running a restaurant business, activations, and brand awareness. A refreshing and humorous interview celebrating Melbourne's better operators. 

Lupino ist südlich von München am Tegernsee geboren und aufgewachsen. Schon früh hat er erkannt, dass er sich nicht nur vor dem Mischpult wohlfühlt, sondern auch dahinter. Angefangen hat alles vor ca. 6 Jahren mit kleineren selbst organisierten Raves und Clubevents im Oberland. Von Zeit zu Zeit entwickelten sich immer mehr Freundschaften und Kontakte in und um München. Seit nun mehr als 3 Jahren ist Michael aka Lupino fester Bestandteil des Techno ist Familiensache Kollektives, dass sich seit 2014 in ganz Bayern etabliert. Die Vereinigung aus mehreren talentierten und aufstrebenden Djs, die es sich zur leidenschaftlichen Aufgabe gemacht haben ihren unkommerziellen Sound mit viel Herzblut und Liebe in der Technoszene zu verbreiten. Man könnte jetzt noch Lupino‘s Musikstil und Art beschreiben, aber ich finde ihr solltet euch am besten selbst eine Meinung darüber bilden und einfach mal reinhören.

On the latest director's spotlight, we discuss the several films helmed by actress Ida Lupino. We cover the 1950 feature Outrage starring Mala Powers, 1953's The Hitch-Hiker starring Edmond O'Brien, and 1951's On Dangerous Ground. Lupino co-starred in On Dangerous Ground and did not receive director's credit (although she supposedly took over helming duties from Nicholas Ray). For the video version of Find Your Film, go to Bruce Purkey's Rustomire Channel.  Follow us on Facebook or email us at info@findyourseen.com!

durée : 01:00:00 - Plan large - par : Antoine Guillot - Longtemps ignorée dans l’Histoire du cinéma, la cinéaste Ida Lupino est l’autrice d’un cinéma novateur, où se dessine un certain héroïsme du quotidien, et une "morale de l’amour". Plan large sur une pionnière, qui a su affirmer la place centrale du réalisateur au cœur d'un cinéma indépendant. - réalisation : Laurent Paulré - invités : Yola Le Caïnec Enseignante en cinéma; Aurel dessinateur; Sophie-Catherine Gallet Critique de cinéma pour Revus & Corrigés et Radio Campus Paris

durée : 01:00:00 - Plan large - par : Antoine Guillot - Longtemps ignorée dans l’Histoire du cinéma, la cinéaste Ida Lupino est l’autrice d’un cinéma novateur, où se dessine un certain héroïsme du quotidien, et une "morale de l’amour". Plan large sur une pionnière, qui a su affirmer la place centrale du réalisateur au cœur d'un cinéma indépendant. - réalisation : Laurent Paulré - invités : Yola Le Caïnec Enseignante en cinéma; Aurel dessinateur; Sophie-Catherine Gallet Critique de cinéma pour Revus & Corrigés et Radio Campus Paris

Pagãos do mundo com Petrucia Finkler do Brasil, que partilha entrevistas sobre tópicos de interesse como mitologia, magia, devoção e história. Uma conversa sobre bruxaria familiar e tradicional, e qual o papel dessas práticas e conexões antigas no equilíbrio do mundo de hoje. Como podemos contribuir? Este mês a conversa será com Cléber Lupino Haddad. Ele é o porta-voz da Tradição Familiar Lupino de bruxaria hereditária e tradicional, a qual trabalha com os poderes dos lobos entre outros e desenvolve estudos e pesquisas no ramo da feitiçaria natural voltados aos interesses da família espiritual e consanguínea. 5pm Salvador, 6pm CDMX, 7pm Chile, 8pm Brasil, 1am España (Domingo) Portugal 12am (Domingo)

Today I am speaking with Isabelle Steichen. Isabelle Steichen grew up in Luxembourg and moved from Europe to the US in 2013. She also transitioned to a plant based diet the same year and her decision was driven by ethical, environmental and heath reasons. As a long time passionate vegan, certified in plant based nutrition from e-Cornell, as well as the founder of the Plantiful Podcast, she is now combining her startup background with her desire to spread plant based eating with her new business Lupii. Lupii is here to help people live plantiful lives through the power of the small-but-mighty lupini bean, which is not only good for humans but also for mama nature. www.getlupii.comThis series features conversations I conducted with individuals who have dedicated their work and lives to Vegan research, businesses, art, and society. This podcast series is hosted by Patricia Kathleen and Wilde Agency Media.  TRANSCRIPTION* Please note this is an automated transcription, please excuse any errors or typos [00:00:00] In this episode, I had the opportunity to sit down with founder, certified plant based nutritionists and podcasters Isabella Steichen key points addressed where Isabella's company, Lupi, a company producing products based on the powerful Lapine Bean. Isabella and I also discussed the various terms and subsequent conditions involved in the plant based food industries and how this translates to the current state of the worldwide covered 19 pandemic. Stay tuned for my fascinating chat with Isabella Steichen.  [00:00:39] My name is Patricia Kathleen. And this series features interviews and conversations I conduct with experts from food and fashion to tech and agriculture, from medicine and science to health and humanitarian arenas. The dialog captured here is part of our ongoing effort to host transparent and honest rhetoric. For those of you who, like myself, find great value in hearing the expertize and opinions of individuals who have dedicated their work and lives to their ideals. If you're enjoying these podcasts, be sure to check out our subsequent series that dove deep into specific areas such as founders and entrepreneurs. Fasting and roundtable topics they can be found on our Web site. Patricia Kathleen ICOM, where you can also join our newsletter. You can also subscribe to all of our series on iTunes, Spotify, Stitcher, Pod Being and YouTube. Thanks for listening. Now let's start the conversation.  [00:01:36] Hi, everyone, and welcome back. I'm your host, Patricia.  [00:01:38] And today I'm sitting down with Isabella Steichen. She's the founder, a certified plant based nutritionist and podcast. Or you can find out more about the information we talk about today. And her company on Get Lupi dot com. That is g. T. L. You p. I dot com. Welcome, Isabel.  [00:01:56] Hey, it's nice to be here. I'm excited. Thank you for having me.  [00:01:59] Absolutely. I'm excited to talk to you as well. I like your company. We talked off the record briefly about it. The Web site presence and everything else. I think it's really cool what you're doing with it and for everyone listening. I will read a quick bio on his web before I do that. A roadmap of today's podcast, in case you would like to forecast the trajectory of our rhetoric. We'll first be looking at Isabelle's academic and professional background and personal plant based journey leading up to launching her company. And then we will directly turn into unpacking Lupi and the plant. It's a plant based protein for planet based people. The company itself has products will unpack that. We'll also get into the logistics of the who, what, when, where, how and why for all of you nerdy entrepreneurs and founders out there that care about those back end deals. And then we will also look at the ethos of the company and the impetus for launching it. And within that, we'll look at rhetoric regarding the responsibility, environmentally stable questions, as well as the questions we're getting. The pandemic of covered 19 and how those interplay with a lot of the ethos around companies like this. And then we'll wrap everything up with goals that the company and Isabella herself is looking to towards for the next one to three years. As promised, a quick bio on Isabel before I start prepping, peppering her with questions. Isabel Steichen grew up in Luxembourg and moved from Europe to the US in 2013. She also transition to a plant based diet. The same year. And her decision was driven by ethical, environmental and health reasons. Since moving to New York City, Isabelle worked closely with founding teams for various early stage RBC backed startups in the food and tech space. Her first role was at Kitchen Surfing and on Demand Chef Service Startup, where she launched the business in new markets and scaled the OnDemand chef team. Most recently, Isabelle ran the operations and customer service team at SOYER, a Brooklyn based education software company. As a longtime, passionate Vegan certified in plant based nutrition from Cornell, as well as the founder of the Plentiful podcast, she is now combining her startup background with her desire to spread plant based eating with her new business. Loopy Loopy is here to help people live. Plant four lives through their power of the small but mighty Lapine Bean, which is not only good for humans but also for momma nature. So and again, the website is Get Lupi dot com.  [00:04:31] So Isabelle, before we launch into Get Lupi, I'm hoping that you can kind of draw us an academic background and early professional life as well as like your plant Vaisse journey and how that all kind of led you into launching Get Lupi.  [00:04:52] Yeah, totally. So as you mentioned earlier, I actually grew up in Luxembourg, which is a small little country in Europe, and went to elementary and high school there. And then I moved to France to go and get an undergrad degree. And then also I went to grad school in France. So I studied political science and econ during undergrad. And I actually did a study abroad here in the United States during undergrad. I went to Hamilton College, which is a small liberal arts school upstate New York. So I got kind of a feel for this state then for American education while I was there.  [00:05:32] And then I decided to go back to Paris and pursue a master's degree in urban planning. And so urban planning is like all about city design and thinking about how people behave and live in urban spaces and knowing that, you know, the world is moving towards more urbanization. That was something that I was always really interested. I'm passionate about and thinking about cities from a holistic perspective. And so that's what I went to school for. And then I ended up moving to the states in 2013. So right when I finished grad school, that was motivated by the fact that I had met my husband's undergrad. When I studied abroad of Hamilton, I met him. He's American. He went to school here. We started dating. And we did long distance for a while.  [00:06:20] And then I you know, I had studied urban planning and had actually specialized on North American cities. So it felt like moving to New York was a great way for me to bring or kind of start my professional career, but also be with the person who I love. And so I ended up moving here and I worked in urban planning for about a year or so. I worked for a nonprofit that was managing one of the neighborhoods around Bryant Park, as well as the park itself. And I really loved the team there and I loved the mission. But I felt I felt that I wanted something very different. And I had a few friends that were working for startups. And so I started getting really curious about that. You know, the education space in Europe is different, but also the professional space when it comes to startups innovation. It's just very different. I think it's very much based on how kids are raised in Europe. And I think there's just maybe different incentives around innovation, but it's just not as evolved as it is in the States. And so I was very intrigued by that.  [00:07:27] And I ended up getting my first job at an early stage tech food startup called Kitchen Surfing, as you mentioned in the bio. It was. Did the service change the business more? I mean, to change the business model a few times. But it was in a nutshell, like an On-Demand chef service. So we were basically deploying chefs on a weekly night and sending them to people's homes and having them cook meals there with like 30, 40 minutes and then move on to the next person's home. So it was this really interesting tech enabled food startup that was very specific to the New York City market, actually, because nowhere else, I think, in the world. Is there a need for like this, like rapid service that that exists in New York. So was there for a while and helped to scale the team and expand the business into new markets. And really, I would say that was I called the startup bucket there because I really loved being part of the early stage team. I loved how I saw that anything and everything I was doing had a direct impact on the outcome of the business and the trajectory of the business. And I was employee, I think there were seven or eight there.  [00:08:37] And so I saw the team grow and double and triple in size and move from like a townhouse and go like Brooklyn, which is very far from Manhattan to, you know, a fancy office in Soho. And so really saw the company go through very different stages.  [00:08:55] And that really made me so much more excited even about being part of a startup. And just seeing the direct impact of your work on an everyday basis like that. And so I ended up spending my career on the last year years for various different startups, mostly actually in the tech space. And most recently I was with Sawyer, which is an amazing online platform and software company for education businesses. And I learned a ton about product development and tech and coding and things like that that I never thought I would ever be exposed to.  [00:09:34] And so I think that would be the second piece that I love about startups is that, you know, you get hired for a specific role, but really you do a lot of different things and you grow in two different roles throughout the life span of the company and really evolve and learn new skills. And that's something that. I truly appreciate. I like the fact that you can really acquire very new skill sets when you're exposed to things that, you know, just come up like they do in a startup. Well, you have to be nimble and adapt and have a growth mindset. And so. Yeah. So that's a little bit about my my professional background in a nutshell. And then you asked about my plan based journey. And I think it's very much linked to my whole trajectory, especially since I moved to the States. I decide to go Vegan when I moved here. And it wasn't coincidental in the sense that I had been playing or playing with the thought of totally cutting out animal products for a while.  [00:10:37] But I grew up in a I wouldn't say very traditional European family. And I had a French grandmother and cheese was an essential part of our culture. And so where a lot of meat dishes. But I personally always struggled with the concept of eating animals and why we were making a distinction between the animals that we loved, like our dogs and cats and the animals that we did end up on our plate. And so I always wanted to be vegetarian or be getting. But growing up with my family, that just was not an option. And then when I moved out from home to France for undergrad and grad school, I pretty much was vegetarian because I was cooking for myself. And then I started just getting more and more into researching, you know, the sustainability aspects and the economic aspects of animal agriculture and realized that especially in the states, it's a it's a you know, it's up a scale that is just very hard. In terms of animal ethics.  [00:11:40] And so I put all of that together and I decided to go vegan when I move to New York because I felt culturally more free to express that part of my identity in a in a city that is so diverse and so open minded, where so many people follow different diets. There was no judgment associated to me eating plant based or being Vegan. And so took that leap. And then I really went on a journey, I want to say, because I started learning more and more about it and I started this podcast is like a side project to my full time job. And my husband, who, you know, is grew up in a very traditional American diet, ended up going vegan a few years ago, totally kind of motivated by by by himself coming coming to it more from the health angle. And so I ended up doing a plant based nutrition certification to learn more about plant based eating and health and put all of that together. I realized that, you know, one of the things that I want to do is how people empower them to make more mindful choices when it comes to our food, mindful choices for themselves, for their health, but also for the environment and the sustainability of our planet. And so it all kind of came together and culminated with me launching Lupi because I was able to bring my startup background, an early, early stage company background, and combine that with this deep passion that I have for her to plan a space.  [00:13:12] Yeah, well, so here in lies. I always wait for my guests to drop it first. I try to see how long I can go. But you did enter into mix the two terms and you said that, you know, you became Vegan.  [00:13:26] And I always use the term plant based, particularly with people who have companies such as yourself, because that seems to be the chosen term. But before we get into any more dialog about how the two of us see or don't see the term, similarly, how do you define Vegan and how do you define plant based?  [00:13:44] Yeah, that's a great question. So I would call Lupi a plant based company, because we are making foods out of plants and we are not here to prescribe any ethical convictions on people. I do think that veganism has an ethical connotation. And I would refer to myself as being an ethical vegan in the sense that I'm trying to avoid plen animal based products in all areas of my life. So I don't wear leather or wool and I don't eat any animal products. And that's very important to me. On a personal level. But that I feel is very much a personal choice. And what we do with Lupi is help people who are trying to eat more clients, include more plants in a sustainable way into their diets. And so I think that's where I see the distinction. I see that there is an ethical connotation of veganism and a more healthy connotation of plant based eating. I am both right. I'm a fan base leader. I care about it for health perspectives. But I also from a health perspective. But I'm also vegan. I want to add here that these terms and terminology can be problematic at times because it seems very binary. It seems like, you know, my co-founder, Ali, always talks about how she like I actually don't want a label because I find that limiting the sentence. And I think she's very right about that, because I think you need to think about this as a spectrum and not as a binary choice. And so I think what turns a lot of people off is when you hear Vegan, you think you have to be like militant or do everything in a prescribed way. And I just don't think that that is what veganism should be about or plumpness eating should be about.  [00:15:35] Yeah. And likewise, on the other end of that pendulum is people who feel comforted by the umbrella. You know, plant bases become one of the top 10 key marketing terms for every industry, like fortified with vitamin D was in the 80s, you know, and so people are saying things are plant based on their label if it has any kind of a vegetable in it.  [00:15:56] And it could be a product that is strictly not Vegan. And worse, it could have preservatives. It's starting to become this very wishy washy, untrustworthy term. And so I think it's it's it's cool for me because I love the opportunity to make people redefine themselves and to look into how people are defining their terms. And it's causing a lot of questions to come out. And so and I didn't you know, having one term to describe 16 things is really complicated. So having Vegan plant based in 50 more doesn't bug me. But not having people question or define themselves, I think is where a lot of the inconsistencies are coming from. So I'm glad that you did. And since you used Lupi as an example, let's kind of climb into what it is you and I talked about my first observations when I hit your website. I was, you know, immediately presented with iconography and we call it art back in the day. But pictures and photographs that for me had this kind of throwback feel to the 70s, you have a great deal of representation of different ethnic groups and generations and things like that. And it's all based around this product that you have. So can you start off by telling us what the products are that you create and then we'll get into the logistics of the company?  [00:17:15] Yeah, totally. Yeah. So. So Lupi is here to help people live plant for life. So whatever that means for you, no matter if you're trying to be 100, some plant base or if you're just dabbling. We want to be here for you and we want to be inclusive in that way. And so I think when you point out how the website speaks to you from this inclusiveness perspective, I think that's something that feels really that we feel very strongly about, is that we don't want to alienate people and we want to meet people where they are. We launched Lupi in January. So we are we are celebrating company and we launched our first suite of products, which are two would be bite's.  [00:17:53] And so to be by it's this little scrap or Secombe in three different flavors currently taking your lemon cranberry peanut butter counted and with better cinnamon raisin or the three different flavors.  [00:18:05] And that's the first product of hopefully many. So how we see Lupi is we see it as a platform for this incredible ingredient called Luchini B, which is kind of underrated and undiscovered here in the United States. So it's an ingredient that is originally from Europe, from the Mediterranean region in Italy. And Greece has been consuming lapine beans for, I want to say centuries. But it's something that I had been researching and thinking a lot about. How how does nobody interstate's know about this being that happens to be to being with the highest concentration of pompous protein. When I know that a lot of kids are struggling with nutrition and specifically with protein when it comes to eating Clockface. And so we are here to hero this ingredient and build a platform for it through. Through Luby and through what we are doing.  [00:18:59] Very cool. So when you went into product development, seems tricky.  [00:19:04] It seems like a completely different beast when it comes to, you know, Vegan worlds and things like that. How long did it take you guys to source everything that you needed to from the manufacturer and distributing and things of that nature? Are you in? I mean, brick and mortar, everyone, you know, it hasn't really been a hot topic for it over the past couple of months due to reasons of the pandemic. Are you in brick and mortar stores or did you start with a completely virtual presence?  [00:19:31] Yes, these are great questions. So starting with your last question, first, our initial launch strategy was only focused on physical distribution. So we were in about 40 accounts in the New York City area, mostly independent health stores and independent grocery stores. And then we were selling directly to office spaces as well as yoga studios engines. And so a lot of that has been obviously put on hold due to what's going on in the world. And to react quickly, shift gears and focus on our online distribution.  [00:20:03] And we always have the website. We always had an online storage was in our focus as it is a very distinct channel. And so we just took our playbook for it out the window and created a new one and focused on that. And so we are now available mostly through the Web site. And then we saw on some other platforms like Amazon and Bubble and some some other online retailers. In terms of your question of how long has this all, how long does this all take? So I want to maybe put it together and like the different steps and pieces. So I had been really fascinated by this ingredient.  [00:20:40] And I really mean that, like reading everything and talking to everyone who knew anything about it. Well, both people in the States as well as abroad for a few years now. And I have been playing around with it in my kitchen and making different variations of recipes and loopy, loopy bites originally was actually two rounds and it were this little around balls that I'd made them all types of different flavors.  [00:21:06] And I did sell them for a split second at a store. I'd like a Vegan. She started at Vegan specialty store in Brooklyn and down the street for me, just to kind of test like, was there a market? Was there interest? And it all kind of came together in fall of 2018 where I decided to leave my last full time job. And through various kind of opportunities, I was connected with a startup studio in Manhattan called Human Ventures and Day. They like to invest in two entrepreneurs and businesses that have a positive impact on humans on the planet and the environment. And so I we connected with a founder, Heather, and clearly I saw that there was an opportunity for us to work together.  [00:21:51] So I basically started working with them and and kind of took this idea. That was Luby before it was Lupi.  [00:22:04] And it's a bunch of market research and made everything a little bit tighter and then realized that if I wanted to launch a food business, I needed to get some expertize from the food world and food space. And so luckily, I was introduced to Ali, who's today my co-founder. I'm through a kind of connection. We both I remember when we grab coffee for the first time on a Saturday morning, we were both, like, not really thinking much of it. And when we met, it was kind of like love at first sight. We we share a passion for eating the both plant based leaders. And she was ready to leave her job and jumped into this with me. And her background is in traditional CPG. She's worked for Pepsi and for a few other bigger companies and the more corporate space and has been mostly focused on branding and marketing. So my ops experience in startups and her experience and branding and marketing was a great combination. So we got together and that's when we really started functioning the recipe and scaling it from my home kitchen to a commercial kitchen to then a Coke hopper. And that's when we started building up the brand and the supply chain.  [00:23:19] So we did find over the last year, you know, we officially start working together in May of last year. And so for six months, we were just heads down focused on all of these moving pieces. And then we ended up launching come January 1st of this year.  [00:23:34] Fantastic. Congratulations. Did you guys take funding or was it bootstrapped?  [00:23:38] Yeah, we did. To take some Creecy funding from Human Ventures to UPS to do that. And they were super excited about the idea. So they invested. But, you know, we are a scrappy early stage startup. It's just Ali and myself. And then we have a really amazing person on a team, Meghan, who is doing all of our social and so much more. And we were getting some help with fulfillment. But that's basically it. We're still a really small team and trying to be really, really scrappy.  [00:24:09] Absolutely.  [00:24:10] I'm wondering with especially with startups, you know, it feels like because of the scrappiness, you're talking about this kind of Alleycat mentality. A lot of people have.  [00:24:22] I find that younger the company, the more apt and prone they are to addressing, you know, a conversation or a dialog between their company or their product and customers regarding Kofod and and in particular, you know, plant based Vegan companies have this very delicate but important narrative with that, because, you know, the analysis, regardless of where you stand on the history of the epithet or the pandemic or any of that which this podcast is not endeavor to look into, what it has done for the majority of civilization has caused people to reanalyzed food sources and and health and really look at what health is in this latter day and what it means to someone and your company being this company based on this very healthful product. You know, the Lupino being and I'm wondering if you have had a chance to you and your co-founder, Ali, if you guys have spoken about messaging that for your customer moving forward.  [00:25:25] Yeah, I mean, I think health is is an essential part of what we are trying to do with Lupi. You know, what makes us different is not only that we're using Lapine beans, which are these incredibly powerful, which fish Latricia's and little beans, but also the fact that we're using the whole being an albar. There is no other protein bar that it's using the whole bean. And why is that important? Because you get all the fiber so you don't get something super process of a stripped of nutrition. You get the real whole ingredients. And there has been a trend over the last few years and I see a trend. But really, it's a movement towards eating more real food. And that's really what we're spending for. So all of our bars in five or six ingredients, you can identify all of them. They are simple. They are, you know, straightforward. There's nothing hidden in it. And so I think that that's really essential. And we we have found that our consumers really, truly resonate with the fact that it's a wholesome product, that it's made out of whole real ingredients. In a way, it's something you could make in your kitchen at home. And I think that's one of the value crops when it comes to the pandemic.  [00:26:33] I think what's interesting this time around is that, you know, people are suffering obviously economically and financially, not only from a health perspective, but it's very different than what happened, for example, in 2008, I think, where, you know, there was a lot.  [00:26:50] It was a big economic impact on people's lives. Then people will stop spending money on certain things in those times. What we've seen here is there's actually been a focus of consumers, of spending money on healthy, real, wholesome products. And it's almost like people are rewarding themselves and they are investing into their health. And I think it's one because we are in 2020 and people. There has been a shift. Like I said, in terms of people's mindset around eating better, we'll hold some food and realizing it can be delicious and convenient and still really good for you. But also, this pandemic, you know, it is health related. It is all about how, you know, how can you protect yourself as much as possible from the impact. And I think investing into your health, eating good food, taking care of your sleep and your stress levels is something that you can do and you have control over. And I think consumers are really resonating with that understanding.  [00:27:49] Yeah, absolutely. And to that end, I'm wondering, have you guys looked down the road in your goal of making? Have you thought about future products or future flavors on the product?  [00:27:58] Has it was any of that ever written into, like the beginning plans of what you're doing? And if so, can you enumerate on what they are?  [00:28:04] Yeah, totally. So, yes, we have a lot of ideas, a lot of thoughts and a lot of things in the making. Obviously, you know, we are Starbucks, so we we're always changing things and adapting to the environment. We're definitely thinking about a few new flavors in the future. So that's definitely in the pipeline. We have been talking and thinking about other products, and I think that will be very much driven by what our consumers want because we want to co create this company and Lupi and the products with our consumers. But the cool thing is Luchini beans are very versatile and they can be adapted and used in different applications. So there's definitely a lot of opportunity there.  [00:28:49] Yeah, it's an exciting time for you guys. And as things, you know, as hopefully as as a cure comes forward from the pandemic or an immunization, at the very least we can return and, you know, we can start looking forward to new products from you guys. That's going to be exciting. Isabel, we are out of time. But I want to say thank you so much for speaking with us about your company and all of your Vegan knowledge. I really do appreciate it and appreciate your time today.  [00:29:19] Thank you so much for having me. It was really awesome talking to you.  [00:29:22] Absolutely. For everyone listening, we've been speaking with Isabel Steichen. She's founder, a certified plant based nutritionist and podcast. Or you can find out more about her and her company on Get Lupi dot com. Thank you for giving us your time today until we speak again next time.  [00:29:39] Remember to eat clean and responsibly, stay in love with the world and always bet on yourself. Such as? 

A spirited evaluation of the transcendent films of Ida Lupino. Lupino was active in Hollywood from 1933 to 1966 - First as a Hollywood starlet and later as an independent film writer, director and producer. In this episode we’ll cover Lupino’s OUTRAGE (1950) and THE HITCH-HIKER (1953) & touch on her early life in London and her later career in television. Check out the Average Joe’s Patreon at PATREON.COM/AVERAGEJOESHOW

Fala Galera! Trazendo o segundo episódio de conversão do nosso quadro Review Lupino. Nesse episódio o PaladinoMonge faz o review completinho do jogo Roll for The Galaxy, a versão dice game do jogo Race for the galaxy. Vem acompanhar mais esse episódio, coloca um fone de ouvido, e vem ver os pontos positivos e negativos desse jogo e ficar sabendo qual o selo que a BGG 2 deu para ele. Não esquece de assinar nosso Feed. P.S: Pessoal, estamos com problemas no Podbean, o que está impactando a disponibilização do episódio lá e no spotify. Sugiro assinar nosso feed da ludopedia em um agregador (o próprio podbean ou o beyondpod) pra já ficar sabendo quando um novo episódio for ao ar.

Fala Galera! Nesse review lupino o PaladinoMonge faz sua análise do jogo Architectura, lançado no Brasil pela Papergames. Em Architectura, sua mesa virará uma cidade com ruas e quadras. Cada construção que você levantar afetará o valor das construções adjacentes ou até mesmo poderá destruí-las! Rotacione as cartas para alterar seu valor, aplique seus efeitos especiais e faça seu melhor para gerenciar com cuidado suas opções para tornar-se o melhor arquiteto da cidade! Não perca manolo!

Fala Galera! Nesse review lupino o PaladinoMonge faz sua análise do jogo Architectura, lançado no Brasil pela Papergames. Em Architectura, sua mesa virará uma cidade com ruas e quadras. Cada construção que você levantar afetará o valor das construções adjacentes ou até mesmo poderá destruí-las! Rotacione as cartas para alterar seu valor, aplique seus efeitos especiais e faça seu melhor para gerenciar com cuidado suas opções para tornar-se o melhor arquiteto da cidade! Não perca manolo!

From acting, to starting her own production company, to directing both film and television, Alex and Jonathan take a look at the extensive career of Ida Lupino in Hollywood's golden age through her work in High Sierra (1941), The Hitch-Hiker (1953), and The Trouble with Angels (1966). We discuss her popular acting persona as the femme fatale, her pioneering work in independent cinema, and the heart she brought to her later comedy work. Skip to: 14:28 – High Sierra 29:20 – The Hitch-Hiker 49:41 – The Trouble with Angels 1:06:44 – Overall 1:12:06 – Coming Attractions Coming Attractions: What's Love Got to Do with It (1993) Ray (2004) Love and Mercy (2014) For more information, visit the blog: https://thefilmlings.wordpress.com/2020/06/09/lupino/ Support the Show! Patreon: https://patreon.com/thefilmlings Ko-fi: https://ko-fi.com/thefilmlings

Well, we have reached the end of another month! We finish off our watch of Lupino with another noir classic, THE BIGAMIST. But will this have more charm than previous efforts and will Lupino as an actress carry this one over the top? We talk moralizing, chinese food, and executive moods with our last movie of the month.Then we decide on our personal picks. Will we focus on the meanness of THE HITCHHIKER? Or the sexual energy of HARD, FAST, AND BEAUTIFUL? Tune in to find out!Follow us on TwitterLook at the pretty pictures on InstagramDonate to the show and get rewards on Patreon!Email us and tell us we're wrong at directedbypod@gmail.com

Techno ist Familiensache Techno Kollektiv based in Munich we collect the best TECHNO MUSIK and LIVE SETS for you! we would also like to see you as a guest on one of our raves! all infos on our homepage ;) Check our other sites too! http://technoistfamiliensache.de http://facebook.com/technoistfamiliensache www.instagram.com/techno.ist.familiensache www.youtube.com/channel/UCJSXiR3N…iew_as=subscriber

On to our second movie of Lupino month with one that hits close to home. In NEVER FEAR, Lupino tackles the tough topic of Polio, a disease that she struggled with herself.Mike and Dave discuss if this hope filled picture continues Lupino's fantastic start after NOT WANTED, or if this one is a little bit more difficult to take. Mike also, as usual, blames Dave for his choices, but we have a good time anyway!Follow us on TwitterLook at the pretty pictures on InstagramDonate to the show and get rewards on Patreon!Email us and tell us we're wrong at directedbypod@gmail.com

Fresh off getting a great overview from our expert, Mike and Dave dive into Ida Lupino's directorial efforts. We begin with NOT WANTED, a film that she was not credited for, but is undeniably Lupino.We talk female gaze, nerds who are into trains, Sean Penn's dad, and for some reason, the smell of fish on a crowded bus. Do social problems films from the 40's hold up? Listen in as we take a look at the story of an unwed mother who also kidnaps babies? Should be fun!Follow us on TwitterLook at the pretty pictures on InstagramDonate to the show and get rewards on Patreon!Email us and tell us we're wrong at directedbypod@gmail.com

Alright, it's time for a new month! To introduce this month, we bring on a real honest to god expert. Julie Grossman, also a teacher and film scholar, recently co-authored a book on Ida Lupino. We discuss Lupino as an auteur, the difficulties of being a female director past and present, and Lupino's courage to focus on social problems pictures.We hope you enjoy this very informative introduction to Ida Lupino.If you like what you hear, you should purchase Julie Grossman's book on the subject!https://www.amazon.com/Ida-Lupino-Director-Resilience-Transition-ebook/dp/B0711VS7SMFollow us on TwitterLook at the pretty pictures on InstagramDonate to the show and get rewards on Patreon!Email us and tell us we're wrong at directedbypod@gmail.com

“This is the true story of a man and a gun and a car.”  Actually, this is the true story of Ida Lupino, called early in her career the English Jean Harlow, who is thought to be the first woman to direct a film noir, and one with an all-male cast, no less. She also was the only woman to have directed an episode of The Twilight Zone, with the episode “The Masks,” and the only person--male or female--to have both directed and starred in an episode of The Twilight Zone with “The Sixteen-Millimeter Shrine,” both episodes are personal favorites of ours.  Episode Notes: Billy "Cockeyed" Cook More female film directors from Hollywood history listed here and here.  Please rate and review us, or better yet, tell a friend.  Our social media is @MonsterWrote on Twitter and Instagram. Our email is monsterwrote@gmail.com. This episode was produced and researched by Lisa and Mel. Theme music is “Misconception” by Nicolas Gasparini. 

Shatner, Travolta, Borgnine, Skerritt, Lupino and Anton Lavey explore Satanic Panic in this cult classic. We are joined by Duc Due Vu to review the 1975 Satanic cult movie The Devil's Rain.  Is this movie a KILLER or merely a victim?

TVC 479.6: Ida Lupino biographer Mary Anderson discusses “I Will Be Remembered,” the 1977 episode of Charlie’s Angels that marked Lupino’s final onscreen acting appearance. Mary’s books include Ida Lupino: Beyond the Camera and The Making of The Hitch-Hiker: Illustrated. Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 479.5: Ida Lupino biographer Mary Anderson plays more highlights from a 1991 interview between Lupino and author A.M. Sperber. Topics this segment include The Hitch-Hiker, the iconic film noir thriller directed by Lupino that starred Edmund O’Brien and William Tallman, and Lupino’s experiences working with Humphrey Bogart and director Raoul Walsh on High Sierra. Mary’s books include Ida Lupino: Beyond the Camera and The Making of The Hitch-Hiker: Illustrated. Learn more about your ad choices. Visit megaphone.fm/adchoices

TVC 479.4: An encore presentation of our February 2015 conversation with Ida Lupino biographer Mary Anderson that includes audio highlights from a 1991 interview between Lupino and author A.M. Sperber that was among the last formal interviews that Lupino gave before her death in 1995. Mary’s books include Ida Lupino: Beyond the Camera and The Making of The Hitch-Hiker: Illustrated. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lupino b2b Nicolass @ Pistolero Club w/ Klanglos by Techno ist Familiensache

Lupino - Heroin Kids Rave - Bobbeaman 08.03.19 by Techno ist Familiensache

TVC 458.4: Ed plays highlights from the recent unveiling of The Hollywood Museum’s new lobby exhibit that honors screen legends Ida Lupino and Olivia de Havilland. Mary Anderson, Lupino’s personal assistant and confidante and the author of three books on Ida’s life and career, shared a few memories that evening of the long friendship between the two stars. Learn more about your ad choices. Visit megaphone.fm/adchoices

A talented actor, writer, producer, and director, many call Ida Lupino the most significant female figure of the golden days of the Hollywood studio system. Inspired by the real-life psychopathic murderer Billy Cook, with elements adapted from a novel by blacklisted screenwriter Daniel Mainwaring, The Hitch-hiker is generally accepted to be the first American noir directed by a woman. Posing as a hitchhiker, Billy Cook murdered six people on a 22-day rampage between Missouri and California between 1950 and 1951. Lupino interviewed two survivors that Cook had held hostage, and got releases from both – as well as a release from Cook himself – so as to incorporate actual events into the script. The film does a masterful job of building and sustaining tension, and the stark desert wilderness of the south-western United States provides a bleak backdrop for this claustrophobic rumination on a senseless American nightmare.

The Hitch-Hiker (Lupino, 1953) is not officially the first noir directed by a woman, but there is no doubt that director, producer, and screenwriter Ida Lupino was a pioneer. In adapting the true crime story of murderer Billy Cook, Lupino took the opportunity to get inside the mind of a… The post Episode 103 – The Hitch-Hiker appeared first on The Magic Lantern.

This week we dive into the life of Ida Lupino: actress, director, and producer. She is widely regarded as one of the most prominent, and one of the only, female filmmakers in the 1950s Hollywood studio system. Join us as we learn more about her life and work. This week's recommendations: Watch one film that Ida starred in and one film she directed. Also watch this clip. And don't forget to share with us on Instagram! #oysdpodchallenge  Intro/Outro Music: Tripped and Fell in Love (instrumental) by Yacht.

A brief discussion of The Curse of La Llorona. Kelley reviews Mercy Black for Straight-to-Video Russian Roulette. The Crew discuss the 1975 flop/cult classic The Devil's Rain. Brought to you ad free by the Legion of Demons at patreon.com/notlp. Join the Legion to get more stuff at patreon.com/notlp! Our Beelzebub tier producers are: Mandi Arthur Jim Bolding Brandon Boone Cassie & Jeremy Burmeister Bill Fahrner Blake Heath  Amanda James Alise Kombrinck Jeff Lancaster Tree & Alex McNulty Ernest Perez Mark Watts  Additional financial contributions by Amy & Freddy Morris   “Monster Movies (with My Friends)” was written and performed by Kelley Kombrinck. It was recorded and mixed by Freddy Morris. Night of the Living Podcast’s chief contributors are:  Mikey B  Andy Hung Kelley Kombrinck  Amy Morris Freddy Morris   The podcast is produced and engineered by Amy & Freddy Morris.    Night is the Living Podcast Social Media:   facebook.com/notlp twitter.com/notlp instagram.com/nightofthelivingpodcast youtube.com/notlpcrew   Connect with other listeners in the Facebook Group or on Reddit:   https://www.facebook.com/groups/notlp https://www.reddit.com/r/NOTLPodcast  

Ida Lupino was an original. A Warner Brothers star who went on to become an independent director, writer, and producer, Lupino holds a singular place in American film history, and she is currently the subject of an ongoing retrospective at New York's Film Forum. On the latest Film Comment Podcast, I was joined by Farran Smith Nehme, critic and author of Missing Reels; and Sheila O'Malley, frequent FC contributor and critic at Rogerebert.com, to discuss the work of this legend, including films she starred in, such as Moontide (which O'Malley wrote about in the March/April issue of the magazine), and those she directed, such as the unforgettable The Hitchhiker and Outrage.

Ida Lupino (1918-1995) was a film business pioneer - a tough but tender actress who turned herself into a movie director, having been only the second woman to be inducted into the Director's Guild in 1950. In honor of her centenary, commemorated by Film Forum with a Lupino film festival, we bring you a Fishko Files meditation on her life and work. (Produced in 2010) Ida Lupino 100 runs at Film Forum Friday, November 9 through Thursday, November 22. For tickets and information, visit their website. Fishko Files with Sara Fishko Assistant Producer: Olivia BrileyMix Engineer: Wayne ShulmisterEditor: Karen Frillmann

In this episode we study the films of Ida Lupino, the first woman to direct movies within the 1950's Hollywood system. We discuss both the ahead of its time feminism and decade representative conservatism that make up her work.    Chapter 1: Mardis Gras (3:35) Chapter 2: Ida on the issues (11:50) Chapter 3: Morality Plays (48:06)    

The second and final episode to the Max Payne story. Things get crazy this episode, as Lupino is dead and Max has been drugged by the mysterious Mona Sax. Max begins to unravel a conspiracy much bigger than he ever imagined. Check out my Facebook and Instagram for pictures from the game that will help put faces to names in this story! Instagram @whosnextge Facebook: Who's Next? Gaming Entertainment

Ida Lupino was the first woman to direct a film noir, but her work behind the camera is not as well-known as her acting career in front of it. In this episode we talk post-war America, classic cinema and why a happily married man gets the itch for something more as we take in Lupino's 1953 film The Bigamist. We also discuss our short film pick of the week Vows by Tal Zagreba. Show notes: 1:50 - Vows 10:29 - The Bigamist

One of the most critical ways that women can break the overwhelming male-controlled industry in Hollywood is acknowledging how central they have always been to its existence. UC Santa Cruz Professor Shelley Stamp has been on the forefront of that narrative, exploring how women dominated silent film culture both in terms of their moviegoing habits and the films they created. The author of Movie-Struck Girls and Lois Weber in Early Hollywood sits down with Peter to discuss the critical wave of film historiography that blossomed during her early career and the pre-internet research methods she used to create these and other texts, as well as what the future of the field may hold. Finally, they dive into Ida Lupino's directorial debut Not Wanted and look at both the similarities and differences between her and Lois Weber as the actor charted a new type of social problem film for the noir era. 0:00-3:59  Opening4:44-1:05:43 Deep Focus — Shelley Stamp1:06:48-1:10:01  Sponsorship Section1:12:06-1:26:23 Double Exposure — Not Wanted (Lupino)1:26:27-1:18:40 Close

Lauren Humphries-Brooks joins me once again as we honor February's Centennial Celebrant, Ida Lupino. This episode we look at Lupino as director with her 1950 drama Outrage.    Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. Anyone who becomes a Patron in March enters to win a secret Ticklish Biz prize pack! And if you're a TCM Backlot member you can read my article about Ida Lupino right now, which goes more in-depth on the actress and her work.   NEXT TIME: March kicks off a new centennial star to honor - actor Robert Preston! Kimberly Pierce joins me as we look at Preston's major cinematic debut in 1939's Union Pacific.

My Leonard Bernstein tribute comes to a close as Kaci Kielmar and I discuss Bernstein's only original film composition, 1954's On the Waterfront.   Want to support the podcast? Consider leaving an iTunes rating and review or becoming a Patron via Patreon. And if you're a TCM Backlot member you can read my article about Leonard Bernstein right now, going further on the composer.   NEXT TIME: February brings the arrival of a two-episode tribute to director/actress Ida Lupino with guest Lauren Humphries-Brooks. Lauren joins me as we look at Lupino's acting work in 1946's Devotion.  

In 1949, starlet Ida Lupino changed film history when she stepped behind the camera to direct her first film, ‘Unwanted’. Now, nearly 70 years later, Rob and Geoff sit down with Karina Longworth, host of the incredibly popular podcast ‘You Must Remember This’ to talk about Lupino’s story, struggles, and influence on a profession that is still, sadly, overwhelmingly male. The three talk about Lupino’s rise to Hollywood stardom (7:20), the hurdles she overcame to get in the director’s chair (9:40), and how the infamous Howard Hughes both helped and hurt her career (13:45). They also discuss her great works like ‘Outrage’ and ‘The Bigamist’ (16:25), her influence as an early Hollywood multi-hyphenate (18:00), and why, in 2017, women filmmakers are still fighting an uphill battle to gain the trust of studios (20:10).

A star in front of and behind the camera, Ida Lupino was one of Hollywood’s first female directors and producers. She turned in memorable performances in movies like High Sierra and On Dangerous Ground before she established her own production company and embarked on a long career of directing for the big and small screens. We’ll hear Ida Lupino in “Summer Night” (originally aired on CBS on July 15, 1948) and “The Bullet” (originally aired on CBS on December 29, 1949).

Neil is joined at Falmouth University's School of Film & Television by Dr Sabina Stent (@SabinaStent) and Dr Felicity Gee (@fiandshoegaze) to discuss feminist surrealism and film. The event took place in front of students, staff and local filmmakers and artists and was a wide-ranging discussion that was invigorating and illuminating. Also, the talk of a personal politics of resistance was much needed in these troubling times. This episode is presented in association with Mubi to coincide with their season dedicated to experimental and independent female filmmakers. Filmmakers whose work is screened as part of the season include Chantal Akerman and Agnes Varda, prominent figures in the podcast discussion. The season starts Friday March 3rd and in addition to those mentioned above showcases work by Anna Biller, Celine Sciamma, Lena Dunham, So Yong Kim and Cinematologists favourite Ida Lupino. We screened and discussed Lupino's The Hitch-hiker for an earlier episode.  Mubi Below you will find links to work that was screened as part of the event: Backcomb by Sarah Pucill (1995) Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles by Chantal Akerman (1975) Self Obliteration by Yayoi Kusama (1967) Nadja a Paris by Eric Rohmer (1964) The Seashell and the Clergyman by Germaine Dulac (1928) Link to other clips discussed on the show Lauren Elkin's Website

"The Entrancing Dr. Cassandra" Aired March 7, 1968   It's the penultimate episode of the series and it seems to lack any spark or energy to it despite featuring Ida Lupino and Howard Duff as alchemist Dr. Cassandra and her groovy husband Cabala.  That alone should make it exciting, but then add Batgirl in the Batcave and a prison break featuring six of the villains from Batman's Rogue's Gallery and you should have a classic - and yet, nothing. Joining John to discuss an episode that's only thing that makes it stand out is the sexual innuendo is writer/editor Jim Beard of Gotham City 14 Miles.   NOTE: Thanks to listener Davis Maska for supplying us with the driving PSA that is featured at the start of the episode. Comment on the episode here or write thebatcavepodcast@gmail.com.     A native of Toledo, Ohio, Jim Beard was introduced to comic books at an early age by his father, who passed on to him a love for the medium and the pulp characters who preceded it. After decades of reading, collecting and dissecting comics, Jim became a published writer when he sold a story to DC Comics in 2002. Since that time he's written official Star Wars and Ghostbusters comic stories and contributed articles and essays to several volumes of comic book history.   His prose work includes GOTHAM CITY 14 MILES, a book of essays on the 1966 Batman TV series; SGT. JANUS, SPIRIT-BREAKER, a collection of pulp ghost stories featuring an Edwardian occult detective; MONSTER EARTH, a giant monster anthology; and CAPTAIN ACTION: RIDDLE OF THE GLOWING MEN, the first pulp prose novel based on the classic 1960s action figure. Currently, Jim provides regular content for Marvel.com, the official Marvel Comics website, and is a regular columnist for Toledo Free Press.   Websites http://www.facebook.com/thebeardjimbeard http://www.sgtjanus.blogspot.com  

"My agent told me that he was going to make me the Janet Gaynor of England-I was going to play all the sweet roles. Whereupon, at the tender age of thirteen, I set upon the path of playing nothing but hookers.” -Ida Lupino   There are certain family names in Hollywood make you sit up and take notice. Today those names are the Fonda and the Bridges, Coppola and Sheen. It wasn't any different in the early days of Tinseltown. The names were different, but royalty was still royalty. Back then if you were a Barrymore than it caught people's attention, and if you were a Huston, then folks wanted to see what you had. For Ida Lupino, the family tree she grew out of was just as solid and sturdy as any in Hollywood, but the roots went deeper than most. She wasn't a Coppola or a Barrymore. She was a Lupino. And that name had a weight all of its own.    

Lady P, Martin Kessler, and Marya E. Gates continue the "A Year With Women" series with a special "Noirvember" episode. In today's Flixwise Favorites entry, the panel peers into the shadows that line the deserted highways in Ida Lupino's THE HITCH-HIKER. The film takes the viewer on a harrowing ride through the Baja California desert, as a pair of unassuming middle aged men are kidnapped by a wanted murderer and forced to help him flee the authorities. THE HITCH-HIKER is loaded with noir tropes: desolate landscapes, expressionist lighting, a creeping sense of dread, etc. However, there are lots of ways that the film breaks with custom and starts veering into other genres. The panelists talk about the ways that Lupino plays with noir conventions, as well as her depiction of post-WWII masculinity, and the way she uses Mexico to symbolize both exoticism and foreboding. Then, they also have a lengthy discussion about how THE HITCH-HIKER compares to Lupino's other great, but less-widely-seen noir, THE BIGAMIST.

En Berlín acaba de entregarse el Premio del Futuro 2014. Este recayó en un equipo que desarrolló un proceso para extraer las proteínas del lupino y creó un producto con múltiples usos para la industria alimentaria.

In this second installment of our ongoing series, The Many Loves of Howard Hughes, we explore the life, loves and work of Ida Lupino. Hughes dated Lupino when she was a teenage starlet; nearly 20 years later, after Lupino had become the only working female feature director in 1940s Hollywood, Hughes signed his ex-girlfriend’s production company to a deal at RKO. Hughes supported Lupino as a director, but also helped to kill off her second marriage. We’ll explore how Ida’s relationship with Hughes, and other men in her life, alternately enhanced her career and complicated it. Also: haunted houses, HUAC, The Twilight Zone, post-traumatic stress, polio, more shitty pettiness from Harry Cohn, more high-minded anti-Hollywood talk from Robert Rossellini, and much more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gerard Armbruster successfully teams up with Stetson Tudd over the speaker phone.

One of the only female directors of Hollywood's Golden Age, no one could coax more from actors or tell a story with greater economy than Ida Lupino. Her 1953 gem the Hitch-Hiker hooks you with the opening still and leaves you breathless and running scared for seventy perfectly polished minutes. Lupino rubs the sheen off violence to create a quasi-documentary vision of criminality striking at random the most remote corners of society. A profoundly unsettling film, it works above all on the male psyche, blowing wide open the post-war crisis of masculinity in a culture "up to its neck in IOU's." This podcast is brought to you by Clute and Edwards of www.noircast.net. To leave a comment on this episode, or make a donation to the podcast, please visit "Out of the Past: Investigating Film Noir" at outofthepast.libsyn.com/ Our program is available at these podcast sites: Rate this podcast @ DigitalPodcast.com Vote for this podcast at podcastalley.com If you already have iTunes 4.9 installed on your computer, click on the link below: Out of the Past--Free iTunes Subscription

Roy Plomley's castaway is comedian Lupino Lane. Luxury: Camera