Podcasts about feminist horror

Rachel and Matilda from the Zombie Grrlz Podcast Network join Caitlin to cover The Ugly Stepsister, an outstanding 2025 horror release from Norway. We talk about beauty standards, dance, fairy tales, and how no one wins under patriarchy. It's a great movie and a great discussion. Tangents include: physical media, a WYR and some FMKs, first movies, VHS tapes, first books, Santa Claus, horror movies with muppets, and pride horror recs.

The Juno Award-winning musician thought he could write a book, so he did. In Try Hard, Max Kerman gets into the nuts and bolts of building a musical career; from a “Victorian Psycho” to a family of cannibals, Montreal-based multidisciplinary artist Arizona O'Neill shares her favourite horror titles; and three “must-read” historical novels about women artists on this episode of The Next Chapter.

Is Nosferatu a cautionary tale about repression, or an empowering story of feminine defiance? Let's dive into this gothic nightmare and uncover the terrifying truths behind the fiction.Robert Eggers' Nosferatu (2024) is a chilling reflection of historical oppression, medical horror, and the fear of feminine autonomy. The film's eerie atmosphere, psychological terror, and feminist themes connect directly to the real-life history of how women were controlled, misdiagnosed, and silenced in the 19th century.The Ghouls explore Nosferatu through both film analysis and historical context—examining how the gothic horror of Count Orlok reflects societal fears of independent women, medical oppression, and patriarchal control. From Ellen's supernatural descent to the real-world horrors of hysteria diagnoses, forced medical treatments, and the suppression of female autonomy, Nosferatu becomes a terrifying metaphor for historical and systemic abuse.

What is elevated horror? And what does it have to do with the rise of horror movies tackling topics around women and #MeToo? In this classic, we unearth the drama behind the term and give some rapid fire examples.See omnystudio.com/listener for privacy information.

Hey Horror Fans!This week on Mostly Horror, we welcome back the incredible CJ Leede, author of Maeve Fly and now American Rapture.In this conversation we dive deep into the timely themes of her latest work—a novel that explores the raw and terrifying consequences of political and social powers and pressures, especially as they impact women.The conversation couldn't have come at a more potent moment, with Donald Trump's recent, stomach-churning victory in the 2024 election casting a shadow over rights and freedoms.We chat with CJ about everything from the dangers of groupthink to the ongoing battle for women's bodily autonomy. Using a global, sex-crazed zombie virus outbreak as a metaphor, American Rapture tackles issues of consent, agency, and the dissection of toxic religious beliefs and systems. CJ's knack for intertwining internal horror with searing social commentary makes her a master of the genre, and we can't wait to dig into this latest work and more of what's to come from her remarkable mind.Its a fun and important conversation you won't want to miss so...Come Hang Out!!!Follow Us on Social Media:Instagram & Threads: @mostlyhorrorpodTikTok & Twitter/X: @mostlyhorrorSteve: @stevenisaverage on all socialsSean: @hypocrite.ink on IG/TikTok, @hypocriteink on Twitter/XEnjoy this episode? Don't forget to subscribe, rate and leave a review on your favorite podcast platform! For early Access and ad-free episodes, subscribe on Wondery+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rachel and Matilda from the Zombie Grrlz Podcast Network join Caitlin to cover The Substance, a new body horror movie from Coralie Fargeat. We talk about beauty standards, the dual self, self care vs self loathing, patriarchy, and more. It's a dense, stylized, vulnerable movie with lots to talk about. Tangents include: movies and shows that surprised us, health drinks, Terrifier, eating like no one is watching, French extremity horror, Halloween watches, HBO docuseries, and our love for one another.

Brea and Mallory discuss all the different types of fantasy, test out a book pillow, and recommend feminist horror that isn't gory. Email us at readingglassespodcast at gmail dot com!Reading Glasses MerchRecommendations StoreSponsors -Miracle Madewww.trymiracle.com/GLASSESCODE: GLASSESLinks -Reading Glasses Facebook GroupReading Glasses Goodreads GroupAmazon Wish ListNewsletterLibro.fmReading PillowTo join our Slack channel, email us proof of your Reading-Glasses-supporting Maximum Fun membership!Mallory's Book!Brea's Movie Podcast!Books Mentioned - Your Lonely Nights Are Over by Adam SassThis Wretched Valley by Jenny KieferPerdido Street Station by China MievilleThe Haunting of Velkwood by Gwendolyn KisteVenCo by Cherie Dimaline

I had the honor of interviewing writer, director, producer, actress, and film festival organizer Heidi Honeycutt. Heidi discusses her new book I Spit On Your Celluloid: The History of Women Directing Horror Movies, which is available for pre-order from Headpress Books. We talk about the making of Heidi's book, including her inspiration, her impressive research, and her findings. We also talk about how she became a horror fan, feminism in horror in general, lost films, and our shared love of films and filmmaking. Heidi is so knowledgeable and passionate; I can't wait to get my hands on the book. Find her on instagram at @honeycuttheidi to stay updated about her projects. 

Womanhood and werewolf transformations: who knew these subjects could work together to tell a scarily accurate depiction of what it's like to be a girl coming of age? The answer is director John Fawcett and writer Karen Walton, in the 2000 Canadian horror-fantasy film, Ginger Snaps. Bite into this flick with myself, Shandra, and special guest host Kim, in Episode 43!Support the showAlso, don't forget to check out the podcast's new fantastical intro song from our friends in Next Stop: Cosmos. Please be sure to check out all of their socials, give them a follow, and lots of support! It means a lot that they are now apart of our fantasy family.

It's been a while since I've shared a solo episode, but I wanted to chat a little bit about my recent bilateral salpingectomy, in case any other folks out there had questions or wanted to learn more about the procedure. This is always something I've wanted for myself, and it means even more now post-Roe. Take charge of your bodily autonomy and reproductive health in the ways that work best for you, and support your fellow people in what works for them. Thanks for listening! 

Film critic Christina Newland joins Anna to discuss Charles Laughton's sole directorial effort, the fairytale horror masterpiece The Night of the Hunter (1955). PS: There's a little bit of background noise in the first five minutes that couldn't be removed.   Catch-up with the films we're covering on our Letterboxd.Produced and presented by Anna Bogutskaya. ***Music: "Erebus" by Karl Casey @ White Bat Audio.***The Final Girls is a weekly podcast exploring the history of horror film.→ Find out more about our projects here: thefinalgirls.co.uk→ Listen to our weekly horror film podcast.→ Follow us on Twitter and Instagram.→ Support us on Patreon for bonus content. 

Colleen and Maddie join Caitlin to assign "big three" astrological placements to popular horror characters. Three queer, horror-obsesed women talking about astrology, boygenius, and doms/subs? Groundbreaking! But hey. It's FUN. We have a great time, and we make strong cases for our designations. Characters covered on this episode: Carrie White from Carrie, Nina from Black Swan, Amy Dunne from Gone Girl, Jennifer Check from Jennifer's Body, Thomasin from the Witch, Rose from Get Out, Jay from It Follows, Justine from Raw, Maxine from X, Dani from Midsommar, and Norman Bates from Psycho. We'll definitelydo another episode to cover more horror chracters. Tangents include: famous bottoms of history, towers vs bunkers, utensils, senior yearbook photos, farm chores, mascots, Maddie's hoarded memes, and more!  

Charlie and Matt join Caitlin to talk about Huesera, a recent Mexican-Peruvian horror movie that features a new take on the monstrous motherhood trope. We explore themes around identity and family, and we look at motifs regarding spiders, ritual, and religion. Definitely worth a watch. Forgive our many bone(r) jokes and our exaggerated pronunciation. Tangents include: the Virgin of Guadalupe, cool aunts, La Milpa, Christmas lights, Christmas trees, movie sequels, cereal, desserts, soccer (el futbol, as we deftly clarify), weird dreams, signs we'd been taken over by a pod person, sleep styles, and an FMK for comfort items. Shoutout to our buddy Golob, who was named dropped a few times. Nobody puts baby in the refrigerator!

Victor joins Caitlin to cover Birth/Rebirth, a 2023 monstrous-motherhood interpretation of Frankenstein. It's an impressive film about grief, scientific curiosity, and the different ways people experience motherhood. Even more impressive: this was director Laura Moss' debut film. Well done! Sitting very high in the 2023 horror rankings. Tangents include: trivia, Reddit, Thanksgiving foods and traditions, phone numbers, fantasy spending, Purge Night crimes, phobias/fears, going up the stairs on all fours (suck it, Zach and Charlie), produce selection, sports criteria, chain restaurants, and thievery.

In this feminist horror film, Jonny's otherness stands besides just being Black and queer. Join Avery in this non-spoiler discussion of the symbolism of blood in horror, the strongest elements of the film, and the context of a Black protagonist in the Shudder original Perpetrator . Support Palestine SubStack Newsletter⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Guest Form⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitte⁠r⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠|⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠20% OFF FANGORIA⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠URHorror Merch⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/urhorrorpodcast/support

Charlie and Zach join Caitlin to cover 2023's Piglady. We dedicate this episode to our good friend Sarah, who loves pigs. (We love you, Sarah!) Piglady is a monstrous femme figure, and... that's about all we can really say. Tune in to hear Zach make a case for the movie, while Charlie and Caitlin go hard on the critique. Tangents include: murder pigs, guinea pigs, Peppa Pig, pork in general, bacon in particular, cryptid movies, pets, "deers," costumes, tortoises, the reptile expo, and "the people's eyebrow." Also, Charlie throws down a serious accusation: that Caitlin is NOT a "girls' girl." Tune in to Skin of a Killer Podcast to make a true determination. Sweet with the skeet, brah!

Nick welcomes journalist/writer/producer/host/filmmaker Amy Guth to the podcast to talk about her latest adventures in Hollywood, the recent gig she had as a "visiting scholar" at Washington College, submitting her short film about Elvis to film fests nationwide, and her attempt to watch 30 horror movies in the month of October (while trying to find the elusive 'feminist horror film'), and how casual dressing in L.A. is ALOT different than casual dressing in Chicago. Then, Esmeralda Leon and Nick bust out the classic "Scary Sounds" CD, say hello to Count Fartula, and discuss the fantastic technology of the past like CED Video Discs and screen magnifiers for console TV units. [Ep183]

Joe and Graham from Films at First Sight join Caitlin to cover 1999's Audition. Takashi Miike is a memorable director, and Audition is an unforgettable movie. Some view it as a feminist take on revenge; others view at as misogyny put to screen. Regardless of where you land, we can all agree that Asami is an iconic figure within the monstrous feminine and that Audition is damn scary. We expound on the film's themes of love, loneliness, depravity, and surrealism, and we like that we've grown to see the movie with new eyes. And we can't believe Joe's parents watched it. Tangents include: Joe's 40th, hair cuts, the "male loneliness epidemic," mojo dojo casa houses, rock stars, TV, sandwiches, morning vs night showers, choppable toes, crackers, and Daphne du Maurier. Full review starts around 25:30.

Colleen and Maddie join Caitlin to cover 2022's Torn Hearts. Torn Hearts is a great look at the complexities in women's friendships, especially the competition therein. We get a wonderful monstrous femme villain (some would say "psychobiddy") in Katy Sagal, but we remember that, ultimately, the real villain is patriarchy. Also, what a unique setting for a horror movie! We don't get a lot of Nashville/country music horror. Tangents include: bangs, nightmares, drinks, weapons we have stored around our homes, music, PDFs, bachelorette parties, weddings, colors, D&D, movie settings, and how my camera roll proves that I am obsessed with both Maddie and Colleen.

No book has ever made me so painfully aware of my nipples as Katrina Monroe's The Graveyard of Lost Children. And I won't ever have to breastfeed. Katrina's novel is a full-treatment of the horrors involved in motherhood. Yes there is love, but there is also social pressure, paranoia, loneliness and chafing! And that's before we even get to the spectral Black-Haired Woman who haunts the unlucky mothers of Katrina's second novel. Parenting horror has seen a lot of great titles in recent years, but this may be my favourite.In this episode we talk about changeling lore, about asylums, about the motif and metaphor of wells, and the creepiest mental health condition i've ever heard of.And I guarantee this is the only horror lit podcast of the week to feature the phrase “stool sample.”Enjoy!The Graveyard of Lost Children was published on May 9th by Poison Pen PressLink to The Burning of Bridget ClearyOther books mentioned in this episode include: They Drown our Daughters (2022), by Katrina MonroeIf We Were Villains (2017), by M. L. RioSuch a Pretty Smile (2022), by Kristi DeMeesterThe Good People (2016), by Hannah KentLast to Leave the Room (forthcoming 2023), by Caitlin StarlingSupport Talking Scared on PatreonCome talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

Bob, Randy, and Soju from the Straight Chilling Podcast join Caitlin to review The Stepford Wives (2004). We dig into gender roles, patriarchy, book vs movie comparisons, and behind-the-scenes trivia. We take an unfortunate look at the "trad wife" and Quiverfull movements, but somehow have a blast talking about even the grimmest topics. Tangents include Tom Cruise, horror movie memorabilia, unpopular food opinions, horror TV, anthology horror, and animals. Stick around until the end to hear the Straight Chilling freestyle remix to the Plug It Up theme song, graciously delivered by Bob from episode 415 of Straight Chilling. Love my Stepford husbands. Check out Straight Chilling wherever you get your podcasts! And the book I mentioned is Quiverfull: Inside the Christian Patriarchy Movement by Kathryn Joyce, if you're interested in learning more and getting truly scared.

Source: uInterview

Long time friend Danny joins Caitlin to cover 2014's A Girl Walks Home Alone at Night. It's a feminist favorite, and it uses vampirism to explore addiction and subversion. It also has a killer soundtrack. Who wouldn't love a black-and-white movie about a chador-wearing, skateboarding vampire who stalks bad guys and plays good music? We also talk about what's going on Iran currently, and we have a lot of fun with the fan-submitted questions. Thanks, as always, for sending those in! 

A new mini-series dedicated to the influential book by Kier-la Janisse, House of Psychotic Women. Filmmaker Prano Bailey-Bond (Censor), joins Anna to discuss the haunting Let's Scare Jessica to Death, the impact it had on the making of Censor and the legacy of the book. → Watch all the films featured in the book HERE.→ Buy the expanded edition of House of Psychotic Women HERE. → Attend the Matchbox Cine UK-wide tour HERE.Produced and presented by Anna Bogutskaya***Music: "Prince of Darkness" by Karl Casey @ White Bat Audio***The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.→ Find out more about our projects here: thefinalgirls.co.uk→ Follow us on Twitter, Instagram and Facebook.→ Support us on Patreon.

Beth Golay's conversation with Ainsley Hogarth about the multiple perspectives of motherhood, the efforts women make to protect their families, and why the horror genre shouldn't be overlooked.

Time to get weird and wiggy and wondrous.Our guest this week is Zin E. Rocklyn, author of many short fictions, and her (very) recently award-winning novella Flowers for the Sea.It's an afro-speculative blend of science fiction, horror, fantasy, myth, dystopia, pre-history and apocalypse – all confined to a single boat in a big, bad ocean, and all told within 100 pages.Phew – it's dense!Zin and I cover a lot this week. We barrel through her the twin crises of reproductive rights and climate change – and look at how inequality is a huge component of both. We talk about writing the body, evoking smell and how pain has many uses.That sounds dark. It is. But there is also light, including an unexpected reference to an old British sitcom, the juxtaposition of Zin and Hyacinth Bouquet made me laugh!!Enjoy this one.Flowers for the Sea was released October 2021, by Tor Other books mentioned in the episode include:We Are Here to Hurt Each Other (2022), by Paula D. AsheSpectral Hue (2019), by Craig L. GidneyNo Gods for Drowning (2022), by Hailey Piper“My Genre Makes a Monster of Me”, by Zin E. Rocklyn (2018) in Uncanny Magazine, 24 Support Talking Scared on Patreon Come talk books on Twitter @talkscaredpod, on Instagram, or email direct to talkingscaredpod@gmail.com Support the show

Zach and Charlie join Caitlin to cover Tragedy Girls, a horror comedy from 2017. It's got fun cameos, campy kills, and horror homages galore! We had a great time talking about it. We also got into prom talk and conspiracy corner. We needed a good laugh coming off of the awful news about Roe v Wade being overturned. Please consider donating to your local abortion fund. Keep fighting, and take care of yourselves. 

The bois discuss Men!

Mary returns to help Caitlin cover a controversial movie: 2008's Dead Girl. Some have pushed it away, considering it misogynist and repulsive, but both Mary and I think there's solid feminist messaging in this one, even if some scenes are hard to watch. We look at toxic masculinity, the ways class and sexism connect, and the illusion of "the nice guy." We also talk about the figure who originated the idea of creating a captive sex zombie: Jeffrey Dahmer. Creeps all around! Go, Dead Girl, go! Zombie chomp an incel. 

This week's episode couldn't have come at a more pertinent time. As women's reproductive rights come under assault in the US, as Roe V Wade gets rolled back and fat, sweaty men in suits make rules they will never have to obey – I'm joined by a writer who wrote a book about the cult of having babies.Anne Heltzel is the author of Just Like Mother, a contemporary Gothic techno-thriller about fertility, pressure, choice and cults. Okay, the real-world context may be heavy, but the book is a blast. It's both a surface-level thriller and a deep indictment of the way that modern life has got us all under pressure and running just to keep up.Anne and I talk about the creepiness of dolls, whether we give too much importance to twists, our shared experiences of feeling off-course in our twenties, and how everything, anything can be a cult if you just tweak it hard enough.Enjoy!Just Like Mother is published on May 17th by Tor Nightfire Other books mentioned in this episode include: In the Dream House (2019), by Carmen Maria MachadoRosemary's Baby (1967), by Ira LevinThe Seven Visitation of Sydney Burgess (2021), by Andy MarinoIt Rides a Pale Horse (2022), by Andy Marino You can download your free copy of Ash by Dan Soule from Amazon in your region until May 19th.  Support Talking Scared on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, and TikTok or email direct to talkingscaredpod@gmail.com Download Novellic on Google Play or Apple Store.Support the show

Als langjährige Trash-Lieberhaber*Innen haben Kim und Denise sich besonders auf die sechste Folge von Null Uhr Eins gefreut: Endlich dürfen die beiden dieses oft noch unterschätzte Prädikat feiern. Dazu bringt Denise den Film "Jennifer's Body" (2009) mit, der sich seit seines Releases vom Flop zum feministischen Kult-Trash-Klassiker gemausert hat. Sie stellt fest, dass Trash, Spaß und (feministischer) Anspruch sich nicht ausschließen müssen. Kim packt die 2014 erschienene Serie "Penny Dreadful" aus, die man als die bunt gemischte Kiosk-Tüte des Gothic-Horrors bezeichnen könnte. Frei nach dem Motto „Dr. Frankenstein, Dracula and Van Helsing walk into a bar…“ sprengt die Serie ikonische Settings und lädt in eine ziemlich unterhaltsame Parallel-Horrorwelt ein.Shownotes:https://www.dropbox.com/s/oehw36166y5io0p/%236%20Trash%20Shownotes.docx?dl=0

February's focus on the best new Women-in-Horror continues with Leon Craig and her debut collection, Parallel Hells. Leon is a North London writer with a globalised imagination. She's been published all over the place, but is also a member of the Future's in the Making, Queer writer's collective. That perspective is inescapable in this collection. Wherever her stories take us, from an Eastern European pogrom, to a Viking settlement, or a BDSM dungeon frequented by denizens of the underworld – Leon maintains an outsider's eye and a clear knowledge of the deliciously Gothic possibilities of Queerness.We talk Jewish folklore, emotional angst, mid-20s ennui, and the bright, healthy, happy side of sadomasochism. All that with some demonic-inflection and a good dose of the odd and downright weird. What's not to like?Enjoy!Parallel Hells is published February 17th by Sceptre Books.Support Talking Scared on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, and TikTok or email direct to talkingscaredpod@gmail.com Support the show (https://www.patreon.com/talkingscaredpod)

This week it's time for good girls and bad girls to unite.Our guest is Kristi DeMeester whose new novel, Such A Pretty Smile sinks its teeth deep into the raised hand of misogyny. It's a tale of violence and viciousness and vivid nightmares – and a whole new apparatus to explore the evils that men do. At this point I assume we've already weeded out the guys who roll their eyes at #metoo!? That's for the best cos this is a feminism-heavy week. We talk about how horror treats women, from monstering menstruation to imagining female puberty as a threshold into hell. Along the way we cover the awful concept of the ‘lesser' dead, the question of whether pretty girl privilege is a thing, and whether men really think women are too delicate to write such awful things. We also consider why dogs can be much scarier than wolves. This book started my year off right. Ambiguous, though-provoking, and ANGRY. Kristi is not f*cking around here. Enjoy!!Such a Pretty Smile is released January 18th by St Martin's Press.Support Talking Scared on Patreon - https://www.patreon.com/TalkingScaredPodCome talk books on Twitter @talkscaredpod, on Instagram, and TikTok or email direct to talkingscaredpod@gmail.com  Download Novellic on Google Play or Apple Store.Support the show (https://www.patreon.com/talkingscaredpod)

It's time for another bonus book episode! This month we read "The Science of Women in Horror" by Meg Hafdahl & Kelly Florence, the co-hosts of the Horror Rewind Podcast. This book is a great overview of a bunch of horror films and the impact they make on feminism and cinema within the horror genre. We discuss a few of the horror film tropes the book outlines including The Mother, The Final Girl, Sex, Hysteria, The Baby Sitter, Women in a Man's World, and Kick-ass women, and get a chance to dive into some iconic and memorable horror films including  "Jennifer's Body," "Ghostbusters," "GingerSnaps," "Prevenge" and much much more.Purchase "The Science of Women in Horror" hereWant to check out some of our favorite books? Check out our booklist Follow Us on Instagram @morethanamuse.podcast 

For this session we are joined by Hannah May Cumming and Emma Cogan, the founders of the queer feminist film collective, Monstrous Femme Films. The two open up about reclaiming the traditionally misogynist genre, finding healing in their art, and why the 70s are a worthy obsession. This interview is the perfect closer to our month-long dive into fear and horror and we know you're going to fall in love with these babes. Up first, Shawny and Jerms catch everyone up on the music they've been listening too. You won't be able to guess the surprise artist the two bond over. Promise.    Thank you for your likes, comments, subscribes, and 5-star reviews. Learn more by checking out our Recs and Resources Doc.  Listen to our playlist on Spotify.  We are in Feedspot's list of Top 45 Gay Podcasts!   Follow us on instagram and twitter:   @qbtpod   @mattyjerms   @shawnyboy   Big thanks to Momager Alie Kilts, Promo Babes Carlos Valle and Keana Marrero, and music contributions from Chanti Darling and Maarquii.

Casey from Bloody Good Horror joins Caitlin to talk about 1982's Slumber Party Massacre, a film that was written as a feminist parody of tropey horror. We talk sleepover traditions, Casey's life of crime as a toilet papering madman (just kidding, Casey), and period poops. Be sure to check out Casey's awesome art, and you can find us both on Bloody Good Horror every Friday.

Show Notes: Kris Rojas' Socials: Kris' Twitter: https://twitter.com/Rojawesome Hack or Slash: https://www.hackorslash.com/ Hack or Slash on Twitter: https://twitter.com/HackorSlash Who's There? Socials: Twitter: https://www.twitter.com/WhosTherePod Instagram: https://www.instagram.com/WhosTherePodcast Email: hello@whostherepodcast.com Website: https://www.whostherepodcast.com In this episode we discuss Kris' love of John Carpenter's Halloween, her thoughts on the recent remakes of Halloween and Black Christmas, and the scoop for everything that's coming up on her podcast Hack or Slash in the month of October. We also talk about living with PTSD, how that affects how Kris views certain horror movies, and more! Want to support the podcast? Check out more information here: https://anchor.fm/whostherepod/support --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/whostherepod/support

On this weeks episode host Ygraine chats with Aoife about feminist horror, what constitutes a horror as feminist and what the future of feminism in horror looks like. They discuss and dissect Scream (1996) directed by Wes Craven and Jennifer's Body (2009) directed by Karyn Kusama.

If we only rely on the people who are being disenfranchised to solve that disenfranchisement, then it will never change. In today’s episode we speak with Director and Filmmaker Jen McGowan whose recent feminist horror, Rustcreek was lauded by Harper’s Bazaar as being “Exactly What Hollywood Needs Right Now”. Jen is the founder of Glass Elevator, an international skill-sharing, networking, and jobs resource for professional women in film and television. The organization has over 4000 members and has been featured in Forbes as well as named Best in LA by LA weekly. In our conversation, Jen shares how she originally trained as an actor because she was good at it and enjoyed it, but realized that she didn’t find the working life of an actor fulfilling and decided to pursue directing in order to have a more active career. She worked her way up by starting out in production roles that are generally more open to women. Jen reflects on how it was only once she actively started pursuing directing that she realized she had never worked with a female cinematographer, sound engineer, or first assistant director in her working life. Later we discuss Glass Elevator and how it has helped women connect, and we hear some of the success stories of women who have found work through the platform. We also speak about the #MeToo movement and why disenfranchised people alone can’t solve disenfranchisement, the dominant culture needs to get onboard. For all this and much more, join us today! Learn more about your ad choices. Visit megaphone.fm/adchoices

One Missed Pod is back! This week Zack and Kelly are talking about the Takashi Miike J-horror modern classic Audition (1999). The two discuss the film's use of violence, mystery, and sexism, but are particularly drawn to the unreliable narrator and dreamlike aspects of the film.Spoilers abound throughout the entirety of the episode.Audition was previously covered by Alyssa Miller for her The Haunted and the Sick column and you may enjoy reading that, too: Untreated Post Traumatic Stress Disorder in Takashi Miike’s Audition.At the time of this episode's recording, Audition is available to stream on Shudder, Arrow-Player, Tubi, asiancrush, and MUBI. It is available on Blu-ray from Arrow Video.Reach your hosts at ZackLong@Scriptophobic.ca and KellyWarner@Scriptophobic.caThe next episode of One Missed Pod will focus on Shohei Imamura's Vengeance is Mine (1979), a film which is mentioned in passing during talk about Audition. Vengeance is Mine is on DVD and Blu-ray from Criterion and can be streamed on the Criterion Channel. 

In this episode I chatted with writer, director, and feminist horror professor at DePaul University Shayna Connelly. She told me about her lifelong obsession with ghosts and how that led to a career exploring grief and trauma and how these things show up in her films today. We talked a lot about her course and what films she shows (and won’t show) her students, and she also revealed her top 5 favorite feminist horror movies and defended why movies like The Invitation and Raw are feminist horror, too. Shayna’s Socials: Shayna’s Website: https://www.shaynaconnelly.com/ Twitter: https://www.twitter.com/ShaynaConnelly Instagram: https://www.instagram.com/shaynacon/ Who’s There? Socials: Twitter: https://www.twitter.com/WhosTherePod Instagram: https://www.instagram.com/WhosTherePodcast Email: Hello@whostherepodcast.com Website: https://www.whostherepodcast.com Want to support the podcast? Check out more information here: https://anchor.fm/whostherepod/support --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/whostherepod/support

This week the brilliant Valeska Griffiths joins the show to discuss an episode of Degrassi High: It Creeps, Feminist Horror, Teenage high school drama and the effect on expectations, impacts of consumerism and growth, LSD use, Ewan McGregor's penis and much much more. Please follow Valeksa on twitter @BitchcraftTO Also check out Anatomyofascream.com https://www.salemhorror.com/lectures Also you can reach the podcast: Email: Mail@momentsinmadness.com Twitter: @themadnessbox Theme song by the great Lynda Starr Twitter: @LyndaStarrMusic Some references for this episode: https://www.thecanadianencyclopedia.ca/en/article/degrassi Canadians Television; Text and Context published by WilFrid Laurier University Simulacra and Simulation (The Body, In Theory: Histories of Cultural Materialism) by Jean Baudrillard https://thewalrus.ca/teenage-dreams/ Media and the American Child by George Comstock --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Enjoy this short teaser episode for FEMINIST HORROR PRESENTS.This is just a taste, but you can subscribe to this podcast in your favorite podcast player here: pod.fan/feminist-horror-presents.

We're joined by Molly Henery who has her own website thebloggingbanshee.com to discuss Jennifer's Body (2009), Raw (2016) and Revenge (2017) and how these films replicate and comment on our experiences as women.

Screenwriter Stuart Wright talks with Seventh Row Executive Editor Orla Smith about 5 Themes In Feminist Horror. FEMALE MONSTERS: Carrie (dir. Brian de Palma, 1976) / Thelma (dir. Joachim Trier, 2017) FINAL GIRL(S): The Slumber Party Massacre (dir. Amy Holden Jones, 1982) / Black Christmas (dir. Sophia Takal, 2019) MOTHERHOOD: The Babadook (dir. Jennifer Kent, 2014) / Prevenge (dir. Alice Lowe, 2016) HOUSEWIVES REVOLTING: Bitch (dir. Marianna Palka, 2017) / Swallow (dir. Carlo Mirabella-Davis, 2019) GASLIGHTING: Unsane (dir. Steven Soderbergh, 2018) / The Invisible Man (dir. Leigh Whannell, 2020) Beyond Empowerment: Feminist Horror And The Struggle For Female Agency is out now as an ebook from https://seventh-row.com/ebooks/feminist-horror-ebook/ Seventh Row Podcast featuring more about Unsane at https://seventh-row.com/2019/10/28/ep-21-feminist-horror/ Credits Intro/Outro music is by Chris Read. For more see www.thecomposers.tv Podcast from www.britflicks.com You can support the @Britflicks podcast by pledging money via www.patreon.com/stuartwright and/or subscribing to it via iTunes

Episode 21 celebrates our new ebook, Beyond Empowertainment: Feminist Horror and the Struggle for Female Agency. In addition to discussing the films featured in the book, Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Editor at Large Mary Angela Rowe talk about what feminist horror is, the strengths of the horror genre, and the book's origins. For detailed show notes, please visit: seventh-row.com/2019/10/28/ep-21-feminist-horror/ Follow Seventh Row on Twitter, Instagram, and Facebook, and read our articles at seventh-row.com.

It's the first episode of our October Spooktacular! Kristen, Layne, and Wendy celebrate the beginning of the best month with a chat about monstrous women, creepy children, and that problematic motherfucker Edgar Allan Poe.

Olá, ouvintes! :D Neste programa, a fundadora e editora-chefe da Delirium Nerd Isabelle Simões, junto com as redatoras Jéssica Reinaldo, Ticiane Vitória e a convidada especial Michelle Henriques (do podcast Feito por Elas, do projeto Leia Mulheres e dos sites Feminist Horror e Cine Varda) conversam sobre a série "Objetos Cortantes", exibida pela HBO, em 2018. Com direção de Jean-Marc Vallée (Big Little Lies), a série é uma adaptação do primeiro livro publicado pela autora Gillian Flynn. Elas conversaram sobre a ambientação e a história da série, a complexidade da protagonista Camille Preaker, interpretada pela performance memorável da atriz Amy Adams, além de dicas de obras com a temática de mulheres assassinas. Ouçam! Observações: Este episódio foi gravado no final de 2018, por isso é mencionado ao longo do programa que a série (lançada em 2018) foi uma das melhores assistidas no ano passado. Também ocorreram alguns problemas técnicos durante essa gravação e pedimos desculpas pelo ocorrido! Comentem sobre o que acharam desse programa, deixem sugestões de pautas que vocês gostariam de ouvir nos próximos programas do Delirium Cast e compartilhem com as amigas e amigos nas redes sociais! APOIE O DELIRIUM CAST: https://apoia.se/delirium_nerd MENCIONADOS NESTE EPISÓDIO: [LIVRO] Objetos Cortantes [FILME] Monster - Desejo Assassino (2003), direção de Patty Jenkins [FILME] Carrie (1976), direção de Brian De Palma [LIVRO] Sempre Vivemos no Castelo, de Shirley Jackson [FILME] American Mary (2012), de Jen Soska e Sylvia Soska [LIVRO] A Garota Corvo, de Erik Axl Sund [SÉRIE] American Horror Story (2011 - ) [QUADRINHO] Sala Imaculada, com roteiro de Gail Simone [FILME] Prevenge (2016), direção da Alice Lowe CRÉDITOS: Pauta/Mediação: Isabelle Simões Imagem/Colagem: Jessica Bandeira Música: Ludovico Einaudi - Dietro casa (Todos os direitos reservados) FEEDBACK: contato@deliriumnerd.com

Hoje nós falaremos sobre Lois Weber, uma das primeiras diretoras da história do cinema. Na década de 1910, Lois Weber era considerada uma das mais importantes diretoras de cinema estadunidenses e foi a primeira mulher a dirigir um longa, a primeira a ser dona de um estúdio cinematográfico e a primeira (e por muitos anos única) a integrar o Sindicato dos Diretores nos EUA. Conversamos sobre Hypocrites (1915), Where Are My Children? (1916) e Discontent (1916). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd e Cineclube Delas. Não se esqueça de votar no Troféu Alice 2018 e nos ajudar a escolher as melhores profissionais do ano! https://goo.gl/forms/rtxGLD695U5xhJ273 Mais informações: http://anticast.com.br/2018/12/feitoporelas/feito-por-elas-64-lois-weber/ Feedback: contato@feitoporelas.com.br Edição: Felipe Ayres e Isabel Wittmann Pesquisa e pauta: Michelle Henriques e Isabel Wittmann Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Entre os dias 18 e 31 de outubro desse ano aconteceu a 42ª Mostra Internacional de Cinema de São Paulo. Nesse programa em formato drops vamos comentar um pouco sobre os filmes que nós assistimos, o que recomendamos, o que dá para passar e nossas experiências em geral, focando na presença feminina no cinema. O programa é apresentado por Isabel Wittmann do Estante da Sala e Michelle Henriques, do Leia Mulheres e Feminist Horror. Mais informações: http://anticast.com.br/2018/11/feitoporelas/drops-fpe-12-mostra-da-sao-paulo Feedback: contato@feitoporelas.com.br Edição: Isabel Wittmann e Felipe Ayres Pesquisa e pauta: Isabel Wittmann Arte da capa: Isabel Wittmann, sobre obra "The Chalkroom", de Laurie Anderson, utilizada no cartaz da Mostra Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Chegamos ao nosso terceiro programa especial Dia das Bruxas, dessa vez com os filmes The Love Witch (2016), de Anna Biller; Amores Canibais (The Bad Batch, 2016), de Ana Lily Amirpour e Vingança (Revenge, 2017), de Coralie Fargeat. O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Michelle Henriques, do Leia Mulheres e Feminist Horror. Mais informações: anticast.com.br/2018/10/feitoporelas/feito-por-elas-62-especial-dia-das-bruxas-2018 Feedback: contato@feitoporelas.com.br Edição: Isabel Wittmann e Felipe Ayres Pesquisa e pauta: Michelle Henriques e Isabel Wittmann Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

No programa de hoje vamos falar brevemente sobre o novo filme de Juliana Rojas e Marco Dutra, As Boas Maneiras, que une diversos gêneros (destacamos o terror e o musical) e aborda temas que são recorrentes na carreira de ambos, como a maternidade, a cidade e as relações trabalhistas. Junto com os nossos comentários sobre o filme também trazemos entrevistas com os diretores e com as atrizes Isabél Zuaa e Marjorie Estiano. O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e do Instagram Discos da Stê Raquel Gomes, do Cinematório e Moda Útil, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas. Mais informações: http://anticast.com.br/2018/06/feitoporelas/feito-por-elas-53-as-boas-maneiras/ Edição: Isabel Wittmann e Felipe Ayres Feedback: contato@feitoporelas.com.br Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

No programa de hoje nós conversamos sobre a atriz, diretora e escritora sino-norueguesa Liv Ullmann, destacando alguns filmes que dirigiu, especialmente Encontros Privados (Enskilda samtal, 1995), Infiel (Trolösa, 2000) e Miss Julie (2014). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Camila Vieira da Revista Sobrecinema. Mais informações: http://anticast.com.br/2018/05/feitoporelas/feito-por-elas-51-liv-ullmann/ Edição: Isabel Wittmann e Felipe Ayres Feedback: contato@feitoporelas.com.br Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

After yesterday's lengthy set-up about the role horror plays in our lives, especially extreme and disturbing horror, Matt revisits one of the few films to blind-side punch him and leave him shaken, Xavier Gens' Frontier(s). What he discovers is a well-crafted thriller with some feminist undertones, despite its relentless and unsettling onslaught of butchery. Part 2 of 2. If you have questions or are interested in weighing in, go to storytellermatt.com/contact.

No programa de hoje nós conversamos sobre a atriz, diretora, roteirista, compositora e cantora francesa Julie Delpy, especialmente sobre seus filmes Dois Dias Em Paris (2 Days in Paris, 2007), A Condessa (The Countess, 2009) e O Verão do Skylab (Le Skylab, 2011). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Camila Vieira do Sobrecinema. Mais informações: http://anticast.com.br/2018/05/feitoporelas/feito-por-elas-49-julie-delpy/ Edição: Felipe Ayres Feedback: contato@feitoporelas.com.br Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Hoje nós falaremos sobre a diretora e roteirista Laís Bodanzky e seus filmes Bicho de Sete Cabeças (2000), Chega de Saudade (2008) e Como Nossos Pais (2017). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas. Mais informações: http://anticast.com.br/2018/04/feitoporelas/feito-por-elas-48-lais-bodanzky/ Edição: Felipe Ayres Feedback: contato@feitoporelas.com.br Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Hoje nós falaremos da diretora, roteirista, montadora, fotógrafa e artista visual francesa Agnès Varda. O seu trabalho é constantemente rotulado como feminista, não só por suas protagonistas mulheres, mas também sua voz autoral distinta, que sempre busca retratar aqueles que estão em segundo plano na sociedade. Além do feminismo, outras características do seu trabalho são o realismo documental, mesmo nas ficções, a crítica social e a experimentação. Os filmes abordados são As Duas Faces da Felicidade (Le bonheur, 1965), Os Catadores e Eu (Les glaneurs et la glaneuse, 2000) e Visages Villages (2017). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror, Camila Vieira do Sobrecinema e Raquel Gomes, do Cinematório e Moda Útil. Edição: Felipe Ayres Feedback: contato@feitoporelas.com.br

No programa de hoje falaremos sobre a diretora, produra e roteirista estadunidense Kathryn Bigelow. Como sua filmografia extensa,optamos por falar de seus filmes mais recentes: Guerra ao Terror (The Hurt Locker, 2008), com o qual se tornou a 4ª mulher a ser indicada ao prêmio de direção no Oscar e a primeira e por enquanto única a vencer; A Hora Mais Escura (Zero Dark Thirty, 2012) e Detroit em Rebelião (Detroit, 2017). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do Cinematório e Instagram Discos da Ste e Michelle Henriques, do Leia Mulheres e Feminist Horror. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Atendendo a pedidos hoje nós faremos um programa sobre os seriados de televisão. Com uma oferta cada vez maior, na TV aberta, à cabo ou serviços de streaming, os seriados viraram reduto de histórias que muitas vezes não são abarcadas pelo cinema. Então faremos uma lista de indicações daqueles com boa representatividade feminina. O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Retornamos com mais um programa em formato drops, dessa vez entrevistando a cineasta Monica Demes, que já ganhou 12 prêmios por seu primeiro longa, O Despertar de Lilith (2016), incluindo o Festival de Belgrado e o de melhor diretora pelo GenreBlast Film Festival. O programa é apresentado por Stephania Amaral do Cinematório e do Instagram Discos da Stê e Michelle Henriques, do Leia Mulheres e do Feminist Horror. Edição: Stephania Amaral e Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Olá, ouvintes! Nessa programa fizemos a segunda edição do nosso especial de Dia das Bruxas, com os filmes O Mundo Odeia-me (The Hitch-Hiker, 1953), de Ida Lupino; O Cemitério Maldito (Pet Sematery, 1989), de Mary Lambert e Grave (2016), de Julia Ducournau. O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

No programa de hoje nós falaremos sobre a roteirista, produtora e diretora australiana Jocelyn Moorhouse, que costuma misturar drama com humor e cujos filmes, bastante leves, são majoritariamente centrados em mulheres Falaremos sobre A Prova (Proof, 1991), Colcha de Retalhos (How to Make an American Kilt, 1995) e A Vingança Está na Moda (The Dressmaker, 2015). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e com a convidada especial Priscila Armani do Podcast O Que Assistir. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Nesse episódio comentamos sobre a obra da cineasta portuguesa Rita Azevedo Gomes, que também trabalha com design gráfico e demonstra grande cuidado estético em seus filmes. Os escolhidos para o debate são O Som da Terra a Tremer (1990), Frágil Como o Mundo (2001) e A Vingança de Uma Mulher (2012). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror e Camila Vieira do Sobrecinema e Verberenas. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

Nesse podcast conversaremos sobre a atriz e cineasta libanesa Nadine Labaki e seus filmes Caramelo (Sukkar banat, 2007) e E Agora Onde Vamos? (Et maintenant on va où?, 2011), além do segmento O Milagre em Rio, Eu Te Amo (Rio, I Love You, 2014). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

No podcast de hoje conversamos sobre cineasta, produtora e roteirista estadunidense Sofia Coppola, cuja filmografia é inspirada pela moda e pela música, com uma estética bastante etérea. Seus filmes falam sobre não pertencimento, o controle sobre os corpos e sua performatividade, a falta de um lugar seu expressa no estranhamento dos outros, a tristeza, a falta de sentido e a busca de si. As obras comentadas foram As Virgens Suicidas (The Virgin Suicides, 1999) e O Estranho que Nós Amamos (The Beguiled, 2017). O programa é apresentado por Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Michelle Henriques, do Leia Mulheres e Feminist Horror, Camila Vieira do Sobrecinema e Verberenas e Samantha Brasil do Delirium Nerd, Sobre Elas e Cineclube Delas, além da convidada Rosana Íris. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares www.facebook.com/meylinhares.rc Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

We’re not talking about scream queens. We’re not talking about running through a Texas field in a soaking wet tanktop. We’re not talking about doing the dumbest fucking thing a human being could possibly do in a life-threatening situation. We’re talking about assertiveness, brains, and...okay, yeah, sometimes sociopathy. But you have to understand, it’s all a commentary on the patriarchy.  The patriarchy is the problem. It’s hurting all of us. It’s really just making us want to fish organs out of other people’s bodies.

Esse episódio é comemorativo: no dia 2 de julho chegamos ao nosso primeiro aniversário. Depois de 27 edições e 87 diretoras comentadas, fizemos uma retrospectiva conversando sobre os programas mais divertidos de gravar, os filmes que mais gostamos de ver ou rever e as diretoras que torcemos para conseguir abordar em breve. Também recebemos participações especiais de pessoas que nos apoiam mandando recadinhos. O programa é apresentado por Angélica Hellish do Masmorra Cast, Isabel Wittmann do Estante da Sala, Stephania Amaral do site homônimo e Instagram Discos da Ste, Camila Vieira do Sobrecinema e Verberenas, Samantha Brasil do Delirium Nerd, PartidA Feminista e Cineclube Delas e Michelle Henriques, do Leia Mulheres e Feminist Horror. Edição: Angélica Hellish Feedback: cinemafeitoporelas@gmail.com Arte da capa: Amanda Menezes www.behance.net/tupiguarana Vinheta: Mey Linhares Assine nosso Padrim www.padrim.com.br/feitoporelas Assine nosso Patreon www.patreon.com/feitoporelas

lá, ouvintes! Esse é um programa em formato novo. Toda vez que tivermos conteúdos extras, como entrevistas, comentários e todo tipo de material que não se encaixa em um programa de longa duração, faremos esse, em formato curtinho. Nesse primeiro episódio comentamos sobre o filme Mulher do Pai (2016), lançado em 22 de junho e vencedor dos prêmios de melhor direção, melhor atriz coadjuvante e melhor fotografia no Festival do Rio e do prêmio Abraccine na Mostra de São Paulo. Também fizemos uma entrevista com a diretora Cristiane Oliveira, que comenta diversos aspectos da produção. O programa é apresentado por Isabel Wittmann do Estante da Sala e Michelle Henriques, do Leia Mulheres e Feminist Horror. Edição: Felipe Ayres www.facebook.com/felipeayres Feedback: cinemafeitoporelas@gmail.com Vinheta: Mey Linhares Assine nosso Padrim: www.padrim.com.br/feitoporelas Assine nosso Patreon: patreon.com/feitoporelas

Today, while David is away, we play around with some themes! Feminist Horror, let's see how this goes!

Horror’s come a long way from the days of nubile, sexually wayward teenage girls being victimized and/or rescued by men. Strong female characters have become staples of the genre, thanks in part to a rise in female writers and directors, but likely just as much credit goes to an audience unwilling to accept ridiculous stereotypes. Today we are joined by Senior Feminist Correspondent Melissa Starker as we pay tribute to half dozen of the best feminism horror has to offer.