Podcasts about silent era

This week on NAFC, Gibbs finally catches up with The Pitt, Mox checks out Witch Hat Atelier, and Izzy somehow ties together cement pouring, The Boys, and the emotional damage of Now and Then, Here and There. Normal episode. Totally normal.The crew also squeezes in a quick review of Buffet Infinity before diving into The General (1926)—Buster Keaton's silent-era action-comedy classic, packed with train stunts, deadpan chaos, and the kind of practical filmmaking that makes modern CGI look like a screensaver.Support us on Patreon!

Today's episode spotlights Claudette Colbert, a genuine icon of cinema. Colbert's career traversed multiple eras in Hollywood: the Silent Era, the Pre-Code Era, and the Golden Age. To kick it off, we discuss what is widely considered one of the all-time greats, It Happened One Night. Claudette Colbert co-stars opposite Clark Gable in this genre-defining classic. Next, Claudette Colbert sinks her teeth into the 1939 screwball comedy, Midnight.Finally, Colbert co-starred with Louise Beavers in Imitation of Life, a 1934 film that explored race and identity. Let us know what your favorite Claudette Colbert film is! ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode, we step back into the footlights of early 20th century Black theatre and film to rediscover Andrew Stevens Bishop, a gifted stage actor and Oscar Micheaux film performers whose legacy has slipped into the shadows. Guided by a rare crayon portraiture and an equally rare real photo postcard from the Nanny Jack & Co Archives, we trace Bishop's journey across touring circuits, silent film sets, and the wider Bishop family lineage. This is a story of artistry, migration, and memory, illuminated once more under the stage lights. Research for this podcast was gleaned from the following sources: Aristocrats of Color: The Black Elite, 1880-1920 by Willard Gatewood (1990)Finding Charity's Folk: Enslaved and Free Black Women in Maryland by Jessica Millward (2015)A History of African American Theatre by Errol G. Hill and James Vernon Hatch (2003) Oscar Micheaux and His Circle: African American Filmmaking and Race Cinema of the Silent Era, edited by Charles Musser, Jane Marie Gaines, and Pearl Bowser (2016) Blacks in Black and White: A Source Book on Black Films by Henry T. Sampson (1995) Whiting Up: Whiteface Minstrels and Stage Europeans in African American Performance by Marvin McAllister (2011) To support the Artifactual Journey podcast, please subscribe through our Buy Me A Coffee page: Artifactual Journey is Podcasting

One thing I keep wishing for is silence. That Chad and Lori Daybell would finally stop talking. No more coded prison letters. No more jailhouse theology. No more attempts to rewrite history through spiritual language, legal filings, or appeals disguised as revelation. But since that silence isn't coming, this episode does something different. Lori Daybell isn't arguing innocence. She's arguing meaning. Through a stylized Silent-Era framework, a black-and-white world of title cards, shadow, and sacred certainty, we examine how a woman convicted of murder reframes accountability as persecution, procedure as oppression, and evidence as an attack on faith.Across five acts, we explore the heart of her claims:The disqualification of her attorney reframed as the silencing of a discipleCourt-ordered competency proceedings recast as exile and martyrdomReligious language treated as “faith on trial” rather than context for motiveAnd delay reframed not as preparation, but as betrayal. She called herself chosen. The jury called it proven.#LoriDaybell #ChadDaybell #DoomsdayMom #TyleeRyan #JJVallow #TammyDaybell #CharlesVallow #AlexCox #MelanieGibb #MelanieBoudreaux #ZulemaPastenes #MarkMeans #JamesArchibald #IdahoSupremeCourt #TrueCrime #CultCrimes #ProfilingEvil #SilentFilm #CourtroomDrama #JusticeForTyleeAndJJ========================================https://gamutpodcasts.com/show/gardensofevilinsidethezionsocietycult/========================================20% OFF Newspapers.comhttps://www.newspapers.com/go/podcast/?ref=profilingevil?xid=8877&utm_source=ProfilingEvilPodcast&utm_medium=podcst&utm_campaign=ProfilingEvil26========================================Email your questions to: ProfilingEvil@gmail.com========================================

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get ad-free episodes, early release, and bonus shows⁠ Has a listener given us a plausible explanation for spontaneous human combustion? Is the answer a giant invisible mantis shrimp? Which one of our favourite paranormal grifters would probably run with that theory? All this and more on our latest dive into the mailbag!We also talk about haunted hotels, fate, goodbyes from the other side, more boomer shooters, and that's just for starters. It gets weird. Again.Our musical guest on this episode is The Silent Era with "Vendetta (North Shore Weed Dealer Remix" from their upcoming remix EP, "Used And Reused And Abused"Beginning at 7pm on Friday, February 13th, The Silent Era will be performing at The Dev in Camden alongside World Coda, Black Horse Road, & Hades Labyrinth as part of We Only Come Out At Night... No. 4. Admission will be by donation, with proceeds going to the British Red Cross Gaza Crisis Appeal. For full shownotes, head to ⁠⁠GhostStoryGuys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Yahweh's Money, we're talking real faith, real caregiving, and real stewardship. I sat down with my father, Reverend Mitchell D. Tull Sr., to unpack the emotional, financial, and spiritual weight of supporting aging parents — especially when money wasn't openly discussed in their generation.From navigating the traditions of the Silent Era to coordinating long-term care, inheritance, and family obligations, we explore how caregiving becomes a ministry of obedience, sacrifice, and honor. Together, we talk about the faith required to support elderly parents, the financial realities of long-term care, and the importance of preparing the next generation with clarity instead of secrecy.You'll Discover:How secrecy around finances created generational gaps in knowledge, planning, and inheritance.Why prayer, obedience, and Scripture become essential tools for caregiving decisions (not just budgeting).From medical bills to emotional labor, how caregiving impacts finances, careers, and health — especially for the Sandwich Generation.How open communication protects families from confusion and conflict around wills, assets, and long-term care plans.Why Scripture frames caregiving as obedience and legacy, not just responsibility.Featured Scripture:1 Timothy 5:8 — “Anyone who does not provide for their relatives, and especially for their own household, has denied the faith and is worse than an unbeliever.”Action Step:This week, take one practical and spiritual step toward intergenerational financial clarity: • Research average assisted living or in-home care costs in your city • Review your parents' (or your own) long-term care plans • Spend time in prayer asking God for wisdom, provision, and peace as a caregiverSmall steps today make stewardship — not secrecy — the family legacy!Send us a text

In the Silent Era, before the existence of the Hays Code (and largely a cause for it), many female screenwriters wrote heroines who flouted the brazen sexual freedom of the new century, a specialty of Josephine “Jo” Lovett. Born in October 1877 in San Francisco Lovett would spend some time as a lead actress on the … Continue reading "Sexual Liberation 1920s Style: The Screenwriting Career of Josephine Lovett – Dr. Rosanne Welch, Script Magazine, December 2025" Related posts: From Missouri to Musicals: The Screenwriting Career of Dorothy Yost – Dr. Rosanne Welch, Script Magazine, November 2025 Lois Weber: More than a Writer-Director She's the Auteur Activist of Early Cinema – Dr. Rosanne Welch, Script Magazine, April 2025 Focused on Sin and Redemption Before the Hays Code: The Screenwriting Career of Alice D.G. Miller – Dr. Rosanne Welch, Script Magazine, September 2025

Forrest, Kristina Oakes, and Conan Neutron talk about Billy Wilder's Sunset Boulevard!! Starting off a month where we talk about Movies about Making MoviesSunset Boulevard examines the wreckage left behind by the transition from Silent Era pictures to the "Talkies" A failing screenwriter named Joe Gillis (William Holden) is found floating face down in a pool on Sunset Boulevard, beyond the grave he begins telling us his story..Struggling to make a living in Hollywood, Joe Gillis stashes his car which is about to be towed away in a random garage in the Hollywood Hills which ends up being the mansion of faded film star Norma Desmond (Gloria Swanson) and her butler Max (Erich Von Stroheim) Gillis begins working for Norma Desmond on a screenplay, and is slowly lured into her world of psychosis, delusion, codependency, and control. #sunset #sunsetboulevard #gloriaswanson #noir #normadesmond #silent #silentfilm #silentfilms #billywilder #williamholden #1950s #1950scinema #erichvonstroheim #classichollywood #hollywood #la #losangeles Forrest and Kristina are starting a new YouTube channel/show The Absurdity Space!! https://www.youtube.com/@UCa3LavkP9F_NxOnl0A2soXQ We are also streaming on @thisspacetv throw them a followJoin our discord: https://discord.gg/ZHU8W55pnhJoin our Patreon to get all our After Parties https://www.patreon.com/MovieNightExtraConan Neutron & the Secret Friends new noir inspired music video "A Villain of Circumstance" https://www.youtube.com/watch?v=qXjmjKzbTSI

Carl Theodore Dreyer's Vampyr If you dig deep enough, Cinema will unleash great treasures. The Silent Era ended in 1927 with the release of The Jazz Singer . . .  Movies would never be the same. A number of filmmakers would utilize the new technology in innovative, imaginitive, and groundbreaking ways. Fritz Lang's M comes to mind. Musicals became a reality and would astonish audiences. Storytellng became an entirely new artform. However the power of Silent Films would continue to be felt. Chaplin stubbornly held onto silence, while Karl Dane, Douglas Fairbanks Sr., and Emil Jannings would witness their star power dim sound emerged. Danish filmmaker, Carl Theodore Dreyer, would struggle throughout his career with complex material, however he would - years later - be recognized as one of the greatest filmmakers of all time. With Vampyr the struggle with the new technology is evident in its use in the film, however the brilliance in Dreyer's vision is in the visual. The images are haunting, disturbing, and - in many cases - unforgettable. Take a look at this Classic of World Cinema and enjoy one of the great works of the 20th Century. Take a listen as we bring you this powerful film. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com - Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

In this lesson, Pastor Tyler surveys the time period between the end of the Old Testament and the beginning of the New Testament. What this lesson shows is that although no prophets and no Scripture was being given this time, God was no idle, He was at work preparing the world stage for the sending of His Son and the spreading of the gospel to the ends of the earth. "For in the fulness of time, God sent for His Son" - Galatians 4:4

Sharpen your blade! This week on Enjoy Stuff we duel through the best sword fights in movie history, from Errol Flynn and Basil Rathbone to Luke Skywalker and The Bride. En garde and Enjoy Stuff! Whether you're swinging a wrapping paper tube, a sharp saber, or just a stick, we all love the romanticism of sword fighting. Let's look at the best ones in the movies.  News Discover magical new treats: Harry Potter Krispy Kremes    The new A Book of Dragons by Mike Witwer is now available   Teenage Mutant Ninja Turtles and Hello Kitty at McDonald's? Sounds like a match made in heaven   RIP Terrance Stamp   Check out our TeePublic store for some enjoyable swag and all the latest fashion trends What we're Enjoying Jay celebrates Texas Massacre Day (Aug 18) with a special screening of the 1974 horror classic The Texas Chain Saw Massacre. Shua dives into the fascinating world of Disney fandom with AJ Wolf's book Disney Adults     Sci-Fi Saturdays -  This week on Sci-Fi Saturdays Jay takes a look at Coherence (2014), a twisty tale that truly defines the meaning of “coherence,” both in its story and its theme. Read Jay's full breakdown on RetroZap.com. Also check out his latest work on MCULocationScout.com. Plus, you can tune in to SHIELD: Case Files where Jay and Shua talk about great stuff in the MCU. Enjoy Sword Fighting!  Sharpen your blade and tighten your grip! This week Jay and Shua celebrate the art of the sword fight, both in history and on the big screen. From legendary real-world figures like Miyamoto Musashi, Joan of Arc, and Julie d'Aubigny to Hollywood's masters of swashbuckling like Errol Flynn and Basil Rathbone, they slice into the roots of swordsmanship and how it translates into movie magic.   They look at the evolution of sword fights on screen:   Silent Era swashbucklers like The Mark of Zorro (1920) with Douglas Fairbanks   Golden Age Hollywood spectacle in The Adventures of Robin Hood   Post-War Realism in Japanese samurai cinema (Seven Samurai)   Modern Era duels ranging from Star Wars lightsabers to Game of Thrones brutality   Plus, they salute the fight choreographers who make it all possible, Nick Gillard, Bob Anderson, Donnie Yen and break down famous sword fighting techniques like the parry and riposte, feints, disarms, and Iaido precision strikes.   Finally, they take a tour through some of cinema's greatest sword battles:   The Princess Bride's witty duel   Rob Roy's brutal finale   Pirates of the Caribbean's rolling water wheel fight   Kill Bill's unforgettable Crazy 88 showdown   The operatic lightsaber clashes of Star Wars   And many more from Crouching Tiger, Hidden Dragon to The Lord of the Rings What makes a sword fight truly great? Choreography? Stakes? Cinematography? First person that emails me with the subject line, “En Garde!” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com 

The myth of Wyatt Earp ignited at the ascent of cinema, his alleged Old West exploits embellished on celluloid during the Silent Era so that he was a full-fledged American legend come the golden age of Hollywood. Earp westerns were such an established staple that Law and Order, the first movie to star a surrogate Wyatt, was already out in 1932. All the familiar elements were there - Tombstone, Doc Holliday, the gunfight at the O.K. Corral - but the names of the players were different. From fairly straight biographical retellings including The Arizonian and Dodge City to radical revisions like Sam Fuller's Forty Guns and Edward Dmytryk's Warlock, the "Wyatt Earp movie without Wyatt Earp" has developed into an obscure but crowded subgenre. Who could identify such a subgenre but artist/Old West historian David Lambert, returning to The Pink Smoke to share his thoughts on the cinematic legacy of the killin'est peace officer who ever lived. Why so many thinly-veiled adaptations of the gunfighter's printed legend? How do they stack up next to the official versions, like John Ford's My Darling Clementine? Come for a nice long dive into these and other inquiries, stay for Lambert's killer Andy Devine impression. Hey! Look! It's our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com The Pink Smoke on X: x.com/thepinksmoke John Cribbs on X: x.com/thelastmachine David Lambert on X: x.com/DavidLambertArt

More Entertainment News - Sesame Street on Netflix & The Not So Silent EraSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For years, women have been silent and had to deal with the hand they're dealt. In this episode, Adele highlights the fact that we are speaking out louder than any generation before us.

Today's episode spotlights Claudette Colbert, a genuine icon of cinema. Colbert's career traversed multiple eras in Hollywood: the Silent Era, the Pre-Code Era, and the Golden Age. To kick it off, we discuss what is widely considered one the of all-time greats, It Happened One Night. Claudette Colbert co-stars opposite Clark Gable in this genre-defining classic. Next, Claudette Colbert sinks her teeth into the 1939 screwball comedy, Midnight.Finally, Colbert co-starred with Louise Beavers in Imitation of Life, a 1934 film that explored race and identity. Let us know what your favorite Claudette Colbert film is! ❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

Today we're reviewing two films from a brutal, primitive time in humanity's past, when both politics and romance were conducted through violence: the early 20th Century! His Prehistoric Past (1914) and Clubs are Trump (1917) follow suspiciously similar plots in which Silent Era stars Charlie Chaplin, Harold Lloyd, and Snub Pollard dream of a simpler time when they could commit violent assaults unimpeded and sexually harass women. Get in touch with us: Bluesky: @sotsapodcast.bsky.social Facebook: @SotSAPodcast Letterboxd: https://letterboxd.com/sotsa/ Email: screensofthestoneage@gmail.com In this episode: Watch His Prehistoric Past (1914) on YouTube: https://www.youtube.com/watch?v=4iOVyT2rz6c Watch Clubs are Trump (1917) on YouTube: https://www.youtube.com/watch?v=-vJWimG0AOI Victorian Calling Cards: https://hobancards.com/blogs/thoughts-and-curiosities/calling-cards-and-visiting-cards-brief-history The Truth about “Caveman Courtship”: https://daily.jstor.org/the-truth-about-caveman-courtship/ Timeline of Human Fossil Discoveries: https://australian.museum/learn/science/human-evolution/a-timeline-of-fossil-discoveries/ Piltdown Man: https://www.sciencehistory.org/stories/magazine/the-problem-of-piltdown-man/ Archaeoraptor fossil hoax: https://www.cbc.ca/news/science/fake-dino-bird-explained-1.274812 Cheetah fossil hoax: https://evolutionnews.org/2023/06/fossil-friday-the-oldest-cheetah-was-yet-another-fraud/ The scientific hoax that rocked Japan: https://spyscape.com/article/the-man-who-forged-ancient-artifacts The Hays Code: https://www.npr.org/2008/08/08/93301189/remembering-hollywoods-hays-code-40-years-on Winnipeg 1920 exhibit at the Manitoba Museum: https://manitobamuseum.ca/step-into-the-past-winnipeg-1920/

Today we're reviewing two films from a brutal, primitive time in humanity's past, when both politics and romance were conducted through violence: the early 20th Century! His Prehistoric Past (1914) and Clubs are Trump (1917) follow suspiciously similar plots in which Silent Era stars Charlie Chaplin, Harold Lloyd, and Snub Pollard dream of a simpler time when they could commit violent assaults unimpeded and sexually harass women. Get in touch with us:Bluesky: @sotsapodcast.bsky.socialFacebook: @SotSAPodcastLetterboxd: https://letterboxd.com/sotsa/Email: screensofthestoneage@gmail.comIn this episode:Watch His Prehistoric Past (1914) on YouTube: https://www.youtube.com/watch?v=4iOVyT2rz6c Watch Clubs are Trump (1917) on YouTube: https://www.youtube.com/watch?v=-vJWimG0AOI Victorian Calling Cards: https://hobancards.com/blogs/thoughts-and-curiosities/calling-cards-and-visiting-cards-brief-history The Truth about “Caveman Courtship”: https://daily.jstor.org/the-truth-about-caveman-courtship/ Timeline of Human Fossil Discoveries: https://australian.museum/learn/science/human-evolution/a-timeline-of-fossil-discoveries/ Piltdown Man: https://www.sciencehistory.org/stories/magazine/the-problem-of-piltdown-man/ Archaeoraptor fossil hoax: https://www.cbc.ca/news/science/fake-dino-bird-explained-1.274812 Cheetah fossil hoax: https://evolutionnews.org/2023/06/fossil-friday-the-oldest-cheetah-was-yet-another-fraud/ The scientific hoax that rocked Japan: https://spyscape.com/article/the-man-who-forged-ancient-artifacts The Hays Code: https://www.npr.org/2008/08/08/93301189/remembering-hollywoods-hays-code-40-years-on Winnipeg 1920 exhibit at the Manitoba Museum: https://manitobamuseum.ca/step-into-the-past-winnipeg-1920/

An encore presentation of Peter Lorre's dive into the horrors of silent cinema! Revisit the unforgettable moments of this legendary actor's fight for eternal peace after Matthew and Vincent force him into a devil's bargain to review silent movies for a return to the afterlife! You'll relive all your favorite moments - Pierre the wily rodent! The beloved bucket of fish heads! The inexorable descent into madness!Marvel at Mr. Lorre's reviews of the following classics: The Phantom of the Opera (1925); The Mystic (1925, dir. Tod Browning); The Unknown (1927, dir. Tod Browning feat. Lon Chaney, Joan Crawford); He Who Gets Slapped (1921, dir. Victor Sjöström feat. Lon Chaney, Norma Shearer, John Gilbert); The Man Who Laughs (1928, feat. Conrad Veidt); The Golem: How He Came Into the World (1920, photography of Karl Freund); The Cabinet of Dr. Caligari (1920) feat. Conrad Veidt); Metropolis (1927, dir. Fritz Lang); Faust (1926, dir. F.W. Murnau); Dr. Jekyll and Mr. Hyde (1920, feat. John Barrymore); The Hunchback of Notre Dame (1923, feat. Lon Chaney); The Unholy Three (1925, dir. Tod Browning feat. Lon Chaney); The Lost World (1925, feat. Wallace Beery).Thrill in the audio glow of Mr. Lorre's famous filmography, with trailers for Mad Love; Casablanca; The Maltese Falcon; Invisible Agent; Trilogy of Terror; 20,000 Leagues Under the Sea; The Comedy of Terrors; The Raven (1963); and The Beast With Five Fingers.Thanks for joining us friends in this celebration of silent horror and the immortal Peter Lorre. We'll see you next time for the movie that inspired Gojira - The Beast from 20,000 Fathoms (1953) with special effects by Ray Harryhausen!If you enjoy the podcast, please leave a rating and review. Or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.Camp Kaiju: Monster Movie Podcast. Silent But Deadly: Monster Movies from the Silent Era (2024). Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced, written, and performed by Vincent S. Hannam. Additional performance by Joshua English Scrimshaw. © 2024 Vincent S. Hannam, All Rights Reserved.

To Neither Have Nor Hold - Tod Browning's The Unknown On this week's episode of WatchThis W/RickRamos, Mr. Chavez & I look back to 1927 for one of the great Actor/Director collaborations - Lon Chaney & Tod Browning. With The Unknown, Chaney & Browning would create one of the most disturbing and beautifully realized films of The Silent Era. Browning's years spent as a youth in circuses and carnivals would inform two of his most famous films (The Unknown and Freaks [1932]). Chaney's dedication to portraying a carnival performer without arms who falls in love with a young Joan Crawford, is a marvel of early cinema. It's a thrill to sit down and discuss this classic and dive into it's strange and troubling elements. It's a fun discussion. We hope you'll enjoy it. Take a listen and let us know what you think - gondoramos@yahoo.com. Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

MOVIE DISCUSSION: Marissa & Aaron Burt: At Home with the Lectionary Podcast / Marissa Burt Instagram & SubstackMarissa Burt & Kelsey McGinnis upcoming book: The Myth of Good Christian Parenting: How False Promises Betrayed a Generation of Evangelical FamiliesMarissa & Aaron Burt of the At Home with the Lectionary Podcast join Melvin to discuss The Unknown, a silent-era flick from classic horror director Todd Browning! This film has got it all: profound characters, incredible drama, twists and surprises, and so much more! Tune in now!Topics:(FREE PATREON EXCLUSIVE) 30-minutes discussing how Christian celebrity may differ from secular celebrity, the use-cases for Christian celebrity both for the individual and the masses, and the responsibility thrust upon celebrities in general. (FREE PATREON EXCLUSIVE)Marissa & Aaron Burt share about their podcast At Home with the Lectionary, where their inspiration came from, and then Marissa shares about her past fiction books and upcoming nonfiction book.Don't be fooled by The Unknown being a silent film: this film is disturbingly dense! So… why is it titled The Unknown?Todd Browning cleverly utilizes everything at his disposal to tell a complex, layered story about possession, power, and gender.The whole gang agrees: these characters are deeply resonant.Talking about arms, because we literally must!Ranting and raving about the brilliant twists and turns this story unveils.Discussing and interpreting the ending statement.Recommendations:Fantasy Island (TV-Series) (1977-1984)Invaders from Mars (Movie) (1986)Lark Rise to Candleford (TV-Series) (2008-2011)Luther (Movie) (2003)Call of Duty: Black Ops 6 (Video Game) (2024)MAILBAG: Send questions with your first name and we'll answer them in future episodes! Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

Who's the best resource for stories about flying monsters in Pennsylvania? Did A.I. actually get something right for a change? How did someone's loved one reach from beyond the grave? All that and more, plus heaps of spooky movie and nerd talk, on this week's mailbag show. Our musical guests on this episode are The Silent Era, with their single, "Oscillations" Mentioned On This Episode: "Big Bird! Modern Sightings of Flying Monsters", by Ken Gerhard [Barnes & Noble] Stan Gordon's UFO Anomalies Zone [stangordon.info] Full shownotes @ www.ghoststoryguys.com Learn more about your ad choices. Visit megaphone.fm/adchoices

I love Ozu. I tell you why for an hour in this first third of my 8pl8s: Ozu trilogy, covering the director's silent film era (1927 - 1936). SHARE THE SHOW WITH ALL YOUR BORN, BUT... FRIENDS & RATE 5 STARS ~ 8pl8s IG: https://www.instagram.com/8pl8s/

For Chris Marker, writing came before filmmaking. A decade after Marker's death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing La Jetée (1962). To celebrate the publication of the first English translation of Marker's early writings (published between 1948 and 1955), Steven Ungar, the editor of Chris Marker: Early Film Writings, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam Di Iorio in conversation.“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”—film theorist Roy ArmesChris Marker (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film La Jetée (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM Immemory to the multimedia digital platform Second Life.Steven Ungar is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including Critical Mass: Social Documentary in France from the Silent Era to the New Wave.Sally Shafto is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of The Zanzibar Films and the Dandies of May 1968, and her translations include Jean-Marie Staub and Danièle Huillet's Writings. She teaches at Framingham State University.Jean-Michel Frodon is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including The World of Jia Zhangke and Le Cinéma Français de la Nouvelle Vague a Nos Jours, and wrote the foreword to “Night and Fog”: A Film in History by Sylvie Lindeperg. Frodon blogs at Projection Publique.Sam Di Iorio is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for Screen, Trafic, Film Comment and the Criterion Collection. His essay “Comolli's Detours: Free Jazz, Film Theory, Cinéma Direct” is forthcoming with Amsterdam University Press. EPISODE REFERENCES AND RECOMMENDED READING:-André Bazin-Robert Cannon's Gerald McBoing-Boing-Alain Resnais-Agnès Varda-Jean Rouch-René Leibowitz-Joseph Rovan (born Joseph Adolph Rosenthal)-Nicole Védrès-Eternal Current Events (translated by Jackson B. Smith)-Le Dépays / Chris Marker-Camera Obscura piece by Ivan Cerecina translating Nicole Védrès's “Les feuilles bougent” (“The Leaves Are Stirring”) and an accompanying essay-Republic of Images / Alan Williams-Le Cinéma Français de la Nouvelle Vague a Nos Jours / Jean-Michel Frodon-The Fragile Present: Statues Also Die with Night and Fog by Sam Di Iorio; article in South Central Review.-Trafic N°105 (Printemps 2018), with article by Sam Di IorioMORE CHRIS MARKER:chrismarker.chGorgomancy.netThe Criterion ChannelChris Marker: Early Film Writings is available from University of Minnesota Press."One of the pleasures of Chris Marker's films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others' images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."—Chris Darke, author of La Jetée (BFI Film Classics)

Maybe Peter Pan adaptations are not meant to be box office hits. Don't think so? Listen to us go through an unsettling overview of Neverland disappointments as we circle PJ Hogan's critically celebrated but financially underwhelming PETER PAN. But reviews and dollars aside, how do we feel about this fourth PJ Party? Is it a rebound for Hogan, getting him back on both our good graces after his divisive previous movie? And what's the deal with those people freaking out about the movie's “adult” themes?TIMELINE00:01:26 The Biggest Pretend00:02:22 Real Talk00:51:00 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, our fifth Bogdanofilm takes us on another trip to the Silent Era of Hollywood, as we tackle the murder mystery THE CAT'S MEOW! Until then, let us know what you thought of 2003's Peter Pan: Should we give Pan adaptations a rest? Was PJ Hogan's approach too whimsical, or not whimsical enough? Does it make sense for people to be scandalized over the Peter/Wendy relationship? E-mail us at wearethecontrarians@gmail.com or tweet at us or facebook us and share your thoughts!

We use these fictional stories to highlight Hollywood’s transition from the Silent Era to Talkies. The Jazz Singer (1927) comes up as well. The post A038: The Artist (2011) & Singin’ in the Rain (1952) appeared first on .

Shh! This week Ian, Daniel, and guest Bryson explore the silent era of the 1920s. We take a lot at some of the film industries foundations and why they still work a century later. So pick up your cane and bowler hat, and listen! Metropolis - 6:00 Cabinet of Dr. Caligari - 20:00 Safety Last - 30:30 Nosferatu - 45:00 The Golem - 1:00:00 The Gold Rush - 1:14:00

Not everyone is aware that Hitchcock actually started making movies all the way back in Britain's 1920s silent era. Now that we've watched all of those films (that are available, anyway), we take a look back and think about what we've learned. What takeaways can we glean, not just about Hitchcock, but about the film industry in general, and–dare we say–ourselves? We discuss! Also, Josh recommends Peaky Blinders on Netflix, and Ira recommends Andor on Disney+. (note: for anyone listening along as we publish these, this CRF was actually recorded back in August of 2023, last year--so, some of the personal updates are a little outdated at this point)

To round off Laurel and Hardy's silent era, Patrick invites classic comedy expert Chris Seguin back to take one last look at the whole canon. Join us for a fascinating and fun discussion covering all the boys' films, from The Lucky Dog to Angora Love. For more exclusive content and benefits from The Laurel & Hardy Podcast, sign up to show your support and become a Patron by clicking the link here: ⁠⁠https://patreon.com/user?u=88010194⁠⁠ To subscribe to the all-new Laurel & Hardy Magazine, and for all the back episodes of the Podcast and Patrick's forthcoming series of books starting with Laurel & Hardy: Silents, visit the website at ⁠⁠www.laurelandhardyfilms.com⁠⁠ To contact Patrick, email ⁠⁠theboys@laurelandhardyfilms.com⁠⁠ If you'd like to leave feedback about the podcast, make a point, ask a question, or generally join in the discussions about the podcast and all other things Laurel and Hardy related, why not become an official Blog-Head by joining the Blog-Heads Facebook Group here: ⁠⁠https://www.facebook.com/groups/2920310948018755⁠⁠ To purchase CDs of the Beau Hunks Orchestra's music contained in these podcasts, click here: ⁠⁠https://amzn.to/2CgeCbK⁠⁠ To find the best Laurel and Hardy books and DVDs and Blu-Rays, visit The Laurel & Hardy Podcast's Amazon storefront, click here: ⁠⁠https://www.amazon.co.uk/shop/laurelandhardyblog⁠⁠

How Would Lubitsch Do It returns for a fourth season! It's an exciting time for Ernst Lubitsch and, therefore, the podcast: this season, we'll be covering the years between the introduction of synchronized sound in Hollywood and the establishment of the Production Code Administration in 1934. Ahead of us lie the years of Lubitsch's greatest influence in Hollywood: by the end of this season, he'll have gone from a prominent silent film director to being the first (and only!) director to have ever been given the reins of a major Hollywood studio. In between lie many of his greatest and most celebrated works. Aside from our film-by-film coverage of Lubitsch's work in this period, this season will feature a number of experts in the field of early sound cinema who have lent their time and knowledge so as to help paint a clearer picture of the evolving state of both technology and artistry in Hollywood cinema throughout this era. The first of these guests is Patrick Keating, professor of Communication at Trinity University and author of Hollywood Lighting from the Silent Era to Film Noir as well as The Dynamic Frame: Camera Movement in Classical Hollywood, among others. In this episode, Patrick and I discuss the history and ideology of early camera movement: why do directors choose to move, and how do they theorize the motivations behind this movement? We also discuss the dimensions of visible labor behind camera operation, the many differences between dollies, cranes, gimbals, and steadicams, aspect ratio shifts, and the many misconceptions floating around regarding early film camera movement. Edited by Griffin Sheel. NEXT WEEK: Ursinus College professor Jennifer Fleeger joins us to discuss THE LOVE PARADE. For details as to where to find this film, check out our resources page. WORKS CITED: Hollywood Lighting from the Silent Era to Film Noir by Patrick Keating The Dynamic Frame: Camera Movement in Classical Hollywood by Patrick Keating

Ep 179 is loose and we're heading to the bright lights of Tinseltown to find out what happened to silent film director William Desmond Taylor?Who would want this famous director dead? Who was hiding secrets? And should we all hire cake-based assistants?The secret ingredient is...Hollywood!Get cocktails and historic true crime tales every week with The Poisoners' Cabinet. Listen to the Podcast on iTunes, Spotify and find us on Acast: https://shows.acast.com/thepoisonerscabinet Join us Patreon: https://www.patreon.com/thepoisonerscabinet Find us on TikTok: https://www.tiktok.com/@thepoisonerscabinet Follow us on Instagram: https://www.instagram.com/thepoisonerscabinet/ Find us on Facebook: https://www.facebook.com/ThePoisonersCabinet Talk on Twitter: https://twitter.com/thepoisonerscabSources this week include Silent Era, WilliamDesmondTaylor.co, Medium, History.com, Irish Central, A Deed of Death by Robert Giroux, The Guardian, and archive interviews with Mary Miles Minter Hosted on Acast. See acast.com/privacy for more information.

In this episode, we shall look into five films of the silent era. Three of these films are now unfortunately lost: Robbing Cleopatra's Tomb (Cléopâtre) (1899), The Mummy (1911), and The Fool and Death (Narr und Tod) (1920).The other two films, survive to this day, Die Augen der Mumie Ma (1918), and Egyptian Melodies (1931), a Disney film which although not technically a silent film, is relevant nonetheless.Email: mummymoviepodcast@gmail.comBibliographyAlcott, L. M. (1869). Lost in a Pyramid, or the Mummy's Curse. Lindhardt og Ringhof. Davidson, P (producer), Lubitch, E (Director). (1918). Die Augen der Mumie Ma. PAGU Disney, W (Producer), Jackson, W (Director). (1931) Egyptian melodies. Walt Disney Productions. Guran, P (2007). The Mummy. In Joshi, S. T. (ed.). Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares (Vol 1). Greenwood Press. p. 389 Gautier, T (1840). The Mummy's Foot. Hearn, L (Trans). Retrieved from https://www.gutenberg.org/files/22662/22662-h/22662-h.htm IMDB. (2023). The Mummy 1911. Retrieved from https://www.imdb.com/?ref_=nv_home Poe, E. A. (1845). Some words with a mummy. Read Books Ltd. Hosted on Acast. See acast.com/privacy for more information.

I've seen a lot of people on my YouTube explore page talk about their experience with a dopamine detox. As someone who is EXTREMELY addicted to their phone right now, I'm looking into trying that soon.

Our first silent film! This week Victoria and Sally watched Buster Keaton's genre-blending feature film THE GENERAL. Though Keaton unfortunately casts the Confederacy as the heroes, that's literally the ONLY thing wrong with this movie.Follow the Show @freshmoviepod Email the Show abreathoffreshmovie@gmail.comVictoria on Letterboxd: https://letterboxd.com/vicrohar/Chelsea on Letterboxd: https://letterboxd.com/chelseathepope/Show Art by Cecily Brown Theme Music "A Movie I'd Like to See"Arranged & Performed by Katrina EresmanWritten by Al HarleyYouTube Channel Shop the Store: http://tee.pub/lic/bvHvK3HNFhk

"Jeanne Dielman should be on Chopped." This week kicks off a new ongoing series where Cole and Zach discuss the top 100 movies in the 2022 Sight & Sound Greatest Films of All Time poll, beginning with the one and only, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles. Join us as we take a trip back in time to discuss not only Chantal Akerman's revolutionary slow cinema masterpiece, but also some of the masterworks from a century ago, such as Cabiria, Pandora's Box and Die Nibelungen, as we unpack some of our favorite "deep cuts" from the silent era!

Some of the most enduring images of film ever conjured—not just of the Silent Era, but of all time— appear as a result of the vivid expressionism manifested in the oeuvre of Weimar Germany's leading director, F.W. Murnau. The man who's name is now associated some of the most important restoration efforts ever undertaken, had both an incalculable impact upon the filmmaking world in his time, as well as into today. Even if you've never seen a Murnau film before, it's almost impossible to not have come across some of the iconic imagery sprung from his brief yet unrivaled time working in the industry. His name is associated with some of the most acknowledged greatest films of all time, working in both Germany and America in the 1920s, and pioneering the medium with every new film. This episode marks our foray into the important directors of Weimar Cinema, the individuals with an even greater prestige than the actors with whom they worked so consistently. Murnau may have been the most influential of them all, despite an untimely end to his life and career in tandem with the foreclosure of Silent Film as a whole.The Life and Career of F.W. Murnau: 00:00-45:58Der brennende Acker/The Burning Soil (1922): 45:59-1:06:43Many thanks to Graham Austin and Jack Davenport for the creation of our beautiful logo art and theme music respectively.

The Tokyo stock market reaches a 15-month high and domestic airlines stoke demand with cut-rate fares this spring. Meanwhile, 32% of women in Japan are said to have considered switching jobs due the gender gap at work, while one a young actress has accused a lawyer of being guilty of the very same thing he is fighting: sexual harassment. And with today being International Women's Day, films and documentaries at the National Film Archive of Japan celebrate “Women Who Made Japanese Cinema” from the Silent Era through to the 1960s. — Get in touch: notebook.podcast@gmail.com Leave a message: speakpipe.com/notebook Instagram: @notebook_pod Twitter: @notebook_pod — Learn more about your ad choices. Visit megaphone.fm/adchoices

To kick off a new series of episodes that will give an overview of the history of the western genre, Alex and Jonathan start off by talking about three early western films from the pre-sound era: The Testing Block (1920), Sky High (1922), and The Iron Horse (1924). We discuss the development of both the themes and the action of the western genre, how the early westerns lacked many of the common tropes we expect in westerns today, and how John Ford set himself apart early as one of the great western directors. Skip to: (19:34) – The Testing Block (44:30) – Sky High (58:36) – The Iron Horse (1:25:26) – Overall (1:36:17) – Coming Attractions Coming Attractions: My Darling Clementine (1946) The Searchers (1956) The Man Who Shot Liberty Valance (1962) For more information, visit the blog: https://thefilmlings.wordpress.com/2023/02/01/silent-westerns Join us on Discord for ongoing film discussion: https://discord.gg/MAF6jh59cF

If you knew Michael Myers wasn't in Halloween III: Season of the Witch, you knew more than Jacob and Sam! Kieran suggested this during our Halloween-athon, and trio break down the only true anthology film in the Halloween film series. There are evil Celts, bug/goo kids, and a creepy protagonist in this installment, and opinions differ on whether or not this is a good movie.The Film Magazine: 2022 Comic Book Movies Ranked by Joseph Wade10 Unsung Women Filmmakers of the Silent Era by Cynthia ScottTFM RedbubbleDonate to TFMMusic: Awakening (Instrumental) by Wataboi https://soundcloud.com/wataboiCreative Commons — Attribution 3.0 Unported — CC BY-SA 3.0Music promoted by FDL Music https://youtu.be/X2oQNUOmk2k

Hollywood - Spectacle & Sacrifice: Damien Chazelle's Babylon This week, Mr. Chavez & I continue our close out of 2022 (going into this third week of 2023), with a look at one of the most highly-anticipated films of the year (and one of its most polarizing films and biggest box-office disappointments), Damien Chazelle's Babylon. This is certainly a film that defines cinematic ambition, but also thematic and visual excess; A film of grotesque imagery and questionable plot points, Chazelle's love and fascination for the Hollywood's Silent Era and the slow emergence into "Talkies" is divisive at the very least. Rarely does a film emrege that is as beautiful, overblown, and misguided as this three-hour opus. Featuring Hollywood Stars interpreting the lives of early screen stars John Gilbert (Brad Pitt) and Clara Bow (Margot Robbie), and newcomers Diego Calva, Li Jun Li, and Jovan Adepo, as well as Jean Smart, Flea, Lukas Haas, Eric Roberts, Jeff Garlin, and Tobey McGuire. Incredibly problematic, but definitely worth seeing on the big screen, Chazelle's "Love Letter to Cinema and Hate Letter to Los Angeles/Hollywood" is one of the more fascinating spectacles in recent cinema. Take a listen and let us know what you think.  As always, we. dive into all aspects of this film. It is best to have seen the film before listening. You've been warned. Questions, Comments, Complaints, and Suggestions can be directed to gondoramos@yahoo.com Many Thanks. 

Our inaugural journey into the vault of early film history sees Stephen and David taking a general survey of Silent Movies as a whole and the way in which their legacy is told and preserved. We go over the early record of how film came to be, our own personal exposure to and discovery of Silent Film, and the many ways films become lost in the first place. Many thanks to Graham Austin and Jack Davenport for the creation of our beautiful logo art and theme music respectively.

MOVIE DISCUSSION: Stephen and Melvin are joined by Shirleon to discuss the highly revered classic vampire film Nosferatu, a film with a 100-year legacy! Topics: (PATREON EXCLUSIVE) 30-minutes talking about our October/Halloween plans, from movies to habits! (PATREON EXCLUSIVE) Nosferatu is a very simple movie about a vampire, a man, and his wife.This was Shirleon's second time watching Nosferatu. The first time was great. The second time... not so much.Stephen observed how Nosferatu can feel slow and boring for a modern audience, yet also feels Nosferatu is an effective film overall.Melvin had a unique experience in which he was confronted with his mortality. Why? Because everyone involved in Nosferatu, from its conception, plagiarism, and preservation is dead.Nosferatu is shot during a time when movies were "plays on film", and thus didn't contain the same freedoms and creativities we are now accustomed to movies that separate themselves from the stage.Count Orlock is grotesquely charismatic, parading the film with a transfixing nature.Discussing the hardship of film preservation and audience engagement for a film that is both pre-talkie and had a court case resulting in the destruction of all original film negatives.Back in the days of yore, black and white films could be colored by painting on the film itself, and musicians could perform original music for the film based upon their talents and interpretations. With this in mind, the concept of preserving the "original experience" of older films becomes far more complicated, as it cuts down as deep as regional and local creativity.Nosferatu seems to present a message around the overbearing presence of predator vs prey, from not only a man vs man angle (Hutter vs Orlock) but also man vs nature (the town vs the plague). Primarily, it seems Nosferatu is expressing a horror unique to nature.Despite Count Orlock's diabolical design, there is still an expressionistic depiction of sensuality throughout Nosferatu.Recommendations:Frankenstein (1931) (Movie), or any other classic Universal Monsters movie.Absentia (2011) (Movie)And I Darken by Kiersten White (Book)Support on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review Social Links: Twitter Website Facebook Group Support the show

Previewing THE TESTAMENT OF DR. MABUSE (1933), the film the Nazis banned from the director who inspired Hitchcock. Then we dish on our favorite Silent Era monster movies: METROPOLIS, PHANTOM OF THE OPERA, HAXAN, and more. Head on over to Patreon and become a Patron for more exclusive content (but don't worry, regular episodes will always be free for the masses!) And check out campkaijumoviereviews.com & Instagram for more. Thanks friends! --- Support this podcast: https://anchor.fm/camp-kaiju/support

We are in the Silent Era of the Bible. That's right, that odd space between the Old and New Testament. But don't worry, we have a lot to say about it. Watch or listen as we describe what it means to have a famine of God's Word. How long is 400 years, really? We'll cover some of the more significant historical events during this time period, including the rise of Rome and the empire of Alexander the Great. Lastly, we'll describe the cultural and political shifts that occur in Israel during this time. What is hellenization? How did the pharisees rise to political power? What's the deal with Hanukkah? All of these will be answered and more in this 14 era overview of the big story, the meta-narrative, of the Bible. And remember: The Story of the Bible Works, so, CBTtalks! Each Episode of CBTtalks is structured around the 14 Era Booklet. A summary of the Story from Genesis to Revelation. This resource is available for purchase here: https://chronologicalbibleteaching.com/products/14-erastoryofthebible CBTtalks is brought to you by Chronological Bible Teaching. CBT is your on stop destination for attaining Bible Literacy. Check out our website for FREE resources, videos, podcasts, articles, and more, all centered around the 14 Eras and the Big Story of the Bible! https://chronologicalbibleteaching.com Not sure where to go to find the next step in your Bible Literacy Journey? Learn how to Discover the Story, Understand the Story, and Tell the story! In our plan you'll find a complete list of resources and concrete steps for you to grow to spiritual maturity! https://chronologicalbibleteaching.com/our-plan The One Year Chronological Study Bible is available for purchase now! Click the Link below and order yours today! https://chronologicalbibleteaching.com/products/OYCSB The Book of Threads is an expansion of the 14 Era framework that explains the Bible narrative from beginning to end, and then each chapter follows a theme through the Bible from Genesis to Revelation—13 different themes that include leadership, human suffering, sexual brokenness, marriage, missions, redemption, and more! https://chronologicalbibleteaching.com/products/bookofthreads Don't believe that you must walk your Bible Literacy Journey alone! CBT has a variety of resources to facilitate small group discussions as you pursue Bible Literacy communally. https://chronologicalbibleteaching.com/how-to-use-cbt-discipleship-resources Want even more free resources from CBT? Click the link below to visit our subscription page! Here you can sign up for newsletters, weekly videos, daily devotions, and podcasts, all designed to follow and support your chronological reading! Best of all, everything is free! https://chronologicalbibleteaching.com/subscriptions Be sure to check out Facebook Page for regular posts and updates about CBTtalks! https://www.facebook.com/CBTtalkshow Our Youtube Channel hosts all of our Episodes in Video Format! Like and Subscribe today! https://www.youtube.com/channel/UC5uFM8-bxfEohuhVrbCraSg All of our Episodes are also available on audio form wherever podcasts are found through Anchor! https://anchor.fm/cbttalks --- Support this podcast: https://podcasters.spotify.com/pod/show/cbttalks/support

Transcript:   Host: You mention the Silent Era being thisreally open, Wild West period of film writing. If we sort of sketch a line across the 20th Century and now into the 21st Century how did women’s opportunities kind of wax andwane in different periods? What new opportunities opened up? What things were foreclosed? How … Continue reading "07 Women Writing Westerns from What Is a Western? Interview Series: When Women Wrote Westerns from the Autry Museum of the American West [Video]" Related posts: New Book by IGE Lecturers Critique the Civil War in Films via PolyCentric [News] 16 A Few Good Stories from In Conversation with Dr. Rosanne Welch [Video] 21 “Norma Rae” and “Silkwood” from In Conversation with Dr. Rosanne Welch [Video]

The fellas finally circle back to wrap up their discussion on one of the last great masterpieces of the Silent Era, and catch up after a couple hard months apart. Not to break the fourth wall or anything, but it was really good to hear Karl's voice and see his face again (albeit back to being on the other side of a screen for a little while). Stay tuned—we're back, wrapping up one more silent film, and then face-first into NICOLAS CAGE!Patreon.com/QuillAndFilmMeasuringFlicksPodcast@gmail.com

Tyler Varney returns to #OzRecap to discuss some of the earliest film adaptations of Baum's works. Starting with the ambitious Fairylogue and Radio-Plays multimedia presentation, continuing into Selig Polyscope Company's 1910 short film, heavily focusing on Larry Semon's 1925 feature film The Wizard of Oz, and wrapping it all up with the Ted Eshbaugh cartoon in Technicolor from 1933. (CONTENT WARNING: This episode contains mentions of sexual assault, suicide, and racist caricatures.) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hey there film buds, Though people often associate silent film with the likes of Charlie Chaplin and Greta Garbo, it encompassed as wide a range of genres and styles as film today. That includes the Horror genre. Horror, like much of the Silent Era, often relied on established ideas from literature and the stage. Since we recently dove deeper into film history with episodes covering horror and drama in the 30s and 40s and teenagers in movies of the 50s, we decided to present you with Silent Horror Film. Specifically chose films as a part of the German Expressionist movement, including FW Murnau's Nosferatu from 1922 and Robert Wiene's The Cabinet of Dr. Caligari from 1920. The style became synonymous with the Horror genre and was later used in other films, like the Universal Studios monster films and more. You can read more about the Expressionist movement here. Joining us in our discussion this week is friend of the show Sky Tilley and first time guest Madelaine Davis. Madelaine is a published writer, editor, marketing expert, and semi-professional athlete. They're both horror fans. We hope you enjoy this week's show, and as always:Keep it spooky y'allPS If you missed last week's episode, click hereFollow Madelaine and Sky:@MadelaineD_ on Twitter@madelained_ on Instagram@tilleys89 on Twitter@WeeklyPopUp on Twitter@tilleys2744 on InstagramEpisode GuideIntro - 00:56The Cabinet of Dr. Caligari Review and German Film History - 08:23Nosferatu Review and Vampires in Movies - 34:57What We're Watching, another IATSE strike update, and more - 1:03:12Total Runtime - 01:18:01

Hey there film buds, Though people often associate silent film with the likes of Charlie Chaplin and Greta Garbo, it encompassed as wide a range of genres and styles as film today. That includes the Horror genre. Horror, like much of the Silent Era, often relied on established ideas from literature and the stage. Since we recently dove deeper into film history with episodes covering horror and drama in the 30s and 40s and teenagers in movies of the 50s, we decided to present you with Silent Horror Film. Specifically chose films as a part of the German Expressionist movement, including FW Murnau's Nosferatu from 1922 and Robert Wiene's The Cabinet of Dr. Caligari from 1920. The style became synonymous with the Horror genre and was later used in other films, like the Universal Studios monster films and more. You can read more about the Expressionist movement here. Joining us in our discussion this week is friend of the show Sky Tilley and first time guest Madelaine Davis. Madelaine is a published writer, editor, marketing expert, and semi-professional athlete. They're both horror fans. We hope you enjoy this week's show, and as always:Keep it spooky y'allPS If you missed last week's episode, click hereFollow Madelaine and Sky:@MadelaineD_ on Twitter@madelained_ on Instagram@tilleys89 on Twitter@WeeklyPopUp on Twitter@tilleys2744 on InstagramEpisode GuideIntro - 00:56The Cabinet of Dr. Caligari Review and German Film History - 08:23Nosferatu Review and Vampires in Movies - 34:57What We're Watching, another IATSE strike update, and more - 1:03:12Total Runtime - 01:18:01

Join Joe and Pace as they interview special guest Richard Lindsay (author of Hollywood Biblical Epics and co-editor of poptheology.com)  in this introductory episode to season 2. We talk about the intersection of pop culture and religion, camp and queer themes in Biblical epics, and take a deep dive into the 1973 classic The Exorcist. We also announce what franchise we will be covering this season of Horror Nerds at Church as well as quite a few other fun things! This episode is definitely not one to miss. CW: talk about menstruation and other bodily functions in relation to the Exorcist film and talk of trauma around spiritual warfare language and a mention of conversion camp toward the end of the episode. Books Mentioned: Hollywood Biblical Epics: Camp Spectacle and Queer Style from the Silent Era to the Modern Day by Richard Lindsay Notes on Camp by Susan Sontag The Exorcist by William Peter Blatty Follow us on Instagram, Facebook, and Twitter for all the latest updates about upcoming films, news, and other announcements. And don't forget to comment, rate, and subscribe to us on your favorite podcast provider!