Podcasts about surface pressure

This episode provides a powerful and heartbreaking account of growing up within the restrictive and often damaging environment of Jehovah's Witnesses. Carol Anne's story highlights the immense pressure of maintaining a generational heritage, the severe consequences of shunning, and the prevalence of abuse and trauma within families intertwined with the organization. The organization's handling of serious issues like grooming and molestation, often prioritizing internal control over reporting to authorities, is a significant point of concern. Carol Anne's experience of living a double life, suppressing her identity, and the limited social and educational opportunities are clear consequences of the JW lifestyle. Despite the profound challenges and betrayals she faced, particularly from her family, Carol Anne's journey towards deconstruction, healing, and building healthy relationships offers a hopeful conclusion, emphasizing the possibility of breaking negative cycles and finding genuine happiness outside of the organization. The narrative serves as a poignant reminder of the human cost of authoritarian religious control and the importance of individual agency and self-acceptance. Support the show and get bonuses as well by donating to the cause on our Patreon page, Patreon.com/shunned Are you struggling in some area of life? Feeling stuck? Need an accountability partner or some encouragement? Need to talk to someone that understands cult life? Reach out and let's talk. I have affordable programs to help as a certified life coach with a focus on cult recovery. Click HERE for more information. Want more resources? Go to my other website exjwHelp.com Leave us a review on iTunes Find shunned podcast on Youtube, including new VIDcasts here. Follow us on Twitter and Instagram. You can listen to the Shunned Podcast Spotify playlist here for all of the songs chosen by guests of the show. The song that Johanna chose to represent her journey is Surface Pressure from Encanto. This podcast was made possible by my original podcast This JW Life. You can find it on any podcast app. It is a 9 part series about life as Jehovah's Witnesses designed to help you understand how it worked in one comprehensive story and to help you process your own if you came from that environment. Read my FREE online book, based on This JW Life, called Becoming Jehovah, in both English and Spanish by clicking here An ExJW podcast and ExJW YouTube Channel

Johanna was raised as one of Jehovah's Witnesses. Her story encompasses a childhood marked by secret abuse, a home environment with a dangerous and alcoholic father, and what could be considered a shocking and early marriage, ultimately leading to her being shunned by the Jehovah's Witnesses. • Secret Abuse: Johanna was molested by an older cousin for about a year and a half when she was around 8 or 9 years old. This was kept a family secret, and she was told not to tell anyone, not even her father. Her mother, upon finding out, questioned Johanna in a blaming way, asking “Why did you let him do that to you?”. This incident highlights a significant secret abuse that Johanna endured without adequate support or protection from her family. • A Dangerous Dad: Johanna's father is described as an alcoholic who became increasingly violent as she got older. There were instances where he would smash things, break into the house after being locked out, and Johanna would overhear him threatening to kill the entire family. The family would sometimes leave for short periods due to his violence, but were discouraged from permanently leaving by elders in the congregation. Ultimately, her father died by suicide using a homemade gun, and Johanna believed his plan involved killing the entire family as he had six bullets for six family members. This paints a picture of a dangerous father who created a volatile and fear-filled home environment. • A Shocking Marriage: Johanna got engaged at 15 or 16 and married at 17 to a 22-year-old fellow Jehovah's Witness. This occurred partly as an escape from her difficult home life, as her mother and stepfather did not want her there. The circumstances surrounding the engagement, where her mother suggested marriage as a solution to them being forbidden to talk, and the young age of Johanna, particularly within a non-Witness context, could be considered shocking. Johanna herself acknowledges her naivety about relationships due to her sheltered upbringing. • But Johanna is shunned by Jehovah's Witnesses. Today she shares her story for herself and for her son that was featured on a previous episode. Support the show and get bonuses as well by donating to the cause on our Patreon page, Patreon.com/shunned Are you struggling in some area of life? Feeling stuck? Need an accountability partner or some encouragement? Need to talk to someone that understands cult life? Reach out and let's talk. I have affordable programs to help as a certified life coach with a focus on cult recovery. Click HERE for more information. Want more resources? Go to my other website exjwHelp.com Leave us a review on iTunes Find shunned podcast on Youtube, including new VIDcasts here. Follow us on Twitter and Instagram. You can listen to the Shunned Podcast Spotify playlist here for all of the songs chosen by guests of the show. The song that Johanna chose to represent her journey is Surface Pressure from Encanto. This podcast was made possible by my original podcast This JW Life. You can find it on any podcast app. It is a 9 part series about life as Jehovah's Witnesses designed to help you understand how it worked in one comprehensive story and to help you process your own if you came from that environment. Read my FREE online book, based on This JW Life, called Becoming Jehovah, in both English and Spanish by clicking here An ExJW podcast and ExJW YouTube Channel

Welcome to The Family Madrigal, and the Surface Pressure hiding underneath the perfect façade of a magical family with wonderful gifts - everyone except Mirabel. Who probably wonders "What Else Can I Do?" on the regular, when her Abuela seems to blame her for everything.All Of You probably know the intergenerational trauma this movie perfectly depicts, but it's also a movie that took the time to show deep love and respect for Colombia, mi encanto. By having a Colombian Cultural Trust, and directors willing to take on suggestions and ideas, to make Encanto diverse and representative of real Colombian life, traditions and culture.Tuns out, Stephanie Beatriz was also Waiting on a Miracle, while recording that exact song.We Don't Talk About Bruno, except we do. Because Bruno is one of the most complex and interesting characters in this movie. And while Abuela has suffered great loss, become a refugee and a single parent to triplets in the space of one day, beautifully encapsulated by the Academy Award-nominated Dos Orugitas, she's also making her entire family suffer through her own anxiety and trauma.Basically Encanto is pretty special, and it's one of Disney's greatest modern animated films because of it.And that's why coffee's for grown-ups!I would love to hear your thoughts on Encanto !Verbal Diorama is now an award-winning podcast! I won the Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards recently. I am beyond thrilled, and hugely grateful to the Ear Worthy team. It means so much to me to be recognised by a fellow indie outlet, and congratulations to all the other winners!CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Sade, Claudia, Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Lisa, Sam, Jack, Dave, Stuart, Nicholas, Zo, Kev, Pete, Heather, Danny, Aly, Stu, Brett, Philip M, Michele, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle & Aaron.This podcast uses the following third-party services for...

On this thrilling episode of Remy's Roundtable: The Florida Theme Park Podcast, the team brought listeners a mix of news, music, food, and a glimpse into the future of Disney parks. Remy kicked things off by covering the latest theme park updates, including a puzzling pipe burst in Frontierland at the Magic Kingdom. As rumors swirl, will Disney move quickly to repair the damage and keep the area running smoothly? Meanwhile, speculation grows about the Rivers of America permit—will demolition begin to make way for a Cars Land expansion at the Magic Kingdom in 2025? The Roundtable dives into the buzz surrounding these developments. For Mike's Munchies, Mike took us back to Disney's Polynesian Resort, where he dined at Captain Cook's restaurant. From savory entrees to a satisfying dessert, Mike crafted a well-rounded meal with a total of $36. Was it worth it? Tune in for his breakdown of the flavors and ambiance. Nicole enchanted us once again during her segment, Music Notes and Noteworthy Nonsense, spotlighting “Surface Pressure” from Disney's Encanto. With lyrics by the brilliant Lin-Manuel Miranda, Nicole explored the song's themes of responsibility and resilience, diving into its emotional resonance and giving it her signature rating. Mark wrapped up the episode with his fan-favorite segment, Deez Notes with Mark McKay, providing his recap of all the standout moments from this week's show. As we wind down the year, don't miss our final episode of 2024—a festive Christmas special airing on December 17th. The team will celebrate the holiday season with a magical lineup of holiday-inspired segments and surprises. Stay tuned for more fun, laughter, and insider insights on Remy's Roundtable! https://linktr.ee/remysroundtable Podcast Links to check out: https://dizneyverse.com/ https://nonewfriendspodcast.com/ https://open.spotify.com/show/4cU7xObhAgccO87Rd5poo3?si=ee8e7174483e47d6 (Nerd Archive Podcast) GoFund Link: https://gofund.me/d915e56f

Jessica Darrow (born January 7, 1995) is an American actress and singer best known for voicing the character Luisa Madrigal in Disney's Encanto and for playing Mikki Easton in Fifteen-Love.  Darrow's first film role was Sarah in the 2019 film Feast of the Seven Fishes, directed by Robert Tinnell. She rose to fame in 2021 acting in the Disney animated feature film Encanto as the voice of Luisa Madrigal. She sang one of the film's most popular songs, "Surface Pressure," which was certified platinum by the RIAA and peaked at number 8 on the Billboard Hot 100 chart in early 2022. Darrow voiced Mimi in Grand Theft Auto Online's 2021 update "Los Santos Tuners."   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Max and Sam are going to help you with the pressure of facing down a Lorcana tournament! They will give you some tips, and share some stories that will hopefully get you over the pre-tournament jitters!

This is an exclusive limited-time bonus episode, a unique opportunity that won't stay up on my podcast feed forever. So, make sure you seize this special moment and share it with all your friends. Remember, on Thursday, April 11, it will be going back into the vault.  This is an audio replay of the free masterclass that I taught this past week, designed with your busy Mom-life in mind. Whether you missed the live session or this is your first time hearing about it, this audio recording of the class is here to cater to your schedule and needs. At the end of the class, you'll hear me talk about my Declutter Your Motherhood Audio Course, and I wanted to make sure you know that I'm doing a special Spring promotion on that course right now. If you sign up by 9:00 pm on Wednesday, April 10, you will get free access to a five-week accountability group that I am hosting in April and May. You will get to join me live on Zoom once a week so I can answer your questions about the course content, and you can connect with and learn from other intentional mothers who are going through the course, too. This is a perfect bonus if you are someone who generally needs some outside accountability and deadlines instead of a purely self-paced offering, and I am so excited to get to do this live group with you! Sign up for the course at 3in30podcast.com/declutter. Can't wait to see you there! Mentioned in this episode: Surface Pressure - song from Encanto Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones by James Clear Learn more about your ad choices. Visit megaphone.fm/adchoices

Erin and Rachel sing their way through a March madness-style bracket to determine the best Disney song of all time! Listen to the official playlist of songs in the bracket (all "Sweet 16" of them) on YouTube Music. Watch the Our Last Night cover of Surface Pressure on YouTube. 

Being the eldest daughter in the family comes with a lot of unwarranted responsibility, usually to their detriment. They play the role of mother to their younger siblings, parents to their parents and empath/mediator regarding everyone else's emotions. Come along for today's deep dive and happy listening, teacups! :) Check us out on ig @t_and_kake_podcast.

Shoutout to two special Fierce Ladies who requested today's episode! Today's episode is unpacking our human energies - masculine, feminine, yin and yang. We identify what energies we bring into the world (both internally and externally) and how we can advocate for ourselves so that how we feel and how we act are in equilibrium. So the question begs, "is "strong" a compliment?" Sometimes yes and sometimes no. Listen to the episode to hear why!Mentioned in today's episode: Life Lessons from Encanto and "Surface Pressure"The Power Within Her: Guide to Journaling by Dr. Meghan Hurley - PowellStay In the Loop:Sign up for Podcasting 101 or Podcasting 101 VIPJoin the Fierce Ladies Collective, and check out the FLC Upcoming Events!Get your copy of Stop Talking About the WeatherThe Keep Moving Forward Playlist: Keep Moving Forward Jams**ENTER the $100 GIVEAWAY**Rate/Review Keep Moving Forward on Apple PodcastReviews are a GREAT way to let me know if this content is vibing with you! AND it's a great way to spread the word to others as to why THEY need to listen in to Keep Moving Forward. Because of this, I am going to be giving away $100 dollars when Keep Moving Forward reaches 100 reviews! To get entered - slide on over to Apple Podcasts and RATE/REVIEW the show! Then, send me a screenshot of your review so I can get you entered into the giveaway! Giveaway ends when we hit 100 reviews! Open to residents of US and CA. Follow me on Instagram: @Diana_Marie_KellerLike my Facebook Page: Keep Moving ForwardKeep Moving Forward - Buy Me A Coffe: Options for a one-time donation to support Keep Moving Forward

Hey Thrive Tribe!Today's episode is all about pressure (think Encanto's Surface Pressure).Many of us mamas have goals that we are actively working to achieve. Often times that comes with tremendous pressure to get things done no matter the cost.In today's episode, Dr. Dee discusses both sides of the pressure we feel or place on ourselves to push through to get to the end goal. She outlines 3 tips to help prevent the pressure from pushing us over the edge. 1. Take your own pulse2. Making your self care a daily priority3. Stop taking yourself so seriouslyDownload, share, and subscribe. Don't forget to leave a 5 star review.Dr. Dee would love to hear from you if this episode resonates with you or you just have questions.  Ready for 1 on 1 coaching to rediscover and achieve the dreams you had before twins? Schedule a call with me by clicking here to see if you're a good fit forTwin Mom Chronicles Academy . Go to https://betterhelp.com/twinmoms for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredFollow me on:Instagram FacebookJoin the Thrive Tribe Email: drdee@twinmomchronicles.com

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are joined by our very first guest, Christina Arredondo, MD, who completed psychiatry residency at Yale University alongside Dr. Furey. Dr. Arredondo currently works as a medical director of several opiate treatment programs and as director of Behavioral Health at a federally qualified healthcare center (FQHC) in Tucson, AZ, where she is raising three daughters amongst an extensive family unit. She provides thought-provoking insights based on personal and professional experiences as we explore themes of intergenerational trauma, displacement, and toxic familial expectations. We hope you enjoy! Analyze Scripts Instagram Analyze Scripts TikTok Analyze Scripts YouTube Analyze Scripts Website [00:17] Dr. Katrina Furey: Hi, can you hear us? [00:19] Dr. Christina Arredondo: How's it going? I can hear you. [00:22] Dr. Katrina Furey: It's going great. It's Katrina. My friend Portia. Hi, nice to meet you. [00:27] Dr. Christina Arredondo: Hey, Portia. Via call. Yes. [00:31] Dr. Katrina Furey: I was going to say it's going to be interesting because we can't see each other. [00:35] Dr. Christina Arredondo: I know. Are you guys in the same place or are you also we are separate. [00:40] Dr. Katrina Furey: We have this really high tech set up of this little folding table and two rooms and chairs. [00:48] Dr. Christina Arredondo: All the best podcasts have started. [00:53] Dr. Katrina Furey: We are so sweet to come on to our show. I really appreciate it because I know you are so busy. And she's at a conference right now in Nashville. Today we are joined by Christina Aridondo, who is one of my former co residents from Yale. And we are so glad that she's here. Thank you for joining us, Christina. [01:18] Dr. Christina Arredondo: Thank you so much for having me. [01:21] Dr. Katrina Furey: I know you are a bit busy female doctor doing all sorts of different things. I wanted to just give our listeners a quick bio about you because you do so much. So, Dr. Arridondo currently resides in her hometown of Tucson, Arizona, where she is raising her family amongst an extensive family unit. She's traveled all throughout the United States and beyond for both pleasure and education. After graduating from Carlton College in Northfield, Minnesota with a bachelor's in psychology, she worked in mental health treatment in San Francisco and tobacco cessation research at Stanford. Dr. Arizona completed medical school at the University of Washington in Seattle, and then her psychiatry residency and public psychiatry fellowship at Yale, where I met her and where she saved my butt a couple of times when I was on really busy cultures. [02:12] Dr. Christina Arredondo: The good old days. [02:14] Dr. Katrina Furey: Okay. After training, she returned home to Tucson as she's always desired, to serve her Southern Arizona community. Since that time, she's worked, it seems like, everywhere, in inpatient care everywhere. Private, tribal, public sectors. And she's currently the medical director of several opiate treatment programs, as well as the medical director of behavioral health at a local federally qualified health center. Her interests lie in capacity building, epidemiology, native health, transgender health, data management and surveillance addiction services, integration of culture into a medical model of care and helping bring about behavioral change. So, basically, all the cool stuff, all. [02:57] Dr. Christina Arredondo: The fun stuff for sure. [03:00] Dr. Katrina Furey: To travel, read, make music and raise her three young daughters along with four loud dogs, twelve chickens in a desert toward us. Wow. It really is a full house. So anyway, welcome, Christina. [03:11] Dr. Christina Arredondo: Thank you. As you can tell, I love a little bit of chaos, so this is great. [03:19] Portia Pendleton: I know. [03:19] Dr. Katrina Furey: I was telling Portia when I mentioned, like, how would you feel about us having a guest toast? Like, we've never done that before, but when I was re watching this movie, I was thinking about you, and I was like, I bet you would have some interesting views on this. And I feel like I can't remember how far ahead of me you were in residency. Like two or three years, I think. [03:41] Dr. Christina Arredondo: Two. Oh, my goodness. I don't know. It's two years, I think. [03:45] Dr. Katrina Furey: I think so. But I always just remember you sort of I was always just watching you from afar. It's like, oh, okay, this is how you have kids. Oh, how'd you get maternity leave, or just every couple of years, I feel like I reach out to you with a random question about, how do you do all of this stuff? [04:04] Dr. Christina Arredondo: I always knew how to do it because I always knew how to ask questions because it's hard to do this stuff on your own. It's really hard to figure it out. [04:11] Dr. Katrina Furey: Yeah. So where should we start? Porsche. [04:14] Portia Pendleton: So I had never seen Enconto until this week, so I don't know if either of you had watched it many times, probably prior to me. So just maybe for some background, I have a very older family. I'm kind of weirdly placed so that there's really no young children anymore. The next wave will come at some point, but I think I just haven't been exposed to Disney like content in a really long time. So I was kind of a little bit scared to watch this because typically I think I'm a little traumatized from. [04:50] Dr. Katrina Furey: Like, jungbo and. [04:54] Portia Pendleton: Just tragic animals. So I was nervous, but I did enjoy it. Couples here shed, but really appropriately so. I think that I'm coming from this place watching the movie, but I'm excited to hear what movie someone watched it many more times. [05:13] Dr. Katrina Furey: That's an interesting perspective. How did you feel it was similar or different from the old school Disney movies we grew up with? [05:20] Portia Pendleton: I feel like it was maybe more appropriate, almost just a little bit lighter. Really colorful, really engaging. I really liked the music. I thought the songs were really catchy. I thought for kids, I think it. [05:38] Dr. Katrina Furey: Felt like a little bit of simplify, like you could still pick up on. [05:42] Portia Pendleton: Bigger themes, but in a simple way. And then for adults, there's a lot to really think about. [05:46] Dr. Katrina Furey: Yeah. [05:49] Dr. Christina Arredondo: I agree with you. I feel like the newer movies, one, they make me cry a little more. But two, I think they just tackle these really big issues in a way that maybe kids I don't know if my kids really sort of understood the underlying underpinnings of trauma and everything else that was happening in this movie. But I think they were understanding that there was feelings and that people weren't perfect and all the kind of stuff that we don't really see in some of the older movies. They don't have that sort of depth that I think the newer movies have. [06:24] Dr. Katrina Furey: Totally. And I think the newer movies, even movies like Frozen, I feel like when I was growing up, disney was all about the princess finding her husband at all cost. That was the goal. And now all their movies, they're just different. The goals are different. It's not always about finding your spouse. And they just have a lot of deeper themes. And I love that, like this one. And conso. In Frozen, there is a strong family theme. Like in Frozen, the sisters save each other. And here it's more about exploring the family unit rather than a romantic being. [07:00] Portia Pendleton: The main. [07:03] Dr. Christina Arredondo: Raising three kids. I have to say I'm very appreciative of that, that it's not all about being sort of the romantic princess. Not that it's a bad thing, but that I just feel like there's just more to learn and the flaws of it, like being able to be flawed and being okay with it and getting that acceptance is so important for kids these days, right? [07:21] Dr. Katrina Furey: Exactly. And I think, too, having kids, perhaps even more little girls grow up and see characters like girls that are depicted in this movie. I just love their body shape, even like that, just like period. How they're drawn are all different, and they're very different from the classic Disney princess. Their skin tones are different from the classic princesses. And even within the family, you can see different shades. They have different talents, different flaws. And I'm sure that was an intentional choice here. [07:52] Dr. Christina Arredondo: Yes. [07:54] Dr. Katrina Furey: So, Christina, I'm curious. I'm assuming you had seen this movie before. [07:59] Dr. Christina Arredondo: I have probably seen this movie. I think when it first came out, it was on almost 24/7. When the kids are watching TV, even if they weren't sitting there watching, they just wanted it on. They wanted to hear the music. They would sit and stop and watch certain parts, and then they would go back to doing what they were doing. So I watched it a lot, and then I intentionally went back and rewatched it this week because it's a great movie and I love it. But it's also a hard movie to watch at times. It has a lot of themes to it that I think maybe hit very close to home or a lot of what I do in my day to day work. And it just brings out a lot of those feelings of kind of helping people with these experiences or maybe even experience it myself. So it's a great movie. I love it. I don't think that I could watch it all the time as much as my kids wanted to watch it. [08:54] Dr. Katrina Furey: Right? Yeah, totally. I can't remember exactly how long ago this movie came out, but I remember when it came out just being really struck by how deep it was. And again, like you were saying, Christina, I think children watching it start to get some of it, and I like to hope that somewhere they're absorbing these messages that you don't have to be perfect and we all love you just for who you are and things like that. But I think some of the deeper themes about displacement and intergenerational trauma and family structures and all those complicated dynamics. I remember there's a couple of female physician Facebook groups I'm in. And I remember when this came out, the floodgates opened and everything. [09:38] Dr. Christina Arredondo: Oh, my goodness. [09:40] Dr. Katrina Furey: Especially Louis's Song surface pressure. Just really like my jaw dropped to the floor. I was like, how did you put this? [09:48] Dr. Christina Arredondo: How did you know? Right? [09:51] Dr. Katrina Furey: How did you know? [09:53] Dr. Christina Arredondo: Exactly. [09:54] Dr. Katrina Furey: So since you're our special guest, Christina, I guess I'll ask you, where do you want to get started? Do you want to talk about the individual characters, some of the themes, and how it relates to your work or mental health in general, what feels like a good place to start? [10:09] Dr. Christina Arredondo: I think it's important to talk about some of the characteristics that we might see. I think Disney did a really good job of showing kind of within the different generations sort of what came out from that trauma, because what we do know is that different generations experienced the trauma of the prior generation a bit differently. And I think that Disney did a really good job, I think, of showing those characteristics within each of those generations in the movie. [10:39] Dr. Katrina Furey: Right? So I totally agree. The main time we saw, which we don't really see the full lengths of it till the end of the movie, but basically it looks like a Boila and her husband were trying to they had just gotten pregnant. They were going to have triplets. They were so happy. And then it seems like they were alluding to some kind of war. Was that your impression? [11:06] Dr. Christina Arredondo: I think it's some local either I don't know if it's like a cartel or some kind of organization, sort of criminal organization that was sort of taking over and fighting against locals. I believe she was already pregnant when they ended up fleeing. Maybe she had already delivered when she. [11:24] Dr. Katrina Furey: Was, like, three babies. And that's when I started calling every time I was like, oh, my goodness. Feel the pain. And then I think somewhere in there, the candle emerges as a representation of a miracle. And I was curious to hear both of your perspectives about what do you think that candle really represents? Because I guess it could be like a real physical candle in a concrete sense. But do you think that was meant to be imagery of some kind? [11:55] Dr. Christina Arredondo: I do. If I remember correctly, I think it's the candle from when they were got married. And so when she was holding, it kind of lighting the way I think it was sort of a representation of their marriage and their love for each other and his love for her and the protection that he tried to give her. [12:14] Portia Pendleton: Because she would often, you know, kind of speak to him at times in the film and, you know, looking for his advice or looking for strength from him or him to guide her and maybe through the candle. That was her experience that was definitely when I cried, for sure. And I thought it was interesting. I know some people have kind of talked about how at the beginning, she shares more of like a watered down version of how she got to this place. It's like this story, which I'm assuming how she kind of initially was coping with it and then what the family knew, but really, later on she's able then to share the real version, which is really heartbreaking and traumatic, but ultimately helps people understand her more or understand the experience where she's coming from. [13:05] Dr. Christina Arredondo: Yes, you can even see that a bit in the way that they did the drawings and the camera, because at the beginning, when they're showing, when she's talking to Mary Bell about losing your papa was gone. Papa was gone. It was very, like you said, watered down. It didn't give a lot of specifics. And when Mary Bell was kind of looking at the picture, when we were thinking about it, you saw the grandmother from the front and she was kind of leaning over, but you didn't see her face. But later on, when Mary Bell was actually talking to her grandmother and she was giving her the full story, like, you saw it from the side and you actually got to see in that time, like, the grandmother's pain and the horribleness of what she was experiencing in that moment. So it kind of just allowed us to actually she opened up a little bit more and she was able to show not only visually, but just kind of gave you a visceral reaction when you saw exactly. [14:01] Dr. Katrina Furey: And I'm always just so impressed when people creating these movies on that level can just so capture something and communicate it in such a strong way, in so many different ways, that it really just hits you. And I'm sure all of us in our different lines of work see the effects of intergenerational trauma and how it can really trickle down. And there's so much research about it now, even on a really granular genetic neuroscientific level. And I was just like, wow, who came up with this idea and put it all together in such a beautiful way? [14:39] Dr. Christina Arredondo: Yeah, I was curious if they had some specialists that were helping them out, because it was just so true to what I saw. [14:47] Dr. Katrina Furey: Yeah, they must. And that is one of our selfish, delusional, grandiose goals with this podcast, is. [14:53] Dr. Christina Arredondo: Maybe someday Disney will come calling. [14:57] Dr. Katrina Furey: Yeah, just to give a rundown of the characters. So we have a buila, the matriarch of the family. Again, I thought that was I'm curious, Christine, if you see this a lot in your work, but I feel like that is very typical. But there is a matriarch in the family. And then she has her three children, the triplets, Julietta, who is Mirabelle's mother. Her special gift is healing with cooking. We have Teo Bruno, or Uncle Bruno, who his special gift is seeing the future. And then he's sort of the black sheet of the family gets shunned, which we'll talk about in a bit. And then we have Tia Peppa, or Auntie Peppa. She's the character whose move controls the weather. And then the families of these three, we see that Julietta marries a man, and they have three children. The oldest, Isabella, is the perfect sister. She's the one who can make flowers grow and just is totally perfect. The second oldest, Lisa, I love her. I think she's my main character. And she's the strong one. She can't be weak. Nothing really hurts her. And then the third sister, Mirbella, who's the protagonist, the main character of the movie is the one who doesn't get a gift. And we don't really understand why till the end. And then there's a couple of important cousins. Dolores, who is the one who has the superheroing abilities, and Camillo, who is the shape shifter. And then the other main character was Mariano, who is sort of the boyfriend of Isabella, who yeah, right. But also has this, like, deposits in. [16:38] Dr. Christina Arredondo: The yes, very sensitive. [16:42] Dr. Katrina Furey: Things like that. But we see these three generations and then what was the name of the little boy who got his gift? Antonio. [16:50] Dr. Christina Arredondo: Antonio. Yeah. [16:52] Dr. Katrina Furey: Antonio. He can speak to the animals and everything. So we see these three generations and how they're all interacting with each other. And I kind of got the sense that Abuela is sort of running this show, so to speak, running the family. They get this miracle candle which leads them to this casita, this magical house, and when they come of age, they. [17:13] Portia Pendleton: Each get a gift. [17:14] Dr. Katrina Furey: And even that sort of premise reminded me in so many different cultures of the coming of age, sort of Quintiniera, the Bot, Mitzvah, so many different things in all sorts of different cultures. There's usually some sort of celebration when you're coming of age. And it seems like for them, they each get this special gift that then the whole family uses to kind of help their community. It's the sense I got. And I always wondered, like, did Abuela feel like she owed that to the community or that was her way of giving back for living? I don't know. What are your thoughts about that? [17:48] Dr. Christina Arredondo: I just get the sense that she just felt this sense of obligation or the sense of a weight of about what happened and that she had the survivors and just feeling like she now had to take on everything. Not only was she given these children three, but she was also yes, three babies, but she also had this community, she had this power to support this community. It just felt like it must have felt this overwhelming sense of, I have to keep things going. I maybe am the one that needs to keep doing this. And I feel like a lot of people who have had this trauma have immigrated or just have had these experience, sometimes feel this sense of weight, and they have to do well, they have to support the next generation. And she just maybe kind of took that to which we see a lot to this extreme that have ended up leading to difficulty and stress that was sort of intolerable for that second or third generation. [18:58] Dr. Katrina Furey: Right. I think we do see this right. In all of our work. And I've worked with patients who either their parents were first generation immigrants or they're first generation immigrants, but their parents are now here. And as they're sort of progressing through their life, there is this tension between wanting to individuate and sort of move away from their nuclear family, but then also feeling obligated to take care of them, sometimes not even just their direct parents, siblings, but the broader family unit or their community. And I think we see that to different degrees and different cultures. We certainly see that in this movie. [19:44] Dr. Christina Arredondo: Absolutely. And I think each Disney, I think, did a good job of individualizing ways that it could affect the kids. And you see that in Louisa. She's expected to be perfect and expected to kind of follow this track. She's supposed to marry this man and all this stuff that's supposed to happen to her, but that she just wants nothing to do with that. She wants to be herself and she wants to be an individual. She doesn't want to be perfect. She doesn't want that weight. The same thing with Louisa, who's trying to is expected to help everybody and almost kind of seemingly just never kind of question it, but at the same time, she's not able to really support her own mental health. [20:25] Dr. Katrina Furey: Right. [20:26] Dr. Christina Arredondo: And we see that so much, and it's so important that that was sort of pulled out. [20:31] Dr. Katrina Furey: I know. I couldn't believe they did such a good job with those two sisters. Yeah. Being the third one, I was like, how did they even know the birth order? Exactly. Perfectly the perfect one, the strong one. And then we don't know what to do with you. [20:48] Portia Pendleton: I think Dolores the cousin who has the superhero. I mean, besides, I think seeing the future, which I would not want to do. [20:56] Dr. Christina Arredondo: No. [20:56] Portia Pendleton: But I think superhero just reminded me almost of this profession and just how much she heard that she didn't need to or shouldn't have heard. [21:07] Dr. Christina Arredondo: Yeah. [21:08] Portia Pendleton: You know, she she heard that Bruno was there the whole time she was upholding that secret. So I think a lot there's also, like, secrets that get, you know, held because we can't share them. [21:19] Dr. Katrina Furey: Yeah. [21:19] Portia Pendleton: Maybe it's not safe to, or it feels like it would upset the system too much. So we have to listen to ourselves. [21:25] Dr. Katrina Furey: That's a really good point, Portia. [21:27] Dr. Christina Arredondo: Yeah. And you see that so much in families that have had trauma. Right. The kids end up sort of inappropriately or not even meaning to not purposefully always like seeing things and hearing things and that maybe was not always child appropriate or age appropriate for that. And they sort of take that on and it's such a common thing to see a common theme and then they move on to their adulthood. And that trauma that you see in that first generation now becomes more complex trauma which comes with its own difficulties and possible path of psychology. And it's just such an interesting way to do that. You think it's oh yeah, that she just hears. But no, if she's hearing stuff she shouldn't really be hearing and like you said, have to keep it a secret. And that's a big weight to put on your soul. [22:20] Dr. Katrina Furey: Right. I know. It just seems like this whole family unit rests on everyone playing their role the exact same way. And it seemed like a bula. I don't know if she had any control or power over the gifts they each got. [22:36] Dr. Christina Arredondo: I don't think so. [22:37] Dr. Katrina Furey: It seemed like at some point though, with Bruno and with Mirabelle, like not getting a gift she had some control over, if I remember correctly. But I might be misremembering. [22:48] Dr. Christina Arredondo: I think they were all very confused by that. And I think at the end, I think there's a lot of interpretations about why she didn't get the gift and why at the end the house sort of responded to her, I've heard people say. The way that I think is that she was sort of meant to take on sort of some leadership or place in this family. And so she wasn't sort of burdened with a specific gift, but ultimately she's kind of the soul of the family, bringing them together, and that maybe she was sort of meant to, in a less toxic manner, lead this family to a healthier place and sort of be the next subway in the next sort of generation. And that's why her gift was the house responded at the end when things were more healthy. [23:36] Dr. Katrina Furey: Right. The imperfect but stable foundation, I guess the imagery of the house maybe you. [23:44] Portia Pendleton: Think of a little bit of Beauty. [23:46] Dr. Katrina Furey: And the Beast just with all the. [23:48] Portia Pendleton: Plates moving around, but just I love. [23:51] Dr. Katrina Furey: That the house itself was like this. [23:53] Portia Pendleton: Living, breathing creature that was so connected to Yerebel. I think that too kind of like what we were just saying. Auela doesn't have a gift beyond. [24:09] Dr. Katrina Furey: She'S. [24:10] Portia Pendleton: A carrier of the candle almost. So it's almost like Mirabelle now is like I don't know, they're alike in so many ways. [24:16] Dr. Katrina Furey: And then as you're saying that, I'm thinking was there any competitiveness between the two of them that maybe Abuela couldn't even recognize or put into words at some point? Because it does seem like Mirabelle was always feeling like and then the scene where she directly says it to the Aboiler like, I'm never going to be good enough for you, am I? That's another time where the tears just fall on my end. But it's so true. I think the way she was relating to her and perhaps to all the family members, I don't think it was intentional. I don't think she was, like, maliciously trying to make them all feel not good enough. But I think with everyone having their role to play, and if they don't want to play it or not, they all kind of felt that way, there would be drastic consequences if they didn't conform or do their job right. [25:05] Dr. Christina Arredondo: Yeah. I see this a lot in terms of when you have the person in the family that wants to start opening up trauma and bringing it forward and putting voice to it, it scares people. It's hard for people to you can't force someone to do this. And so I kind of felt like Maribel was the one, the voice for what was happening, and she was the one that was starting to say, hey, the house doesn't look great, or kind of starting to notice, hey, Luisa doesn't look great, or all this kind of stuff was happening. She was seeing that there was cracks and how things were going. And I feel like that when there's trauma and family, that often happens, that there's somebody who starts kind of pushing and poking and it doesn't always end up great. But maybe we know with trauma that sometimes being able to process it out a little bit more in the open is helpful. It's what we want people to be able to do, maybe not right away, but ultimately to take away some of that power. And I feel like that was kind of maybe Mirabelle's role. [26:11] Dr. Katrina Furey: Yeah. [26:12] Portia Pendleton: Because Bruno was kind of wild for potentially bringing this to light. And we could he did it the why he didn't make it happen, and she did. But I think that's just an example of what also happened. If someone comes in and tries to disrupt the system, sometimes we push them away. [26:32] Dr. Katrina Furey: Yeah. [26:33] Portia Pendleton: Dangerous. [26:35] Dr. Christina Arredondo: Well, it seems scared a couple of times when she thought that the candle was going out of the house, kind of breaking down, and you could see give her sigh of relief as something kept going. So she was just kind of holding it tightly together. [26:46] Dr. Katrina Furey: Yeah. I thought Abuela just demonstrated such strong just such strong depictions of both the hyper vigilance and hyper arousal that can come from trauma. Like really holding on tight. And she even says in, I think, one of the final songs, I'm sorry, I was holding on too tight. I was so afraid of losing you again. And then also this sort of distillsia of nature that can come from an extreme trauma of having to exile Bruno because you just can't face it, or not going into all the details about what actually happened because you just can't face it. Trying to sort of turn the trauma narrative into this romantic story that now we have the celebration when people get their gift and sort of totally displacing and disregarding all the pain that came with it because it's too frightening. [27:35] Portia Pendleton: And I think you can see that with Tia Pepa when she has the clouds coming in and Viela is like, no, it's raining. [27:44] Dr. Katrina Furey: Put those away. [27:46] Portia Pendleton: That's visually almost exactly what happened. I liked that a lot. [27:51] Dr. Katrina Furey: Right. [27:56] Portia Pendleton: In kind of a silly way, like, what of these gifts would you want? Which sounds maybe scary and maybe we don't want them in the way that they're initially using them. But I don't know. I would really like the flowers. So beautiful, creating. I don't really want the superhero. I don't need to know everything. But the weather is cool. I don't know. [28:22] Dr. Katrina Furey: What do you guys think? What do you think? [28:24] Dr. Christina Arredondo: Oh, my goodness. I never thought about that. If you see at the beginning that I have a lot of animals, so I think I would prefer to be able to hear and understand what the animals are doing. But I think in the grand scheme of this discussion, I don't think I would want any of them. I feel like it's just too much pressure. It's so much pressure that no one feels like do something that other people can't and then have everybody looking at you all the time for it. [28:52] Dr. Katrina Furey: Seriously, I think of all the gifts, if I had to pick one, I'd want to heal people with cooking. That seems pretty lovely. It may be appeals to my inner healer, but what you just said, christina so resonates with me and Luisa. I just so resonated with this character. And in her song Surface Pressure, I kept thinking of interneer over and over, just like that pressure. You have to look like you know what you're doing. It's not really safe to ask for help. People's lives are literally in your hands sometimes. And just it seems like Louise really felt that in a different way. But I just think that character must resonate with so many different people. [29:33] Dr. Christina Arredondo: I think that's why you saw the response from the Physician women's forums. But I see it like even now I hear myself saying it because I'm busy and I'm doing a master's and I have kids and sometimes I'm like, if I could just get through this one homework assignment or if I could finish these notes, I would be much better. And you just kind of push through it and then totally the opposite of what we tell our patients to do, right? That we tell our patients, like, hey, you have to build in the self care, that you have to be able to let go of stuff. Yeah. And be able to say, hey, I'm not going to do this well right now. Can I put this off? And all the stuff that we always talk about. But it's so hard to do. And that's why I think we as women physicians are I think. A lot of people, but I think it's especially kind of really resonated with Louisa. [30:24] Dr. Katrina Furey: Yeah. And also I think it's also a great depiction of how the system also has to be open to helping you, like, for so long. If Louisa had expressed any weakness or asked for help, I don't think the system would have been like, oh, that's okay. I don't think a boy at the beginning of the movie would have said, like, oh, that's okay. [30:43] Dr. Christina Arredondo: You can take a day off. Go take a day off. [30:46] Dr. Katrina Furey: Right? Or we can help you. Isabella can help you. [30:50] Dr. Christina Arredondo: Right? [30:51] Dr. Katrina Furey: Yeah. Again, I just love this movie. I love the colors. I love the animation. I love the music. So good. Yeah. [30:58] Portia Pendleton: I was humming the Bruno song. I just got very stuck in there for a couple of days after. It's sweet. I really liked it. I was happily not devastated. To my core. Thinking about animals dying after that, to me, I guess, is a trigger. Obviously, those society commercials know what they're doing. I was really pleasantly surprised. [31:23] Dr. Katrina Furey: I know they're still in Disney movies. Someone always has to die in this awful way, which hasn't been so fascinating. [31:31] Dr. Christina Arredondo: Why? I feel like that doesn't have to happen. I think you can build tension in other ways, but you're right. There's always a parent or somebody primary caregiver. [31:43] Dr. Katrina Furey: I'm just like, from the beginning, what's up with Walt Disney? What's his attachment trauma or whoever we trying to do, guys. We still had that, but in such a more nuanced, beautiful, complex way. And I just love it to end when the community members show up to sort of help them rebuild the house. And leading up to that scene in the song between Mirabella and Of, Whela just really gets your heart. And I'm just like, wow. Mirbell has such psychological resilience after everything she's been through, to still be able to hold on to her own experience in pain and then also be able to listen and empathize and appreciate her grandmother's pain despite everything that's come from it. [32:38] Dr. Christina Arredondo: I struggled with her a little bit. I really love her character, but at times she just I just felt bad for her, to be honest. I felt a lot I felt a lot of empathy when I was watching her and at times when she was trying really hard to just sort of smile through it, she had to be the chipper one and was always so loving and just happy and teaching the other kids and singing with them. I felt for her because I feel like so many people feel they have to do that. And I was kind of very relieved emotionally when she was able to sort of let that go at the end because it just felt like, how much further? She didn't have a gift that was burdening her. But I think almost like the fact that she just couldn't really feel she couldn't kind of put out there. All the thoughts and feelings she was having was sort of her own burden in general. I feel like maybe this is what's teaching us, is that Maribel the future, potentially, as this leader of this family, is going to allow people to be themselves and allow people to relieve some of that stress because she understands it and she's able to verbalize her feelings in a way that maybe wasn't done before. [33:53] Dr. Katrina Furey: Yeah, definitely. When she and Isabella were sort of singing their song and dyeing her hair and growing sharp things and all different colors and stuff, and then Aboila comes and immediately the tension is felt returned, and Meerbill just lets it out. I was like, yes. Really? [34:15] Dr. Christina Arredondo: Finally. [34:16] Dr. Katrina Furey: But also, all that so sad. And you can tell it's so hard for her to do. And she ran away. The house crumbles and everything's crumbling. [34:28] Dr. Christina Arredondo: It's something I see in the younger generations. I feel like they're more wanting to be open about things where some of my older patients are still having a hard time, they still try to keep it in. There is a really distinct generational shift with how people handle emotions and feelings. And there's a change to come in, I think, right? [34:53] Dr. Katrina Furey: Yeah, I totally agree. I mean, even like these movies reflecting all these things, right. And like, making room for them. I'm thinking of the Disney movie Inside Out, which came before this, which we'll have for another time I have not seen, of course. So good, that one's. [35:11] Dr. Christina Arredondo: Very good as well. [35:12] Dr. Katrina Furey: But again, it's like all talking about feelings and sadness and grief and all the complexities, not just the happy, romantic, loving feelings, which I think is really great. [35:23] Portia Pendleton: So, I mean, thinking about more people kind of reaching out or being more comfortable with emotions makes me just kind of jump to, like, treatment. [35:33] Dr. Katrina Furey: We always like to think about, like, if we were treating these characters. [35:39] Portia Pendleton: And I think partly just asking a question like, who comes to treatment, who doesn't have access to treatment, who doesn't who does treatment feel unsafe to? Or bringing an outsider into a system. So despite some of those things being barriers, I guess maybe if you had a bula in front of you, do. [36:01] Dr. Katrina Furey: You think she'd show up? [36:02] Portia Pendleton: If she did, which I think would probably be difficult. I'm not sure she'd be open to. [36:07] Dr. Katrina Furey: It, but I think she might come to, like, a family session, maybe. I feel like the one who would most likely show up would be Bruno, but maybe not voluntarily. He's sort of like, to me, seems like the identified patient of the family. Are you familiar with that lingo? [36:30] Dr. Christina Arredondo: At the end, he was I mean, he was telling people how it was and yeah, I didn't mean this. This is what I meant. And I think he might do well in therapy. [36:38] Dr. Katrina Furey: Yeah, I caught some sort of whiff of maybe some Ocdish stuff going on with him up there in the attic with the rats? [36:47] Dr. Christina Arredondo: It's possible. [36:50] Dr. Katrina Furey: I don't know. Christine, what do you think about avoidance and treatment? [36:55] Dr. Christina Arredondo: I think it would be very hard for her. I see this in my own family. I think the oldest generations just can't have a really hard time verbalizing trauma, their own trauma, and maybe they spent their whole lives kind of putting it, bearing it down and not talking about it. And whether that's healthy or not, we can't force them to talk about it. [37:18] Dr. Katrina Furey: Right. [37:18] Dr. Christina Arredondo: So the best thing we can do is I always tell people, like, look, I'm not going to force you to talk about something that's traumatic. I understand that might take time, if ever, but I can talk about how maybe it's affecting you, what it's affecting your place and your family and your world, and we can focus on that symptomatically. But I just think it's really hard for the older generation to really kind of let that go. [37:46] Dr. Katrina Furey: We wouldn't be referring a boiler to emdr CPA? [37:49] Dr. Christina Arredondo: No, I don't think so. That would be more sort of supportive care, maybe just doing some processing. But it would be a very slow thing. [37:59] Portia Pendleton: Right. [37:60] Dr. Katrina Furey: Like a displace, really focusing on the here and now. I think more toward the end, she can acknowledge negative feelings a lot better than at the beginning. I feel like one of the newer generations, one of the cousins, are like Louisa or Isabella. Maybe even Isabella goes to maybe she has to go to marriage therapy. We can get married, and that's how we get them in, if she ever wants to. [38:26] Dr. Christina Arredondo: I didn't get the impression she ever wanted to get married. [38:29] Dr. Katrina Furey: Yeah, I know. Maybe she doesn't. Or maybe Louisa, she felt like I think her Mirabelle would be the one to seek it out. [38:39] Dr. Christina Arredondo: Yeah, I think so. I think they were a little bit more open to doing that and maybe some emdr, maybe some interpersonal or kind of some family therapy would be really effective for them. But I think the one thing that this movie kind of does a little bit of a disservice about trauma in general, is that it's not so easy to just open up like they did and suddenly you accepted. Right. So even when you do tend to bring up trauma and things are open and people are talking about it, it's not a straight line forward to recovery. Right. It goes back and forth and up and down. It might kind of retraumatize it. It's kind of beg more detachment, and then you come back. But it's a Disney movie, and what can you expect? It's not a serious it's not anything else that we're going to get. Sort of that longevity of what actually happens when people are trying to recover from trauma. [39:37] Dr. Katrina Furey: Right. It's like an idealized depiction of what trauma recovery could look like in a system like this. But you're right, it's a lot messier when you're in the trenches for real. [39:48] Portia Pendleton: Very much like what positive traits people develop from also experiencing trauma. Like, you did all of these things to keep the people around you safe. [39:59] Dr. Katrina Furey: Or you hadn't set up the system. [40:01] Portia Pendleton: Because that was how you survived. [40:03] Dr. Katrina Furey: And can you get to a place. [40:05] Portia Pendleton: At some point in your life where you can kind of ask that part to step back? I'm no longer in danger. Can you help me not be so dissociative or help me so activated? [40:18] Dr. Katrina Furey: Right. Even just doing some real good, like, deep breathing lessons with everyone. We could start. [40:23] Dr. Christina Arredondo: Absolutely. And the resiliency, like you said, the one thing that I see coming out of that kind of can be positive is really a deep sense of resiliency that some people with trauma have to experience to survive what they do. It's not the best way. I want to teach people how to get a resiliency, but it happens. You can honor that. [40:47] Dr. Katrina Furey: Right. And often I find when talking with my patients these days about diagnoses, like PTSD or complex trauma or whatever you want to call it, just like hard things in life, you know, that seem to happen. I think focusing not only on the, like, PTSD type piece or the piece that's really bothering them or getting in the way of their functioning, but then also being able to focus on the resiliency piece and the drinks they've gained and being able to tell them, like, you're not going to lose that either. That's part of you, and you'll carry that with you, too, can be really helpful, at least in helping people sort of hear that they might have some effects from trauma. A lot of people really struggle to see themselves as someone who's been, quote unquote, traumatized that gets really stigmatizing or. [41:39] Portia Pendleton: Scary, especially when there's like a collective trauma or when there's so much. I think people it's not just like that you downplay it, but this person had so much worse of an experience. [41:51] Dr. Katrina Furey: I always call this a trauma lag. I'm not here to hand out a gold. [41:57] Dr. Christina Arredondo: Right. You'll see that between generations, somebody will say, well, you didn't have to deal with this. Well, it's a different type of trauma, but it doesn't necessarily mean it's worse or better. I mean, nobody is putting a scale to it and seeing which one's heavier. [42:09] Dr. Katrina Furey: Yeah, right, exactly. And it's a fine line between being reflective and giving yourself context and minimizing your own experience or minimizing the next generation's experience if you did have it. [42:22] Dr. Christina Arredondo: Worse or minimizing your own. Because I'll have people say, well, I didn't have to deal with what my mother had to deal with, so why am I feeling so bad about what happened to me? And I'm like, well, it's not the same thing. You're a different person, a different experience, different place. But I think ultimately, if anything comes out of something like this would be that. I just want people to know that you can work with trauma and it might take time to do therapy. There are so many options out there for different types of trauma therapy, and you don't have to go in and talk about your trauma immediately. That's not the goal. Right. So let's just be open. Hopefully people are open of going out and giving it a chance. [43:08] Dr. Katrina Furey: Right. I totally agree, Christina. I find working with people with trauma can be so rewarding. It can be so hard, but so rewarding. When they are able to show up and put words to their authentic feelings and really work through it, people can really get better. [43:30] Portia Pendleton: And then their family. [43:31] Dr. Katrina Furey: Can get better and the next generation. [43:35] Dr. Christina Arredondo: Because we forget that epigenetics is a real thing and that when we have trauma, we are literally changing ourselves at a genetic level and that gets passed on. I struggle sometimes with when you hear things like certain, like racial group, it has certain characteristics or a certain high burden of disease and must be because of something they're doing. Now we know the reality is it's probably from hundreds of years in play and that's what's coming out now. We forget the importance of what happens before us to where we are now. [44:12] Dr. Katrina Furey: Right. 100%. I was just nerding out a little bit and reading some research studies about this stuff with Epigenetics how it can kind of change your DNA, so to speak. But then also how when you seek good trauma therapy I was reading this specifically as it relates to the mother infant died and how even mothers who are raised in difficult environments or go through trauma in their life and have an insecure attachment can develop a secure attachment with their own infant a lot of times by psychologically processing what they've been through and being able to see it in a more balanced way, So fascinating. But certainly this movie really depicts intergenerational trauma and the effects it can have and also the hope, I think, again, it's a Disney movie we always leave. [44:58] Dr. Christina Arredondo: On the part, but it's a good. [45:01] Portia Pendleton: Introduction, I think, to the it is of intergenerational trauma. I think it's a good introduction for people to even think about immigration and displacement and how families cope with that experience and then just all the things that come along with any family dynamic. [45:17] Dr. Katrina Furey: Stuff and then even just kids watching to know like, oh, I don't have to be perfect. I think even that message is great. [45:23] Dr. Christina Arredondo: At a very basic level. Right. We want people to realize you could just be yourself and nobody's going to we don't want you to feel this pressure to be something. [45:30] Dr. Katrina Furey: Yeah, absolutely. All right, well, any other final thoughts, Christina, as we wrap up? [45:37] Dr. Christina Arredondo: No. I mean, I think we hit all the really big spots, like you said, the very basic level, please. I see it in myself and think, wow, is this really attachment to my child, what I want. Should I go to therapy? I think always questioning and looking at your relationships and saying, like, am I seeing trends? And how I react to things is, should I really have somebody, like, talk this over with somebody? Especially if you've had a history of trauma, always go out and reach out when you're seeing things, even if it feels like it's nothing. And I think a lot of people will be like, well, I just kind of thought this was who I was, and I didn't realize this was something I could work on. There's always something you could work on. [46:17] Dr. Katrina Furey: Right? And I have a friend who always refers to trauma as it's not just the big t traumas that we think about, but a lot of people experience trauma just if they've felt neglected, invalidated, validated constantly. There's all sorts of different ways that trauma can leave marks. I think we're all in agreement. I think it's a good nerve. [46:42] Dr. Christina Arredondo: Yes. [46:43] Dr. Katrina Furey: Well, thank you, Christina. We appreciate it so much. [46:46] Dr. Christina Arredondo: Oh, no, thank you for having me as your first guest. This is amazing. It's an honor. I really enjoyed it. [46:53] Dr. Katrina Furey: Well, good. Maybe we'll have you back sometime. [46:55] Dr. Christina Arredondo: Absolutely. [46:56] Dr. Katrina Furey: And thank you again so much. I so appreciate it. Nice to chat with you again. [47:01] Dr. Christina Arredondo: Yes, nice talking to you again. And nice meeting you. [47:03] Portia Pendleton: Porch. [47:05] Dr. Christina Arredondo: All right. Bye bye. [47:06] Dr. Katrina Furey: Bye. [47:12] Dr. Katrina Furey: This podcast and its contents are a copyright of analyzed scripts. All rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. Unless you want to share it with. [47:25] Dr. Katrina Furey: Your friends and rate review and subscribe, that's fine. [47:28] Dr. Katrina Furey: All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening, and see you next time. [48:44] Dr. Katrina Furey: Music you.

If you have ever found yourself sitting in your minivan jamming out to the song, “Surface Pressure” from Encanto, then this episode is for you. This episode approaches planning and goal setting gently and lightly. Danielle explains what planning and goal setting are and explains why these future-oriented activities can cause anxiety. She offers tips for shifting the way you think about planning and goal setting so that they don't add pressure to your life. Finally, Danielle discusses what purpose has to do with it all. Bonus: Danielle tells you what she learned after getting sick and losing her voice right before launching her podcast.  Learn more: www.plangoalplan.com Shop: www.plangoalplan.Etsy.com  Connect: Follow Plan Goal Plan on Instagram 

It's hard to think of another songbook in Disney's oeuvre that has put a dent in pop culture quite like Encanto, the latest from Walt Disney Animation Studios. "We Don't Talk About Bruno," "The Family Madrigal," "Surface Pressure," all songs that have topped Billboard charts and dominated TikTok for more than a year now, courtesy of Hamilton scribe Lin-Manuel Miranda. But an equally vital part of Encanto's inviting world, an enchanted casita in which the vibrant members of the Madrigal family live and dream, is the orchestral score courtesy of Germaine Franco.   It's the score that made Franco an Oscar nominee, only the sixth woman in Oscar history to be nominated for Best Original Score (and the first Latina). And now, that same score is up for a Grammy for Score Soundtrack for Visual Media, alongside many of the same big names she competed against for the Academy Award earlier this year: Hans Zimmer, Jonny Greenwood, and Nicholas Britell.   Germaine's score for Encanto is inviting and magical, making expert use of a variety of Latinx instruments and musical styles to fill in the many corners of the Madrigal family tree. Colombian rhythms mix with samba and cumbia, alongside more vital, traditional orchestral instrumentation. It's a melting pot of influences that nonetheless span vast corners of the Latinx umbrella, making for a sound as narratively diverse as it is thematically appropriate.   Now, we welcome Germaine Franco to the show to discuss her score for Encanto and more.   You can find Germaine Franco at her official website here.   Encanto is currently streaming on Disney+. You can also listen to the score on your preferred music streaming service courtesy of Walt Disney Records.  

Egan from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Tuesday, January 10. It's Tuesday – which means it's time for Tune-In Tuesday! Today's kids' song of the day is "Surface Pressure" by the KIDZ BOP Kids!

Pressure like a drip drip drip that will never stop…whoa oh! No pressure, but we'd love you to join us with host Laya DeLeon Hayes at the casita to learn more about the Disney Hit song, “Surface Pressure” from Encanto. 

Zip down to Colombia with the Dummies to meet the members of the family Madrigal…including the one we don't talk about. Dance your heart out while it breaks to Surface Pressure, fall in love with Dos Oruguitas, and bust a move to THAT song over and over again in one of Disney's most colourful, creative, and caring films in recent memory. And remember, listeners - the miracle is you. The post DD60 – Encanto (2021) appeared first on PodCavern.

This episode, Bl3rds Rynn and Weaver chat with Jhariah about all things music. While Parker's away the bl3rds will…infodump about O Brother Where Art Thou, apparently. Other topics include: West African trickster god Eshu Elegbara, Dante's Inferno, Switchfoot, Amanda Palmer's cover of “Surface Pressure” from Encanto, and Jhariah's upcoming album.  An EXTRA big thank you to Jhariah for the use of his song ENTER: A BEGINNER'S GUIDE TO FAKING YOUR DEATH Jhariah on Spotify: https://open.spotify.com/artist/5iMYu8Sj8dZEDsWJxSFwPP?si=Sa64yej2Q-eyofYXO9dkUQ Weaver's “Roguish Carnival Roustabout” playlist: https://open.spotify.com/playlist/6nJtwDc3eJeS4EikGmYExy?si=1fb816f46db74be8 Support us at: Rynn: Tiktok: @rynnstar Youtube: Wordy and Nerdy  Instagram: @therealrynnstar  https://awesomesocks.club/products/awesome-socks-club-2023?sca_ref=2724559.2mztIcbwV9 Weaver: Tiktok: @the_woodmother  Youtube: The Woodmother  Patreon:/TheWoodmother Instagram: @the _woodmother Parker: Tiktok: @humbletortoise Youtube: HumbleTortoise Patreon: /HumbleTortoise Instagram: @humble.tortoise (edited)

Knowledge from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Wednesday, September 21. It's Wednesday – which means it's time for our Wednesday Workout. Today's kids' song of the day is "Surface Pressure" by the KIDZ BOP Kids!

Giavanni from the KIDZ BOP Kids shares today's KIDZ BOP Daily update for Monday, August 29. It's Monday – which means it's time for Motivation Monday! Today's kids' song of the day is "Surface Pressure" by the KIDZ BOP Kids!

Pastor Jonathon Shierman

https://revolutionky.org/waiting-on-a-miracle/

Buttered Corn Day Surface Pressure Video --- Support this podcast: https://anchor.fm/angela-draper/support

Can God speak through Encanto? Clips shown: 1. The Family Madrigal: https://youtu.be/Yp5nPGWWMh4 2. Antonio gets his gift: https://youtu.be/ukynXbG_gfY 3. Waiting on a miracle: https://youtu.be/jKKrfr4To14 4. Surface Pressure: https://youtu.be/tQwVKr8rCYw 5. All of You: https://youtu.be/hrMxx8EV4JU

Welcome back to another episode of Kessel Run Relay! Thank you for listening to our episode. This episode includes:Chewie getting a new fucked up dogShe's just like me fr (stubborn)Cross-pod illiteracyAlexa play Surface Pressure from EncantoHayden trying to do math for Cal KestisPocket-sized LivJulia's fanfiction that made Hayden and Liv cry: https://archiveofourown.org/works/40445190Follow our guest Ari on social media:Twitter- @millenniumpod_Instagram- @millenniumpod_Tiktok- @ari.in.spaceFollow us on social media:Twitter- @KesselRunRelayTiktok- @kesselrunrelaypodInstagram- @kesselrunrelaypodEmail us: kesselrunrelaypod@gmail.com

The meeting of minds is back! This week, Ross is hosting, while the gang review and pitch sequels for the 2021 Disney animation musical feast, Encanto! Directed by Jared Bush and Byron Howard and starring Brooklyn 99's Stephanie Beatriz, John Leguizamo, Diane Guerrero, Maria Cecilia Botero, Jessica Darrow, with instant ear-worm songs such as We Don't Talk About Bruno, The Family Madrigal and Surface Pressure from the man who continues to be the man of the moment in musical movies right now, Lin Manuel Miranda You can expect Matt talking about his new twins and finding movie inspiration in them, four white British dudes just massacring the pronunciations of Spanish words and names (we are so sorry), a little bit of real talk about mental health, and the best opening of any episode of Sequel Pitch yet, hands down If you ever have any feedback about the show please reach out to us on our social channels: Twitter: https://twitter.com/SequelPitch (@SequelPitch) Instagram: https://www.instagram.com/sequelpitchpodcast/ (sequelpitchpodcast) Facebook: https://www.facebook.com/SequelPitch (Sequel Pitch) And if you're not already, please consider subscribing on your podcast app of choice so that you get our episodes as soon as they land. Leave us a review if we think we deserve it so that new people can see what others think - the best places for that being https://podcasts.apple.com/gb/podcast/sequel-pitch/id1552718674 (Apple Podcasts), https://www.podchaser.com/podcasts/sequel-pitch-1595953 (Podchaser), https://open.spotify.com/show/1cGj2HGlJ9q6orFzGNKLlW (Spotify) or in the Goodpods app. We'll be sure to shout you out on the show if you do! Please tell your friends about us if you think they might enjoy the show! We're not in a position to pay to advertise the show right now, so bring people into the fold if you think they'll have some fun! And lastly, if you love what we do and fancy kicking a little something our way to help us to keep doing it and pay for the things we have to pay for to make it happen, please consider visiting our patreon! No pressure at all, the show will be continuing regardless, but we'd love to be able to make it better with some better kit, or services that will speed up things like editing so that we can get on with making even more content! www.patreon.com/sequelpitch

Therapy update.Content  Note: Content on this website and in the podcasts is assumed to be trauma and/or dissociative related due to the nature of what is being shared here in general.  Content descriptors are generally given in each episode.  Specific trigger warnings are not given due to research reporting this makes triggers worse.  Please use appropriate self-care and your own safety plan while exploring this website and during your listening experience.  Natural pauses due to dissociation have not been edited out of the podcast, and have been left for authenticity.  While some professional material may be referenced for educational purposes, Emma and her system are not your therapist nor offering professional advice.  Any informational material shared or referenced is simply part of our own learning process, and not guaranteed to be the latest research or best method for you.  Please contact your therapist or nearest emergency room in case of any emergency.  This website does not provide any medical, mental health, or social support services.★ Support this podcast on Patreon ★

Like Luisa in Disney's Encanto, we can struggle under the pressures and expectations of our lives. We join with her in asking, "But wait, if I could shake the crushing weight of expectations, would that free some room up for joy or relaxation or simple pleasure?" And the Lord says a resounding, "YES!" Verses mentioned: Philippians 4:13 "I can do all things through him who strengthens me." 2 Corinthians 12:9 "But he said to me, 'My grace is sufficient for you, for my power is made perfect in weakness.' Therefore I will boast all the more gladly of my weaknesses, so that the power of Christ may rest upon me." 2 Corinthians 3:5 "Not that we are sufficient in ourselves to claim anything as coming from us, but our sufficiency is from God," Matthew 11:28-30 "Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light.” Matthew 22: 36-39 “'Teacher, which is the greatest commandment in the Law?'” Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.' This is the first and greatest commandment. nd the second is like it: ‘Love your neighbor as yourself.'" 1 John 1:9 "If we confess our sins, he is faithful and just and will forgive us our sins and purify us from all unrighteousness." Romans 8:1 "Therefore, there is now no condemnation for those who are in Christ Jesus," The story of Jesus sleeping on the boat is found in Matthew 8:23-27 and Mark 4:35-41. Learn more about me at https://www.lyssastoyko.com/ Want to say hello? Email me at momstaketen@gmail.com Help other mamas find encouragement through Moms Take Ten by rating and reviewing this show. Thanks!

Surface Pressure (6.26.22) Thanks for joining us online! Check out our website: www.freeway.church Text us anytime: 517-798-0571

June 12, 2022 Surface Pressure

We talked about "Surface Pressure" from Encanto, onomatopoeias, and Ukraine's 2021 Eurovision song "Shum" by Go_A.

What's the very best Pixar film? Lexi & Ben are gunna sort it out all while dorking out about history, factoids and tangenitals related to the house that's now owned by the mouse. FURTHER DORKSCUSSION:Shamrock ShakeWhy Should I Worry?Irish Slave MythBuy Andy Weir's Project Hail Mary from Chapters IndigoResearchCotton Eyed Joe problematicRobin Hood & The Hampster DanceBuy Ed Catmull's Creativity Inc. from Chapters Indigo (sponsor us already, please)Animal, Vegetable, Mineral?Surface Pressure from  Encanto (it's a banger!)BONUS CONTENT:Jess' top 3 Pixar FlicksWall-EMonsters, Inc.Turning RedSOCIALS:Here's where you can find us!Lexi's website and twitter and instagramBen's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsDork Matter's website(WIP) and twitter and instagram and redditEnjoying dorking out with Dork Matters? Give us a rating and review on Apple Podcasts, or wherever you get your pods and help us spread the word."I will return tomorrow night with high expectations. Pray you don't disappoint me.” -Anton Ego

This week the randomizer goes all the way back to late 2021 to cover Disney Animation's latest instant massive phenomenon that took the world by storm with breathtaking visuals, compelling characters, dynamic storytelling and inhumanly catchy songs...and just our luck, one of our guests on this episode just so happens to be one of the nine people in the universe who intensely despises it with the burning passion of a thousand suns. Yeeeeaaaah, this one got a little contentious. Join Tony Goldmark, Madeline Maye, Renie Rivas and Luke Ski as they vigorously debate the merits of ENCANTO! Check out my guests' stuff! MADELINE MAYE Band: https://soundcloud.com/inkblot-band  Podcast: https://soundcloud.com/landbeforetimeland  Twitter: https://twitter.com/friendlycatwife  RENIE RIVAS Podcast: https://ringringpodcast.podbean.com   Twitter: https://twitter.com/Renie_Rivas   LUKE SKI Podcast: http://kyleandluke.com  Twitter: https://twitter.com/thegreatlukeski  Portfolio: https://www.luke.ski  And check out this show on social media! Twitter: https://twitter.com/efvdpodcast  Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531  YouTube: https://www.youtube.com/tonygoldmark  Hear new episodes one day early by supporting this show on Patreon: https://www.patreon.com/tonygoldmark 

Hell I know we have ALL seen on some platform the video of the women realizing the catchy important amazing song form Encanto is actually about motherhood.BUT NO REALLYYY.. This week we dig into why that is a bit. choose joyAlways rooting for you xoxo

Welcome to the Moms At Work Podcast! Grab your headphones and a cup of coffee, or whatever you choose to fill your cup with, and join your host Jeanette Tapley as we break free from the shame of having to plan it all!   Today I am SO excited to introduce you to my older sister Michelle. Michelle is a mom to five kids, she's a military wife, and on top of working full time she is now getting ready to chase some big dreams. Michelle and I often talk about all the things God is showing us and lately our talks have centered around Encanto and the song Surface Pressure.   Join us as we break down letting go of expectations, finding relaxation, enjoying simple pleasures and then break down what leaning into what God has for our families.   Links from today's conversation: Join the email community https://view.flodesk.com/pages/621d 6beb9b7136a9e313d546   Want to listen to Jeanette's other podcast?! Listen to It's Time For Coffee here! https://link.chtbl.com/sWcTEkZy Don't forget! This show is interactive! I want to hear from YOU! Feel free to share your thoughts, wins, pain points, and friendship!! mailto:itstimeforcoffeepodcast@gmail.com

Pop your popcorn because it's movie night on this week's episode of the podcast as we talk about the smash hit Encanto! What's all the hype about and why is no one talking about this  Bruno guy? Bryn and Laura review one of Disney's latest while breaking down the progression of messaging that is now being geared towards the children of today's day and age. What is transgenerational trauma and why does it have such a lasting effect on the future of our families? Bryn talks about some of the pressures that can come from feeling like you have to constantly make your family feel proud while Laura highlights some of the ways even us non magic folk can find our inner gifts out here in the real world. So join us as we talk about Bruno and embrace the magic that is Encanto, the movie.  Music Credit: Ready for This by Dan Phillipson (Into / Outro)

However big a left turn this is for you, you should know it's also pretty wild for us, too. On this episode, Matt and Jason turn the dial to “POPULAR” for a look into the top 20 songs on the Billboard Top 200! We discuss which songs work for us, which don't, and how the streaming age has made it very, VERY easy to ignore what's on the radio. From Justin Bieber to Dua Lipa, from Future to Ed Sheeran, from show tunes to future funk, it's a whole new world of music for people who don't know what's popular anymore! We'd love it if you'd rate and review the show on iTunes, ‘cause it means more people can find the show and love it, too! You can find Matt and Jason on Twitter at https://twitter.com/MattHelgeson and https://twitter.com/nintendufus respectively and in the #music channel of the MinnMax Discord server. Support MinnMax on Patreon and get access to tons of great, exclusive content: https://www.patreon.com/minnmax/ Listen to the CrossFade Community Playlist, a growing Spotify playlist of our community's favorite music: https://spoti.fi/3aRRgox Timestamps 0:00 - The Billboard Top 20: March 2022 6:02 - The Weeknd - “Save Your Tears” 9:28 - Lil Durk - “AHHH HA” 14:29 - “Surface Pressure” from Encanto 20:10 - Latto - “Big Energy” 24:27 - Lil Nas X - “INDUSTRY BABY (feat. Jack Harlow)” 28:02 - Dua Lipa - “Levitating” 37:35 - Gunna, Future - “pushin P (feat. Young Thug)” 41:14 - Imagine Dragons - “Enemy (with JID)” 45:03 - Doja Cat - “Need to Know” 47:56 - Lil Nas X - “THATS WHAT I WANT” 50:38 - Elton John & Dua Lipa - “Cold Heart - PNAU Remix” 57:03 - Ed Sheeran - “Bad Habits” 59:18 - Ed Sheeran - “Shivers” 1:01:08 - Justin Bieber - “Ghost” 1:04:45 - Adele - “Easy On Me” 1:09:03 - The Kid LAROI - “STAY (with Justin Bieber)” 1:12:25 - Kodak Black - “Super Gremlin” 1:15:30 - GAYLE - “abcdefu” 1:19:09 - “We Don't Talk About Bruno” from Encanto 1:22:12 - Glass Animals - “Heat Waves”

 Welcome to Screen Tea Podcast! This week, Lisha and Jules do what all y'all have been doing: they talk about Bruno ♥ Prepare to either continue listening to the soundtrack on repeat or start listening to the soundtrack on repeat after your hosts cover Disney's 2021 mega-hit, Encanto! To nobody's shock, this episode is chock-full of Lisha hopped up on caffeine, psychoanalyzing all of the Madrigals and heart-eyeing over Lin-Manuel Miranda, while Jules hates on slow songs, examines diversity and manages to include a mini review of The Adam Project? Somehow? Oh, and both of your hosts REALLY HATE ON ABUELA, butcher the Spanish language (we really suck and we're really sorry), and discuss who has the best/worst powers in the Madrigal casita! This was a really fun one and a really great movie folks, so we hope you come sing along with us this week ♫♪♫Sources for this episode include imdb.com, wikipedia.org, rottentomatoes.com, and metacritic.com. Also, Lisha lied and hasn't Tweeted Bryan Fuller yet; BUT SHE WILL ONE DAY. SOON.Find us on Instagram @ScreenTeaPodcast, Facebook at www.facebook.com/screenteapodcast, hit us up on Twitter @screenteapod, shoot us an e-mail at thescreenteapodcast@gmail.com, and check out our website at www.screenteapodcast.com!Happy listening!Please go check out https://www.watershedvoice.com/, an independent nonprofit news organization based in Three Rivers, Michigan. Watershed Voice, on top of being a new and much needed strong journalistic presence, has also decided to feature Screen Tea Podcast on their digital news site! Support them with a subscription, by sharing their page on social media, and with good old fashioned word of mouth.(Excellent podcast logo commissioned from the talented Mel. Find Mel on Instagram @javadoodler, website www.javadoodleart.com, or on Facebook at www.facebook.com/Javadoodle.Art. Our incredible intro music was composed by Detroit musician Sasha Kashperko!  

In this episode, Ty Benjamin compares the lyrics to the song, Surface Pressure, from Disney's Encanto to motherhood and homeschooling. Listen to learn about: How moms should view their worth and value Why moms should honestly communicate what they're feeling instead of suppressing their thoughts and emotions The importance of balancing expectations, reality, and relaxation   Podcast Show Notes: athomewithty.com/13 Discover Your Homeschool Mom Potential Workshop - athomewithty.com/discover Contact Me: athomewithty.com/contact Follow me online: @athomewithty

"Doing everything for everyone is not a prerequisite for love." -Diana Marie KellerDo you struggle with feeling like you are being crushed under the weight of life's pressures (your own pressures, or assuming the burdens of others)? Or, do you feel like you HAVE to say yes to everyone, help everyone, or if you're not then you may actually be worthless? Do you feel like the world doesn't see you - only what you do for them? If you said yes to any or all of these questions, then you NEED to tune into this week's episode.  We talk about "Surface Pressure" from Encanto, "The Giving Tree" by Shel Silverstein, and some action steps on how to navigate situations where you feel like you are being crushed by the weight of life's expectations. Surface Pressure, Luisa Madrigal (Jessica Darrow), EncantoThe Giving Tree, by Shel Silverstein Boundaries are a YOU Problem.As always, if you jived with this episode, I ask that you share it on social media and TAG ME so that I can thank you! And rate/review the podcast on Apple Podcasts and Spotify so that others can check it out too!Follow me on Instagram: @Diana_Marie_KellerLike my Facebook Page: Keep Moving ForwardKeep Moving Forward - Patreon: 4 Subscription Tiers with ADDED BENEFITS for being a supporter of Keep Moving Forward!Keep Moving Forward - Buy Me A Coffe: Options for a one-time donation to support Keep Moving ForwardTo connect with me on this topic, and to get signed up for the Wednesday Inspirational Text,  text the word "INSPIRATION" to (513) 993 - 3621.The Keep Moving Forward Playlist: Keep Moving Forward Jams

First: We're entering a new phase of the war in Ukraine as Russia ramps up its attacks on civilians. Cue: pressure on the US to hit Russia harder. We'll break down Biden's big announcement this week banning Russian oil, the damage it could cause to Russia, and what it means for us here at home.   Next up: We'll speak to an expert about the other cyber weapons at Russia's disposal - and what might drive Putin to create online chaos.  ICYMI: If you're wondering why yachts, private jets, luxury goods, and apartments are also caught in the crossfire of the financial war on Russia, we'll break down who the Oligarchs are, and why they're coming under fire.  Then: We'll break down the week's other headlines – including a check-in on inflation and an update on the future of crypto in the United States. Finally: What do WeWork, Theranos, and Uber have in common? Not a lot, but they all have dramatized TV shows chronicling their controversial rise in the tech world. We'll ask a TV critic: why are we so obsessed with these shady stories?  On this episode, you'll hear from:  Kristine Berzina, senior fellow and head of geopolitics at the Alliance for Securing Democracy Nicole Perlroth, cybersecurity journalist, advisor to CISA, and author  Kathryn VanArendonk, critic, Vulture Want more Skimm?  Sign up for our free daily newsletter Email us your questions about what's going on in the news right now  Subscribe and leave us a review wherever you get your podcasts Skimm'd by Alex Carr. Additional help from Sagine Corrielus and Hannah Parker. Engineered by Andrew Callaway and Elie Mcafee-Hahn. TheSkimm's head of audio is Graelyn Brashear. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of the Rise and Run Podcast, we chat with our new friend Misty who had to deal with some "Surface Pressure" as she was "Waiting on a Miracle" to see if her stolen runDisney Princess bibs would reappear.  This is one story you will not want to miss!But first, the team discusses some life and travel updates, and we also talk about how training for the inaugural Springtime Surprise is coming along.Rise and Run Podcast Facebook Page - https://www.facebook.com/groups/1743275732534190/Rise and Run Podcast Instagram - Instagram.com/riseandrunpodPassport to Run - https://www.youtube.com/channel/UCRW_EB4hJGCA2FvRwh8YkXwMisty's Twitch Page - Twitch.tv/imperialMisty's Instagram - https://www.instagram.com/Imperialgrrl/Misty's Twitter Page - https://twitter.com/imperialgrrlMisty's TikTok Page - https://www.tiktok.com/@imperialgrrl

This week we discuss the pressure we feel as moms, much like Luisa from Encanto, to keep life on track and how we can change our mindset to not carry such a heavy load. We also briefly talk about two current Netflix shows, Love is Blind and Inventing Anna. Don't worry, we were careful not to give any spoilers! As always, thank you for listeing and support us, we hope you enjoy our multitude of conversations each week.  We love each and every one of you!  FOLLOW US: INSTAGRAM: https://www.instagram.com/whatthemotherpodcast/ FACEBOOK: https://www.facebook.com/whatthemotherpodcast/?view_public_for=105167887743605Check This Week's Segments Include: What We've Been Up To What the Mother?! Moment of the Week Guilty Pleasure Topic: Surface Pressure I Love My Husband And . . . Book of the Month How God Was There For Me This Week Admiration Affirmation

Went into this almost WANTING to hate it, and came out having every single song stuck in my head for weeks. I am no fan of Manuel-Miranda, and Surface Pressure is my least favorite song I've listened to for over 20 mins on a loop, but I am now a covert. The animation, if nothing else, is amazing. The music is catchy, the story is tight, but you can hear the hateration in this my initial watch. I may consider recording my post-conversion takes, who knows.

While we may not talk about Bruno, Disney's Encanto has to be discussed. From the songs to the plot and theme and down to the costume design, this movie is one for the books for Disney since Frozen.  In this Episode, my sister and I talk about: Song Writing Easter Eggs Behind the Scenes and Production Transgenerational Trauma The Oscars Family values and Colombia Soundtrack Power of Digital Animation in Storytelling Encanto Halloween And theories! like What power should Mirabel have? Who is the real villain?  and our favourite song, Surface Pressure! Stay tuned as this episode is very magical! Check out the podcast on Instagram @thisisnotwhatimeant 

"Surface Pressure" really should be considered the Indie Author Anthem these days. We're all striving for success and reaching to attain what we can. However, the pressure is building and there's more to it than simply pumping out books as fast as humanly possible. In today's episode, we're gonna be talking about toxic productivity and why it's making life as a successful indie author so much harder than it needs to be. Click here to have a listen! Be sure to check out the show notes by going to authorrevolution.org/120.

Me try to sing but messing up

Disney's Encanto hit our hearts with a "Surface Pressure" that may have had us thinking more than we thought we would about our lives as it relates to emotional damage, generational trauma and how to forgive family when then disregard you for some reason. In a world where "We Don't Talk About Bruno" has blown up on the Billboard charts, JinglesRasco, SmiterRasco (comes in like a surprise freight train) Beeno The Ultimate FanGirl and I get into the story, the music and the fandom(You do NOT wanna miss this discussion) of Lin-Manuel Miranda's latest musical character driven masterpiece. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Using the beautiful song from Encanto, Surface Pressure, Tova and Elianna wonder how do we manage the demands of modernity? Society asks us to juggle so much and seek out perfection in every aspect of who we are -- what do we loose as a consequence and how do Tova and Elianna experience this tension and try to create space for more joy and less pressure.  https://www.google.com/search?q=surface+pressure+lyrics&oq=surface+pressure+l&aqs=chrome.0.35i39j69i57j0i433i512j46i512j0i512j69i60l3.4623j0j7&sourceid=chrome&ie=UTF-8 

Want some FREE TIPS???For Performers:Michael's TOP 10 AUDITION TIPS - https://michael-radi.mykajabi.com/audition-tips-emailFor Writers:Michael's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-emailOne of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e—————————————————————————————If you would like to join the Cast and become part of the Musical Theatre Writer Guy community, subscribe to never miss an episode, follow the links below to learn more, and consider becoming a Patreon supporter to help Michael create more content! Cheers!—————————————————————————————Michael Radi (He/Him/His) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, and Musical Director currently residing in New York City. He is an alumnus of the esteemed Lehman Engel BMI Musical Theatre Writing Workshop as a lyricist, and has written four full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. More recently, his original one-man show 'S Wonderful: An Evening with George Gershwin just played its premiere production, also at BVT. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a one-man show soon to be announced, and a family-oriented musical comedy set in the world of competitive baton twirling, based off his family's history with the sport.Learn more about Michael at his website:http://www.michaelradi.comMichael's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Michael on…FB: https://www.facebook.com/michael.radi.54IG: @radimichael @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on Munsee Lenape and Canarsie lands.

Walking on custard, I'm not bitter.

Disney movies be preaching. Like for real. I often watch a Disney movie and come out this a life and spiritual lesson that would rival any pastor in a pulpit. Encanto was no exception. And I'm not talking about Bruno, no, no! I'm talking about "Surface Pressure". https://www.youtube.com/watch?v=tQwVKr8rCYw All about one sister who is carrying the weight and the expectations of her entire family and she is breaking under the pressure, but no one notices or cares. Is that you, sis? If so, take a listen and be free. --- Send in a voice message: https://anchor.fm/mira-rollins/message

This week, Megan and Myra discuss the latest planner world news, EC x Wild small business grant, Brands focusing their diversity to influencers and not within the company, Day Designer performative support for Black history month, recruiter lack of judgement, diversity in internships, and celeb garbage. Be sure when you share the show on social media to use the hashtag #plannersandwine. Thanks so much for your support! Check out our website Plannersandwinepod.com for episode info, links to our Merch, Patreon and so much more! Got a questions that you want us to read on our next live show ? E-mail us at askpandw@gmail.com ! Purchase your Go Wild 2022 tickets now HERE! Follow us on IG: @plannersandwine Megan's IG: @megsgotaplan Myra's IG: @myraplansit Thanks to our sponsors! --- Send in a voice message: https://anchor.fm/planners-and-wine/message Support this podcast: https://anchor.fm/planners-and-wine/support

It may not shock you to hear that like the rest of the known world, I can't get the soundtrack to Encanto out of my head. And, of course, we love “Surface Pressure.” The lyrics hit a little close to home for me, which I imagine might be the case for you as well. Because when Luisa, the superpowered older sister of Maribel, does everything she can to live up to her outward strength, and finds herself incapable of rest, unrelenting in her expectations of herself, we all understand the story she tells herself about her own value.  There is a reason so many of us feel the pressure that Luisa sings about in Encanto. We live in an empire, in a human-made system of the powerful and the powerless, and since the world began unraveling the truth that was born in us, in our original goodness given by God, we learn to slowly believe the lie of the Empire. It tells us that we can earn our place in the system. It tells us how to divide one another, how to assign value. We learn who is attractive, who is smart, who is capable, and we understand that if we want to have value, there are tasks to accomplish. There are people to please. There is a path toward winning.  Who am I if I can't carry it all? Luisa sings. And maybe the question should be bigger: Who are we if any of us thinks we must carry it all? Lean toward beloved community, friend. Start with your own heart.    Links: This reflection and practice were also published this week in The Slow Way Newsletter.  Find a transcript of this episode here.  Find The Church Cracked Open by Stephanie Spellers here. Find Micha's website and sign up for her weekly newsletter here Find Micha on Instagram Find Micha on Twitter Micha's other podcast, The Lucky Few, is all about Down syndrome advocacy. She cohosts it with Heather Avis and Mercedes Lara. Found: A Story of Questions, Grace, and Everyday Prayer is available everywhere books are sold   

This pop-tune focuses on how important it is to realize that identity and self-worth shouldn't be measured by performance. Read the Plugged In review: https://www.pluggedin.com/track-reviews/jessica-darrow-surface-pressure/ If you've listened to any of our podcasts, please give us your feedback: https://focusonthefamily.com/podcastsurvey/

Do you ever feel pigeon-holed? You feel like you are out of options and too tired to fight for options? Every practice owner experiences seasons of simply wanting out. They want to walk away from the pressure and stress of it all. In this episode, Dr. Kuba and Bethany discuss the intentional strategy of bringing in producer help. For some practices, that could mean taking the leap of faith and hiring a hygienist. For other practices, that could mean hiring a part-time associate. Whatever the case may be, it is critical for solo practice owners to feel like they are not alone, and the addition of producer assistance often can relieve some of the pressure of practice ownership. Show hosts Bethany Petty and Dr. Reena Kuba discuss the following topics: The recent stories and examples of practice owners walking away from it all. How business ownership is a blessing and a true gift. The importance of protecting your greatest instrument – your mind and body. By protecting this instrument, a practice owner can extended his or her practice life by 5, 10, or even 15 years. 

“Pressure like a drip, drip, drip that'll never stop, whoa”. IT'S THE BOYS ROOMMMMM as Adaloso takes off this episode which makes it an intimate two-fer with DJ & TWO. DJ gives a presentation of Encanto's “Surface Pressure”, analyzing both the toxic & healthy parts of the song as it relates to his life as TWO speaks on his own pressures and ways that he's navigated powering through. Tune in & take notes because this season… we're vibrating higher. Episode Affirmations/Gems: We all have a little firefighter in our souls. We all put our fires from time to time - DJ You can't power through if you don't got no power - TWO HOST SOCIAL MEDIA TWO32 (S5 Guest Host) - IG: @two32 | Twitter: @2_32am DJ614(CEO) - IG/Twitter/CH: @djsj614 Adaloso(COO) - IG/Twitter: @adaloso09 | Snap : adaloso The New York Dose - IG/Twitter/FB: @thenewyorkdose SONGS PLAYED INTRO/OUTRO: Title- WHASS GOOD/Dose Remix Artist - 6ix14, Adaloso --- Send in a voice message: https://anchor.fm/thenewyorkdose/message

Tricia Barr and Sarah Woloski dive into the music and cultural impact of Disney Animation's 60th film Encanto.   BE SURE TO CHECK OUT OUR LATEST EPISODE: Ringing in 2022.   Related Skywalking Through Neverland's review of Encanto Skywalking Through Neverland's Encanto episode Encanto animation choreography video  'Encanto's' 'Bruno' Is the First Disney Song to Go No. 1 in 29 Years - Variety Howard Ho's Madrigal Breakdown of 'Bruno' - YouTube The Fight for Luisa's Muscles - /Film Encanto is a Beautiful, Brilliant, Broken Mess by Laurie Penny FANGIRLS GOING ROGUE MARVEL AND STAR WARS FACEBOOK DISCUSSIONS CONTINUE ON SATURDAYS @ 8PM ET/5PM PT WITH A DISCUSSION OF THE LATEST EPISODE OF THE BOOK OF BOBA FETT. Music credits: "Surface Pressure," "We Don't Talk About Bruno," and "All of You." Social Fangirls Going Rogue Twitter | Instagram Tricia Barr  Twitter | Instagram Sarah Woloski  Twitter | Instagram Teresa Delgado  Twitter | Instagram Sandra Choute Twitter | Instagram Kai Charles Twitter | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!

Have you watched the movie Encanto yet? If not, I highly recommend it, as well as just listening to the soundtrack. The entire movie and soundtrack are great, but one of the characters and songs that I related to most was Luisa and her song, Surface Pressure. Sometimes we can get weighed, thinking we have to do it all on our own, but we don't. Let's talk about it in today's episode. 

The Radteam jacks into the simulation to talk about Encanto, kayfabe, and the Matrix Resurrections. The verdict: it sure was a movie. Hey! Check this out: Surface Pressure (from Encanto) Maniac (Netflix) Don't Look Up (Netflix) Enes Yilmazer (https://www.youtube.com/channel/UCHWbZM3BIGgZksvXegx_h3w) The Tragic Fall of Kanye West (https://www.youtube.com/watch?v=wvgehVhF9D4) Trader Joe's chocolate oranges The Sparks Brothers (2021 documentary) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/radmars/support

Join us as we talk about Encanto! Maribel isn't the only one that doesn't have powers, we don't either. Join us as we talk Hologram Encanto, House Tours, and Themed Fruit. Follow us on Twitter: @marketerscutFollow us on Instagram: @marketerscutSubscribe to our YouTube. Art by Jacob Wall. Check out his work on Instagram @KuufnarMusic by Logan McElroy. Check out more on Soundcloud.

There's something wrong with our youth; and I don't mean our teenagers. I mean the children. There's this thing that they are just addicted too. It gets in their brains. They always want to watch it, and sing it. That's right, I'm talking about the dangers of Encanto, Disney's newest adventure for the whole family. We watched Encanto a couple weekends ago and now we're listening to Surface Pressure and We Don't Talk About Bruno so many times. Here's the

Drawers! Floors! Doors! Let's go! Come with us to Casa Madrigal, the magical casita that sits in the heart of a wondrous Colombian community. After spending weeks with “Surface Pressure” and “We Don't Talk About Bruno” buzzing in our heads, we're discussing Disney's 2021 animated smash Encanto, and the myriad ways it evolves the studio's offerings. Drawing inspiration from the beautiful landscape, culture, and music of Colombia, the literary magic of Marquez, and the tragic history of the country, Encanto weaves a vision that's truly moving. We discuss how the Madrigal family suffers from intergenerational trauma, and the intense work they must undertake to heal their collective wounds. We also dive into the history of Colombia to try and place Encanto in time, giving the story additional emotional context. Lastly, we acknowledge some of the many mythological parallels in the story. The stars don't shine, they burn. — Support us at www.patreon.com/midnightmyth Check out our merch store for Midnight Myth, Boomerangerang, and Wheel of Ka tees and totes! Learn more, view sources and inspiration, and sign up for e-mail updates at www.midnightmyth.com Interested in starting your own podcast? Try using Anchor by clicking on this link to get started: anch.co/midnight Twitter Facebook Instagram If you enjoy the podcast, please consider leaving a rating or review on Apple Podcasts or wherever you listen! --- Support this podcast: https://anchor.fm/midnightmyth/support

In Season 3, episode 1 of the Bad Filipino podcast, I talk with my dear friend Jennifer C. about the Disney animated feature Encanto, focusing primarily on the women who bring this film to life and the incredible representation of Colombian culture throughout the movie. Jennifer C. is a Colombian American blogger, content creator, speaker and creative. As one-half of the sister duo @CurlyCurvyPassion on social media and the web since 2016, Jennifer advocates for empowerment through real talk about natural hair, body love, community & culture. You can read her blog and follow her social media at: CURLY CURVY PASSION. Encanto is Disney's first film that truly encapsulates the culture and nuances of Colombia. From the storyline and historical references to the symbolism of the costumes and music soundtrack. Encanto is the 60th film by Disney with all original songs written by multi-award-winning playwright/producer/director Lin-Manuel Miranda. Every effort was made in being as true and authentic to the creation of this animated feature. The Co-director and Co-writer Charise Castro Smith is from Miami, Florida and raised in a Cuban family. Germaine Franco composed the film and has shattered the glass ceiling for Latina composers. She is the first female composer for a Disney animated feature, the first Latina composer invited to join the Academy of Motion Picture Arts and Sciences music branch and to receive the Annie Award for Outstanding Achievement for Music in an Animated Feature (COCO). Plus, Franco is the first female composer to be hired by DreamWorks Animation and Pixar. The soundtrack for Encanto hit the ground running upon its release in November 2021. Within two weeks, it reached number 1 on Billboard 200, dethroning Adele's 30. It is the first Disney film since Frozen II to top the chart. Up for several award nominations, it has won seven so far. An impressive seven songs from the album appeared on the US Billboard Hot 100, led by "We Don't Talk About Bruno" - which was the soundtrack's most popular song. it reached number one on the Spotify Top 50 US chart on January 10, 2022. The single "Surface Pressure" reached number 10, making Encanto the first Disney animated film to have generated multiple top-10 songs on the Hot 100. "We Don't Talk About Bruno" is the first-ever original Disney song to top the chart. On the UK Singles Chart, "We Don't Talk About Bruno", "Surface Pressure" and "The Family Madrigal" have peaked at numbers one, five and fifteen, respectively. Nearly all the female voice roles were cast by Latina artists who act and sing on the soundtrack, and all of Colombian or Cuban descent. Actress Angélica María Cepeda Jiménez who voices Julieta (Maribel's mom), is born in Cartagena de Indias, Colombia. Carolina del Pilar Gaitán Lozano who voices Pepa Madrigal (Aunt) is born in Villavicencio, Meta, Colombia. The main character Maribel Madrigal is voiced by Stephanie Beatriz (Brooklyn Nine-Nine), who was born in Neuquén, Argentina. Maribel's sisters are voiced by Jessica Darrow (Luisa, a Cuban American born in Miami) and Diane Guerrero (Isabela, Colombian born in New Jersey). The only character with a separate voice actress and singer is 'Abuela' Alma Madrigal. She is voiced by actress Maria Cecilia Botero Cadavid (Colombian), with actress Olga Merediz (Cuban) providing the vocals. I came away from our conversation completely inspired and mesmerized with Colombian culture, learning how much Disney got it right with Encanto. It is a beautiful and powerful story that opens the doors for conversations on healing from trauma, embracing one's culture... even finding the strength to be true to one's identity. --- Support this podcast: https://podcasters.spotify.com/pod/show/myki-angeline/support

Jessica Darrow voices the character Luisa in the hit animated Disney movie, Encanto. The movie released into theaters in November, but since streaming on Disney+, millions of women have taken to social media admiring the character and her hit song in the movie, "Surface Pressure." Jess told us about landing the job, working through the pandemic and how she connected with the character that's resonating with so many people.  Luisa bagel from Britt & Co Bagels, Greenwich CT

Coach MIchelle Chestovich MD discusses this popular song and why so many physician moms relate! We discuss how relating our worth to our doing for others will always have us running on empty!

Episode Notes [“Colombia, Mi Encanto,” from Encanto] Maria & Natalia: Hello! Welcome to Guatever. Maria: And Happy New Year. Natalia: Welcome to 2022. Maria: I'm Maria Caamaño. Natalia: And I'm Natalia Camino. Maria: And today we are talking about Disney's Encanto. Natalia: We know that we usually only talk about music. But overall, we think this movie is just really important for the Latino community. And we want to talk about it. Maria: Also, the songs are really good.  Natalia: Yes, also, the songs are really good.  Maria: So first up, let's discuss Encanto. For those of you who do not know, Encanto is a movie released by Disney. It takes place in Colombia. It's one of the – possibly the third – Latino household [movie] with Kuzco from Emperor's New Groove being the first and Coco being the second. Natalia: Yes, even though like Coco for me, obviously, it was a very important movie because it was one of the first times I could actually see my culture or my traditions represented. And like, it all felt very familiar for me. Obviously, like… Maria: That is not the complete, like…  Maria & Natalia: Latino experience.  Natalia: Yeah. And so I think it's really cool that Disney is just expanding.  Maria: It's also nice to see a movie that just represents another Latin American country, but also in a sense…  Natalia: …represents all Latinos.  Maria: Yeah, it's like a win for all Latinos, because I feel like the styles of some of the songs are representative of also different styles of music that all Latinos enjoy like Salsa… Natalia: And like Cumbia. Maria: Yeah, and like Latin rock. But yes.  Natalia: Yeah, I think also because something – we'll get more into this later – but something that Encanto does well is showcase… Maria: The immigrant experience in Latin America. Natalia: Yeah. Because there's not just immigrants coming into the US. There's also people, as Encanto showcases, that have to leave either their hometown and go into another area of that country for political reasons or any other type of reason.  Maria: Well, yeah, cause in Encanto they never really say. Yeah, we're gonna try and not spoil for anyone, also. So if you haven't seen it, do not worry. But you will understand the main idea. Natalia: But also go watch it! Maria: It's so good. It is so good. It's such a good movie. I think that everyone should watch it. Like, just because I think that it does a really good job in representing not only like the immigrant experience, but – me and Nat talked about this – so it shows a lot of the fact that in Latin America, there's not really a racial monolith.  Natalia: It's a mixture of various races. And I think this is important because there's usually just this one Latino stereotype or this one Latina stereotype. Maria: I think that it does a good job because that's the reality. There's so much racial diversity in Latin America. So it does a really good job of also showcasing that I think, which is nice to see for once.  Natalia: And I think it's important.  Maria: Yeah. Let's move on to the songs in the soundtrack. And we're gonna start with “We Don't Talk About Bruno”. [“We Don't Talk About Bruno,” from Encanto] Maria: So this is my personal favorite of the film. I think it is so fun and it finally showcases Pepa's side of the family – like Pepa and Félix's side of the family.  Natalia: Because like throughout the movie you don't really understand their dynamic.  Maria: Yeah, but also like you don't really get to see like Camilo or Dolores really until that point. Their voices are amazing. Like Dolores' part is so cool. And then Camilo's part – the raspiness of this man's voice. I would have loved to have them have their own songs because they killed it so much in this song. But this is also the song that went viral on TikTok. Like if you haven't heard of this song, honestly, don't know what to tell you.  Natalia: Go listen to it. Go listen to it.  Maria: Literally. It's like, it went number one on the charts. I think it went number one on Spotify even so, like, everyone loves the song. It's so good. I – Yeah, I'll make the generalization. Yes. People… Maria & Natalia: …love it.  Maria: But also what me and Nat find funny is that every Latino household has that like one relative… Natalia: That you don't talk about.  Maria: So it was really funny to see that kind of like… Natalia: Like, it's not really a trope, because no one talks about it. But yes. Do you have a relative you don't talk about? Maria: I think that my family doesn't have one, really. Because we talk about everyone. We'll like say everything in front of each other. So maybe that's why? If not, maybe, I don't know who it would be but… you know, maybe it's me! Natalia: What if it's you?  Natalia: But yeah. I do have one relative we don't talk about so.. And I know other people also have relatives they don't talk about. Maria: No, I definitely know people who like, they don't talk about maybe like an uncle or an aunt. Or like they get invited once in a while and it gets awkward when they're invited. Like stuff like that. Natalia: And it's like for various reasons, obviously, usually it's not because they cast… because they can like see the future. Maria: Obviously. I mean, everyone's family has their own business. Everyone has their own stuff. Yeah. So moving on to the next song. Natalia: “What Else Can I Do?” [“What Else Can I Do?,” from Encanto] Natalia: Which is a great song. Maria: It is a great song. I think – when I was watching, I got really into this movie.  Natalia: Yes. Maria: So I dove into Lin-Manuel's interviews about the songs. Natalia: Also, for context. We didn't say this earlier, but Lin-Manuel Miranda wrote…  Maria: Oh, all! Natalia: All of the songs.  Maria: He did the entire – I think he wrote all the songs.  Natalia: The majority. Yeah.  Maria: Except for maybe like… I think he didn't – obviously – compose the songs that go in the background. But, like, I think he did most of the songs that characters sing. But yeah, so I was watching Lin-Manuel's interviews, and he said that for “What Else Can I Do?” he really wanted to do a tribute to Latin rock. Like old time Latin rock from the ‘90s. And like… Natalia: I thought that was really cool. Maria: Yeah, I know. I knew you were gonna like that. Natalia: Yeah, because I think the history of Latin rock in Latin America is just really cool. There's a great documentary on Netflix that everyone should watch! Maria: Oh, my God. Natalia: But I think it's really cool that he did this because Colombia as a country played a really big role in the upbringing of Latin rock, along with various other countries such as Mexico, Argentina, and Chile. So I think it's really cool.  Maria: I also just think it's a really cool song. Like, if you listen to it, you can definitely tell that it has those influences.  Natalia: Yeah.  Maria: But it doesn't feel out of place in the film.  Natalia: Yeah. Maria: ‘Cause sometimes when you play with genres, I feel like it feels really out of place. And especially in children's movies, because you want everything to be something that can cater to children. But he did a really good job. Natalia: I think it also just juxtaposes the character very well. Maria: Oh, yeah, that's so true. So let's talk about Miss Isabela. She is supposed to be like the perfect one in the family. Or like, that's what we think when you meet her.  Natalia: We won't spoil it.  Maria: Exactly. So we'll just leave it at that. She's supposed to be very perfect. And so for them to have given her the song that's like… Natalia: Latin rock… Maria: Was very interesting. But it makes sense, also – with the storyline. Yeah, so once you like… if you haven't seen it, it will make more sense. Natalia: Everything will make more sense if you watch the movie.  Maria: Obviously. Then we're moving on to – so this song, this next song for me was hilarious, because… So storytime: when I saw this movie, I didn't see it with Natalia. I saw this movie on the plane on my way back to Evanston from home for Winter Break. And I was on the plane sobbing just watching this movie. But I remember hearing this song and I just thought “Oh, no… Natalia.” Natalia: Because then we did watch the movie together when Maria got back. When we were both back from break. Maria: And I just warned her. Natalia: And she just goes, “Natalia. Just be careful with this next song.” And I go, “What do you mean?” Maria: So we're talking about “Surface Pressure”. This song is about Luisa, who's supposed to be like the strongest – not only like physically, but I guess… Natalia: Also emotionally. Maria: Also emotionally – in the family. And she's kind of having a moment of vulnerability, telling her sister that all that pressure isn't very good for her. And it kinda showcases that classic older child… Natalia: It's like… I think something this movie does very well, and that a lot of people picked up on, is showcasing the immigrant experience. And I think like, especially this song, showcases like the oldest sibling – I guess in this case the oldest daughter. In my case, the oldest daughter. And so I think this song resonated with a lot of people. Maria: It was funny, because we were watching it in our apartment and I just looked at her.  Natalia: And I was like, “What do you mean?” And they're like, “You don't know how to relax. You don't know how to not stop working.” Maria: Which is true. If you know Natalia, you know that this is true.  Natalia: And maybe this song did speak to me. Maria: Warning, if you are an older sibling, maybe… maybe just be careful when you watch. Natalia: Don't watch it with your family. Don't watch it with your family, and you'll be fine. Maria: Oh, my God. [“Surface Pressure,” from Encanto] Natalia: Kind of also with the trauma of the immigrant experience is that idea… I think, like why there's so much pressure sometimes on like the oldest immigrant sibling is because it's the idea that usually the parents or the grandparents sacrificed a lot or had a big sacrifice in order to migrate. And so they have to make it worth it. And so I think that's like one reason why Luisa probably – or the entire family – feels so much pressure to appease Abuelita is because she's sacrificed so much that they have to make it worth it. And so then with the song “Dos Oruguitas”... Maria: So “Dos Oruguitas” is this song where it kind of like, after some stuff goes down, explains the background of Abuelita, who's the matriarch of the family. And it kind of breaks down what she went through and being forced out of her home. As we said, we're not trying to give spoilers so that's the only thing I'll say. And it kind of like taps into what Nat was saying, like the trauma of being displaced from your home and having to like, I guess, like build everything from… Natalia: …scratch.  Maria: Yeah. Natalia: Yeah. So I think like, overall the movie or – even I saw this on Tik Tok a lot – like it really spoke to a lot of immigrants and people who have gone through that immigrant experience. And like that it showcases the Latino immigrant experience in a way that like the family dynamics sometimes are not talked about because it's so – they're so accepted. Maria: I think it's just normalized. Natalia: Yes. Maria: Like the expectations for everyone in a family. But also just talking about “Dos Oruguitas” in general, this is one of the only songs other than like “Colombia, Mi Encanto” that's in Spanish. And it is… Natalia: It is a… Maria: It is… Natalia: A sentimental song. Maria: It is tragic. It is so sad. I – Natalia does not cry. And I heard her going sniffle sniffle the entirety of “Dos Oruguitas.” And then I just look at her and I just go, “Are you crying?” And she just goes, “Yes.” Natalia: Okay, I don't show emotions, but that doesn't mean I'm heartless. Maria: It's such a sad song. I feel like no one can get through that one and not cry. Natalia: For people who don't know, “Dos Oruguitas” means two caterpillars. Maria: Yeah.  Natalia: And so the song slowly transforms and at the end like it's supposed to show growth. Maria: Yeah. So like they turn into butterflies. Natalia: Yes, like a metaphor. [“Dos Oruguitas,” from Encanto] Maria: If you should take anything away from this episode, it's that you should go watch Encanto. If you haven't, it's such a good movie. Natalia: It has an amazing soundtrack. It talks about the Latino experience, it showcases Latinos in an… Maria: It has amazing actors! Natalia: Amazing actors. It showcases Latinos in a non-stereotypical way.  Maria: So true, man.  Natalia: And overall, you should just go watch it. Maria: Yes. You know what, honestly, one of the things that I just realized is that there's not any like stereotypical Latino character in this movie. Natalia: Because you think – Wait, we didn't talk about this. But, the love interest of Isabela throughout the movie is voiced by…  Maria & Natalia: Maluma.  Natalia: But Maluma does not sing. He literally has like three lines. Maria: First of all, why would they not give Maluma…? He's literally a singer. And they did not give him a singing part. But it's okay. Because it makes sense. I wouldn't want his character to sing. Natalia: Yes. Maria: He's terrible. He's like the Latino lover, I guess.  Natalia: Yeah, he's the Latino like stereotype. But then he ends up like… Maria: Not.  Natalia: And like you think that Isabela is also going to kind of feed into that stereotype. Maria: They don't embody any of those stereotypes. And like, none of the characters are what they seem. They have so much more depth to them. Natalia: Because usually with Latino characters, when they play like a supportive role, they're very flat characters whose entire personality's either 1) they're Latino, 2) they can cook or 3) they're attractive. So like for this one, there's so much like – there's so much more to them and their relationships are so much deeper.  Maria: Yeah.  Natalia: It was just very refreshing. We'll end with this.  Maria: Who's your favorite character?  Natalia: I think Bruno's the funniest and I like that. He's funny.  Maria: My favorite other than Bruno is Camilo. That moment when he's looking for Mirabel and he accidentally turns into a baby is hilarious to me. He's just funny.  Natalia: But yes, I just think the fact that he says, “Sana, sana colita de rana” is funny. It reminds me of my dad. Maria: So, thank you so much for tuning into this episode. Natalia: We know it's a little bit different from what we usually do.  Maria: But we wanted to… we wanted to come into the new year with something new! 2022! Our podcast is about to turn two years old this year, which is… Maria & Natalia: Crazy.  Maria: Um, but yes! Thank you so much for tuning in. We hope you like this episode, and we will be bringing you much more content in the year of 2022. Natalia: Please let us know your thoughts and if you have anything you'd like us to talk about. Maria: Yes, just message us. We always say this but just find us on social media. Natalia: Also because we are running out of ideas. Maria: This has been Maria Caamaño. Natalia: And Natalia Camino. Maria: For NBN Audio. [“Colombia, Mi Encanto,” from Encanto] This podcast is powered by Pinecast.

“We Don't Talk About Bruno,” the hit song from Disney's Encanto, is sitting at No. 2 on the Billboard Hot 100 this week, and that's all thanks to TikTok. On the show today, Madison and Rachelle talk about the songs from Encanto currently dominating the platform, and why people online seem to love to hate Lin-Manuel Miranda. Podcast production by Daniel Schroeder and Derek John. Correction: This podcast incorrectly stated that TikTok is included in the Billboard Hot 100 chart calculations, misnamed the song “Surface Pressure,” and misstated that it is sung by the oldest daughter (it's sung by the middle daughter). Learn more about your ad choices. Visit megaphone.fm/adchoices

“We Don't Talk About Bruno,” the hit song from Disney's Encanto, is sitting at No. 2 on the Billboard Hot 100 this week, and that's all thanks to TikTok. On the show today, Madison and Rachelle talk about the songs from Encanto currently dominating the platform, and why people online seem to love to hate Lin-Manuel Miranda. Podcast production by Daniel Schroeder and Derek John. Correction: This podcast incorrectly stated that TikTok is included in the Billboard Hot 100 chart calculations, misnamed the song “Surface Pressure,” and misstated that it is sung by the oldest daughter (it's sung by the middle daughter). Learn more about your ad choices. Visit megaphone.fm/adchoices

“We Don't Talk About Bruno,” the hit song from Disney's Encanto, is sitting at No. 2 on the Billboard Hot 100 this week, and that's all thanks to TikTok. On the show today, Madison and Rachelle talk about the songs from Encanto currently dominating the platform, and why people online seem to love to hate Lin-Manuel Miranda. Podcast production by Daniel Schroeder and Derek John. Correction: This podcast incorrectly stated that TikTok is included in the Billboard Hot 100 chart calculations, misnamed the song “Surface Pressure,” and misstated that it is sung by the oldest daughter (it's sung by the middle daughter). Learn more about your ad choices. Visit megaphone.fm/adchoices

Lin-Manuel Miranda joins the Billboard Pop Shop Podcast to talk all things “Encanto.” Miranda wrote eight songs for the hit Disney animated film and No. 1 soundtrack, including the top 10 Billboard Hot 100 hits “We Don't Talk About Bruno” and “Surface Pressure.” Miranda chats about working with “Encanto” animators to help tell the film's story, his songwriting process for film, and more. Plus, with the film's “Dos Oruguitas” shortlisted for the Oscar for best original song, Miranda discussed why that song was the right tune to submit to the Academy as a representation of the film. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are not throwing away our shot! In this ep, Mat and Tim praise the original soundtrack to Disney's Encanto, and consider the greater Latin music landscape. Plus, how do they feel about Lin-Manuel Miranda?SONGS PLAYED:Colombia, Mi Encanto (from Encanto)We Don't Talk About Bruno (from Encanto)Desi Arnaz - Brazil SambaDesi Arnaz - Holiday In HavanaPete Rodriguez - Soy El ReyPete Rodriguez - I Like It Like ThatRicky Martin - Livin' La Vida LocaShakira - Hips Don't LiePitbull - I Know You Want MeUn Poco Loco (from Coco)Alexander Hamilton (from Hamilton)A Whole New World (from Aladdin)Dos Oruguitas (from Encanto)The Family Madrigal (from Encanto)Surface Pressure (from Encanto)What Else Can I Do? (from Encanto)Two Worlds (from Tarzan)Los Sabrosos - El RiesguitoWizKid - Essence

Disney's recent animated film Encanto, is embraced globally for its family message, and music. All 8 songs sung in the movie are charting! I storytell it using these songs and report each of its historic Billboard charting. Theme Song: "Dance Track", composed by Jessica Ann CatenaEncanto soundtrack: https://disneymusic.co/encantoEncanto Disney+ link: https://www.disneyplus.com/movies/encanto/33q7DY1rtHQH1. "The Family Madrigal"2. "Waiting On A Miracle"3. "Surface Pressure"4. "We Don't Talk About Bruno"5. "What Else Can I Do?"6. "Dos Oruguitas" / 10. "Two Oruguitas"7. "All of You"9. "Columbia, Mi Encanto"

You may not know who Bruno is, but you do probably know that we don't talk about him thanks to a song from the animated film “Encanto.” The movie, about a magical Colombian family struggling to maintain their special powers, hit movie theaters in late November and has since infiltrated households across the country with its catchy songs – six of which have landed on the Billboard Hot 100 list this week. Disney, the studio behind the film, is known for pumping out hit songs such as “Let it Go” from “Frozen” or “A Whole New World” from “Aladdin”, but the multi-track success of Encanto is unprecedented. We talk about why songs like, “We Don't Talk About Bruno,” “Surface Pressure,” and “What Else Can I Do,” are stuck in so many heads of kids and adults alike. Guests: Pamela Avila, Los Angeles-based entertainment editor, USA Today, and author of the article, “What Disney's 'Encanto' teaches us about self-worth and overcoming intergenerational family trauma.” Bethonie Butler, reporter covering television and pop culture, The Washington Post, and author of the recent article, “How ‘Encanto' and its vibrant soundtrack became a viral phenomenon”

Anney and Samantha talk about the Encanto soundtrack, the power of a good song, and the risk of defining yourself through your gifts.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Episode Notes [“We Don't Talk About Bruno,” from Encanto] Trent: Hello everyone, and welcome to Episode One of Pop Chaos, your one-stop shop for pop culture. If you did your homework, you just listened to episode zero. We're not introducing ourselves again. But I'm Trent. Bailey: I'm Bailey and you just said we're not going to introduce ourselves, yet here we are. Trent: This week we're talking about Spider-Man, right? No Way Home. Bailey: We are going to talk about a lot of things. Spider-Man… Trent: Encanto. Bailey: Encanto for sure. Trent: What was the other thing? Bailey: There were some other things we were going to talk about. Trent (overlapping): Such as? Bailey: For one, Elmo, I wanted to bring up. Trent: Oh yeah, you need to explain to me what is going on with Elmo. Bailey: Yeah, yeah, yeah. And then maybe just like some, some other shows that are big and coming up right now. I was thinking about mentioning, you know, Succession. Euphoria season two is coming out. Trent: Oh yeah, have not seen Succession. Bailey: Well, I don't know. The big two we're gonna talk about are Encanto and Spider-Man-slash-Andrew Garfield. The resurgence. He's big right now. Very big. Trent: That's true. Should we – we should just get right into Spider-Man. He is huge, actually, on Twitter and like TikTok. There – I saw a tweet that was like, “The K-Pop-ification of Andrew Garfield.” I think people were like, “Stream The Amazing Spider-Man,” to get him that recognition. Bailey: Well, so I'm curious. I just want to double-check real quick how old he is. Trent (overlapping): We'll embed that. Bailey: I want to check how old he is. Trent (overlapping): He's like in his late 30s, I want to say. Bailey: Ooh! So I looked him up on Google. Trent (in the background): 45. Bailey: And unfortunately, he's shorter than both of us. That's … yeah… Trent (gasping): With his hair, it's fine. Bailey: He's 5'10”. That's true. His hair like defies gravity, so. Trent: Wait, no but how old is he? Bailey: He is 38 years old. Trent: What'd I tell you? Late 30s. Bailey: Yeah, he looks great for his age. Did you watch – sorry, we were gonna talk about Spider-Man. But did you watch tick, tick… BOOM!, because it's on topic? Trent: No, so I saw like the trailer. Bailey (in the background): Okay. Trent: I did not – okay. Not to bring up Andrew Garfield's hair again. I cannot get past his hair in the trailer. It looks, I think personally – Bailey: It looks like Jonathan Larson's hair though, who he's portraying. Trent (overlapping): I know. But that doesn't mean I like it. Bailey: Okay. So you're just not gonna watch the entire movie because of his hair? It was too bouncy? Trent: Correct. Bailey: It did … it did look… Trent: It looks like he's like a mad scientist and it blew up. Bailey: Yeah, it looks like he touched one of those little balls that makes you – WOOOOO! Trent: Those electric balls – Bailey (joking): But like not in a gay way. Yeah, and it also – Trent (laughing): …Bailey… Bailey: I dunno, it also looks like … I don't know, I think it looked kind of bouncy, kind of good, like kind of shampoo commercial sort of… Yeah. Trent (overlapping): Anyway, Spider-Man: No Way Home. Bailey (in the background): Yeah, enough about Andrew Garfield's hair. Trent: Andrew Garfield's done. What did you think of No Way Home? Bailey (overlapping): Well okay, first off, spoiler alert. Like if you have not seen it.  Trent: Oh, yeah, obviously. If you haven't seen Spider-Man or Encanto, we're talking about both of those. Bailey: Yeah, let me not shame you though because if you don't want to go to the movie theater right now, that is a-okay. But also, what are you doing? You got to see this g-dang movie. I don't know. I… I did like, I binge-watched all the other Spider-Man movies. Trent (overlapping): Like all – like, all seven of them? Bailey: Yeah, pretty much. For the most – yeah, I think I missed a couple the first time around. But then after the movie, I watched – I've seen all of them. Mostly, my goal was to re-watch the Tobey [McGuire] ones because I was never a huge fan of those. So I had to re-watch them.  Trent (overlapping): Not that. Bailey: I'm so sorry. I'm so sorry. Trent: It's okay. So I'm actually on the – well, I know I've definitely seen the Tobey ones. I actually don't know if I've seen Andrew Garfield. Sorry. Bailey (overlapping): Are you f-ing serious? Trent: And I know for a fact that I have not seen Spider-Man: Homecoming or Spider-Man: Far From Home. I did not see those. Bailey (overlapping): How are we friends? And you went to go see No Way Home? Trent: Yeah, cuz my friends were going and I was like, “Lemme…” Bailey: You… so if your friends jumped off a bridge, would you do it too? Is that what I'm hearing? Trent: I would. Listen, why are they jumping off the bridge, you know? Bailey: Trent. Trent: No Way Home, because he's jumping off a literal bridge, yeah. Trent (in the background): Let's investigate. Investigative journalism. I would. But I liked it. Bailey: No, I'm sorry. Okay. On Tobey Maguire's Spider-Man. I like them. I like them. I appreciate them, the nostalgia. The first one I think is really great. Mary Jane slayed. Her hair … I love her. This is literally the most irrelevant thing to the actual movies, but I love her hair in the first movie like the dark like orange. I love it. The third movie, I … it's painful to watch. It's really, really hard to watch. Trent: It's been a while but I looked at the Rotten Tomatoes scores like a while ago and it's like the lowest by far. I'm like, what happened to that movie? Bailey: Yeah, well, I don't, I don't dictate my life and what I watch by Rotten Tomatoes scores. Trent: Oh no, I don't either. Bailey: Because I think that they – no yeah – I think they totally lie all the time – Trent (in the background): For the reporting. For the reporting. Bailey: And I'm a huge fan of a good bad movie. You literally can look behind me here. Trent (in the background): Oh, for sure. Bailey: There's a Ma poster on the wall. It's one of the best good-bad movies ever made. But the third Spider-Man movie is genuinely just too hard to watch. Like I had to look away like when he's like doing the whole walk down the street. He's got like the “Where are you?” emo hair. I can't, he looks so greasy! Trent (in the background): That is so funny! His weird emo hair? It's so bad. Bailey: Yeah, so I don't know. Trent: Okay, my question – who is your Spider-Man? Like out of the three, who is your Spider-Man? Bailey: I think you know the answer to that. Trent: Well then why don't you say it? Bailey: It's Andrew Garfield. Trent: Of course. Mine is Tobey. Bailey: Because I grew up, I – Okay, I loved the Andrew Garfield Spider-Mans and I always had to defend them and I'm so glad that people are finally recognizing that he is amazing. Like I'm sorry, the second one was a hot mess, there was just too much going on. That's not his fault though. Acting-wise, he ate. He ate and the thing for me is, for Andrew Garfield Spider-Man … especially like … the characters have so much chemistry. They do, specifically Gw– you have to, like you have to watch them. The Andrew Garfield – Trent: Wait, I actually think I saw the first one cuz I remember the scene where like he's at Gwen's house for dinner. That's all I remember though. Bailey: Yeah, eating the branzino. The fish. Yeah, so the first like for example, the first Spider-Man, when I'm watching like Toby like I watched all three of those movies … I did fall asleep a little bit during the second one … I'm so sorry. Trent (overlapping): Of course. You missed the lore, you missed the most important part, missed Doc Ock's background. Bailey: I'm so sorry! I did like the second one, though. But, it didn't make me feel that much. It really didn't, and I love Willem Dafoe too, like he's one of my favorite actors. I love him in like some of my favorite video games like Beyond Two Souls. He's amazing. He's such a good actor. He slayed in No Way Home. He was so good. But the gag is is that – Trent: What's the gag? Bailey: The gag is that the Andrew Garfield's Spider-Man makes me feel so much, like I cried twice. I cried when Uncle Ben dies. It makes you feel so much, like they build up so much with the characters. When like Uncle Ben died in Tobey's movies, I did not cry, I didn't feel anything. Trent (sarcastic): Uncle Ben died? gasp Bailey: gasp Guys, I'm so sorry! So sorry! Trent: Iconic Spider-Man moment, oops! Bailey: Oh my God, Spider-Man wears red and blue? Oh my God! Trent: Wait, he's a spider? And a man? Bailey: Wait, a spider bit him? Oh, god… No, but literally like it makes me feel so much. And Gwen, like Emma – Emma Stone is incredible. Trent: That's true, she's great as Gwen. Bailey: I just rewatched Easy A because I've been seeing so many Gwen Stacy edits and I was like, “I love this woman and I need to rewatch.” Because she just, she ate. She's so good, and she and Andrew, obviously they dated. All the Spider-Mans, they've all like dated their Mary Janes or whatever. Trent (overlapping): They did? I didn't know that. Oh, I guess that makes sense. Bailey: Yeah, they all have. Really? Yeah, MJ and Tobey – like Tobey and Kirsten Dunst dated, Andrew Garfield and Emma Stone dated, and now Tom Holland and Zendaya, yeah. Trent: Wait, iconic. Bailey: Yeah, so. But I don't know. I just think that Gwen and Andrew had the best chemistry, and they were so, so good. And I love those movies so much. Trent: That's fair, that's fair. I would say mine is Tobey, just because that's the one I remember seeing, that's what I grew up on. And I have not, I don't know. Andrew Garfield, when I watched it at the time, doesn't hit for me. That was like seven years ago, so I don't remember. Tom Holland, straight up did not see any of them. Bailey: Okay, he's good. I think they were just … they kind of got off to a slow start, in my opinion. Trent: I think … do you think it's weird that … I feel like it's a requirement for Spider-Man to have thin lips. Have you noticed that? I noticed that in No Way Home, they all have tiny little stick lips. Bailey: Trent, Trent, Trent! When I tell you that I saw … so I saw No Way Home twice. And when I was watching with my brother, I had to lean over to him halfway through and, like for the record I have very small lips. Not Spider-Man small but pretty small. But, I leaned over to my brother who was watching with me and I was like, I think they might have like one-and-a-half pair of lips between all three of them. Trent (in the background): Literally! Bailey: I was like, “Bert …” And like not to shame for their – like, they're all very attractive, beautiful men, but I was like, “This is a pattern. This is for sure a pattern.” Trent: It's – we're just observing their faces. Bailey: Yeah. And they're all, again, they're very attractive men. But it's just a pattern. Like for some reason, like I don't know if the spider just like [slurp] sucked all the lip. Like just sucked the lusciousness out of their lips. Trent: It's like the opposite of lip fillers. Bailey: Yeah, the spider bite is actually the opposite of lip fillers, so if you're wanting smaller lips, fun fact… Trent: Go get bit by a spider. That's a joke! For medical purposes, for legal purposes. Don't get bit by a spider. Bailey: Don't. Well, if you want to, you can come to my apartment because we had a spider problem at the beginning of the year. My address is – no, I'm just kidding. I want your general thoughts on the movie though. Trent: I liked it. It was fun. It wasn't like my mind was blown. But it was fun. It was, it was nice seeing all of the … not the enemies but the villains from the – pff, the enemies – the bad guys from the other movies. I thought that was really fun. Especially the Tobey ones because it's been a while for them. And of course, oh my gosh, in the theater when Andrew Garfield entered like everyone went crazy. Bailey: Yuuup, yeah. At my theater, too. Trent: And then not as many people went crazy for Tobey, but I went crazy for Tobey. Bailey: Yeah, spoilers, but everyone went crazy for Andrew. Everyone went crazy for Tobey at mine. Everyone went crazy for – Trent (in the background): Tom Holland! No. Bailey (laughing): Daredevil for all like… yeah. Oh my god, when Iron Man came back? It was crazy! Trent (in the background): You can't say that! Bailey: Oh my god, when Snape killed Dumbledore! Trent: Spoiler! We're not talking about Harry Potter here. Bailey: No, but okay, my general thoughts on the movie. Okay, so when I rate like … so fun fact about me, I rate movies and I post them on my Instagram story for like the three people that actually care about them. And when I rate Marvel movies on my story, I definitely do it like compared to other Marvel movies. It's not like – Trent: That's fair. Oh yeah, ‘cuz they're all like, just fun. They're all like, not serious. Bailey: Yeah. Yes. So I don't people know that but that's what I do when I'm rating them. I just like compare them to other similar movies, and I gave it a nine out of 10 and that's because I kind of had low expectations. I thought like … well, what I thought all of like, I wanted to lower expectations so that I could get excited, but like I thought that they were going to make it super fan service-y, which like it was a little bit, but like I felt like the plot like justified it. Trent (in the background): It was coherent, it made sense. Bailey: It was super coherent. Exactly, exactly. Trent: Okay, speaking of ratings, what did you rate Encanto? Because I feel like we should move on. Bailey: Okay, wait, last thing. Last thing before we talk about Encanto because Spider-Man: No Way Home gets me passionate, but I was just gonna say that I think Andrew carried with the acting. Trent: Okay, I can see that. Bailey: Sorry. I do think he was the funniest. He improvised lines. I watched a couple interviews … Trent: He improvised the “I love you,” right? Bailey: He improvised the “I love you” line. He ate. When he was talking about Uncle Ben, he teared up, I started tearing up. When he saves Zendaya and he was crying. Trent (in the background): Oh my God. Callback. Bailey: Do you know what I mean? When he saved MJ. Trent (in the background): Yeah, that was great. Bailey: Oh my god, I got so emotional. He brought the emotion to that, in my opinion. And he was the funniest, which are the two things that I care about most so I thought he definitely carried. Trent: Okay. Bailey: Encanto. Trent: Encanto. Bailey: You go first. You – give me your thoughts. Trent: Give me your thoughts? Um, I really liked Encanto. I thought it was a lot of fun. I mean, okay, first things first it is a Disney movie, so it is pretty straightforward. Once again, I have to preface this with I know that it is literally a children's movie. But I did not like that they – I felt like they did a lot of telling and not showing. Like, especially for the family members and the first song. They literally have a song that's like, here's this family member and here's their like superpower. Well they're not superpowers but you know what I mean. And it's like, “Okay, why don't you show us that” instead of having Stephanie Beatriz sing about it, you know what I mean? But that was, I would say that was my one gripe with it. I thought it was, that it was really fun. I thought it was really endearing. The music is really good. I was surprised at how good the music was. And, yeah, I love that Disney movies are branching … they're not just all, you know, American. I like that it's a little bit more representative of actual, real-world people. So yeah, highly recommended. If you have Disney+, go watch it. So, what did you think of Encanto? Bailey: Yeah, so I can see what you're saying with the first song, again I'd have to go back and watch it because I don't know, for some reason the whole like first half didn't stick with me as much. I think maybe that's why, cause there's a lot of like exposition. That's the right word, right? Trent: That's fair. Yeah, it was like, “Here's our family. Here's where we live. Here's what's going on. Oh yeah, here's Maribel. Spoiler alert: she has no gift. Everyone hates her.” No, just kidding. Just her grandma. Bailey: I mean, the cast? So good. Stephanie, I think, Beatriz is incredible. Loved her in Orange Is the New Black, watched that in middle school. So good. What's her face? Oh no, Diane Guerrero! She's one from Orange is the New Black and what's her face? Yeah, Stephanie is from Brooklyn Nine-Nine and other things. Flip those two and their projects, but they're so incredible. I love them both. Trent: Oh my gosh, they're so good. The cast is so well … Bailey: Sid the Sloth slayed as Bruno.  Trent: No, for real. Bailey: So good. So good. And Bruno was kind of cute. I'm not gonna lie. Bruno was kind of fine. Sorry. I had to put it out there.  Trent: Okay. Bailey: In my humble opinion. Trent: So, just, if there was someone living in your walls listening to your every move … Bailey: I would want them to look like Bruno. Was that the question? Trent: Would you get with that person, yes or no? Bailey: Well, besides all the spiders … all the spiders and cockroaches and stuff in our walls, yeah. If there was a person as well, I would want them to look like Bruno. laughs So if anyone's listening right now …  Trent (laughing): Not gonna unpack that. Bailey: No but, okay, going off of Bruno, like … Trent: I like Bruno. The final song, when he started singing I was like, “Okay, Lin-Manuel Miranda.” Bailey: I was going to say … Trent: And then I looked up the Wikipedia cast list. It's not Lin-Manuel. Bailey: I didn't even sound like him.  Trent: To me, it sounded 100% like him. Bailey: It didn't sound like him, it sounded like the part was written for Lin to sing. Trent (overlapping): Oh, fully. 100%.  Bailey: I know that Lin was crying and shitting bricks when he did not get on the cast. Trent: I've seen so many memes and Tweets that are like, “You know someone had to tie him down to stop him from casting himself as Bruno.” And no shame against that. I mean, as you should.  Bailey: Yeah no, he definitely ate. I would say some more thoughts … it evoked so many emotions within me, which is what I really want from a movie like that. I'm for sure, on the down-low, kind of a Disney adult, at least like with these movie musicals. I love Frozen. I love Frozen II. I literally have Frozen II on vinyl behind me over there. I love the soundtrack so much. “Lost in the Woods” by Jonathan Groff was on my top songs for 2020. So incredible. Moana also. So that's the thing for me … comparing Moana, which is another Lin-Manuel Miranda project, in terms of soundtrack, I don't think [Encanto] lived up to the soundtrack. I think Moana had a better soundtrack in my opinion. But I do think that this movie made me far more emotional. Like, oh my God, when Bruno showed his little extended table that he had with the rest of them. Trent (literally yelling): That was so sad. And he had carved a plate into it. Bailey: I sobbed. I sobbed and at the end, for like the last half an hour straight, I just had tears in my eyes. It made me so emotional. It was such an incredible movie overall, but there was something … I was gonna say something else about it. I have a lot of thoughts. Trent: I'm sure you do. Bailey: Yeah, I have a lot of thoughts about everything. Trent: Should we talk about the music? Bailey: Well, okay, before we talk about the music, I will say the one thing that – and I talked to my friend about this as well, we were texting about it and she had the same thought – is we both thought that they weren't gonna get their powers back at the end. We thought that that was like, the whole point is that they kind of realized that they were all that they needed. They didn't need these magic powers. And then it was like BOOP and our powers are back. And we were just kind of like, “Oh.” Trent: No, for real. I definitely feel like the ending was a little bit, I don't wanna say forced, but a little bit rushed. For sure. Just because the movie is already … it's like over two hours. [Editor's Note: Encanto's runtime is 102 minutes.] Bailey: They fit so much. To be fair, it's kinda like No Way Home. They fit so much into one movie. Trent (overlapping): No, for real, they fit so much into that movie. Bailey: So creds. Creds. Trent: It feels like after the character of Bruno was introduced, it's like a crash course between like … she – Mirabel – frees Isabela from her mental constraints of perfection or whatever and then she fights with her abuela but then she makes up and then the house goes down and she makes up with her abuela and then she's like, “I love you all anyway.” Bailey: It did happen very fast. Trent: It's like we didn't see … once again, the showing not telling it's like … we didn't actually see the character development happen. It was just kind of like … Bailey: Before they got their powers back as well. That's the thing is, now we see that, yay, they all like understand that they just see their family. Trent: Yeah, no, narratively I feel like that would have had more of an impact. Bailey: Yeah, I guess we're supposed to understand that now, they've grown to accept that they aren't just their powers. And so that's why they get their powers back because now they know inside they're more than their powers. That's what they realize. Trent (laughing): But they still have them. Bailey: But then they get them back and so it's kind of like okay, I guess I get why they did that. But it did kind of, I don't know, maybe it's a good thing that it defied my expectations a little bit, but I don't know I think I might have liked it more if they just realized that they were all they needed and … themselves with other powers. Trent: Obviously, I'm happy that it had a happy ending, like imagine how unsatisfying it would have been if Abuela was like, “No, I don't know what you're talking about.” Bailey: It's a Disney movie babes. Trent: Of course. But I definitely wish they would have spent more time on that. On just seeing Abuela's thought process of, “Oh wait, am I really like in the wrong here?” And then she's like, “Yes, I am.” Instead of … because it just felt like they had that fight and then Mirabel walked off to the river and then Abuela comes up and is like, “I went through a whole character arc in like five minutes off screen.” Bailey: That's true, but it does, I mean, I don't know, yeah. Again from the perspective of “It's a kids movie” … Trent: It is a Disney movie. It is a kids movie, so it needs to be easy … Bailey: Yeah, but I see what you're saying. I was all confused as well when she just pulled up and she went from being completely angry and enraged at her to, “Oh wait, I'm so sorry.” Trent: It was like a button flipped and she was like, “You know what? I have been bad.” Bailey: Which, good. You know, it's good that it happened. Yeah, for real. It was definitely a “good for her,” “good for them” kind of movie, so. But yeah, moving on to the soundtrack, top song, number one song … Trent: What's your top song? Bailey & Trent (simultaneously): “We Don't Talk About Bruno” Trent: Yes we do. Bailey: We do talk about how we don't talk about Bruno … Trent: That song is like “Let It Go.” It's the standout song. It is so good. I have had it on re-peat. Just constantly playing. And it's so good. Every single verse is, individually, it's like chef's kiss and then you get to the end and they all combine and there's so many little details in the music. Ugh, it's so good. Yeah. I swear, it's like laced with something addictive because it is so, so good. Bailey: That is the one song where I was listening to it and I had no critiques at all. Because I know for some of them like “Surface Pressure” I really like. That song made me very emotional and I think that actress, the voice actress, and also the character herself did a great job. I don't know, I thought it was really well portrayed and I like the fun little dancing number – I know that was kind of controversial – with the little donkeys and all that … I kind of liked it, it was fun. Trent: I liked that it was funny but it just felt weird that she was singing about like, “I have all this anxiety” and then meanwhile she's like busting out the choreo. Bailey: But it was kind of fun. It was representative of her inner conflict of how she has to keep going day to day feeling like this and putting on this show for everyone around her, right? Trent: Okay. Okay. Bailey: You know what I mean? Trent: Come on, Socratic seminar. Bailey: Yeah. I just think that parts of it … the production were not my favorite thing. But the lyrics and the chorus and everything … again, I don't think was perfect but I mean like all Disney soundtracks it will probably grow on me because a lot of them do after the fact. But again, “We Don't Talk About Bruno” – elite. Top tier song. Should be in all the Disney Spotify playlists already, if it's not. Trent: I unironically hope that it charts or something because it's that good. Hidden gem: “What Else Can I Do?” It's little bit repetitive, I think. But it's a little bit poppier. It's a bit more upbeat. I think it's fun. Bailey: Yeah, I thought all the songs were great, again, but “We Don't Talk About Bruno” for sure the standout, and then “Surface Pressure,” again, I loved the chorus. Everything else … Trent: I will say, that first song that I was ragging on, “The Family Madrigal” … Bailey: It's good. Trent: It's expository, but the song itself is really fun and catchy. Bailey: Yeah. Yeah, it was a good introduction music-wise. Trent: But it's a fun song. It's definitely fun. I'm definitely like, singing “It's time for a grandkid round up.” That part, I'm like, “Yes, get the fire going.” Bailey: And I mean, she was kind of explaining to the kids, wasn't she? Like, that was kind of how they justified that. Wasn't she? I can't really remember. And music aside, can we talk about how the animation was beautiful? Trent (yelling again): So high quality! Bailey: It was gorgeous. Trent: All the swishes of the colorful skirts.  Bailey: It was gorgeous and I think more so than any other Disney movie I've seen, all the characters had such a distinct look. It wasn't one of those movies where they use the same model and everyone looks so similar. Everyone had such a distinct look and a distinct sound, distinct hair. They all had different beautiful curls and they were all animated so individually, and the dresses and the skirts. Trent: So gorgeous, such good character designs, such good animation. The voice actors really embody their characters. Bailey (overlapping): And all of the nature scenes as well. Trent: Oh my gosh, the animation was top tier. Absolutely. Bailey: Oh my god. What was a little kid's name? He was so cute. Trent: Which one? Oh, Antonio. The little cousin. Oh my gosh. Bailey (overlapping): Yeah, he was so cute. Trent: Wait, okay. Have you seen – I don't know if this is a thing on TikTok but I've definitely seen it on my YouTube – I think I'm on Encanto YouTube because I've seen so many fan edits of Camilo, which is the cousin. People are thirsting over him hard. Camilo and Dolores are people's favorites. There are so many fan edits. I've seen “Encanto but it's just Camilo for two minutes and 18 seconds.” Bailey: I saw someone saying that he looks like what's his face … Wybie from Coraline.  That's all I saw about him. Trent (overlapping): laughs Oh, not that. Camilo doesn't deserve that. Bailey: I saw a TikTok about that. And I was like .. I don't know, I guess they're both mischievous. That's really all I see in common with those two. Trent: Yeah, but I've definitely seen so many – like on YouTube – so many edits. Bailey: I've seen a lot of people thirsting for Luisa's voice actress, which I'm here for. Trent (overlapping): I don't know what she looks like but I would imagine it's for a good reason. Bailey: Okay, yeah, well you can definitely get up afterwards. She's beautiful and cool. Very cool. Trent: I've heard you thirsting about Bruno. laughs Bailey: Yeah. Yeah. On the record, yes. No, and I was going to say, I also have seen some Isabela ⨉ Elsa art. Trent (wheezing): What? Bailey: Yeah, cause a lot of people are headcanoning … making her … they believe she's a lesbian because she didn't want to marry what's his face, it was like a headcanon thing. Trent: Hmmmmm. I see it, okay. Bailey: And I don't know about the whole Elsa thing but since, obviously, she's the other character that people kind of gravitate towards and think that she's also a lesbian, I was like, “That's kind of cute” and the art was really cool. I was like, “Okay.” I don't know, no big thoughts about that. But I was like, “Alright.” I saw like two videos about it so I thought it was worth noting. Trent: Lowkey. Every single Disney movie like that, like Frozen, like Moana, like Encanto, they all follow the hero's journey. But the hero's journey is also a very clear allegory for coming out. So that's why, for all those who are like, “Oh my god, Elsa's a lesbian. Oh my god … Bailey: I'm not going to tell people what to think about them. Yeah. Trent: … Isabela's a lesbian.” It's like, is it supported by the text? No, but I could see it. Bailey: Didn't she start putting rainbow crap all over herself at the end? Trent: cackling Bailey: Yes. I'm pretty sure she did. She took her pink dress and … Trent: The Encanto pride parade. Bailey: Yeah, she literally started throwing all these colors on herself. I don't know – could it be any clearer? Yes, but … laughs Trent: Textually, no. Subtextually, I see it. Bailey (accidentally mispronouncing Encanto – my sincerest apologies): Any last Encanto thoughts? Do you want to talk about some other things? Trent (mocking): Not “En-can't-o” … Bailey: Um, Encanto. My bad. Trent: The Americanization … Bailey: You know what? Trent: No, I liked it. Top tier. Definitely up there among the greats like Moana, Frozen, all those animated … definitely one of the good ones. Bailey: Oh, for sure. Yeah, again as a lowkey Disney adult. I'm sorry I just love the soundtracks. I'm a huge sucker for a Disney soundtrack. I think they're so good, I'm so sorry. I'm not a sucker for you. I'm a sucker for Disney. [“We Don't Talk About Bruno” from Encanto] Trent : We're going to speedrun some smaller stuff just as it comes. Bailey: Are you going to put that in? Trent: Sure. We'll keep this in too. Bailey: Oh, okay. Yeah, topic speedrun. One two three. Let's go. No, number one – we don't talk about Bruno but you know who we do talk about? Trent: Who? Bailey: Elmo, because … laughs Trent: Stop. Okay, I've seen so many jokes on Twitter about Elmo and his rock. Can you explain to me the source? Bailey: Actually no, I don't understand the rock thing. I just see all these edits about – is it Dwayne “The Rock” Johnson? Trent: I don't know. I think it's like a physical piece of stone. Bailey: Does he have a pet rock? I thought he had a pet fish. Trent: I don't know. He does have a pet fish. But does he have a pet rock? Like … Bailey: I don't know. Elmo and The Rock? I just am here for the TikTok sounds like when he says “delicious.” That's my favorite. Do you know that one? Trent: I'm not on TikTok so … Bailey: gasps Oh my gosh, wait. Okay, so there's this audio where he's talking to – I think it's someone from the Hamilton cast because he's like …  Trent: Of course. Bailey: He's singing. It's on the show, it's this clip. Yeah. And so the guy's like, singing “Raise a glass to freedom,” and then Elmo's like, I was like, “Raise a glass? Glass of what?” and then he's like, “Apple juice,” and then Elmo's like, Bailey & Elmo: “Delicious.” Bailey: And it's so good. I feel like it's such a millennial thing to say but like it scratches my brain. So beautiful. NBC News has an article about it – “Elmo's feud with a pet rock.” Trent: Lowkey, I love when celebrities go on Sesame Street. Like there was a clip of Billie Eilish on Sesame Street. I was like … Bailey: gasps Oh my gosh … I do remember the rock now. Rocco! I do remember he has a pet fish and a pet rock I think. Okay, so I don't know why he's feuding. It must just be some clip of them beefing. I just love Elmo. I just think he's so great. I used to have a Tickle Me Elmo when I was little and I was a huge Sesame Street stan. Trent: That explains a lot. Bailey: Rosita was my favorite, I think. If I remember correctly. I loved her. Trent: I feel like I should know who that is. Bailey: She's the blue one? Fuzzy one? Trent: I think they're all fuzzy. Bailey: Okay, but … you know, that's not a great descriptor, actually, yeah. Trent  They're fuzzy. Okay? Can I get an actual detail? Bailey: No, but I do. I love Sesame Street. I was gonna say something else … oh, I dressed up in middle school. We dressed up as Sesame Street characters. I think I was … Trent: In middle school. Bailey: My friend Rachel … yeah it was, it was like seventh grade or something. And we thrifted these shirts and I went as … it was the two gay ones. Sorry. Trent: laughs Bert and Ernie? Bailey: Bert and Ernie … I was Ernie. I was Ernie, she was Bert. Trent: Listen, in the Sesame Street canon, they are …  Bailey: They're kind of gay. Trent: … asexual. No, they're asexual puppets. They are puppets who don't experience attraction cause they're not people. But no, they're gay. Headcanon. Bailey: But I will say, this is not necessarily relevant, but I was always more of a Muppet girl because The Muppets from 2011 that movie … Trent: Oh my God, Miss Piggy. Bailey: … formed my, shaped my life. “Man or Muppet.” Trent: Miss Piggy's an icon. Bailey: Yeah. That whole movie I have practically memorized and it's so great. And if you've never seen it – have you ever seen it? Trent: You're gonna yell at me. Bailey: gasps NOOOOOOO. Trent: Every single movie that you like I have not … you just have to assume that I have not seen it. Bailey: Genuinely when I was narrowing down my Letterboxd “Top Four” I almost put The Muppets in there. Trent: I do not have an enriched film vocabulary. Bailey: So, we're watching Ma. We're watching The Muppets (2011). Pick another poster, we can watch any of these. Trent: Oh, I've never seen Jennifer's Body. My friend tried to make me watch it but I didn't. Bailey: Okay, Jennifer's Body. Trent: We'll watch Phoebe Bridgers. No, just kidding. Bailey: Yeah, we'll watch Phoebe Bridgers. Have you ever seen Aquamarine? Trent: Yes, oh my god. Bailey: Classic. Trent: That one's great.  Bailey: That is what made me a Weezer stan, I think, subconsciously when I was like … I used to watch it on my iPod Nano. The screen was like this big and that's why I'm blind now because I would watch it on my iPod Nano. Oh, wait. Okay, speaking of older movies, I think I told you this, but I rewatched the Divergent series. Trent: You did tell me and I haven't seen it. Bailey: Yeah. Did you ever read it? Trent: No. I did watch … it was like a “Cinema Sins.” Wait, maybe I did watch the first one. Bailey: Oh, there's so many sins. Trent: I remember like intermittent clips. I don't know if I watched the movie or if I watched like a Cinema Sins review of the movie or an analysis of why it's bad. I don't know, something like that. But Veronica Roth, if you're listening, we at NBN, we remember you. We love you. Bailey (overlapping): Yeah, come on our podcast. Trent: We staNBN. Come on our podcast. You can call in. Bailey: Yeah. Although I will say, those movies, gosh golly gee, they're pretty not good. They weren't as bad as I thought they were gonna be because I'm a huge Hunger Games stan. I think those movies are incredible. Some of the best young adult movie adaptations ever if not the best. Harry Potter is also up there. I watched that over break – the Harry Potter thing that came out of HBO Max. Did you see that? Trent: Oh, the documentary? That was like very … J. K. Rowling-free. Bailey: It was pretty good … they used an old interview clip of her but, rightfully so, it was pretty J. K.-free. Trent: Someone in one of my Zoom classes talked about it and they were like, “There was one clip of J. K. Rowling but it was clearly dated.” Bailey: It was. They dated it. 2019. Trent: But you knew it was not recent because J. K. Rowling is like … over-canceled. She's like super canceled.  Bailey: Yeah, well and so overall that in particular … because I watched with my mom and I sobbed. Like, I bawled, and so to my mom and she's not even like a huge Harry Potter fan or anything. Trent: I'm not either. Everything you like, I'm like, I'm like never engaged in this. Bailey: I'm so sorry! I read them … they were like big series that I liked in like third grade/middle school. I was a huge. I really was. Ravenclaw. Not to be millennial in the chat but I am in fact a Ravenclaw … anyone out there? Trent: When you go to Northwestern!  Bailey: Yeahhhhhh. Trent: No, sorry. Bailey: No, so I didn't think it was the best documentary. It wasn't, like, amazingly produced or anything to be honest. I mean, there were some good parts. Trent: Not you flaming them. “It was poorly put together …  Bailey (loudly over Trent): BUT IT WAS KIND OF MESSY. Okay, they used – DID YOU SEE – okay, LET ME JUSTIFY MYSELF. Trent: … J. K. Rowling was in it.” Bailey: Let me justify myself because they used a photo of – speaking of Aquamarine – they used a photo of Emma Roberts instead of Emma Watson when she was a child. It was horrible. It was horrible and there were some other things as well that wasn't the best but, that being said, the actors bring the emotion. [The producers] took the actors and put them in the different sets and just had them talk to each other so they didn't have to do anything. The actors did it for them. That was great. That was great, but Divergent? Ehhhhh. Trent: Veronica Roth, we love you. Bailey: Veronica, we love you. If anyone wants to go rewatch Divergent, which I highly recommend because it was a fun experience, the worldbuilding is shi– terri– bad. Trent (over Bailey): loud laughter Bailey (also laughing): It's bad. After thinking about The Hunger Games, Harry Potter … Trent: Doesn't it take place in Chicago? Bailey (laughing): Yeah. Trent: So like … what's Northwestern doing in the Divergent universe? Bailey (hysterical): I don't know … I don't know what we're doing there. Trent: What's it … what's it called? Bailey: We're probably with the evil smart people. Trent: Yeah, what are they called? Bailey: Erudite? Erudite. Trent: Erudite. I was going to say Evangelical. Bailey: Yeah, we're the … we're the Evangelicals. Trent: We're the erudites, Northwestern. Bailey: No, but I do recommend watching the first movie, because I did in fact purchase it on Amazon so I can watch it whenever I want without ads BECAUSE the enemies to lovers with Theo James as Four and with Shailene Woodley is incredible. It's so good. That they do build up well. Everything else about it … not so much. Divergent, sorry we love you but. Trent: Okay, okay, any last minute … anything else you want to talk about before we send off? Bailey: I don't have anything big and crazy. I will say though, in the next episode I do maybe want to talk about Euphoria, even though I know you haven't seen it, because it'll be topical – season two is coming out tomorrow. Even though, I mean, it's coming out tomorrow whenever this is up it will have come out. But, yeah, I have a lot of thoughts about Euphoria. Anyone who watches Euphoria has a lot of thoughts about Euphoria, and I'm making my roommate watch it for the first time. We're going to finish it tonight probably and it's a great show. It has many flaws, but it's a great show. With great acting. It really is. Trent: I just want to say I haven't seen it but the stuff that they get up to … I was not doing any of that in high school. Was I missing out? Should I have been doing hard drugs in high school? Bailey: I was going to say, not to be a Medill kid in the chat but I was grinding on the school yearbook … Trent: No, fully. Bailey: … I was not doing hard drugs. My hard drug was, in fact, yearbook. Trent: Oh my gosh, at the BHS news … Mr. Nellis if you're listening, this is where you got me. Bailey: I saw a TikTok that was so funny, it was like, “Do these kids ever, like …  Trent: … do homework?” Bailey: … okay well, that. But no kids in shows ever do homework. If anything they'll be doing homework when the scene begins and then they leave it. But they were like, “Do these kids ever just go get coffee? Go get boba?” No, they go get literal molly. That's what they do. Babe. Trent (imitating a Euphoria high schooler): “Let's get some ecstasy.” Bailey: I was telling my roommate when we were rewatching it because we're almost … we have two episodes left, basically, and I was like, “You know what I want to do? I want to give all of these characters a hug.” Trent: No, for real. For real. Bailey: Because they need it. They need it. They all do …  Trent: Hunter Schafer and Zendaya, I like … I just want to sit them down and be like … Bailey (interrupting, oops): … every character, well, except Nate. Every character … every other character. sees Trent does not know who Nate is Jacob Elordi. Trent: I don't know who that is. Bailey: Okay. Kissing Booth??? C'mon … Trent: I just want to sit them down and be like, “What do you need in your life? Do you need support? Do you need a hug? Do you like … what … where did we go wrong?” Bailey: Yeah. Specifically all of the women. Like you said, Hunter Schafer, Sydney Sweeney … I know we're saying the actors' names but not the characters' names, but whatever … Cassie … whatever. I want to give them all a large hug. So badly. Trent: Okay, maybe Euphoria episode next time. Bailey: Mmhmm. Yeah. Trent: Also, at some point, we are going to do a Taylor Swift episode.  Bailey: We are going to do a Taylor Swift episode. HOPEFULLY when the next Taylor's Version drops, which, knock on wood, is going to be Speak Now. Trent: knocks on wood  Bailey: Mmhmm. Trent: No, knock on wood it's going to be 1989. knocks on wood again Bailey: Noooo, Speak Now. Trent: Because we're both closet Swifties. Bailey: We are. We are. Trent: If you're my friends and you're listening to this, redact that. Bailey: You are not a “closet Swiftie.” You posted your top artists on … everyone knows. Everyone knows. Everyone knows babe. Trent: Out and proud as a Swiftie. Okay, but I think that's it. We're already at the half-hour mark. So, if you listened all the way through and you're here, we love you. You are a real one. Bailey: Mmhmm. Trent: Let one of us know because that probably means you know us in real life, if you're listening to this point. Bailey: Yeah. Follow … we don't have a podcast … any sort of social media but follow NBN … Trent (overlapping): Follow North by Northwestern on social media. Follow our twitter. Bailey: Follow us on Instagram if you feel like it. My Instagram is @baeisforbailey. Trent: Mine is @trent_br0wn. Bailey: Because I'm sure I'll be posting about this podcast on our Instagram so feel free to follow them as well. Trent: Alright, I think that's all we got so thank you for listening and … cue the outro music. [“We Don't Talk About Bruno,” from Encanto] Find out more at https://solved-by-science.pinecast.co This podcast is powered by Pinecast.

If you've followed these past three episodes, you've crafted a vision for your future, set goals, and integrated some practices that, quite honestly, may have you feeling overwhelmed.Welcome to episode 18 of The Heart of a Leader!Having a vision for your future and goals to support it are great ways to lead an intentional life, but if you're not careful, they could leave you feeling like you've got the weight of the world on your shoulders.Today, we'll discuss three ways to keep productivity from becoming punishment.In this episode:Encanto "Surface Pressure" Video - YouTubeRedefining Anxiety - Dr. John DelonyThe Five Dysfunctions of a Team - Patrick LencioniFree to Focus - Michael HyattThe Heart of a Leader PodcastLearn more about coaching with Daniel Jenkins.Schedule a discovery coaching call with Daniel Jenkins.Follow Daniel on LinkedIn, Facebook, and Instagram.

DateJanuary 9, 2022SynopsisIt's Baptism of the Lord Sunday, and this week we're talking about economics, Encanto, and belovedness.ReferencesScripture: Isaiah 43:1–7; Luke 3:15–17, 21–22Intro/Outro Music: "UpUpUp and Over" by Blue Dot SessionsAbout The Local ChurchFor more information about The Local Church, visit our website. We're also posting good stuff on Facebook, Twitter, and Instagram, too. Feedback? Questions? Comments? We'd love to hear it. Email Brent at brent@thelocalchurchpbo.org.To invest in what God's doing through The Local Church and help support these podcasting efforts and this movement of God's love, give online here.

The best and worst cities to keep your New Year Resolution. Luisa's song "Surface Pressure" on Disney's Encanto is an earworm.

Offset your carbon footprint with Wren! They'll plant 10 extra trees for each of the first 100 people who sign up at https://www.wren.co/start/minuteearth. The current hurricane category scale doesn't accurately convey the danger of a storm, because it doesn't account for a hurricane's most destructive factors. ⬇️ PREORDER OUR FIRST BOOK (out October 12th) ⬇️ DFTBA (get SUPER-cool book bundles here!): https://store.dftba.com/collections/minuteearth Amazon - http://bit.ly/MinuteEarthExplains Bookshop.org - http://bit.ly/MinuteEarthexplains Barnes and Noble - http://bit.ly/Minuteearthexplains Indigo (Canada)- http://bit.ly/MinuteearthExplains LEARN MORE ************** To learn more about this topic, start your googling with these keywords: Storm surge: a sea level rise caused by strong winds pushing the water and a change in atmospheric pressure of a storm. Hurricane: a tropical cyclone occurring in the Atlantic Ocean or northeastern Pacific Ocean Saffir-Simpson Hurricane Wind Scale: the current scale used to categorize hurricanes from 1 to 5 based on the hurricane's maximum sustained wind speed. SUPPORT MINUTEEARTH ************************** If you like what we do, you can help us!: - Become our patron: https://patreon.com/MinuteEarth - Share this video with your friends and family - Leave us a comment (we read them!) CREDITS ********* Julián Gustavo Gómez (@TheJulianGomez) | Script Writer, Narrator and Director Arcadi Garcia i Rius (@garirius) | Illustration, Video Editing and Animation Nathaniel Schroeder | Music MinuteEarth is produced by Neptune Studios LLC https://neptunestudios.info OUR STAFF ************ Sarah Berman • Arcadi Garcia i Rius David Goldenberg • Julián Gustavo Gómez Melissa Hayes • Alex Reich • Henry Reich • Peter Reich Ever Salazar • Leonardo Souza • Kate Yoshida OUR LINKS ************ Youtube | https://youtube.com/MinuteEarth TikTok | https://tiktok.com/@minuteearth Twitter | https://twitter.com/MinuteEarth Instagram | https://instagram.com/minute_earth Facebook | https://facebook.com/Minuteearth Website | https://minuteearth.com Apple Podcasts| https://podcasts.apple.com/us/podcast/minuteearth/id649211176 REFERENCES ************** Belles, Jonathan. “Surface Pressure a Better Indicator of Hurricane Damage Potential, New Study Says | the Weather Channel - Articles from the Weather Channel | Weather.com.” The Weather Channel, 2020, https://weather.com/storms/hurricane/news/2020-01-29-hurricane-surface-pressure-damage-potential-wind. Erdman, Jonathan. “88% of U.S. Deaths from Hurricanes, Tropical Storms Are from Water, Not Wind | the Weather Channel - Articles from the Weather Channel | Weather.com.” The Weather Channel, 2021, https://weather.com/safety/hurricane/news/hurricanes-tropical-storms-us-deaths-surge-flooding. Gibbens, Sarah. “Hurricane Categories Don't Tell the Whole Story.” Environment, National Geographic, 14 Sept. 2021, https://www.nationalgeographic.com/environment/article/hurricane-categories-do-not-tell-the-whole-story-see-what-matters. Klotzbach, Philip J., et al. "Surface pressure a more skillful predictor of normalized hurricane damage than maximum sustained wind." Bulletin of the American Meteorological Society 101.6 (2020): E830-E846. https://journals.ametsoc.org/view/journals/bams/101/6/bamsD190062.xml Olson, Richard S. “Add a New Hurricane Category. Cat 6 | Opinion.” Sun-Sentinel.com, South Florida Sun-Sentinel, 3 Dec. 2019, https://www.sun-sentinel.com/opinion/commentary/fl-op-com-olson-cat-six-hurricane-category-20191203-4fwaq7hjmbdkli3sg5trmfysku-story.html. Pilkington, Stephanie F., and Hussam N. Mahmoud. "Using artificial neural networks to forecast economic impact of multi-hazard hurricane-based events." Sustainable and Resilient Infrastructure 1.1-2 (2016): 63-83. https://www.tandfonline.com/doi/full/10.1080/23789689.2016.1179529 Plumer, Brad. “Hurricane Patricia: Why a Record Storm Did Surprisingly Little Damage.” Vox, Vox, 26 Oct. 2015, https://www.vox.com/2015/10/26/9615274/hurricane-patricia-aftermath. ‌“Storm Surge Overview.” Noaa.gov, 2021, https://www.nhc.noaa.gov/surge/.