Podcasts about new victory theater

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In this special episode, recorded live at the Face to Face 2024 Conference in New York City, Courtney J. Boddie has a panel discussion with James Miles, also known as Fresh Professor. With a rich background as an artist and educator, James brings over two decades of experience from New York City to Seattle, where he now serves as an Assistant Professor at Seattle University and Creative Economy Manager at the Seattle Office of Economic Development. In this discussion, centered on the transformative power of hip-hop in education, James reflects on his mission to change how children, particularly those who resemble him, are perceived and treated in the U.S. education system. James also notes how hip-hop culture can bridge the gap between students and curricular content, offering a relatable and engaging learning experience. James highlights the importance of teaching methods that align with how kids actually learn, being a positive influence in all educational spaces, and the crucial role of collaboration. Additionally, he pays tribute to his colleagues at the New Victory Theater in New York City, whose guidance helped shape his inclusive and inspiring approach to education.

Live from the The Gospel According to Heather press event, where members of the media were given a sneak peak of this new Off-Broadway Musical, I interviewed Heather herself, Brittany Nicole Williams.In this interview, Brittany revealed:Why she wanted to audition for The Gospel According to HeatherWhat she related to most about her character, HeatherOne characteristic of Heather's, Brittany is glad, she herself, does not possessStage mishaps and broken fingersOne rule she lives byVisit my website, Call Me Adam dot com, for behind-the-curtain story you won't hear in the interview!In The Gospel According to Heather, Heather Krebs just wants a boyfriend. But how can she even navigate her way through high school if she might be the New Messiah? A small town in Ohio grapples with politics, religion and teenage romance in this eclectic pop musical.The Gospel According to Heather plays at Theater 555 in NYC through the newly extended date of July 16, 2023.*At The Gospel According to Heather press event, members of the media were given a sneak peak of this new Off-Broadway Musical. More on Brittany Nicole Williams:Hip Hip Cinderella (Cinderella) at New Victory Theater, Aladdin on Broadway, 1st National Tours of The Prom (Shelby, Emma & Alyssa U/s), SUMMER: The Donna Summer Musical (Ensemble, Disco Donna U/s),and A Bronx Tale (Swing); and the Pre-Broadway Engagement of Kiss My Aztec at Hartford Stages in Connecticut. She is an alumnus of The Ailey School & AMDA.Special Thanks:Richard Hillman PRTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergMore Call Me Adam:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYC

How do you Juggle Career and Family in the Arts? Inspiration goeas a long way and comes in many forms. The Guest today does that. Listen/ Watch and take away ways to live better with an insightful look at Life.. Meet Tunu Thom Guest: Tunu Thom Follow:IG/ Twitter : @TunuThom Fb: https://www.facebook.com/tunu.adinaLinked In: https://www.linkedin.com/in/tunu-thom-2ab1a71b0/ -- ***Tunu Thom (Art Mommy Inc. ) establishes works that centralize around themes of motherhood, culture, futurism, sexuality, and world politics. An artistic visionary- Tunu has utilized dance, acting, writing, and bead design to reframe the human experience. Tunu leads with comedy…----Her work nurtures the curious, the change makers and lovers alike. She is a graduate of LaGuardia Highschool of Performing Arts (drama), holds a B.S. in African Centered Education and Performing Arts and an M.A. in Dance Education (NYU). She has taught and performed thought provoking, culture shifting works at venues from the New Victory Theater on Broadway to the World Famous Apollo Theater. Internationally, she has taught, lectured and performed in Nigeria, the West Indies and the Philippines. Tunu Thom is the author of “An Unexpected New Dream.” Inspired by the activism and artistry of Dr. Nina Simone. www.TuniThom.com **----Join the conversation Live Chat as we raise the questions, give our opinions , and ask you the same questions... --Live Chat with Us Every week... -----Music: Audio Podcast : by Daniel Howse : / professorsoramusic ** OneMicNite Theme Song "Halftime " " Host: --Contact/ Follow Marcos on IG/Fb/IMdb/Twitter/TikTok: @MarcosLuis and www.MarcosLuis.com —Show: OneMicNite Podcast with Marcos Luis *Contact/Follow: IG/Fb/Twitter/Tumbler/LinkedIn/Youtube/TikTok @OneMicNite www.OneMicnite.com - - ** Listen to Audio Podcast: Available wherever you download , all digital platforms.. ** Support Us Now: http:www./onemicnitetalk ---Follow/Contact -- The Show: All Social Media Fb/Ig/Twitter/Tumbler/TikTok/ *** watch the episodes on Youtube @OneMicNite & www.OneMicNite.com Please Visit: The AzulesEn Online store to find incredible Elements Products that Compliment your Lifestyle: Link https://www.c8be11.myshopify.com --- Support this podcast: https://podcasters.spotify.com/pod/show/onemicnite/support

 La compagnie de théâtre jeune public longueilloise présente la pièce "Baobab" son grand succès (plus de 750 représentations), sur Broadway, à New-York , au New Victory Theater, sur Time Square. Hélène Ducharme,la co-directrice artistique de Motus, également autrice et metteure en scène de la pièce, nous parle depuis la Grosse Pomme.  www.info@fm1033.ca Charles Gaudreau: jcegaudreau@gmail.com https://www.theatremotus.com/

Rona Siddiqui is a composer/lyricist based in NYC. She is a recipient of the Jonathan Larson Grant and Billie Burke Ziegfeld award and was named one of Broadway Women's Fund's Women to Watch. Her musicals include Salaam Medina: Tales of a Halfghan, an autobiographical comedy about growing up bi-ethnic in America, One Good Day, Hip Hop Cinderella, and Treasure in NYC. She is the recipient of the ASCAP Harold Adamson Lyric Award, the ASCAP Foundation Mary Rodgers/Lorenz Hart Award and ASCAP Foundation/Max Dreyfus Scholarship. She is currently part of Musical Theatre Factory's Makers Residency and Ars Nova's Vision Residency. Rona is also the music director of A Strange Loop on Broadway. Rona's musical 'Hip Hop Cinderella' runs at the New Victory Theater from Feb 10-26, 2023. https://www.newvictory.org/tickets-and-events/2223-live-performance-hip-hop-cinderella/ More Info: https://ronasiddiqui.com/

Hello, PODience! We've got a great new two-act episode arc for you! Episode 58: “Processing the Collective Scars” features New York Theater Workshop Director of Education, Alex Santiago-Jirau. Their conversation begins with connecting around the missions and multi-faceted approaches of both New York Theatre Workshop and New Victory Theater. The real inquiry begins with the question: What does it mean to define oneself as an artist? The focus then turns to Alex Santiago-Jirau—born and raised in mountainous, small-town Puerto Rico, known for its arts-rich culture—who grew up singing, dancing and acting. As Alex puts it, he very much connected with the "play" aspect of theater, which “allowed me to explore and try things that me as Alex would not typically explore.” In other words, through the arts, he discovered a world in which he could be expressive and tell stories. Their conversation deepens further when Alex begins to discuss his work with Augusto Boal and the Theater of the Oppressed, which Alex characterizes as theater as activism driving toward liberation—a space in which one must be comfortable with being uncomfortable in confronting things that are messy in the world. What else do Courtney and Alex discuss? You'll have to catch this delightful conversation, which takes place right at the intersection of art and activism, to find out!

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Kaneza Schaal is a New York City based artist working in theater, opera, and film. Schaal was named a 2021 Guggenheim Fellow, and received a 2019 United States Artists Fellowship, SOROS Art Migration and Public Space Fellowship, Joyce Award, 2018 Ford Foundation Art For Justice Bearing Witness Award, 2017 MAP Fund Award, 2016 Creative Capital Award, and was an Aetna New Voices Fellow at Hartford Stage. Her project GO FORTH, premiered at Performance Space 122 and then showed at the Genocide Memorial Amphitheater in Kigali, Rwanda; Contemporary Arts Center New Orleans; Cairo International Contemporary Theater Festival in Egypt; and at her alma mater Wesleyan University, CT. Her work JACK & showed in BAM's 2018 Next Wave Festival, Museum of Contemporary Art Chicago, and with its co-commissioners Walker Arts Center, REDCAT, On The Boards, Cincinnati Contemporary Arts Center, and Portland Institute for Contemporary Art. Schaal's piece CARTOGRAPHY premiered at The Kennedy Center and toured to The New Victory Theater, Abu Dhabi Arts Center and Playhouse Square, OH. Her dance work, MAZE, created with FLEXN NYC, premiered at The Shed. Most recently, she directed Triptych composed by Bryce Dessner with libretto by Korde Arrington Tuttle, which premiered at LA Philharmonic, The Power Center in Ann Arbor, MI, BAM Opera House and Holland Festival. Her newest original work KLII, was co-commissioned as part of the Eureka Commissions program by the Onassis Foundation and is a National Performance Network (NPN) Creation & Development Fund Project co-commissioned by Walker Art Center in partnership with Contemporary Arts Center, Cincinnati, and REDCAT. Schaal will develop and direct a number of upcoming works including SPLIT TOOTH with Tanya Tagaq (Luminato Festival, Canada), HUSH ARBOR (The Opera) with Imani Uzuri (The Momentary, AZ) and BLUE at Michigan Opera Theater. Schaal's work has also been supported by New England Foundation for The Arts, Baryshnikov Arts Center, Lower Manhattan Cultural Council, Nathan Cummings Foundation, Foundation for Contemporary Arts, FACE Foundation Contemporary Theater grant, Theater Communications Group, and a Princess Grace George C. Wolfe Award. Her work with The Wooster Group, Elevator Repair Service, Richard Maxwell/New York City Players, Claude Wampler, Jim Findlay, and Dean Moss has brought her to venues including Centre Pompidou, Royal Lyceum Theater Edinburgh, The Whitney Museum, and MoMA.

In this week's episode, Melissa and Desiree interview special guest Maryl Fleisher, program supervisor of GLAC, holding a BA in Theater, former operations assistant at New Victory Theater, Camp Manager of Camp Broadway, and On With The Show. Maryl recounts how her passion for theater was ignited with musicals in high school, which led her on the path of an arts magnet program. Listen in to hear more on the connections Maryl's journey helped her make from New York to across the country with Camp Broadway, On With the Show, the Getty, Mondavi Center of Performing Arts and here in the GLAC family!

 Tunu Thom is the author of  “An Unexpected New Dream.” Inspired by the activism and artistry of Dr. Nina SimoneTunu establishes works that centralize around themes of motherhood, culture, futurism, sexuality, and world politics.…charged with cultivating joy, her brand of comedy is smart, hilarious and inspirational. Her work nurtures the curious, the change makers and lovers alike. She is a graduate of LaGuardia Highschool of Performing Arts (drama), holds a B.S. in African Centered Education and Performing Arts and an M.A. in Dance Education (NYU). She has taught and performed thought provoking, culture shifting works at venues from the New Victory Theater on Broadway to the World Famous Apollo Theater.  Internationally, she has taught, lectured and performed in Nigeria, the West Indies and the Philippines.Links: https://tunuthom.com/

In this episode Durell speaks with the "Fresh Professor" James Miles. James has worked as an educator in the New York City public schools for almost 20 years prior to moving to Seattle in 2016. Before joining Mentor Washington as Chief Executive Officer, Miles served as the Executive Director of Seattle based Arts Corps. Originally from Chicago, Miles has worked internationally as an artist and educator, who was inspired to foment change after seeing so many children that looked like him, get disregarded and treated like criminals by our educational systems. His acclaimed TedX Talk focuses on his mission to narrow achievement gaps using the arts as a tool to navigate inequitable educational systems. Miles is a Mayoral Appointee to the Seattle Arts Commission, a Trustee on the Board of the Frye Museum, and on the advisory board of SXSW EDU. A former accountant, model, and actor, Miles has facilitated workshops and designed curriculum for the New Victory Theater, Roundabout Theatre, Disney Theatrical Group, Village Theatre, Arts Impact, Denver Performing Arts Center, Impact Schools, and others. Previously an adjunct professor at NYU, James taught a myriad of classes, ranging from Acting and Directing to EdTech and Special Education. A graduate of Morehouse College and Brandeis University, James has presented at SXSW EDU, NYU's IMPACT Festival, NYU Shanghai, New York Creative Tech Week, EdTechXEurope, Google Educator Bootcamp, UAEM North America, UAEM Europe, National Guild, ITAC, and provided professional development to teachers across the world. His work has been featured by Pie News, New Profit, Complex Magazine, National Guild, Seattle Times, KOMO, KEXP, NPR, CBS, NBC, US Department of Education, and ASCD. James is a consultant with Continua Consulting, and  is the co-founder of LeadersDontLead.com, a leadership coaching agency. Learn more about James Miles and his work at www.freshprofessor.com

Emma Kate is a British performer. Actress, singer and dancer she performs mainly on stage in theater and opera but also in cinema.Recently Emma Kate was spotted on stage at The Monte Carlo Opera House in Kurt Weill's Street Scene. At the Grand Palais and at the Théâtre du Châtelet for her portrayal of Lina Lamont in Singing In The Rain, or in the role of Anytime Annie in 42nd Street. She also played the role of La Fée Des Lilas in French in Peau d'âne at the Théâtre Marigny, re-orchestrated by Michel Legrand produced by Jean-Luc Choplin (Cast Album / Sony France) and Jenny Diver in The Beggars Opera by Robert Carsen & William Christie, Les Arts Florrisant, Theater Bouffes Du Nord and OPUS ARTE / FRA Prod Cinema.Emma Kate Nelson began her career at a young age in the West End, London in Aspects of Love at the Prince of Wales Theater, she will be found later on many stages in London: Royal Opera House, Covent Garden (The World's Greatest Show, The Enchanted Pig), Aldwych Theater (Stephen Ward), Southwark Playhouse (Victor Victoria), Young Vic Theater (Street Scene), Union Theater (The Pajama Game), Jermyn Street Theater (Jean de Florette), Open Air Theater in Regent's Park (The Music Man, The Boyfriend, Lady Be Good, (A Midsummer Night's Dream), The Gatehouse Theater (Call Me Madam), Chichester Theater (42nd Street), at the Swan Theater in High Wycombe (Me and My Girl) but also on tour with White Christmas and That's Entertainment.Outside the UK, she performed the role of Princess Adelaide (The Enchanted Pig) at the New Victory Theater in New York, Soloist at The Eldorado Showroom in Reno, Nevada, the lead role in the Australian tour of Putting on the Ritz, as well as several roles in Starlight Express in Germany. On tour again with Street Scene (Toulon Opera, Gran Teatre del Liceu Barcelona, ​​Theater an der Wien Vienne, Oper Koln and Opera De Monte Carlo).

In this engaging conversation, Karen Rodriguez sits down with fellow actor, ensemble member and Half Hour host, James Vincent Meredith. Join these two friends as they share stories of stage fright, family, laughter, legacy, and proving their skeptics wrong by securing a sense of belonging within the Steppenwolf ensemble.Interview begins at 4:12.James Vincent Meredith received critical acclaim as John Proctor in The Crucible, his first role as an ensemble member. At Steppenwolf he has also appeared in Clybourne Park, The Hot L Baltimore, The Bluest Eye (also Off-Broadway at the New Victory Theater), The Pain and the Itch, Carter's Way, Doppleganger, The Tempest, The March, Between Riverside and Crazy, The Minutes, Hot L Baltimore, and Superior Donuts. Broadway credits include Superior Donuts (Music Box Theater) and Book of Mormon (Eugene O'Neill Theater— also 3 years, National Tour). Other selected Chicagoland appearances include Mr. Rickey Calls a Meeting at Lookingglass Theatre, Lottery Day at Goodman, Radio Golf and Blues for an Alabama Sky at Court and Othello at Chicago Shakespeare Theater, as well as work at About Face Theatre, Writer's Theatre, Drury Lane Theatre in Oakbrook and Piven Theatre Workshop, where he is a member of the company ensemble. Movie credits include Widows, Princess Cyd, and Knives and Skin. Television credits include Fargo, Chicago Med, Chicago Fire, FBI, Empire, BOSS, and Exorcist, among others.Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE

Russell Granet is the president and CEO of New 42, New 42 is a nonprofit organization behind the New Victory Theater, the New 42nd Street Studios and the Duke on 42nd Street. Their mission is to make performing arts a vital part of everyone's life from the earliest years onward. Celebrated for providing accessibility and inclusion in the performing arts, New 42 is recognized as one of the largest providers of youth employment of cultural organizations in New York City. Their New Victory Theater presents international productions and serves more than 40,000 children in New York City with free arts education. New 42 Studios, an architectural icon, is one of Broadway's great rehearsal incubators. This episode was recorded July 22, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

During this episode of Why Change? co-hosts Ashraf and Jeff discuss new perspectives brought about by big ideas. Ashraf interviews James Miles, an actor, teaching artist, arts administrator, and nonprofit executive who shares his professional story and history contributing to systemic change to support youth through the arts, youth culture, and beyond. The episode concludes with a discussion of vulnerability and the self-examination necessary to effectively support young people as our next leaders. In this episode you'll learn: Why the arts should intertwine with other sectors for mutual benefit; How to connect our work to other work through the lens of care and cultural responsiveness; and About the role of vulnerability and self-examination in finding our authentic selves in leadership roles. Please download the transcript here. ABOUT JAMES MILES: An educator in the New York City public schools for almost 20 years prior to moving to Seattle in 2016. Before joining Mentor Washington as the Executive Director, Miles served as the Executive Director of Seattle based Arts Corps. Originally from Chicago, Miles has worked internationally as an artist and educator, who was inspired to foment change after seeing so many children that looked like him, get disregarded and treated like criminals by our educational systems. His acclaimed TedX Talk focuses on his mission to narrow achievement gaps using the arts as a tool to navigate inequitable educational systems. Miles is a Mayoral Appointee to the Seattle Arts Commission, and on the advisory board of SXSW EDU. A former accountant, model, and actor, Miles has facilitated workshops and designed curriculum for the New Victory Theater, Roundabout Theatre, Disney Theatrical Group, Village Theatre, Arts Impact, Denver Performing Arts Center, Impact Schools, and others. Previously a professor at NYU, James taught a myriad of classes, ranging from Acting and Directing to EdTech and Special Education. A graduate of Morehouse College and Brandeis University, James has presented at SXSW EDU, NYU's IMPACT Festival, NYU Shanghai, New York Creative Tech Week, EdTechXEurope, Google Educator Bootcamp, UAEM North America, UAEM Europe, National Guild, ITAC, and provided professional development to teachers across the world. His work has been featured by Pie News, New Profit, Complex Magazine, National Guild, Seattle Times, KOMO, KEXP, NPR, CBS, NBC, US Department of Education, and ASCD. James is a consultant with Continua Consulting, and is the co-founder of LeadersDontLead.com, a leadership coaching agency. Learn more about James Miles and his work at www.freshprofessor.com. James is currently writing a book about youth culture and educational practices, due out this year. WHERE TO FIND JAMES: Twitter: @fresh_professor Facebook: https://www.facebook.com/freshprofessorjamesmiles/ Instagram: @fresh_professor LinkedIn: https://www.linkedin.com/in/freshprofessor/ This episode of Why Change? A Podcast for the Creative Generation was powered by Creative Generation. Produced and Edited by Daniel Stanley. For more information on this episode and Creative Generation please visit the episode webpage and follow us on social media @Campaign4GenC --- Support this podcast: https://anchor.fm/whychange/support

New 42 is a leading nonprofit with a mission to make performing arts a vital part of everyone’s life from the earliest years onward. Through their signature projects—the New Victory Theater and New 42 Studios—New 42 serves artists, educators, and New Yorkers of all ages with invaluable arts engagement and resources related to the performing arts. Join New 42’s President & CEO Russell Granet and its newest Board Director, fashion designer and icon Isaac Mizrahi, for an inspiring discussion on arts education and more. Looking for ways to give back? Learn more about New 42 and their upcoming projects. Connect with Isaac: Website: IsaacMizrahi.com Facebook: @IsaacMizrahi Twitter: @IsaacMizrahi Instagram: @IsaacMizrahiNY Isaac Mizrahi photo by: Frank Rothenberg  Connect with Russell: Twitter: @RussellGranet Russell Granet photo by: Brian Stanton Connect with New 42: Website: New42.org Facebook: @NewVictoryTheater Twitter: @NewVictory Instagram: @New42Studios and @NewVictoryTheater Connect with The Broadway Gives Back Podcast: Facebook: @broadwaygivesbackpodcast Instagram: @broadwaygivesbackpodcast Twitter: @broadwaygives Produced by Dori Berinstein and Alan Seales with Brittany Bigelow  A proud member of the Broadway Podcast Network. Special thanks to my producing partner, Jim Lochner; Katie and Yo from BPN; Julian Hills from The Bulldog Agency; Eric Becker and Broderick Street Music; to everyone at the Charity Network; and my fiancé and consultant, Glenn Weiss! Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 4) Host Michael McCallum continues the conversation with guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott. He discusses promoting oneself and more about his company.

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 5) Host Michael McCallum keeps the conversation going with guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott. They delve into the big question he's asked a lot, "How Do I?".

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 3) Host Michael McCallum and his guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott, continue the talk about Opportunity Arts and his love of Wrestling.

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 2) Host Michael McCallum continues the conversation about the local arts community with guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott.

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 1) Host Michael McCallum continues the show from remote locations. This episode was recorded at Blue Owl Coffee in Lansing's Old Town. He introduces guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott. They talk about the pandemic and having a positive attitude.

The latest from Host Michael McCallum as he welcomes another guest to the show -- back at remote location Blue Owl Coffee during COVID-19. Michael welcomes a friend to discuss his background, where he's collaborated and what projects he's doing or looking forward to do. For this episode, the guest is Mike Marriott, The Arts Promoter, has two decades of experience in arts administration, management, marketing, promotion, development, public relations, & publicity. Mike is the Owner/Director of Opportunity Arts, and the Vice-Chair of the Mayor’s Arts & Culture Commission for the City of Lansing. He has also served as the Executive Director for New York City based Davalois Fearon Dance. He has guest lectured at both Michigan State University & West Texas A&M University. His clients have been featured in such publications as The New York Times, Dance Magazine, & The New Yorker, & have performed at prestigious venues such as The New York Public Library for the Performing Arts at Lincoln Center, The Joyce, The Metropolitan Museum of Art, and The New Victory Theater in Times Square. Mike graduated with a Master of Arts in Marketing, Management, & Performing Arts from West Texas A&M University. In this segment you will hear about: 6) Wrap up with Host Michael McCallum as he asks guest, "The Arts Promoter", Owner of Opportunity Arts & the Vice-Chair of the Mayor's Arts & Culture Commission for the City of Lansing, Mike Marriott.

In this episode, I discuss topics ranging from the Hardy Boys to beatboxing to "Kindness is my Superpower" workshops with the Artist, Educator, Activist and Superhero, Chesney Snow. Drama Desk winner and 3x Artist in Residence at Harvard University as well as a 2020 guest artist of theatre at Princeton University. Most recently appeared in Two River Theater’s production of Oo Bla Dee written by Regina Taylor and directed by Ruben Santiago Hudson. Composer/lyricist for the McCarter Theatre and Long Wharf Theater's 2018  Crowns.  A pioneering figure in American beatbox culture he originated the role of Boxman off-Broadway at Primary Stages and on Broadway in In Transit at Circle In The Square. Snow headlined Carnegie Hall twice. He created, produced, and starred in the feature music documentary American Beatboxer which was placed in the Rock and Roll Hall of Fame and numerous other archives throughout the United States. His upcoming original work Soil Beneath: An Empirical Decay will premiere for the 2020 fall season for Primary Stages. Snow is also a teaching artist with New Victory Theater and an activist who frequently teaches in schools, hospitals, prisons, and universities.  He also toured with the US State Department as a performer and teaching artist in southeast Asia. More about this artist on his website: http://www.chesneysnow.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/antoinette-lavecchia/support

Hugh Hardy of H3 Collaboration Architecture discusses the history of the New Victory Theater in Times Square. Built in 1900 by Oscar Hammerstein, the New Victory is New York's oldest surviving theater. Restoration and rehabilitation of this historic theater was the first significant step in the renaissance of popular entertainment in the landmark 42nd Street District. Due to the intricacy of interior detail and numerous modifications over time, H3's staff began the project with an existing conditions report in order to create a master plan for restoration and rehabilitation. The program included expansion of the lobby and basement, creation of an upper lobby, and restoration of the facade and all interior elements, including detailed plaster and wood work.

Hello and welcome to the first episode of Creativity in Confines!On this first episode, I talk speak with Jessica Hobbs on working from home and keeping up with the business side of freelance writing.  Listen to hear Jessica's helpful tips and ways of not losing momentum while staying safer at home.Here's a little more about Jessica: Jessica Hobbs spent the early part of her career working in technical theater, opera, and film festivals while earning her film degree at the University of Colorado. She spent a year touring with a Vaudeville show, which included a 3-week run at the New Victory Theater in New York. After five years working in Reality TV as a writer’s assistant and Associate Producer, she made the move to Los Angeles and took a job with the Sundance Institute, while also working as a freelance writer and producer for film, theatre, and TV. Her recent works include the short rock musical My Generation and the science fiction limited series Greenhaven, both of which are in pre-production. She is also a frequent contributor with online publications such as Ms. In The Biz, We Do It Together, and The Wrap. For more ways to stay creative both for yourself and the ways you can give to others, follow @CreativityinConfinesPodcast on Instagram and thank you for subscribing and rating this podcast on Spotify!If you have some creative ways you're utilizing your time, finding ways to give back or just fun things to share, send me an e-mail at CreativityinConfines@gmail.com

앞으로 JJ 팝콘토크에서는 종종 뉴욕의 아트와 문화 행사, 전시, 공연 등에 대한 소식도 간단히 전해드릴 계획입니다. 타임스스퀘어에서 가족 모두가 관람할 수 있는 다양한 공연들을 소개하고 있는 오프 브로드웨이 극장 뉴 빅토리 시어터의 "CARTOGRAPHY" 공연 소식과 이번 시즌에서 주목할 만한 프로그램, 티켓가격 안내를 해드립니다. 의견 혹은 응원 메시지는 jjpopcorntalk@gmail.com으로 보내주세요. Music from www.bensonsound.com

Working at the intersections of disability, arts, and education, Diane provides training, project coordination, and strategic planning services for a wide range of cultural arts institutions as well as state and local arts agencies. Her recent project clients include the Smithsonian Institution, the DC Commission on the Arts and Humanities and the John F. Kennedy Center for the Performing Arts. Diane brings to her work over 20 years of experience in non-profit arts administration and education, working with artists and K-Adult students of all abilities as a teacher, administrator, and artistic collaborator. Previously, she served as the Director of Access and Inclusion for Imagination Stage, where she designed and implemented accessible and inclusive performing arts experiences for all students, patrons, and artists. Additionally, she has served as the Director of Education for Pittsburgh’s City Theatre Company and Associate Director of Education for the New Victory Theater in New York.

Greetings, friends of Teaching Artistry with Courtney J. Boddie! The final two episodes of our four-episode arc, “The Sphere of Cultural Responsibility,” are here! In this second installment, Courtney continues her fascinating conversation with Edie Demas, Executive Director of the Jacob Burns Film Center and former Director of Education at The New Victory Theater. These episodes continue examining Edie’s journey through her multifaceted career in the arts and arts education. Even more, they delve into a fascinating chat about the arts as a conduit for community-building, collaboration and a beacon for social justice and much-needed calls to action, particularly in today's socio-political climate. Don’t miss these thoughtful episodes of Teaching Artistry with Courtney J. Boddie!

Greetings, friends of Teaching Artistry with Courtney J. Boddie! The final two episodes of our four-episode arc, “The Sphere of Cultural Responsibility,” are here! In this second installment, Courtney continues her fascinating conversation with Edie Demas, Executive Director of the Jacob Burns Film Center and former Director of Education at The New Victory Theater. These episodes continue examining Edie’s journey through her multifaceted career in the arts and arts education. Even more, they delve into a fascinating chat about the arts as a conduit for community-building, collaboration and a beacon for social justice and much-needed calls to action, particularly in today's socio-political climate. Don’t miss these thoughtful episodes of Teaching Artistry with Courtney J. Boddie!

I had the honor of chatting with Penelope in her cozy Crown Heights apartment on September 16, 2017. Listening back to the audio, I was reminded of my own rawness and of Penelope’s generosity and creative curiosity. Penelope and I met at The New Victory Theater where I was lucky enough to get some professional…Read more Penelope McCourty in Number Six

In our newest two-episode series, “The Sphere of Cultural Responsibility,” Courtney has an illuminating chat with the one and only Edie Demas, Executive Director of the Jacob Burns Film Center and former Director of Education at The New Victory Theater. This episode dives deep inside Edie’s journey through her multifaceted career in the arts and arts education, including her time at Creative Arts Team, developing public education arts curriculum in Ireland, what “access to the arts” really means, how her core values were formed and how they’ve helped shape her views of the intrinsic impact of the arts on the human soul and psyche. Don’t miss this thoughtful episode of Teaching Artistry with Courtney J. Boddie! #artsmatter #artseducation #TeachingArtistry

In our newest two-episode series, “The Sphere of Cultural Responsibility,” Courtney has an illuminating chat with the one and only Edie Demas, Executive Director of the Jacob Burns Film Center and former Director of Education at The New Victory Theater. This episode dives deep inside Edie’s journey through her multifaceted career in the arts and arts education, including her time at Creative Arts Team, developing public education arts curriculum in Ireland, what “access to the arts” really means, how her core values were formed and how they’ve helped shape her views of the intrinsic impact of the arts on the human soul and psyche. Don’t miss this thoughtful episode of Teaching Artistry with Courtney J. Boddie! #artsmatter #artseducation #TeachingArtistry

Jessica Burr is the artistic director of Blessed Unrest, an ensemble-based experimental theatre company in New York City, co-founded with Matt Opatrny. In 2011, Jessica received the Lucille Lortel Award from the League of Professional Theatre Women, in recognition of her work as a director and the body of work that Blessed Unrest has created under her leadership. With Blessed Unrest, just a few of the productions she has directed include Body: Anatomies of Being, Eurydice’s Dream (for which she and Sonia Villani received the 2013 NY Innovative Theatre Award for Outstanding Choreography/Movement), ArtCamp SexyTime FootBall, 365 Days/365 Plays Festival, A Midsummer Night’s Dream, Measure for Measure, and The Sworn Virgin and Doruntine (both with Florent Mehmeti of Teatri Oda of Kosovo). And most recently, The Snow Queen, developed in residency at the New Victory Theater, and now running, Platonov – an adaptation and translation of Chekhov’s play by Laura Wickens. Jessica talks with Marc about starting Blessed Unrest after traveling and teaching abroad, her study with Anne Bogart, creating a culture of love, support, and trust in the rehearsal room for dangerous things to happen, her commitment to diversity on stage and in the audience, and the need for actors to always work and train!

Davis McCallum is the Artistic Director of the Hudson Valley Shakespeare Festival, where he’s also directing The Book of Will, which is now playing.  His recent productions in New York include Fashions for Men, which received Drama Desk, Lortel and Outer Critics Circle Nominations for Best Revival; The Whale, winner of the Lortel Award for Best Play, and Davis received a Calloway Nomination for Best Director, Water by the Spoonful, winner of the Pulitzer Prize, February House, nominated for Best Musical by the Outer Critics Circle; and London Wall with both Drama Desk and Lortel Nominations for Best Revival. Davis has also directed productions at Playwrights Horizons, Mint Theater, Second Stage, Signature Theater Company, 13P, Clubbed Thumb, Rattlestick Playwrights Theater, and the New Victory Theater, in addition to many theaters and festivals across the country. Davis is a graduate of Princeton where he studied Shakespeare at Oxford University as a Rhodes Scholar, and trained as a director at LAMDA.  Davis shares with Marc about leading the Hudson Valley Shakespeare Festival, its impressive lineup of plays and directors for this summer, what it means to stage American Shakespeare, his collaboration with Samuel D. Hunter, his approach to working with actors and directing Shakespeare, and what it means to put the story and core of the play over concept. This post Leading the Hudson Valley Shakespeare Festival appeared first on Talking Theater. Also, please click here to Subscribe. Thanks so much for listening!

Amy and Kabir discuss two articles related to the importance of Diverse Books. Then, a fantastic conversation with Lindsey Buller Maliekel on the incredible New Victory Theater in New York City.

JAMES MILES, Executive Director of Seattle-based Arts Corps / Master Teaching Artist, has worked in arts education for nearly 20 years. A graduate of Morehouse College and Brandeis University, James is the Former Director of Education at Urban Arts Partnership. He has also facilitated workshops and designed curriculum for the New Victory Theater, Roundabout Theatre, Disney Theatrical Group, Theatre for a New Audience, Center of Arts Education, BAX, Brooklyn Arts, Council, Opening Act and(Out)Laws & Justice. Follow him on Twitter @fresh_professor.

Director, artistic director and playwright Moisés Kaufman discusses his newest project, the U.S. premiere of the 1940s opera "El Gato con Botas (Puss in Boots)", a collaboration between his Tectonic Theater Project, Gotham Chamber Opera and London's Blind Summit Theatre puppet troupe, debuting at The New Victory Theater -- whether it's an opera meant for children and why it fits into the Tectonic aesthetic. He also talks about his youth and schooling in Caracas, Venezuela and how an annual festival bringing in work by such artists as Peter Brook and Pina Bausch turned him on to theatre; why he felt he needed to come to the U.S. to become a director; why he was done with his schooling at NYU's Experimental Theater Wing but never actually finished; how and why he came to create the Tectonic Theater Project so quickly after leaving school; the development of "Gross Indecency", "The Laramie Project" (and its epilogue), "I Am My Own Wife" and "33 Variations", including his evolution as a writer; why, as someone who has had such success creating his own works, he also enjoys directing existing texts as well; and the reason he listed "Pixar" as his religion on Facebook. Original air date - September 15, 2010.

Director, artistic director and playwright Moisés Kaufman discusses his newest project, the U.S. premiere of the 1940s opera "El Gato con Botas (Puss in Boots)", a collaboration between his Tectonic Theater Project, Gotham Chamber Opera and London's Blind Summit Theatre puppet troupe, debuting at The New Victory Theater -- whether it's an opera meant for children and why it fits into the Tectonic aesthetic. He also talks about his youth and schooling in Caracas, Venezuela and how an annual festival bringing in work by such artists as Peter Brook and Pina Bausch turned him on to theatre; why he felt he needed to come to the U.S. to become a director; why he was done with his schooling at NYU's Experimental Theater Wing but never actually finished; how and why he came to create the Tectonic Theater Project so quickly after leaving school; the development of "Gross Indecency", "The Laramie Project" (and its epilogue), "I Am My Own Wife" and "33 Variations", including his evolution as a writer; why, as someone who has had such success creating his own works, he also enjoys directing existing texts as well; and the reason he listed "Pixar" as his religion on Facebook. Original air date - September 15, 2010.