Podcasts about Maya Deren

Esoteric Crossroads: Scholars Meet Practitioners is a new collaborative video series, launched in 2025, co-produced by Rejected Religion and RENSEP. Hosted by Stephanie Shea, each session brings together scholars and practitioners for thoughtful dialogue on esoteric traditions. This audio is an edited version of the live (video) session on Initiatory Wicca that took place in March 2025. If you are interested to learn more and join the upcoming discussions, please visit www.rensep.org or my Patreon page: www.patreon.com/RejectedReligion. Judith Noble is Professor of Film and the Occult at Arts University Plymouth (UK). She began her career as an artist filmmaker, exhibiting work internationally and worked for over twenty years as a production executive in the film industry, working with directors including Peter Greenaway and Amma Asante. Her current research centers on artists' moving image, Surrealism, the occult and work by women artists, and she has published on filmmakers including Maya Deren, Derek Jarman and Kenneth Anger. Her most recent publications include: The Dance of Moon and Sun – Ithell Colquhoun, British Women and Surrealism (editor, 2023, Fulgur) and ‘A Convocation of Theurgists – Kenneth Anger's Inauguration of the Pleasure Dome and West Coast Occulture' in Sci-Fi, Magick, Queer LA – Sexual Science and the Imagination (eds Lexi Bard Johnson and Kelly Filreis, One Archive/USC, 2024), and a chapter on the work of Penny Slinger in Animation and International Surrealism (ed Abigail Susik, Bloomsbury, 2925). She is a board member of RENSEP (the Research Network for Esoteric Practices, and a founder member of the Black Mirror Research network and the artists' collective the Inner Space Exploration Unit. She continues to practice as an artist, making artist's books and text+image works, and filmmaker; her most recent film is Fire Spells (2022), a collaboration with director Tom Chick. Her recent work can be found at www.iseu.space. Her film work is distributed by Cinenova. Rufus Harrington is an initiate of Both the Alexandrian and Gardnerian traditions of Wiccan practice. He has more than Forty years of experience initiating and training Wiccan initiates in many parts of the world. He is a Trustee of the Doreen Valiente Foundation (DVF), which protects and preserves many of the original Books of Shadows belonging to Gerald Gardner and Doreen Valiente. Working as a Director of Clinical Studies at the University of Cumbria He trained over 500 cognitive behavioural psychotherapists to work in the NHS. He has worked extensively in the field of mental health, working as a Clinical Director for the Priory Group of Hospitals, For BAE systems and the Police. He has developed specialist resilience training programs that have won national recognition and awards. Rufus is an initiate of the Bricket Wood Coven founded by Gerald Gardner. His initiatory lineage weaves together many of the most influential lines of initiation in British Wiccan tradition. He has lived through and been part of the evolution of Initiatory Wiccan practice in the UK.Music and Audio Production: Stephanie Shea This series is presented by Research Network for the Study of Esoteric Practices - www.rensep.org and Rejected Religion.

Part Two, Day Two. On the after portion of today's Driving While Screaming, we get into 'The Maya Deren Project,' a series of Deren's short films accompanied by a 10,000 Lakes live score. We also saw the scrappy, charming comedy, 'Lockjaw' directed by Sabrina Greco. Stay tuned for Day Three. Check out OCFF 25 Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Rendering Unconscious Podcast is now at Substack! https://renderingunconscious.substack.com RU334: ÙNA MARIA BLYTH ON MUSES NO MORE: PORTRAITS OF OCCULT WOMEN: https://renderingunconscious.substack.com/p/ru333-una-maria-blythe-on-muses-no Rendering Unconscious episode 334. Ùna Maria Blyth is here to talk about her new book Muses No More: Portraits of Occult Women (Hexen Press 2024), which features illustrations by Luciana Lupe Vasconcelos. https://www.hexen.fr/books-prints/muses-no-more-una-maria-blyth#/edition-hardcover Follow at Instagram: @unaofthepeatbog @hexen_press @luciferovs The conversation centers on the book Muses No More: Portraits of Occult Women by Ùna Maria Blyth, which features 17 occult women, including Marjorie Cameron, Maya Deren, Annie Besant, Marie Laveau, Pamela Colman Smith, Maria de Naglowska, and Rosaleen Norton. The artist Luciana Lupe Vasconcelos created the cover art and accompanying illustrations. With this book, Ùna emphasizes accessibility and personal connection, avoiding dry academic language. She discusses the importance of including gossip and personal stories. The second half of the book includes interactive spells and exercises to engage readers. This discussion touches on the challenges of being a queer artist and the importance of play and experimentation in both magic and psychoanalysis. Ùna also mentions her apprenticeships in writing and cartomancy, available on her website. https://www.unamariablyth.com Ùna Maria Blyth is an occult writer and practitioner of peatbog folk magic, tarot reader/teacher, workshop facilitator, and meditation teacher living in the Shetland Isles. Alongside offering card readings, magical consultations & meditation facilitation, she has written for a range of publications including Folklore for Resistance, Sabat, Rituals & Declarations, Cunning Folk Magazine, Doggerland, Fire & Knives, and the academic text Reframing Immersive Theatre (published by Palgrave Macmillan).

The visual media of cinema, TV and videogames are especially suited to depicting the strange visions and wonky logic of human dreaming, and the horror genre is especially able to take advantage of this.  Kirsty and Dan discuss some of the best examples, while Stella drops in to make some points, too.   Works Cited   Un Chien Andalou ("An Andalusian Dog") (Les Grande Films Classiques, France 1929, director: Luis Bunuel (co-writer: Salvador Dali) Meshes of the Afternoon (US 1943 silent/1949 with added music, directors: Maya Deren and Alexandr Hackenshmeid, who later changed his name to Alexander Hammid) Eraserhead (AFI Center for Advanced Studies, US 1979, director: David Lynch) Lost Highway (October Films, US 1998, director: David Lynch) Mulholland Drive (Universal Pictures US 2001, director: David Lynch) Rabbits (web series, US 2002, director: David Lynch) Twin Peaks: The Return (Showtime Network Television, US 2017, showrunners: Mark Frost and David Lynch) Jacob's Ladder (Tri-Star Pictures, US 1990, director: Adrian Lyne) Legion (20th Century Fox Television, US 2015-17, showrunner: Noah Hawley) The Big Lebowski (Polygram Filmed Entertainment, US 1998, directors: Joel and Ethan Coen) Dead of Night: The Exorcism (BBC Television, UK 1972, director: Don Taylor) - be sure to watch this before you listen to our Christmas episode, which will be available on Friday 20th to Patreon supporters and on Christmas Eve to everyone else   Artwork by Kirsty Worrow (Instagram: OneCrowLeft).  Music by Greg Hulme.   To hear our next episode early please go to our Patreon page and become a supporter Socials: BlueSky Mastodon Twitter Instagram (also on Threads) Facebook All clips are used in the spirit of Fair Dealing (Commonwealth law) and Fair Use (US law) for the purposes of criticism and education.  No copyright infringement intended. Visit our website, andnowpodcast.com  

Maya Deren by Bienal de São Paulo

Today we investigate 3 classic examples of life being stranger than fiction. Something old something new and something in between the two. Starting with the low earth orbit wargames occurring right now conducted by Space Fya orce called "Victus Haze". Then from the mid 20th Century we investigate the life work of artist and Avant Garde film maker Maya Deren. Ending with a trip to France at the turning of the 20th Century and a look at Hellish Cabaret that turned into the Theatre of Fear Grand Guignol.Divine Horsemen Link https://www.youtube.com/watch?v=HhkQHQDel2o

For the latest episode of the podcast Neil talks to filmmaker and academic Dr Nariman Massoumi about his wonderful short documentary Pouring Water on Troubled Oil (2023).  MUBI: In 1951, the Anglo-Iranian Oil Company set out to produce a publicity film promoting its activities in Iran. They hired the poet Dylan Thomas. This poetic film follows Thomas's journey capturing his encounter with the country and its people as a political upheaval for oil nationalization unfolds. The film is not available to view yet, having been criminally overlooked by UK film festivals, but it will be at some point [and we will let you know when]. That didn't stop Neil talking to Naz about the film because in form, content and theme it has much to offer contemporary cinematic and cultural conversations. Their chat ranges across subjects and themes including documentary practice, archive work, sound design, proto-cinema and the poetic, colonialism and decolonisation and practice research in the academy. You can hear the Cinema16 conversation between Dylan Thomas, Maya Deren and others, from 1953, that Naz mentions here. For more information on Naz, visit here. Elsewhere in the episode, Neil recommends the music film Getting it Back: The Story of Cymande (Mackenzie-Smith, 2023), more information on that here. He also slyly mentions his forthcoming book, which you can pre-order here, or anywhere you get books. ---- You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. ---- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.

Today is the first day of the 36th edition of IDFA, the world's largest documentary film festival - a twelve-day event in Amsterdam featuring more than 250 titles in 22 sections. Earlier this week, I sat with Orwa Nyrabia, the Artistic Director of the festival, to speak with him about the role, responsibility and relevancy of film festivals and how IDFA is meeting the current moment. We also discuss some of the new sections in the program, including SPECIAL SCREENINGS,  SIGNED, and the highly anticipated introduction of CORRESPONDING CINEMAS, a unique program featuring a series of films from filmmakers who have inspired one another, including Sky Hopinka, Basam al-Sharif, Jumana Manna, Ibrahim Shaddad, and Abderahmane Sissako.  We end the conversation with an amusing story of how Wang Bing came to be this year's Guest of Honor. [Image from the short film, Deep Sleep by Basma Al Sharif, which is screening in the Corresponding CInemas section on Saturday 11 November]Time codes and Films Referenced00:03:30 How is IDFA meeting the current moment00:08:22 Films in the Program on Orwa's mindOccupied City (2023) by Steve McQueenSocialist Realism (2023) by Raul RuizArna's Children (2003)00:12:00  SPECIAL SCREENINGS00:13:34  SIGNED00:16:28 16 WORLDS ON 16, including works by Agnes Varda, Sarah Maldoror, Chantal Akerman, Maya Deren, Robert Frank, and The First Year (1972) by Patricio Guzman and First Case. Second Case (1979), by Abbass Kiaristami 00:21:30 FABRICATIONS, including notable works from Shirley Clarke, Rosine Mbakam, Safi Faye, and David Schickele00:26:26 CORRESPONDING CINEMAS, including works of Sky Hopinka, Basma al-Sharif, Jumanna Manna, Ibrahim Shaddad Abderahmane Sissako 00:40:00 - 00:46:00 WANG BING, Guest of Honor and his curated TOP 10 filmsFor show notes, visit docsinorbit.com and be sure to follow us on social media @docsinorbit

Michael M. Pessah, ASC and Buddy Squires, ASC talk about the art, history, and current practices of documentary filmmaking.

I am delighted to host Prof. Judith, an expert on the transformative intersections of art and esotericism. Our conversation orbits around the enigmatic and evocative works of Kenneth Anger, an avant-garde filmmaker whose oeuvre plunges into the depths of magical practice and occult symbolism. Kenneth Anger, a central figure in both underground cinema and modern esotericism, has mesmerised audiences with films like "Lucifer Rising" and "Inauguration of the Pleasure Dome." His work melds ritualistic elements with visual storytelling, offering an innovative exploration of how art can serve as a conduit for magical intent. About our guest Judith Noble is Professor of Film and the Occult at Arts University Plymouth (UK). She began her career as an artist filmmaker, exhibiting work internationally and worked for over twenty years as a production executive in the film industry, working with directors including Peter Greenaway and Amma Asante. Her current research centres on artists' moving image, Surrealism, the occult and work by women artists, and she has published on filmmakers including Maya Deren, Derek Jarman and Kenneth Anger. Her most recent publication (as editor) is The Dance of Moon and Sun – Ithell Colquhoun, British Women and Surrealism (2023, Fulgur). She continues to practice as an artist and filmmaker; her most recent film is Fire Spells (2022), a collaboration with director Tom Chick. Her recent work can be found at www.iseu.space. Her film work is distributed by Cinenova. CONNECT & SUPPORT

Akustisches Biopic · Als erste Frau und erste US-Amerikanerin gewann die New Yorker Avantgarde-Filmpionierin Maya Deren auf den Internationalen Filmfestspielen von Cannes den Grand Prix International für Experimentalfilm. Künstlerinnen und Künstler wie Anaďs Nin und Marcel Duchamp wurden von ihr gecastet. Eine Annäherung über Aufzeichnungen, Essays, Interviews und Briefe an ihr Alter Ego. // Von Ulrike Haage und Maya Deren / Mit Marina Frenk, Martina Gedeck, Robert Stadlober, Valery Tscheplanowa / Komposition und Realisation: Ulrike Haage / BR 2023

"Dwelling in the void space" — a conversation between Selina Ershadi and Dani McIntosh, the second part of the CIRCUIT Cast series Sites of Connection. In this podcast, artist Selina Ershadi discusses three films: Hollywood Ave (2017), Amator (2019) and The hands also look (2020), alongside a new work in progress, The Blue Dome (forthcoming). In conversation with artist Dani McIntosh, Selina reflects on navigating personal and family histories as guided by Chantal Akerman, Maya Deren and Derek Jarman; ideas of dwelling, homemaking and displacement; oral storytelling traditions and the poetic potential of decentering the visual.

In this episode of What a Picture, Bryan and Hannah take a quick nap before discussing Meshes of the Afternoon, the 1943 movie directed by Maya Deren and Alexander Hammid that ranks #16 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Music is "Phaser" by Static in Verona.

Humanitzar els ginys i riure-se'n dels robots. Crítica teatral de les instal·lacions de Cabosanroque. «No em va fer Joan Brossa». Concepte, creació, dramatúrgia, direcció, disseny de so, composició i escenografia: Cabosanroque (Laia Torrents Carulla, Roger Aixut Sampietro). Veus enregistrades de: COIET de Banyoles (Servei d’atenció especialitzada per a persones adultes amb discapacitat de la comarca del Pla de l’Estany): M. Àngels Verge Mata, Pau Fernández Pujol, Eduard Martí Vergé, Alex Alba, Jonathan Perasa, Carmelita Puigdemont i Jordi Saubí Gironès. Fotografia: José Hevia. Direcció: Cabosanroque. Grec'23. Sala Raval, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, 9 juliol 2023. «Dimonis». Concepte, creació, dramatúrgia, direcció, disseny de so, composició i escenografia: Cabosanroque (Laia Torrents Carulla, Roger Aixut Sampietro). Text: Jacint Verdaguer, Maya Deren. Traducció del text de Maya Deren: Martí Sales. Música original: Cabosanroque i versions de Cabosanroque sobre el «Veni creator» de Raban Maur i «The Unanswered Question» de Charles Ives. Instal·lacions sonores: Cabosanroque. Disseny de la il·luminació: Cube.bz, Cabosanroque. Vídeo: Frau recerques visuals, Cabosanroque. Construcció de l’escenografia: Kike Blanco, Cabosanroque. Producció executiva i distribució: Helena Febrés Fraylich. Participació enregistrada: Niño de Elche (cantaor), Rocío Molina (bailaora), Enric Casasses (poeta), Manuel Delgado (antropòleg), Gerard Horta (antropòleg), Ricard Torrents (especialista en Verdaguer), Carme Torrents (museòloga), Lourdes Porquet (viròloga), Xavier Rebodosa (viròleg), Helena Pielias i Vicenç Viaplana (videoartistes), Laia Torrents i Roger Aixut (Cabosanroque). Interpretació dels versos de Jacint Verdaguer: Núria Martínez Vernis (poeta), Jordina Boix (directora de la Fundació Verdaguer). Interpretació del pare A. F. (exorcista): Joan Solana. Fotografia: José Hevia. Una coproducció de Cabosanroque, Grec20 Festival de Barcelona, Temporada Alta19, La Filature Scène nationale de Mulhouse i Fundació Lluís Coromina. Amb el suport de: Departament de Cultura de la Generalitat de Catalunya, Fundació Verdaguer i Centre de Cultura Contemporània de Barcelona. Direcció: Cabosanroque. Grec'23. Sala Raval. Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, 9 juliol 2023. «Flors i viatges». Concepció, creació, construcció, dramatúrgia i direcció: Cabosanroque. Text original: Mercè Rodoreda, Svetlana Aleksiévitx. Adaptació: Cabosanroque. Amb la participació enregistrada de: Rocío Molina, Mónica López, Núria Martínez Vernis i refugiades ucraïneses a Catalunya (Mariia Kashpurenko, Nadiia Rusanova, Olena Radko, Hanna Hrechana, Alexandra Hrechana, Maria Hrechana, Hanna Rei, Barbara Sokilovska i Mariia Sokolovska). Traduccions del rus al català: Miquel Cabal. Traduccions del català a l’ucraïnès: Olena Velykodna. Música original: Cabosanroque; versió de «Strange Fruit» de Billie Holiday, interpretada per Núria Graham; «Lux Aeterna», de György Ligeti, interpretada per Cor de Teatre (Mariona Callís, Sara Gómez, Nuri Hernández, Ànnia Pons) i dirigida per David Costa. Enregistraments d’Alan Lomax: Laments de dones russes en la mort del seu pare. Disseny de la il·luminació: Cabosanroque, Cube.bz. Vídeo: Frau recerques visuals. Assistència tecnològica: Julià Carboneras. Ceràmica: Toni Cumella i Cabosanroque. Fotografia: José Hevia. Una coproducció de Cabosanroque, Grec'23 Festival de Barcelona, Temporada Alta 2022, Naves del Español en Matadero 2023, Teatre Nacional de Catalunya 2023, Théâtre Garonne – Scène européenne 2024 i Centre de Cultura Contemporània de Barcelona (CCCB). Direcció: Cabosanroque. Grec'23. Sala Raval, Centre de Cultura Contemporània de Barcelona (CCCB), 15 juliol 2023. Veu: Andreu Sotorra. Música: Satrage fruit. Interpretació: Billy Holiday. Composició: Lewis Allan. Àlbum: Billy Holiday, 1957.

Subscriber-only episodeCamp counselors Jackie and Greg dig into six short films from avant-garde filmmaker Maya Deren. The films discussed include: Meshes of the Afternoon (1943); At Land (1944); A Study in Choreography for Camera (1945); Ritual in Transfigured Time (1946); Meditation on Violence (1949); and The Very Eye of Night (1958).The monthly "S'mores" series is an offshoot from our main series, where Jackie and Greg explore films from the fringes of cinema, encompassing underground, experimental, cult, camp, genre, horror, and B-movies. "S'mores" episodes are unlocked by becoming either a Patron or Friend of the Show (see below). These episodes are released on the last Tuesday of each month.Check us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comJoin our weekly film club: instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxGet in touch at hello@sceneandheardpod.comSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Nesse podcast conversamos sobre Attenberg (2010), filme dirigido pela cineasta grega Athina Rachel Tsangar e disponível na Mubi. Conversamos sobre a carreira da diretora e produtora, além de elementos principais do filme, como a relação entre pai e filha, a musicalidade, o humor e as característica de coming of age. O programa é apresentado por Stephania Amaral e Rosana Íris. Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-189-attenberg Feedback: contato@feitoporelas.com.br Pesquisa, pauta e roteiro: Stephania Amaral e Rosana Íris Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] História do Olho https://amzn.to/43w1571 Mencionados: [FILME] Um Cão Andaluz (Un chien andalou, 1929), dir. Luis Buñuel [FILME] Tramas do Entardecer (Meshes of the Afternoon, 1943), dir. Maya Deren [FILME] O Discreto Charme da Burguesia (1972), dir. Luis Buñuel [FILME] Veludo Azul (Blue Velvet, 1986), dir. David Lynch [FILME] Segundas Intenções (Cruel Intentions, 1999), dir. Roger Kumble [FILME] Os Sonhadores (The Dreamers, 2003), dir. Bernardo Bertolucci [FILME] Kinetta (2005), dir. Yorgos Lanthimos  [FILME] Dente Canino (Kynodontas, 2009), dir. Yorgos Lanthimos  [FILME] Attenberg (2010), dir. Athina Rachel Tsangari  [FILME] Alpes (Alpeis, 2011), dir. Yorgos Lanthimos  [FILME] The Capsule (2012), dir. Athina Rachel Tsangari  [FILME] Antes da Meia-Noite (Before Midnight, 2013), dir. Richard Linklater [FILME] O Lagosta (The Lobster, 2015), dir. Yorgos Lanthimos [FILME] After Before (2016), dir. Athina Rachel Tsangari  [FILME] The Staggering Girl (2019), dir. Luca Guadagnino [FILME] Aftersun (2022), dir. Charlotte Wells [SERIADO] Fleabag (2016-2019), criado por Phoebe Waller-bri [SERIADO] Normal People (2000), criado por Sally Rooney [SERIADO] The Americans (2013–2018), criado por Joseph Weisberg [LIVRO] História do Olho, de Georges Bataille Relacionados: [PODCAST] Fleabag por Elas https://feitoporelas.com.br/fleabag-por-elas-01/ [PODCAST] Feito por Elas #22 Maya Deren https://feitoporelas.com.br/feito-por-elas-22-maya-deren/ [PODCAST] Feito por Elas #182 Aftersun https://feitoporelas.com.br/feito-por-elas-182-aftersun/

The fellas profile the life of the innovative avant-garde filmmaker, theorist and Vodou practitioner Maya Deren. And listen to the After Dark episode for Patreon subscribers at: patreon.com/artofdarkpod twitter.com/artofdarkpod twitter.com/bradkelly twitter.com/kautzmania https://youtu.be/kSWZdYiVv5U

Episode Notes Please rate, review, and/or subscribe on Apple Podcasts to help promote this show... You can explore both public and patron episodes of this podcast here: https://www.lostinthemovies.com/p/twin-peaks-cinema.html OTHER LINKS Twin Peaks Unwrapped 204: Mulholland Drive TV Pilot (featuring myself, Mya McBriar & John Thorne) https://podcasts.apple.com/podcast/twin-peaks-unwrapped-204-mulholland-drive-tv-pilot/id1005628280?i=1000452621616 "Creative Differences" by Tad Friend (New Yorker article on making Mulholland Drive as a TV pilot) https://www.newyorker.com/magazine/1999/09/06/creative-differences "Haunted by Seriality: The Formal Uncanny of Mulholland Drive" by Jason Mittell (rooting Mulholland Drive's effect in abandonment of open-ended set-up) https://justtv.files.wordpress.com/2007/03/mittell-mulholland-drive.pdf My interview with Martha Nochimson (we discuss her view of Mulholland Drive) http://www.lostinthemovies.com/2014/11/opening-door-conversation-with-martha.html David Lynch & Mary Sweeney: Dream Souls (my video essay created after this recording) https://vimeo.com/430539967 MulhollandDrive.net - Sexual Abuse http://www.mulholland-drive.net/studies/sexualabuse.htm But Who Is The Dreamer? Twin Peaks: The Return by Tim Kreider (Politics/Letters) http://politicsslashletters.org/dreamer-twin-peaks-return/ My discussion of the Kreider article on Twitter https://twitter.com/LostInTheMovies/status/1017024658183540741 My full response to Twin Peaks parts of Noelle's feedback are in the Patreon episode https://www.patreon.com/posts/episode-33-and-3-20702764 Take This Baby and Deliver It to Death (my video essay exploring abuse in Lynch's early work) https://vimeo.com/95477301 Gone Fishin' round-up (contains long excerpt of Jeff Simon's Buffalo News review) https://www.lostinthemovies.com/2014/06/gone-fishin-collection-of-commentary-on.html A Candid New Biography Tells of the Shocking Childhood That Destroyed Rita Hayworth by Andrea Chambers & Lee Powell (People Magazine) https://people.com/archive/a-candid-new-biography-tells-of-the-shocking-childhood-that-destroyed-rita-hayworth-vol-32-no-20/ MY OTHER WORK ON MULHOLLAND DRIVE My "Favorites" series piece https://www.lostinthemovies.com/2016/10/the-favorites-mulholland-drive-20.html + essay comparing it to Celine and Julie Go Boating https://www.lostinthemovies.com/2015/12/mulholland-drive-celine-and-julie-go.html + another appearance on Twin Peaks Unwrapped https://www.lostinthemovies.com/2015/11/talking-mulholland-drive-with-twin.html + in a survey of Lynch w/ review https://www.lostinthemovies.com/2014/06/the-eye-of-duck-david-lynch.html & in an essay https://www.lostinthemovies.com/2014/06/its-strange-world-david-lynch.html + in video essay comparing Lynch to Maya Deren https://www.lostinthemovies.com/2016/04/maya-deren-david-lynch-spend-lost.html + these include more Mulholland Drive mentions: https://www.lostinthemovies.com/p/twin-peaks-david-lynch.html MY OTHER WORK ON TWIN PEAKS https://www.lostinthemovies.com/p/twin-peaks.html MY RECENT PODCASTS Lost in the Movies - Marie Antoinette (2006) https://www.lostinthemovies.com/2023/01/marie-antoinette-from-2006-lost-in.html Lost in the Movies on Patreon ($1/month) - Episode 98: Holiday Special / Continuing the 60s... The Apartment (+ capsules on How the Grinch Stole Christmas, Rudolph the Red-Nosed Reindeer, A Charlie Brown Christmas & more) https://www.lostinthemovies.com/2022/12/december-2022-patreon-round-up-lost-in.html FOLLOW MY NEW TWIN PEAKS CHARACTER SERIES (written entries) https://www.lostinthemovies.com/2023/01/introducing-revised-twin-peaks.html This episode's home page on my site https://www.lostinthemovies.com/2023/01/mulholland-drive-as-twin-peaks-cinema.html Browse my other podcasts: Lost in the Movies https://www.lostinthemovies.com/p/patreon-podcast.html Lost in Twin Peaks https://www.lostinthemovies.com/p/lost-in-twin-peaks.html This podcast is powered by Pinecast.

De eso hablamos. Cada año acabado en 2 (desde 1952), la revista Sight and Sound (del BFI) pregunta a un montón de gente para realizar una lista de las 100 mejores películas. La de 2022 acaba de salir y de eso vamos a hablar: de las mejores películas de la historia del cine. Y también de ¿qué significa una lista así? ¿Para qué sirve? ¿Y qué nos dice del pasado y el presente? Pues a eso vamos… Las 25 primeras películas (en orden descendente): Jeanne Dielman 23, quai du Commerce, 1080 Bruxelles (1975 Chantal Akerman) Vértigo (1958 Alfred Hitchcock) Ciudadano Kane (1941 Orson Welles) Cuentos de Tokio (1953 Yasujirō Ozu) Deseando amar (2000 Wong Kar Wai) 2001: Una odisea del espacio (1968 Stanley Kubrick) Buen trabajo (1998 Claire Denis) Mulholland Dr. (2001 David Lynch) El hombre de la cámara (1929 Dziga Vertov) Cantando bajo la lluvia (1951 Gene Kelly, Stanley Donen) Amanecer (1927 F.W. Murnau) El padrino (1972 Francis Ford Coppola) La regla del juego (1939 Jean Renoir) Cleo de 5 a 7 (1962 Agnès Varda) Centauros del desierto (1956 John Ford) Meshes of the Afternoon (1943 Maya Deren, Alexander Hackenschmied) Primer plano (1989 Abbas Kiarostami) Persona (1966 Ingmar Bergman) Apocalypse Now (1979 Francis Ford Coppola) Los siete samuráis (1954 Akira Kurosawa) La pasión de Juana de Arco (1927 Carl Th. Dreyer) Primavera tardía (1949 Yasujirō Ozu) Playtime (1967 Jacques Tati) Haz lo que debas (1989 Spike Lee) Al azar de Baltasar (1966 Robert Bresson) Otros enlaces: On Kawara Today Series/Date Paintings DAVID LYNCH THEATER El cine según Hitchcock Placer visual y cine narrativo, de Laura Mulvay Usando este enlace puedes probar MUBI, nuestro servicio de streaming favorito. Y si te suscribes, uno de nosotros consigue un mes gratis. Pero no te vamos a decir cuál de los dos… https://mubi.com/es/t/web/global/KUv5-JK8 Pedro, ese enlace es el de Pedro. Paco ya tiene MUBI para rato… (esto NO ES broma, es totalmente cierto: su suscripción a MUBI termina el 8 de octubre de 2537. En serio: 2537. No lo hemos escrito mal. Siglo XXVI). Puedes usar Twitter para comentar, quejarte o lo que sea…: @devuelta, @pjorge y @GuionAusente. Y si te gusta más el email: guionausente@gmail.com.

It is indeed the episode a decade in the making! Here, in Episode 43, Team Vintage Sand puts in its collective two cents on the newly released Sight and Sound decennial poll of the greatest films of all time. It is a list referred to by no less an authority than Roger Ebert as “the best damned film list of them all.” But this time, was it a “woke” poll, reflecting more our need for political correctness than a genuine and deep understanding of film history, as old-timers like Paul Schrader proclaimed? Or was it about damn time that the old white men gave up at least some of the strangle hold they've had on the poll since its inception in 1952, as many younger critics proclaimed? Does this new list signify that the battle lines have been drawn irrevocably between older and younger film people? As always, the truth is never that simple. Team Vintage Sand tries to approach the poll by avoiding either extreme, oversimplified position, reaching, as ever, for the complex and embracing the gray. Does Akerman's "Jeanne Dielman" deserve its new place atop the rankings? Probably not, but it surely is a much better film than its position in the mid-30's for the 2012 edition of the poll suggested. And if the poll is so politically correct, why are there no films by the Mexican New Wavers here? Along these same lines, 16 of the 22 directors who have multiple entries on the list are white men; four of the remaining six are Asian men. Yes, there are no films by Howard Hawks or Roman Polanski. No Buñuel. No Lean. No Altman. No Demy, or Melville, or Resnais. No Sternberg or Stroheim. No Huston. No Malick. No Tarantino. No Anderson, be it Wes or P.T. No Coen Brothers. No Linklater. No Spielberg, for goodness' sake! No silent films in the Top 10, and all the silent films that are still there from 2012, with the exception of "City Lights", plummeted to the nether reaches of the list. (If anyone tells me that there are 20 films greater than "The Passion of Joan of Arc", it's ON!) And yet… …there's "Do The Right Thing" entering the list at #24. FINALLY. And there's Burnett's brilliant "Killer of Sheep". And Dash's "Daughters of the Dust". Maybe now someone will give her some money to make a second film, three full decades after she released a Top 100 masterpiece. And there, brand spanking new, are Jordan Peele and Barry Jenkins. And there's Agnes Varda's extraordinary "Cleo from 5 to 7" entering the list in the top 15. And my historical experimental film crush Maya Deren is finally here as well for her extraordinary and endlessly influential "Meshes of the Afternoon". And Claire Denis in the Top 10. And Jane Campion, Barbara Loden(!), Celine Sciamma and the aforementioned Julie Dash. If it took some “woke” (whatever that means) younger critics to put these artists in their rightful places in the pantheon, we'll take it. Ultimately, we recognize the silly waste of energy in trying to compare, say, "Jeanne Dielman" with "Tokyo Story" with "In the Mood for Love" with "Man with a Movie Camera". For us, this poll has one purpose only, and it's the same purpose that guides what we do at Vintage Sand: it opens doors. It takes us out of our comfort zone as viewers, and reminds us that there are vast aspects of film history about which we know little or nothing. So look carefully at Sight and Sound 2022 through this lens, check off the films you haven't seen yet or not in a long time anyway, and track them down. We'll bring the popcorn!

"At Land" (1944), de Maya Deren

“Myth is the facts of the mind made manifest in a fiction of matter.” Dr. Sabina Stent joins us to discuss one of the most influential surrealist films, and the radical creative figures who both made and championed it, in particular Maya Deren. We'll talk horror imagery, avant garde art, and Beavis and Butthead.Watch Meshes of the Afternoon here for freeWatch Un Chien Andalou (referenced heavily in the episode) here for freeNext week:Raging Bull w/ Richard Newby (rent it here)Hosts:Michael NataleTwitterInstagramLetterboxd Tom LorenzoTwitterInstagramLetterboxd Producer:Kyle LamparTwitterInstagram Guest:Dr. Sabina StentTwitterLinktree Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Episode 31K: Laura scenes, part 2 Please rate, review, and/or subscribe on Apple Podcasts to help promote this show! You can explore both public and patron episodes of this podcast here: https://www.lostinthemovies.com/p/lost-in-twin-peaks.html Become a patron at https://www.patreon.com/lostinthemovies to listen to the entire series ahead of the public schedule and access my main monthly podcast as well. For $5/month, all Lost in Twin Peaks episodes are available immediately in addition to exclusive ongoing Twin Peaks Conversations with other commentators as a monthly reward. Episode 0: Introducing the podcast (show format) https://podcasts.apple.com/us/podcast/introducing-the-podcast-show-format/id1588350903?i=1000537195013 The illustrated companion for the Fire Walk With Me episodes is: https://www.lostinthemovies.com/2022/05/the-complete-lost-in-twin-peaks-31-fire.html 0:00 SCENES ORGANIZED BY LAURA STORY... Laura & Donna / Laura & James (13:40) / Laura & Bobby (25:13) / Laura's family (36:55) / Laura's murder (1:17:57) My Journey Through Twin Peaks video essay series is on YouTube (in 36 chapters as of now) https://www.youtube.com/playlist?list=PLIHlB-wesGPVETlNFLsGCKL-SFjW8wrJf & Vimeo (in 5 parts as of now) https://vimeo.com/showcase/7281266 EPISODE LINKS for the previous episode: My video comparison between Maya Deren & David Lynch https://www.youtube.com/watch?v=zCUX4GIv-WI Young Goodman Brown by Nathaniel Hawthorne https://www.gutenberg.org/files/512/512-h/512-h.htm#goodman from this episode: Angelo Badalamenti explains how he wrote Laura Palmer's Theme (video) https://www.youtube.com/watch?v=e-eqgr_gn4k Thought Gang - A Real Indication (official music video) https://www.youtube.com/watch?v=zUMR3cR1qSY My other podcasts include: Lost in the Movies https://www.lostinthemovies.com/p/patreon-podcast.html Twin Peaks Cinema https://www.lostinthemovies.com/p/twin-peaks-cinema.html This podcast is powered by Pinecast.

Episode 31J: Laura scenes, part 1 Please rate, review, and/or subscribe on Apple Podcasts to help promote this show! You can explore both public and patron episodes of this podcast here: https://www.lostinthemovies.com/p/lost-in-twin-peaks.html Become a patron at https://www.patreon.com/lostinthemovies to listen to the entire series ahead of the public schedule and access my main monthly podcast as well. For $5/month, all Lost in Twin Peaks episodes are available immediately in addition to exclusive ongoing Twin Peaks Conversations with other commentators as a monthly reward. Episode 0: Introducing the podcast (show format) https://podcasts.apple.com/us/podcast/introducing-the-podcast-show-format/id1588350903?i=1000537195013 The illustrated companion for the Fire Walk With Me episodes is: https://www.lostinthemovies.com/2022/05/the-complete-lost-in-twin-peaks-31-fire.html 0:00 SCENES ORGANIZED BY LAURA STORY... Harold & the Secret Diary / Laura & Jacques (10:49) / Laura's spirituality (15:22) / Laura's prostitution (37:57) / Laura & Leo (50:45) / Laura's charity (52:15) / Laura's drug dealing (54:49) / Laura's addiction (56:03) / Laura & Ronette (59:41) My Journey Through Twin Peaks video essay series is on YouTube (in 36 chapters as of now) https://www.youtube.com/playlist?list=PLIHlB-wesGPVETlNFLsGCKL-SFjW8wrJf & Vimeo (in 5 parts as of now) https://vimeo.com/showcase/7281266 EPISODE LINKS My video comparison between Maya Deren & David Lynch https://www.youtube.com/watch?v=zCUX4GIv-WI Young Goodman Brown by Nathaniel Hawthorne https://www.gutenberg.org/files/512/512-h/512-h.htm#goodman My other podcasts include: Lost in the Movies https://www.lostinthemovies.com/p/patreon-podcast.html Twin Peaks Cinema https://www.lostinthemovies.com/p/twin-peaks-cinema.html This podcast is powered by Pinecast.

Happy International Dance Day and Happy Birthday to Jean George Noverre, Maya Deren, Zizi Jeanmarie, and Collette Marchand! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

These mini episodes are unfiltered, raw, and less in-depth than my regular episodes. They're a space for me to talk casually about a film and also about my life. There is minimal research done, and I mainly share my immediate thoughts and feelings about a film.In this episode, I talk about surrealist cinema and the way that film allows us to enter a fascinating dream world. When we live in dreams, we live in possibility. I mention Maya Deren, Suzann Pitt, David Lynch, Dorothea Tanning, and Luis Buñuel.I'm on Instagram, Twitter, and Tumblr.

CinePunked's Robert JE Simpson is joined by Dr Paula Blair for a conversation around their responses to the experience of influential, Ukranian-born, avant garde filmmaker Maya Deren, with particular attention to her debut Meshes of the Afternoon, and At Land.

Jonas Mekas yra ne tik poetas, filmininkas, kino dienoraštininkas, bet ir svarbus Niujorko avangardo veikėjas, įtvirtinęs nepriklausomą kiną instituciškai ir savo tekstais. Kartu su broliu Adolfu jis leido žurmalą „Film cultute“ ir turėjo nuolatinę skiltį laikraštyje „Village Voice“. Jis bendradarbiavo su Andy Warholu ir Jurgiu Mačiūnu, Yoko Ono ir Maya Deren. Savotiškas Meko testamentas yra vieno sakinio manifestas, skelbiantis, kad meno kūrinys yra baigtas tada, kai jis baigtas. Apie Meką – daugiabriaunę asmenybę, žmogų-orkestrą, kūrėją ir organizatorių – kalbamės su parodos „Jonas Mekas ir Niujorko avangardas“ kuratoriais Inesa Brašiške ir Luku Brašiškiu.Ved. menotyrininkė Laima Kreivytė, garso režisierė Sonata Barčytė-Jadevičienė

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The Dance Camera West Programming Committee is led by Cati Jean. The festival is produced by Amber Adams. The DCW Board of Directors is George Lugg (president), Lionel Popkin, David Rousseve, Sophie Robertson and Lynn Tejada. Trailers:  DCWFF 2022 20th Anniversary Promo TrailerDCWFF 2022 TRAILER (Version 1) Tickets and Program Information now available at dancecamerawest.org and on venue websites.Please follow the links below to find out more and purchase tickets.Buy individual tickets, weekend passes ora full 2 weekend pass!Jan. 6-8 - Theatre Raymond Kabbaz ($15-$30)Jan. 13-15 - 2220 Arts & Archives ($15-$75)Full Festival Pass ($100) Good for screenings at both venues, Jan. 6-15, 2022!#GreatGiftIdea!It's the Twentieth Season of Dance Camera West and once again the renowned festival will screen the top selections chosen from around the world. That's 75 films selected from a record number of 400 submissions! The six days of in-person and virtual screenings will happen January 6-15, 2022.DCW, once again partners with LA presenter Théâtre Raymond Kabbaz to present three nights of international films from January 6-9, as well as with the newly founded 2220 Arts & Archives formerly The Bootleg Theater) from January 13-15, 2022.All films are Los Angeles premieres, with many World and American premieres, including a special world premiere screening of Undanced Dances Through Prison Walls During a Pandemic and six films produced by the recipients of the DCW Finishing Fund for Underrepresented Filmmakers funded by the National Endowment for the Arts.Saturday, January 15, 2022 features two midday programs of documentaries and screen adaptations, installations and pop-up performances.Added Bonuses!All pass buyers receive access to virtual screenings featuring additional films.January 6-8 at Theatre Raymond Kabbazfeatures artist Q&As and wine and cheese receptions at intermission!January 13-15 at 2220 Arts & Archivesfeatures DJ after-parties and a cash bar, installations and pop-up performances.*Program is subject to change. Please check wwww.dancecamerawest.org for updates.

Artiste chorégraphique et de l'image, chercheuse en danses urbaines, danseuse extemporaine et pédagogue. Ce sont tout autant de casquettes que cumulent la franco-brésilienne Ana Pi.Pour sa prochaine création – The Divine Cypher – elle est partie en Haïti sur les traces de la cinéaste expérimentale américaine Maya Deren qui, dans les années 1950, se passionnât pour les rituels vaudou. Une conversation entre deux femmes, qui ne se sont pourtant jamais rencontrées ni même connues, la deuxième étant décédée avant même que la première naisse.Marie Arquié et Ronan Boscher avons le plaisir de recevoir Ana Pi derrière le micro de Faisez Tous Comme Moi. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Aunque siempre haya estado presente en el mundo del cine, el ocultismo ha sido difícil de definir al ser un término que ha servido para englobar otras disciplinas o corrientes: satanismo, magia, expresionismo... sin hablar de las connotaciones negativas que siempre ha tenido. Por suerte, Jesús Palacios ha escrito un libro que de forma sintética, didáctica y divertida habla sobre el ocultismo y su relación con el mundo del cine. El libro es La pantalla esotérica: Cine y ocultismo en 50 películas, un nuevo volumen de la colección Filmografías Esenciales de la Editorial UOC. Jesús Palacios, uno de los más importantes críticos y escritores cinematográficos de la historia de España, además de autor de libros tan importanes e icónicos como Satán en Hollywood o Goremanía, entre otros muchos, hace un repaso por películas y figuras del ocultismo vinculadas con el cine como Kenneth Anger, "La semilla del diablo", Maya Deren, Harry Smith, "The Wicker Man" o "Lords of Salem". Además en las librerías hay actualmente otro libro de Jesús Palacios, ya que Applehead Team ha publicado Weird Western: El cine del oeste sin fronteras, libro colectivo que Palacios ha coordinado y escrito sobre ese western que cohabita con lo extraño y fantástico. Hoy el programa Vivir Rodando 138 cuenta con la presencia de Jesús Palacios para ayudarnos a viajar por el mundo de lo oculto en el cine.

Dans cette deuxième partie, nous poursuivons notre voyage historique, anthropologique et spirituel dans l'univers fascinant du vodou haïtien, en nous plongeant au cœur de ses aspects métaphysiques. Qu'est-ce que la philosophie vodou ? Comment les notions de divin, de bien, de mal, d'âme, d'individu, sont-elles conceptualisées dans le paradigme vodou ? Au passage, nous nous intéresserons à la notion de genre dans la culture vodou, laquelle démontre une vision notablement inclusive vis-à-vis des genres et des sexualités alternatives. Au détour d'un poétique passage conté, je vous ferai aussi découvrir une recette de prêtresse haïtienne pour soigner les « limbés », les chagrins d'amour… Pour finir, nous effectuerons un voyage accéléré dans l'histoire coloniale et postcoloniale haïtienne, pour comprendre comment et pourquoi le vaudou (et plus largement, Haïti toute entière) en est venu à être stigmatisé et diabolisé dans l'imaginaire collectif global. Vagabondage poétique en fin d'émission : Soufi Mon Amour, par la romancière turque Elif Shafak. Paris, trad.(en) Dominique Letellier, Éditions Phébus, 2010, 405 p. Sources bibliographiques : Philippe Descola, “L'animisme est-il une religion ? », in Sciences Humaines, Grands Dossiers, n°5, déc. 2006 Douglas J. Falen, African Science Witchcraft, Vodun, and Healing in Southern Benin, 2018, The University of Wisconsin Press, Madison. Robin Horton, “African Traditional Thought and Western Science, Part I. From Tradition to Science”, in 1967, Africa: Journal of the International African Institute, Vol. 37, No. 1, pp.50-71. Laënnec HURBON, “Le statut du vodou et l'histoire de l'anthropologie”, in Gradhiva, Revue d'anthropologie et d'histoire des arts, no 1, 2005, pp. 153-163. Elizabeth McAlister, “Love, Sex and Gender Embodied: The Spirits of Haitian Vodou”, pp. 128–145, in Love, Gender and Sexuality in the World Religions, Nancy Martin et Joseph Runzo, (éds.), 2000, Oxford Oneworld Press. Karen McCarthy Brown, “Afro-Caribbean Spirituality: A Haitian Case Study”, pp. 1-26, in Vodou in Haitian Life and Culture, Claudine Michel and Patrick Bellegarde-Smith (éds.), 2006, Palgrave McMillan, New York. Claudine Michel, “Vodou in Haiti: Way of Life and Mode of Survival”, pp. 27-38, in Vodou in Haitian Life and Culture, Claudine Michel et Patrick Bellegarde-Smith (éds.), 2006, Palgrave McMillan, New York. Pierre Pluchon, « Vaudou, sorciers, empoisonneurs, de Saint-Domingue à Haïti », in Revue française d'histoire d'outre-mer, tome 79, n°296, 3e trimestre 1992. pp. 434-435. Tomas Prower, Magic LGBT+ Spirituality and Culture From Around the World, p.83, 2018, Woodbury, MN: Llewellyn Worldwide. Mambo Chita Tann, Haïtian Vodou, An Introduction to Haiti's Indigenous Spiritual Tradition, 2012, Llewellyn Publications, Woodbury. Crédits sonores : GENERIQUES : « Alanoulé », Ali Boulo Santo Cissoko, Nunto, Boulokossi Production (autoproduction), 2016. Avec l'aimable autorisation de l'auteur et de son label. « Mèsi Bondyé », Harry Belafonte, Frantz Casseus, enregistrement de 1956 “Fre Se Siyate”, Sò Anne, TuneCore (on behalf of Hit Lab LLC) “Tears that collapse like aurora raindrops of sunlight”, Artificial.Music https://soundcloud.com/artificial-music Creative Commons — Attribution-ShareAlike 3.0 Unported— CC BY-SA 3.0 Free Download / Stream: http://bit.ly/2nYoPCn Music promoted by Audio Library https://youtu.be/ChPk0BekVKY “Divine Horsemen: The Living Gods of Haïti”, Maya Deren,55 minutes, extrait (50 secondes), Light Cone,1954 “Accralate” Kevin MacLeod, Royalty Free Link - http://incompetech.com/music/royalty-... Genre Link - http://incompetech.com/music/royalty-... Song – “Accralate”, Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/b... "Slow Heat", Kevin MacLeod Website, Royalty Free Link - http://incompetech.com/music/royalty-... Genre Link - http://incompetech.com/music/royalty-...

Berta Sichel nasceu em Belo Horizonte, Minas Gerais, Brasil, em 1950. Curadora convidada das edições de 1983 e 1985 da Bienal de São Paulo. Professora do Departamento de Mídia na New School for Social Research, em Nova Iorque, EUA, entre 1991 e 1998. Diretora e curadora-chefe do Departamento de Mídia do Museu Reina Sofía, em Madri, Espanha, entre 2000 e 2011. Diretora artística da 1ª Bienal de Cartagena, na Colômbia, em 2013-14. Desde 2013, é diretora do Bureau Phi Art Agency. Com ampla produção de textos e organização de publicações em toda a sua trajetória, publicou em 2018 o livro "14 artistas". [Berta Sichel was born in Belo Horizonte, Minas Gerais, Brazil, in 1950. She worked as an invited curator in the 1983 and 1985 editions of the São Paulo Art Biennial. Professor at the Media Department of the New School for Research, in New York, USA, from 1991 to 1998. She was the director and chief curator of the Media Department at the Reina Sofia Museum, in Madrid, Spain, from 2000 to 2011. Artistic director of the 1st Cartagena Biennial, in Colombia, in 2013-14. Since 2013, she has been the director of Bureau Phi Art Agency. With a vast production of texts and organization of publications in all her career, in 2018 she published the book "14 artistas"] ///imagem selecionada|selected image: Maya Deren, "At land", 1944/// [entrevista realizada em 19 de janeiro de 2021|interview recorded on january 19th, 2021] [link para YouTube: https://www.youtube.com/watch?v=aYV3SNGYaaw]

Helena Hawkes; a Los Angeles-based writer/director and a self-proclaimed Cinephile, Painter, and Soul & Disco Enthusiast. Helena has worked in Hollywood with the likes of Jason Blum of Blumhouse Productions and Leigh Wannel of the Saw and Insidious Franchises. Helena joins My Pop Five to break down Big Fish, Rene Magritte, Meshes of the Afternoon/At Land by Maya Deren, Master Blaster by Stevie Wonder, and Culture as Weapon by Nato Thompson. Helena discusses her relationship with each of the items on her "Pop Five", growing up in small-town, leaving the nest, her relationship with writing, and her "Yours, Mine and Ours" family. Support the show! Rate and Review on Apple Podcasts! 

This episode the introducing duties go to DLS co-founders Katy Derbyshire and Florian Duijsens as they hand off to podcast producer and host Susan Stone to present the featured Dead Lady -- Bebe Barron. Known as the "First lady of Electronic Music," Bebe was a classically trained musician who found her joy with husband Louis in the eerie tones made by dying circuits. Their tape loops and new technology helped set the stage for the bleeps and bloops we all love today, and they created the first ever all-electronic film score for sci-fi flick Forbidden Planet. Plus, Bebe was a part of the Avant-Garde set, hanging out in New York and California with Anais Nin, Maya Deren, and Henry Miller. The DLS crew also talk about what it's like to meet a living legend, and dish on a new documentary about women electronic music pioneers.  More info, links, and pics can be found at deadladiesshow.com/podcast    

Ben Reiser talks to Emma Chang about THE MESSENGER. A woman wanders through a variety of striking locations, seeking her inner identity while confronted with different versions of herself in this unique short film. Director Emma Chang combines a Maya Deren-influenced dreamlike narrative with notable architecture and an experimental use of calligraphy to create a unique cinematic world. (JF)

Poetka, etnografka, tanečnica, filmárka. Maya Deren. Dnes o nej hovoríme ako o matke abstraktného filmu. I keď jej filmografia pozostáva iba z niekoľkých titulov, ovplyvnila množstvo umelcov. Od začiatku bola fascinovaná ľudským telom a pohybom, pričom v centre jej záujmu bol najmä tanec. Tento fokus dal vzniknúť novému umeniu, ktoré bolo označené ako choreocinema. I keď Maya Deren nebola prvou umelkyňou, ktorá skúma vzťah tanca a filmu, vo svojej experimentálnej tvorbe posunula filmový tanec za hranicu tela. Po tom čo ju choreografka a etnografka karibského tanca Katherine Dunham nasmerovala k domorodej kultúre na Haiti, objavovala nielen ich tanec, rituály, ale aj kult voodoo. Derenovej experimentovanie s vizuálnymi nápadmi je inšpiratívne dodnes. Mariana Jaremková venovala Mayi Deren ďalšiu časť cyklu relácie RTVS Rádia DEVÍN Fenomény a rozpráva sa o nej so študentkou Katedry audiovizuálnych štúdií Filmovej a televíznej fakulty VŠMU Barborou Nemčekovou.

Streaming is a subject that's often left weirdly opaque, but this week's guests bring industry insights that are illuminating and informative. The starting point is a new series on the Criterion Channel called Close to Home in which filmmakers drew inspiration from their own homes and everyday lives, from Martin Scorsese to Maya Deren to Blake Edwards to Chantal Akerman. It was co-programmed by Nellie Killian, programmer at Screen Slate, and Chris Wells, who works at MUBI in distribution. They discuss what's different about programming for streaming, and the specific challenges and opportunities posed by the past year's upheaval and the reopening of movie theaters. Both are also voracious movie-watchers, so they also talk about their endless pursuit of titles on streaming and beyond. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Courtesy of www.FridaKahlo.org Frida Khalo’s 1946 oil painting The Wounded Deer     Dear Slushies, on this episode we focus on the heart of literary editing and pose the age-old question: “What do you like when you like what you like?” We also break our own rules on this episode of The Slush Pile. Instead of flipping our thumbs at the end of each poem we’re scheduled to consider, we decide to discuss a group of poems by Shari Caplan as a suite. She submitted three poems about the female gaze, and we’re mesmerized by them. With Kathleen, Samantha, and Marion at the table, it’s an all-female crew discussing three of Kaplan’s poems, each one focusing on a powerful woman who worked in and with images: artist Frida Kahlo, psychoanalytic film theorist Laura Mulvey, and Lee Miller (check her out in “Lee Miller: In Hitler’s Bathtub.”) Listen in as we consider Kaplan’s ekphrastic project as she creates these experimental monologues. We’re flying by the seat of our collective pants, trying to muster what we know about Kahlo, Miller, and Mulvey, half recalling Maya Deren’s surrealist short film Meshes of the Afternoon (1943) and trying to accurately summarize Mulvey’s supremely influential essay “Visual Pleasure and Narrative Cinema,” all the while recalling Dali’s three flying cats, and being serenaded by Sam’s cat Bowie while being observed by Marion’s cat Imia, who joined us at the editorial table. “Dear Pandemic Diary, Day 79, our animals want in on the editorial process. We want to call them ‘Podcats.’ Someone should intervene.”   With thanks to one of our sponsors,  Wilbur Records, who kindly introduced us to the artist is A.M.Mills whose song “Spaghetti with Lorraine” now opens our show.    POETRY DISCUSSION BEGINS at 4:00    Author Bio Shari Caplan is the siren behind "Advice from a Siren" (Dancing Girl Press). Her poems have swum into Gulf Coast, Nonbinary Review, Masque & Spectacle, Tinderbox, Deluge, and more. Caplan's work has earned her a scholarship to the Home School in Hudson, NY, a fellowship to the Vermont Studio Center, and nominations for a Pushcart Prize and a Rhysling Award. You may encounter her as "Betty BOOM: America's Sweettart" giving intimate readings as part of the Poetry Society of New York's Poetry Brothel or ring-leading the Poetry Circus, an in-character immersive event she produces.   website: sharicaplan.com Facebook: https://www.facebook.com/shari.caplan.5 Instagram: @sharic88   Plus, Marion’s cat insists on a seat at the table.            The Works "Frida Kahlo (on Frida Kahlo) on the Female Gaze"   Comparison fragments the green-gold of my body. Nothing compares.   As a woman, I see a deer in an arrow forest with my face on and hear palpitating hooves across dry needles. As a deer, I see a woman poking her paint into my wound. What do you see, Diego?   You were called Auxochrome the one who captures (color). I Chromophore — the one who gives. Friendly reds, big blues, hands of leaves, noisy birds, fingers in. Flowers cackle at my ear. Can the female gaze grow fruit in a pick-axe climate?   As a woman, my fingers touch blood. You may have seen it undisguised in the bathroom. As a deer, my blood touches fingers and arrowheads. You might have mistaken it for paint. You may use it.   As a deer, I retain my eyebrows to express the paths of my nerves, which are yours. As a painting, I multiply into flowers and a mountain because my eyes blanket rivers and roots.   I don’t see a mountaintop. The mountain held in the veins of the sky.     "Lee Miller on The Female (Gaze)"   Don’t! melt until I’ve lit you.   Covered to the neck. A sheet to morph you, size the shine on your  - don’t!   face.   Now, topless   in the metal chair, like an uncorked bottle. Cross at the elbows, look down at the ants.   Don’t –            cavort until I’ve snapped. We’ll have some when he’s over. Come under. An object   could fall on top of you at any moment. It might be              a person.   Tar stretches like a bird’s foot. Maybe life’s a nude               picnic, then the tar comes in with the tide and I’m dyed   blue, wearing a net. I can take my own pictures, thank you. I can deal with some glare.   If you’re thinking,  it’s not my place        to guess what. Maybe this      dead coral you’re posing with   puts your father in your head. Maybe a dead pillow or a case packed. Hide it           behind your face.     "Laura Mulvey on the (fe)Male Gaze"   A bear turned to a lounging place.   Instead of unspooling story the fe/male leans in her lack /light against the paradox of phallocentrism.   Bear/er of the bloody wound. Subject by being object/ed.   To exit/exist, she must thwart the male ailment, fuck Freud.   Virgin/Vixenhood fantasies. Ropes hissing the bedframe. All the men I know want to do it. Man/ipulation.   Active/male/passive/female/active/male/passive. Act/I’ve/male/pass/I’ve/fe/male/act/I’ve/pass/I’ve Activate!   How does the bearskin rug become a bear again?

Eccentriche è un racconto che ripercorre il "900 ma anche le vite private, l'arte e gli amori di personalità femminili fuori dagli schemi e che hanno lasciato un segno forte e originale nel secolo passato.

In this episode, Jordan introduces Maria and the listeners to the pioneering experimental filmmaker Maya Deren. Working primarily in the 1940s and 50s, Deren's short films have been classified as "surrealist" and "feminist" by critics and scholars throughout the 20th century. But as Jordan and Maria discover, there's more to Deren and her films than just labels.

Considerada como la madre del cine experimental estadounidense, Maya Deren fue mucho más que una mera cineasta. Antes de debutar a los 25 años con su magistral Meshes in the Afternoon (1943), ya había estudiado periodismo, ciencias políticas, un master en literatura inglesa y ,a principios de los '40 se encontraba totalmente imbuida explorando la danza contemporánea. Mucho de esto —y una buena dosis de teoría sicoanalítica— encuentra expresión en su opera prima (que ha influenciado a decenas de directores, sobre todo a David Lynch), pero nadie como ella ha podido trabajar con la misma plasticidad el inconsciente y su torrente, los misterios del cuerpo y el uso del espacio cinematográfico. Tal es la impresión que causa este filme inicial a quien lo ve por primera vez, que mucha de su breve obra posterior (ocho cortometrajes, entre 1944 y 1958) no ha recibido la merecida atención merecida: Ritual in Transfigured Time (1946) y The Vast Eye of the Night (1958) son obras mayores que, cada una por su cuenta, amplifican la huella de Deren y también su persistente enigma. De eso y otras cosas se habla en este podcast.

Something a little different for our 10th epsode. Here, we have a very welcome return from Steven Woloshen along with Charlie Hewison, an expert on experimental film & PhD candidate currently in Paris. We discuss our own personal interpretations of some of Deren's puzzles as well as discussing the ways in which her influence has been felt ever since.

Dekadraj'ın yeni bölümünde Güvenç Atsüren ve Esen Tan, Amerikan avangart sinemasının kurusucu olarak da anılan çok yönlü sanatçı Maya Deren'in sinema anlayışını, filmlerini ve film mecrasında gerçekleştirdiği devrim niteliğindeki denemeleri konuşuyor.

Mark Hanson (Product Manager of Bay Street Video) and Justin Decloux (Co-Host of The Important Cinema Club) take you through this week's new releases on Blu-ray and DVD live from BAY STREET VIDEO. CULT One Missed Call Trilogy (arrow) Spookies (vinegar Syndrome) Candy Snatchers, the (vinegar Syndrome) Flesh Eating Mothers (vinegar Syndrome) Zombie Island Massacre (vinegar Syndrome) Thousand and One Erotic Nights (vinegar Syndrome) Hard Soap, Hard Soap / Disco Lady (vinegar Syndrome) Pet Sematary Two (shout) **blind Buy** Astrologer, the (1975) (severin) Cries of Pleasure (1983) (severin) Night of Open Sex, a (1983) (severin) Dangerous Cargo (1977) (mondo Macabro) Hot Dog: The Movie (synapse) Return of Ultraman (mill Creek) CLASSICS Paris Is Burning (criterion) Three Fantastic Journeys by Karel Zeman (criterion) Manon (1949) (arrow) Quai Des Orfevres (kino) and Hope to Die (1972) (kino) Deadly Trap, the (1971) (kino) Line of Demarcation (1966) (kino) Max and The Junkmen (1971) (kino) Perfect Friday (1970) (kino) Third Lover, the (1963) (kino) Maya Deren Collection, the (kino) Reefer Madness / Sex Madness (kino) Mom and Dad (1945) (kino) Unashamed: A Romance / Elysia, Valley of The Nude (kino) Tex Avery Screwball Classics Vol.1 (warner Archive) Victory (1981) (warner Archive) Little Romance, a (1979) (warner Archive) It Started with A Kiss (1959) (warner Archive) Glastonbury Fayre (1972) (odeon/mvd) Hudson River Massacre (aka I Tre Del Colorado) (1965) (mvd) NEW Knives out (lionsgate) Frozen Ii (disney) After Parkland (kino) Astronaut (2019) (echo Bridge) Bittersweet Waters (2019) (tla) Orpheus Song (2019) (tla) in Fabric (lionsgate) Synonyms (kino) Mandela Effect, the (gravitas Ventures) Meanest Man in Texas, the (ammo) Retablo (wolfe) Years and Years (2019 Miniseries) (hbo) Climbers, the (2019) (well Go) Corrupted, the (2019) (paramount) Color out Of Space (rlje)

Art critic Alastair Sooke, in the company of some of the leading creatives of our age, continues his deep dive into the stunning works in the Museum of Modern Art's collection, whilst exploring what it really means “to see” art. Today's edition features the choice of American ballet dancer Isabella Boylston, currently a principal dancer with the American Ballet Theatre. It's a short Black and white film: A Study in Choreography for Camera by Maya Deren and Talley Beatty, made in 1945 Main Image: A Study in Choreography for Camera (film still), 1945. 16mm film (black and white, silent), 4 min. The Museum of Modern Art, New York. Purchase from the Estate of Maya Deren Producer: Tom Alban

Í Lestinni í dag verður meðal annars fjallað að gefnu tilefni um kúst og fæjó kynslóðina, Mayu Deren, íslenskuna og Tinna í Surtsey. Úkraínski kvikmyndaleikstjórinn Maya Deren var einhver mikilvægasti frumkvöðull tilraunakenndrar kvikmyndagerðar á 5. og 6. áratugnum. Deren var líka dansari, kvikmyndafræðingur, skáld, rithöfundur og ljósmyndari. Hundrað ár voru í fyrra liðin frá fæðingu hennar, við fjöllum nánar um Mayu Deren í Lestinni í dag. Halldór Armand Ásgeirsson rithöfundur fjallar í pistli dagsins um íslenskuna á stafrænum tímum. Austuríski heimspekingurinn Ludwig Wittgenstein kemur meðal annars við sögu hjá honum í dag, sömuleiðis grein sem birtist í breska blaðinu The Guardian í gær. Og Tinnabók dagsins er Svaðilför í Surtsey, hún kom fyrst út árið 1938 en á íslensku árið 1971. Viðmælandi Gísla Marteins Baldurssonar verður Róbert Marshall, fjölmiðlamaður, útivistarmaður og fyrrverandi alþingismaður. Umsjón: Anna Gyða Sigurgísladóttir og Eiríkur Guðmundsson

Leading artist during the Feminist Art Movement, the work of Maya Deren is shared by Pia Guerrero, founder of Adios Barbie and executive director of SheHeroes.

[close reading] Some discussion of Colm Toibin's reading, and how good it was, and how much The Master is about English, American, and Irish issues. We continue mainly with Ephraim section I and discussion of Tom's asking JM to "spell it out": what does that turn out to mean.  Some discussion of Maya Deren.  Here's Youtube of her "Ritual in Transfigured Time" which is the dream she has in the city in section M:  http://www.youtube.com/watch?v=ctFPrLtSWg8&feature=colike