POPULARITY
2 episodes with Barbara Kopple
2 episodes with Barbara Kopple
5 episodes with Barbara Kopple
2 episodes with Barbara Kopple
2 episodes with Barbara Kopple
2 episodes with Barbara Kopple
2 episodes with Barbara Kopple
2 episodes with Barbara Kopple
Please come celebrate our 300th episode with spine number 300! We grapple with our legacy, come to terms with our many failures, reaffirm old friendships, get matching outfits, mourn our losses, go on one last adventure, and have a few laughs. And because it's Wes Anderson, we can't help but fall for yet another flawed father figure. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Barbara Kopple's Harlan County, USA (1976).
An Interview With Ray Nowosielski & John F Duffy (The Watchdogs Didnt Bark) - The Darkened Hour Ray Nowosielski is an Emmy-nominated non-fiction filmmaker, producer, and writer. Nowosielski worked on many successful projects, one in which he personally directed, 9/11 Press For Truth" where the film surrounds the lives and activism of widows of husbands who were killed in the World Trade Center on September 11th 2001.John Duffy is a writer and activist. He wrote and produced the critically-acclaimed documentary Press for Truth, His 2011 Who Is Rich Blee? was among the first podcasts to explore the true crime investigative genre, three years before Serial, exposing an alleged human rights abuser inside the CIA and resulting in a well-publicized threat of prosecution from that agency. collaborated with Barbara Kopple on 8 films. With John Duffy he created the iHeart BLM true crime podcast After the Uprising, nominated for a 2022 NAACP Image Award. The Intercept co-founder Glenn Greenwald later dubbed that work “fantastic” and “brave.” Both Nowosielski and Duffy would co-author an Amazon best selling book, The Watchdogs Didn't Bark: The CIA, NSA, and the Crimes of the War on Terror" which covers the US intelligence failures and publicly names certain CIA officers who embarked on a secret operation of hiding information from the FBI regarding two Al Qaeda operatives who would later hijack American Airlines Flight 77 that crashed into the Pentagon on September 11th 2001. Audio taken from: https://www.youtube.com/watch?v=lboBnwlxi-8
This week on Female Gaze: The Film Club, Morgan is joined by the co-hosts of the podcast Exiting Through the 2010s, Jack Draper and Clay Williams to discuss Barbara Kopple's 1976 film, "Harlan County U.S.A." Clay, Jack, and Morgan discuss the structure of documentary filmmaking, the exploration of workers' rights and Appalachian communities, and the overall impact of the film.You can check out episodes of Exiting Through the 2010s wherever you listen to podcasts. You can follow the podcast:YouTubeBlueskyYou can follow Jack:BlueskyLetterboxdBoston Hassle You can follow Clay:InstagramLetterboxdBlueskyTwitterYou can follow Female Gaze: The Film ClubYou can follow Female Gaze: The Film ClubInstagramBlueSky
Matewan (written and directed by John Sayles) dramatizes the events of the Battle of Matewan, a coal miners' strike in 1920 in a small town in the hills of West Virginia. In the film, Joe Kenehan (Chris Cooper, in his film debut), an ex-Wobbly organizer for the United Mine Workers (also known as the “Wobblies”), arrives in Matewan, to organize miners against the Stone Mountain Coal Company. Kenehan and his supporters must battle the company's use of scabs and outright violence, resist the complicity of law enforcement in the company's tactics, and overcome the racism and xenophobia that helps divide the labor movement. Sayles's film provides a window into the legal and social issues confronting the labor movement in the early twentieth century and into the Great Coalfield War of that period. I'm joined by Fred B. Jacob, Solicitor of the National Labor Relations Board and labor law professor at George Washington University Law School. Fred's views on this podcast are solely his own and not those of the National Labor Relations Board or the U.S. Government.Timestamps:0:00 Introduction2:46 A miner's life7:44 The power of the mining companies12:25 Law's hostility to labor19:01 Violence and the labor movement25:33 Organizing the miners in Matewan30:08 Overcoming racial and ethnic tensions within the labor movement39:29 What was law and who was law46:40 The Battle of Blair Mountain51:54: From the Great Coalfield War to the National Labor Relations Act56:59 Barbara Kopple's Harlan County, USA1:01:59 The power of the strike Further reading:Green, James, The Devil Is Here in These Hills:West Virginia's Coal Miners and Their Battle for Freedom (2015)Hood, Abby Lee, “What Made the Battle of Blair Mountain the Largest Labor Uprising in American History,” Smithsonian Magazine (Aug. 25, 2001)Moore, Roger, “A Masterpiece that reminds us why there is a Labor Day,” Movie Nation (Sept. 2, 2024)Sayles, John, Thinking in Pictures: The Making of the Movie Matewan (1987)Zappia, Charles A., “Labor, Race, and Ethnicity in the West Virginia Mines: 'Matewan,'” 30(4) J. Am. Ethnic History 44 (Summer 2011) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast
Two-time Emmy and Three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviews Marc Morial. His "Gumbo Coalition" documentary explores the resurgence of white supremacy, the "Save Our Sons" program, and a family separated by Trump-era immigration policies streaming on HBOMax. He is one of the few national leaders with "street smarts" and "boardroom savvy" as the transformative President and CEO of the National Urban League—the nation's largest historic civil rights and urban advocacy organization. We will discuss the Gumbo Coalition Documentary on Civil Rights Leaders Marc H. Morial & Janet Murguia. Directed by two-time Academy Award-winning filmmaker Barbara Kopple, the acclaimed film chronicles the work of National Urban League President and CEO Marc Morial and Unidos US President and CEO Janet Murguía throughout the Trump presidency, the racist mass shooting in El Paso, the COVID pandemic, the murder of George Floyd and the uprising that followed, the 2020 elections, and the storming of the Capitol. Support the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.
Two-time Emmy and Three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviews Marc Morial. His "Gumbo Coalition" documentary explores the resurgence of white supremacy, the "Save Our Sons" program, and a family separated by Trump-era immigration policies streaming on HBOMax. He is one of the few national leaders with "street smarts" and "boardroom savvy" as the transformative President and CEO of the National Urban League—the nation's largest historic civil rights and urban advocacy organization. We will discuss the Gumbo Coalition Documentary on Civil Rights Leaders Marc H. Morial & Janet Murguia. Directed by two-time Academy Award-winning filmmaker Barbara Kopple, the acclaimed film chronicles the work of National Urban League President and CEO Marc Morial and Unidos US President and CEO Janet Murguía throughout the Trump presidency, the racist mass shooting in El Paso, the COVID pandemic, the murder of George Floyd and the uprising that followed, the 2020 elections, and the storming of the Capitol. See omnystudio.com/listener for privacy information.
Gay homosexuals Nick and Joseph discuss Havoc - a 2005 American crime drama film directed by Barbara Kopple, starring Anne Hathaway, Bijou Phillips, Joseph Gordon-Levitt, Channing Tatum, Michael Biehn, and Laura San Giacomo Additional topics include: -JLo's documentary -Canter's Deli -FOR THE WIN burgers -The death of Richard Lewis Join us on Patreon: https://www.patreon.com/FishJellyFilmReviews Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support
Join us for a gripping interview on GoodLife Television where Dean and our very special guest Collier Landry, host of the Collier Landry Show, navigate the depths of trauma and healing.
Your ghosts are resting deep within the crypt this November, so here's an unlocked bonus episode to keep you going! The history of mining labor, strikes, and how we tell the stories of the union fight are welcome ground for a gothic discussion. Today, we're talking about Barbara Kopple's award-winning documentary: Harlan County, USA. Join us as we discuss the dark history within the Earth. Discuss your favorite union documentaries with Horror Vanguard at: bsky.app/profile/horrorvanguard.bsky.social www.instagram.com/horrorvanguard/ www.horrorvanguard.com Support your local striking workers.
Michael M. Pessah, ASC and Buddy Squires, ASC talk about the art, history, and current practices of documentary filmmaking.
The history of mining labor, strikes, and how we tell the stories of the union fight are welcome ground for a gothic discussion. Today, we're talking about Barbara Kopple's award-winning documentary: Harlan County, USA. Join us as we discuss the dark history within the Earth. Discuss your favorite union documentaries with Horror Vanguard at: bsky.app/profile/horrorvanguard.bsky.social www.instagram.com/horrorvanguard/ www.horrorvanguard.com Support your local striking workers.
Today's episode is about "Dixie Chicks: Shut Up and Sing", a 2006 doc about the (formerly Dixie) Chicks and the fallout from Natalie Maines' famous 2003 comment, "We do not want this war, this violence. We're ashamed the president of the United States is from Texas". The film was directed by Barbara Kopple and Cecilia Peck. Our guest for this episode is the music writer and podcast producer Dylan Tupper Rupert. We follow the band as they deal with the immediate repercussions of the statement and get a view of the social and political climate in the U.S. during the early days of the Iraq War. The movie takes us back and forth between 2003 and the band's 2005-6 recording of their next album, Taking the Long Way, and subsequent tour. The movie presents the Chicks as a trio with an unbreakable bond facing the first real challenge to their spectacular career. While the focus is on "the comment" and what follows, the movie also gives us an opportunity to appreciate the Chicks' incredible catalog of hits and undeniable musicianship. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt
Following Paul's choice, The Grapes of Wrath (1940), Corey wanted to choose a film they both knew they'd get to eventually – Harlan County, USA (1976). The film is a documentary which focuses primarily on the Brookside miners' strike in 1973, against Duke Power Company-owned Eastover Coal Company's Brookside Mine and Prep Plant in Harlan County, Kentucky. The film won an Academy Award for Best Documentary, and Corey himself declared it "one of the best documentaries ever made." There is a lot to discuss, from the career of director Barbara Kopple to the 1968 and 1972 UMWA elections to the ins-and-outs of a strike to the heroism of the strikers and their wives to Marx's Law of Value (a.k.a. Labor Theory of Value).
When it comes to children, mothers are considered their north star. No matter how old that child gets when times get hard or the waters get rough, that child will always look to their mother to guide them to a safe place. But what happens when your mother is no longer there? What makes matters even worse, what do you do when the person who took your mother … is your father, the one sworn to protect her? “Something has happened to her. She's either locked away in a shed somewhere or he's killed her.” (8:07), Collier My guest today is Collier Landry. Collier has an amazing story of resilience and perseverance that will inspire you no matter what stage of life you're in. At the tender age of 11, his father murdered his mother. As a result, the lives of Collier and his younger sister were thrown into disarray. He reveals this amazing story in the 2017 film, A Murder In Mansfield. Today, Collier discusses how he made it through this turbulent time and how others can find a light at the end of any dark tunnel. “The grass is always greener on the other side, but that doesn't make it true.” – (49:59), Collier It makes no difference what you're going through, there's always hope if you just keep moving forward. Pull up a chair and listen to this amazing testimony of the human spirit, compassion, and forgiveness, that will help you persevere and find your better place! “I am grateful for what I went through because it's made me the person I am today. And I genuinely like that person.” – Collier In this episode: (2:22) – Collier walks listeners through the murder of his mother by his father in 1989. (3:18) – Collier confronts his father about the absence of his mother. (4:31) – The coverup of the crime begins. (5:38) – His father introduces Collin to his girlfriend who is pregnant. (6:19) – His mother knew of his father and his philandering but didn't want Collier involved. (6:30) – The violation that led to the situation worsening. (7:00) – The conversation Collier had with his mother about possibly going missing. (8:27) – Detectives enter the situation and things begin to turn. (10:20) – Collier begins surveilling his father. (10:40) – The behavior of his father begins to shift. (11:21) – Two weeks alone with his father was a living hell. (13:00) – The two photographs Collier discovers. (13:51) – The father-son trip to Florida that Collier fears. (14:50) – Collier realizes his father is on to him. (17:41) – Guilt begins to creep into the mind of Collier. (18:28) – The worst asthma attack occurs, and he can't go home. (19:34) – Collier hears of his mother's death. (20:12) – Collier wishes he was wrong, and discusses the pain of being right. (20:42) – The grief of knowing his worst thoughts were true. (21:25) – Collier discusses not knowing what his future will be and testifying against his father. (22:40) – The pain of being a foster child and poor treatment from his foster family. (24:45) – Collier reveals where his mother's body is found under the house where his father and mistress will live. (26:54) – Collier discusses the miracle of him remaining functional. (28:10) – The common bond of children who grow up seemingly overnight. (28:46) – The Murder in Mansfield Documentary is discussed. (30:55) – Collier pursues filmmaking because he wants the answer as to why his father murdered his mother. (35:42) – The gift and the curse of discussing his childhood. (40:00) – The fallacy of true crime podcasts. (42:12) – Mental illness sufferers often suffer in silence. (43:06) – You don't always see the people you impact. (43:24) – The lessons people receive from Collier reading his father's letters. (44:28) – Getting over it just doesn't work. (46:28) – The three seconds of the film that earned Collier's respect. (47:20) – Money doesn't solve problems. (48:27) – Collier reviews the true source of being happy. (50:30) – Possibly writing letters to his mother down the line. (54:02) – Trauma treatment becomes the topic. (55:47) – Collier reveals that he still gets triggered. Our Guest Collier Landry is a multifaceted artist known for his work as a cinematographer, podcast host, and award-winning documentary filmmaker. He gained widespread recognition as the creator and subject of A Murder in Mansfield, a film directed by two-time Oscar winner Barbara Kopple. Collier's passion for storytelling was sparked by his own traumatic childhood experience: the pre-meditated murder of his mother by his psychopath father. He uses film and podcasting to creatively express and deal with this trauma and as a platform to give a voice to others who have faced similar circumstances. Collier hosts the award-winning Moving Past Murder podcast, which offers his unique perspective on surviving true crime and overcoming adversity. He interviews guests who have experienced or overcome tremendous life challenges and hopes the show serves as a form of therapy and reconciliation for himself and his listeners. Resources & Links Off The Cuff https://www.offthecuff.fm/ https://www.youtube.com/c/OffTheCuffwithDannyLoPriore https://www.instagram.com/1and1otc/ https://www.instagram.com/dannylopriore/ https://www.tiktok.com/@1and1otc Collier Landry https://www.instagram.com/collierlandry/ https://www.tiktok.com/@collierlandry https://twitter.com/collierlandry https://www.youtube.com/channel/UCYIJGxnTPGxaKRZc-Gq63iA https://www.facebook.com/collierlandry
WE ARE BACK WITH AN MRKH POWER HOUSE! A big welcome to Frost! During her youth, she performed opera at Carnegie Hall, Lincoln Center, Sydney Opera House, and others, as the youngest member in the concert ensemble of Grammy Award winning Choir, Brooklyn Youth Chorus. Now, she lives in Brooklyn, New York, as a second year student at PRATT Institute, obtaining her Film BFA and minor in entrepreneurship while actively pursuing several projects, such as her LLC freelance company. Born in San Francisco, raised in New York City. Global Traveler, Avid explorer, and multilingual. She aspires after the works of Barbara Kopple and Agnes Varda, with a strong interest in documentary filmmaking. Follow the documentary @mrkhdocumentary and Frosts main instagram @frosttmartin. Big thanks to MRKH Connect for sponsoring this Podcast. --- Send in a voice message: https://podcasters.spotify.com/pod/show/mindovermrkh/message
Two-time Oscar winner Barbara Kopple helped invent the modern-day documentary with her groundbreaking Harlan County, USA, which recounted a brutal coalminers' strike in dirt-poor Harlan County, Kentucky and won the 1976 Oscar for best documentary. She won her second Oscar in 1991 for American Dream, about a heartland strike against the Hormel Foods corporation.She returns to the grassroots struggle for survival and dignity in her new film Gumbo Coalition, about the work of the Civil Rights groups the Urban League and UnidosUS during the Trump presidency. We just saw it at the 25th anniversary edition of the Sarasota Film Festival, where we recorded this episode.In addition to docs about social issues, Kopple has also made some fascinating films about celebrities at heightened moments, including the Woody Allen film Wild Man Blues and the Dixie Chicks portrait Shut Up and Sing. But what unites all of her films is a cinema vérité style in which she lets her subjects do the talking and observes with minimal interference. Hosted on Acast. See acast.com/privacy for more information.
Résumé Encore une fois, c'est outre atlantique qu'une Histoire du Rythme va passer l'heure à pavaner à travers un style bien de chez eux : la musique country ! Mais ce style de musique va au-delà de son usage réconfortant, s'en est devenu un véritable dogme identitaire au fil des décennies. Que ce soit pour le meilleur comme pour le pire. Et si la country a une sale réputation sur le dos, c'est qu'elle représente surtout les fameux quakers et autres cow-boys blancs du midwest et des grandes plaines. Vous savez, ces beaux paysages de champs, de marais et de montagnes que l'on voit dans les films. Le bémol, c'est que derrière cet idéal se cache une population conservatrice, patriote et fier de ses idéaux. Mais réduire la musique country et ses adorateurs à une analyse si rapide ne lui rendrait pas hommage. C'est pour ça que dans Une Histoire du Rythme, on s'est permis de se poser une question : La musique country est-elle nécessairement de droite ? N'y a-t-il pas des auditeurs et auditrices moins conservateurs ou bien des groupes féministes ? Playlist Charlie Daniels - Uneasy Rider (1973) Alan Jackson - Where Were You (When The World Stopped Turning) (2002) Dolly Parton - Just because I am a Woman (1968) Dixie Chicks - Travelin' Soldier (2002) Woody Guthrie - Tear the Facists Down (1944) Steve Earle - Rich Man's War (2004) Pour aller plus loin Difficile de donner des sources satisfaisantes pour un sujet si subjectif. Mais quelques articles sérieux venant de journaux ou magazines en ligne peuvent être cités malgré tout. Article Cairn faisant un état des lieux actuel Article du Monde Diplomatique écrit par Sylvie Laurent, chercheuse associée à l'université Harvard et à l'université Stanford, enseignante à Sciences Po Interview de Jada Watson, chercheuse de l'Université d'Ottawa, spécialisée en musicologie Il existe aussi un documentaire sur la campagne d'intimidation qu'a imposé les conservateurs américains aux Dixies Chicks, groupe de country féminin, après leur annonce lors d'un concert à Londres en 2003. Barbara Kopple et Cecilia Peck, Shut Up & Sing, production Cabin Creek Films, 93 minutes, Etats-Unis, 2006
It's time for the Film Nerds to decide: Which side are you on? Which side are you on? On this week's episode, BK & Jack make their first-ever foray into documentary filmmaking with a close look at one of the most visceral and revealing documentaries ever made in the United States. Learn how the observational form of documentary defined the approach used by Barbara Kopple to film this struggle for union recognition in an isolated corner of Appalachia, what interested her in this story in the first place, how the people of Harlan County stole her heart, & much, MUCH more. This marked a bold new step for Revenge of the Film Nerds into an essential form of filmmaking, and you'll want to be there every step of the way!
Directed by Barbara Kopple and released in 1976, Harlan County USA is a documentary about a coal mining strike, called 'The Brookside Strike'. Showing empathy toward the workers, protesting we get a glimpse of what it means to be a coal miner in Harlan County at that time. Documenting many aspects of the strike, Harlan County USA is an important historical document about labor and human rights.
This is the first part of a six-part series about American movies from 1976. Part 2 will focus on James Fargo's “The Enforcer”. Part 3 will focus on Michael Ritchie's “The Bad News Bears”. Part 4 will focus on John Cassavetes's “The Killing of a Chinese Bookie”. Part 5 will focus on Brian De Palma's “Obsession”. Part 6 will focus on John Guillermin's “King Kong”.***Referenced media:"Rocky IV” (Sylvester Stallone, 1985)“Transformers: The Movie” (“Rocky Balboa” (Sylvester Stallone, 2006)“Stop! Or My Mom Will Shoot” (Roger Spottiswoode, 1992)“Oscar” (John Landis, 1991)“Samaritan” (Julius Avery, 2022)“Rocky II” (Sylvester Stallone, 1979)“Star Wars” (George Lucas, 1977)“Rocky III” (Sylvester Stallone, 1982)“Rocky V” (John G. Avildsen, 1990)“First Blood” (Ted Kotcheff, 1982)“F.I.S.T.” (Norman Jewison, 1978)“All the President's Men” (Alan J. Pakula, 1976)“Bound for Glory” (Hal Ashby, 1976)“Taxi Driver” (Martin Scorsese, 1976)“Network” (Sidney Lumet, 1976)“Raging Bull” (Martin Scorsese, 1980)“Creed” (Ryan Coogler, 2015)“Creed II” (Steven Caple, Jr., 2018)“Jaws” (Steven Spielberg, 1975)“Three Men and a Baby” (Leonard Nimoy, 1987)“Terminator 2: Judgment Day” (James Cameron, 1991)“Marathon Man” (John Schlesinger, 1976)“Harlan County, U.S.A.” (Barbara Kopple, 1976)“The Song Remains the Same” (Peter Clifton and Joe Massot, 1976)“Carrie” (Brian DePalma, 1976)“Assault on Precinct 13” (John Carpenter, 1976)“The Last Tycoon” (Elia Kazan, 1976)“A Star is Born” (Frank Pierson, 1976)“Tracks” (Henry Jaglom, 1976)“Freaky Friday” (Gary Nelson, 1976)“King Kong” (John Guillermin, 1976)“Nickelodeon” (Peter Bogdanovich, 1976)“The Enforcer” (James Fargo, 1976)The Eagle Has Landed” (John Sturges, 1976)“Pumping Iron” (George Butler, 1977)“Fun with Dick and Jane” (Ted Kotcheff, 1977)“Wizards” (Ralph Bakshi, 1977)“Slap Shot” (George Roy Hill, 1977)“Black Sunday” (John Frankenheimer, 1977)“Eraserhead” (David Lynch, 1977)
Ethan and Devin are joined by returning guest Catie and first-timer Ben—both native Ketuckians—for a special Labor Day episode on Barbara Kopple's Harlan County, USA (1976). They discuss the film's documentary aesthetic, its depictions of labor and gender issues, and why all scabs should burn in hell.Find Ben and Catie on the internet, if you can.follow the pod on twitter at @youretallpod or email us at youretallpod@gmail.com.
"A remarkable, passionate work. A reminder that there cannot be neutrals anywhere." Documentarian Amy Nicholson (Pickle, Zipper: Coney Island's Last Wild Ride) joins us to break down all the ways this remarkable, Oscar-winning documentary broke new ground for the medium. From the struggles of the miners in the titular county to the trials of Barbara Kopple attempting to capture it all, hear how both the film's techniques and, tragically, its topics are still deeply relevant today.Next week:Fantasia w/ Jordan BeckHosts:Michael NataleTwitterInstagramLetterboxd Tom LorenzoTwitterInstagramLetterboxd Producer:Kyle LamparTwitterInstagram Guest:Amy NicholsonTwitterWebsite Follow the Show:TwitterInstagramWebsite Music by Mike Natale
The Cancer Pod: A Resource for Cancer Patients, Survivors, Caregivers & Everyone In Between.
Sharon Jones was the electrifying front-woman for the NYC band, The Dap-Kings. She captivated audiences with her raw energy and talent. A diagnosis of cancer derailed her career but didn't deter her. Tina & Leah talk about the film and the shared challenges of those who see their world upended by cancer and its treatment. The film was directed by Academy Award-winning director, Barbara Kopple and is available to stream online.Links we mentioned in this episode and other cool stuff:Sharon Jones and the Dap Kings Official WebsiteSharon Jones and the Dap Kings Bandcamp siteSharon Springs, New YorkBeekman Farm, Sharon Springs, New YorkLink to performance on EllenSharon Jones Reveals Cancer Return Rolling StoneSharon Jones Fights On: ”I Have Cancer. Cancer Don't Have Me.” Rolling StoneSupport the show (https://www.buymeacoffee.com/thecancerpod)
Spine number #334: Barbara Kopple's HARLAN COUNTY USA from 1976. And RJ talks about NIGHTMARE ALLEY 2021, Jarrett talks about JACKASS FOREVER, and both watched DUNE 2021! Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined to see this podcast continue to exist as new laptops don't buy themselves: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!
Coal + Ice, a powerful global exhibition of photographs, videos, and immersive imagery that focuses on the climate crisis and provokes action is now on display in Washington DC through April 22, 2022. Coal + Ice began in Beijing in 2011 with the unprecedented showing of images of Chinese coal miners taken by Chinese photographers. It has now now expanded to the work of 50 photographers from around the world, capturing images of the climate catastrophe as it unfolds around the globe. Photographers and video artists include: Jimmy Chin, David Breashears, Song Chao, Camille Seaman, Gideon Mendel, Meredith Kohut, Jamey Stillings, Matt Black, Barbara Kopple, Dana Lixenberg and historical work from Robert Capa, Lewis Hine, Gordon Parks, Eugene Smith, Bruce Davidson and others. Coal + Ice also features installations, panels, music, conversations, cash awards to young artists weaving climate into their work and more. For over a decade the exhibit has traveled the world evolving and expanding as the climate crisis unfolds. First Beijing, then Delhi, then Paris, Shanghai, San Francisco and now in Washington DC at the Kennedy Center through April 22, 2022. Before the Pandemic, when Coal + Ice came to a massive exhibition hall on a pier in San Francisco, we traveled through the exhibit with our microphone. Special thanks to Susan Meiseles, Orville Schell, Geng Yunsheng, …. Michael Tilson Thomas, Joshua Robison, Gideon Mendel and Jeroen de Vries. Coal + Ice was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) and Evan Jacoby with help from Brandi Howell and Nathan Dalton. Mixed by Jim McKee at Earwax Productions.
He was 12, his mother was murdered by his father: He asked his future self for help. Today, Jessica McKinley is joined by Collier Landry, the host of the true-crime podcast, Moving Past Murder. They talk about what it means to have integrity and resilience while facing trauma. And how someone can navigate the boundaries between a personal story and business, and the angles that show how the impacts of crimes against life don't simply end with court verdicts. In this episode you will learn: Behind the murder in Mansfield The point of the show, Moving Past Murder How Collier found the courage to move past his trauma and start his business The boundaries between trauma and business Collier Landry – on growing up in front of an audience There is distance between who you are and your circumstances About Collier Landry: As the creator and subject of Investigation Discovery's A Murder in Mansfield, the documentary from two-time Oscar-winning director Barbara Kopple, a formally trained musician and photographer, he segued into filmmaking as a means to creatively express and deal with his own traumatic childhood story - the premeditated murder of his mother Noreen by his own father, Dr. John F. Boyle, Jr. - and to give a narrative voice to others in similar circumstances. At the age of 12, Collier witnessed the murder and chose to go to the police. After his father's arrest, he was abandoned by both sides of his family over the heinous crime and orphaned into the foster-care system. His mother's son at heart, this determined and stubborn child stood his ground and faced down his father as the prosecution's key witness during the month-long murder trial. In the film, Collier returns to Ohio to retrace his past and confront his father, who, almost 30 years later, still remains incarcerated and in denial of his guilt. The film explores not only the collateral damage of violence and its traumatic repercussions but the beauty of human strength and resilience through seemingly insurmountable odds. Connect with Collier Landry on: Instagram: https://www.instagram.com/collierlandry/?hl=en Listen to the Moving Past Murder Podcast: https://podcasts.apple.com/us/podcast/moving-past-murder/id1551076031 Catch up with Coach Jess and Sincerely, Future You on: Website: https://www.whatshappyning.com/ Instagram: https://www.instagram.com/whatshappyningwjess/ LinkedIn: https://www.linkedin.com/in/manningjessica/ YouTube: https://www.youtube.com/channel/UC_Jf0PICsOH1HZJP97jrpng Get business and life coaching by Coach Jess through: https://www.whatshappyning.com/workwithjess Book your FREE Mini Session now: https://www.coachaccountable.com/offering/Pmcu5FLUdpOwYQLOJxfSYASkRyffKtJ Learn more about your ad choices. Visit megaphone.fm/adchoices
If you've not been watching Back To Life, you're missing out, as you'll learn from our Mickey's chat with its creator and star Daisy Haggard. They chat about research, old-school romance and crisps. Always with the crisps, those two. Meanwhile, Hannah's been on the Zoom with Catherine Cranfield to talk about Flushed, her play about premature ovarian insufficiency and in Jenny Off The Blocks, Jen's shocked - SHOCKED - by the findings of a new report into why girls are put off sport. There's a bit of Lego sticking in the throat in The Bush Telegraph, not that anyone should be putting Lego in their mouth, to be clear. And there's some tough, tough women in Rated or Dated, as we watch Barbara Kopple 1976's documentary Harlan County USA. All human life is here.Support this show http://supporter.acast.com/standardissuespodcast. See acast.com/privacy for privacy and opt-out information.
Continuing our I Do Not Dream of Labor series with Jessee's selection, we dive into the 1976 Best Documentary Oscar winner, Harlan County, U.S.A. (dir. Barbara Kopple). The sisters learn about Kentucky coal mine strikes and discuss the documentary's community-based production, the role of women in front of and behind the camera, and some unforgettable folk music.Which side on you on?
Shut up and do what? Shut Up and Sing. The 2006 documentary directed by Barbara Kopple and Cecilia Peck tells the story of the backlash the country band the Dixie Chicks (now known as The Chicks) got from making one political statement. An excellent documentary about having a voice. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/threedudespod/message
Don't miss the latest Gurvey's Law podcast, which aired on KABC-AM 790 TalkRadio on Thursday, September 2nd. This episode features hosts Alan Gurvey and Lauren Sivan and guests Barbara Kopple and former hostage Kevin Hermening on their new documentary film “Desert One,” about the Iran hostage crisis. Listen to this podcast and all of the other Gurvey's Law episodes right here at Gurveyslaw.com, rgwlawfirm.com, Apple Podcasts, and audioBoom!
WTOP Entertainment Editor Jason Fraley chats with prolific documentary filmmaker Barbara Kopple ("Desert One," "Harlan County, USA") as we kick off a tribute to the AFI Docs Film Festival, which returns tomorrow.
Our guest at the table tonight was screenwriter, playwright, performance artist, director and Fulbright Scholar Jeffrey Stanley. We talked about his recent research in India on early 20th century Bengali film and theatre and their impact on India’s nascent independence movement.~~~~~~~Jeffrey Stanley is a 2018-19 Fulbright Scholar conducting research in India on early 20th century Bengali film and theatre and their impact on India’s nascent independence movement. He is currently writing a book based on his research.Jeff has won numerous screenwriting awards and has optioned or been hired to write scripts for Peter Farrelly & Charles B. Wessler, GreeneStreet Films, Barbara Kopple's Cabin Creek Films, Andrew Lauren Productions, and others. He is presently developing a TV series with producer Matthew Myers. His award-winning short film "Lady in a Box" starring Sarita Choudhury has been licensed numerous times for international broadcast and distribution, and he has worked as a script consultant for UK-based Initialize Films and an analyst and judge for the Script Savvy Screenplay Contest.Stanley's stage play Tesla's Letters (Samuel French, 2000) premiered to rave reviews Off Broadway in 1999 and went on to national and international productions including the Edinburgh Fringe. He is a past president of the board of directors of the New York Neo-Futurists experimental theatre ensemble, he has been a fellow at Yaddo, a Copeland Fellow at Amherst College, and a guest screenwriting lecturer at the Imaginary Academy summer film and theatre workshop in Croatia sponsored by the Soros Foundation.Jeff was one of 24 writers chosen from over 16,000 entrants for the first Amtrak Writers Residency in 2014-15, and served as a residency judge for the 2015-16 competition. Stanley has appeared as a guest writer in the Washington Post, New York Times, Time Out New York, New York Press and Brooklyn Rail, and he was a senior editorial advisor to Boston University's Center for Millennial Studies' book on apocalypse movements The End That Does (Equinox Books, 2006). He is a member playwright of the invitation-only International Theatre Initiative (ITI), a UNESCO-sponsored world theatre education program.Jeff holds an MFA in Dramatic Writing from New York University Tisch School of the Arts where he studied under playwrights David Ives and Tony Kushner, and a BFA from Tisch in Film & Television Production. He also teaches screenwriting at Drexel University and has taught a course he created, Theatre History for Actors, at the Lee Strasberg Institute.
“When We Were Kings” director Leon King died on March 8 at age 84. He took over twenty years to make his Oscar-winning documentary about the boxers Muhammad Ali vs George Foreman, filmed in Zaire in 1974 and completed in 1996.Further links:Watch “When We Were Kings"Watch “Soul Power”Watch “Smash His Camera"New York Times obituary on Leon GastLeon Gast on the making of his first film “Our Latin Thing”Pure Nonfiction episode 15: Muhammad Ali on FilmThe New Yorker on William Greaves' "The Fight"This episode's closing narration refers to the reckoning over documenting BIPOC stories. For more, read Sonya Childress & Natalie Bullock Brown in Documentary and Stanley Nelson in the Los Angeles Times.Pure Nonfiction host Thom Powers explores the story of Leon's perseverance in interviews with his wife Geri Spolan-Gast, producer David Sonenberg, editor Jeffrey Kusama-Hinte and filmmaker Barbara Kopple.
Listen in as siblings Paul & Liz discuss Ransom for a Dead Man starring Peter Falk & Lee Grant. We talk about Hollywood behind the scenes, historical Los Angeles homes, actors, television history, producers, costumes and more. To check out the interview with Lee Grant by Barbara Kopple, head to: http://www.dga.org/Craft/VisualHistory/Interviews/Lee-Grant.aspx To check out the website that mentions Paul Bailey - Dr. Kildaire, head to: http://toobworld.blogspot.com/2017/09/tales-from-multiverse-paul-bailey-wont.html Follow us on Instagram @trenchcoatcigar Drop us a line at trenchcoatcigar@gmail.com Thanks for listening! Rest in Peace William Link (this podcast was recorded before he passed away). New episodes released every other Tuesday!
Jean Tsien has worked as a documentary editor for over 30 years with directors such as Orlando Bagwell, Barbara Kopple, and Roger Ross Williams. She's been a mentor to emerging filmmakers, not only in the U.S. but also in China and Taiwan where she lived until moving to New York at age 11. Now Jean has moved into producing. Her latest project is "76 Days," set in Wuhan, China during the city's lockdown for Covid-19. DOC NYC recently honored her with a Lifetime Achievement Award. Jean has stories to tell, but normally prefers to stay behind the scenes. Talking on a podcast? That's way outside her comfort zone. She explains why to Pure Nonfiction host Thom Powers.
Jean Tsien has worked as a documentary editor for over 30 years with directors such as Orlando Bagwell, Barbara Kopple, and Roger Ross Williams. She’s been a mentor to emerging filmmakers, not only in the U.S. but also in China and Taiwan where she lived until moving to New York at age 11. Now Jean has moved into producing. Her latest project is "76 Days," set in Wuhan, China during the city’s lockdown for Covid-19. DOC NYC recently honored her with a Lifetime Achievement Award. Jean has stories to tell, but normally prefers to stay behind the scenes. Talking on a podcast? That’s way outside her comfort zone. She explains why to Pure Nonfiction host Thom Powers.
This episode is dedicated to female film & TV directors worldwide bringing storytelling greatness and unprecedented representation onscreen and off. Love to Chantal Ackerman, Dee Rees, Kathryn Bigelow, Kasi Lemmons, Ida Lupino, Joanna Hogg, Nicole Holofcener, Sofia Coppola, Isabel Coixet, Kelly Reichardt, Gina Prince-Bythewood, Dorothy Arzner, Phoebe Waller-Bridge, Lulu Wang, Kimberly Reed, Patti Jenkins, Marielle Heller, Regina King, Alice Guy-Blache, Debra Granik, Agnieszka Holland, the Wachowskis, Barbara Kopple, Julie Dash, Yoko Ono, Greta Gerwig, Cheryl Dunye, Jane Campion, Melina Matsoukas, Catherine Hardwicke, Donna Deitch, Ana Lily Amirpour, Lina Wertmuller, Barbara Loden, Lucrecia Martel, Claire Denis, Sarah Polley, Maren Ade, Lisa Cholodenko, Miranda July, Dorota Kędzierzawska, Mary Harron, Barbara Streisand, Julie Taymor, Karyn Kusama, Kimberly Pierce, Alla Nazimova, Leslie Linka Glatter, Sara Driver, Kitty Green, Catherine Breillat, Josephine Decker, Lynne Ramsay, Ava DuVernay, Chloe Zhao, Mira Nair, Andrea Arnold and many more that will grow to many many many more. Brava!
The Finleys discuss Barbara Kopple's seminal documentary, Harlan County USA (1976).
[REBROADCAST] As an addendum to our Full Bio miniseries on Jimmy Carter, we share an excerpt from our conversation with filmmaker Barbara Kopple about her documentary, “Desert One,” which examines the failed U.S. military operation to rescue hostages in Tehran, Iran, in 1980. She is joined by Ret. Col. Ed Seiffert, who was involved in the rescue mission.
Paul and Erin review two films about labour strikes: Barbara Kopple's landmark 1976 documentary HARLAN COUNTY USA, and Kenny Ortega's 1992 cult musical NEWSIES. Plus: our quick takes on ENOLA HOLMES, THE KID DETECTIVE, FREAKY, and ON THE ROCKS.
ENCORE! Critics call the documentary featured on this Saturday's show “Engrossing” – Variety, and “Fascinating” – The Hollywood Reporter – BARBARA KOPPLE & JOHN LIMBERT - “DESERT ONE” Two-Time Academy Award®-Winner, Barbara Kopple & Former U.S. Deputy Assistant Secretary of State for Iran, John Limbert discuss their documentary, “Desert One” with Jan Price! DESERT ONE: Using new archival sources and unprecedented access, master documentarian Barbara Kopple reveals the story behind one of the most daring rescues in modern US history: a secret mission to free hostages of the 1979 Iranian revolution.
Coronavirus has forced a lot of people deep into their watchlists. If you have seven days of down time and love movies, we highly recommend starting a trial of the criterion channel. Brendan O'Brien (@Brendanohbrien) of Late Night Hump drops in to talk about his favorite films on the app with Jordan Fried (@jfreeeze) They talk about Yorgos Lanthimos, Claire Denis, The Safdie Brothers, Andrea Arnold, Charles Burnett, William Greaves, Frederico Fellini, David Lynch, David Cronenberg, Barbara Kopple, Steve McQueen, Gregg Araki, Shirley Clarke, Janicza Bravo, Atom Egoyan, Jim Jarmusch, Suzan Pitt, Agnes Varda and many more. Tune in to listen to our favorite classic filmmakers. Find more Brendan O'Brien content at latenighthump.com Actress Lia Russo (@CapriaMoon) and Comedian Jordan Fried (@jfreeeze) discuss a newly released film and other cinematic topics that arise along the way. Catch our reviews and viewing diaries at letterboxd.com/jfreeeze/ |letterboxd.com/capriamoon/ Follow us on www.instagram.com/moviescinemafilm or onwww.twitter.com/capriamoon | www.twitter.com/jfreeeze. For more podcasts, livestreams, live events and comedy content follow @latenighthump and go to www.latenighthump.com For any inquiries, sponsorships or collaborations emailmoviescinemafilmpodcast@gmail.com anchor.fm/moviescinemafilm/support --- This episode is sponsored by · Charity Promotion: Democracy Works: This advertisement is part of a charitable initiative in partnership with Democracy Works. howto.vote · Charity Promotion: BallotReady: The goal of this initiative is to increase voter education and encourage your listeners to get the vote out during the 2020 General Election this November. https://www.ballotready.org/ --- Send in a voice message: https://anchor.fm/moviescinemafilm/message Support this podcast: https://anchor.fm/moviescinemafilm/support
Our nation's 39th president, Jimmy Carter, is on the documentary docket this week as we review Mary Wharton's Jimmy Carter: Rock & Roll President, joined by returning guest host Sedika Mojadidi. That film looks at Carter's love of music and how it helped shape both his insurgent 1976 campaign and his time in the White House, revealing the compassionate humanitarian in all his glory. Then, Bart and Chris interview the great Barbara Kopple about her Desert One, which analyzes what went wrong with Carter's attempted rescue of the American hostages held in Iran following its 1979 revolution. Just as much complexity, far less glory (to tragic results). It's a fascinating combination of films, and we hope you enjoy. Group Review Documentary: JIMMY CARTER: ROCK & ROLL PRESIDENT (Mary Wharton, 2020) Available on VOD from Greenwich Entertainment. Film Featured in Interview Portion: DESERT ONE (Barbara Kopple, 2019) Available on VOD from Greenwich Entertainment. Other Films Mentioned: Harlan County U.S.A. (Barbara Kopple, 1976) Italianamerican (Martin Scorsese, 1974) John Lewis: Good Trouble (Dawn Porter, 2020) Mean Streets (Martin Scorsese, 1973) Miracle Fishing (Miles Hargrove/Christopher Birge, 2020) A Personal Journey with Martin Scorsese Through American Movies (Martin Scorsese, 1995) The Way I See It (Dawn Porter, 2020) Winter Soldier (Winterfilm, Inc., 1972) Links to reviews by Christopher Llewellyn Reed: Hammer to Nail review of Jimmy Carter: Rock & Roll President Hammer to Nail review of Desert One Timestamps: 00:42 – Intro 04:19 – Group Discussion of JIMMY CARTER: ROCK & ROLL PRESIDENT 19:16 – Bart and Chris interview Barbara Kopple of DESERT ONE 40:39 – Doc Talk 51:51 – Closing and End Credits Website/Email: www.fogoftruth.com disinfo@fogoftruth.com Credits: Artwork by Hilary Campbell Intro music by Jeremiah Moore Transitional music by BELLS≥ (thanks to Christopher Ernst) Editing and shownotes by Christopher Llewellyn Reed
“We're fighting all around the world for the elements of a new social contract for recovery and resilience.” Today’s labor history: cotton strikers murdered. Today’s labor quote: Barbara Kopple.@wpfwdc #1u #unions #LaborRadioPod @itucProud member of the Labor Radio Podcast Network
Barbara Kopple is known for her acclaimed documentary films, but for Marc the most memorable time Barbara spent behind the camera is the day she directed him in a phone commercial. Marc and Barbara reminisce about how that happened and talk about her entry portal into documentaries working with the Maysels Brothers on Salesmen and Gimme Shelter. They also discuss Barbara's Oscar-winning film Harlan County, USA, how Bruce Springsteen saved one of her early movies, and how she got Jimmy Carter to open up about the Iran hostage crisis for her latest doc, Desert One. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.
Barbara Kopple is known for her acclaimed documentary films, but for Marc the most memorable time Barbara spent behind the camera is the day she directed him in a phone commercial. Marc and Barbara reminisce about how that happened and talk about her entry portal into documentaries working with the Maysels Brothers on Salesmen and Gimme Shelter. They also discuss Barbara’s Oscar-winning film Harlan County, USA, how Bruce Springsteen saved one of her early movies, and how she got Jimmy Carter to open up about the Iran hostage crisis for her latest doc, Desert One. See omnystudio.com/listener for privacy information.
What does it mean to be a "dove with claws"? In the season finale of Digital Poets we ask the question, "how do we raise a generation of humans who are fiercely kind in a culture that would rather them be passive consumers?" With the help of Johnny Cash and Frank Capra, we uncover a path forward. http://ringbeller.com http://cjcas.com Excerpts: “It's a Wonderful Life.” Liberty Films, 1947. Buchman, Sidney, et al. Frank Capra's Mr. Smith Goes to Washington. Remastered: Tricky Dick & The Man in Black: A Johnny Cash Story. Directed by Sara Dosa and Barbara Kopple. Netflix, 2018. https://www.netflix.com/title/80191051
Wendy Liebman and Jeffrey Sherman are among the world’s most adorable couples. The cutest thing about them being that they are each other’s biggest fans. Wendy is a comedian with a unique wordplay afterthought style that has taken her to The Tonight Show, Letterman, HBO and Comedy Central Specials. Her husband Jeffrey Sherman is an accomplished writer/producer/musician whose credits include Boy Meets World, Up The Creek and an award winning documentary about his father and uncle, Disney composers Robert and Richard Sherman. Plus Fritz and Weezy’s media path travels through the works of Ta-Nehisi Coates, Christopher Buckley, Barbara Kopple, and the legacy of Ruth Bader Ginsburg with books by Jeffrey Toobin and Jan Crawford Greenburg.
On the Gist, the police chiefs are stepping down. In the interview, Academy Award-winning documentarian Barbara Kopple is here to talk about her latest film, Desert One. Through new archival footage and the various perspectives of key players, the film reveals the true story behind the secret mission to free hostages captured during the 1979 Iranian revolution. She and Mike discuss how she approaches the stories she tells, the narrative problems she had to solve in this film, and how persistent she had to be to get Jimmy Carter on camera. Desert One is available to stream online and in select theaters. In the spiel, Trump’s taxpayer-funded legal defense. Email us at thegist@slate.com Podcast production by Daniel Schroeder, Margaret Kelley, and Lori Galarreta. Slate Plus members get bonus segments and ad-free podcast feeds. Sign up now. Learn more about your ad choices. Visit megaphone.fm/adchoices
On the Gist, the police chiefs are stepping down. In the interview, Academy Award-winning documentarian Barbara Kopple is here to talk about her latest film, Desert One. Through new archival footage and the various perspectives of key players, the film reveals the true story behind the secret mission to free hostages captured during the 1979 Iranian revolution. She and Mike discuss how she approaches the stories she tells, the narrative problems she had to solve in this film, and how persistent she had to be to get Jimmy Carter on camera. Desert One is available to stream online and in select theaters. In the spiel, Trump’s taxpayer-funded legal defense. Email us at thegist@slate.com Podcast production by Daniel Schroeder, Margaret Kelley, and Lori Galarreta. Slate Plus members get bonus segments and ad-free podcast feeds. Sign up now. Learn more about your ad choices. Visit megaphone.fm/adchoices
In "Desert One," documentary filmmaker Barbara Kopple gives us the inside story of a failed U.S. military mission, Dan Webster says in his review.
Filmmaker Barbara Kopple joins us to discuss her new documentary, “Desert One,” which examines the failed U.S. military operation to rescue hostages in Tehran, Iran, in 1980. She is joined by Ret. Col. Ed Seiffert, who was involved in the rescue mission.
Panelists discuss the Iranian hostage crisis and the implications of the failed rescue attempt for U.S.-Iran relations for the next forty years. From two-time Academy Award®-winning filmmaker Barbara Kopple, Desert One tells the story of America’s secret mission to free the hostages of the 1979 Iranian revolution.
"Desert One," a superb documentary by Barbara Kopple, examines the 1980 special forces mission launched secretly by President Jimmy Carter in an attempt to end the Iran hostage crisis.
Two-Time Academy Award®-Winner, Barbara Kopple & Former U.S. Deputy Assistant Secretary of State for Iran, John Limbert discuss their new documentary, “Desert One” with Jan Price! DESERT ONE: Using new archival sources and unprecedented access, master documentarian Barbara Kopple reveals the story behind one of the most daring rescues in modern US history: a secret mission to free hostages of the 1979 Iranian revolution.
"That's what I love doing more than anything: really getting to know people and let them tell their story." That's legendary documentary filmmaker Barbara Kopple from her interview with Adam on this week's show. Kopple's latest doc - DESERT ONE - opens in limited release this weekend. Kopple talks about how she came to make a film about the failed 1980 mission to rescue American hostages in Iran—and humors Adam by letting him ask her questions about one of his favorite docs, 1977 Oscar-winner "Harlan County, USA." Plus, Kopple plays along with The Filmspotting 5. Also on the show: Adam and Josh kick off their Overlooked Auteurs Marathon with films from Ida Lupino and experimental director Maya Deren. 0:00 - Billboard 0:56 - Interview: Barbara Kopple ("Desert One") Land of Talk, "Footnotes" 27:56 - Next Week/Notes 45:20 - Polls: August Releases, Charlie Kaufman 51:24 - Overlooked Auteurs #1: "Meshes of the Afternoon" / "At Land" / "Ritual in Transfigured Time" + "The Hitch-Hiker" 1:26:31 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices
In 1979, soon after Ayatollah Khomeini took power in Iran and the ousted Shah found shelter in the United States—to the great frustration of Iran’s new leaders—a group of revolutionaries attacked the U.S. Embassy in Tehran and took 52 Americans hostage. They were held captive there for 444 days. President Jimmy Carter announced that he wanted to resolve the situation through diplomatic channels, but later on he planned a secret military rescue mission. DESERT ONE is a fast paced as a thriller from acclaimed director Barbara Kopple. Kopple draws upon a wealth of unearthed archival sources, as well as intimate interviews with President Jimmy Carter, Vice President Walter Mondale, Ted Koppel, former hostages, journalists, and Iranian student revolutionaries who orchestrated the take-over of the American Embassy in Tehran—to meticulously reconstruct this defining period in history when U.S.-Iranian relations were on the brink of disaster. Illustrated with animations and lots of archive footage, the story focuses on the woefully unsuccessful rescue mission and the political wrangling in the background, culminating in Carter’s landslide loss to Ronald Reagan in 1980. Director and Producer Barbara Kopple, Ambassador John Limbert and Staff Sergeant Taco Sanchez joins us to talk about the roller coaster story that includes a game-changing sand storm, equipment failure, a deadly crash and a US President willing to take responsibility for a mission gone wrong. The fallout from the failed mission still hangs heavy over the fractured US-Iranian relationship.For news, updates and screenings go to: film/desert-one
DESERT ONE MOVIE REVIEW This latest documentary from two-time Oscar winner Barbara Kopple sheds light on the aborted military operation designated Operation Eagle Claw. For over a year Iranian revolutionaries held 52 Americans hostage inside the US Embassy. While publicly endorsing a diplomatic solution, President Jimmy Carter secretly ordered Delta Force to storm the embassy… Read More »Screener Squad: Desert One
Barbara Kopple and Face2Face host David Peck talk about curiosity, politics and historical unknowns, rich and complex stories, the magic of people, being better informed and why she’s always been a good listener.Synopsis: It has been called “the most audacious, difficult, complicated, rescue mission ever attempted.” Desert One uniquely blends emotion and bravado to tell the incredible tale of America’s secret mission to free the hostages of the 1979 Iranian revolution. Two-time Academy Award-winning filmmaker Barbara Kopple discovers a wealth of unearthed archival sources and receives unprecedented access, engaging in intimate conversations with many of the soldiers closest to the story, some for the first time, as well as President Jimmy Carter, Vice President Walter Mondale and TV newsman Ted Koppel.Evocative new animation brings audiences closer than anyone has ever gotten to being on the inside for this history-making operation. This is the thrilling story of a group of Americans working together to overcome the most difficult problem of their lives. Among those Americans is President Jimmy Carter, readying to face a re-election challenge when self-described student revolutionaries suddenly take power in Iran. Anti-American students take the U.S. embassy in Tehran by force and hold hostage fifty-two American diplomats and citizens.Using new archival sources and unprecedented access to key players on both sides, master documentarian Barbara Kopple reveals the true story behind one of the most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.At a moment when tensions once again rise between the governments of Iran and the U.S., old wounds remain painfully current for many on each side who detail their recollections in Desert One -- but talk of hope also emerges, that the lessons of the past might finally guide us to a better future.About the Director:Barbara Kopple is a two-time Academy Award® winning filmmaker. A director of documentaries, as well as narrative TV and film, one of her more recent projects was the documentary Running From Crazy, which explores the life of actress Mariel Hemingway.Barbara produced and directed Harlan County USA and American Dream, both winners of the Academy Award® for Best Documentary Feature. In 1991, Harlan County USA was named to the National Film Registry by the Librarian of Congress and designated an American Film Classic. Harlan County USA was restored and preserved by the Women's Preservation Fund and the Academy Film Archive, and was featured as part of the Sundance Collection at the Sundance Film Festival in 2005. The Criterion Collection released a DVD of Harlan County USA in 2006.Barbara has been awarded the Human Rights Watch Film Festival Irene Diamond Award, Los Angeles Film Critics Award, National Society of Film Critics Award, the SilverDocs/Charles Guggenheim Award, New York Women in Film & Television Muse Award, the Maya Deren Independent Film and Video Award, the Woodstock Film Festival Maverick Award, Women in Film & Video of Washington, DC Women of Vision Award, the White House Project's EPIC Award, the International Documentary Association Career Achievement Award, the San Francisco Film Society's Persistence of Vision Award and the Sundance Film Festival Grand Jury Prize, Filmmakers Trophy & Audience Award. The Paley Center for Media has named Barbara a 2007 She Made It Honoree. She recently served her tenth year on the board of trustees for the American Film Institute and continues as an advisory board member for the American University Center for Social Media and Independent Feature Project's Filmmaker Labs. In 2010, Barbara received an honorary Doctor of Humane Letters from American University. She is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the Director's Guild of America, New York Women in Film and Television’s Honorary Board, the British Academy of Film and Television Arts, and actively participates in organizations that address social issues and support independent filmmaking. Image Copyright: Barbara Kopple and Cabin Creek Films. Used with permission. F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.
The Holiday Cheer just keeps spreading! Like a fungus or sexy time communicable disease! First up, Andrea Arnold's feature debut, Red Road. Made as the first film in the Advance Party series, a planned trilogy where each film was to be made by different first time directors and producers using the same cast and characters, the film focuses on Jackie Morrison (Kate Dickie) a Glasgow CCTV operator. One day a man from Jackie's past, one she never thought she would see again, appears on her monitors and kicks off a spiral of obsession and revenge. Next up, brilliant documentarian Barbara Kopple's only fictional feature- Havoc. When bored, unaffected, culturally appropriative rich kids venture into the poorer areas of East LA a run in with a drug dealer will give one a taste for danger. Allison Lang (Anne Hathaway) reaches out for some connection, when she can't find it with her father or her boyfriend or the strange dude filming her as much as possible (no, seriously, the fuck was that all about???) and thinks she may have found it with Latino dealer Hector (Freddy Rodriguez). All that and Tyler finds his inner voice just in time for the Carol Competition, Kevin becomes a disembodied time travelling voice, and Dave is very disappointed with some social aspects of both films.Join us, won't you?Episode 132- Mean-ish Streets
The 2d series of conversations from the 2019 Woodstock Film Festival. This ep includes returning guest Barbara Kopple with her doc "New Homeland"; as well as two narrative features: "Imaginary Order" (now "Blush") with filmmaker Debra Eisenstadt; and the team behind the film "Inez & Doug & Kira" incurring filmmaker Julia Kots & actors Michael Chernus & Tawny Cypress.
An interview with Aaron Fisher, writer/director/star/editor of "Inside the Rain", opening night film of the Big Apple Film Festival. AARON FISHER is a graduate of the School of Visual Arts in New York City. He has written and directed the short films Love Out of Mind, and The Hospital Visit. Of his film The Hospital Visit, two-time Academy Award-winning director Barbara Kopple said, “With a powerful vision on the effects of mental illness, Aaron Fisher directs ‘The Hospital Visit’ with utter authenticity, providing an intimate look at the brutal fragility of those suffering emotional disorders. Beautifully acted.” Aaron’s short film, Love Out of Mind, has been an official selection of numerous festivals, including the Big Apple Film Festival and the Max Ophuls Prize Film Festival in Germany. Aaron’s first feature film is the recently completed INSIDE THE RAIN, co-starring Academy Award nominees Rosie Perez and Eric Roberts.
For this second episode of our current season we try something new with a look back at an important film from the past, Barbara Kopple’s 1976 Harlan County U.S.A., which won the 1977 Best Documentary Oscar. Why this trip down docu-memory lane? Two reasons: 1) our guest host this week is actually a guest historian, Betsy McLane, who not only knows just about everything there is to know about documentary history, but also knows quite a lot about Kopple; and 2) the coal miners of Harlan County, Kentucky, are once again on strike, gaining national and international attention over the summer. Plus ça change … And while we’re on the topic of great films about unions, we thought we’d also play a recent interview Chris did with directors Steven Bognar and Julia Reichert of American Factory, just recently released on Netflix, which tells the story of what happens when a Chinese glass company takes over an abandoned GM plant. It starts out so well, but then, well … you’ll just have to listen to our podcast and then watch the movie. Enjoy! Group Review Documentary: HARLAN COUNTY U.S.A. (Barbara Kopple, 1976) Available on disc and online Film Featured in Interview Portion: AMERICAN FACTORY (Steven Bognar/Julia Reichert, 2019) Now on Netflix Other Books and Documentaries Mentioned: American Dream (Barbara Kopple, 1990) Hillbilly (Sally Rubin/Ashley York, 2018) The Last Truck: Closing of a GM Plant (Steven Bognar/Julia Reichert, 2009) Monterey Pop (D.A. Pennebaker, 1968) Murder on a Sunday Morning (Jean-Xavier de Lestrade, 2001) My Generation (Thomas Haneke/Barbara Kopple, 2000) A New History of Documentary Film, 2nd Edition (BOOK), by Betsy McLane (Bloomsbury Academic, 2013) One Child Nation (Nanfu Wang/Jialing Zhang, 2019) ReFocus: The Films of Barbara Kopple (BOOK), edited by Jeff Jaeckle and Susan Ryan (Edinburgh University Press, 2019) The Staircase (Jean-Xavier de Lestrade, 2004-2018) Woodstock (Michael Wadleigh, 1970) Woodstock: Three Days That Defined a Generation (Barak Goodman, 2019) Links to review and interview by Christopher Llewellyn Reed: Hammer to Nailreview of American Factory Film Festival Todayinterview with Steven Bognar and Julia Reichert of American Factory Timestamps: 00:40 – Intro 04:27 – Group Discussion of HARLAN COUNTY U.S.A. 25:58 – Chris interviews Steven Bognar and Julia Reichert of AMERICAN FACTORY 43:38 – Doc Talk Website/Email: www.fogoftruth.com disinfo@fogoftruth.com Credits: Artwork by Hilary Campbell Intro music by Jeremiah Moore Transitional music by BELLS (thanks to Christopher Ernst) Editing and shownotes by Christopher Llewellyn Reed
How "Old Town Road" gave us hope without making us cringe, and became our song of the year.Discussed this week: Joe Coscarelli, Alexandra Eaton, Will Lloyd, Eden Weingart, Antonio de Luca and Alicia DeSantis. "Diary of a Song — ‘Old Town Road’: See How Memes and Controversy Took Lil Nas X to the Top of the Charts" (The New York Times, May 10, 2019)Jon Caramanica. "The Short Rise and Long Tail of Lil Nas X" (The New York Times, Jun. 26, 2019)Jade Jolie"Shut Up & Sing" (directed by Barbara Kopple and Cecilia Peck, 2006)BriMalandro.tumblr.com
A few decades and a whole industry removed from Barbara Kopple’s HARLAN COUNTY, USA, Steven Bognar and Julia Reichert’s AMERICAN FACTORY is an entertaining yet dispiriting illustration of how much working conditions, labor relations, and blue-collar work have changed — and, in some ways, haven’t. After wrestling with AMERICAN FACTORY’s sometimes-funny, sometimes-demoralizing portrayal of the current state of American industry, unions, and national identity, we dive what unites and separates these films’ approach to depicting the struggles and setbacks of the working American. Plus, Your Next Picture Show, where we share recent filmgoing experiences in hopes of putting something new on your cinematic radar. Please share your comments, thoughts, and questions about HARLAN COUNTY USA, AMERICAN FACTORY, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Your Next Picture Show: • Keith: INFINITY TRAIN on Cartoon Network • Genevieve: Barbara Kopple and Cecilia Peck’s SHUT UP AND SING • Scott: Barbara Kopple’s AMERICAN DREAM • Tasha: Richard Linklater’s WHERE’D YOU GO BERNADETTE? Outro music: Bruce Springsteen, “Factory” Learn more about your ad choices. Visit megaphone.fm/adchoices
The new Netflix documentary AMERICAN FACTORY is funnier than Barbara Kopple’s 1976 Oscar-winning documentary HARLAN COUNTY USA, and not nearly as fraught with violence, but it pivots on many of the same core tensions between workers and corporate bosses. In this half of our pairing of labor struggles past and present, we look back at HARLAN COUNTY to see how the time Kopple’s team spent embedded in Harlan County shaped the film, as well as the 1973 miners strike it depicts; how the film’s style reflects Kopple’s involvement with the Maysles brothers and direct cinema; and which of Harlan County’s colorful residents leave the biggest mark on the film. Plus, we respond to some feedback on recent episodes and go over some of the dozens of suggestions we got for 2019 pairings we received when we recently put the call out on Twitter. Please share your comments, thoughts, and questions about HARLAN COUNTY USA, AMERICAN FACTORY, or anything else film-related, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: Hazel Dickens, “They’ll Never Keep Us Down” Learn more about your ad choices. Visit megaphone.fm/adchoices
Barbara Goslawski interviews Barbara Kopple about New Homeland, her latest film. Canadian Premiere at Doc Soup at Hot Docs Cinema.
On this week’s 51%, we speak with filmmaker Barbara Kopple, about her current works, and one from decades ago; hear wistful words about a lesbian bar up for sale; and learn about carving spoons in a women’s woodshop. In her documentary, “A Murder in Mansfield,” Barbara Kopple explores the legacy of the 1989 murder of […]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
Race, gender, and union-busting violence all arise in this discussion of Debra Kopple’s iconic Harlan County, USA. Documentarian Betsy Taylor and historian Alice O’Connor (UC Santa Barbara) offer expert perspectives into connections between events and figures in Kopple’s film and broader environmental justice and labor struggles unfolding across the US in the early 1970s. In addition, Taylor’s intimate knowledge of this mining area enables her to offer rich detail about the local landscape, corporate land ownership, and crooked politics that form the foundation of this classic documentary. Series: "Carsey-Wolf Center" [Public Affairs] [Humanities] [Show ID: 34290]
This month we are going deep underground as we profile our first documentary of the series, the tense struggle against corporate greed and dangerous working conditions in Barbara Kopple’s 1976 film “Harlan County, USA”. This podcast is non-profit and has been broadcast for educational purposes. Excerpts from the following material has been included to enhance […] The post Episode 18 – Barbara Kopple’s Harlan County, USA (1976) appeared first on Celluloid Junkies.
The Drunk Projectionist's Todd Melby interviews Barbara Kopple, director of "Harlan County USA," her 1976 film about a Kentucky coal miner's strike Kopple talks about her nervy confrontation with a company-paid, strike-busting "gun thug" and a situation that turned violent on the picket line. “They kicked the Nagra [recorder]," Kopple says. "I had a long fish pole with a mic and I was just swinging it back at them.” Kopple also touches on many other subject during our interview, including the opening and closing shots of Harlan County USA, how she begged her parents to send more 16mm film so she could keep shooting, standing on picket lines even if she had no film in the camera and the importance of staying with a story, no matter how long it takes.
Academy Award winner Barbara Kopple takes us behind the scenes of her own life and how she became hooked on narrative and documentary filmmaking.
Director Barbara Kopple discusses her new film, Miss Sharon Jones!, with Shari Springer Berman. The film follows the R&B and soul singer Sharon Jones during the most challenging year of her life when she was diagnosed with pancreatic cancer just before the release of her album, Give the People What They Want.
Soul singer Sharon Jones and director Barbara Kopple discuss cancer and the healing power of soul music in Miss Sharon Jones!
Academy Award–winning director Barbara Kopple and Grammy Award–nominated R&B singer Sharon Jones discuss Miss Sharon Jones!.
Two-time Academy Award-Winner® Barbara Kopple (Harlan County USA, American Dream) follows Grammy-nominated R&B dynamo Sharon Jones during the most courageous year of her life. Often compared to the legendary James Brown because of her powerful and energetic performances, Sharon Jones is no stranger to challenge. For years her music career struggled as she was kept in the wings by a music industry that branded her “too short, too black, too fat.” After decades of working odd jobs, from abarbara-kopple-photo corrections officer to a wedding singer, Sharon had a middle-aged breakthrough after joining forces with Brooklyn R&B outfit The Dap-Kings. In 2013, on the eve of the release of the much-anticipated album Give the People What They Want, Sharon was diagnosed with a life-threatening illness. Miss Sharon Jones! is a triumphant crowd-pleaser that captures an irrepressible human spirit as she battles back to where she belongs; center stage. Director / Producer Barbara Kopple joins us to talk about the daunting personal and career challenges Miss Sharon Jones has faced and her inexhaustible energy to create and carry on. For news and updates go to:cabincreekfilms.com
On Twitter: @barbarakopple @TheSharonMovie @sharonjones @thompowers @purenonfictionMiss Sharon Jones!Kopple's production company Cabin CreekPure NonfictionThis interview was recorded at the SVA MFA Social Documentary program.Episode 17 marks the end of Pure Nonfiction's Season One. We'll be back in September with Season Two starting at the Toronto International Film Festival. Until then, enjoy our back catalogue of shows.
Two-time Oscar winner Barbara Kopple is back with a new film about soul singer Sharon Jones in a year when she battles cancer and prepares for her comeback with The Dap Kings. In this wide-ranging interview with Thom Powers, she talks about her apprenticeship with the Maysles brothers; “Harlan County USA” on striking coal miners; […] The post PN 17: Barbara Kopple – From Harlan County to Sharon Jones appeared first on Pure Nonfiction.
Academy Award-winning filmmaker Barbara Kopple (HARLAN COUNTY, USA, AMERICAN DREAM) and Grammy-nominated singer Sharon Jones discuss the new documentary, MISS SHARON JONES!, which traces the singer's journey to stardom against the backdrop of her recent battle with cancer. The film opens this Friday, July 29th. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org
On today's episode, host Tom Breen talks with Professor Charles Musser about the third annual New Haven Documentary Film Festival, which runs from Thursday, June 2nd through Sunday, June 12th and will be bringing 15 documentary features and 26 documentary shorts to the Elm City. A founder and co-director of the festival, Musser shares some thoughts on the films and filmmakers included in this year's line up, including Alex Gibney, Barbara Kopple, East Lyme middle school students, and many more.
Today we have a bonus episode of Radio Film School dedicated solely to one of the topics we started last week—women in film. Specifically we discuss, "Who are the women masters of yesteryear?"The "women in film" segment we aired last week only begins to scratch the surface of this deep, broad and complex topic. In today's episode we bring back Scilla Andreen (CEO of IndieFlix), Stefanie Malone (executive director of NFFTY), Ryan Davis (co-founder of Smarthouse Creative) and Nancy Chang (executive director of ReelGrrls). I also speak to Nichelle Protho, VP of the television and online video production company Sander/Moses. As they discuss the women filmmakers that could be considered masters in the field, some of their answers may surprise you. Names like Maya Deren, Barbara Kopple and...Lucille Ball?Support our SponsorClick here and use offer code radio for a one-time Standard Gold Level license valued at $30.Music in this EpisodeMusic from today's episode was curated from the Free Music Archive and Song Freedom. Click here to see the Song Freedom mixtape for this episode (All rights reserved). The Song Freedom song used was:Little Kyoto by Dream City OrchestraFree Music Archive Songs used:"Candlepower" by Chris Zabriskie. CC-BY."Mad Humans" (J. Glaze Remix) by Kellee Maize. CC-BY."Looking Back" by Lee Rosevere. CC-BY-SA."Mad Humans" (Mad Men Remix) by Kellee Maize. CC-BY.
Academy Award winner Barbara Kopple takes us behind the scenes of her own life and how she became hooked on narrative and documentary filmmaking.
The King of DC Media welcomes back acting coach Brenna McDonough, who will discuss effective tips for actors to book roles consistently, and how to look great on camera! McDonough teaches on-camera workshops at Betsy Royall Casting in Baltimore and her studio in Kensington, MD. Brenna is an accomplished actress in her own right, having appeared in the following TV commercials and films: TELEVISION COMMERCIALS and INFOMERCIALS Bush Gardens/Col Williamsburg Giant Food Close Call Med-Star Health Red Cross Prudential Health Travel Lodge Infomercial Host Tommy’s Mom Neighbor Mother of the Bride Mom Mom Hotel Executive Fredrickson TV Raimondi Films Madison Media Gray, Kirk, Van Sant Red Cross Noble Steed Gray, Kirk, Van Sant FEATURE FILM and TELEVISION HEAD OF STATE HOMICIDE “Pit Bull Sessions” GUARDING TESS ENEMY OF THE STATE THE WIRE Network Reporter Mary Tjarks Tess’s Doctor CNN Reporter Political analyst Kate Dreamworks HBO, Barbara Kopple, Dir. Paramount Columbia Pictures HBO “Slapstick”
Barbara Kopple is a two-time Academy Award winning filmmaker whose latest work "Running from Crazy" documents the struggle of the Hemingway family to overcome depression and suicide, told from the perspective of Mariel Hemingway, Oscar-nominated actress and granddaughter of the great author Ernest. Dan & David spoke with Kopple during the AFI DOCS festival about her career, her first Oscar-winning film "Harlan County U.S.A." and her philosophy of storytelling. For more information on the film, visit: oprah.com/runningfromcrazy fb.com/RunningFromCrazy twitter.com/RunningFromCrzy Resources on suicide prevention: National Suicide Prevention Lifeline 1-800-273-8255 http://suicidepreventionlifeline.org American Foundation for Suicide Prevention http://afsp.org Their "Out of The Darkness Walk" is featured in the film 'Running from Crazy' McLean Hospital in Masachusetts http://mclean.harvard.edu Maintains the world's largest neuroscientific and psychiatric research program in a private hospital. Suicide Prevention Resource Center http://sprc.org Special thanks to Barbara Kopple, Kelly from Cabin Creek Films ( http://cabincreekfilms.com ), the OWN Network ( http://oprah.com/own ), Lauren Selman and everyone at AFI DOCS ( http://afi.com/afidocs )
Barbara Kopple is a two-time Academy Award winning filmmaker whose latest work "Running from Crazy" documents the struggle of the Hemingway family to overcome depression and suicide, told from the perspective of Mariel Hemingway, Oscar-nominated actress and granddaughter of the great author Ernest. Dan & David spoke with Kopple during the AFI DOCS festival about her career, her first Oscar-winning film "Harlan County U.S.A." and her philosophy of storytelling. For more information on the film, visit: oprah.com/runningfromcrazy fb.com/RunningFromCrazy twitter.com/RunningFromCrzy Resources on suicide prevention: National Suicide Prevention Lifeline 1-800-273-8255 http://suicidepreventionlifeline.org American Foundation for Suicide Prevention http://afsp.org Their "Out of The Darkness Walk" is featured in the film 'Running from Crazy' McLean Hospital in Masachusetts http://mclean.harvard.edu Maintains the world's largest neuroscientific and psychiatric research program in a private hospital. Suicide Prevention Resource Center http://sprc.org Special thanks to Barbara Kopple, Kelly from Cabin Creek Films ( http://cabincreekfilms.com ), the OWN Network ( http://oprah.com/own ), Lauren Selman and everyone at AFI DOCS ( http://afi.com/afidocs )
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