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Sammy Hagar returns with a powerful new single Encore, Thank You, Goodnight., out April 25 via Big Machine Rock — inspired by a dream about Eddie Van Halen!
Sammy Hagar Releases Dream-Inspired Tribute to Eddie Van Halen – "Encore, Thank You, Goodnight." Just months after announcing his semi-retirement from touring, Sammy Hagar is back with a powerful new single, Encore, Thank You, Goodnight., out April 25 via Big Machine Rock. Co-written with Joe Satriani and co-produced by Satriani and Eric Caudieux, the track was inspired by a dream Hagar had about Eddie Van Halen. The result? A heartfelt, high-energy tribute celebrating their unforgettable years together in Van Halen. “This song is my final bow to that part of my life,” says Hagar. “It's a thank-you – with love, respect, and one hell of a guitar solo.” The track also features Michael Anthony on bass and signature Van Halen-style backing vocals, with Kenny Aronoff delivering hard-hitting drums. Satriani brings soaring guitar work that channels Eddie's spirit while staying true to his own sound. Fans attending The Best of All Worlds Las Vegas residency kickoff at Dolby Live will witness the live debut of the song at the end of the month.
This week we continue our journey to the Great White North! This is the triumphant finale of our celebration of an amazing power trio from Toronto that has been largely forgotten in the pantheon of rock n' roll: TRIUMPH! From classic hard rock & metal to proggy AOR, this is a band that rarely gets the praise they deserve! This episode is rooted in our Should Have Been category. This is a band that Captain Content has mentioned before as a band he would love to dive into deeper. While not the most obscure band we've ever covered (they have multiple platinum and gold albums in the US and Canada), they have been largely forgotten as the rock giants they once were. We think they should be remembered as titans or rock and thus: Huge-er-er!!! Eh?Songs this week include:Triumph - “Time Goes By” from Thunder Seven (1984)Triumph - “When The Lights Go Down” from Stages (1985)Triumph - “Mind Games” from Stages (1985)Triumph - “Play With Fire” from The Sport Of Kings (1986)Triumph - “Carry On The Flame” from Surveillance (1987)Triumph - “Edge Of Excess” from Edge Of Excess (1992)Triumph - “I Live For The Weekend” from Live At Sweden Rock Festival (2008)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/
We're finally back to cover all the latest, greatest, and strangest rock news with the first Geekwire of 2025! A lot is happening in the rock world these days and we're covering the more interesting stories. Here's what we've talking this week: - We take a moment to remember the late, great John Sykes - Kerry King had wheels of confusion - Erik Gronwall looks back to Skid Row - Jeff Beck's guitar cleans up - Doro gets the gold - Satriani and Vai unleash new band with great name - Sammy Hagar breaks hearts with new announcement - Gene Simmons expands his road trip - Zebra and Jack Douglas reunite - Lorraine Lewis reforms Femme Fatale - Joins OnlyFans - AC/DC birthplace bulldozed - with an ulterior motive? - KISS settle with Wig Stylist It's a bunch of current rock news and we look forward to sharing it with you. Let us know your thoughts in the comments! We hope you enjoy Geekwire for the week of 01.28.25 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
We're finally back to cover all the latest, greatest, and strangest rock news with the first Geekwire of 2025! A lot is happening in the rock world these days and we're covering the more interesting stories. Here's what we've talking this week: - We take a moment to remember the late, great John Sykes - Kerry King had wheels of confusion - Erik Gronwall looks back to Skid Row - Jeff Beck's guitar cleans up - Doro gets the gold - Satriani and Vai unleash new band with great name - Sammy Hagar breaks hearts with new announcement - Gene Simmons expands his road trip - Zebra and Jack Douglas reunite - Lorraine Lewis reforms Femme Fatale - Joins OnlyFans - AC/DC birthplace bulldozed - with an ulterior motive? - KISS settle with Wig Stylist It's a bunch of current rock news and we look forward to sharing it with you. Let us know your thoughts in the comments! We hope you enjoy Geekwire for the week of 01.28.25 and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download Learn more about your ad choices. Visit megaphone.fm/adchoices
Si no podéis celebrar nada de la lotería, al menos vos toca la 548ª Noche de Lobos, con el siguiente menú: Twisted Sister, Automatic Kafka Band, Festival Vidiago Rock, BLACK RAINBOWS, Rockvera - Asociación Monorock, Monasthyr, Hamlet, Wacken METAL Battle SPAIN, Aneuma, RABIA PEREZ, Ciclonautas, CICONIA, Jorge Salan Oficial, Bifäz, Fermin Muguruza, THE SWEET METAL BAND, Sun and Thunder, Argion, Soldier, Iruña Rock Festival, KOMA Oficial, King Diamond, Joe Satriani, Claustrofobia, Drugos, Dixebra Rock n'Asturianu y Pearl Jam
This week, the Dads discuss the latest trends in guitar social media, what grabs your attention and what keeps you scrolling? Also - Vai, Satriani, and GNR are back out on tour in 2025, plus new pedals from Keely, GFI, and TC! Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order! Also - please consider supporting the Dads at patreon.com/guitardadspodcast We have some great exclusive content with special guests AND a special discount code for patreon supports only!
In 1987, the world of rock and metal was ruled by flamboyant frontmen and larger-than-life bands. But with Surfing with the Alien, Joe Satriani flipped the script. An instrumental album led not by a voice but by six strings, it captured the imaginations of rock fans and musicians alike, proving that the guitar itself could sing.Joe Satriani's Surfing with the Alien is often hailed as a milestone in instrumental rock, but its legacy isn't without debate. While many view it as a masterful fusion of melody and virtuosity, others see it as emblematic of a niche genre that struggles to connect emotionally with a wider audience. Released in 1987, the album showcased Satriani's technical brilliance and melodic instincts, but its reception reflects a mix of awe, skepticism, and nostalgia.The Story Behind the AlbumSatriani's journey to guitar stardom began modestly, teaching guitarists like Steve Vai and Kirk Hammett while scraping by in California's music scene. After a lukewarm reception to his 1986 debut, Not of This Earth, Satriani poured everything he had—financially and creatively—into his follow-up, Surfing with the Alien. The result was a lean, melody-focused album recorded on a modest $13,000 budget that sought to balance technical guitar work with a broader emotional appeal.The album's comic book-inspired cover, featuring Marvel's Silver Surfer, hinted at the larger-than-life ambitions within. Tracks like the title song and “Satch Boogie” delivered on that promise with dizzying technicality, while the ballad “Always With Me, Always With You” showed a more tender, melodic side. These contrasts earned Satriani critical acclaim and a Grammy nomination, yet the album's broader appeal has remained divisive.A High-Water Mark for Some, Overindulgent for OthersFor fans of instrumental rock, Surfing with the Alien is a triumph. Its melodic hooks and memorable themes make it stand out in a genre often criticized for prioritizing flash over substance. Songs like “Ice 9” and “Crushing Day” blend technical mastery with accessibility, offering riffs and melodies that resonate well beyond the confines of the guitar-obsessed. It's an album that has moments of brilliance, where the guitar takes on the role of a vocalist, singing stories through its strings.But not everyone is moved by its charms. For some, the album represents the limitations of instrumental guitar music—tracks that, while impressive, can feel like exercises in technique rather than fully realized emotional experiences. The lack of lyrics and a frontman, which are often strengths for Satriani's fans, are viewed as barriers for those who find the album's tone more clinical than heartfelt. Surfing with the Alien's success in breaking into the mainstream is undeniable, yet its staying power with broader audiences remains a topic of contention.A Snapshot of a Moment in Rock HistoryReleased at a time when guitar gods like Eddie Van Halen and Yngwie Malmsteen were dominating rock, Surfing with the Alien carved out its own niche. Unlike the baroque complexity of Malmsteen or the blues-rock swagger of Van Halen, Satriani's approach was focused on melody and structure. While technically dazzling, his songs were crafted to stick in the listener's mind, often resembling vocal melodies translated to the guitar.Yet, the album's groundbreaking status also reflects a specific era. Its mix of virtuosic playing and synthesized production feels firmly rooted in the 1980s, which can be both an asset and a drawback depending on the listener. For those nostalgic for that era, Surfing with the Alien is a time capsule of innovation and possibility. For others, it may feel dated or too polished compared to the raw energy of vocal-driven rock bands of the same time.The Legacy of Surfing with the AlienSurfing with the Alien undeniably shaped the trajectory of instrumental rock. It reached number 29 on the Billboard 200, stayed there for 75 weeks, and went platinum—an astonishing feat for an instrumental album. Tracks like “Always With Me, Always With You” remain staples of Satriani's live performances, while “Satch Boogie” showcases his ability to blend technical prowess with funk-inspired grooves.Satriani's influence extends beyond his own discography. His teaching career helped shape the sounds of rock icons like Steve Vai and Kirk Hammett, and his innovations—like pitch axis theory—continue to inspire guitarists across genres. However, the debates surrounding the emotional impact and relatability of his music highlight the challenges instrumental albums face in achieving universal acclaim.Surfing with the Alien remains a touchstone for guitar enthusiasts and a divisive topic for others. It's an album that sparks both admiration and critique—praised for its melodic ingenuity and technical mastery, but also questioned for its ability to connect on a deeper emotional level. Whether it's a groundbreaking classic or a niche curiosity depends on where you stand in the conversation about instrumental rock.For those willing to dive in, Surfing with the Alien offers a ride through the outer reaches of what the guitar can achieve. Whether it leaves you awestruck or searching for something more, one thing is certain—it's a journey you won't forget.Songs in this Episode* Intro - Crushing Day * 18:44 -Right Thru Me - Nicki Minaj * 23:29 - Ice 9 * 25:03 - Surfing with the Alien * 26:18 - Echo * 27:28 - Satch Boogie * 29:27 - Hill of the Skull * Outro - Lords of KarmaMake Your Metal Voice Heard!In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Suggest an Album → Dig Me Out is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe
https://youtube.com/live/xC7iMY2mcSQ Sammy Hagar Announces ‘Best of All Worlds' Las Vegas Residency. After a successful summer tour, Sammy Hagar has announced The Best of All Worlds Residency in Las Vegas. The Red Rocker's Van Halen celebration will hit the stage at Dolby Live inside Park MGM next spring. Check out the full list of shows below! Joining Hagar on the Vegas Strip are Michael Anthony, former Van Halen bassist; guitarist Joe Satriani; and renowned drummer Kenny Aronoff. Aronoff steps in after Jason Bonham, who played drums during the summer tour, confirmed he would not be continuing with the group. Aronoff's impressive career includes work with John Mellencamp, Bob Seger, The Smashing Pumpkins, and Tony Iommi of Black Sabbath. Dolby Live at Park MGM will also host Mötley Crüe's Las Vegas residency starting in March. Hagar originally launched The Best of All Worlds Tour on July 13 in West Palm Beach, Florida, alongside Anthony, Satriani, and Bonham. The 28-date North American trek celebrated Hagar's Van Halen era with a setlist of iconic hits, rare tracks, and songs from Montrose, Chickenfoot, and the members' solo catalogs. Fans were treated to a high-energy revival of Van Halen's legendary music, making the upcoming Vegas shows a must-see event!
https://youtube.com/live/Xh8G_pc5nbg Sammy Hagar is building excitement among fans with hints of something big on the horizon. The rocker recently posted videos on social media featuring himself and Van Halen bassist Michael Anthony in the studio, captioned, “Big announcement coming up next week. The best of all worlds band—we are up to something.” The post also included hashtags like #newmusic, fueling speculation about what's to come. In the clips, fans get a taste of what could be a new song. In one video, Anthony is seen laying down a bass line while Hagar's vocals—singing “thank you”—play in the background. Another clip shows Anthony recording backing vocals, adding to the intrigue. But it might not stop at music. The post also included the hashtag #moreshows, hinting that another leg of the tour could be in the works. Hagar tagged Anthony, guitarist Joe Satriani, and drummer Kenny Aronoff, who stepped in for Jason Bonham during part of the previous tour, suggesting the entire lineup could be involved. Hagar previously told ABC Audio that he had plans to create new music with his Best of All Worlds tour band and had already collaborated on a song with Satriani. He also expressed hopes for additional tour dates. The Best of All Worlds tour, which kicked off in July, showcased a mix of Van Halen classics and Hagar's solo hits, leaving fans eager for what's next. #sammyhagar #vanhalen #eddievanhalen #johnnybeaneTV
Steven Wilson, Satriani, Levin, Rudess, Lindenberg, Hans Zimmer, Kreator und so viele mehr - die Liste der Musiker, mit denen Marco Minnemann bereits zusammenarbeitete, scheint endlos. Im Podcast Folge 29 spricht er mit Marek über seine Karriere, aktuelle Projekte und Bands und freut sich darüber, endlich auch mal wieder deutsch zu sprechen… stoneprog.de bside-music.de #stoneprog #marekarnold #podcast #prog #progrock #artrock #marcominnemann
Neil explores the concept of "spoiling magic" in the context of teaching music, particularly guitar. He discusses the allure of guitar heroes and the myths surrounding their extraordinary abilities, emphasising the importance of dismantling these illusions for students. By breaking down the perceived supernatural skills of iconic musicians like Slash and Eddie Van Halen, Neil aims to empower learners to recognise that mastery comes from practice and process, not magic. KEY TAKEAWAYS Demystifying Talent: The idea of "natural talent" is often a myth; success in music or any skill comes from consistent practice and process rather than inherent ability. Everyone starts as a beginner. Breaking Down Illusions: It's essential to shatter the illusion of superhuman abilities in admired performers. By doing so, students can realise that their idols were once beginners too, making their goals seem more attainable. Teaching Methodology: Effective teaching involves simplifying complex skills into manageable steps, allowing students to progress gradually and build confidence in their abilities. The Role of Performance: While it's important to teach the technical aspects of a skill, it's equally crucial to show students how to present their skills in a way that appears impressive, blending technique with performance art. Encouraging Persistence: The journey from novice to proficient requires hard work and dedication. Students should embrace their initial struggles, as everyone experiences challenges along the way to mastery. BEST MOMENTS "As long as a student thinks that Slash or Eddie or Brian... are doing something supernatural, their limits and their beliefs about themselves... can't allow that to happen." "Spoiling magic, as far as I can tell, is an occupational obligation. We have a duty to make things plain and simple and to be brutally honest." "The assumption of magic is that people can't see the vapour trail of their favourite performer from being a complete lump on the instrument from day one to where they are now." "If I don't do that, they're never going to believe that it's possible for them because they won't realize that Hendrix and Satriani... were once absolute beginners too." "Nothing is as proverbial as unrealized genius. And I think talent is a myth. It's a lazy shortcut of a word." VALUABLE RESOURCES www.Neilcowmeadow.com info@neilcowmeadow.com HOST BIO Neil Cowmeadow is a maverick peripatetic guitar teacher from Telford with over 19 years' experience in the business of helping people. Learn how to start, grow and love your business with Neil's invaluable advice and tips without the buzzwords and BS!
https://youtube.com/live/0MWs3TZhRLA This week on Exclusively Van Halen: Alex Van Halen unleashes a flood of shocking revelations in a tell-all with Rolling Stone!
https://www.youtube.com/live/V9DAdm4VpcA?si=RsJ3aSCumvxUxzdH Joe Satriani initially agreed to join a Van Halen tribute with David Lee Roth and Alex Van Halen but later backed out, telling Guitarist it was "too hard" to fill Eddie Van Halen's shoes. Though excited at first, Satriani struggled with the challenge of replicating Eddie's unique style, saying, “Eddie played in a completely different way. His timing and feel were so different from what I've cultivated over decades." While Alex convinced him to reconsider, Satriani ultimately felt the tribute wasn't the right fit, noting that Wolfgang Van Halen's own tribute to his father offered fans the closure they needed. Instead, Satriani joined Sammy Hagar's Best of All Worlds tour, which includes Michael Anthony and Jason Bonham, playing a mix of songs from Hagar's career, including 15-20 Van Halen tracks. Satriani explains that this project resonated with him because it wasn't solely focused on Van Halen, but on Hagar's legacy as a whole. He appreciated the tour's celebratory vibe, adding that the fans' reaction has been heartwarming. Though he's mindful of not copying Eddie's parts, Satriani has adapted some of Eddie's techniques, blending them with his own style to honor the music while staying true to himself. "It's not a Van Halen tribute," Satriani clarifies, "It's a tribute to Sammy's legacy that happens to include a huge chunk of Van Halen music." “Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before.
https://youtube.com/live/ugkL1xsjHSw When Joe Satriani was announced as part of Sammy Hagar's Best Of All Worlds Tour – seen by many as the closest thing to a Van Halen tribute – he embarked on a lengthy journey to perfect his tone for the role. Satriani admitted his usual rig wasn't up to the task, so he created a new setup to capture the essence of Eddie Van Halen's iconic sound. This included collaborating with 3rd Power to develop a tube amp inspired by Eddie's Marshall and modifying stock EVH Frankie guitars with speed knobs, Sustainer pickups, and other tweaks. As Satriani shared in Guitarist, these modifications were essential, as he initially struggled with the Frankenstein guitar, finding it nearly unplayable. “I tried seven Frankensteins and had to rely on the shop owner's advice on how they sounded. The one that works for me now didn't sound great right out of the box.” When Joe Satriani first picked up the Frankenstein guitar, he found it "lifeless" and struggled to keep it in tune. It took him two weeks of constant adjustments to make it playable. To solve these issues, Satriani reached out to Eddie Van Halen's former guitar techs for advice on optimizing the design. They shared their techniques, like filing down specific parts, adjusting screws, and making tweaks to improve tuning stability. Taking creative liberties, Satriani adapted the guitar to his needs, even replacing the pickup with a Sustainiac to handle a variety of songs from Van Halen, Chickenfoot, and his own catalog. "I didn't have time to switch guitars between songs, so I made each one work for multiple things," Satriani explained. Despite facing criticism from some fans for altering such an iconic instrument, Satriani embraced the challenge, even joking that Eddie might haunt him for it. His modifications paid off, and he's now confidently playing Eddie's parts on the Best Of All Worlds tour. To prepare, Satriani didn't just revamp his gear—he also studied how other guitarists interpreted Eddie Van Halen's legendary style. “Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before. We talk all things Van Halen! Striped Frankenstein Relic, RBW Guitar - http://sweetwater.sjv.io/eKk5jZ MXR EVH Phase 90 Eddie Van Halen Phase Pedal - http://sweetwater.sjv.io/oqJ1Je EVH Chorus - http://sweetwater.sjv.io/g1ae40 EVH 5150 Blue Channel OD Pedal http://sweetwater.sjv.io/R52N9a Please note : the above are affiliate links. #vanhalen #johnnybeaneTV #eddievanhalen #alexvanhalen #exclusivelyvanhalen #sammyhagar #joesatriani
https://www.youtube.com/live/JFq3AMfBVbA?si=T0EI89tk1vV1fowB In this episode, we dive into Joe Satriani's latest revelation: his biggest challenge on the Best Of All Worlds Tour is mastering Eddie Van Halen's legendary clean tone. We discuss what makes Eddie's clean sound so unique, why it's such a tough feat to replicate, and how Satriani is approaching this daunting task. Join us as we explore the nuances of Eddie's tone and Satriani's journey to bring it to life on stage. Whether you're a fan of Van Halen, Joe Satriani, or guitar tone in general, this video has something for you! “Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before. We talk all things Van Halen! #vanhalen #johnnybeaneTV #eddievanhalen #alexvanhalen #exclusivelyvanhalen
https://youtube.com/live/lX7PzQD6gBo?feature=share Welcome to this episode of "Exclusively Van Halen"! Today, we dive into Joe Satriani's insight on how Eddie Van Halen's unique sound came straight from his hands. Plus, we've unearthed a mint condition issue of Guitar World featuring Eddie on the cover. Inside, there's a fantastic quote from Eddie himself, mentioning how Satch has a bit of Van Halen in him. Joe Satriani reveals the unique approach he took to prepare for playing Eddie Van Halen's parts: "I couldn't find a single live clip of Eddie playing the same song the same way twice. So, I decided to embrace each different version. I also wanted to see how other guitarists adapted, knowing their hands weren't Eddie's." “Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before. We talk all things Van Halen! #vanhalen #johnnybeaneTV #eddievanhalen #joesatriani #exclusivelyvanhalen
Once again we brought WAYYYYY too much context to the mound for MONEYBALL, a perfect film.If you want to hear Sean talk sports, Anthony display a stupid amount of knowledge about baseball and Ryan to rant about Joe Satriani to literally everyone's dismay, this is for you.A very good music video by Joe Satriani and Steve Vai that was referenced in the episode.Souls of Mischief - Batting PracticeOne Outs is very good! Ryan made it through almost an entire episode, which is his new record for anime.Hit up our Supporters Club to get our first 100 episodes plus bonus content!
https://www.youtube.com/live/RKZ0s9778FU?si=0V-nXdDj_3lhmUCn Gene Simmons and his solo band performed (Wednesday, July 3) at Rock & Brews restaurant located within the Potawatomi Casino Hotel in Milwaukee. The concert was open to the public, offering a unique experience with first-come-first-served seating, allowing fans to enjoy an intimate and energetic performance by the legendary KISS frontman. Among the highlights of the night was a rendition of Van Halen's 1976 demo version of "House of Pain," which later made it onto their 1984 album, adding a special touch to the evening for rock enthusiasts. In related news, Sammy Hagar is gearing up to kick off his The Best of All World tour and is giving fans a sneak peek at what to expect. The rocker has been sharing clips of rehearsals on Instagram, including one with him and the band – Van Halen bassist Michael Anthony, guitarist Joe Satriani, and drummer Jason Bonham – performing the Van Halen track "Poundcake" from the album For Unlawful Carnal Knowledge. For those who doubt Satriani's ability to fill the late Eddie Van Halen's shoes, the clip ends with a taste of an epic Satriani guitar solo. “Exclusively Van Halen" is the ultimate destination for all things Van Halen. Step into the world of rock and roll legends as we delve deep into the history, music, and trivia surrounding one of the most iconic bands of all time. Join us as we explore Van Halen's storied career, from their electrifying performances to the making of their timeless hits. Get to know the band members, their inspirations, and the stories behind the songs that have rocked generations. But that's not all – tune in for exciting giveaways where you can win exclusive Van Halen merchandise and more. Whether you're a die-hard fan or just discovering the magic of Van Halen, this show promises to keep you entertained, informed, and rocking out from start to finish. Get ready to jump into the world of "Exclusively Van Halen" and experience the music like never before. We talk all things Van Halen!
https://www.youtube.com/live/8jclHItndWs?si=FmLaB2yuzUiSShtS On tonight's episode of Talking Guitars, we discussed Fender's exciting return to the NAMM Show in 2025. We also highlighted Dweezil Zappa's signature guitar with Shabat Guitars and Joe Satriani's new virtual amp sim from TONEX. "Talking Guitars" is your go-to show for all things guitars and guitar gear. Hosted by passionate guitar enthusiasts, the show dives into the latest trends, gear reviews, and industry news, catering to guitar players of all levels. From discussing the newest guitar models to exploring innovative pedal effects, "Talking Guitars" keeps viewers informed and entertained. But it's not just about information - the show also hosts exciting giveaways, fostering a sense of community and fun among guitar enthusiasts. So whether you're a seasoned pro or just starting out, tune in to "Talking Guitars" for a great time and all things guitar!
"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995). Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty Of Credence Clearwater Revival fameLos LobosJoe Satriani an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO: Althea Track #3 4:51 – 6:21 From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece. Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story. Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst: August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast: July 8, 1995 at Soldier Field, Chicago The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end. It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money. Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing. The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business. Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town. By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time. There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group. Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions. There is a You Tube video of the entire Fogerty set that I encourage you to view. Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs. John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty. Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind. On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage. Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance. On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1: Down On The Corner (and Band introductions) John Fogerty (w. Jerry and Bobby) JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com) 10:49 – 12:42 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits. The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs. As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes. Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance. However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend. MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis. I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time. If so, there will be a big report in two weeks. Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album SHOW No. 2: Iko Iko w/Clarence Clemmons Track #5 5:09 – 6:11 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax. Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show. In '89 the Boss was as big as ever and Clarence was a big part of that success. But he enjoyed playing in the improv style embraced by the Dead. Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater. He also played a number of times with JGB. And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back. When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.” SHOW No. 3: Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence Track #6 2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead. Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First: March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast: April 2, 1995 at The Pyramid Arena, Memphis, TN, USA MJ NEWS SHOW No. 4: Blow Away Track #11 7:37 – 9:10 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song) When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst: June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast: July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent OUTRO: Wharf Rat Track #17 3:59 – 5:26 Not the closer this night, or most nights, but it could have been a perfect closer. Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
En esta sección, Juan Fassino trae historias sobre canciones que se parecen sospechosamente demasiado entre si.
Wir haben uns neue Gitarren von Fender, Epiphone und EVH angeguckt. Von Synergy das neue DRECT Modul und Boss neue Geräte für den Bass. Ausserdem haben wir uns mal mit King Crimson beschäftigt, waren auf Konzerten und haben wieder Alben Jubiläen. Diese Folge auf Youtube https://youtu.be/F8ypW9C89Os 00:00:00 Intro und Begrüssung 00:02:25 Leserbriefe 00:16:10 News: Lzzy Hale geht mit Skid Row auf Tour 00:17:15 Mark Knopfler Going Home Video https://www.youtube.com/watch?v=zBGm7gJtSZE 00:18:55 Satriani und Vai Video https://www.youtube.com/watch?v=VAKVmW1InBA 00:21:00 Beat spielen 80er Jahre King Crimson https://www.youtube.com/watch?v=AbQM09t5E2c 00:24:30 Neues David Gilmour Album und Tour https://www.davidgilmour.com/ 00:28:25 Captain Anderton und Danish Pete hören Classic Rock Alben https://www.youtube.com/watch?v=ZlWJdMw7guw 00:30:05 Metallica covern Elton John https://www.youtube.com/watch?v=ON23_z-k_N8 00:31:50 Konzertbericht: Dire Straits Tribute – Alchemy Tour – Marburg https://www.direstraitstribute.de/ 00:35:50 Konzertbericht: The Musical Box – Selling England Tour – Frankfurt 00:38:25 Equipment News 01:07:50 Wieder reingehört: King Crimson 80er Jahre – Discipline – Beat – Three of a perfect pair 01:20:00 Alben Jubiläen 01:37:55 Verabschiedung und Outro https://www.facebook.com/gitarrenkram https://gitarrenkram.de https://www.thomann.de/?partner_id=23023 Links zu Thomann sind Affiliate Links. Wenn ihr darüber etwas kauft, kostet euch das nichts extra, aber ihr helft uns damit den Podcast zu finanzieren. Vielen Dank. https://gitarrenkram.de/gitarrenkram-unterstuetzen Unsere Musik auf Bandcamp https://silentmenband.bandcamp.com/releases
Who can sit through an entire awards show?!? We can't so instead we chatted about Metallica's relationship with the Grammys since 1989. The boys have gone up against some fierce competition such as Queensryche, Soundgarden, Megadeth, Pantera, Satriani, and Rush to name a few. They've also faced some weird ones. David Bowie, Paramore, Brian Adams, Springsteen, and 3 random names we've never even flippin' heard of !Enjoy the trip through award show memory lane. Jeff rocks the new KK single while pondering ESP guitar pricing. Shane has been in a YouTube 'Tallica Mondays rabbit hole while we both ponder what it's like to have POTUS show up to your residence for a party. Party On Garth. Season 15, Episode 4Instagram - andpodcastforallLiquid Death - Official sponsor of APFA liquiddeath.com -Murder your Thirst, Death To Plasticandpodcastforall@gmail.com for all your wants, wishes, comments, Hate Train mail, needs, desires, or just to say what's up to the guys. Email us and let us know if you want to be our next guest! After all, it's a Podcast FOR ALL.
In this first episode of 2024, Alex welcomes a trio of guests who are among the most important and influential players of electric guitar - Joe Satriani, Steve Vai, and Eric Johnson. They are also the original lineup of the iconic G3, a tour organized in 1996 by Satriani that has featured legendary players like Robert Fripp, Ynwgie Malmsteen, Phil Collen, and many more. Ahead of this year's tour, they sit down with Alex to discuss the origins of G3, what they've learned from the experience of performing together, and weigh in on how to keep egos in check when playing alongside fellow giants. They commiserate over growth moments that resulted from musical projects created during the pandemic, and do a deep dive into the equipment they're using, from string gauges to amp modelers. Conceived in 1995 by the multi-Grammy nominated guitarist, Joe Satriani, the inaugural G3 Tour took place in 1996 bringing together three of the most iconic and virtuosic guitarists of their time: Satriani, Eric Johnson and Steve Vai. Known for their incredible technical prowess, musical innovation and unique styles, the G3 tour was a celebration of guitar mastery and proved extremely popular, captivating audiences worldwide. Though the line-up has continually changed over the last 29 years since its inception, Satriani is celebrating G3 in 2024 by reuniting the original trio: Satriani, Johnson and Vai. The tour is set to begin on January 23, 2024 in Tucson, AZ hitting eleven cities before winding up with a pair of shows at the Orpheum Theatre in Los Angeles, CA. Get G3 Tour information here Follow Joe Satriani, Steve Vai, and Eric Johnson Follow Alex @alexskolnick and @moodsandmodes Moods & Modes is hosted and produced by Alex Skolnick. Executive Producer: Kirsten Cluthe. Final Mixes by Tom Sullivan. Music by Alex Skolnick. Artwork by Mark Dowd. Distributed by Osiris Media.
The GSP Iconic Series team of Matt, Rob and Gabor are back with a sprawling look back over 2023. We're talking favorite albums, gigs, gear, The Rollings Stones (the band and the similarly named publication), gig disasters, 'new' Beatles, Satriani jamming EVH, Notaklon, new and old school musical AI and much more. We outraged at the outrage! Rob Rhodes - www.rhodetripent.com Gabor Josika - SuperFunAwesomeHappyTime Pedal Show This episode is brought to you by Fretboard Biology Fretboard Biology - the online guitar college created by Joe Elliott, ex Head of Guitar at GIT and McNally Smith Music College. Fretboard Biology - special deal $29 for 2 months https://fretboardbiology.com/register/subscriber-promo/ Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher ...and wherever you find podcasts!
This week, the Dads get into a whole host of music news AND get deep into some black Friday gear deals. Are these the best deals nobody wants?
The Jeremy White Show welcomes Nuno Bettencourt from EXTREME! We discuss their latest album "SIX" and how his solo in "RISE" went viral and the accolades he's received for it. We also talk all about the recent Joe Satriani incident on The Howard Stern Show where he attempted to play "Mean Streets", what made Eddie so special and was Nuno asked to be apart of the Sammy Hagar "Van Halen Tribute" tour? All of that and much more avaiable now! Visit EXTREME-BAND.COM for tickets and tour dates! PLEASE LIKE AND SUBSCRIBE! The Jeremy White Show is FREE and ON DEMAND, stream now on Spotify, Apple Podcasts, iHeart Radio, Google Podcasts and tell your Smart Speaker "Play The Jeremy White Show". For BOOKINGS and ENQUIRIES: Show Producer: Joe Cristiano - joe@jeremywhiteshow.com Management: GARBER IMC. - angela@garberimc.com Follow on Twitter: / jeremywhitemtl Follow on Instagram: / jeremywhitemtl Subscribe on YouTube: / jeremywhiteshow Subscribe to The Jeremy White Show for exclusive content and interviews. © 2023. Jeremy White. All Rights Reserved.
On this episode we discuss our latest project, Skinny Elvis, we talk about Sammy Hagar's 2023 tour with Satriani and the top 10 weirdest Van Halen song according to UCR, the possibility of Geddy and Alex reuniting as Rush, we finish our last Beck Feiner book, who's letter of the day was Z. We climb the Wall of Tunes for a band that we both fangirl over, originally from the 90s, who run the gamut from straight up rock, to blues, folk and soul music. #vanhalen #sammyhagar #rush #bigheadtoddhttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug
Arguably the most important thing in Metal...GUITARS, and the badasses that play them! We get it, Vocals are important too, but you can scream or growl all you want...if it doesn't have guitars, it's not Metal - Iommi, Page, Blackmore, Gilmour, Beck, Clapton, Townsend, Van Halen, Rhoads, Lynch, Schenker, Sykes, Young, Hetfield, Hammett, Hanneman, King, Mustaine, Clark, Gilbert, Becker, Friedman, Downing, Tipton, Murray, Smith, Scholz, Schon, Slash, Frampton, Gossard, McReady, Cantrell, Thayil, Cobain, Morello, Impelliteri, Malmsteen, Howe, McAlpine, Vai, Satriani...and SO many more - We're talking about our favorites from (what we call) the Classic Era - up to 1993 (totally arbitrary year), and we wann hear from you as well...let us know your favorites at: https://linktr.ee/MetalListPodcast - Theme Song by Godhammered at: https://linktr.ee/Godhammered
On this episode of The Adventures of Pipeman, we're joined by special guest Joe Satriani. Joe shares his personal experience with the various mediums of art and how fulfilling it was to have his own art on display at Wentworth Gallery. Joe discusses his creative process and how he can get locked into hours of playing guitar or painting when he has artistic obligations. Pipeman and Joe share stories of growing up in artistic families and the inspiration they were surrounded by at a young age. Joe speaks on the importance of taking breaks while working on his pieces of art and taking a moment to be present in his surroundings, whether it's through music or painting. September 8th-10th, Joe Satriani will be making appearances at Wentworth Gallery in South Florida, performing and having his art on display. You can find more information about Joe's upcoming art shows at JoeSatrianiArt.com!Joe Satriani: “Beyond Reality” New for this show, aside from some new works, is that any purchasers of his works will be treated to a private performance, inside the gallery, for the final hour of his exhibit appearance. Those who have purchased his unique hand painted guitars will have the extra thrill of jamming with him! Collectors Will Have The Opportunity For A Private, Live in Gallery Performance With Artwork Purchase FRIDAY, SEPTEMBER 8 @ 7:00 - 10:00 PMWentworth Gallery at Seminole Hard Rock Hotel & Casino Address: 5804 Seminole Way #103954.314.7210SATURDAY, SEPTEMBER 9 @ 5:00 - 8:00 PMWentworth Gallery at Boca Raton Town Center MallAddress: 6000 Glades Road #1089561.338.0804SUNDAY, SEPTEMBER 10 @ 1:00 - 4:00 pmWentworth Gallery at Las OlasAddress: 819 East Las Olas Blvd.954.468.0685(Miami, FL) August 8, 2023 - Fresh off his Worldwide Tour supporting The Elephants of Mars, his 19th Studio album, world renowned guitarist, Joe Satriani, is now planning to bring his art showings back to south Florida this September. Satriani's next art appearances will be at the Wentworth Gallery at Seminole Hard Rock Hotel & Casino on Friday, September 8 from 7-10 pm, Boca Raton Town Center Mall on Saturday, September 9 from 5-8pm as well as a visit on Sunday, September 10 from 1-4 pm at the Wentworth Gallery at Las Olas.Satriani has prepared one of a kind pieces for the exhibit including original canvases and hand painted guitars and the exciting addition to these events, purchasers of any of Satriani's works will be treated to a private performance, within the gallery, for the final hour of his exhibit appearance. Those who have purchased his unique hand painted guitars will have the extra thrill of jamming with the iconic guitarist. This is a perfect opportunity for any fan of Satriani's guitar playing to be up close and personal with the master!“Joe is a master storyteller. Just as his music draws in the listener, his art draws in the viewer. His artwork is emotional, imaginative, and fantastic. Not only do you see the universe through Joe's eyes, but you also contemplate our place in it.” - Christian O'Mahony, Principal Wentworth GalleryARTIST'S STATEMENT Music and art are my passions. I like making the invisible, visible, and the unimaginable, real. The image on a canvas, or, an electric guitar for that matter, can make you feel something unexpected and revealing, something that is the beginning of a greater personal insight. Challenging the straight line and the concepts of what belongs with what excites me. I want to experience new color combinations to make me see beyond the prevailing reality. There's a balance between seriousness and humor that can imbue in a painting a kind of resilience and longevity, making it forever contemporary. When I paint and play my guitar, I strive to be in a state of exhilaration and communicate that feeling to my fans. - Joe SatrianiHe released his 19th studio album, The Elephants of Mars in April 2022.Satriani has appeared in motion pictures such as Christopher Guest's 2006 release, "For Your Consideration", and the 2011 Brad Pitt starrer, "Moneyball". Through the years, he has designed and endorsed guitars, amplifiers and effects pedals for Ibanez, Marshall and Vox. His JS Series of guitars through Ibanez has been one of the company's most popular and consistent sellers.As an artist, Satriani released his first collection, “Radiant Collection,” in the summer of 2019 with “Radiant Echoes Collection” following closely in 2020, both receiving both critical and fan praise. The first two collections were created in part from Joe's performance on the fretboard. He utilized a glove developed by SceneFOUR that uses light to chronicle his movement on the fretboard and translate it into abstract artwork before taking the canvases back to his home studio and adding paint. These original canvases caught the eye of Wentworth Galleries and Satriani began to develop one-of-a-kind works for a debut showing in Florida. This is Satriani's first foray into the world of a touring artist.About Wentworth GalleryAs the leading fine art retailer in the United States with 10 locations, Wentworth Gallery features a wide selection of original artwork, limited editions and sculptures from the world's most acclaimed artists. In addition to representing highly collected and heralded artists Peter Max, Mr. Brainwash, Charles Fazzino, Michael Godard, and Romero Britto, Wentworth Gallery exclusively represents artists Paul Stanley from KISS, Rick Allen from Def Leppard, Mickey Hart from The Grateful Dead, Michael Cartellone from Lynyrd Skynyrd, and Brian Wheat from Tesla in their visual artwork. Their website, wentworthgallery.com provides information on featured artists, upcoming exhibits, online orders and directions to the nearest Wentworth Gallery; or call 800-732-6140.
Matteo hails from the far-away island of Sicily, born in 1996 and raised outside Palermo, had his family relocated to the US, he might well be the best kept secret in the lineage of great Italian- American players like Zappa, Vai, Satriani, Di Meola, Petrucci, Gambale etc.Back in the 70's, his father Vincenzo Mancuso made a name for himself as gifted session player on the domestic scene; it was definitely him Matteo looked up to as a primary source of inspiration growing up. While still in high school (of music), he picked up classical guitar and transverse flute, it didn't take long for everyone around to understand that a kid prodigy was blooming.Before long, just turned 12 years of age, Matteo takes his first steps on stage at a local jazz festival and since then his acquaintance with live performances turns into confidence and develops through various line-ups and interactions with top local musicians, including a duo with his dad spanning the complexities of Django Reinhart's repertoire as well as contemporary jazz classics.https://www.matteomancuso.net/Thanks for listening for more information or to listen to other podcasts or watch YouTube videos click on this link >https://thetroutshow.com/
Discover Where the Money's Hiding in the Music Business in 2023: https://MusicReboot.com On this Gregg Bissonette Interview: Gregg Bissonette's played with David Lee Roth, Ringo Starr, Steve Lukather, Don Henley, Carlos Santana, Jeff Lynne & ELO, Steve Vai, Ty Tabor, Andy Summers, Paul Gilbert, Joe Satriani, Frank Gambale, Steve Stevens, Gary Hoey, Ritchie Kotzen, Andy Summers, Brian Setzer, Tab Benoit, Larry Carlton, loads of others. Also on MANY TV and movie soundtracks Support this show: https://www.everyonelovesguitar.com/support Stories about playing with Ringo Starr, DLR, Santana, Lyle Workman… his 3 top musical experiences, a gig that was initially out of his comfort zone, favorite thing in the world to do, procrastination, work ethic, an unusual side hustle he had to do when he moved to LA, learning when to hold back and much more. AMAZINGLY cool guy! Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Cool Guitar & Music T-Shirts, ELG Merch!: https://www.GuitarMerch.com
Aerosmith is a band in two acts. They were a highly successful group in the 70's, but arguments and drugs left the band a shade of its former self by 1980. A second chance was presented when the crossover collaboration between Aerosmith and Run-D.M.C. on "Walk this Way" became a number 4 US hit in 1986. The bad went into drug rehab at the insistence of manager Tim Collins, and had a major hit with their ninth studio album "Permanent Vacation."Aerosmith demonstrated that their second act was not just a fluke with their tenth studio album, Pump, which was even more successful than Permanent Vacation. This was a significant comeback, re-establishing the band as one of rock's premier acts. The album was polished and energetic, combining a gritty hard rock sound with pop sensibilities. The album was not only a commercial success, peaking at number 5 on the US charts and being certified 7x platinum by 1995, but was also a critical success, landing Aerosmith their first Grammy for "Janie's Got a Gun." Pump was the fourth best-selling album of the year 1990.The band lineup for this album had Steven Tyler on vocals, keyboards, and harmonica, Joe Perry on guitar and backing vocals, Brad Whitford on guitar, Tom Hamiilton on bass, and Joey Kramer on drums. Guitarist Brad Whitford explained the album title on a 1989 MTV special by saying "now that we're off drugs, we're all pumped up." John Lynch brings us this stellar rock and pop sensation this week. Water Song/Janie's Got a GunA 10-second instrumental called "Water Song" precedes the song written by Steven Tyler and Tom Hamilton. The second single from the album went to number 4 on the Billboard Hot 100. It describes the revenge of a young woman for the childhood abuse she experienced. Aerosmith won the 1990 Grammy Award for Best Rock Performance by a Duo or Group with Vocal for this song.Dulcimer Stomp/The Other SideAnother song with a brief instrumental lead-in, this was the fourth single released from the album. It was written by Jim Vallance and Steven Tyler, with Holland-Dozier-Holland receiving songwriting credit after threatening to file suit over similarities between this and their song "Standing in the Shadows of Love." The lyrics are about a turbulent relationship, with the singer wanting to get past the emotional roller-coaster. Monkey on My BackIt is difficult to find a deep cut on this album, but this is one that was not released as a single. Tyler and Perry wrote this track about the band's struggles with addiction. It was the first song that Tyler and Perry wrote for the album, and it was composed in November 1988 prior to the end of their Permanent Vacation tour.Going Down/Love In an ElevatorA double entendre-laden skit leads in this double entendre-laden song. Tyler and Perry wrote this piece, and it was inspired by an actual experience Steven Tyler had where he was making out with a woman in an elevator and the doors opened. It was nominated for a Grammy in 1990 for Best Hard Rock Performance, but Aerosmith lost out to Living Colour on that one. ENTERTAINMENT TRACK:Theme from the television music performance and dance program “American Bandstand” Dick Clark's music show which premiered in March 1952 had its final show on October 7, 1989. STAFF PICKS:Sowing the Seeds of Love by Tears for FearsBruce brings us a Beatles-esque song from the third Tears for Fears album, "Seeds of Love." It was written by Roland Orzabal and Curt Smith, and hit number 2 on the Billboard Hot 100, their fourth and final entry into the top 10. Orzabal considers it to be the most overtly political song Tears for Fears had written at the time. Big Talk by WarrantRob's staff pick is a rocking tune from glam metal band Warrant's first album, "Dirty Rotten Filthy Stinking Rich." This third single from the album made it to number 30 on the Modern Rock Tracks chart, though it only made it to number 93 on the Billboard Hot 100. The album went to number 10 on the Billboard 200 chart.Pictures of Matchstick Men by Camper Van Beethoven Wayne brings us a cover of the first hit single by Status Quo, released in 1968. This rendition combines elements of pop, ska, punk, folks, alternative, and country. the "Matchstick men" reference is to the paintings of L.S. Lowry, and English painter who depicted Salford, Manchester, and other industrial scenes in his works.It's Not Enough by StarshipLynch's staff pick is the second single released off Starship's third album, the first album after Grace Slick left the band. It went to number 12 on the Billboard charts, the final top 40 hit for the band. This is the sound that most typified the produced sound of the late 80's. INSTRUMENTAL TRACK:Flying In a Blue Dream by the Joe SatrianiThe title track to Satriani's third studio album closes out this week's podcast.
Satch in replay! It's our 200th episode and we are doing it in style with the one and only Joe Satriani. Satriani joins us to talk about his 19th solo album The Elephants of Mars, how he pushes himself to mine new depths of creativity, the types of bandmates he seeks out, an addition to the Ibanez JS range of guitars and more. This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher Follow us on Facebook & Instagram
Welcome to another electrifying episode of the Kenny Aronoff Sessions, where Kenny engages in a captivating conversation with his great friend, the legendary Joe Satriani. Universally acknowledged as one of the world's greatest guitar players, Satriani has left an indelible mark on the world of music with his unique style, sound, and just sheer amount of talent. With an impressive track record of 15 Grammy nominations and over 10 million albums sold, he stands as the best-selling instrumental rock guitarist of all time. Today, Kenny and Joe embark on a fascinating exploration of Satriani's journey from his early days as an athlete and musician to becoming a virtuoso guitarist and visual artist all the way up to his upcoming tour with Kenny. . As their conversation unfolds, it becomes evident that Joe Satriani is not only an extraordinary musician but also a charismatic and collaborative leader and team player. From his early collaborations with Mick Jagger to his experiences as a solo artist and with supergroups like Chickenfoot, Satriani's story is one of resilience, passion, and the pursuit of musical excellence. As Kenny guides the conversation here today, you will come to further appreciate the transformative power of music as well as the importance of discipline and collaboration in achieving success. Just as importantly, you will get to enjoy that rare privilege of witnessing two dedicated friends thoroughly enjoying themselves as they swap stories and a few laughs while reminiscing about their journeys to the top of their respective fields. Prepare to be inspired as you embark upon this thrilling adventure through the life and career of Joe Satriani and learn some of the secrets behind his undisputed musical genius. Episode Highlights: Recording and touring as a band Joe Satriani as both a leader and team player His choice of music over sports Learning the discipline necessary for success Joe's transition from drums to guitar His early musical influences Joe's first records and first concerts The story of his first Steve Miller concert Joe's early bands Choosing to pursue instrumental music His process for writing music Joe's painting career His signature guitars with Ibanez Others using his music The impact of Surfing with the Alien on Joe's life His influence on other successful musicians What keeps Joe motivated Quotes: “Work with what you have to the fullest extent every day, 100%." "You're the team leader, but you're this team player and it's really exceptional." "I'm not a drummer. I'm not cut out to be that guy that keeps everyone together. I might be cut out to float on top." "For us as musicians, we will play one song a million times, and for us, it's a revelation every single time, a new set of revelations." "The explosion of FM radio back then, in the mid to late '60s... I listened to all the singles. That's how I got into Kinks and Dave Clark Five, all the British Invasion stuff." "I still wake up every morning and I want to write what's in my heart. I want to explore the feelings I have and turn them into music." Links: Kenny Aronoff Joe Satriani
Mike Fraser is a name you'll know if you read the liner notes on your favorite rock albums. In fact, his work is already all over your record collection if you like AC/DC, Aerosmith, Metallica, Ozzy, Zeppelin, Bad Company, Rush, Whitesnake, Dio, Journey, Satriani and Slipnot (just to name a few!) Mike's full CV reads like a virtual who's - who of rock and we estimate his name is on half a BILLION records sold! (No joke, and the man literally has no bucket-list of mega-profile names left to work with!!)We Redheads sure love our liner notes so we know Mike as the sonic scientist behind the console for Van Halen's Balance, both VH Best Of discs, both Chickenfoot albums, as well as Sammy's 2013 Sammy & Friends album. Oh, and did we also mention Mike has pretty much been part of AC/DC's complete catalog since 1976??! Beyond all this he's also a down-to-earth dude and brings a great hang!!In this mega-episode your Bo-Hosts hear how a fellow canuck went from entry level studio beginnings to the top of the rock and becoming the man who mic'd Eddie's original Marshall!For more on Mike's insane career please check these out:Mike's professional site:https://mikefrasermix.com/Mike's full credit list and many accomplishments:https://www.allmusic.com/artist/mike-fraser-mn0000479945/creditsMike's 10 Defining Rock records:https://www.musicradar.com/news/guitars/producer-mike-frasers-10-career-defining-records-485780"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=en
This is a test (new uploading technique), but it's also gearhead goodness - all the stuff you like. Safe shopping for online scores? Walkin' Dude flash-fries a water buffalo? Wiring and transpirins' (do all wires matter)? Do you flash the guy who doesn't belong in the #1 lane? If you dig a hole in England, is there a bomb or a skeleton in it? ...And what's more important, your right to privacy or a drone's right to see what you're up to? There's more: the impending unsold army of Ford's nonsensical new Lightning pickups, AI making it up as it goes along, and Vibravoid, Satriani and smushy catalytic-convertor thief deaths (and the Weinermobile).
This is a test (new uploading technique), but it's also gearhead goodness - all the stuff you like. Safe shopping for online scores? Walkin' Dude flash-fries a water buffalo? Wiring and transpirins' (do all wires matter)? Do you flash the guy who doesn't belong in the #1 lane? If you dig a hole in England, is there a bomb or a skeleton in it? ...And what's more important, your right to privacy or a drone's right to see what you're up to? There's more: the impending unsold army of Ford's nonsensical new Lightning pickups, AI making it up as it goes along, and Vibravoid, Satriani and smushy catalytic-convertor thief deaths (and the Weinermobile).
On this episode we sit down with world famous guitarist, Joe Satriani to discuss his new album ‘The Elephants of Mars'. Joe Satriani is an American guitarist, composer, songwriter, and guitar teacher. Early in his career, Satriani worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick; he then went on to have a successful solo music career. He is a 15-time Grammy Award nominee and has sold over 10 million albums, making him the bestselling instrumental rock guitarist of all time. The band for The Elephants of Mars marries players from Satriani's universe both past and present. Legendary drummer Kenny Aronoff (John Fogerty, Smashing Pumpkins) is back for his second consecutive tour of duty with the guitarist following his initial debut on Shapeshifting. Bassist Bryan Beller slips inside the liner notes for the first time since 2015's Shockwave Supernova. Longtime associate Eric Caudieux has been in the Satch orbit since 1998's Crystal Planet and also produced the album, collaborating on the mixes with Greg Koller (Bruce Springsteen, Beyonce). Rai Thistlethwayte is the newest addition, beaming in from overseas where he was splitting his time between Australia and Tasmania. We had a great conversation and hope you enjoy it! A special thank you to our sponsor BeBOLD Bars. Go to www.BeBOLDBars.com and use code BOLD for 20% off your order. Check out our other great, guitar player episodes with Paul Gilbert and Steve Vai!! Visit www.BoDeans.com www.BeBOLDBars.con www.Satriani.com
After the overwhelming success of his “Born to Run” album, Bruce Springsteen's next studio album would take a dramatically different approach. First, Tunnel of Love would be a solo project, and the E. Street Band was not credited as a contributor, though many members of the E. Street Band would be credited individually. Springsteen plays many of the instruments himself, and made use of drum machines and synthesizers on the tracks. Second, the lyrics look inward as Springsteen explores aspects of lost love. Springsteen was reacting to his troubled marriage to actress Julianne Phillips from whom he would receive divorce papers the following year. The divorce was finalized in 1989.Tunnel of Love was a critical and commercial success. Critics would praise the originality of the material and its introspective nature. The album would receive a Grammy award for Best Rock Vocal Performance, Solo at the 1988 Grammy awards. Commercially the album would hit number 1 on the Billboard 200 charts and go triple platinum. Five singles would be released from the album, three of which cracked the top 20 on the Billboard Hot 100 chart.Brian brings us this album for today's podcast. Two FacesThis deeper cut explores how there is a lighter side and a darker side within each of us, and how we can come to hurt the ones we love. The singer prays that the “our love will make the other man go away,” but that other man is a part of us.Brilliant DisguiseThis was the first single released from the album, and it went to number 5 on the Billboard Hot 100 and number 1 on the Mainstream Rock chart. It reflects doubt, first in the singer's lover, and later in the singer himself. The question is whether either has become a stranger to the other.One Step UpThis third single from the album was only released as a single in the U.S. Unlike much of the album, this song was not recorded in Springsteen's home studio, but at A&M Studios in Los Angeles. The song reflects the troubles in Springsteen's marriage. Although Springsteen played all instruments, E Street Band member Patti Scialfa sings backup. Scialfa would marry Springsteen in 1991.Valentine's Day The last song on the album takes a surprisingly upbeat look at relationships, as the singer longs for his love. It's quite a contrast with the other songs on the album. “So hold me close honey say you're forever mine, and tell me you'll be my lonely valentine.” ENTERTAINMENT TRACK:Mess Around by Ray Charles (from the motion picture “Planes, Trains and Automobiles”) With the abundance of Christmas movies, this is an unusual Thanksgiving comedy starring Steve Martin and John Candy trying to get home during the Holiday rush. STAFF PICKS:Time Stand Still by Rush Bruce leads off the staff picks with the first single from Rush's 12th studio album “Hold Your Fire.” The lyrics were inspired by Neal Peart's time in the band as he reflects on the things he missed while spending time on the road. 'Til Tuesday's lead singer and bassist Aimee Mann contributes backing vocals on this song. Hazy Shade of Winter by The BanglesWayne brings us a cover with a much faster beat than the original Simon and Garfunkel version. This song appeared on the soundtrack for the motion picture “Less Than Zero.” The Bangles had covered this song since 1983, and offered it to the movie rather than writing a new piece. The Bangle's version peaked at number 2 on the charts.Give to Live by Sammy Hagar The Red Rocker was still under contract for a solo album despite joining Van Halen, and Rob features this single off the album that fulfilled his commitment. Tidbit: Eddie Van Halen plays bass on this album.Little Lies by Fleetwood MacBrian finishes off the staff picks with a hit from the album “Tango In the Night.” Keyboardist Christine McVie takes her turn on lead with this song written by her and her husband at the time, Eddy Quintela. The idea is that sometimes little lies are easier to take than the truth. INSTRUMENTAL TRACK:Midnight by Joe SatrianiThis is an instrumental selection from Satriani's album “Surfing With the Alien,” released in 1987.
“Supergroup” is a tired, overused term in music. However, when musical aces like guitarist https://www.premierguitar.com/artists/guthrie-govan-the-linguist (Guthrie Govan), bassist Bryan Beller, and drummer Marco Minnemann jam… they are an unrivaled force of nature. Each player has a remarkable resume: Govan has worked with https://www.premierguitar.com/artists/guitarists/porcupine-tree (Steven Wilson), Hans Zimmer, and Asia; Beller with https://www.premierguitar.com/artists/guitarists/joe-satriani (Satriani), https://www.premierguitar.com/artists/guitarists/steve-vai (Vai), https://www.premierguitar.com/artists/brendon-small-sh-t-i-couldnt-do-a-year-ago (Dethklok), and https://www.premierguitar.com/gear/rig-rundown-dweezil-zappa (Dweezil Zappa); and Minnemann with the Mute Gods, Trey Gunn, H-Blockx, and Mike Keneally—among many others. What makes a supergroup novel is generally the collective's previous endeavors and collaborations. The magic with these three cats is that their superpowers combine to become a flashy and fluent highflying act. Formed unceremoniously for a performance at the 2011 Anaheim NAMM Show, this tremendously talented trio has released nine albums (five studio and four live) in 11 years. The attraction for both the audience and the band is the same: variety. In any given performance, you can hear them shift from Return to Forever to https://www.premierguitar.com/gear/rig-rundown-yes-steve-howe-and-chris-squire (Yes) to https://www.premierguitar.com/gear/rig-rundown-king-crimsons-robert-fripp (King Crimson) to https://www.premierguitar.com/videos/the-big-5/steve-vai (Vai) to https://www.premierguitar.com/videos/rig-rundowns/tom-morello (Rage) to Funkadelic to moments of deranged Zappa. “We've been a pretty strange, eclectic band to begin with, as the music we do tips our hats to a lot of different styles,” notes Govan. “All I've ever done over the years I've been playing guitar is to just listen to everything around me and absorb the aspects of it that I liked. I've never felt an urge to specialize. I'm happy to keep combining whatever flavorings I like and rolling them all together.” The result: These three executive chefs put on a spicy clinic that would even please Gordon Ramsay. The Aristocrats' headlining 2022 run landed at Nashville's City Winery on July 27. Before the musical throwdown commenced, PG's Chris Kies hosted conversations that covered Beller's booming setup, including some old favorites and recovered friends (via social-media sleuthing), while Govan focused on detailing the slight-but-crucial changes to his signature Charvel and explaining his live tonal evolution—modernized with an all-encompassing Fractal Audio unit. [Brought to you by D'Addario XPND Pedalboard: https://ddar.io/xpnd.rr%5D (https://ddar.io/xpnd.rr])
Inspired the by the studies of UFOs, aliens and the artifacts of in our solar system, PYRAMIDS ON MARS is an embodiment of spacey music that brings both worlds together as both a musical concept, and message to the world of the alien presence. Formed in 2011, PYRAMIDS ON MARS is the solo creation of guitarist Kevin Estrella who offers an aural palette of intense, emotional, 3-dimensional, heavy and melodic progressive rock/ metal that includes a range of influences such as classical music from Baroque composers J.S Bach and Antonio Vivaldi along with today's guitar virtuosos Yngwie Malmsteen and Joe Satriani.Kevin's musical style is very similar to world renowned rock guitarist Joe Satriani. So much Kevin has nicknamed himself the "Satriani of the North." Of course Satriani is a huge influence on me," he says. "But he (Satriani) does more of a bluesy thing. I am more influenced by classical music. I absolutely love Baroque. Baroque classical composers J.S Bach and Antonio Vivaldi are my biggest musical influences and a complete paradigm shift for me, the way I think about melody and harmony that is. I spent 3 years in fact, studying classical guitar. Mix my classical influences with all the bands I grew up listening to like Rush, Iron Maiden, Metallica, Ministry, Pink Floyd for example and bands like Meshuggah, I am a blend of it all. And much more.."Support this show http://supporter.acast.com/houseofmysteryradio. See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/houseofmysteryradio.
https://linktr.ee/AristocratsBand Website: the-aristocrats-band.com Facebook: facebook.com/aristocratsband Twitter: twitter.com/acratsband YouTube: youtube.com/user/aristocratsbandboing Instagram: instagram.com/thearistocratsband/ Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists. He's been Joe Satriani's touring bassist since 2013, and also tracked Satriani's complete 2022 album The Elephants Of Mars. He was Steve Vai's choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse. He's been a musical partner of freak/genius guitarist Mike Keneally for over 20 years and 10 albums. On his own Bryan's 2019 solo release – the progressive concept double album Scenes From The Flood featuring Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, and many more – was hailed by multiple outlets as an instant classic. In the power super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums) he's a part of one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart.
The Deep Purple Podcast Show Notes Episode #159 Squares May 2, 2022 Subscribe at Apple Podcasts, Stitcher, Google Podcasts, Overcast, Pocket Casts, Anchor.fm, Breaker, PodBean, RadioPublic, Amazon Music, or search in your favorite podcatcher! How To Support Our Show: Leave us a 5-Star Review on Apple Podcasts Buy Merch at Our Etsy Store! Become a Patron on Patreon Donate on Paypal (Donate one time or click “make this a monthly donation” box) Donate to $DPPOD Using Cash App Brendan Ashbrook - Logo Designer Welcome Our Newest Patron(s): Jon Kines – PATRON UPGRADE! Thanks to Our Executive Level Patrons: Deep Dive Podcast Network: Deep Dive Podcast Network http://deepdivepodcastnetwork.com/ Twitter: https://twitter.com/deepdivepodnet Personnel: Bass, Vocals – Andy Milton Drums, Vocals – Jeff Campitelli Guitar, Vocals – Joe Satriani Neil Sheehan Technical: Executive-Producer – Joe Satriani Management [Artist Representation/Management] – Mick Brigden, Morty Wiggins Producer, Mixed By, Recorded By – John Cuniberti Lacquer Cut By – HL* Album Art & Booklet Review Design [Package Design] – Ryan Corey Photography By [Album Cover Photo] – haygoodbros Thanks to Our Core Level Patrons: Album Tracks: First 10 tracks credited to Campitelli, Milton, Satriani, Sheehan. Track 11 credited to Written-By – Barry Mann, Larry Kolber. Give It Up Everybody's Girl B-Side Girl I Need A Lot Of Love Can't Take It Anymore So Used Up You Can Light The Way Tonight Never Let It Get You Down Follow That Heart I Love How You Love Me Thanks To Our Foundation Level Patrons: Listener Mail/Comments Comments about the show? Things you'd like us to cover? We'd love to hear from you. Send us an email at info@deeppurplepodcast.com or @ us on Twitter, Facebook, or Instagram.
It's our 200th episode and we are doing it in style with the one and only Joe Satriani. Satriani joins us to talk about his 19th solo album The Elephants of Mars, how he pushes himself to mine new depths of creativity, the types of bandmates he seeks out, an addition to the Ibanez JS range of guitars and more. This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher Follow us on Facebook & Instagram Buy a T-Shirt! Contact us at guitarspeakpodcast@gmail.com This episode is brought to you by Fretboard Biology - the online guitar college created by Joe Elliott, ex head of guitar at GIT and McNally Smith Music College. Fretboard Biology Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast #40 - Joe Elliott Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher Follow us on Facebook & Instagram Buy a T-Shirt! Contact us at guitarspeakpodcast@gmail.com
Guitarist Joe Satriani comes on the Goldmine Podcast to talk about his fine artwork —abstract painting — and how this creativity works with the guitar playing he is known for. Satriani is working with Wentworth Gallery and those interested in viewing and buying his artwork can go to wentworthgallery.com.. In fact, you can find out on this particular podcast where to view Joe's artwork in-person at Wentworth Gallery exhibits for Joe's current gallery tour. It's a fascinating listen and worth checking out for art and music lovers.
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