Podcasts about Lonely Nights

John's Old Time Radio Show R. CRUMB'S RECORD ROOM PT. 76 “Great dance Orchestra records from R Crumb’s collection”. Featuring John Heneghan, Eden Brower & Robert Crumb, who play fabulous music from the fabulous 78 rpm record collection of R. Crumb's record room in France. If You Can’t Land Her In The Old Veranda – Cliff Edwards “Ukulele Ike” Happy Days & Lonely Nights – Charlie Fry & his Million Dollar Pier Orchestra Hey Mister, Have You Met Rosie’s SIster? – Don Bestor and his Orchestra I’ll Fly To Hawaii – Gowan’s Rhapsody Makers Be My Baby – Blue Steele Orchestra I Ain’t Got No Gal Now – Phil Baxter and his Orchestra Scorchin’ – Joe Ward’s Swanee Club Orchestra Who Wouldn’t Be Jealous Of You? – Bill Hogan and His Pere Marquette Hotel Orch. Angry – Henry Thies & His Castle Farm Orch. Do Something – McKinney’s Cotton Pickers Sweet Ella Mae – Earl Hines Orchestra John Heneghan & Robert Crumb New LP comp on Jalopy Records! CLIFF EDWARDS Phil Baxter & his Orchestra Earl Hines & his Orchestra Don Bestor’s Orchestra

We love DIFF. We think it's one of the top (and one of the most underrated) film festivals in the country. But even great film festivals have bad days. Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Fort Worth Film Club and Reel House screenings and events at reelhousefoundation.org and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_  

Blues From The Ouse is a weekly blues music podcast featuring the best in classic blues, modern blues and British blues.Episode 314 features new blues releases, listener requests and blues guitar legends in a two-hour blues radio show.New music includes tracks from Spencer Mackenzie, Marc Broussard and Tedeschi Trucks Band.The show explores blues themes of hard times and redemption with music from Robert Cray, Cedric Burnside and Magic Slim.Listener requests feature a wide range of blues styles including acoustic blues, electric blues and blues rock.Artists include:Tracy ChapmanChris ReaJohnny LangThe show finishes with blues masters including:Stevie Ray VaughanJohnny WinterDuke RobillardBlues From The Ouse is a weekly blues radio show and podcast featuring:Classic BluesModern BluesBritish BluesChicago BluesBlues RockBlues GuitarIf you enjoy blues guitar, blues rock and traditional blues music, this podcast is for you.New episodes every week.Blues From The Ouse #314 Playlist:Spencer Mackenzie - Frozen Hearts - 00:02:01Marc Broussard - Fever - 00:08:00Paul Gemmell & The Black Magic Blues Band - Together We Are Strong - 00:12:15Tedeschi Trucks Band - Who Am I - 00:17:11The Robert Cray Band - The Forecast (Calls For Pain) - 00:22:23Cedric Burnside - Hard To Stay Cool - 00:27:09Magic Slim & The Teardrops - Hard Luck Blues - 00:31:22 Junior Kimbrough and the Soul Blues Boys - Sad Days, Lonely Nights - 00:36:27Southern Avenue - Rum Boogie - 00:40:59Roomful Of Blues - Turn It In, Turn It Up! - 00:44:22Marcus King - The Well - 00:47:47The Meters - Cissy Strut - 00:50:33Tracy Chapman - Give Me One Reason - 00:55:02Robert Finley - Get It While You Can - 01:01:33Joakim Tinderholt & His Band - I Got Loaded - 01:04:06Alex Voysey - Whiskey and Wine - 01:08:06Chris Rea - Nineties Blues - 01:12:12Johnny Winter - Be Careful With A Fool - 01:20:06Black Stone Cherry - Built For Comfort - 01:25:19Jonny Lang - Lie To Me - 01:30:34Stevie Ray Vaughan - Texas Flood - 01:34:42 Big Wolf Band - Living On Borrowed Time - 01:39:39Duke Robillard - Cookin' - 01:43:16blues podcast, blues music podcast, best blues podcast, blues radio, blues radio show, modern blues, classic blues, British blues, blues guitar, blues rock, Chicago blues, electric blues, blues music, weekly blues podcastBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

In tonight's mini meditation, Karissa offers gentle company for those quiet hours that can feel a little too still. If the silence of the night feels heavy or lonely, this short practice wraps you in a warm circle of imagined support - reminding you that you are cared for, even from afar. Join Sleep Wave Premium ✨ in just two taps! Enjoy 2 bonus episodes a month plus all episodes ad-free and show your support to Karissa. Upgrade via our show page on Apple, or via this link for all other players ➡️ https://sleepwave.supercast.com/ Love the Sleep Wave Podcast? Please hit follow & leave a review ⭐️ How are we doing with Sleep Wave? Click here to let us know

O Dia dos Namorados está chegando! Bem, não é o nosso 12 de Junho, mas em vários lugares do mundo, é no 14 de Fevereiro, Dia de São Valentim, que os namorados comemoram, e é claro que a gente não ia ficar de fora!! ✅ Procurando um curso de inglês passo a passo? VENHA PARA O CURSO INTENSIVO

This week on Blues From The Ouse, we explore how the blues is passed down through brothers, bloodlines, and generations, alongside a powerful selection of brand-new releases and listener-chosen favourites.We open the show with the latest new blues releases, including Lil' Magic Sam, Ross Neilson, Mississippi Shakedown, and Angel Ocasio Jr., showcasing modern blues from the USA, Canada and Australia — from gritty Chicago grooves to roots-soaked soul and lap-steel blues.In our first themed feature, Brothers in Blues, we bring together siblings who share more than just a surname — including The Delgado Brothers, The Cinelli Brothers, Robben Ford and the Ford Blues Band, and the legendary Butler Twins — highlighting how family chemistry shapes blues music across continents and decades.We then dig deeper into blues heritage in Bloodlines, featuring artists who followed legendary parents into the blues — including Devon Allman, Big Bill Morganfield (son of Muddy Waters), and Ronnie Baker Brooks (son of Lonnie Brooks), tracing how blues history continues through the generations.Hour two is all about you, with listener requests ranging from Lonnie Brooks and Elles Bailey to The Rolling Stones, Dogshark, Marcus King, and more — plus a packed gig round-up covering York, Leeds, Harrogate, Darlington, Beverley and beyond, including DC Blues, Ryedale Blues Club, Leeds Blues Club and the upcoming York Blues Festival.We wind the night down with modern blues favourites from Joanne Shaw Taylor, Kirk Fletcher, Larry McCray, and a high-energy instrumental from Stevie Ray Vaughan & Double Trouble to close the show.Blues From The Ouse is your weekly home for UK blues, classic blues, modern blues, deep cuts, blues heritage, new releases and grassroots gigs — broadcast on Jorvik Radio and available worldwide as a podcast.Hosted by Paul Winn, Ben Darwin & Angie Howe

In this episode, we share soothing affirmations to bring warmth and comfort during lonely nights. We invite calm, compassion, and the reminder that you are never truly alone.https://selfpause.com/app/

Canadian singer and composer Patrick Watson has been making records for almost a quarter century – with a cinematic blend of indie rock, cabaret pop, and chamber music that has made him a favorite of film directors and music supervisors.  His latest record, Uh Oh, is the result of a pretty big uh-oh moment for a singer: Watson lost his voice. He thought it was broken forever, and wrote a collection of songs and collaborations with other people - voices that he wanted to hear: among them the artists Charlotte Cardin, La Force, Martha Wainwright, and Klô Pelgag. Luckily, Watson managed to get his voice back;  he performs in-studio with his frequent collaborator, the singer/songwriter La Force.Set List: 1. Lonely Nights 2. Peter and the Wolf 3. House on Fire

There's no lead singer in Trousdale. The trio of Quinn D'Andrea, Georgia Greene, and Lauren Jones, has shared vocal duties equally since they started singing together as students at the University of Southern California's Thornton School of Music. Since then, they've touring the world and released a sophomore album, Growing Pains, that features the trio's impeccable harmonies over 70s-inflected country-rock grooves. In this episode, Trousdale returns to their alma mater to play acoustic versions of "Growing Pains" and "Secondhand Smoke" and then speak to Professor Nate (plus an audience of music students) about how they forged their indivisible sound. Songs Discussed Trousdale - Growing Pains, Over and Over, Lonely Nights, Movie Star Jackson Browne - Doctor My Eyes MIKA - Grace Kelly Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lonely Nights is a deep house music podcast. Please check out this great deep house music. Artist names and song titles are in order of play...NOX VAHN-COME TOGETHER, ELLROY-INSECURE, SELF-EXPLANETORY-GET DOWN, MATT SCHULZ-FALSEHOOD, MAX COHLE-PATIENTLY, KELLERKIND-COSMIC DANCE, HOUSSIE M-MAKE ME FEEL, STELLARS-GITANA, EVREN FURTUNA-AURORA, BDTOM-NOUMENA, DILBY-LAST WORD, ALEX RANERRO-TRIANGULAR, MELCHIOR SULTANA-STORY, DILBY-CROP CIRCLES, CHRIS SCHWARZWALDER-MAGMA, ANTON LANSKI-1200KM, JONAS SAALBACH-VITAL SIGNS, ANTHONY MIDDLETON-THE WAY IT WAS. End. Thanks for listening to Ken Steele. Please click like and follow. 

Singer-songwriter Cecilia Castleman, 23, continues to captivate audiences with her introspective songwriting and mesmerizing performances. With a string of recent accomplishments under her belt, including a successful tour alongside Patrick Droney last fall and a collaboration with Benjamin FrancisLeftwich set to release on May 31st, Cecilia is poised for a groundbreaking year.In addition to her touring success, Cecilia's influence extends to the digital realm, with a Rick Beato video featuring her work amassing over 780k views. Her debut single, "Lonely Nights," garnered widespread acclaim after being premiered by Apple's Zane Lowe and Atwood Magazine hailed it as an "utterly irresistible delight." Furthermore, her dynamic guitar playing has drawn praise from none other than John Mayer himself.Cecilia's debut album, released this year under indie powerhouse Glassnote Records, showcases her timeless sound inspired by musical greats such as The Beatles, Fleetwood Mac, and Bonnie Raitt. Her talent has not gone unnoticed in the industry, as evidenced by her inclusion in Fender Next's Class of 2023. Moreover, Cecilia has shared stages with some of the most respected names in music, opening for Hozier, Teskey Brothers, Inhaler, Sheryl Crow, and Melissa Etheridge. Her music has also found its way into the hearts of viewers through syncs with HBO MAX, Netflix, and the feature film "Everybody." As she continues to carve her path in the music world, Cecilia Castleman remains a beacon of authenticity, with each song serving as a heartfelt letter to herself and her listeners alike.https://www.instagram.com/ceciliacastleman/?hl=enhttps://www.facebook.com/ceciliacastlemanmusic/https://www.youtube.com/@ceciliacastleman"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

When was the last time you felt fully present with someone you love? Brian was known as “the happy hour guy” among friends and colleagues. But when his dad passed away at age 57, he began reflecting on his health and how he was living. As his mom's health declined soon after, he chose to take a break from drinking to be more present with her. That pause led to surprising changes including better sleep, more energy, and improved health. He stayed fully present for his mom when it mattered most. Along the way, he found a version of life that simply felt better. In this episode, Brian joins Annie to discuss navigating two losses, the impact of alcohol on health and wellbeing, and why you don't need to hit rock bottom to make a change. In this episode, Annie and Brian will discuss: - Drinking in high school and college to socialize - Building a work and social life around happy hour - Using alcohol to cope with boredom and loneliness - Questioning his habits after losing his dad - Noticing alcohol's impact on health and energy - Changing habits, regaining sleep, health and clarity - Being fully present for his mom's final years - Grieving his mom without numbing the pain - Finding deeper, more genuine connections - Making healthier choices before hitting rock bottom - Why curiosity, not willpower leads to lasting change - Guiding others toward informed, empowered choices - Overcoming the fears of changing alcohol habits - Creating a happy, healthy, and purposeful life - And other topics… Related Episodes: EP 262: Reader Question – How Do I Deal with Death and Grief Without Alcohol? https://thisnakedmind.com/ep-262-reader-question-grief-without-alcohol/  EP 308: Reader Question – What are the Health Benefits When You Stop Drinking? https://thisnakedmind.com/ep-308-reader-question-what-are-the-health-benefits-when-you-stop-drinking/  EP 362: Reader Question – Will I Ever Have Fun Without Drinking Alcohol? https://thisnakedmind.com/ep-362-reader-question-will-i-ever-have-fun-without-drinking-alcohol/  Ready to take the next step on your journey?  Visit https://learn.thisnakedmind.com/podcast-resources for free resources, programs, and more. Until next week, stay curious!

There are obvious perks of living alone, including learning how to be your own company, knowing yourself on a deeper level, having your own routine/schedule without disruption... Nonetheless, what can you do when loneliness has taken over? To the brave souls who moved abroad alone, how did you cope being away with all your ties and loved ones? Tune in and join us in this convo! "Can You Live Alone?" Navigating Lonely Nights | UnlabellingEffect S7EP10 If you are new to our podcast, the Unlabelling Effect, our very warm welcome! We are Melody, Rita and Vivian, three distinctive women daringly diving into some taboos to normalise some uncomfortable yet vital conversations. By disrupting the fear of opening up about one‘s vulnerability and insecurities, we hope to develop a self-empowering and growing mindset collectively

¡Bienvenidos a Vinyl Radio! En este episodio, exploramos la increíble trayectoria de Bryan Adams. Desde sus inicios en Kingston, Ontario, hasta convertirse en una leyenda del rock, su viaje es inspirador y lleno de éxitos.

Recording artist, actor, and mental health advocate Bo Baskoro shares his journey, touching upon his upbringing in a single-parent household within a conservative community and how it shaped his personal narrative. He also shares how a tumor discovery led to connecting with family he did not know. Major Takeaways:Navigating Single-Parent Household Challenges: Bo sheds light on growing up without a father and how societal expectations influenced his perception of self and identity.Embracing Vulnerability through Storytelling: Bo emphasizes the importance of sharing personal struggles, which helped him connect with others and proved therapeutic.Pursuing Passions: Bo's recent move to Los Angeles to pursue acting and voice acting signifies the importance of chasing dreams and making life-changing decisions.Navigating Single-Parent Household Challenges: Bo's upbringing without a father in a conservative community played a defining role in shaping his identity. He elaborates how societal judgments and stereotypes projected onto his family influenced his understanding of self and family.Embracing Vulnerability through Storytelling: Bo underscores the transformative power of sharing personal narratives. He shares how opening up about his personal struggles enabled him to connect with others and proved to be therapeutic.Pursuing Passions: Bo's transition into acting and voice acting highlights the importance of pursuing personal passions. He shares the significance of fulfilling his long-held dreams and how they led him to significant changes.Bo Baskoro is a passionate recording artist, actor, and mental health advocate from the Pacific Northwest. His music is known for its percussive ear candy, honest lyrics, and energizing production. The now LA-based artist exudes a nostalgic sound that seamlessly captures who he is at the core, as his Indonesian heritage comes through in his unique musical perspective. The Portland native has always marched to the beat of his own drum. His original songs have amassed over 6 million streams on Spotify. His latest, “The Lonely Nights,” is an emotionally charged track about the mixed emotions that come at the end of a relationship. Socials: @bobaskoroWebsite: www.bobaskoro.comResources: To listen in on more conversations about pivotal moments that changed lives forever, subscribe to "The Life Shift" on Apple Podcasts or wherever you listen to podcasts. If you enjoyed this episode, please take a moment to rate the show 5 stars and leave a review! ⭐️⭐️⭐️⭐️⭐️Access ad-free episodes released two days early and bonus episodes with past guests through Patreon.https://patreon.com/thelifeshiftpodcastConnect with me:Instagram: www.instagram.com/thelifeshiftpodcastFacebook: www.facebook.com/thelifeshiftpodcastYouTube: https://bit.ly/thelifeshift_youtubeTwitter: www.twitter.com/thelifeshiftpodLinkedIn:

We all get lonely sometimes, especially on a quiet night in – dinner for one in front of the telly. Try this meditation to soothe the pang of loneliness and find some peace in your solitude tonight.  LINKS Follow @novapodcastsofficial on Instagram CREDITS Host: Casey Donovan @caseydonovan88 Writer: Amy Molloy @amymolloy Executive Producer: Anna HenvestProducer: Adair SheppardEditor: Adrian Walton  Listen to more great podcasts at novapodcasts.com.au   See omnystudio.com/listener for privacy information.

Joy Division "Dead Souls" We Are Parasols "Body Horror' - Body Horror https://nomovementrecords.com/we-are-parasols Golden Shoals "Jimmy Beam Ain't My Friend" www.goldenshoals.com Krashkarma "Voodoo Devil Drum" www.krashkarma.com Hologramme "Unfold" SOLEDAD opus 32 no.1, https://www.hologramme.mu/ Surprise Chef 'Spiky Boi" - Friendship www.bigcrownrecords.com Brokof "Postcard Of Rome" Blind Spot On The Bright Side Of Life www.brokof.net Crowes Pasture "The Night We Met" - Don't Blink https://crowespastureduo.com/ ********************* Mississippi McDonald "The Devil Wants Repayment" - Heavy State Lovin' Blues https://mississippimacdonald.com/ Danielle Miraglia "Pick Up The Gun" - Bright Shining Stars www.daniellem.com Katie Dahl "Jericho" - Seven Stones https://katiedahlmusic.com/ Claudia Schmidt "Broken Glass" - Reimagining www.claudiaschmidt.com Tom Paxton & John McCutcheon "Invisibe Man" - Together www.folkmusic.com Joselyn & Don "Wayfarer's Son" - Soar https://joselynanddon.com/ Michele Hannan & One Blue Night "Blue Days & Lonely Nights" www.onebluenight.com Terry Klein "Blue Hill Bay" - Leave The Light On https://terrykleinmusic.com Slaid Cleaves "Nature's Darker Laws" - Together Through Th Dark www.slaidcleaves.com Ed Sweeney with Cathy Clasper-Torch "Bury Me Not On The Lone Prairie" - A Sunday Drive https://edsweeneymusic.com/ Closing music: Lou Reed "Halloween Parade" - New York Daniel Johnston "Grievances" - Songs Of Pain Running time: 4 hours, 42 minutes --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiocblue/message Support this podcast: https://podcasters.spotify.com/pod/show/radiocblue/support

It's the Easter Week and we'd love for you to enjoy this poem as you take a break. ;)     This poem is written by Steve Jones, entitled Lonely Nights.   Enjoy!     For anyone who would like to share their poems and want us to read it for you, we are up for it! ;)     Have a great Easter week to those celebrating.     ---------- Websites: https://thepenisproject.org/ https://rshealth.com.au/ https://www.prostaterehabilitation.com/ http://www.menshealthphysiotherapy.com.au/ http://prost.com.au/     Facebook: https://www.facebook.com/Restorativeshealthclinic   Instagram: https://www.instagram.com/rshealth_perth/   Linkedin: https://www.linkedin.com/in/melissa-hadley-barrett/   Music David Mercy https://open.spotify.com/artist/1HbvnltKu4XbWTmk0kpVB9?si=D1xP5dDVQK-zzNU3rViRWg   Producer Thomas Evans: The SOTA Process https://www.instagram.com/thesotaprocess/ https://open.spotify.com/show/4Jf2IYXRlgfsiqNARsY8fi  

FRED & Sanchezz - Lonely Nights Радио версия. SN records.

Всем привет! Новый релиз на SN records от FRED & Sanchezz. Трека называется Lonely Nights и это полная версия для диджеев. Мелодия напоминает Pjanoo, только в другой тональности. Это произошло совершенно случайно в процессе написания. Надеюсь Вам понравился этот легкий, атмосферный трек. Приятного прослушивания!

There's a new gift on the Horizon for when you want to snuggle but don't have a person nearby - the Cuddle Teddy, life-sized Man Bear! Um...

The party makes their way into the Starmetal Hills, in an attempt to find Harsh-Nag. Though the Terrain is not as desolate as the Tundra of the Sword Mountains, they will find its just as unhospitable.

New artist alert! Cecilia Castleman might be the best artist you haven't heard yet. Her debut single Lonely Nights was produced by Don Was and it's out now on Glassnote Records. You need to listen. At just 21 years old, Castleman is managed by Paul McCartney's manager Scott Rodger and is signed to Big Yellow Dog. The insiders know about her. So should you.

Head and Banger, superhéroes del rocknroll, una pareja de pinchadiscos que emergió en la noche madrileña para hacer atronar las cabinas de los garitos con cartuchos de punk rock a ritmo de 45rpm. Suya es la sesión musical cocinada para hoy; Playlist; THE CHOIR - ‘It’s Cold Outside’ (Head) THE NECESSARIES - 'Runaway Child (Minors Beware)' (Banger) U.K. SUBS - ‘Keep On Running (Till You Burn)’ (Head) A.P.B. - 'Chain Reaction' (Banger) ROBERT GORDON - ‘Red Hot’ (Head) RAMONES - 'Go Lil' Camaro Go' (Banger) BLEACHED - ‘For the Feel’ (Head) NEW MATH - 'Die Trying' (Banger) PARASITES - ‘Last Caress’ (Head) DAN SARTAIN (Con Jane Wiedlin) - 'Now Now Now' (Banger) LOS VEGETALES - ‘Odio el verano’ (Head) OUTTACONTROLLER - 'Colt Summer' (Banger) RARITO - ‘Los miércoles’ (Head) FIDLAR - 'Got No Money' (Banger) BABY SHAKES - ‘Lonely Nights’ (Head) JOHNNY PALERMO - 'Summer Again' (Banger) Escuchar audio

 | Artist  | Title  | Album Name  | Album Copyright | Ivy Gold  | Six Dust Winds | Ivy Gold  |   |  | Jack's Waterfall  | Soul Rider  | American Roots Project | Jo Ann Kelly  | Sugar Babe  | Do It and More  |  | The Groove Krewe Featuring Nick Daniels III  | Have A Party  | Run to Daylight  |  | Mudlow  | Lower Than Mud  | Bad Turn  |   |  | The Lucky Ones  | Broken Bow Stomp  | Slow Dance, Square Dance, Barn Dance | Danny Bryant  | Alone In The Dark  | Danny Bryant  |  | Katie Webster  | Those Lonely, Lonely Nights  | No Foolin'  |  | Jason Lee McKinney Band  | Doubters Prayer  | One Last Thing  |  | Little Richard  | Jesus Walked This Lonesome Valley  | Little Richard Goes Gospel | Roy Young  | I'm in Love  | John, Paul, George, Dave, Brian, Tony & More; The Birth of the  | Chuck Berry  | You Never Can Tell  | The Blues Collection (Chuck Berry) | Eva Carboni  | Crossed a Line  | Smoke and Mirrors  |  | Sugar Queen And The Straight Blues Band  | I Can't Wait  | Sugar Queen LIVE  |  | Ronny Aagren  | Let's Have Some Fun  | Changes  |   | 

 | Artist  | Title  | Album Name  | Album Copyright | Stacy Jones  | Everything Is Going To Be All Right  | World On Fire  |  | Curtis Johnson  | None Like You  | None Like You [Single] | Son Of Dave  | I'm Going Monkey For Your Love  | Call Me KIng  |  | Debra Power  | The Last Time I Saw Memphis  | I'm Not From Chicago | Blue Touch  | Baby Please Don't Go  | Old, New, Borrowed & Blue | Vaneese Thomas  | Rosalee  | Fight The Good Fight | The Nighthawks  |Nobody  | Established 1972  |  | Trevor Finlay  | Recover  | Get Into It  |  | Katie Webster  | Those Lonely, Lonely Nights  | No Foolin'  |  | Steve Bailey featuring Mississippi MacDonald  | She's My Baby  | Crazy 'Bout You  |  | Washington Phillips  | Washington Phillips Mix  |  | The Soundtracks  | Don't Ever Change  | John, Paul, George, Dave, Brian, Tony & More; The Birth of the  | The Cadillac Kings  | For Richer, For Poorer  | Cadillac Kings  |  | Dean Haitani  | Fairlight Walking  | RED DUST  | 

(Red-band):  Would you rather be a clone or a cyborg? Is there a right way to do the news? Never have something nice to say or never say anything ever again..? All these heady topics and more in this episode of 1000? Sensibility Content Warning. Towards the end of the episode the triggering topic of suicide is discussed. Listener discretion is advised.

The Beach Bums - The Yellow Beret (1966) Did you know Bob Seger was such a right-wing nut job?  The song is a parody of The Ballad Of The Green Berets by Barry Sadler, a huge hit in February 1966, reaching #1 on the Billboard Hot 100, Cashbox, and Billboard Adult Contemporary charts, as well as #2 on the Country charts. It sold over two million copies in just the first two weeks. This song is a stark contrast to Seger's better-known ANTI-Viet Nam song, "2 + 2 + ? " released just 2 years later.  As you know, Seger finally hit the big time with Ramblin' Gamblin' Man in 1969, but what you might NOT know is that future Eagle Glenn Frey played acoustic guitar and sang backing vocals on Ramblin' Gamblin' Man.  Bob Seger - The Famous Final Scene (1977) My favorite song of his.  Wings - Give Ireland Back To The Irish (1972)  John Lennon - The Luck Of The Irish (1972)  Gilbert Neal and Ken Ray Wilemon - Photograph (2017) Gilbert Neal and Ken Ray Wilemon - Give Me Love (2017)  Johnny "Guitar" Watson - I Wanna Ta Ta You, Baby (1976) Johnny "Guitar" Watson - Superman Lover (1976) Zappa on Watson:  "Watson, he's the original minimalist guitar player. The solo on "Lonely Nights," the one-note guitar solo? Says it all! Gets the point across. I can remember guitar players in high school learning that solo and just going, "But how does he get it to sound that way?" It really was one note. If you can play that note against those chord changes and derive the same emotional impact that he got from playing that note, then you're onto something. He can make that one be so nasty. You know, like, "What's behind that note? What is the mode? Why are you continuing to play the tonic when the dominant chord comes around? Are you goin' like this [gestures with his middle finger in the F-you" position] with your playing or what?" You have to learn how to do that. (...)generally the people who write about music don't know music. Anybody can tell whether these four notes are faster than these four notes. But what does it take to listen to Johnny Guitar Watson's one note, and know that he's doin' that? Did you ever point that out to a reader? Did you ever get across that there's something more to it than rilly-rilly-ree?" Johnny "Guitar" Watson - It's All About the Dollar Bill  (1977) "Distributed by Amherst Records, 355 Harlem Road, Buffalo (West Seneca, really), NY, 14224" which was about .25 miles from where I grew up. They would occasionally have cut-out sales in that warehouse. I bought an American "Greatest Hits" album by The Move, but it was so cheaply packaged and sounded terrible.  Gilbert Neal and Ken Ray Wilemon - This Guy's In Love In With Guy (2017) Gilbert Neal and Ken Ray Wilemon -  Come Sail Away (2017) O C Smith - La La Peace Song (1974) The Equals - Black Skinned, Blue-Eyed Boys (1970) Written by Eddie Grant of "Electric Avenue" fame.  The Revox Singers - The Woodstock Message (1969?) An anti-war single from around that time. I think it was a song-poem. In other words, someone sent a poem to a "boutique" record company (in this case, Aladdin Records out of Chicago) and they wrote accompaniment.  Percy Mayfield - Walking On A Tightrope (1969) Percy Mayfield - I Don't Want To Be President (1974) Discogs:  US R&B vocalist and composer (b. August 12, 1920, Minden, Louisiana, d. August 11, 1984, Los Angeles, CA) Though maybe mostly known for penning the classic "Hit the Road, Jack", Mayfield himself was a major performer for the Specialty label in the first half of the 50s delivering slow blues ballads with his smoky voice reminiscent of Charles Brown. His biggest hit was the 1950 "Please Send Me Someone to Love", an R&B standard covered by many singers since then. The good-looking Mayfield was nearly killed in a 1952 car accident that left his face severely scarred and may have had a limiting effect on his career as a performer. In 1961 Ray Charles made his "Hit The Road, Jack" a major hit, and Mayfield was subsequently hired by Charles's Tangerine Records as a songwriter. After a decade in the background, Mayfield had a comeback and released several albums late 60s to early 70s on Tangerine and RCA. On these albums, Mayfield's smoky baritone voice is often heard accompained by top jazz session-players of the era. Percy Mayfield - Right On, Young Americans (1972) Gilbert Neal and Ken Ray Wilemon - Show Me The Way (2017) Gilbert Neal and Ken Ray Wilemon - Miracles (2017) Gilbert Neal and Ken Ray Wilemon - Fooled Around In Love (2017)  I chose some lesser-known songs from Chuck Berry's post-heyday. Some of the songs on these records are great stories like the great man could do effortlessly.  Chuck Berry - Ma Dear (1965)  Chuck Berry - Bio (1973) Chuck Berry - My Dream (1971)

info@podcastone.com2bd42af4-515f-4537-981a-b5d9647dfcc1Thu, 30 Sep 2021 16:13:50 PDT

Every blues fan knows about the three Kings of the Blues, Albert, BB & Freddie, but we're going to add two more: Saunders King and Earl King. In Part 2 we explore the music and life of Earl King of New Orleans. Earl was a singer, guitarist, songwriter, record producer and mentor to dozens of young New Orleans musicians. He may be best known for his two part record, Come On, also known as Let the Good Times Roll , recorded by Jimi Hendrix and many more.  His first hit was another New Orleans standard, Those Lonely, Lonely Nights, and he's said to have written the classic Big Chief, a tribute to his mother, a well-known Mardi Gras figure. Support the show (https://paypal.me/BFrank53?locale.x=en_US)

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Uriah Heep. es una banda de rock británica con tintes progresivos, formada en Londres en 1969, la cual es considerada como "uno de los grupos más populares de principios de los 70. La banda lanzó varios álbumes muy exitosos comercialmente a principios de los años 1970, como Demons & Wizards (1972), The Magician's Birthday (1972), o Uriah Heep Live (1973), pero su audiencia declinó en los 80, al punto de convertirse esencialmente en un grupo de culto, en los Estados Unidos y en Europa, principalmente. Uriah Heep fue la primera banda de occidente en tocar en la Rusia soviética, bajo la política de Gorbachov, llamada glásnost. Han vendido 40 millones de copias en todo el mundo. Constantes cambios en la banda han dejado al guitarrista Mick Box como único miembro original y líder. Uriah Heep , Surgió a finales de los años sesenta, de las raíces de Spice, banda en la que militaban el mítico vocalista David Byron, y el guitarrista Mick Box, primeros fundadores del grupo. Uriah Heep se convirtió en una verdadera banda pionera del género "Hard rock", aunque destacó por la heterogeneidad de su música, a caballo entre el Hard rock, el estilo progresivo y la épica, en dos de sus álbumes más conocidos: los ya mencionados Demons & Wizards y The Magician's Birthday, a la postre influencias claras para bandas como Helloween y otras seguidoras del rock épico. Se caracterizó, entre otras cosas, por sus constantes cambios de alineación, en la cual el único miembro permanente ha sido el guitarrista Mick Box. En el año 1970, cambiaron su nombre de Spice a Uriah Heep, influenciados por un peculiar personaje de una de las más universales obras de Charles Dickens: David Copperfield. Fue en ese año cuando entraría a formar parte de la banda Ken Hensley, proveniente de la banda psicodélica The Gods, quien se convertiría con el paso del tiempo en verdadera alma, y compositor principal de casi todas las canciones del grupo en su época dorada. Hensley se ocuparía de los teclados, y en ocasiones de la slide guitar. También puso la voz a uno de los mayores éxitos por aquel entonces, "Lady in black". Box, Byron y Hensley se convertirían en los pilares fundamentales de la banda, asistiendo a constantes cambios en el bajo y batería, hasta que en el año 1972 ingresan Gary Thain (bajo) y Lee Kerslake (batería). Hasta entonces habían publicado tres álbumes: Very 'eavy, Very 'humble, en 1970, que supuso un magnífico debut, pero que la crítica defenestró con el argumento de que era una copia descarada de Deep Purple, algo incierto que se podía explicar porque en aquellos tiempos los dos conjuntos llegaron a compartir salas de ensayo, y se dejaron influenciar por el sonido predominante de los teclados de Jon Lord. En poco menos de un año, se resarcieron ante crítica y público con la publicación de Salisbury (1971) y Look at Yourself (1971), disco este último en el que encontraron su sonido característico, como afirmarían más tarde. Las ventas comenzaron a dispararse tanto en su país de origen como en el extranjero, encontrando en países como Alemania, Países Bajos o Japón sus más fieles seguidores. Entonces llegó 1972, con las nuevas y, a la postre, definitivas incorporaciones que enriquecieron el sonido de la banda. La publicación de Demons & Wizards en 1972 les llevó a lo más alto, un disco redondo que bien podría haber sido un trabajo conceptual, ya que sus temas giraban casi en su totalidad en torno a temas alegóricos y llenos de fantasía épica. En este álbum está incluido su mayor hit, "Easy Livin'". Este trabajo encontró la continuidad perfecta en The Magician's Birthday, que salió a la venta a los pocos meses de publicarse el anterior, y que les proveyó de fama definitiva en todo el mundo. El sonido de este último es más progresivo y sigue la temática de álbum conceptual, que comenzó el anterior. La portada de Roger Dean, artista en alza que ya trabajaba con bandas como Yes, contribuyó a realzar, desde el arte gráfico, el trabajo impecable de la grabación. Durante 1973 grabaron el disco Sweet Freedom que supuso otro trabajo redondo, y del cual se desprenden varios clásicos de la banda que se escuchan hasta nuestros días. Ya en 1974, luego de la gira de la cual lanzaron el disco en vivo Uriah Heep Live 1973, grabaron Wonderworld, donde comienzan a alejarse gradualmente del sonido progresivo, apostando por un hard rock más simple y directo. Justamente este disco representaría el último que grabaran con el extinto bajista neozelandés Gary Thain, puesto que sería despedido a principios de 1975, para ser reemplazado por el exbajista y cantante de King Crimson, John Wetton. Ya con Wetton en la banda, lanzan en 1975 Return to Fantasy, un disco donde también hay clásicos, aunque se comienza a notar una baja en el rendimiento general de la banda. En diciembre de 1975, el bajista Gary Thain muere de sobredosis por heroína. En 1976 graban High & Mighty, que sin dudas representa el mayor fracaso de la banda en los 70, debido a las tensiones internas y a que prescindieron de Gerry Bron, su productor habitual, para producirlo ellos mismos. Si bien es sabido que la crítica no suele reconocer en este un buen trabajo, tiene algunos temas destacables, como el clásico "One Way or Another" (que cantase John Wetton), o la balada "Weep in Silence". En medio de la gira de presentación del disco, David Byron fue despedido, a partir de este momento Byron se dedicó a su carrera como solista, hasta su fallecimiento, acaecido en 1985. La banda a mediados de los años 1970, con John Wetton Tras la salida de Byron, Uriah Heep, experimentó diferentes cambios en sus formaciones y en su estilo musical. Más allá, de su Rock progresivo, bien conocido y de su aporte a lo que se llamaría el Hard rock y heavy metal, poco después de la salida de Byron, el grupo modifica su estética y su música, dejando entrever un cambio de rumbo hacia un sonido más comercial, al estilo del AOR con toques de Música disco. Es así como, a finales de 1976, los reemplazos de John Wetton y David Byron, se conforman con la entrada de un bajista procedente de la banda de David Bowie, y el cantante de Lucifer's Friend; ellos eran Trevor Bolder (el bajista que más tiempo estuvo activo en la banda) y John Lawton. Los fanes tardaron en aceptar dicha formación y estilo, de cariz algo comercial, aunque la calidad de sus composiciones los hace ser bien recordados por todos. Los discos Firefly, Innocent Victim y Fallen Angel constituyen la cadena de tres grabaciones de estudio con Lawton y Bolder, más el disco en vivo Live in Europe 1979. Sin embargo, los egos personales de Lawton y Hensley chocaban demasiado, y se opta por despedir a Lawton, dejando otra vez, para 1980, a la banda sin cantante. Es allí cuando los Heep se vieron en la necesidad de conseguir reemplazante, tanto de vocalista como de batería, ya que por diferencias con la producción, el baterista Lee Kerslake había dejado el grupo, marchando a tocar para Ozzy Osbourne. Para 1980 llegan los reemplazos, con John Sloman ex-Lone Star a los vocales y Chris Slade, ex-Manfred Mann's Earth Band a la batería. Esta formación solo grabaría un disco, Conquest (1980), que no sería muy bien recibido por la crítica especializada, pero que sirvió al menos para actualizar el sonido de la banda, y mantenerla viva. Varios de los temas de este disco, fueron probados y grabados con el anterior cantante, John Lawton, entre los cuales se puede destacar "Feelings", "Fools" o "Been Hurt", que también formarían parte de un disco que no fue editado en su momento, luego lanzado como un disco pirata, titulado Ten Miles High. Las diferencias musicales entre la banda y Ken Hensley se acentúan, y este último deja el grupo a mitad de la gira, por lo que los Heep, sin su compositor principal, deben continuar y reclutan para esto -temporalmente- a un viejo conocido de Sloman, Gregg Dechert. Con él graban el sencillo "Think It Over / My Joanna Needs Tunning". A finales de año, Sloman, Slade, Dechert y Bolder (que se iría a tocar en Wishbone Ash) dejan a Mick Box solo, dando así por terminada la primera etapa de Uriah Heep. Durante 1981, Box ofreció algunos conciertos como solista, pero las cartas de diferentes fanes alrededor del mundo, expresando cuan importante era para sus vidas Uriah Heep, le dan a Box la energía necesaria para recomenzar con aquella banda mítica. Es así como recluta al prestigioso bajista (ex-Rainbow) Bob Daisley, y juntos deciden ir a visitar al primer cantante de la banda, David Byron, para ofrecerle nuevamente ese puesto, el cual este rechaza. Aun así, contratan al cantante del grupo Trapeze, Peter Goalby y junto con ellos, vuelve Lee Kerslake e ingresa el tecladista John Sinclair El primer trabajo con esta formación sería Abominog (1982), un disco redondo donde prácticamente todos los temas son clásicos (más una reversión del tema "Think It Over"), y sirven para colocar a Heep con un nuevo sonido, más duro, y cercano a la NWOBHM, no obstante el marcado regusto comercial de ciertos temas. Con este disco y formación, Uriah Heep vuelve a recobrar algo de fama: el siguiente álbum, Head First, seguiría por esa senda con temas muy bien logrados como "Red Lights", "Stay on Top" o "Lonely Nights" que es un cover de Bryan Adams. Para 1985, Bob Daisley decide abandonar la banda amistosamente, y vuelve el bajista Trevor Bolder, para grabar el último disco de la "era Goalby", Equator, que sería sin dudas, para todos los fanes, uno de los discos más flojos de la historia de Uriah Heep (incluso más flojo que High & Mighty y Conquest), se podría rescatar la canción que abre el disco, llamada "Rockarama", como único corte destacado. A fin de año, el agotamiento en la voz de Peter Goalby hace que los Heep pierdan al cantante, y al tecladista al mismo tiempo, una vez más. Luego de convocar al teclista Phil Lanzon, en 1986 deciden probar con el cantante Steff Fontaine, pero a pesar de su buena voz, su actitud hace que sea despedido. De este modo, llega el que hasta el día de hoy es el cantante que más ha durado en la banda: Bernie Shaw, quien procedía del grupo NWOBHM Praying Mantis. Con el primer disco de estudio con Shaw, Raging Silence (1989) tendrían cierto éxito, sobre todo con el viejo clásico de la banda Argent "Hold Your Head Up", y con un tema escrito por Peter Goalby, "Blood Red Roses". Cabe destacar que, hacia fines de los 80, Uriah Heep se convertiría en la primera banda de rock occidental en aprovechar la política conocida como glásnost, en la aún vigente Unión Soviética: gracias a un conocido productor húngaro, lograron dar el primer recital tras la Cortina de Hierro; en Moscú llenaron el Estadio Olímpico Luzhnikí varias noches, el total de gente que presenció los shows ascendió a 180.000 personas. Luego de estos logros, ya en la era del CD, en los 90 y en los 2000, las ediciones de nuevos álbumes de estudio se fueron tornando cada vez más espaciadas (Different World (1991), Sea of Light (1995), Sonic Origami (1998), Wake the Sleeper (2008), Into the Wild (2011), etc, pero la banda se mantiene constantemente en giras por Europa, y tienen mucho éxito, quizás no el de su época dorada, pero sí mucho más del que tenían en los años 80. En el año 2002 es editado un CD en vivo: The Magician's Birthday Party, grabado con Ken Hensley y John Lawton, quienes se reunieron momentáneamente con Heep para la ocasión, mientras que en el 2006, por problemas de salud, abandona la banda el veterano baterista Lee Kerslake, dando paso a otro ex-Ozzy para ocupar la batería, en este caso Rusell Gilbrook. En el mismo año, el grupo rumano de rock "Iris" edita un disco para rememorar sus 25 años de existencia e incluyen una colaboración con Mick Box y Bernie Shaw, con la canción "Lady in Black" cantando de forma bilingüe (rumano y inglés). Del mismo modo en 2011 se publican Into the Wild, y el directo Live in Armenia, este último en formato doble CD/DVD. Por su parte, en el año 2013 se conoce la triste noticia del fallecimiento del bajista Trevor Bolder, y en 2014 es lanzado el 23º álbum de estudio del grupo, titulado Outsider. Bolder sería reemplazado por Davey Rimmer en mayo de 2013, con quien editarían un nuevo álbum de estudio en 2018, Living the Dream. Uriah Heep mantiene una cantidad significativa de seguidores en Alemania, los Países Bajos, Escandinavia, los Balcanes, Japón, Rusia y en Europa del Este en general, donde aún tocan en estadios. No obstante, y aunque en la actualidad siguen gozando de buena reputación, sus grandes obras aparecen en la década de los setenta, más específicamente en la primera mitad de la década, durante aquellos años su nombre figuró casi a la par junto a los de Black Sabbath, Deep Purple o Led Zeppelin, formando el cuarteto de máximos referentes del Rock duro británico.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Uriah Heep. es una banda de rock británica con tintes progresivos, formada en Londres en 1969, la cual es considerada como "uno de los grupos más populares de principios de los 70. La banda lanzó varios álbumes muy exitosos comercialmente a principios de los años 1970, como Demons & Wizards (1972), The Magician's Birthday (1972), o Uriah Heep Live (1973), pero su audiencia declinó en los 80, al punto de convertirse esencialmente en un grupo de culto, en los Estados Unidos y en Europa, principalmente. Uriah Heep fue la primera banda de occidente en tocar en la Rusia soviética, bajo la política de Gorbachov, llamada glásnost. Han vendido 40 millones de copias en todo el mundo. Constantes cambios en la banda han dejado al guitarrista Mick Box como único miembro original y líder. Uriah Heep , Surgió a finales de los años sesenta, de las raíces de Spice, banda en la que militaban el mítico vocalista David Byron, y el guitarrista Mick Box, primeros fundadores del grupo. Uriah Heep se convirtió en una verdadera banda pionera del género "Hard rock", aunque destacó por la heterogeneidad de su música, a caballo entre el Hard rock, el estilo progresivo y la épica, en dos de sus álbumes más conocidos: los ya mencionados Demons & Wizards y The Magician's Birthday, a la postre influencias claras para bandas como Helloween y otras seguidoras del rock épico. Se caracterizó, entre otras cosas, por sus constantes cambios de alineación, en la cual el único miembro permanente ha sido el guitarrista Mick Box. En el año 1970, cambiaron su nombre de Spice a Uriah Heep, influenciados por un peculiar personaje de una de las más universales obras de Charles Dickens: David Copperfield. Fue en ese año cuando entraría a formar parte de la banda Ken Hensley, proveniente de la banda psicodélica The Gods, quien se convertiría con el paso del tiempo en verdadera alma, y compositor principal de casi todas las canciones del grupo en su época dorada. Hensley se ocuparía de los teclados, y en ocasiones de la slide guitar. También puso la voz a uno de los mayores éxitos por aquel entonces, "Lady in black". Box, Byron y Hensley se convertirían en los pilares fundamentales de la banda, asistiendo a constantes cambios en el bajo y batería, hasta que en el año 1972 ingresan Gary Thain (bajo) y Lee Kerslake (batería). Hasta entonces habían publicado tres álbumes: Very 'eavy, Very 'humble, en 1970, que supuso un magnífico debut, pero que la crítica defenestró con el argumento de que era una copia descarada de Deep Purple, algo incierto que se podía explicar porque en aquellos tiempos los dos conjuntos llegaron a compartir salas de ensayo, y se dejaron influenciar por el sonido predominante de los teclados de Jon Lord. En poco menos de un año, se resarcieron ante crítica y público con la publicación de Salisbury (1971) y Look at Yourself (1971), disco este último en el que encontraron su sonido característico, como afirmarían más tarde. Las ventas comenzaron a dispararse tanto en su país de origen como en el extranjero, encontrando en países como Alemania, Países Bajos o Japón sus más fieles seguidores. Entonces llegó 1972, con las nuevas y, a la postre, definitivas incorporaciones que enriquecieron el sonido de la banda. La publicación de Demons & Wizards en 1972 les llevó a lo más alto, un disco redondo que bien podría haber sido un trabajo conceptual, ya que sus temas giraban casi en su totalidad en torno a temas alegóricos y llenos de fantasía épica. En este álbum está incluido su mayor hit, "Easy Livin'". Este trabajo encontró la continuidad perfecta en The Magician's Birthday, que salió a la venta a los pocos meses de publicarse el anterior, y que les proveyó de fama definitiva en todo el mundo. El sonido de este último es más progresivo y sigue la temática de álbum conceptual, que comenzó el anterior. La portada de Roger Dean, artista en alza que ya trabajaba con bandas como Yes, contribuyó a realzar, desde el arte gráfico, el trabajo impecable de la grabación. Durante 1973 grabaron el disco Sweet Freedom que supuso otro trabajo redondo, y del cual se desprenden varios clásicos de la banda que se escuchan hasta nuestros días. Ya en 1974, luego de la gira de la cual lanzaron el disco en vivo Uriah Heep Live 1973, grabaron Wonderworld, donde comienzan a alejarse gradualmente del sonido progresivo, apostando por un hard rock más simple y directo. Justamente este disco representaría el último que grabaran con el extinto bajista neozelandés Gary Thain, puesto que sería despedido a principios de 1975, para ser reemplazado por el exbajista y cantante de King Crimson, John Wetton. Ya con Wetton en la banda, lanzan en 1975 Return to Fantasy, un disco donde también hay clásicos, aunque se comienza a notar una baja en el rendimiento general de la banda. En diciembre de 1975, el bajista Gary Thain muere de sobredosis por heroína. En 1976 graban High & Mighty, que sin dudas representa el mayor fracaso de la banda en los 70, debido a las tensiones internas y a que prescindieron de Gerry Bron, su productor habitual, para producirlo ellos mismos. Si bien es sabido que la crítica no suele reconocer en este un buen trabajo, tiene algunos temas destacables, como el clásico "One Way or Another" (que cantase John Wetton), o la balada "Weep in Silence". En medio de la gira de presentación del disco, David Byron fue despedido, a partir de este momento Byron se dedicó a su carrera como solista, hasta su fallecimiento, acaecido en 1985. La banda a mediados de los años 1970, con John Wetton Tras la salida de Byron, Uriah Heep, experimentó diferentes cambios en sus formaciones y en su estilo musical. Más allá, de su Rock progresivo, bien conocido y de su aporte a lo que se llamaría el Hard rock y heavy metal, poco después de la salida de Byron, el grupo modifica su estética y su música, dejando entrever un cambio de rumbo hacia un sonido más comercial, al estilo del AOR con toques de Música disco. Es así como, a finales de 1976, los reemplazos de John Wetton y David Byron, se conforman con la entrada de un bajista procedente de la banda de David Bowie, y el cantante de Lucifer's Friend; ellos eran Trevor Bolder (el bajista que más tiempo estuvo activo en la banda) y John Lawton. Los fanes tardaron en aceptar dicha formación y estilo, de cariz algo comercial, aunque la calidad de sus composiciones los hace ser bien recordados por todos. Los discos Firefly, Innocent Victim y Fallen Angel constituyen la cadena de tres grabaciones de estudio con Lawton y Bolder, más el disco en vivo Live in Europe 1979. Sin embargo, los egos personales de Lawton y Hensley chocaban demasiado, y se opta por despedir a Lawton, dejando otra vez, para 1980, a la banda sin cantante. Es allí cuando los Heep se vieron en la necesidad de conseguir reemplazante, tanto de vocalista como de batería, ya que por diferencias con la producción, el baterista Lee Kerslake había dejado el grupo, marchando a tocar para Ozzy Osbourne. Para 1980 llegan los reemplazos, con John Sloman ex-Lone Star a los vocales y Chris Slade, ex-Manfred Mann's Earth Band a la batería. Esta formación solo grabaría un disco, Conquest (1980), que no sería muy bien recibido por la crítica especializada, pero que sirvió al menos para actualizar el sonido de la banda, y mantenerla viva. Varios de los temas de este disco, fueron probados y grabados con el anterior cantante, John Lawton, entre los cuales se puede destacar "Feelings", "Fools" o "Been Hurt", que también formarían parte de un disco que no fue editado en su momento, luego lanzado como un disco pirata, titulado Ten Miles High. Las diferencias musicales entre la banda y Ken Hensley se acentúan, y este último deja el grupo a mitad de la gira, por lo que los Heep, sin su compositor principal, deben continuar y reclutan para esto -temporalmente- a un viejo conocido de Sloman, Gregg Dechert. Con él graban el sencillo "Think It Over / My Joanna Needs Tunning". A finales de año, Sloman, Slade, Dechert y Bolder (que se iría a tocar en Wishbone Ash) dejan a Mick Box solo, dando así por terminada la primera etapa de Uriah Heep. Durante 1981, Box ofreció algunos conciertos como solista, pero las cartas de diferentes fanes alrededor del mundo, expresando cuan importante era para sus vidas Uriah Heep, le dan a Box la energía necesaria para recomenzar con aquella banda mítica. Es así como recluta al prestigioso bajista (ex-Rainbow) Bob Daisley, y juntos deciden ir a visitar al primer cantante de la banda, David Byron, para ofrecerle nuevamente ese puesto, el cual este rechaza. Aun así, contratan al cantante del grupo Trapeze, Peter Goalby y junto con ellos, vuelve Lee Kerslake e ingresa el tecladista John Sinclair El primer trabajo con esta formación sería Abominog (1982), un disco redondo donde prácticamente todos los temas son clásicos (más una reversión del tema "Think It Over"), y sirven para colocar a Heep con un nuevo sonido, más duro, y cercano a la NWOBHM, no obstante el marcado regusto comercial de ciertos temas. Con este disco y formación, Uriah Heep vuelve a recobrar algo de fama: el siguiente álbum, Head First, seguiría por esa senda con temas muy bien logrados como "Red Lights", "Stay on Top" o "Lonely Nights" que es un cover de Bryan Adams. Para 1985, Bob Daisley decide abandonar la banda amistosamente, y vuelve el bajista Trevor Bolder, para grabar el último disco de la "era Goalby", Equator, que sería sin dudas, para todos los fanes, uno de los discos más flojos de la historia de Uriah Heep (incluso más flojo que High & Mighty y Conquest), se podría rescatar la canción que abre el disco, llamada "Rockarama", como único corte destacado. A fin de año, el agotamiento en la voz de Peter Goalby hace que los Heep pierdan al cantante, y al tecladista al mismo tiempo, una vez más. Luego de convocar al teclista Phil Lanzon, en 1986 deciden probar con el cantante Steff Fontaine, pero a pesar de su buena voz, su actitud hace que sea despedido. De este modo, llega el que hasta el día de hoy es el cantante que más ha durado en la banda: Bernie Shaw, quien procedía del grupo NWOBHM Praying Mantis. Con el primer disco de estudio con Shaw, Raging Silence (1989) tendrían cierto éxito, sobre todo con el viejo clásico de la banda Argent "Hold Your Head Up", y con un tema escrito por Peter Goalby, "Blood Red Roses". Cabe destacar que, hacia fines de los 80, Uriah Heep se convertiría en la primera banda de rock occidental en aprovechar la política conocida como glásnost, en la aún vigente Unión Soviética: gracias a un conocido productor húngaro, lograron dar el primer recital tras la Cortina de Hierro; en Moscú llenaron el Estadio Olímpico Luzhnikí varias noches, el total de gente que presenció los shows ascendió a 180.000 personas. Luego de estos logros, ya en la era del CD, en los 90 y en los 2000, las ediciones de nuevos álbumes de estudio se fueron tornando cada vez más espaciadas (Different World (1991), Sea of Light (1995), Sonic Origami (1998), Wake the Sleeper (2008), Into the Wild (2011), etc, pero la banda se mantiene constantemente en giras por Europa, y tienen mucho éxito, quizás no el de su época dorada, pero sí mucho más del que tenían en los años 80. En el año 2002 es editado un CD en vivo: The Magician's Birthday Party, grabado con Ken Hensley y John Lawton, quienes se reunieron momentáneamente con Heep para la ocasión, mientras que en el 2006, por problemas de salud, abandona la banda el veterano baterista Lee Kerslake, dando paso a otro ex-Ozzy para ocupar la batería, en este caso Rusell Gilbrook. En el mismo año, el grupo rumano de rock "Iris" edita un disco para rememorar sus 25 años de existencia e incluyen una colaboración con Mick Box y Bernie Shaw, con la canción "Lady in Black" cantando de forma bilingüe (rumano y inglés). Del mismo modo en 2011 se publican Into the Wild, y el directo Live in Armenia, este último en formato doble CD/DVD. Por su parte, en el año 2013 se conoce la triste noticia del fallecimiento del bajista Trevor Bolder, y en 2014 es lanzado el 23º álbum de estudio del grupo, titulado Outsider. Bolder sería reemplazado por Davey Rimmer en mayo de 2013, con quien editarían un nuevo álbum de estudio en 2018, Living the Dream. Uriah Heep mantiene una cantidad significativa de seguidores en Alemania, los Países Bajos, Escandinavia, los Balcanes, Japón, Rusia y en Europa del Este en general, donde aún tocan en estadios. No obstante, y aunque en la actualidad siguen gozando de buena reputación, sus grandes obras aparecen en la década de los setenta, más específicamente en la primera mitad de la década, durante aquellos años su nombre figuró casi a la par junto a los de Black Sabbath, Deep Purple o Led Zeppelin, formando el cuarteto de máximos referentes del Rock duro británico.Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

A dive into the song Lonely Nights (Bryan Adams Cover) by Uriah Heep   Show website (http://www.scotthaskin.com/uriah_heep_podcast/)   New BMG Boxed Set – Every Day Rocks: https://uriahheep.lnk.to/EveryDayRocksPC   Facebook: https://www.facebook.com/UriahHeepPodcast   Twitter: @HeepPodcast   Instagram: @UriahHeepPodcast   Email: UriahHeepPodcast@gmail.com   Episode: 15-3 Song: Lonely Nights (Bryan Adams Cover) Air date: 8-16-2021   Performers: Lead Vocals: Peter Goalby Guitar, Vocals: Mick Box Bass, Vocals: Bob Daisley Drums: Lee Kerslake Keyboards, Vocals: John Sinclair   Lyrics: Will you risk your reputation I don't know You just don't know What you're saying anymore You know beggars Can't be choosers And it's fair We may win, we may be loosers I don't care, no no no   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night   I hear every word you're saying They're all lies But with every breath you're taking You're thinking of Ways to say goodnight   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night   Baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night Come on over Come and save me   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night   Oh baby, I just can't stand Another lonely night So come on over and save me Save me from another lonely night     Thanks to: My Graphic Artist Scott Ladzinski www.Audionamix.com – I will not do a podcast without Instant Dialog Cleaner!   My friends in the #DeepDivePodcastNetwork: Nate and John at the Deep Purple Podcast (http://deeppurplepodcast.com/) The Simple Man at Skynnred Reconsydrd Podcast (https://podcasts.apple.com/us/podcast/skynyrd-reconsydyrd-podcast/id1448425288?mt=2) Terry T-Bone Mathley at TBone's Prime Cuts (https://www.tbpcpodcast.com/) Rhy at the Sabbath Bloody Podcast (https://podcasts.apple.com/ie/podcast/sabbath-bloody-podcast/id1344032555?ign-mpt=uo%3D4&mt=2) Paul, Joe and David at the At The Lap of the Pods (https://podcasts.apple.com/gb/podcast/in-the-lap-of-the-pods-queen-podcast/id1517814055)   Also, check out https://gottahearemall.com/ for well researched information on Deep Purple and Emmerson, Lake and Palmer/Powell   Check out Ace The Music Man on Stitcher here (https://www.stitcher.com/show/ace-the-music-man) Or YouTube here (https://www.youtube.com/channel/UCszH87xfnXp-MfZNsUSFjtg)   #UriahHeep #UriahHeepTheBand #MickBox #KenHensley #DavidByron #LeeKerslake #PaulNewton #GaryThain #MarkClarke #LeeKerslake #KenHensley #AlexNapier #JohnLawton #JohnWetton #TrevorBoulder #PeterGoalby #BobDaisley #RussellGilbrook #DaveyRimmer #PhilLanzon #BernieShaw #LivingTheDream #HardRock #RockandRoll #TheWizard #LadyInBlack #EasyLivin #Stealin #DeepDivePodcastNetwork #DemonsandWizards #TheMagiciansBirthday

“Your Hit Parade” was an American radio and television music program that was broadcast from 1935 to 1959. It was sponsored by American Tobacco's Lucky Strike cigarettes. During this 24-year run, the show had 19 orchestra leaders and 52 singers or groups.Not surprisingly, listeners were informed that the "Your Hit Parade survey checks the best sellers on sheet music and phonograph records, the songs most heard on the air and most played on the automatic coin machines, an accurate, authentic tabulation of America's taste in popular music." However, the exact procedure of this "authentic tabulation" remained a secret. Here are23hits from 1954. Enjoy. *****Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712**** or by email at dannymemorylane@gmail.com*****In this episode you'll hear:1)     Crazy 'Bout Ya Baby by The Crew Cuts2)     Mr. Sandman by The Chordettes3)     Thirteen Women (And Only One Man In Town) by Bill Haley & His Comets4)     Muskrat Ramble by The McGuire Sisters5)     The Gal That Got Away by Frank Sinatra (with Nelson Riddle & His Orchestra)6)     Love Me by Connie Russell (with Red Callender's Combo)7)     Hernando's Hideaway by Archie Bleyer & His Orchestra8)     Happy Days and Lonely Nights by The Fontane Sisters9)     Sway by Dean Martin10) This Old House by Rosemary Clooney11) I Need You Now by Eddie Fisher12) Joey by Betty Madigan13) Skokiaan (South African Song) by The Four Lads (with The Neal Hefti Orchestra)14) Stormy Blues by Billie Holiday15) The Man with the Banjo by The Ames Brothers16) Let Me Go, Lover! by Joan Weber With Jimmy Carroll & His Orchestra17) They Were Doin' the Mambo by Vaughn Monroe18) If I Give My Heart To You by Doris Day (with The Mellomen & The Frank DeVol Orchestra)19) Hey There by Sammy Davis Jr. (with The Sy Oliver Orchestra)20) Little Things Mean A Lot by Kitty Kallen21) Three Coins In The Fountain by The Four Aces (Featuring Al Alberts)22) Teach Me Tonight by Dinah Washington23) Smile by Nat King Cole 

This week Jim and Mike talk with Damien and Mike from the Orlando, FL based band Felicity!  We discuss being more than just “a band” in the COVID/post-COVID era of independent music, not just pranks on your peers but your fans, going viral, changing your musical style, delicious whiskeys, yearning to get back out on the road and much much more!   Find everything Felicity at www.wearefelicity.com   And all their social medias:   Facebook: http://www.Facebook.com/wearefelicity Instagram: http://www.Instagram.com/wearefelicity Twitter: http://www.Twitter.com/wearefelicity TicToc: http://www.tictoc.com/wearefelicity   Don't forget to listen to their brand new single “Lonely Nights” on all streaming music platforms now! Want some visual Bacon is My Podcast? Check out this episode and all others on Strangerhood TV on YouTube. www.strangerhoodtv.com and make sure to check out all the other great content on the channel! Don't forget that we are officially #poweredbypoddecks so don't forget to go to www.poddecks.com and use the promo code BACON for an additional 10% off your order!   #podcast #baconismypassion #strangerhoodtv #youtubechannel #youtubepodcast #cravingstrange #somethingheavy #betterthanradio #baconismypodcast #poweredbypoddecks

I will Run this Through These Sad and Dark Times and im doing a Special episode a real serious one I won't say when but it's coming:)

IT'S TIME for the 111th installment of #TBKoW. The #GoodBrothers bust it wide open by catching up, running some ads for 98.7 The Bull, and butcher Collegiate hand signals. We then get to brass tax by discussing #UFC262 and the possible upcoming fights in both #MMA and #Boxing, thoughts on the #Israel and #Palestine conflict, the #gas shortage in the South and impending energy crisis, a hacker group hacked an #American #pipeline and held it hostage for a ransom, #inflation rising throughout the country, issues w/ #unemployment and people allegedly not wanting to go back to work, the #BidenAdministration potentially restarting wall building at the #SouthernBorder, a #Russian pipeline that got Biden's backing, #DeSantis pardoned everyone that received a #COVID violation, #ChrissyTeigen finally caught being a bad person, #Peloton having to recall treadmills for killing children, the #KentuckyDerby winner possibly pissed hot, #Alabama signs a daylight savings time bill, researchers in #Poland have found the first known pregnant #mummy, #Ellen decides to end her daytime show, an update on the #DeshaunWatson #sexualassault allegations, #TimTebow making his return to the #NFL at TE, Ohio women fight at a #Walmart w/ one women using ground beef as a weapon, a #Florida couple's Hummer catches fire, and our thoughts on the Chick-Fil-A sauce shortage and who is potentially to blame. Song: “Sad Day, Lonely Nights” by The Black Keys Show support for our #Network by picking up some #Merch (http://bit.ly/TBKoWShop). If you pick up some merch, DM us pictures to be featured on our Show IG Page. FOLLOW us on #TheGram (https://www.instagram.com/bestkindofworst/) OR #Twitter (http://www.twitter.com/bestkindofworst). SUBSCRIBE to us on Apple Podcast (http://bit.ly/TBKoWApplePodcast) SUBSCRIBE to us on #YouTube (http://bit.ly/TBKoWTube) SUBSCRIBE to us on #SOUNDCLOUD (https://soundcloud.com/thebestkindofworst) SUBSCRIBE to us on #SPOTIFY (http://bit.ly/TBKoWPod) LIKE US on Facebook. Only if you wish cause, well, FaceBook is the worst. You can also listen and subscribe to us on many third-party podcasting apps (Stitcher, iHeartRadio, OverCast,...).

New Black Keys Album Full Of Songs They Covered In The Hill Country Blues Genre. Decent Project. RATE: 6/10 Favorites: Crawling Kingsnake, Going Down South, Louise, Sad Days, Lonely Nights, Do The Romp Least Favorites: Crawling Kingsnake (Edit) Keep On Craving My Lil Junkies

용기란 자신이 두려워하는 것을 하는 것이다. 즉 두려움이 없으면 용기도 없다. 에디 리켄베커 - 1890년 10월 8일 - 1973년 7월 23일

Show #388   Domenic Cicala - I Want Out  (Come On Over) Sara Petite - Feeling Like An Angel  (Rare Bird)  Western Terrestrials - Space Cowboy's Got The Blues (Back in the Saddle of a Fever Dream) Anthony Presti - Fight the Good Fight  (Different Places) (mic break) Olivia Ellen Lloyd- Loose Cannon  (Loose Cannon)  Adeem the Artist - I Wish You Would've Been A Cowboy  (Cast Iron Pansexual) Jackson Emmer -  I Don't Want This (Job Interview Song)  (Alpine Coda) Elizabeth Cook - Stanley by God Terry  (Aftermath) Jim Keller -  Easy Rider (By No Means) (mic break) David Huckfelt - Better To See The Face (Room Enough, Time Enough)   Charley Crockett - Midnight Run  (10 for Slim: Charley Crockett Sings James Hand) Bottle Rockets - Knotty Pine (Bit Logic) Rachel Brooke -  Great Mistake (The Loneliness in Me)  Jason Ringenberg - Before Love and War (Rhinestoned)  (mic break) Gene Taylor Blues Band with Dave Alvin - Drunk (Those Lonely, Lonely Nights)

Bryan Adams, Mickey Curry, and loneliness.

Loreena is faced with a dilemma. It’s the Fall, time is no longer clear. What is time anyway? Anyway... Location: 512 E 5th street, Boris’ Pawnshop, the little church on E 7th.Characters: Loreena, Boris, Judy the Landlord.Featured Song: Starting to Think I’m Going Crazy …………………………………1993 by finkleDirected by Jonathan SilversteinAll voices, music, sound, noise, and silence created and compiled by finklePublishing Assistance by Garrett SchultzKeen Company Artistic Director: Jonathan SilversteinThe Hear/Now Audio Consultant: Garrett SchultzThe Hear/Now Theme Composer: Billy RecceTranscriptions: Inclusive Communication Services, Inc. (available online)Keen Company is an award winning Off-Broadway theater championing identification and connection. Sign-up for a Hear/Now Season Membership, make a tax-deductible gift, and join us on social media at www.keencomapany.org.

Welcome to the Sad Girlz Club Bobcast episode! This one has been in the works for a long, long time, as we were initially supposed to talk back in April of 2020 during La Escalera Fest - which was cancelled due to covid. Well, here we are and let me say, this one was worth the wait. Shelby, Eric and I talked recently, on the evening of Biden’s victory over the current shitbag in the White House. Don’t worry, I didn’t start celebrating until AFTER the interview started. This is a family Bobcast, after all. What you’ll get in this most un-sad episode is an interview with Shelby and Eric, plus four Sad Girlz Club songs! We talk politcs, Sacramento, who would be Scooby Doo and who would be Shaggy and more! The Sad Girlz Club songs in order of appearance are - Back Around, Pedestal, Lonely Nights and Ex-Men.

Dr Aimee Lonely Days And Lonely Nights 11.22.20 by WCPT 820 AM

It’s April 23 1993. Location: On the radio and Loreena’s apartment. Loreena has a story to tell, does she tell it?…………………………………1993 by finkleDirected by Jonathan SilversteinAll voices, music, sound, noise, and silence created and compiled by finklePublishing Assistance by Garrett SchultzKeen Company Artistic Director: Jonathan SilversteinThe Hear/Now Audio Consultant: Garrett SchultzThe Hear/Now Theme Composer: Billy RecceTranscriptions: Inclusive Communication Services, Inc. (available online)Keen Company is an award winning Off-Broadway theater championing identification and connection. Sign-up for a Hear/Now Season Membership, make a tax-deductible gift, and join us on social media at www.keencomapany.org.

Stephanie Bonham Carter is with us today to talk about erotic novels because she's just reviewed a lingerie subscription service from Lonely Nights that includes an erotic novel in the box, along with some sexy lingerie and a scented massage oil candle. Stephanie also reads an excerpt from the novel that came with her subscription box in today’s episode.instagram.com/stephaniebonhamcarter/- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -The world’s No.1 daily review website for lingerie, hosiery and so much more. Every day our presenters inspire, delight and inform you. Join our website: https://www.lingerielowdown.com/join/ There’s no-one better to give you the lowdown than our personally selected team of over 80+ presenters from 12 countries across the world (adding more every month) who won’t hold back in giving you their honest, impartial and 100% trustworthy opinions and advice direct from their homes.We INSPIRE you, no matter of your age, gender, body shape, size or ethnicity to look good and feel great in the choices you make when purchasing lingerie, hosiery and underwear.We DELIGHT you with informative video reviews filmed direct from our presenters homes, bringing you the personal touch.We INFORM you to brands that you may not of tried before, show how to style these products in ways that you may not have tried – we make the mistakes so you don’t have to.Whether you’re a loved one looking to treat their partner or an individual looking for inspiration to feel sexy in your lingerie and to empower yourself to know it’s OK to do so, we have you covered – or uncovered!Join our website today to access 3,000+ in-depth reviews featuring over 380 brands, with many now published in glorious 4K quality featuring lingerie, hosiery, swimwear, sportswear, sleepwear as well as body jewellery, kink and bondage clothing too. Brought to you by our incredibly diverse team of beautiful reviewers. Publishing 120+ brand new and exclusive reviews every month for our members, and remember that once published, we never delete any content.Membership starts from as little as £7.99 per month.https://www.lingerielowdown.com/join/- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Follow us on social media :YouTube main channel : http://www.youtube.com/c/LingerieLowdownYouTube second channel (age restricted previews) : http://www.youtube.com/c/LingerieLowdownDigestInstagram : http://www.instagram.com/lingerie.lowdownTwitter : http://www.twitter.com/LingerieLowdownFacebook : https://www.facebook.com/the.real.lowdownTumblr : https://lingerielowdown.tumblr.com/ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Support the show (https://www.lingerielowdown.com/support/)

Thanks to #stayathome all of us have done our fair share of streaming this year. As I have been searching for new television shows to binge my mind keeps coming back to Stranger Things.WHERE IS SEASON 4?Clearly, the cast and crew could not have planned for a global pandemic, but every time the banner graphic of Millie Bobbie Brown, Noah Schnapp, and the neon Starcourt Mall pop up on my Netflix account with the words, "Season 4 Coming Soon" I cannot help but get excited!! Today on 'Still With You' I am taking all of my Hawkins, Indiana energy and talking with three of my favorite junior high friends about our love for the series. In this episode we serve you all the Scoops Ahoy insights of the show as we swap favorite moments, interesting facts, plus our theories and predictions for Season 4. When it hits we are ready! In honor of it being back-to-school season I thought it would be fun to mix it up with quick conversation about one of our most beloved drama.If you have an empty Netflix queue we feel you! We would love have you join our Stranger Things hang and share your thoughts and theories about the show. Feel free to leave a comment below and share this episode with a friend. We would love to hear from you! *Disclaimer: This podcast episode does include major spoilers if you have not watched this Netflix Original Series. Plus, we (as in myself and my girl gang guests) do not condone nor approve of every action presented in this show. We do not share all of its beliefs and values, but we are fans of it's frame work in creative storytelling! Official show notes available atwww.kohliebrowning.comSWY Podcast Surveywww.surveymonkey.com/r/TGT62YHMusic, "Lonely Nights" by Silent Partner"Fioj" by Text Me Records

Host Sama'an Ashrawi shares a bonus mix based on songs from the Khruangbin episode of The Nostalgia Mixtape. Music from Sudan, Morocco, Algeria, Niger, Libya, Egypt, Lebanon, Palestine, Iran, India, plus a few dub tracks as well as some American rockabilly, blues, Jamaican soul, and Canadian disco. Listen to the Khruangbin interview on the Nostalgia Mixtape here: https://soundcloud.com/nostalgiatapes/the-khruangbin-episode Check the footnotes here: http://bit.ly/TNMKhruangbin Tracklist: 00:00 -- "Nar" by Alsarah & The Nubatones 02:50 -- "Besaha" by Kareem Isaaq (of The Devil's Anvil) 04:04 -- "Son Moi" by Chaz Bundick (Toro y Moi) Meets The Mattson 2 05:22 -- "Agadez" (live) by Bombino 06:46 -- "Thanks A Lot" by The Sea-ders 08:16 -- "People Everywhere (Still Alive)" by Khruangbin 10:27 -- "Ayetheri A L'afjare" by El-Abranis 11:24 -- "Helelyos" by Zia Atabi 15:21 -- "Zifaf Filfada" by Nama Samith 16:49 -- "Bin Bin" (live on GMTX) by Khruangbin 17:58 -- "Khuda Bhi Aasman Se" by Mohammed Rafi (movie: Dharti) 19:02 -- "Jab Jab Teri Surat Dekhun" - Sapna Mukherjee, Mahesh Gadhvi (movie: Janbaaz) 20:41 -- "Laila O Laila" by Amit Kumar, Kanchan (movie: Qurbani) 21:51 -- "Laila O Laila" - Shah Rukh Khan, Sunny Leone, Pawni Pandey, Ram Sampath (movie: Raees) 22:29 -- "Jimmy" by M.I.A. 23:58 -- "Jimmy Jimmy Ajaa Ajaa" by Parvati Khan (movie: Disco Dancer) 24:54 -- "Gud Naal Ishq Mitha" by Malaika Arora Khan, Jas Arora, Bally Sagoo & Malkit Singh 25:58 -- "Gonna Get Over You" by France Joli 29:01 -- "Let Love Flow On" by Sonya Spence 31:27 -- "Khalas" by Ziad Rahbani, Monica Asly 33:41 -- "Ayonha" by Hamid El Shaeri 35:50 -- "U.F.O." by Jim Sullivan 37:21 -- "From The Moon" by The News (written by Elias Rahbani) 38:33 -- "Shakin' All Over" by The Guess Who 39:27 -- "Baby Please Don't Go" by Them 40:29 -- "Rock Around The Clock" by Bill Haley & His Comets 41:50 -- "Baby Please Don't Go" (reprise) by Them 42:36 -- "Jailhouse Rock" by Queen (live at the Summit, Houston, TX. 1977.) 46:38 -- "No Particular Place To Go" by Chuck Berry 47:38 -- "Hi Heel Sneakers" by Tommy Tucker 49:04 -- "Little Bitty Pretty One" by Thurston Harris 50:33 -- "Rip It Up" by Little Richard 51:38 -- "Whatchya Say (I Don't Know)" by Albert Collins 52:39 -- "There's Been Some Lonely, Lonely Nights" by Johnny "Guitar" Watson 53:54 -- "At The Hop" by Danny & The Juniors 55:12 -- "Touch Me" by Tia Carrere (from Wayne's World) 56:46 -- "Crazy Little Thing Called Love" by Queen 58:49 -- "Sid Redad" by Fadoul 1:00:30 -- "I Got You" by Simon C. Edwards & His Soul Set 1:03:06 -- "Undecidedly" by The Sea-Ders 1:04:31 -- "Dance Maria" by Khruangbin (Elias Rahbani cover) 1:05:41 -- "Ramallah" by Anatolia 1:06:37 -- "Ya Kullo Ya Balash" by Stormtrap 1:08:08 -- "Gole Yakh" by Kourosh Yaghmaei 1:10:29 -- "Moon" by Deradoorian 1:11:46 -- "Ma Be Ham Nemiresim" by Khruangbin (Googoosh cover) 1:13:17 -- "Mosem-e Gol" by Parva 1:16:28 -- "Mandela Dub" by Peter Youthman 1:19:47 -- "People Everywhere (Still Alive)" by Khruangbin (Vuelo Dub)