Podcasts about best male artist

Send us a text In December of 2005 Antonio "TONIO" McGaha Completed his first project entitled LOVE as singer, song writer, and vocal arranger. He released two singles in 2008 called Love is What We Need and Growth & Stability. Both feature Antonio's honest and authentic lyrics paired with his passionate vocals. These releases gained him a nomination for the Youth Gospel Choice Award for Best Male Artist and in that same year, he took home the prestigious award from the creators of the Gospel Choice Awards.TONIO believes in the power of authentic musical expression and writes to inspire everyone. In 2016, Tonio released Addicted. The song made its way to Jazz stations and playlist all over the globe.A myriad of influences color his songwriting and vocal stylings. A true student of music, Tonio derives inspiration from soul music and R&B's foremost talents. You can taste delicious hints of supreme artists like Stevie Wonder, Donny Hathaway, and Marvin Gaye in Tonio's music.The founder of E.L.C.T. Entertainment, Tonio, carries out his personal mission of “Creating and providing art that is visually and musically stimulating, educational, empowering, and positively inspiring!” The world has just begun to see the fruits of this phenomenal visionary. TONIO is Life Changing and Timeless.His EPs include Love, Life, Loyalty Vol. I, Vol II, Vol. III, The Rebirth Season 1 and now The Rebirth Season 2.The Rebirth Season 2* is a musical exploration of the human experience, highlighting the complexities of relationships. The album captures both the joys and sorrows of life, reminding listeners of the resilience needed to navigate its ups and downs. Key themes include: - **Wins and Losses**: Reflects the highs and lows of life, emphasizing resilience.  - **Joy and Pain**: Combines soulful melodies with poignant lyrics, embracing the duality of emotions. - **Self-Discovery and Healing**: Encourages introspection and personal growth. The album showcases Mcgaha's evolution as an artist, featuring a variety of sounds that highlight his versatility. *The Rebirth Season 2* invites listeners on a journey of renewal and inspiration.OUT NOW!!! Troy welcomes this incredible man of soul to the BAAS Entertainment podcast. Listen, Like and Share!!!Listen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

The Dads change things up this week and preview the 2024 ACM Awards with our picks and predictions. We cover lots of ground from Jelly Roll to Megan Moroney, weigh in on the Stagecoach livestream, and share some of our hot takes and/or rants on some of the biggest names in mainstream country music. Mentioned in This Episode:  Chris Stapleton's Traveller Whiskey Home Dad Chat The National At-Home Dad Network  Morgan Wallen's set missing from the Stagecoach live stream: https://www.whiskeyriff.com/2024/04/29/rep-for-morgan-wallen-reveals-the-reason-his-stagecoach-performance-wasnt-livestreamed/⁠ ACM Award Criteria Luke Combs and Tracy Chapman at the Grammy's Morgan Wallen throws chair from bar rooftop Our "near-viral" Hay Bale Reel Show Notes: 7:06 Dad Life Sound Check - Mick and his daughter enjoyed watching Stagecoach's live stream together and enjoyed Chris Barnes and Bailey Zimmerman. Dave talks about "Father's Son" by Stephen Wilson Jr. and the crush his boys have on Megan Moroney. 13:43 The Farm Boy Update - Mick planted his garden and is updating his landscaping in preparation for the high school graduation party. 15:50 The HARDY Report - HARDY was all over the place at the recent Stagecoach music festival and Dave shares the highlights or to Dave's disappointment the lowlights.  20:08 - The Dads give their takes on the upcoming ACM Awards by breaking down the nominees for Best Female Artist, Song of the Year, Best Male Artist, and Single of the Year. Dave and Mick provide some commentary on who they think will and SHOULD win.    Sources: Intro Music: ⁠⁠⁠⁠⁠“Dark Country Rock” by Moodmode⁠⁠⁠⁠ HARDY Report Theme Music: ⁠⁠⁠⁠⁠“Frantic” by Lemon Music Studio⁠⁠⁠⁠ Farm Boy Update Theme Music: ⁠⁠⁠⁠⁠“The Wheels on the Bus Rockabilly Style (instrumental)” by Mike Cole⁠ "God Took His Time on You" by Casey Barnes "Religiously" by Bailey Zimmerman "Father's Son" by Stephen Wilson Jr. "God's Country" by Blake Shelton "Gin & Juice" by HARDY "Gin & Juice" by Snoop Dogg "The Devil I Know" by Ashley McBryde "I'm Not Pretty" by Megan Moroney "Heart Like a Truck" by Lainey Wilson "I Remember Everything (feat. Kacey Musgraves)" by Zach Bryan feat. Kacey Musgraves "Fast Car" by Luke Combs "The Painter" by Cody Johnson "Next Thing You Know" by Jordan Davis "Joe" by Luke Combs "White Horse" by Chris Stapleton "Last Night" by Morgan Wallen "Save Me (with Lainey Wilson)" by Jelly Roll "Fast Car" by Tracy Chapman "Need a Favor" by Jelly Roll "You Proof" by Morgan Wallen There is a lot of music mentioned in this episode. You can find a sampling of it on our Spotify playlist. Previous episodes can be found at https://countrymusicdads.com/. Our social media accounts are @countrymusicdads on Instagram and Facebook. Send us feedback via countrymusicdads@gmail.com and last but not least, thank you for listening and please share with your fellow country music fans and give us a 5 star review on your favorite podcast platform. 

Respected as one of Australia's iconic musicians, Ian Moss (5x time Aria winner & original member / guitarist of Australian super group 'Cold Chisel' drops by to discuss his current live tour and Rivers Run Dry' Deluxe Album Release. Brad explores the history of the term ‘album' and have a good ol' ramble about the changing view of full length records in the modern music business. Watch video of this episodeFollow the RC Music PlaylistListen to RIVERS RUN DRY by IAN MOSSListen to Bradley McCaw's musicFollow Brad everywhere @bradleymccawofficialBrought to by True Arts Podcast NetworkCreated, produced, hosted & engineered by Bradley McCaw.Original sound design by Matt Erskine at Crosspoint SolutionsOriginal Video designed by Adam Shaw at Axis Productions Theme composed by James RyanAbout IAN MOSS:Respected as one of Australia's iconic musicians, Ian Moss delivers an unforgettable sound – not only as a telling soloist on guitar but especially with his silken voice, ringing with clarity and resonating with pure soul. While primarily recognised as an axeman of unusual tenacity and sweet melodic sensibility, Ian's distinctive vocal is the essential signature of his soulful, bluesy muse – as it has been since his first tentative foray into music during the early 1970s.Born and raised in Alice Springs, Ian started playing guitar in local teenage bands but moved to Adelaide after failing one of his high school years, planning to repeat in the big city. Fate intervened when he answered an advertisement for a guitarist in a shop window in 1973, joining the band that was to become a legend in Australia – Cold Chisel. After Moss joined organist and principal songwriter Don Walker and drummer Steve Prestwich, the group took shape with singer Jimmy Barnes and eventually bass player Phil Small, starting the hard grind of playing gigs on the back of flatbed trucks and in suburban hotels. Barnes remembered young Mossy as “a boy from the bush who didn't wear shoes but played fantastic”. They hit the road and paid their dues, playing countless one-night stands across the country. The reputation and status of Cold Chisel steadily grew, mainly on the strength of blistering live shows, and in time their well-crafted recordings became staples of radio airplay.By 1980, with the release of the seminal East album, Cold Chisel was the biggest band in the country. Moreover, they defined a national sound – hard-driving rock chased by a shot of blues, lyrics depicting the Australian experience and resonating powerfully with young working class fans. Moss's voice began to shine through such seminal Cold Chisel songs as Never Before, Bow River (written by Moss) and a gorgeous rendition of Ray Charles' Georgia. However, efforts to translate overwhelming Australian success to Europe and the United States failed to gain traction, serving to demoralise, frustrate and eventually dissolve the band at the height of its creative powers. While the band's Last Stand tour in December 1983 closed an important chapter in Ian Moss's musical career, Cold Chisel remains one of Australia's favourite bands long after its demise.Enjoying the status of Australia's best guitarist, Moss carefully evolved into a solo artist of the same calibre and commanding the same respect as Cold Chisel. After five years of patient nurturing, Moss released his debut single Tucker's Daughter in January 1989, and caused an immediate sensation. The anthemic song – which Moss wrote in collaboration with Don Walker – sat in the Top 10 for 11 weeks and hit No 1 for two weeks, achieving gold sales status after 15 weeks and selling more than 73,000 copies. Moss's second solo single, Telephone Booth, was released in June that year, hit the Top 10 and remained in the Top 20 for 10 weeks.This bold renaissance of his solo career amplified Moss's willingness to embrace new ideas and influences. “It took a bit of nerve for me to unplug and play acoustic, but it injected this freshness into my playing,” he says. “It was a significant new path for me.” Heartened by success for that album, a second chapter of Moss's acoustic recordings – his sixth solo album Let's All Get Together, released in 2007 – saw the input of guests including James Morrison and Margaret Urlich adding colour to striking new interpretations of familiar songs, including Flame Trees and Choir Girl. To support the album release, Moss undertook an extensive tour with former Noiseworks and INXS singer Jon Stevens, and further touring in early 2008 showed Moss to be an especially dextrous musical stylist; not just a rock player, not just an acoustic strummer, but a truly seasoned and rounded musical talent.In 2008, Moss was on the Australian television series It Takes Two, singing duets with celebrities and showing a side of his musical character that surprised many listeners. “When I put aside the guitar and sang a few soul ballads on that show, people were suddenly listening to me differently. They'd say ‘Yeah, we knew you sang, but we didn't know you could really sing'. It was both flattering and frustrating. I kept wondering what they thought I'd been doing for past 30 years. It showed that there was a different side of my music that hadn't really been heard by enough people before.” Mossy is now allowing his guitar work to take a back seat while he concentrates on singing – which is the focus of his new album Soul on West 53rd that features fresh takes on classic soul songs from the likes of Sam Cooke, Al Green, Otis Redding and Levi Stubbs.This product of New York recording sessions with producer Danny Kortchmar and an all-star band of soul session musicians, including drummer Steve Jordan, Leon Pendarvis on keyboards, Neil Jason on bass and Hugh McCracken on guitar, is another bold venture from Moss that will certainly turn heads. When audiences hear the power and excitement on Soul on West 53rd, it will reinforce what Ian Moss has to offer as a vocalist of repute. The album release will also give him the impetus to reconnect with his supportive legion of European audiences – and maybe even reach America. “It's nice to fantasise about that, taking my soul songs to America. I'd love to give it a try, but I know it won't be easy.”Significantly, as Moss prepares to introduce material from his new album to live audiences, the influence of his New York soul sessions has inspired a new burst of song writing for him. “Working with such classic songs has brought a lot of ideas for original material as well. For the next album, featuring my own songs, I'd expect it to follow the same style. There's something really great going on here.”The setting had been established for Moss to emerge as an important solo artist. His debut album Matchbook, released in August 1989, entered the charts at No 1 and remained there for three consecutive weeks. It stayed in the Top 10 for 14 weeks and has sold more than 185,000 copies.When he went back out on the road, Moss's live shows drew a hoard of Chisel faithful and a league of new fans. In 1989, Moss toured for 25 weeks, playing dynamic and energetic performances five or six nights every week to virtually full houses across Australia. Crowds were left hungry for more.Moss closed off a triumphant year by winning five Australian Record Industry Association Awards in 1989: Best Australian Debut Single for Tucker's Daughter and Best Australian Debut Album for Matchbook, Australian Song of the Year for Tucker's Daughter, Best Australian Album for Matchbook and Best Australian Male Artist.In 1990, Mossy took his music to the world, touring and gaining airplay across Scandinavia and northern Europe. At home, as a live video recorded on the Matchbook Concert Tour went Gold on the day of release, Moss returned to the studio to start recording his second album, Worlds Away. Released in Australia in October 1991, the album was then issued in Germany, Austria, Switzerland and Scandinavia the following year. In 1993, Moss consolidated his growing European fan base with tours in April and May through Germany, Austria, and Switzerland, earning high praise in fantastic reviews.Moss took stock of his musical output in 1995, changing direction to embrace the blues in bolder fashion, and in the studio this translated to recording a much tougher album than his previous releases suggested. Petrolhead, his third solo offering that was released in 1996, had Moss playing bluesy rock with none of the heavily produced, big budget sheen that had been applied his late-1980s and early-1990s recordings. With lan Rilen (from Rose Tattoo and X) on bass, Paul Demarco (Rose Tattoo, Catfish) on drums and Don Walker on occasional keyboards and song writing, the sound was recorded almost live, stripped back and honest without ever losing its innate power. “It was a conscious decision to get back to something I was always happy doing,” says Moss. “The result is tough, ballsy blues meets rock… plenty of heart, alive and kicking.”A Cold Chisel reunion during 1998 – both in the studio for the recording of new material and subsequent touring to promote the resulting Last Wave of Summer album – put Ian back in the national spotlight as a showman and musician of dazzling ability. It reminded the Australian public of Moss's alluring talent and diversity as a performer, as did another Cold Chisel reunion tour in 2003 and his input to Jimmy Barnes' Double Happiness album of duets in 2005.However, during 2005, Moss's musical output took another exciting fresh turn. He was invited to record an album of acoustic songs for Liberation Music and the Six Strings album – part of the Liberation Blue label's engaging acoustic series – was the result.2018 will bring a new chapter in Ian's career as he releases the new self-titled studio album, his sixth, and heads to the road for what will be his biggest national tour in decades. In 2007 he told the Sydney Morning Herald, “I haven't made my definitive album yet.” Ten years later with his the self-titled “Ian Moss”, he might have just done that.Mossy's sublime playing – on his Fender electric and Maton acoustic – is as expressive as ever. “Sometimes the words are useless for what it is I'm trying to get across,” he confides in ‘Hold On (To What We Got)'.Of course, that underplays Mossy's vocal – a superb instrument in its own right – as well as the powerful personal stories on this record. But Mossy's finest work is all about feel. And it's that feel that tells you everything you need to know.It's no accident that the album is self-titled. This is the pure stuff. Classic Mossy.In August of 2018 Ian was invited to take part in the Jimmy Webb and Friends concerts along side David Campbell, Kate Ceberano, Ed Kuepper, Cold Chisel bandmate Jimmy Barnes and of course the master songwriter Jimmy Webb and blew the room away.In October 2018 he performed the Cold Chisel classic ‘Flame Trees' to a global audience of millions at the opening ceremony of the Invictus Games on the Steps of the iconic Sydney Opera House.2019 saw the 30th Anniversary of the iconic and landmark album Matchbook and a national tour with a killer band that received rave reviews. The album was released on August 1, 1989 and peaked at #1 on the ARIA Albums Chart. It remained in the Top 10 for an amazing 14 weeks, shipping more than 200,000 copies in the first 12 months alone. The album went on to win Album of the Year, Best Male Artist and Breakthrough Artist – Album, Breakthrough Artist – Single and Song of the Year (shared with Don Walker) for ‘Tucker's Daughter' at the ARIA Music Awards in 1990.As Cold Chisel's biographer Anthony O'Grady observed, “When Moss goes into guitar dream world he pulls out chords and notes and sounds that do not fit the plot as such, but which create new dimensions – astounding stuff that can never be reached through intellectual process, only through a quantum leap of intuition and imagination.”

What we doin'!?It's a lit session with Coso Sadiddy. Winner of Extra Litty Monday & Best Male Artist of the Year with the Queen City Awards. We sit down with him and discuss his journey as an artist, his win as ‘Best Male Artist of the Year', his upcoming work & what we can expect from him for the New Year.Make sure you follow out special guests on social media, and follow the REALEST podcast.See ya soon!

This interview was insightful and we ended with Louis singing his song, "Nothing Holy but the Blood". Raised in Appalachia the magical mountains had a large impact on his life, his music, and his witchcraft. Much of his artistry shares stories with a folk music feel and his passion for music shines through. He shares with us his early life, his start in the music industry, along with his musical influences. Louis blends his love of music with his witchcraft, creating powerful magic. Listen and hear Louis explain his enchanting writing process which crafts beautiful music with sometimes haunting lyrics.  Louis Garou is an IPMA Awards Nominee this year for Best Male Artist. You can find him at the Pagan Spirit Gathering hosted by Circle Sanctuary from June 18-25, 2023. Learn more about Louis and listen to his music at his profile on bandcamp.com. Learn more about 'The Red Album' - Pagan Voices for Reproductive Rights, the mission, the music, the artists, and the album, purchasing, and progress at www.facebook.com/redalbumpaganvoices.  Links Below: 

Jonathan Blake Salazar joins us in Season 1 (2021) of Birdsong. Jon is a dear buddy of mine; a healer in training; an aspiring Ayahuascero, an accomplished musician and one of the sweetest guys you'll ever meet. We first met at Spirit Quest Sanctuary, with fond memories of deep work together with Ayahuacsa and Huachuma. When it comes to Jonathans music, it's bright, hopeful, uplifting, with a tinge of nostalgia to simpler times; rising from a deepening connection to our Earth. Jonathan Blake Salazar has won "Best Male Singer-Songwriter" at the OC Music Awards, “Best Singer-Songwriter” at the Malibu Music Awards, “Best Male Artist” at the So Cal Music Live Awards, Nominated for a LA Music Award, Nominated for the Hollywood Music In Media Awards, has earned a Fender Guitar endorsement, a QSC speaker endorsement and his spotify averages 35,000 monthly listeners. You can follow Jonathan here: Jonathan on Spotify Jonathan on Apple Music Jonathan on Instagram Jonathan on Facebook POINTS OF INTEREST: Enlightenment, liberation and the path of service The Path of the Heart and The Path of Prayer How do we both connect with the sacred? Honouring our humanness and quirks and imperfections Finding the path of plant-based shamanism Meditation and levitation Blackout drinking and alcoholics anonymous The difference between a hallucination and a vision Spiritual teachings and spiritual teachers Being in ceremony space feels like home The white wizard, Don Howard, and Spirit Quest Sanctuary Drinking Huachuma and tears of gratitude Jon's developing relationship apprenticing to Ayahuasca The infinite depths of Ayahuasca and the path of service Plant dietas - bobinsana, piri piri, lopuna blanca and more…. Don Jose Campos: The shaman and ayahuacsa Dieting ayahuasca How does plant-based-shamanism inform Jonathans connection with the music industry Jon's plays us his song “Fall” on guitar, which he wrote in the jungle working with Ayahuasca

Mark Jeremy Seymour (born 26 July 1956) is an Australian musician and singer best known for his work as the frontman and songwriter of rock band Hunters & Collectors. In 1997, whilst still officially part of Hunters & Collectors he released his debut solo album King Without a Clue, which earned him a nomination in the ARIA Awards for Best Male Artist (as well as Best Debut Single with Last Ditch Cabaret). In 1998, Hunters & Collectors officially split up. Seymour later released a live DVD/CD in 2001 entitled One Eyed Man, Embedded in 2004, and 2005's Daytime & the Dark. His fourth solo studio album, titled Westgate was released in June, 2007. Seymour continues to tour, focusing on mostly small acoustic performances.

TheRA11N, Pooky G, She Rōze, and Sten Joddi are some of the artists who won big this year at the annual International Indigenous Hip Hop Awards. Today on Native America Calling, Shawn Spruce gets to know some of the artists and hear their perspectives of the awards and the direction of Native Hip Hop with Melody McArthur (Big Stone Cree Nation), Best R&B Single of the Year winner; Sten Joddi (Muscogee Creek from Oklahoma), Best Male Artist of the Year winner, tattoo artist, musician, rapper, actor, and entrepreneur; Roni Gauthier AKA Pooky G (Treaty 6, Misquitchi weskiegen First Nation), Best Hip Hop Album of the Year winner, hip hop artist, model, and actor; and Michelle Lee Runns AKA MZShellz (Cree), Best Female Artist of the Year winner, hip-hop artist, and owner of “Native by Nature” apparel.  

TheRA11N, Pooky G, She Rōze, and Sten Joddi are some of the artists who won big this year at the annual International Indigenous Hip Hop Awards. Today on Native America Calling, Shawn Spruce gets to know some of the artists and hear their perspectives of the awards and the direction of Native Hip Hop with Melody McArthur (Big Stone Cree Nation), Best R&B Single of the Year winner; Sten Joddi (Muscogee Creek from Oklahoma), Best Male Artist of the Year winner, tattoo artist, musician, rapper, actor, and entrepreneur; Roni Gauthier AKA Pooky G (Treaty 6, Misquitchi weskiegen First Nation), Best Hip Hop Album of the Year winner, hip hop artist, model, and actor; and Michelle Lee Runns AKA MZShellz (Cree), Best Female Artist of the Year winner, hip-hop artist, and owner of “Native by Nature” apparel.  

Sten Joddi, the winner of Best Male Artist of 2022 at the International Indigenous Hip Hop Awards accomplished tattoo artist, and Punkin' Lusty on FX's Reservation Dogs joins us for a discussion on hard work, overcoming addictions and obstacles. Support the food sovereignty project; without your help we will be set behind a full year. So far we have donated 550lbs of fresh produce in 8 weeks to the Elders Lodge, Tyendinaga Food Resource Centre, and other community members on and off territory. Visit our website and purchase locally roasted, certified organic, fair trade coffee that can be sent all over Turtle Island, same goes for our luxury teas and all proceeds go toward the food sovereignty project. There are also t-shirts available, and Every Child Matters shirts with a special design. Remember, only purchase orange shirts from Indigenous creators REGARDLESS of where they are putting the money. Every Indigenous person you know has been impacted by the residential school system and it is not your place to question what they do with the money they earn trying to recover and rebuild from the intergenerational trauma. Don't buy from Wal-Mart and other big brand stores that are trying to capitalize on our pain, buy from those trying to heal from the pain that was caused by these capitalists and colonizers. https://www.thecrediblemohawk.com IG: @AndrewBrant87 @TheCredibleMohawk @TwoRowCoffeeCo @StenJoddi @Cottreezy @Nick_LaMarsh

Michael-John Hurney trained with the legendary Hayes Gordon and commenced his theatrical career with the rock musical Hair. An Australian tour of Oklahoma soon followed. He then appeared as Peter in Jesus Christ Superstar and played Simon several years later in a new production in Hong Kong. Other theatre credits include The Baker's Wife, The Pirates of Penzance, La Cage Aux Folles, Guys and Dolls, H.M.S. Pinafore, The Danny La Rue Show, The Rocky Horror Show, Bad Boy Johnny & The Prophets of Doom, And It's Got a Lovely Backyard, Rasputin and Lend me a Tenor. For a number of years Michael-John produced and starred in the highly successful, MeatBalls – Fat out of Hell. Michael-John has appeared on classic TV variety shows such as The Don Lane Show, Michael Parkinson, Midday with Ray Martin, The Bert Newton Show, and The Footy Show. He sang as part of a showcase for the Sydney 2000 Olympics bid at The Sydney Opera House. He is a featured voice on many TV & Radio commercials including soundtrack albums Moulin Rouge, Paris -The Rock Opera, La Cage Aux Folles, Oklahoma and his own Meatballs-Fat out of Hell ‘live' C.D. He has worked in the corporate arena as both lead performer and a creative force behind the highly successful impostors ‘The Three Waiters'. Michael-John performed the solo corporate show Luciano Pavlova – ‘The World's Biggest Comic Opera Star' all around the Globe. In Jakarta - Indonesia Michael-John performed the role of Jean Valjean for Les Miserables in Concert with the 70 piece Twilite Symphony Orchestra under the musical direction of Indonesia's leading conductor Addie MS and a 60-member choir. In 2004 Michael-John played Pontius Pilate in a London production of Jesus Christ Superstar, completing a trifecta with his casting in the musical. His very last corporate performance before returning to Australia was for David (Becks) & Victoria (Posh Spice) Beckham at their home (aka Beckingham Palace) in North London. In 2008, Michael-John joined the Andrew Lloyd Webber's world tour of Cats. His performance as Gus the Theatre Cat / Growltiger would earn Michael-John a highly prized nomination for the prestigious Green Room Theatre Awards as ‘Best Male Artist in a Featured Role'. The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages). www.stagespodcast.com.au

Hey, y'all. Shay here. On air indie. I chatted with Davie Furey about his current music and the incredible message behind his songs. We are spinning two recent releases that are getting international recognition for their message. He is an incredible talent out of Dublin, Ireland. Tracks: 'The Rain Falls On Palestine' (before show) & 'History' during our chat. Thank you for tuning in. Cheers! Shay From the Artist Davie Furey released his album, Haunted Streets, in Feb. 2021 to much critical acclaim. The album has been described as “a masterclass in songwriting and musicianship” and has seen its four singles hitting #1 on the Irish Singer-Songwriter charts. With Haunted Streets, Furey and producer/multi-instrumentalist Martin Quinn have done a wonderful job surrounding the singer/songwriter's compelling tunes with dynamic, electric arrangements as well as talented musicians who sound like they've been playing with Furey for years. Haunted Streets' 11 tracks defy easy categorization, with songs ranging from fiery rockers (“Fire and Gold” and “The Final Frontier”) to the tender piano ballad “Farewell Returning Blues” and boisterous, horn-fueled “Spaces Full.” His music suggests an Irish twist on Americana music; something like Steve Earle or John Hiatt might have sounded liked had they been born in Dublin. Over the past few years, he has been a Pure M Awards nominee in the Best Newcomer, Best Male Artist, and Best Irish Solo Act categories and nominated as Folk Artist of the Year for 2021's Hot Press Irish Music Awards. Furey's 2015 debut Easy Come, Easy Go was well-received and garnered high praise from the likes of Christy Moore (“a fine, fine record”), Donovan ("An excellent piece of work”), Luka Bloom (“Davie sings from the heart and has the voice of a poet") and Jeremy Irons (“I love this album”). Furey cites Earle, along with Dylan, Springsteen, and Prine, among musicians he admires. Encouraged by Irish musicians like Bloom and Moore, he worked hard to develop his own voice that showcases his Irish heritage. For the Haunted Streets sessions, Furey and Quinn assembled an all-star lineup of Irish musicians: fiddlers Steve Wickham (The Waterboys), guitarist Francie Conway, keyboardist Darren Holden (The High Kings), banjoist Robbie Campion (Drops of Green), vocalists ELLYD and Susan O'Neill, and drummer Andrew Quinn. Furey finished Haunted Streets just as the Covid pandemic put everything on hold. A new creative outlet in 2020 was starting a podcast, The Green Wave, where he interviews some of Ireland's top musicians and writers. In February of 2021, Furey decided the time was right to release Haunted Streets in the U.K. and Ireland, and the album will be released in the U.S. on July 9th. Facebook Twitter Youtube Bandcamp Instagram Spotify External-link-alt https://youtu.be/Oh4f_1BtsNw Davie Furey presents his brand new song The Rain That Falls On Palestine, recorded in October 2021 in Jam Studios. It is a song that reflects what the Palestinian people are experiencing at the hands of the Israeli government. Written by Davie Furey. Produced, Mixed and Mastered by Martin Quinn. Videographer Pat Farrell. Lighting Nick Anton. Edited and Mixed by Andy Walsh No Alphabet. Footage of Palestine courtesy of Ahmed Hijazi. https://youtu.be/rygAqE4gC2k Irish singer-songwriter Davie Furey's new single, “History,” is an anthemic slice of Celtic-folk-infused, synth-bolstered jangle pop begging to echo off arena walls. It's a sound as big as its carpe-diem call to action. “History,” is out May 4th 2022. Video produced by JellyTopsis Productions.

I'm just wondering this morning if we, as women, need to apologise now for being women. Or for calling ourselves women. Is it insulting that we are happy to be women? Adele has been in hot water this week for her acceptance speech at the Brit Awards as she collected the gong for Artist of the Year. It used to be two categories, Best Male Artist and Best Female Artist, but in a move we should've all seen coming, that was changed to the more gender neutrally appropriate “Best Artist'. So Adele said when she accepted the award, "I understand why the name of this award has changed but I really love being a woman and being a female artist. I do!" That's what she said – to huge applause and cheers by the way. But here's the difference between the real world and the online world – the keyboard warriors lit up.  What travesty was this?! No less than a transphobic slur, she must be transphobic! Why would she say such a thing? How dare she! Twitter users (who else) blew up in fury – “Who'd have thought Adele was a transphobe and would use her platform to call for the destruction of the trans community!” said one. The destruction of the trans community? Are you serious? Some said they'd lost respect for her and ‘wouldn't spend another cent on her music'. She was accused of confusing teenagers. To be clear here, all she did was say she loves being a woman. And that now, apparently qualifies as cancellation worthy. And this is where cancel culture is eating itself. It's so inane and ridiculous that you now cannot even enjoy being the gender you are, for fear it upsets those who don't believe in gender.  Worse still, those who are affronted by her daring to say she likes being a woman, are now bullying her online, in the hope that what? She denies her own existence? That she apologises for being a woman? That she stops referring to herself as a woman? That God forbid she backtracks and decries enjoying being a woman?  Where is all this going? What's the end game here? Why do we all have to be the same? And why do we have to bend and change ourselves constantly to fit in with whoever the latest person or group to be offended is? Surely that's a bottomless pit?  There will be no individuality left at all, if we go down that track. I mean the Tweeters that are outraged that she's apparently confused teenagers by saying she loves being a woman, what about the teenagers who're seeing this bullying backlash against a woman for saying she likes being a woman? What message is that sending them? Some sprung to Adele's defence – thank goodness. One author's reported as saying, "A decade ago, if someone had said a woman would [be criticised] for the thought-crime of saying she liked being a woman, I would have laughed at such a ludicrous suggestion. Now it is happening.”  She's right - it is ludicrous. So ludicrous in fact that Adele hasn't even bothered responding to it. But maybe someone should tell Shania Twain? Surely it can't be long before her song, “Man, I feel like a woman,” gets cancelled. 

On today's episode, Scott interviews an exciting new Reggae Artist, Joe Sambo. Scott played with Joe's dad Jimmy, for a number of years on the road. His debut album, “The Wrong Impression”, ranked #1 on the reggae billboard charts in 2019. During that same year, he was awarded Best Male Artist at The New England Music Awards. His original tune, “Beef” is a #1 hit in Hawaii. Joe's larger than life personality has made him a YouTube sensation. His dance moves, colorful lyrics and satiric comedy are purely original — in one video he's holding a can of Beef labeled “House Made Grooves”. Joe Sambo has over ten thousand followers on social media, and recently signed as an artist on LAW Records. His latest EP, “Crazy Little Village”, is now streaming on all platforms. For a guy from New Hampshire, his music transports you to the freedom and joy of ocean breezes and palm trees. This talented authentic artist, certainly GOT CHOPS! Follow Joe on Website: www.joesambo.com Instagram: @joesambomusic YouTube: https://www.youtube.com/channel/UC7YZitvv_J8-vgt1VPqQXpg FaceBook: https://www.facebook.com/joesambomusic Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Facebook: Scott Grimaldi - "The Color Of Midnight" Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

Making a Scene Presents an interview with Nathan Bell!Award winning performing songwriter, Nathan Bell, the subject of a 2020 Documentary short film “I Don't Do This For Love (American Songwriter Nathan Bell on tour in Scotland, Wales and England)” was a best-of selection for Americana UK in 2016, 2017, and 2018 including Best Male Artist of 2017.He is a mesmerizing live performer who borrows from traditional musical forms and the literary traditions of writers like Jack London, John Berryman, and Studs Terkel to produce moving pictures of the American experience.

There will be no Best Male Artist or Best Female Artist categories at the ARIAs this November. Chief Executive Annabelle Herd talks us through what the awards are hoping to achieve.

Jonathan Blake Salazar is a dear buddy of mine; a healer in training; an aspiring Ayahuascero, an accomplished musician and one of the sweetest guys you’ll ever meet. We first met at Spirit Quest Sanctuary, with fond memories of deep work together with Ayahuacsa and Huachuma.When it comes to Jonathans music, it’s bright, hopeful, uplifting, with a tinge of nostalgia to simpler times; rising from a deepening connection to our Earth. Jonathan Blake Salazar has won "Best Male Singer-Songwriter" at the OC Music Awards, “Best Singer-Songwriter” at the Malibu Music Awards, “Best Male Artist” at the So Cal Music Live Awards, Nominated for a LA Music Award, Nominated for the Hollywood Music In Media Awards, has earned a Fender Guitar endorsement, a QSC speaker endorsement and his spotify averages 35,000 monthly listeners.Jonathan on Spotify: https://open.spotify.com/artist/2GNRRGxCWqkjAadPQ57QuU?si=Nk9gb_SwRtavlrPo7DIdTA&nd=1Jonathan on Apple Music:https://music.apple.com/us/artist/jonathan-blake-salazar/348797394Jonathan on Instagram:https://www.instagram.com/jbsalazarmusic/Jonathan on Facebook:https://www.facebook.com/jbsalazarmusic/---* Please leave a review on iTunes:https://podcasts.apple.com/au/podcast/birdsong-with-caiyuda-kiora/id1511868431* Support Birdsong on Patreon:https://www.patreon.com/ckmedicinepath* Connect with Caiyuda on Facebook:https://www.facebook.com/caiyu.kiora* Connect with Caiyuda on Instagram:https://www.instagram.com/caiyu.kiora* Full resources and links:https://www.medicinepath.net/birdsong---POINTS OF INTEREST:Enlightenment, liberation and the path of serviceThe Path of the Heart and The Path of PrayerHow do we both connect with the sacred?Honouring our humanness and quirks and imperfectionsFinding the path of plant-based shamanismMeditation and levitationBlackout drinking and alcoholics anonymousThe difference between a hallucination and a visionSpiritual teachings and spiritual teachersBeing in ceremony space feels like homeThe white wizard, Don Howard, and Spirit Quest SanctuaryDrinking Huachuma and tears of gratitudeJon’s developing relationship apprenticing to AyahuascaThe infinite depths of Ayahuasca and the path of servicePlant dietas - bobinsana, piri piri, lopuna blanca and more….Don Jose Campos: The shaman and ayahuacsaDieting ayahuascaHow does plant-based-shamanism inform Jonathans connection with the music industryJon’s plays us his song “Fall” on guitar, which he wrote in the jungle working with Ayahuasca

He accepted the ARIA Awards for Best Male Artist and Best Adult Contemporary Album this year. The indigenous singer-songwriter was also inducted into ARIA Hall of Fame. - 今年、2020年のARIA賞で最優秀男性アーティストなど２つの賞を受賞したほか、ARIAの殿堂入りしました。先住民シンガーソングライターの大御所で、彼自身が強制的に家族から引き離されて白人家庭で育てられた「Stolen Generation」に属します。

You might have heard of the recent Southern Deadly Yarns series by Onkaparinga Libraries and Neporendi Aboriginal Forum, which presented a virtual interviews with a First Nations author each week.The last of these was a chat with Archie Roach, who has been an important figure in Australian music and culture for more than 30 years, and recently won the ARIA for Best Male Artist, as well as the Double J Australian artist of the year.This interview celebrates the release of the 30th anniversary edition of his picture book “Took the Children Away”, based on his iconic song of the same name. He discusses his days spent sitting with friends in Adelaide’s Tarndanyangga or Victoria Square, his connection to his culture and the importance of teaching the next generations about the Stolen Generation.Thanks to Onkaparinga Libraries and Neporendi for letting us play this great interview.To watch or listen to more interviews in the series, including ones with Bruce Pascoe and Anita Heiss, go to Onkaparinga Libraries here.

Two definitions of The Final Frontier by Davie Furey : a part of a country, region, etc. that is the last to be settled, explored, or developed. :the extreme limit of understanding or achievement in a particular area Although this song wasn’t written with these times in mind, it is somewhat eerily apt. During this lock down it is possible to be exploring, developing, understanding and achieving in ways we may have not thought possible in our “normal” lives. This song, The Final Frontier , deals with new beginnings, facing fears and getting out of our comfort zones. Like many other musicians and artists, my gigs have been cancelled (Tours of Germany, US and Irish shows) so I do appreciate your support and thank you for listening to my music. I am very aware it is a tough time for a lot of radio stations and publications too, and if I can help in any way please ask. However, we will get through this together, and I look forward to seeing you soon. Stay safe, stay healthy and mind each other. Davie x Fureys' debut album 'Easy Come Easy Go' was very well received in audiences across the country having been showcased by RTÉ, BBC Radio both home and abroad, resulting in a worldwide publishing deal with Universal Music. Nominated three years in a row by The Pure M Awards, for Best Newcomer, Best Male Artist and Best Irish Solo Act. Davie’s knack for telling a story through song and his ability to engage a crowd have resulted in many sold out shows on his previous tours. The Final Frontier is taken from the forthcoming album Haunted Streets. Website: www.daviefurey.com Facebook: https://www.facebook.com/daviefureymusic1/ Twitter : https://twitter.com/daviefurey?lang=en Instagram: https://www.instagram.com/daviefureymusic/?hl=en Spotify: https://open.spotify.com/artist/0pJVfAuuVnqtwbSbwGPFwe?si=SHLtpXxfTd-XYVje1BdryA --- Send in a voice message: https://anchor.fm/talking-heads/message

Brian Henke Join us as we catch up with Brian Henke - IPMA Award winner for Best Male Artist 2019. He performs his music like a painter putting images on canvas, a kind of sonic shaman who draws inspiration from Mother Earth. We will be chatting with Brian and listening to his music during the show.

Join host Laura Turner and singer, songwriter and multi-instrumentalist Mark Lizotte aka Diesel,  who became one of Australia's biggest selling and most awarded recording artists of the 90s. He received the ARIA for Best Male Artist three years in a row from 1993. He's just released his new EP Sunset Suburbia (Vol 1).    Diesel's Sunset Suburbia national tour kicks off in October – including Geelong on the 25th of October and Lilydale on the 26th– for tickets and details head to www.oztix.com.au Diesel’s new EP Sunset Suburbia (Vol 1)is out now – it’s the first of a trilogy and there will be an album on the way in 2020.

City of Music. We're going around the globe in search of the amazing stories from the people who make it. The people who play it. The people who live it. The people who love it. The City of Music podcast is a series of powerful conversations between people making a real impact in all areas of music. Episode 1 features Trials, one half of A.B. Original, the biggest Hip Hop band in Australia and an ARIA Award-winning producer for the Hilltop Hoods and artists like Drapht, Illy, Seth Sentry and The Funkoars in conversation with DyspOra, a South Sudanese-born sonic activist and Playback 808 MC named Best Male Artist in 2017 at the South Australian Music Awards. City of Music is brought to you by the City of Adelaide See omnystudio.com/listener for privacy information.

Arrington played in various local bands before joining and touring with The Murphy's, a lounge band out of Toledo, Ohio, in 1975. About a year later Arrington relocated from Ohio to San Francisco, California where he learned Latin percussion and drumming as well as playing with Coke Escovedo and Pete Escovedo and Sheila E. He joined the funk group Slave on their third LP, called The Concept? ?– originally to play percussion, then later becoming the drummer and a backing vocalist. Eventually Arrington took over lead vocals, singing on the hit singles "Just a Touch of Love", "Watching You" (which has been sampled by Snoop Dogg) and "Wait for Me". Arrington left Slave in 1982, forming Steve Arrington's Hall of Fame, and had hit singles such as "Weak At The Knees" (which was sampled by Three Times Dope, Jay-Z, Jermaine Dupri, N.W.A, and others), and "Nobody Can Be You But You". His most successful album was his 1985 solo work Dancin' in the Key of Life, whose title track became a Top Ten R&B hit. The single also spent three weeks at number two on the dance charts.? ? Another single from the album, "Feel So Real" reached #5 in the UK Singles Chart in May that year.? ? He was nominated for the NAACP Image Award for Best Male Artist of 1986. In 1984 Arrington experienced a religious conversion, later becoming a licensed minister and, in 1990, he left pop music until his re-emergence in October 2009, when he released the R&B, Funk, spiritual album Pure Thang. Listen to learn more...

Award winning Singer/Songwriter, Producer, Tim’s work spans two decades starting with his first release “Out Of The Blue” winning “Folk Album Of The Year” from Just Plain Folks. Since then he has released four additional CDs, performed for countless shows opening for many big-name artists, and winning him three IEMAs - 2 for “Best Male Artist” and 1 for “Best Pop”; an OCMA for “Best Male Performance”, and other accolades from “International Songwriting Competition”, “Independent Music World Series”, as well as “Best In Fest” from the local “Temecula Valley International Film and Music Festival” on ‘06His entrepreneurial spirit continues to drive him to other aspects of the music business adding titles like Talent Buyer, Concert Promoter, and Record Label Owner, to his credentials.Most recent endeavors include writing and producing music for TV & Film. As well as, founding the MoyerEntertainment Group, Inc. DBA: Temecula Valley Music Awards and DBA: Temecula Valley Bluegrass Festival, through which he has helped other artists blossom and provided thousands of dollars in much needed support to music students and school music programs. http://timmoyer.comhttps://www.facebook.com/timmoyerband/https://www.instagram.com/timmoyer1/https://twitter.com/timmoyer

"The Sade Champagne Show" (Season 2 EP34) Each episode is full of Inspiration, Encouragement, Entertainment, and Empowerment. Welcome to Season 2! Join us with Celebrity Guests multi award winning and platinum Hungarian Pop star VIKTOR KIRALY and Wall Street trained finance professional, published author and inspirational speaker RAMSEY JAY, JR. Viktor won the Hungarian Megastar competition in 2008 and his self-titled album landed in the top 40. With a gold record in hand, and a number one single, Viktor earned three nominations for " Sexiest Man of the Year" from Cosmopolitan, Glamour and Joy magazine. After claiming "Best Song of The Year" with Fire from his platinum album 3rd Dimension, he was appointed "Best Male Artist" by Viva. He is most recently known for being a Top 20 Finalist on Season 9 of the Voice (Team Adam and Team Gwen). Ramsey Jay, Jr. was named by EBONY Magazine as one of the top “30 Young Leaders Under 30”, in February 2016, he made opening remarks at the White House where President Obama and the First Lady hosted an event honoring Ray Charles. In April 2015, Mr. Jay was the recipient of UCLA's Riordan's Program inaugural “Excellence in Civil Engagement & Leadership Award” recognizing his commitment to serve the community. Also featuring brand new Sharing Your Story with Ayokunle segment, What's Goin On'? with Christina Renee segment and special guest NATHAN MARTELL, Living With Fearless Joy with Rick and Melissa segment and Wellness Made Simple with Veronika segment. Call-in @ 323-693-3043 and press "1" to stream LIVE and CHAT with Sade, the cast and her guests. Presented by: GrindHard Radio. #SadeChampagneShow

Chet Faker is the stage name of Australian singer and songwriter Nick Murphy. His debut album, Built on Glass, won five ARIA Awards, Australia’s version of the Grammys, including Best Male Artist, Producer of the Year, and Best Independent Album. In this episode, Nick breaks down the song Gold from that album, and traces the journey it took from a dream, to a cover, to a love song. This episode is sponsored by iZotope Spire, Dropbox for Business, and Lagunitas Brewing Company.

Steve Arrington joined the funk group Slave on their 3rd LP origjnally to play percusson. He became the drummer, a backing vocalist and then eventually the lead on such songs as "Just a Touch of Love", "Watching You" and "Wait For Me". He left Slave in 1982 and formed Steve Arrington's Hall of Fame and had such hit singles as "Weak At The Knees" and "Nobody can Be You But You". His most successful album was a solo project, "Dancing in the Key of Life" The title track became a top 1en R&B hit and was number 2 on the dance charts. Steve Arrington was nominated for the NAACP Image Award for Best Male Artist in 1986. His music was blasted in my teenage bedroom and now I get to blast it for you during this segment of Brunch In The Basement With JaVonne. With featured segments by Nathan James and Meka Rae!

Doug Briney embodies all things country: His personality is warm and inviting, some would say down-to-earth, recalling the disposition of many a Southern Gentleman from yesteryear. With a 2013 Independent Country Music Association Award, eight months on the Roots Music Report charts, international airplay and live performances at CMA Fest, Rodeo Alaska, The Iditarod, The Grinder's Switch Hour, Alaska State Fair, and Dan McGuiness' on Music Row, among countless others, this God-fearing road warrior, with the warm baritone voice and love for all things southern, has released his aptly titled Super Country Cowboy. On this album, Doug has created a tasteful blend of yesterday's traditional country roots and today's radio-friendly contemporary sounds, to invoke all the best that is American: Love of God, Family and the US of A.With the release of his debut album, It's All Country, in early 2012, (and its re-release on CBM Records in 2013) Doug Briney showcased his signature sound, which he cultivated from years of touring camps, churches and conferences across the US. “We even played in an airport once, to impress a pretty girl for one of the band members,” he says with a laugh. Blending traditional influences from country music's past, like the Gatlin Brothers and Kenny Rogers, with modern contemporaries like Toby Keith and Trace Adkins, Doug created an original, honest and authentic sound all his own. The collection of well-known country hits and new covers peaked at #6 on the Roots Music Report True Country chart, where it remained for 8 straight months. The album also charted at #11 on the itunes Country New Release chart, with 3 singles receiving international airplay and chart action, leading to more than 300,000 Youtube views between them.In February 2013, Doug signed with Tate Music Group, home to country legends like Lee Greenwood and Neal McCoy. In November 2013, Tate released Super Country Cowboy, a brilliant and heartfelt collection of compositions from some of today's best country songwriters. From the Charlie Daniels-meets-Big & Rich-influenced title cut (Top 10 RMR,) to the inspiring, “I Get To” and the patriotic anthem, “Unknown Soldier,” Doug delivers nine emotion-filled, hook-laden tracks that are purely Doug Briney: heart-felt, passionate and proud. The album reached #58 on the itunes Inspirational chart and #8 on the Roots Music Report True Country chart, earning Doug a Nashville Universe Award nomination for Best Male Artist, a 2014 ICoMA Award nomination, and a 2014 Artists In Music Awards nomination.A 2013 move to Nashville, Tennessee has brought Doug to the epicenter of the country music industry. Grateful for being able to live his dream of performing and recording music, he has gladly given back to his community in a big way. Surrounded by a history of veterans and military service in his family, (his son currently serves in the Air Force) Doug has begun working with Bright Star International, who will help facilitate Doug's work with veterans' charities, and Heart Songs For Veterans. He is also donating 100% of his proceeds from the sale of the single, “Unknown Soldier” to Operation Troop Aid.An ordained pastor, Doug also served at the Cowboy Church of Anchorage, Alaska, prior to his family's relocation to Music City, USA. He is currently serving as a pastor with North Pointe Community Church in Old Hickory, TN. In fact, it's his unwavering faith and love of country music that has led Doug on his journey.“I have come to know and love the Cowboy Lifestyle through country music…And, it is who I am now, who I have been, and who I will always be.” --Doug Briney

In any given setting, a striking performance can expected from singer-songwriter Jordan Harris who’s on his way to achieving a reputation as a first class musician. Showing strong self-motivation to effectively build his name, Harris breezed into Portland, OR as a breath of fresh air freed from his small town youth. His dedication to the pop-rock sound began at age ten with the drums when the guitar and his voice soon followed and have continued to push him forward. Since first writing and recording his own songs in his late teens, he’s embarked on a journey that’s certain to present a wide range of opportunities. As a charismatic performer he’s gathered a noble following both on his own and as lead singer for The Gentleman’s Club, one of Portland’s premier cover bands. Harris has received nominations as “Best Male Artist” of the Portland Music Awards, “Best Emerging Artist” of Deli Music Magazine and was selected for televised performances on ABC’s “AM Northwest” and “America’s Got Talent” filmed before a sold-out Paramount Theater in Seattle. Currently in pre-production with award winning producer Josh Schroder is Harris’ debut EP, Young, chalked for a September 2011 release with a sixteen city west coast tour. Please be sure to visit Jordan at http://www.reverbnation.com/jordanharris and spread the word. Fans are welcome to call in and chat live with Jordan during the show. If you would like to participate in the live chat during the show, you must sign up on the show site first and then log in during the show. Our message to the troops....WE do what we do, because YOU do what you do.