Podcasts about John Berryman

Lewis Hyde is one of those contemporary authors whose work I think about a lot. He’s spent years reflecting on and writing about topics of great interest to me, like forgetting and forgiveness, but the true trademark of his work is how he processes concepts and describes them. He approaches his work like chasing a butterfly (a lifelong hobby of his), following the dips and curves of an idea until he’s satisfied. We talk about his revered books The Gift and A Primer for Forgetting, and what artists do or do not owe the world. And now that I know he took undergrad classes with John Berryman — the first favorite poet I ever had — I’m going to be thinking about his work, and his beautiful writing, even more. Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia. Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.See omnystudio.com/listener for privacy information.

The confessional poets of the mid-20th century considered themselves a ‘doomed' generation, with a cohesive identity and destiny. Their intertwining personal lives were laid bare in their work, and Robert Lowell, John Berryman and Elizabeth Bishop returned repeatedly to the elegy to commemorate old friends and settle old scores.In this episode, Mark and Seamus turn to elegies for poets by poets, tracing the intricate connections between them. Lowell, Berryman and Bishop's work was offset by a deep commitment to the literary tradition, and Mark and Seamus identify their shared influences and anxieties.Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:Directly in Apple Podcasts: https://lrb.me/applecrldIn other podcast apps: https://lrb.me/closereadingsldFind further reading in the LRB:Mark Ford: No One Else Can Take a Bath for Youhttps://www.lrb.co.uk/the-paper/v10/n07/mark-ford/no-one-else-can-take-a-bath-for-youKarl Miller: Some Names for Robert Lowellhttps://www.lrb.co.uk/the-paper/v05/n09/karl-miller/some-names-for-robert-lowellNicholas Everett: Two Americas and a Scotlandhttps://www.lrb.co.uk/the-paper/v12/n18/nicholas-everett/two-americas-and-a-scotlandHelen Vendler: The Numinous Moosehttps://www.lrb.co.uk/the-paper/v15/n05/helen-vendler/the-numinous-mooseGet the books: https://lrb.me/crbooklistNext episode: Self-elegies by Hardy, Larkin and Plath. Hosted on Acast. See acast.com/privacy for more information.

The panel reads John Berryman's "Eleven Addresses to the Lord" and considers the poems within the context of the author's biography and Judeo-Christian theology, with special emphasis on the distinction between God as abstraction and as embodied being.Continue reading

In this episode of Stories From The Hackery, we chat with Spencer Sharpe and Jack Parsons, two NSS graduates and lead software developers. We catch up on their journeys of transitioning from music to tech and explore the impact and utilization of generative AI tools in their current roles. They also share their insights on the evolving landscape of software development. Listen in for their advice on leveraging AI tools, maintaining code quality, and shaping a career in tech today. SHOW NOTES 00:00 Introduction to Stories from the Hackery 00:37 Meet the Guests: Spencer Sharpe and Jack Parsons 02:34 Musical Backgrounds and Career Shifts 9:52 Generative AI Tools and Productivity 17:31 Generative AI for Unit Testing 19:21 Quality and Context in AI-Generated Code 29:12 AI in Code Review 29:29 The Required Human Element 31:53 Training and Assessing Junior Developers 37:52 Resources for Learning to Use Generative AI 42:18 Advice for Aspiring Tech Professionals 44:06 The Future of Software Engineering 50:33 Technology Guilty Pleasures 52:19 Final Thoughts Links from the show: Nashville Software School: https://nashvillesoftwareschool.com How are NSS Alumni Using Generative AI Tools on the Job (Survey 2024): https://learn.nashvillesoftwareschool.com/blog/2024/06/26/how-are-nss-alumni-using-generative-ai-tools-on-the-job Ethan Mollick: 15 times to Use AI and 5 Not to https://www.oneusefulthing.org/p/15-times-to-use-ai-and-5-not-to Prompt Engineering LLMs by John Berryman and Albert Ziegler https://www.amazon.com/Prompt-Engineering-LLMs-Model-Based-Applications/dp/1098156153/

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Poet, writer, and podcaster Andrew Wittstadt joins the pod to discuss the troubled life of the brilliant American poet John Berryman. Get the After Dark episode and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. x.com/AndrewWittstadt x.com/artofdarkpod x.com/bradkelly x.com/kautzmania […]

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"Out for a walk with Robert Lowell, Just me and him and my Bell & Howell" — John Berryman

It all goes around and around --- Support this podcast: https://podcasters.spotify.com/pod/show/jacob-davies2/support

It all goes around and around --- Support this podcast: https://podcasters.spotify.com/pod/show/jacob-davies2/support

The queens love to love you--but it didn't always start out like that. Stick around for our game: "Pulitzer Prize Winning Titles from an Alternate Universe."Please Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.If you have library access, Ena Jung's 2015 article "The Breath of Emily Dickinson's Dashes" is worth the time.Watch Bill Murray read two of the more obscure Wallace Stevens poems here. Watch Jonathan Pryce read Wordsworth's "Composed Upon Westminster Bridge"Watch James Wright read some of his iconic poems, including "A Blessing" (at 33:15--he calls the poem "a description") here.John Ashbery's Flow Chart is a book-length poem comprising 4,794 lines, divided into six numbered chapters, each of which is further divided into sections or verse-paragraphs, varying in number from seven to 42. The sections vary in length from one or two lines, to seven pages. It includes at least one double-sestina (and one of them references oral sex between men).Hear Linda Gregg read and be interviewed in 1986 (~25 mins).Here's a quick book-trailer of C. Dale Young's The Halo, including a reading of one of the poems by Young.Listen to a few minutes of Archibald Macleish's Conquistador here.We can recommend Peter Maber's 2008 article about John Berryman's Dream Songs, "'So-called black': Reassessing John Berryman's Blackface Minstrelsy" as a good starting place to think about the racism in that book.Jazz Age poet, translator, and Poetry editor George Dillon was born in Jacksonville, Florida, in 1906.At 24, Audrey Wurdemann is the youngest person to win the poetry Pulitzer (for Bright Ambush). Read a few poems here.Read Robert P. Tristram Coffin's poem "Messages"Here's Mark Strand reading "Sleeping With One Eye Open"We reference  Stevie Nicks (a Gemini) singing her iconic song "Landslide"Winner of the 1973 Pulitzer Prize in Poetry, Robert Lowell's The Dolphin controversially  included letters from Elizabeth Hardwick (Lowell's former wife). The letters were sent to him after he left her for the English socialite and writer Caroline Blackwood. He was warned by many, among them Elizabeth Bishop, that “art just isn't worth that much.”

Poet, editor, translator, and critic Louis Simpson was born in Jamaica to Scottish and Russian parents. He moved to the United States when he was 17 to study at Columbia University. After his time in the army, and a brief period in France, Simpson worked as an editor in New York City before completing his PhD at Columbia. He taught at colleges such as Columbia University, the University of California, Berkeley, and the State University of New York at Stony Brook.A contemporary of confessional poets like Robert Lowell, John Berryman, and Sylvia Plath, Simpson's early work followed a familiar arc. In the New York Times Book Review, critic David Orr noted its highlights: “Simpson has followed a path lined with signposts sunk so deep in our nation's poetic terra firma that they've practically become part of the landscape. Those signposts declare that a poet born in or around the 1920s should (1) begin his career writing witty, ironic formal poems bearing the stamp of Eliot and Auden; then (2) abandon that formalism for a more 'natural' free verse approach, while (3) dabbling in surrealism; until (4) finally settling on social, conversational poems in the manner of a man speaking to men.” While Simpson's early books like The Arrivistes (1949) and A Dream of Governors (1959) show the influence of Auden, they also speak to his horrific experiences in World War II, where he served in the 101st Airborne Division and saw active duty in France, Belgium, and Germany. Simpson's intense formal control, at odds with the visceral details of soldiering, also earned him comparisons to Wilfred Owen. At the End of the Open Road (1963) won the Pulitzer Prize and marked a shift in Simpson's poetry as well. In this and later volumes, like Searching for the Ox (1976) and The Best Hour of the Night (1983), Simpson's simple diction and formally controlled verses reveal hidden layers of meaning.Simpson's lifelong expatriate status influenced his poetry, and he often uses the lives of ordinary Americans in order to critically investigate the myths the country tells itself. Though he occasionally revisits the West Indies of his childhood, he always keeps one foot in his adopted country. The outsider's perspective allows him to confront “the terror and beauty of life with a wry sense of humor and a mysterious sense of fate,” wrote Edward Hirsch of the Washington Post. Elsewhere Hirsch described Simpson's Pulitzer Prize-winning collection, At the End of the Open Road (1963), as “a sustained meditation on the American character,” noting, “The moral genius of this book is that it traverses the open road of American mythology and brings us back to ourselves; it sees us not as we wish to be but as we are.” Collected Poems (1988) and There You Are (1995) focus on the lives of everyday citizens, using simple diction and narratives to expose the bewildering reality of the American dream. Poet Mark Jarman hailed Simpson as “a poet of the American character and vernacular.”A noted scholar and critic, Simpson published a number of literary studies, including Ships Going Into the Blue: Essays and Notes on Poetry (1994), The Character of the Poet (1986), and Three on the Tower: The Lives and Works of Ezra Pound, T.S. Eliot, and William Carlos Williams (1975). Simpson also penned a novel, Riverside Drive (1962), and the autobiographies The King My Father's Wreck (1994) and North of Jamaica (1972).Simpson's later work included The Owner of the House: New Collected Poems (2003), a collection that spans his 60-year career, and Struggling Times (2009). In addition to the Pulitzer Prize, Simpson received numerous awards and accolades, including the Prix de Rome, the Columbia Medal for Excellence, and fellowships from the Guggenheim Foundation. He was a finalist for the prestigious Griffin International Poetry Award, and his translation of Modern Poets of France: A Bilingual Anthology (1997) won the Harold Morton Landon Translation Award.Simposon died in Setauket, New York in 2012.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem is Dream Song 14 by John Berryman. The Slowdown is your daily poetry ritual. In this episode, Major writes… “I miss being bored. I miss idly sitting in a chair, looking out a window, wondering what next to do with myself. I want the feeling of time as an endless desert — nothing in sight, nothing on the horizon.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Revenge is best served at the end of a katana sword that your wife bought for you at the mall. Time to make some floured eggs. Suit up, ninja enthusiasts, because "New York Ninja" is a wild ride that takes us back to the glory days of 80s action cinema. This 2021 hidden gem, rescued from obscurity, brings us a delightful mix of a ridiculous plot, unintentionally funny fight scenes, an incredibly awesome music score, and an insane villain known as "The Plutonium Killer." Let's start with the plot – it's so over-the-top and absurd that you can't help but be entertained. From a vigilante ninja patrolling the mean streets of New York City to thwarting a nefarious plot involving plutonium man, the movie embraces every ninja cliché with open arms. The narrative is a rollercoaster of unexpected twists and turns, making it a nostalgic joy for fans of the genre. Now, let's talk about the unintentionally funny fight scenes. The choreography might not be as polished as modern martial arts films, but that's part of the charm. The exaggerated kicks, flips, and cheesy one-liners deliver a hefty dose of nostalgia, evoking memories of the martial arts classics we all secretly adore. It's as if the filmmakers decided to embrace the quirks of the 80s ninja genre, resulting in scenes that will leave you simultaneously cringing and laughing. The real star of "New York Ninja" is undoubtedly its incredible music score from Voyag3r. It's a synth-heavy, pulse-pounding masterpiece that perfectly complements the on-screen action. The music not only captures the essence of 80s cinema but elevates the overall viewing experience. Every ninja kick and punch is accentuated by a catchy beat, making you want to jump off your couch and join the action. And let's not forget about "The Plutonium Killer." Played with maniacal glee by the villain (and voiced by John Berryman), this character embodies everything we love about over-the-top antagonists from the 80s. From the flamboyant acting to the crazy makeup, The Plutonium Killer is a true highlight, leaving an indelible mark on the film's absurdity. "New York Ninja" is a delightful throwback that embraces its roots and unapologetically revels in the absurdity of 80s ninja cinema. It's a perfect blend of nostalgia and unintentional humor, with a killer soundtrack to boot. If you're in the mood for a film that doesn't take itself too seriously and transports you back to the golden era of ninja flicks, "New York Ninja" is a must-watch. Grab your popcorn, buckle your ninja headband, and prepare for a hilarious trip down memory lane.

Hosts Rob Starr and Chris Davey celebrate the Water Zone being named FeedSpot's #1 podcast on water with a review of highlights from 2023 including segments with Reese Tisdale and John Berryman from Bluefield Research who addressed national water trends; Innovyze President, David Totman regarding the challenges facing water utilities; and a range of fabulous guests representing climate science, irrigation technology, legislation, water supply, meteorology, education, manufacturing and more. Podcast Recorded on January 11, 2024

John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate's best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate's many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane's White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate's “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate's] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Read by Terry Casburn Production and Sound Design by Kevin Seaman

April 18, 2023 - "Dream Song #14" By John Berryman, Read By Kathryn Rovello by The Desmond-Fish Public Library & The Highlands Current, hosted by Ryan Biracree

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Bluefield Research is a team of analysts exclusively focused on water, wastewater and stormwater across global industrial and municipal sectors. Team members Reese Tisdale and John Berryman, join the show to discuss all the ways industry businesses, utilities and professionals are addressing the challenges and opportunities in water conservation. They also share insight on the future of proposed remedies to address the drought in the western U.S. Podcast recorded on January 5, 2023

On this edition of Radio Guy Reflections, we go back to last year to repeat a show about small market radio. Up first Ken Walker a former radio news director who made the unusual switch to newspaper. We also talk about serving the community. I was reminded that January 9 2023 a great radio tradition starts again. The Helping Hands Radio Auction has been a yearly tradition in Paris Tennessee for as long as I remember raising thousands of dollars each year for public service and charitable organization in Henry County. I talked with last years President John Berryman about the history of the event and how WTPR- AM gives airtime to support this yearly event.

The Catholic Culture Podcast Network sponsored a poetry reading session at the fourth biennial Catholic Imagination Conference, hosted by the University of Dallas. Thomas Mirus moderated this session on Sept. 30, 2022, introducing poets Paul Mariani, Frederick Turner, and James Matthew Wilson. Paul Mariani, University Professor Emeritus at Boston College, is the author of twenty-two books, including biographies of William Carlos Williams, John Berryman, Robert Lowell, Hart Crane, Gerard Manley Hopkins, and Wallace Stevens. He has published nine volumes of poetry, most recently All that Will be New, from Slant. He has also written two memoirs, Thirty Days and The Mystery of It All: The Vocation of Poetry in the Twilight of Modernism. His awards include fellowships from the Guggenheim Foundation, the NEA and NEH. He is the recipient of the John Ciardi Award for Lifetime Achievement in Poetry and the Flannery O'Connor Lifetime Achievement Award. His poetry has appeared in numerous anthologies and magazines, including Image, Poetry, Presence, The Agni Review, First Things, The New England Review, The Hudson Review, Tri-Quarterly, The Massachusetts Review, and The New Criterion. Frederick Turner, Founders Professor of Arts and Humanities (emeritus) at the University of Texas at Dallas, was educated at Oxford University. A poet, critic, translator, philosopher, and former editor of The Kenyon Review, he has authored over 40 books, including The Culture of Hope, Genesis: An Epic Poem, Shakespeare's Twenty-First Century Economics, Natural Religion, and most recently Latter Days, with Colosseum Books. He has co-published several volumes of Hungarian and German poetry in translation, including Goethe's Faust, Part One. He has been nominated internationally over 40 times for the Nobel Prize for Literature and translated into over a dozen languages. James Matthew Wilson is Cullen Foundation Chair of English Literature and Founding Director of the MFA program in Creative Writing at the University of Saint Thomas, in Houston. He serves also as Poet-in-Residence of the Benedict XVI Institute for Sacred Music and Divine Worship, as Editor of Colosseum Books, and Poetry Editor of Modern Age magazine. He is the author of twelve books, including The Strangeness of the Good. His work has won the Hiett Prize, the Parnassus Prize, the Lionel Basney Award (twice), and the Catholic Media Book Award for Poetry.

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In this episode, I speak with the poet, critic, and biographer Paul Mariani, professor emeritus at Boston College. We discuss his new book, All that Will be New and his biography of Robert Lowell, The Lost Puritan. We discuss Lowell's life, poetry, and his struggle with the permanent things: religion, marriage, art, family. Given the influence of Hopkins on his early poems, I think this episode pairs well with episode 38 with Nick Ripatrazone. As always, I hope you enjoy our conversation. Paul Mariani is the University Professor of English emeritus at Boston College. He is the author of twenty books, including biographies of William Carlos Williams, John Berryman, Robert Lowell, Hart Crane, Gerard Manley Hopkins, and Wallace Stevens. He has published nine volumes of poetry: All That Will New, Ordinary Time, Epitaphs for the Journey, Deaths & Transfigurations, The Great Wheel, Salvage Operations: New & Selected Poems, Prime Mover, Crossing Cocytus, and Timing Devices. He is also the author of the spiritual memoir, Thirty Days: On Retreat with the Exercises of St. Ignatius and The Mystery of It All: The Vocation of Poetry in the Twilight of Modernity. His awards include fellowships from the Guggenheim and the NEA and NEH. In September 2019, he was awarded the inaugural Flannery O'Connor Lifetime Achievement Award from the Catholic Imagination Conference at Loyola University, Chicago. Jennifer Frey is an associate professor of philosophy and Peter and Bonnie McCausland Faculty Fellow at the University of South Carolina. She is also a fellow of the Institute for Human Ecology at the Catholic University of America and the Word on Fire Institute. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with a Classics minor) at Indiana University, in Bloomington, Indiana. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology. Her writing has also been featured in Breaking Ground, First Things, Fare Forward, Image, Law and Liberty, The Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and chickens. You can follow her on Twitter @ jennfrey. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is an associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

In this episode, I speak with the poet, critic, and biographer Paul Mariani, professor emeritus at Boston College. We discuss his new book, All that Will be New and his biography of Robert Lowell, The Lost Puritan. We discuss Lowell's life, poetry, and his struggle with the permanent things: religion, marriage, art, family. Given the influence of Hopkins on his early poems, I think this episode pairs well with episode 38 with Nick Ripatrazone. As always, I hope you enjoy our conversation. Paul Mariani is the University Professor of English emeritus at Boston College. He is the author of twenty books, including biographies of William Carlos Williams, John Berryman, Robert Lowell, Hart Crane, Gerard Manley Hopkins, and Wallace Stevens. He has published nine volumes of poetry: All That Will New, Ordinary Time, Epitaphs for the Journey, Deaths & Transfigurations, The Great Wheel, Salvage Operations: New & Selected Poems, Prime Mover, Crossing Cocytus, and Timing Devices. He is also the author of the spiritual memoir, Thirty Days: On Retreat with the Exercises of St. Ignatius and The Mystery of It All: The Vocation of Poetry in the Twilight of Modernity. His awards include fellowships from the Guggenheim and the NEA and NEH. In September 2019, he was awarded the inaugural Flannery O'Connor Lifetime Achievement Award from the Catholic Imagination Conference at Loyola University, Chicago. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is an associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

Dr. Ben Myers is a poet, a professor, and the director of the Honors Program at Oklahoma Baptist University. Josh and Ben discuss why poetry matters; they read some favorite poems (including the John Berryman poem that forms the title of this episode), and they discuss how the Christian story provides a framework for discerning beauty and good art. Ben Myers is the author of A Poetics of Orthodoxy: Christian Truth as Aesthetic Foundation.

'I'll resort to tea, but anything stronger would make things much worse. The likes of John Berryman or Dylan Thomas couldn't cope without alcohol. 'I'll resort to tea, but anything stronger would make things much worse. The likes of John Berryman or Dylan Thomas couldn't cope without alcohol. For others, its been sex or the occult, and Sylvia Plath found inspiration in the proximity of death.

What are we doing when we pray? In the second episode of the second season, John, David, and Simeon venture a few theories (and a bunch of stories). Referenced and recommended resources include: Quotations: Frank Lake's Clinical Theology (https://mbird.com/psychology/frank-lake-and-the-paradox-of-prayer/), The Long Text of Julian of Norwich (Chapter 43), "Eleven Addresses to the Lord" by John Berryman (https://www.poetryfoundation.org/poems/48948/eleven-addresses-to-the-lord) Books and Literature: Help Thanks Wow (https://amzn.to/3AwCh3m) by Anne Lamott, The Lord's Prayer (https://amzn.to/3yOlYxH) by Wesley Hill, Lit (https://amzn.to/3am2Ai1) by Mary Karr, Augustine's Confessions (https://amzn.to/3P76Gt6), Showings (https://amzn.to/3PfXKSt) by Julian of Norwich, The Collects of Thomas Cranmer (https://amzn.to/3OSEc6O) by Paul Zahl and Frederick Barbee, "Collect for the Fourth Sunday After Easter" (https://www.churchofengland.org/prayer-and-worship/worship-texts-and-resources/book-common-prayer/collects-epistles-and-gospels-38), "For the Time Being" (https://amzn.to/3OKfHsl) by WH Auden Movies: The Apostle _(1997), _Little Boy (2015) Artwork: Das Vaterunser (https://www.moma.org/collection/works/71662) by Max Pechstein Songs: “10 9 8 7” by Armand Duchies, “Dervish Chant” by African Head Charge, “Please Please Please Let Me Get What I Want” by The Smiths, “Come Talk to Me” by Peter Gabriel, “Make The Woman Love Me” by Dion, “Cleopatra” (JAZ edit 2), "Acid Rain" by Galaxy II Orchestra, “Talk to the Lord” by Natalie Bergman, “Let Us Pray” by Elvis Presley, “You Are My Dream” by Kamagni, “Lords Prayer” by Marvin Gaye, “Our Prayer” by The Beach Boys, “I Pray” by Blossom Child Click here (https://open.spotify.com/playlist/2ZEDD3kbdFeuBjrMIhWi1V?si=058bfc64dedc426d) to listen to a playlist of the available tracks on Spotify.

NB: Here is the link to the SLEERICKETS Secret Show. Go and see! Thanks.Some of the topics mentioned in this episode:– Terror and Black Sun by Toby Martinez de las Rivas– from “Titan/All Is Well” by Toby Martinez de las Rivas– Black Sun: An Interview with Toby Martinez de las Rivas by Lucy Mercer– On the Pale Sun of Toby Martinez de las Rivas by Dave Coates– The Black Sun Notebooks: 1. Owning the Post-Libs by Giacbelolli– Fishing for Fascists: A Letter to Dave Coates by Chris Edgoose– A Response by Toby Martinez de las Rivas– Poetry and Fascism: Dave Coats v. Toby Martinez de las Rivas by Rob A. Mackenzie– Eleven Addresses to the Lord by John Berryman– 90 North Randall Jarrell– in that the Soul standeth: Randall Jarrell's 90 North and John Berryman's A Prayer for the Self by Toby Martinez de las RivasTwitter: @sleerickets, @BPlatzer, @poetry_saysEmail: sleerickets [at] gmail [dot] comEratosphere: W T ClarkMusic by ETRNLArt by Daniel Alexander Smith

Poet Jason Gallagher goes deep and things get dark as we delve into the life and work of major mid-century American poet John Berryman. And listen to the After Dark episode for Patreon subscribers at: patreon.com/artofdarkpod instagram.com/gallagherjason twitter.com/artofdarkpod twitter.com/bradkelly twitter.com/kevinkautzman https://youtu.be/t2PbaeBGN3s

Consider supporting Human Voices Wake us by clicking here. Another two part episode: In the first part, quotations on creativity come from Toni Morrison, Richard Wilbur, John Berryman, and T. S. Eliot. In the second part (starting at 24:17), I read selections from Walt Whitman's earliest reviewers. The full text of these reviews can be found in Gary Schmidgall's Selected Poems of Walt Whitman. The two pocket books of Whitman's poetry that I mention at the end are The Selected Long Poems and The Selected Short Poems. Any comments, or suggestions for readings I should make in later episodes, can be emailed to humanvoiceswakeus1@gmail.com. I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at humanvoiceswakeus1@gmail.com, and I will remove the episode immediately. --- Support this podcast: https://anchor.fm/humanvoiceswakeus/support

John Allyn McAlpin Berryman foi um poeta norte-americano. Reconhecido como uma figura importante na poesia da segunda metade do século XX, é considerado um dos maiores expoentes da poesia confessional. Em 1965, foi honrado com o Prêmio Pulitzer de Poesia. Nasceu em 1914 e faleceu em 1972. ►► Seja publicado! Ajude a poesia a se manter viva. https://apoia.se/tomaaiumpoema _________________________________ John Berryman — 22 Eu sou o homem pequenino que fuma & fuma. Eu sou a garota que, apesar de sabida. Eu sou o rei da piscina. Eu sou tão sábio que pedi costurassem minha boca. Eu sou um oficial do governo & um maldito idiota. Eu sou uma dama que leva na esportiva. Eu sou o inimigo da mente. Eu sou o vendedor de automóveis e te amo. Eu sou um câncer adolescente, com um plano. Eu sou o homem desmaiado. Eu sou a mulher poderosa como um zôo. Eu sou dois olhos parafusados ao aparelho, cuja cega – É Independência. A cobrar: enquanto o moribundo, abandonado por teu criador, que perdoa, vai arfando “Thomas Jefferson ainda vive” em vão, em vão, em vão. Eu sou Henry Gatinho! Meus bigodes voam. _________________________________ Use #tomaaiumpoema Siga @tomaaiumpoema Poema: 22 Poeta: John Berryman Tradução: Ismar Tirelli Neto Voz: Jéssica Iancoski https://tomaaiumpoema.com.br ATENÇÃO Somos um projeto social. Todo valor arrecadado é investido na literatura. FAÇA UM PIX DE QUALQUER VALOR CNPJ 33.066.546/0001-02 ou tomaaiumpoema@gmail.com Até mesmo um real ajuda a poesia a se manter viva! #poesia | #poemas | #podcast

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Today we are joined by a god friend of mine and a who did mornings with me at WTPR- AM in Pars Tennessee, I was program director and he was the news director. After ten years in radio he made the switch to being a news reporter for the Paris P.I. newspaper. We discuss how writing news is different for radio and newspaper and how social media is changing both. I will also be talking to John Berryman the president of a public service group called the Helping Hands and how they use radio to raise money for service organizations in Henry County Tennessee. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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A sense of Western disunity has existed for quite a long time, ranging from Brexit to the EU's internal divisions and the trans-Atlantic rift created by former US President Donald Trump. After war broke out between Russia and Ukraine, why is there perceived western solidarity? Host Ding Heng is joined by Professor Ronald Grigor Suny at University of Michigan; Dr. John Berryman at Birkbeck, University of London; Chen Shirong, Managing Editor of Foremost 4 Media and China Report magazine.

Which bore me.

In another of Succession's trademark bad vacations, "Chiantishire" moves the season's plot, and maybe Kendall, towards an endgame. Anna Golez joins the Fly Guys to discuss the direction of Mark Mylod, new Nicholas Britell cues, the season's theme of historical change, Greek tragedy, deadbeat dads spanning multiple generations, Peter Munion, Kendall's fate, water imagery, John Berryman, podcasts, the Roys as analogues for the Kennedys, Shiv and Tom renegotiating their relationship, Roman's sicko moment, Logan's prejudices, Connor's proposal, Greg's flailing storyline, Lukas Matsson's true motives, and more. Anna Golez is the proprietor of no context Succession (Twitter: @nocontextroyco) who you can find tweeting even more about Succession at @waystarceo. Emily VanDerWerff on the episode's final shot: https://www.vox.com/culture/2021/12/7/22822667/succession-episode-8-season-3-chiantishire-kendall-recap-dead Jesse Armstrong on the season 2 finale and John Berryman: https://www.vulture.com/2019/10/succession-season-2-finale-jesse-armstrong.html RoyCast is a passion project and we incur minor ongoing expenses related to producing and hosting the podcast. However, we have no intention of paywalling the show. For those who would like to support you can do so here: https://roycast.square.site/

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

Ernest Hilbert's debut poetry collection Sixty Sonnets (2009) was described by X. J. Kennedy as “maybe the most arresting sequence we have had since John Berryman checked out of America.” His other books include All of You on the Good Earth (2013); Caligulan (2015), which was selected as the winner of the 2017 Poets' Prize; and Last One Out (2019). Hilbert currently keeps a heavily-encrypted dark web poetry site called Cocytus and a more public website to promote emerging poets called E-Verse Radio. Hilbert graduated with a doctorate in English Language and Literature from Oxford University, where he edited the Oxford Quarterly. Hilbert later served as poetry editor of Random House's magazine Bold Type in New York City and editor of Contemporary Poetry Review, published by the American Poetry Fund in Washington DC. He works as an antiquarian book dealer in Philadelphia, where he lives with his wife, Keeper of the Mediterranean Section at the University of Pennsylvania Museum of Archaeology and Anthropology and their son, Ian. Find the book and more at: https://www.ernesthilbert.com/ As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. For details on how to participate, either via Skype or by phone, go to: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a spooky poem for Halloween. Next Week's Prompt: This was a lot of fun last time, so let's do another random street view poem. Randomstreetview.com is a site that randomly generates photographs of streets all over the world. Find a photo that speaks to you and write a poem about it. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Joining us on Backlisted this week is novelist and memoirist Susie Boyt (My Judy Garland Life, Loved and Missed). The book Susie has chosen for us to discuss is The Dream Songs (1969) by John Berryman, the publication of which briefly made its author the most famous poet in America but also, unfortunately, hastened his decline and ruin. But the work shines on. Also in this episode Andy is struck by the contemporary resonance of Vivian Gornick's The Romance of American Communism while John drinks in Public House: A Cultural and Social History of the London Pub edited by David Knight and Cristina Monteiro. Please note, this episode contains references to suicide.

Friday, 17 September 2021, 12 – 1pm What can we learn about a writer from reading their letters? This online roundtable, organised by the Trinity Long Room Hub as part of Culture Night 2021, invites a panel of experts to reflect on the letters of three major writers, American author Shirley Jackson, American poet John Berryman, and Irish novelist John McGahern. The roundtable will feature Bernice Murphy (TCD), Philip Coleman (TCD), and Frank Shovlin (University of Liverpool), and will be chaired by Eve Patten, Director of the Trinity Long Room Hub. About the speakers Philip Coleman is Professor in the School of English, Trinity College Dublin. His is an expert on American poetry and short fiction, and is the author/editor of several books, including John Berryman's Public Vision (2014), David Foster Wallace: Critical Insights (2015), and George Saunders: Critical Essays (2017). His most recent book is the Selected Letters of John Berryman (Harvard University Press, 2020), which he co-edited with Calista McRae (New Jersey Institute of Technology). Bernice M. Murphy is an Associate Professor and Lecturer in Popular Literature in the School of English, Trinity College, Dublin. Her books include the edited collection Shirley Jackson: Essays on the Literary Legacy (2005), The Suburban Gothic in American Popular Culture (2009), The Rural Gothic: Backwoods Horror and Terror in the Wilderness (2013), and The California Gothic in Fiction and Film (forthcoming). Bernice was an expert consultant on The Letters of Shirley Jackson, edited by Laurence Jackson Hyman (Random House, 2021). Frank Shovlin is Professor of Irish Literature in English at the Institute of Irish Studies, University of Liverpool. His several publications include Journey Westward: Joyce, Dubliners and the Literary Revival (2012), and Touchstones: John McGahern's Classical Style (2016). Frank is editor of the newly-published Letters of John McGahern (Faber, 2021).

On this episode Katie and her husband Chris dive into the poetry of John Berryman, discussing his famous Dream Songs as well as his beautiful late poetry (11 Addresses to the Lord).    "Master of beauty, craftsman of the snowflake, inimitable contriver, endower of Earth so gorgeous & different from the boring Moon, thank you for such as it is my gift.   I have made up a morning prayer to you containing with precision everything that most matters. ‘According to Thy will' the thing begins. It took me off & on two days. It does not aim at eloquence.   You have come to my rescue again & again in my impassable, sometimes despairing years. You have allowed my brilliant friends to destroy themselves and I am still here, severely damaged, but functioning.   Unknowable, as I am unknown to my guinea pigs: how can I ‘love' you? I only as far as gratitude & awe confidently & absolutely go."   More at: www.bornofwonder.com    11 Addresses to the Lord: https://www.poetryfoundation.org/poems/48948/eleven-addresses-to-the-lord    Tonight by Sibylle Baier  https://www.youtube.com/watch?v=sY_F0mPq7ec 

Lecture as part of Prof Calista McRae's visit to College funded by the Faculty of Arts, Humanities and Social Science's Visiting Professor Fund 2016-17. This talk explores what comic theories can fit a lyric frame. While the modern lyric is entangled with intense feeling, this entanglement glints with humor, just as intense feeling in our actual lives may be shot through with an element of comedy. Through glances at the correspondence and poetry of John Berryman, Robert Lowell, and others, I suggest that humor is central to these writers. In addition, lyric's relatively unrecognized comedy can open up ways of thinking about humor more generally.