Podcasts about cultural economy

Explore how Memphis strategically blends economic development with the city's rich creative landscape to lay the foundation for long-term success. With the City's freshly creative Office of Creative and Cultural Economy (the fist of its kind in the city!) Memphis is modeling best practices got how a community can be intentional about investing in its artists, its institutions, and its future workforce. This episode features live audio from Celebrate What's Right: Growing the Creative Economy which took place on April 8, 2025, and features panelists: DeMarcus Suggs (City of Memphis), Carissa Hussong (Metal Museum), Kid Maestro (UNAPOLOGETIC.), Rachel Knox (Hyde Family Foundation), and Derek Patterson (Contemporary Arts Memphis). Resources mentioned in this episode include: ARTSMemphis calendar Blue Cross Blue Shield of Tennessee Kroger City Leadership City of Memphis' Office of Creative Cultural Economy Hyde Family Foundation Unapologetic. Kid Maestro Contemporary Arts Memphis (CAM) Metal Museum Cxffeeblack Memphis Music Initiative Collage Dance Collective Cazateatro Bilingual Theatre The Brooks Museum Sheet Cake Gallery Guns to Gardens Moore Tech Memphis Culture Coalition This episode is made possible in partnership with Independent Bank.

In this – the 150th! - episode of the A is for Architecture Podcast, I was joined by cultural theorist Justin O'Connor, Professor of Cultural Economy at the University of South Australia to discuss his 2024 book, Culture is not an Industry: Reclaiming Art and Culture for the Common Good, published by Manchester University Press.Unpacking and critiquing the concept of creative industries, Justin describes the historical transformation of urban space through local cultural initiatives and grassroots movements of makers, doers and thinkers, and contrasts this with the current dominance of large development companies and platform capitalism, re-packaged by governmental sleight of hand. The effects of this is another form of gentrification through which makers of actual culture are sidelined (again). Justin goes beyond this critique, however, advocating for an alternative economy based on an holistic approach to culture viewed as a social good, which might allow us to foster flourishing societies beyond the death-grip of economic metrics.It's a good, sharp episode, and Justin's argument is well worth your time. Have a sticky, find out.Justin can be found on his personal website, on LinkedIn and at his place of work. The book is linked above.#CulturalIndistries #CreativeIndustries #JustinOConnor #CulturalPolicy #UrbanDevelopment #UrbanPolicy #CreativeCommons #ReclaimCulture #PublicGood #CreativityEconomy +Music credits: ⁠Bruno Gillick 

DeMarcus Suggs joins Eric Barnes to discuss his new role with the City of Memphis.

This week we return to the second podcast we ever released here at Historians At The Movies: 2014's CHEF starring Jon Favreau, Sophia Vergara, John Leguizamo, and Robert Downey, Jr. We talk not only about whether or not this is the best food movie ever made, but about the rise of social media and #foodporn.About our guests:Emily Contois, Ph.D., researches media within consumer culture, focusing on how identities are formed at the vital intersection of food, the body, and ideas about health. She is the author of “Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture” (University of North Carolina Press, 2020) and co-editor of “Food Instagram: Identity, Influence, and Negotiation” (University of Illinois Press, 2022). Her current book project explores how ideas about elite athleticism have infiltrated everyday American life. A richly interdisciplinary scholar, her academic work has been published in Advertising & Society Quarterly, American Studies, Feminist Media Studies, Gastronomica, and Fat Studies, among others.Dr. Zenia Kish is an interdisciplinary scholar committed to publicly-engaged teaching and research that bridges the humanities and social sciences. Her work explores unconventional forms of media across global contexts, including the mediation of philanthropy and agriculture, and makes connections between digital media studies, strategic communication, critical finance studies, American studies, food and agriculture, and development. She is Associate Editor at the Journal of Cultural Economy, and serves on the boards of the Journal of Environmental Media and Communication and Race. Before joining Ontario Tech University, Zenia was Assistant Professor of Media Studies at the University of Tulsa, where she also served as the Associate Director of the Oklahoma Center for the Humanities.

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Since coming to power in 2002, Turkey's governing party, the AKP, has made poverty relief a central part of their political program. In addition to neoliberal reforms, AKP's program has involved an emphasis on Islamic charity that is unprecedented in the history of the Turkish Republic. To understand the causes and consequences of this phenomenon, Zencirci introduces the concept of the Muslim Social, defined as a welfare regime that reimagined and reconfigured Islamic charitable practices to address the complex needs of a modern market society. In The Muslim Social: Neoliberalism, Charity, and Poverty in Turkey (Syracuse UP, 2024), Zencirci explores the blending of religious values and neoliberal elements in dynamic, flexible, and unexpected ways. Although these governmental assemblages of Islamic neoliberalism produced new forms of generosity, distinctive notions of poverty, and novel ways of relating to others in society, Zencirci reveals how this welfare regime privileged managerial efficiency and emotional well-being at the expense of other objectives such as equality, development, or justice. The book provides a lens onto the everyday life of Islamic neoliberalism, while also mapping the kind of political concerns that animate poverty governance in our capitalist present. Gizem Zencirci is an associate professor of political science at Providence College. Her work has been published in journals such as the International Journal of Middle East Studies, Journal of the American Academy of Religion, and the Journal of Cultural Economy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

This episode of the Amazing Cities and Towns Podcast sponsored by Bearing Advisors, Jim Hunt interviews Scott Hutcheson from E Pluribus Unum   ·       A candid conversation about racial equality in the south ·       And, much more   7 Steps to an Amazing City:   Attitude Motivation Attention to Detail Zing Inclusiveness Neighborhood Empowerment Green Awareness   Thanks for listening and look forward to having you join us for the next episode.   Links Mentions During Show: www.unumfund.org for more information on Scott's work ·       www.AmazingCities.org ·       www.AmazingCities.org/podcast to be a guest on the podcast   About Scott Hutcheson:  Scott Hutcheson is the Executive Director of E Pluribus Unum, where he oversees all organizational initiatives and day to day operations. Hutcheson previously served as Deputy Chief Administrative Officer and Director of Cultural Economy for the City of New Orleans. Prior to that he served as the Assistant Secretary of Culture and founding Executive Director of the Louisiana Cultural Economy Foundation. He resides in New Orleans. About Your Host, Jim Hunt: Welcome to the “Building Amazing Cities and Towns Podcast” … The podcast for Mayors, Council Members, Managers, Staff and anyone who is interested in building an Amazing City.   Your host is Jim Hunt, the author of “Bottom Line Green, How American Cities are Saving the Planet and Money Too” and his latest book, “The Amazing City - 7 Steps to Creating an Amazing City”   Jim is also the former President of the National League of Cities, 27 year Mayor, Council Member and 2006 Municipal Leader of the Year by American City and County Magazine.   Today, Jim speaks to 1000's of local government officials each year in the US and abroad.   Jim also consults with businesses that are bringing technology and innovation to local government.   Amazing City Resources:   Buy Jim's Popular Books: ·       The Amazing City: 7 Steps to Creating an Amazing City:   https://www.amazingcities.org/product-page/the-amazing-city-7-steps-to-creating-an-amazing-city   ·       Bottom Line Green: How America's Cities and Saving the Planet (And Money Too)  https://www.amazingcities.org/product-page/bottom-line-green-how-america-s-cities-are-saving-the-planet-and-money-too   FREE White Paper: ·       “10 Steps to Revitalize Your Downtown”  www.AmazingCities.org/10-Steps   Hire Jim to Speak at Your Next Event: ·       Tell us about your event and see if dates are available at www.AmazingCities.org/Speaking   Hire Jim to Consult with Your City or Town: ·       Discover more details at https://www.amazingcities.org/consulting   Discuss Your Business Opportunity/Product to Help Amazing Cities: ·       Complete the form at https://www.amazingcities.org/business-development   A Special Thanks to Bearing Advisors for the support of this podcast:  www.BearingAdvisors.Net

Founder  BIBLIOnomics · "Optimizing the Cultural Economy"Developing customized technology and offering strategic consulting for the Canadian book publishing and retailing sector. Focused on digitizing the location relativity of books and designing processes to improve the efficiency and effectiveness of collective marketing campaigns for related trade associations. Alex is an experienced sales and marketing leader with a distinct capacity to lead teams through periods of innovation and change. Comfortable in the ebb's and flow of both consumer behaviour shifts and technology developments, those who work with Alex, know he's a leader that believes in leading from the front, willing to engage any task from basic execution to global strategy.Connect with Alex here:https://www.linkedin.com/in/alex-liot/Gale Force Wins exists to help individuals and companies tell their stories and inspire more optimism in people, products, our economy and our lives. The podcast focuses on conversations with leaders, business owners and change-makers THAT INSPIRE...diving deep with each guest to uncover their wins and the stories behind them.Unique Value PropositionOur point of difference lies in our Gale Force Content Creation Technique which includes 3 key elements:1 - BRILLIANT STORYTELLING: We grasp the bigger purpose and strategy behind the content we're creating, practice active listening to be flexible in the moment while prepping and interviewing our subjects, and get to the heart of the brand by unearthing the stories from the people who can tell them best.2 - AUTHENTICITY: Unscripted. Real footage. Real people. Real stories. Really good content to use in your external marketing or internal communications that will resonate.3 - SPEED & EASE: From our technological tools to our strategic yet agile approach to content creation, part of our secret sauce is we are resource friendly with your time and money, unobtrusive, and we've refined our process that allows you to get your content quickly and easily.#galeforcewins is an inspirational podcast with New episodes every Tuesday evening on Youtube or wherever you get your podcasts.#galeforcewins is an inspirational podcast with New episodes every Tuesday evening on Youtube or wherever you get your podcasts.We also launched Gale Force Wins on the Rogers Television Network in St. John's on January 31st 2023 with a series of 12 episodes.You can also visit https://galeforcewins.com/To message Gerry visit: https://www.linkedin.com/in/gerrycarew/To message Allan visit: https://www.linkedin.com/in/allanadale/

Hello! Last year, around six million people went to a music festival in the UK. Long gone are the days of hippies at Woodstock or even jumping the fence at Glastonbury: festivals are everywhere, and they're big business. The upside is there's really something for everyone. Perhaps, like Ed, your twenties were also dominated by phone calls from Gordon Brown. We're here to convince you it's time to get down to a nearby field, no matter your age, music taste or enthusiasm for fancy dress! We talk festival mythology with Chris Anderton, to Kate Osler about what it's like to stage an independent festival and finally to Chiara Badiali about how going to a festival could be good for the climate.Plus: A tale of woe - Geoff vs. Lime BikeGuestsKate Osler, Festival Director, El Dorado Festival (@eldoradofestival)Chris Anderton, Associate Professor in Cultural Economy, Solent University (@SolentUni)Chiara Badiali, Music Lead, Julie's Bicycle (@JBgreenmusic / @JuliesBicycle)More informationCheck out the Association of Independent Festivals' ‘First Festival Campaign'El Dorado festival 2024Learn more about Julie's Bicycle including Music Declares Emergency and Vision 2025How the cost of living crisis is affecting music festivals (Article, MixMag)Glastonbury: Octopus energy builds wind turbine on-site (Article, thefestivals.uk)Contact Reasons to be Cheerful via our website, follow us on Twitter and Instagram. Let us know your episode ideas, your comments and feedback! Hosted on Acast. See acast.com/privacy for more information.

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Join us for another special episode from Art Basel Paris. This group of experts discuss a new cultural economy propping up thanks to technology like Tezos and Artists joining the digital art evolution. Hosted by Valerie Whitcare of TriliTech

Tony Witton is the Creative and Cultural Economy Manager for Kent County Council where he and his team support the creative sector. Ultimately, it is about identifying how creativity can make a difference in the county and help make things happen. In this podcast, he recalls the journey his love of theatre took him on, from sound design on stage to management in a large organisation and local authority. Watch the original video of this podcast here: https://youtu.be/rnvz64N3_8w More about KCC/Arts: https://www.kent.gov.uk/leisure-and-community/arts Recorded in January 2023 in Maidstone. Hosting and photography: Nathalie Banaigs

Frederic Heine joins Money on the Left to discuss his recent essay, “Performing Hard Money: Monetary Policy, Metaphor and Masculinity in the Making of EMU,” published this summer in the Journal of Cultural Economy. Heine is a university assistant at the Institute for Women's and Gender Studies at Johannes Kepler University, Linz. In his essay, Heine analyzes the cluster of masculine metaphors that ground  and mobilize the European Monetary Union's hard-line opposition to soft money politics. At the time of this episode's publishing in early September 2022, what Heine classifies as the masculine performative agency of EMU leaders can be seen all over Europe, with Macron decrying the end of abundance and the ECB signaling a coming period of sacrifice across the Eurozone. We speak with Heine about this essay as well as his broader inquiry into the intersections of gender, global finance, and political economy. See Frederic Heine's essay here.Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

Spouting Off with Karen Kataline and guests Jeremy Murphy and Janice M. Traflet Guest #1: Jeremy Murphy Jeremy Murphy is a sarcastic, embittered veteran of the media industry. Founder of 360bespoke, a respected boutique PR agency in New York, Murphy handles a full roster of clients in the lifestyle, beauty, fashion, and start-up fields. Previously, he was Vice President of Communications at CBS, where he worked for 14 years. There, he oversaw PR for many of its divisions and created its glossy magazine Watch. Murphy started as a journalist, working with Knight Ridder newspapers and Mediaweek. He is a graduate of Florida Atlantic University and lives in New York with his cat, Champers. Guest #2: Janice M. Traflet Business historian Janice M. Traflet (Ph.D., Columbia University) explores in her research many facets of Wall Street history, especially how ordinary citizens have interacted with the securities markets over time. She is the author of the well-acclaimed book A Nation of Small Shareowners (Johns Hopkins), in addition to numerous articles in journals such as Business History, Journal of Business Ethics, Journal of Cultural Economy and Essays in Economic and Business History. She serves on the Financial History editorial board, in addition to the board of the Economic and Business History Society. She teaches in the Freeman College of Management at Bucknell University.

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Image by image and hashtag by hashtag, Instagram has redefined the ways we relate to food. Emily J. H. Contois and Zenia Kish edit contributions that explore the massively popular social media platform as a space for self-identification, influence, transformation, and resistance. Artists and journalists join a wide range of scholars to look at food's connection to Instagram from vantage points as diverse as Hong Kong's camera-centric foodie culture, the platform's long history with feminist eateries, and the photography of Australia's livestock producers. What emerges is a portrait of an arena where people do more than build identities and influence. Users negotiate cultural, social, and economic practices in a place that, for all its democratic potential, reinforces entrenched dynamics of power.  Interdisciplinary in approach and transnational in scope, Food Instagram: Identity, Influence, and Negotiation (U Illinois Press, 2022) offers general readers and experts alike new perspectives on an important social media space and its impact on a fundamental area of our lives. The book has been dubbed by the experts in the field as “a veritable smorgasbord of perspectives on the all-pervasive and all-important nature of food on visual social media” (Tama Leaver, the co-author of Instagram: Visual Social Media Cultures) that “shows how the digital app and the kind of food representations it supports contribute to the building identities and negotiating social and economic relationships” (Fabio Parasecoli, author of Bite Me: Food in Popular Culture). It is a path-blazing, inspirational work offering a vast array of theoretical perspectives, methodological tools, and conceptual innovations. Emily Contois is Assistant Professor of Media Studies at the University of Tulsa. She holds a PhD in American studies from Brown University along with master's degrees in Gastronomy from Boston University and Public Health Nutrition from University of California, Berkeley. In addition to numerous articles, she is the author of Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture (2020). She serves on the board of the Association for the Study of Food and Society, H-Nutrition, and Advertising and Society Quarterly. As a public scholar, she has written for NBC News, Jezebel, and Nursing Clio and has appeared on CBS This Morning, BBC Ideas, and Ugly Delicious on Netflix. Learn more about her work at emilycontois.com or connect on social media (@emilycontois). Zenia Kish is Assistant Professor of Media Studies at the University of Tulsa. She earned her PhD in American studies at New York University and was a post- doctoral fellow at Stanford University. Her work explores global digital media, sociotechnical imaginaries of food and agriculture, and philanthrocapitalism and has been published in journals including American Quarterly, Cultural Studies, Journal of Cultural Economy, and Environment and Planning A. She is a member of the Agri-Food Technology Research (AFTeR) Project and is associate editor for the Journal of Cultural Economy, as well as serving on the boards of the Journal of Environmental Media and Communication and Race. She is writing a book on philanthropic media cultures (@ZeniaKish). Amir Sayadabdi is a Lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This week's episode was recorded last week at The Lab at LIGHT – a not-for-profit arts and hospitality venture on Light Square.The forum was an initiative of LIGHT and InReview – also a not-for-profit venture from Solstice Media designed to rekindle arts reviewing and critique in South Australia.This forum - the first in our Spotlight on the Arts series - is designed to create honest discussions about the arts in South Australia.The forum is hosted by David Washington, and includes philanthropist and LIGHT founder Nick Dunstone, Vitalstatistix director Emma Webb, and Professor of Cultural Economy at UniSA, Justin O'Connor.See omnystudio.com/listener for privacy information.

The value of the arts is often expressed in economic terms. The creative industries create jobs and are a valuable global export. But rather than economics telling us something about the arts, can the arts tell us something about economics? And how to reimagine economics after Covid?

The value of the arts is often expressed in economic terms. The creative industries create jobs and are a valuable global export. But rather than economics telling us something about the arts, can the arts tell us something about economics? And how to reimagine economics after Covid?

Nový díl podcastu Bulvár se věnuje nedávným změnám diskurzu v oblasti bydlení, hledání “dobré praxe” či drahám bydlení pro mladší generace. Hostem je sociolog bydlení Tomáš Hoření Samec, který je sociolog, působící na Sociologickém ústavu Akademie Věd České republiky. Absolvoval doktorské studium sociologie na Fakultě sociálních věd Univerzity Karlovy a výzkumnou stáž na University of Vienna. Zaměřuje se na výzkum diskurzu o bydlení a hypotéčních půjčkách, na výzkum financializace bydlení a na nové formy poskytování bydlení realizované veřejnými a kolektivními aktéry. Publikuje v prestižních mezinárodních časopisech, například Urban Studies, Journal of Cultural Economy a Housing, Theory and Society. Je editorem řady publikací - například Jak zajistit dostupné bydlení nebo Pražská panelová sídliště jako místa protikladů.

Mark Vacher is an associate professor of ethnology at the Saxo Institute, University of Copenhagen, Denmark. Tom O'Dell is a professor of ethnology at Lund University, Sweden, whose own research has primarily focused upon the cultural economy, the significance of mobility and transnational cultural processes.  Mark and Tom have collaborated for many years on developing programs of applied ethnography. We are curious to know their reasons, methods and lessons learned. Mark and Tom emphasize the value of digging into the problem before starting to look for solutions. But how do they make it work and how did they design a course that gives students the tools to do that? What are the skills students are expected to develop and what questions to answer? Is there certain theory that helps achieve the goals defined by the program? Mark and Tom reflect on their own approach to ethnology, on the role context plays - different in Sweden and in Denmark, and on the importance of having the right colleagues to work with. Lastly they offer advice for those interested in walking a similar path.  Mentioned in Podcast:Multi-targeted ethnography and the Challenge of Engaging New Audiences and Publics, Thomas O'Dell, 2017, In: Sociological Research Online. 22, 4, p. 193-207 Handbook of Anthropology in Business, Edited By Rita M Denny and Patricia L Sunderland, 2016, Routledge Social Media:Tom - https://www.kultur.lu.se/en/person/ThomasODellMark -  https://saxoinstitute.ku.dk/research/ethnology/?pure=en/persons/201204 

The IWA Cardiff Media Summit 2021 was a series of four events focusing on the new landscape for media in Wales. This, the second event in the series, will look at the screen sector in Wales. The screen sector is a major success story for Wales demonstrating significant economic growth and major reputational gains as a place to make high quality screen content.  Yet this industry is now at risk of being unsustainable, exclusive, and lacking a clear skills strategy to secure a Welsh talent pipeline.  Screen Work 2020 is the first comprehensive survey of workforce, training and education needs for Film, Television, Animation, Games, VFX and Post-Production in the Cardiff City Region. It is funded by the Arts and Humanities Research Council through Clwstwr. This panel comprises academics and screen sector experts from across UK and Wales to explore what the future of screen work looks like from 2021. Presentation on Screen Work 2020 Report by Professor Ruth McElroy, University of South Wales/Clwstwr and Faye Hannah, University of South Wales. Panel discussion, Chaired by Auriol Miller, Director, IWA - Michelle Matherson, BBC Creative Diversity Partner - Joedi Langley, Head of Sector Development, Creative Wales - Luned Whelan, Executive Manager, Teledwyr Annibynnol Cymru (TAC) - Professor Doris Ruth Eikhof, Professor of Cultural Economy & Policy, University of Glasgow Q&A with audience (questions submitted via chat facility) Summary and close from Chair #IWAMedia #gwaithsgrin2020 #screenwork 2020

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world. The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Signs of Life Alana Harris, Deputy Director with the The City Of NOLA's Mayor's Office of Cultural Economy and Pharmacist Dr. Lishunda Franklin of Crescent City Pharmacy on moving forward from these current crises.

Andreas Petrossiants speaks with Marina Vishmidt about her book, Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital.  Marina Vishmidt is a writer and editor. She teaches at Goldsmiths, University of London. Her work has appeared in South Atlantic Quarterly, Ephemera, Afterall, Journal of Cultural Economy, Australian Feminist Studies, and Radical Philosophy, among others, as well as a number of edited volumes. She is the co-author of Reproducing Autonomy (with Kerstin Stakemeier) (Mute, 2016), and Speculation as a Mode of Production: Forms of Value Subjectivity in Art and Capital (Brill 2018 / Haymarket 2019). She is one of the organisers of the Centre for Philosophy and Critical Thought at Goldsmiths, a member of the Marxism in Culture collective and is on the board of the New Perspectives on the Critical Theory of Society series (Bloomsbury Academic).

The third part of this episode series talks about accessibility of recorded music. Missing the boat on ethical applications. Bibliographical reference of the quoted article: Sorum, Niklas. “Ethical Consumption Applications as Failed Market Innovations: Exploring Consumer (Non) Acceptance of ‘Quasi' Market Devices.” Journal of Cultural Economy, 2 Sept. 2019, doi:10.1080/17530350.2019.1629990. Accessed on November 8th, 2019 through https://www.tandfonline.com/doi/full/10.1080/17530350.2019.1629990 --- Send in a voice message: https://anchor.fm/alexandrafol/message

In the penultimate episode of series one of The Lonely Arts Club, Martin McQuillan is joined by Jo Wright, who is a Creative, Cultural & Digital Economy Strategist. During this episode, we hear what a role like this involves and Jo provides fascinating insight into the world of the cultural and creative industries; what are the trends of the economy? What's working and what isn't? How can we tackle the issues that continuously crop up? Being an expert in this field, Jo has a wealth of knowledge and there is so much ground to try and cover in just one episode. If you're interested in the economy of the arts and the role it plays in today's society, then this is an episode for you! 

Episode 039 - Rondo Hatton: The Pearl of Death (1944) / House of Horrors (1946) / The Brute Man (1946)     NOTES, SOURCES, & FURTHER READING For an overview of Universal Horror in general, the bible remains Tom Weaver, Michael Brunas, and John Brunas’ Universal Horrors: The Studio’s Classic Films, 1931-1946 (second edition, McFarland & Company, Inc., 2007) For more on the workings of Universal during the Classical Hollywood era, we recommend chapters 1, 6, 13, 18, and 23 of Thomas Schatz’s The Genius of the System: Hollywood Filmmaking in the Studio Era (1988) Very few scholars have devoted much ink to Rondo Hatton over the years.  Aside from the Weaver/Brunas/Brunas tome, our main source of information on the reluctant thespian has been Cory Legassic’s ‘“The Perfect Neanderthal Man”: Rondo Hatton as The Creeper and the Cultural Economy of 1940s B-Films’ in Recovering 1940s Horror Cinema: Traces of a Lost Decade (Lexington Books, 2015). For more on Martin Kosleck, consult Harry M. Benshoff’s Monsters in the Closet: Homosexuality and the horror film (Manchester University Press, 1997).  There’s not much there, but the quality of the information surpasses its brevity. James O’Neill’s Terror on Tape (Billboard Books, 1994) includes capsule reviews of The Pearl of Death and The Brute Man, but inexplicably omits House of Horrors despite mentioning it in the other reviews. John Stanley’s Creature Features: The Science Fiction, Fantasy, and Horror Movie Guide (updated edition, Berkley Boulevard, 2000) includes capsule reviews of all three Creeper films discussed in this episode.   Intro Music: The Pearl of Death Main Titles by Paul Sawtell Outro Music: The Bute Man Main Titles

What are the various strands or themes that connect culture with Austrian economics? How can Austrian economists see their work through the lens of culture and advance the Austrian research program? Emily Chamlee-Wright discusses on this episode of the Hayek Program Podcast. CC Music: Twisterium

Today on the Tales of a Red Clay Rambler Podcast I have an interview with Aaron Nelson. Throughout a multifaceted career Aaron has mixed new digital technologies with a ceramic practice to create both sculpture and vessels. His recent interactive ceramic chandelier, Chain(ge), shifts color on command when texted from any location in the world. In addition to his studio practice Aaron is the artistic director of Medalta in Medicine Hat, Alberta. In the interview we talk about embracing the cultural economy, the value of creative problem solving, and the history of Medalta.  For more information please visit www.aaronnelson.ca. For more information on Medalta and the ceramic programming they have to offer please visit www.medalta.org.       Today’s episode is the final installment of Canada week, a series of five episodes featuring Canadian Clay artists from Prince Edward Island, Nova Scotia, Saskatchewan, and Alberta. For more information about Canada week please visit the episode guide at www.talesofaredclayrambler.com.  

This podcast captures the launch of the Creative Regions Lab at Charles Sturt University.  The lecture that launched the CRL was delivered by Professor Justin O'Connor.  His title was "Reframing cultural economy." 

Thuy Linh Tu‘s The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion (Duke University Press, 2010) considers the recent rise of Asian Americans working in New York’s fashion industry, and explores how Asian-inspired fashions speak to American anxieties concerning the growing economic and cultural power of Asian nation-states. Rather than see Asian American designers as either complicit or subversive to the growing trends of Asian chic, The Beautiful Generation investigates how these designers continue to change American perspectives of fashion by making relationships between the product and the manufacturing process more intimate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thuy Linh Tu‘s The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion (Duke University Press, 2010) considers the recent rise of Asian Americans working in New York’s fashion industry, and explores how Asian-inspired fashions speak to American anxieties concerning the growing economic and cultural power of Asian nation-states. Rather than see Asian American designers as either complicit or subversive to the growing trends of Asian chic, The Beautiful Generation investigates how these designers continue to change American perspectives of fashion by making relationships between the product and the manufacturing process more intimate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thuy Linh Tu‘s The Beautiful Generation: Asian Americans and the Cultural Economy of Fashion (Duke University Press, 2010) considers the recent rise of Asian Americans working in New York’s fashion industry, and explores how Asian-inspired fashions speak to American anxieties concerning the growing economic and cultural power of Asian nation-states. Rather than see Asian American designers as either complicit or subversive to the growing trends of Asian chic, The Beautiful Generation investigates how these designers continue to change American perspectives of fashion by making relationships between the product and the manufacturing process more intimate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Thompson, Prfoessor of Modern History, University of Exeter, gives a talk for the Oxford Transnational and Global History Seminar series.