Podcasts about feminist media studies

Thank you to Bumble for supporting this episode. Bumble's new safety features aimed at improving dating culture in Australia are now available. This episode is a deep dive into the origins and rise of the online mansophere and its impact on Gen Z dating culture alongside activist and Bumble's safety advocate Tarang Chawla.Timestamps:1:49 Intro5:51 Defining the manosphere11:45 Theorising the manosphere: Why men are drawn to this space21:51 Subcultures within the manosphere35:02 The mainstream-ification of the manosphere 39:50 Gamergate41:21 The Trump effect & the rise of alpha male influencers48:38 Manopshere, alpha male influencers & dating cultureFind our podcast YouTube channel here: https://www.youtube.com/channel/UC18HclY7Tt5-1e3Z-MEP7Jg Subscribe to our weekly Substack: https://centennialworld.substack.com/ Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/ Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/ Ging, D. (2019). Alphas, Betas, and Incels: Theorizing the Masculinities of the Manosphere. Men and Masculinities, 22(4), 638–657. https://doi.org/10.1177/1097184X17706401Barnes, M. J., & Karim, S. M. (2025). The Manosphere and Politics. Comparative Political Studies. https://doi.org/10.1177/00104140241312095Kennedy-Kollar, D. (2024). Extremism and radicalization in the manosphere : beta uprising. Routledge. https://doi.org/10.4324/9781032631080https://thezoepost.wordpress.com/ Marwick, A. E., & Caplan, R. (2018). Drinking male tears: language, the manosphere, and networked harassment. Feminist Media Studies, 18(4), 543–559. https://doi.org/10.1080/14680777.2018.1450568Bratich, J., & Banet-Weiser, S. (2019). From Pick-Up Artists to Incels: Con(fidence) Games, Networked Misogyny, and the Failure of Neoliberalism. International Journal of Communication, 13(0), 25 Horta, M., Blackburn, J., Bradlyn, B., De Cristofaro, E., Stringhini, G., Greenberg, S., & Zannettou, S. (n.d.). From Pick-Up Artists to Incels: A Data-Driven Sketch of the Manosphere.https://www.theguardian.com/technology/article/2024/sep/05/racism-misogyny-lies-how-did-x-become-so-full-of-hatred-and-is-it-ethical-to-keep-using-it https://www.wired.com/story/donald-trump-far-right-supporters-violent-memes/ https://www.teenvogue.com/story/emboldened-by-a-trump-win-misogyny-is-exploding-online https://www.theguardian.com/technology/2022/aug/06/andrew-tate-violent-misogynistic-world-of-tiktok-new-star https://www.youtube.com/watch?v=VOdyRkX4044 https://www.bloomberg.com/graphics/2025-youtube-podcast-men-for-trump/  https://www.mediamatters.org/google/right-dominates-online-media-ecosystem-seeping-sports-comedy-and-other-supposedly Solea, A. I., & Sugiura, L. (2023). Mainstreaming the Blackpill: Understanding the Incel Community on TikTok. European Journal on Criminal Policy and Research, 29(3), 311–336. https://doi.org/10.1007/s10610-023-09559-5https://www.theguardian.com/commentisfree/2025/apr/05/ashton-hall-influencer-a-benign-perfectly-sculpted-picture-of-health-or-the-palatable-face-of-toxic-masculinity 

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

Since the late 1990s, the multiplex in India has emerged as a dominant site of media exhibition, almost always embedded within the shopping mall. This spatial pairing has transformed the experience of moviegoing, making it impossible to inhabit one space without also passing through the other. The rise of the mall-multiplex signals a broader shift in the spectatorial imagination: away from cinema halls built for the subaltern male viewer, toward environments curated for the aspiring, mobile, and consuming middle-class woman. Projecting Desire: Media Architectures and Moviegoing in Urban India (NYU Press, 2025) tells the story of this infrastructural and cultural transformation as it unfolded across media industries, architectural design, urban planning, and popular cinema. Tracing the multiplex's evolution in post-liberalization India, Tupur Chatterjee reveals how this new built form not only reconfigured cinematic space, but also reshaped the aesthetics, publics, and gendered politics of the contemporary Indian city. Rather than narrating a linear history of technological replacement, the book situates the multiplex within a longer genealogy of postcolonial urban design—one marked by caste- and class-based anxieties around visibility, safety, and leisure. It argues that the architectural mediation of cinema is central to how desire, modernity, and risk are organised in India's media cities. Drawing on industrial and organisational ethnography, in-depth interviews, participant observation, discourse and textual analysis, and archival research, Projecting Desire maps the multiplex as a space where film, infrastructure, and aspiration intersect. In doing so, it offers a critical framework for understanding how gendered publics are produced through the infrastructures of cinematic experience in the Global South. Dr Tupur Chatterjee is an Assistant Professor in Global Film and Media in the School of English, Drama, and Film at University College Dublin. Her research spans global media industries, feminist media studies, urban spatial politics, and the material life of media technologies. Her work has been published in journals like Television and New Media, International Journal of Cultural Studies, Feminist Media Studies, South Asian Popular Culture, and Porn Studies among others.  Dr Priyam Sinha is a recipient of the Humboldt Research Award and is based at Humboldt University in Berlin. She earned her PhD from the National University of Singapore. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. More information on her research can be found on her website www.priyamsinha.com. She can also be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Kann man in Dating-Shows wirklich die wahre Liebe finden oder wollen Kandidaten und Kandidatinnen in erster Linie Aufmerksamkeit, Ruhm und Geld kassieren? Wir haben mit Ex-Bachelorette Stella Stegmann und einer Sozialpsychologin gesprochen.**********Ihr hört: Gesprächspartnerin: Stella Stegmann, hat an zwei Dating-Shows teilgenommen Gesprächspartnerin: Dr. Dinah, Sozialpsychologin, hostet den Podcast "Trashologinnen“, der Reality-Formate psychologisch analysiert Autor und Host: Przemek Żuk Redaktion: Friederike Seeger, Betti Brecke Produktion: Frank Klein**********Empfehlungen aus dieser Folge:Lenhard, A., Minten, M.-P. and Lenhard, W. (2023). When biology takes over: TV formats like The Bachelor and The Bachelorette confirm evolutionary theories of partner selection. Front. Psychol. 14:1219915.Psarras, E., Stein, K., & Shah, P. (2021). "You're not here for the right reasons!" From The Bachelorette to Instagram Influencer. Feminist Media Studies, 23(2), 571–587.Hamm, M. (2021). "Flirten, Daten, Fighten, Feiern" – ein sexual- und medienpädagogischer Blick auf die TV-Dating-Formate "Der Bachelor", "Die Bachelorette" und "Prince Charming". Z Sex Forsch 2021; 34(02): 103-109 **********Mehr zum Thema bei Deutschlandfunk Nova:Dating-Shows: Warum "Love Is Blind" und Co. so gut funktionierenDatingshows: Warum wir Liebe im TV feiern  Reality TV: "Trash-TV-Formate haben sich mit unserer Gesellschaft verändert"**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok auf&ab , TikTok wie_geht und Instagram .**********Meldet euch!Ihr könnt das Team von Facts & Feelings über WhatsApp erreichen.Uns interessiert: Was beschäftigt euch? Habt ihr ein Thema, über das wir unbedingt in der Sendung und im Podcast sprechen sollen?Schickt uns eine Sprachnachricht oder schreibt uns per 0160-91360852 oder an factsundfeelings@deutschlandradio.de.Wichtig: Wenn ihr diese Nummer speichert und uns eine Nachricht schickt, akzeptiert ihr unsere Regeln zum Datenschutz und bei WhatsApp die Datenschutzrichtlinien von WhatsApp.

This week we return to the second podcast we ever released here at Historians At The Movies: 2014's CHEF starring Jon Favreau, Sophia Vergara, John Leguizamo, and Robert Downey, Jr. We talk not only about whether or not this is the best food movie ever made, but about the rise of social media and #foodporn.About our guests:Emily Contois, Ph.D., researches media within consumer culture, focusing on how identities are formed at the vital intersection of food, the body, and ideas about health. She is the author of “Diners, Dudes, and Diets: How Gender and Power Collide in Food Media and Culture” (University of North Carolina Press, 2020) and co-editor of “Food Instagram: Identity, Influence, and Negotiation” (University of Illinois Press, 2022). Her current book project explores how ideas about elite athleticism have infiltrated everyday American life. A richly interdisciplinary scholar, her academic work has been published in Advertising & Society Quarterly, American Studies, Feminist Media Studies, Gastronomica, and Fat Studies, among others.Dr. Zenia Kish is an interdisciplinary scholar committed to publicly-engaged teaching and research that bridges the humanities and social sciences. Her work explores unconventional forms of media across global contexts, including the mediation of philanthropy and agriculture, and makes connections between digital media studies, strategic communication, critical finance studies, American studies, food and agriculture, and development. She is Associate Editor at the Journal of Cultural Economy, and serves on the boards of the Journal of Environmental Media and Communication and Race. Before joining Ontario Tech University, Zenia was Assistant Professor of Media Studies at the University of Tulsa, where she also served as the Associate Director of the Oklahoma Center for the Humanities.

Episode SummaryChicken Little (2005), the modern retelling of the classic folk tale, will make you wish the sky was falling so the movie would end. Erin and Rachel discuss the gender dynamics and fatphobia in this story about a father and son (and also baseball and aliens). Episode BibliographyÅström, B. (2015). The symbolic annihilation of mothers in popular culture: Single Father and the death of the mother. Feminist Media Studies, 15(4), 593-607. DOIi: https://doi.org/10.1080/14680777.2014.994100Åström, B.  (2017). The absent mother in the cultural imagination: Missing, presumed dead. Springer. DOI: https://doi.org/10.1007/978-3-319-49037-3_15Ball, R. (2005, June 28). Chicken Little to Christen Disney Digital 3D. Animation Magazine. https://www.animationmagazine.net/2005/06/chicken-little-to-christen-disney-digital-3d/Berardinelli, J. (2005). Chicken Little. ReelViews. https://preview.reelviews.net/movies/c/chicken_little.htmlBurr, T. (2005, November 4). Chicken Little Movie Review. Boston Globe. https://web.archive.org/web/20060427230618/http://www.boston.com/movies/display?display=movie&id=6925Carroll, L. (2005, November 2). Zach Braff Calls ‘Chicken Little' ‘Garden State' On A Farm. MTV. https://web.archive.org/web/20160302153142/http://www.mtv.com/news/1512812/zach-braff-calls-chicken-little-garden-state-on-a-farm/Chicken Little. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl1615562241/Chicken Little (2005 film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Chicken_Little_(2005_film)Desowitz, B. (2005, November 4). 'Chicken Little' & Beyond: Disney Rediscovers its Legacy Through 3D Animation. Animation World Network. https://www.awn.com/animationworld/chicken-little-beyond-disney-rediscovers-its-legacy-through-3d-animationDindal, M. (Director). (2005). Chicken Little [Film]. Walt Disney Animation Studios, Henny Penny. (2024, August 15). In Wikipedia. https://en.wikipedia.org/wiki/Henny_PennyJoe Grant. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Joe_GrantMcEachern, M. (2005, November). The Sky's the Limit. Computer Graphics World. https://www.cgw.com/Publications/CGW/2005/Volume-28-Issue-11-November-2005-/The-Skys-the-Limit.aspxMousefiles. (2007, August 10). Chicken Little [Video]. YouTube. https://youtu.be/p_GaYdae4j0Ness, M. (2016, May 12). An Inauspicious Start to Computer Animation: Disney's Chicken Little. Reactor. https://reactormag.com/an-inauspicious-start-to-computer-animation-chicken-little/Randall, L. (2005, November 2). `Chicken Little' a big deal 3D animated film is a milestone for Garry Marshall & Disney. Pilly.com. https://web.archive.org/web/20160304145945/http://articles.philly.com/2005-11-02/entertainment/25430998_1_traditional-hand-drawn-animated-films-first-disney-film-latest-animated-featureRichards, O. (2006, January 27). Chicken Little Review. Empire Magazine. https://www.empireonline.com/movies/reviews/chicken-little-review/Scott, A.O. (2005, November 4). A Chick Flick With Aliens Falling From the Sky. The New York Times. https://www.nytimes.com/2005/11/04/movies/a-chick-flick-with-aliens-falling-from-the-sky.htmlTaylor, D. (2020, November 9). Chicken Little: Inside the History of Disney's First CGI Movie. Collider. https://collider.com/disney-chicken-little-history-explained/WonderLand. (2020, November 8). Chicken Little 2005 Behind The Scenes. YouTube. https://www.youtube.com/watch?v=uvkGUZTr47YYoung, R. (Host). (2023-present). Weight for it [Audio podcast]. Radiotopia. https://www.radiotopia.fm/podcasts/weight-for-it

Dr. Shweta Kishore and Dr Kunal Ray's Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions. Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating. Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences. Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. Shweta Kishore and Dr Kunal Ray's Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions. Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating. Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences. Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Dr. Shweta Kishore and Dr Kunal Ray's Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions. Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating. Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences. Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Dr. Shweta Kishore and Dr Kunal Ray's Resistance in Indian Documentary Film: Aesthetics, Culture and Practice (Edinburgh UP, 2024) is a unique collection of essays on documentary cinema and practice that brings together multiple modes of scholarly, reflective and autoethnographic writing on documentary by scholars and creative practitioners. It takes a holistic view of documentary culture as a field comprising not only films but practices such as circulation, curation, criticism, and education, that come together to create a particular ecology of resistance. Resistance is conceptualised as a multidimensional phenomenon comprising both documentary representation as well as practices and tangible actions through which people mobilize and adapt documentary for local, community and individual functions. Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating. Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences. Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

On this week's episode of TheFallenState TV, host Jesse Lee Peterson is joined by Dr. Sabrina Strings—She is Professor and North Hall Chair of Black Studies at the University of California, Santa Barbara. Dr. Strings brings a wealth of knowledge and expertise, having received the UC Berkeley Chancellor's Postdoctoral Fellowship and holding a joint appointment in the School of Public Health and Department of Sociology. A certified yoga teacher, her insights on yoga have been featured in The Feminist Wire, Yoga International, and LA Yoga. Dr. Strings is also an acclaimed author, with her award-winning work appearing in Ethnic and Racial Studies, Signs: Journal of Women in Culture and Society, Fat Studies, and Feminist Media Studies. They delve into her groundbreaking book, "Fearing the Black Body: The Racial Origins of Fat Phobia," which has garnered significant acclaim and features in Essence, Ms. Magazine, Colorlines, Bitchmedia, and on NPR, KPFA, and WNYC. Don't miss this compelling discussion on race, body image, and societal perceptions.

On this week's episode of TheFallenState TV, host Jesse Lee Peterson is joined by Dr. Sabrina Strings—She is Professor and North Hall Chair of Black Studies at the University of California, Santa Barbara. Dr. Strings brings a wealth of knowledge and expertise, having received the UC Berkeley Chancellor's Postdoctoral Fellowship and holding a joint appointment in the School of Public Health and Department of Sociology. A certified yoga teacher, her insights on yoga have been featured in The Feminist Wire, Yoga International, and LA Yoga. Dr. Strings is also an acclaimed author, with her award-winning work appearing in Ethnic and Racial Studies, Signs: Journal of Women in Culture and Society, Fat Studies, and Feminist Media Studies. They delve into her groundbreaking book, "Fearing the Black Body: The Racial Origins of Fat Phobia," which has garnered significant acclaim and features in Essence, Ms. Magazine, Colorlines, Bitchmedia, and on NPR, KPFA, and WNYC. Don't miss this compelling discussion on race, body image, and societal perceptions.

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Swapnil Rai's book Networked Bollywood: How Star Power Globalized Hindi Cinema (Cambridge UP, 2024) brilliantly navigates the intricate landscapes of stardom, shedding light on its diverse meanings amidst the ever-evolving new media industries and the demands of a globally interconnected audiences. With a keen focus on the global south, she masterfully explores the intersection of transnational networked cultures with the dynamic tapestry of media industries, geopolitics, and audience engagement. Dr. Swapnil Rai is an Assistant Professor in the Department of Film, Television, and Media at the University of Michigan, Ann Arbor. As an interdisciplinary scholar, she works at the intersection of media studies, critical cultural communication, women's and gender studies, and industry studies. She has published her scholarship in a range of journals such as Communication, Culture & Critique, Feminist Media Studies, International Journal of Communication, Media, Culture and Society among others. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached here.

In this week's episode, I explore the rise, fall, and recent resurgence of Tumblr— the microblogging site that defined Gen Z internet culture for years. I look at the site's origins, why it became so popular, and the lasting impact Tumblr had on the social media user experience and online trends. I also dive into some of the platform's biggest personalities, like Acaia Brinley, and popular sides of the platform both good and bad, like the pro-ana movement and the fuckyeah blogs. Find our podcast YouTube channel here: https://www.youtube.com/channel/UC18HclY7Tt5-1e3Z-MEP7Jg  Subscribe to our weekly Substack: https://centennialworld.substack.com/  Join our Geneva home: https://links.geneva.com/invite/7eb23525-9259-4d59-95e3-b9edd35861a5  Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/ Follow our publication: https://www.instagram.com/centennialworld/  Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/  Resources: https://www.youtube.com/watch?v=uHeMBN1l45U  https://www.youtube.com/watch?v=JJzJnhs2ghg  https://www.reddit.com/r/Fauxmoi/comments/zh6stb/acacia_brinley_villain_or_victim_the_downfall_of/  https://www.reddit.com/r/Fauxmoi/comments/zjerml/acacia_brinley_villain_or_victim_the_downfall_of/  https://www.thecut.com/2017/05/instagram-teen-idol-alexis-ren-on-being-perfect.html  https://www.wmagazine.com/story/barbie-ferreira-model-aerie-interview  https://www.dazeddigital.com/fashion/article/54389/1/barbie-ferreira-fashion-style-evolution-tumblr-euphoria-zendaya-charli-xcx  https://www.smh.com.au/lifestyle/rise-and-fall-of-jess-millers-pizza-empire-20160512-gotftv.html  https://www.washingtonpost.com/news/the-intersect/wp/2015/04/08/a-complete-history-of-f-yeah-tumblrs-the-happiest-blogs-on-the-web/  McCracken, Allison, Alexander Cho, Louisa Stein, and Indira Neill Hoch, eds. A Tumblr Book: Platform and Cultures. University of Michigan Press, 2020. https://doi.org/10.3998/mpub.11537055. https://www.buzzfeednews.com/article/laurenstrapagiel/tumblr-says-its-queerest-social-media-platform  Oliver L. Haimson, Avery Dame-Griff, Elias Capello & Zahari Richter (2021) Tumblr was a trans technology: the meaning, importance, history, and future of trans technologies, Feminist Media Studies, 21:3, 345-361, DOI: 10.1080/14680777.2019.1678505  https://www.theatlantic.com/technology/archive/2012/02/tumblr-has-cutting-and-anorexia-and-bulimia-problem/331358/  https://www.vice.com/en/article/kbbpem/tumblr-says-no-more-thinspiration  https://www.nylon.com/beauty/tumblr-eating-disorder-content-is-on-tiktok-how-to-navigate-it   https://www.vogue.com/article/2014-tumblr-girl-aesthetic  https://www.newyorker.com/culture/infinite-scroll/how-tumblr-became-popular-for-being-obsolete   

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence. By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen. Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

In the wake of Congressional investigations into a wave of so-called “anti-Semitism” on university campuses, college administrators are bending over backwards to appease Right Wing politicians and wealthy donors at the expense of civil liberties, and free speech and academic freedom protections. They particularly operationalize notions of public safety and feelings of safety to mute protests over the Israeli genocide of the Palestinian people, a genocide enabled by these same universities and the United States as a whole. Thus we see a warped set of values and priorities wherein the most principled people are being disciplined, suspended, and expelled from campus. Hamza El Boudali, a student activist, Nicole Morse, a professor long involved in the movements for Palestinian rights and LGBTQ justice, and Natasha Lennard, a journalist from The Intercept who has been covering these cases join us for a conversation that ranges from the immediate case at Columbia to a broad discussion of attacks on education by the right wing. We end with arguments for the future.Hamza El Boudali is a master's student at Stanford University studying Computer Science and Artificial Intelligence. Born in Morocco and raised in New Hampshire, he is a practicing Muslim interested in Muslim and Islamic causes worldwide. He is a former co-President of the Muslim Student Union at Stanford and he is passionate about advocacy for Palestine as well as other oppressed Muslim groups around the world such as the Uyghurs, Rohingya, Kashmiris, etc. After graduation, he plans to study the traditional Islamic sciences and combine his interest in AI with Islamic studies, philosophy, and intellectual activism.Natasha Lennard is a columnist for The Intercept, and her work has appeared in The Nation, Bookforum, Dissent, and the New York Times, among others. She is the associate director of the Creative Publishing & Critical Journalism graduate program at the New School for Social Research in New York. She is the author of Violence: Humans in Dark Times (with Brad Evans, CityLights, 2018), and Being Numerous: Essays on Non-Fascist Life (Verso, 2019). She is working on her next book, on conceptualizing uncertainty, for Verso Books.Nicole Erin Morse is an Associate Professor of Media Studies and Director of the Center for Women, Gender, and Sexuality Studies at Florida Atlantic University. Their research has been published in Feminist Media Studies, Porn Studies, Jump Cut, Discourse, and elsewhere, and their book Selfie Aesthetics: Seeing Trans Feminist Futures in Self-Representational Art was published by Duke University in 2022. They are a member of Jewish Voice for Peace, which has landed them on Turning Point USA's Professor Watchlist.  

Keywords: Digital Publishing, Digital Rhetorics, Feminist Rhetorics, Pedagogy, Digital Authoring. Dr Brandee Easter is an Assistant Professor in the Writing Department at York University. Her research and teaching focus on digital rhetoric, feminist rhetoric, and software studies, and her work has appeared in Rhetoric Review and Feminist Media Studies. In 2020, she received the Rhetoric Society of America Dissertation award, and her upcoming book, Visual Rhetoric, co-authored by Dr Christa J. Olsen, won the University of Michigan Press and Sweetland Publication Prize in Digital Rhetoric in 2022. For more information visit thebigrhetoricalpodcast.weebly.com and @thebigrhet across social media platforms.

This event was the launch Zoe Hurley's new book 'Social Media Influencing in the City of Likes: Dubai and the Postdigital Condition'. Evaluating the cases of multiple influencers, from local to transnational content creators, Hurley reveals how residents, non-citizens and migrant workers survive as influencers in the city of ‘likes.' Providing de-Westernising perspectives of Dubai's social media influencing industry within the broader context of global platform capitalism, the book offers an important contribution to the field of social media through illustrating visible economies in a city circuited by social media influencing. Zoe Hurley is a Visiting Fellow at the LSE Middle East Centre and Assistant Professor in the College of Interdisciplinary Studies at Zayed University, Dubai, United Arab Emirates. Her research focuses on postdigital cultures, feminist-semiotics and social media in the Arabian Gulf. She has published articles in leading academic journals, including Feminist Media Studies, Visual Communication, New Media + Society, Social Media & Society, Information Communication & Society, Postdigital Science and Education. Her monograph, 'Social Media Influencing in the City of Likes: Dubai and the Postdigital Condition', advances decolonial semiotic theorising. Sarah Hopkyns is an Assistant Professor/Lecturer at the University of St Andrews, UK. She has previously worked in higher education in the United Arab Emirates, Canada, and Japan. Her research interests include world Englishes, language and identity, language policy, translingual practice, linguistic ethnography, linguistic landscapes and English-medium instruction (EMI). Polly Withers is a Leverhulme Early Career Fellow at the LSE Middle East Centre, where she leads the project “Neoliberal Visions: Gendering Consumer Culture and its Resistances in the Levant”. Polly's interdisciplinary work questions and explores how gender, sexuality, race, and class intersect in popular culture and commercial media in the global south.

True crime has never been more popular. Is it uniquely harmful to society, or have we always been fascinated with the macabre? And why does there suddenly seem to be a boom in internet sleuths? Exploring the increasingly blurred lines between those seeking justice and those making internet content, Jude Rogers talks to Tanya Horeck, Professor of Film and Feminist Media Studies and author of Justice on Demand: True Crime in the Digital Streaming Era about how true crime in the digital age has transformed society.  “True crime can be a way to process a lot of the traumatic things in society.” “True crime feeds into the idea that we are all internet sleuths.” “ True crime has created a cultural space for a political discussion about violence against women.” www.patreon.com/bunkercast  Written and presented by Jude Rogers. Producer: Kasia Tomasiewicz. Assistant producer: Adam Wright. Audio editor: Jade Bailey. Music by Kenny Dickinson. Managing editor: Jacob Jarvis. Group editor: Andrew Harrison. THE BUNKER is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where's the Friend's House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami's career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members. Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where's the Friend's House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami's career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members. Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where's the Friend's House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami's career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members. Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where's the Friend's House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami's career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members. Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where's the Friend's House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry. In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami's career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members. Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies. Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In this episode, Professor Mohan Dutta's guest Professor Usha Raman discusses her early professional career and how it shaped her scholarly interests. She describes her current worker-centered and feminist approach to the design and deployment of digital platforms and tools to align, with a special eye to the Global South,  the future of work with human dignity, creativity, and pleasure. Click here for the episode transcript FeaturingMohan DuttaUsha RamanSponsor:The Institute for Advanced Study in the Global South at Northwestern University QatarMore from our guests:  Mohan Dutta Dean's Chair Professor of Communication | Journalism and Marketing Massey University | University of New Zealand Director, Center for Culture-Centered Approach to Research and Evaluation (CARE)Twitter: @mjdutt; @CAREMasseyNZUsha RamanProfessor in the Department of Communication | University of Hyderabad Vice President | International Association for Media and Communication Research (IAMCR)Twitter: @usharamanWorks referenced in episode:Raman, U., & Arora, P. (n.d.). Femlab. FEMLAB.Raman, U., & Komarraju, S. A. (2018). Policing responses to crime against women: unpacking the logic of Cyberabad's “SHE Teams”. Feminist Media Studies, 18(4), 718-733.Komarraju, S. A., Arora, P., & Raman, U. (2021). Agency and servitude in platform labour: a feminist analysis of blended cultures. Media, Culture & Society, 01634437211029890.Raman, U. (2018). MAYANOTES. Super Vision. Raman, U. (2021). Pandemic Learning: How do we make it (all) count?. Indian Academy of Sciences.Bhattacharya, S. (2021). Desperately seeking Shah Rukh: India's Lonely Young Women and the search for intimacy and Independence. Harper Collins Publishers India. Copy and Audio Editor:  Dominic BonelliDaniel Christain Executive Producer:DeVante Brown

This panel, co-organised with Hamad Bin Khalifa University (HBKU), focused on the role that representations of femininities, masculinities, and sexualities in media and cultural productions play in maintaining or challenging stereotypes, and the gendered norms and regimes that these give rise to. Drawing on feminist approaches to media and cultural studies, speakers will discuss how different media forms, ranging from traditional print to film, advertising, and digital media have shaped gendered discourses and, relatedly, feminist thinking and praxes in the Middle East. Dalia Said Mostafa is Associate Professor on the Women, Society & Development Programme, Hamad Bin Khalifa University. On this panel she will discuss 'Women's Formidable Role and Influence in the Making of Arab Cinema'. Polly Withers is a Leverhulme Early Career Fellow at the LSE Middle East Centre. On this panel she will discuss 'Problematising feminist media studies from the Middle East: Gendering media in Palestine'. Amal Al-Malki is the Founding Dean of the College of Humanities and Social Sciences at Hamad Bin Khalifa University, Qatar Foundation. Before that, she was the Executive Director of the Translation and Interpreting Institute, which she founded in 2011. She also was an Associate Professor at Carnegie Mellon University in Qatar where she taught courses in writing composition, postcolonial literature, theories of translation, and Islamic feminism. Marc Owen Jones is an Associate Professor of Middle East Studies at Hamad bin Khalifa University, where he lectures and researches on political repression and informational control strategies. His recent work has focused on the way social media has been used to spread disinformation and fake news in the Middle East. Sophie Richter-Devroe is Associate Professor in the Women, Society and Development Program at the College of Humanities and Social Science, Hamad Bin Khalifa University. Sophie's broad research interests are in the field of everyday politics and women's activism in the Middle East. https://www.lse.ac.uk/middle-east-centre/events/2023/feminist-media-studies-middle-east

Today's book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship. Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work. Listeners to this episode may also be interested in: A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities This podcast episode on Hope for the Humanities PhD This podcast episode on new ways of launching an online conference This episode on exploring public-facing humanities at historic sites Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today's knowledge-producers working inside and outside the academy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/academic-life

Today's book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship. Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work. Listeners to this episode may also be interested in: A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities This podcast episode on Hope for the Humanities PhD This podcast episode on new ways of launching an online conference This episode on exploring public-facing humanities at historic sites Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today's knowledge-producers working inside and outside the academy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today's book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship. Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work. Listeners to this episode may also be interested in: A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities This podcast episode on Hope for the Humanities PhD This podcast episode on new ways of launching an online conference This episode on exploring public-facing humanities at historic sites Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today's knowledge-producers working inside and outside the academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship. Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work. Listeners to this episode may also be interested in: A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities This podcast episode on Hope for the Humanities PhD This podcast episode on new ways of launching an online conference This episode on exploring public-facing humanities at historic sites Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today's knowledge-producers working inside and outside the academy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's book is: Engage in Public Scholarship: A Guidebook on Feminist and Accessible Communication, by Dr. Alex D. Ketchum. Public scholarship—sharing research with audiences outside of academic settings—has become increasingly necessary to counter the rise of misinformation, fill gaps from cuts to traditional media, and increase the reach of important scholarship. Engaging in these efforts often comes with the risk of harassment and threats—especially for women, people of color, queer communities, and precariously employed workers. Engage in Public Scholarship provides guidance on translating research into inclusive public outreach while ensuring that such efforts are safer and more accessible. Dr. Ketchum discusses practices and planning for a range of educational activities from in-person and online events, conferences, and lectures to publishing and working with the media, social media activity, blogging, and podcasting. Using an intersectional feminist lens, this book offers a concise approach to challenges and benefits of feminist and accessible public scholarship. Our guest is: Dr. Alex Ketchum, who is the Faculty Lecturer of the Institute for Gender, Sexuality, and Feminist Studies of McGill University. She is the Director of the Just Feminist Tech and Scholarship Lab. She is the author of Engage in Public Scholarship!: A Guidebook on Feminist and Accessible Communication (Concordia University Press, 2022), and Ingredients for Revolution: A History of American Feminist Restaurants, Cafes, and Coffeehouses (2022). Since 2019, Ketchum has organized the SSHRC-funded Disrupting Disruptions: The Feminist and Accessible Publishing and Communications Technologies Speaker and Workshop Series. She is also the founder of The Feminist Restaurant Project, and co-founder and editor of The Historical Cooking Project, and the former co-founder of Food, Feminism, and Fermentation. She is published in Feminist Studies, Feminist Media Studies, and Digital Humanities Quarterly. Dr. Ketchum was named one of the 100 Brilliant Women in AI Ethics for 2021, and is involved in feminist, food, and environmental politics. She has worked on organic farms in Ireland and France, and she founded Farm House in Middletown, Connecticut, a living community dedicated to food politics work. Listeners to this episode may also be interested in: A Primer for Teaching Digital History: 10 Design Principles by Jennifer Guiliano Roopika Risam and Jennifer Guiliano, editors, Reviews in Digital Humanities This podcast episode on Hope for the Humanities PhD This podcast episode on new ways of launching an online conference This episode on exploring public-facing humanities at historic sites Welcome to The Academic Life! Join us here each week, where we learn directly from experts. We embrace the broad definition of what it means to lead an academic life, and are informed and inspired by today's knowledge-producers working inside and outside the academy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/digital-humanities

Dr. Alyxandra Vesey is an assistant professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the intersection between gender, music culture, labor, and media industries. She is currently finishing a book (that she tells us all about) related to the identity politics surrounding musicians' labor in the television industry during the post-network era. She also does research on the ideologies of gender that circulate within merchandising and endorsement work in the recording industry. Her work has been published in Television and New Media, Feminist Media Studies, Popular Music and Society, Cinema Journal, Saturday Night Live and American TV and Emergent Feminisms and the Challenge to Postfeminist Media Culture. She is also a long-time contributor to Bitch Media and the founder of the blog Feminist Music Geek. This episode is so much fun as we dive a little deeper into the music industry and learn more about the interplay between gender, the politics of gender, and commodification. To follow us on Twitter: @ICIRAlabama

In this dynamic discussion, Dr Gabriel Knott-Fayle (University of Calgary) and I talk about cisgenderism, heteronormativity and masculinity in sports and sports media. We discuss how trans* and queer bodies are treated and medicalised in narratives surrounding different sports but also how (amateur) sporting environments can be affirming and create safe spaces. Although as queers so many of us have negative encounters with sports, it can also be a great place to socialise with other members of the LGBTQIA2S+ community and to treat our strong bodies with the love they deserve. Whether you're a Sporty Queer or not, this episode should not be missed!The ball is in your court: Follow @DrKnottFayle and @queerlitpodcast on Instagram and Twitter and let us know about your queer sporting experience!CW: transphobia, homophobia, bullying, hate speech, antiqueer violence References:Knott-Fayle, Gabriel, Elizabeth Peel, and Gemma L. Witcomb. "(Anti-) feminism and cisgenderism in sports media." Feminist Media Studies (2021): 1-18.Gender Diversity and Sport: Interdisciplinary Perspectives on Increasing Inclusivity (edited by Elizabeth Peel and Gemma Witcomb, Routledge, 2022) Knott-Fayle, Gabriel. “World Cup 2022: Men's soccer must stop silencing activism and allyship.” The Conversation (2022). https://theconversation.com/world-cup-2022-mens-soccer-must-stop-silencing-activism-and-allyship-195087 “Queer Wizards and Neurodiversity” with Jes Battis https://www.spreaker.com/episode/51938443Martina NavratilovaThe PoliticianJustin FashanuIsabel Waidner's Sterling, Karat, GoldAlison Bechdel's The Secret to Superhuman StrengthDSD Differences of Sexual DevelopmentThomas Page McBee's Amateur: A True Story About What Makes a ManChilling Adventured of Sabrina Questions you should be able to respond to after listening:What are Gabriel's main research interests and what do they have to do with queerness in sports?Gabriel speaks about cisgenderism in sports media. What does this mean?In this episode, we identify some of the ways in which trans athletes are presented in negative ways by various media. Can you name some of the mechanisms we discuss? Feel free to add other and/or examples.How can sporting environments be affirmative for queer people?How do you see sports represented in queer narratives? Can you think of an example?

La Profesora de la Universidad de Murcia, Susana Martínez Rodríguez nos cuenta todo sobre la revista Diana que fue publicada por el BBVA entre 1969 y 1978 como parte de una campaña para atraer como clientas a las mujeres españolas. En la conversación también hablamos sobre el proceso de publicación en revistas de alto impacto y sobre la combinación de los campos disciplinarios de la historia financiera y los estudios de género. Abstract de "DIANA (1969-1978): the first women's finance magazine in Spain" (Feminist Media Studies, 2022, DOI: 10.1080/14680777.2022.2055606) Durante la segunda mitad del siglo XX las entidades financieras conquistaron nuevos clientes: las mujeres. Esta investigación destaca la estrategia utilizada por un banco privado para llegar a un nuevo segmento de mercado con una herramienta de comunicación inédita en el sector financiero: la revista femenina. La revista DIANA (1969-1978), es la clave de la primera estrategia de divulgación financiera con perspectiva de género lanzada en España. El método de análisis consistió en sistematizar 551 elementos de la revista (artículos, anuncios y portadas y contraportadas) para afinar (extraer/destilar) una selección de 81 elementos para su estudio. DIANA era una revista con anuncios y artículos financieros adaptados a las mujeres y escritos en un nuevo lenguaje publicitario que combinaba las características de las revistas femeninas con un fuerte componente de pedagogía. La revista generó un gran beneficio a través de su acción, guiada por un objetivo económico: la alfabetización financiera femenina (conocimientos financieros). La Dra. Susana Martínez Rodríguez es profesora titular en la Universidad de Murcia. Sus principales intereses son el impacto de las formas empresariales en el desarrollo económico, y la historia empresarial con perspectiva de género en España. Actualmente está trabajando sobre todo en temas vinculados a finanzas, mujeres inversoras y medios de comunicación Otras publicaciones de la autora en 2021 son: “Female Shareholders of Private Spanish Banks (1920-1948). A First Approach” en Quaderni storici, Rivista quadrimestrale; e "Historia de un precedente fallido: el Tribunal Supremo español y la Sociedad de Responsabilidad Limitada en España (1919-1953)” en la Revista de estudios histórico-jurídicos. Paula De La Cruz-Fernandez es consultora, historiadora y editora bilingüe. Editora de New Books Network en español. Fundadora y editora, Edita.

La Profesora de la Universidad de Murcia, Susana Martínez Rodríguez nos cuenta todo sobre la revista Diana que fue publicada por el BBVA entre 1969 y 1978 como parte de una campaña para atraer como clientas a las mujeres españolas. En la conversación también hablamos sobre el proceso de publicación en revistas de alto impacto y sobre la combinación de los campos disciplinarios de la historia financiera y los estudios de género. Abstract de "DIANA (1969-1978): the first women's finance magazine in Spain" (Feminist Media Studies, 2022, DOI: 10.1080/14680777.2022.2055606) Durante la segunda mitad del siglo XX las entidades financieras conquistaron nuevos clientes: las mujeres. Esta investigación destaca la estrategia utilizada por un banco privado para llegar a un nuevo segmento de mercado con una herramienta de comunicación inédita en el sector financiero: la revista femenina. La revista DIANA (1969-1978), es la clave de la primera estrategia de divulgación financiera con perspectiva de género lanzada en España. El método de análisis consistió en sistematizar 551 elementos de la revista (artículos, anuncios y portadas y contraportadas) para afinar (extraer/destilar) una selección de 81 elementos para su estudio. DIANA era una revista con anuncios y artículos financieros adaptados a las mujeres y escritos en un nuevo lenguaje publicitario que combinaba las características de las revistas femeninas con un fuerte componente de pedagogía. La revista generó un gran beneficio a través de su acción, guiada por un objetivo económico: la alfabetización financiera femenina (conocimientos financieros). La Dra. Susana Martínez Rodríguez es profesora titular en la Universidad de Murcia. Sus principales intereses son el impacto de las formas empresariales en el desarrollo económico, y la historia empresarial con perspectiva de género en España. Actualmente está trabajando sobre todo en temas vinculados a finanzas, mujeres inversoras y medios de comunicación Otras publicaciones de la autora en 2021 son: “Female Shareholders of Private Spanish Banks (1920-1948). A First Approach” en Quaderni storici, Rivista quadrimestrale; e "Historia de un precedente fallido: el Tribunal Supremo español y la Sociedad de Responsabilidad Limitada en España (1919-1953)” en la Revista de estudios histórico-jurídicos. Paula De La Cruz-Fernandez es consultora, historiadora y editora bilingüe. Editora de New Books Network en español. Fundadora y editora, Edita.

La Profesora de la Universidad de Murcia, Susana Martínez Rodríguez nos cuenta todo sobre la revista Diana que fue publicada por el BBVA entre 1969 y 1978 como parte de una campaña para atraer como clientas a las mujeres españolas. En la conversación también hablamos sobre el proceso de publicación en revistas de alto impacto y sobre la combinación de los campos disciplinarios de la historia financiera y los estudios de género. Abstract de "DIANA (1969-1978): the first women's finance magazine in Spain" (Feminist Media Studies, 2022, DOI: 10.1080/14680777.2022.2055606) Durante la segunda mitad del siglo XX las entidades financieras conquistaron nuevos clientes: las mujeres. Esta investigación destaca la estrategia utilizada por un banco privado para llegar a un nuevo segmento de mercado con una herramienta de comunicación inédita en el sector financiero: la revista femenina. La revista DIANA (1969-1978), es la clave de la primera estrategia de divulgación financiera con perspectiva de género lanzada en España. El método de análisis consistió en sistematizar 551 elementos de la revista (artículos, anuncios y portadas y contraportadas) para afinar (extraer/destilar) una selección de 81 elementos para su estudio. DIANA era una revista con anuncios y artículos financieros adaptados a las mujeres y escritos en un nuevo lenguaje publicitario que combinaba las características de las revistas femeninas con un fuerte componente de pedagogía. La revista generó un gran beneficio a través de su acción, guiada por un objetivo económico: la alfabetización financiera femenina (conocimientos financieros). La Dra. Susana Martínez Rodríguez es profesora titular en la Universidad de Murcia. Sus principales intereses son el impacto de las formas empresariales en el desarrollo económico, y la historia empresarial con perspectiva de género en España. Actualmente está trabajando sobre todo en temas vinculados a finanzas, mujeres inversoras y medios de comunicación Otras publicaciones de la autora en 2021 son: “Female Shareholders of Private Spanish Banks (1920-1948). A First Approach” en Quaderni storici, Rivista quadrimestrale; e "Historia de un precedente fallido: el Tribunal Supremo español y la Sociedad de Responsabilidad Limitada en España (1919-1953)” en la Revista de estudios histórico-jurídicos. Paula De La Cruz-Fernandez es consultora, historiadora y editora bilingüe. Editora de New Books Network en español. Fundadora y editora, Edita.

La Profesora de la Universidad de Murcia, Susana Martínez Rodríguez nos cuenta todo sobre la revista Diana que fue publicada por el BBVA entre 1969 y 1978 como parte de una campaña para atraer como clientas a las mujeres españolas. En la conversación también hablamos sobre el proceso de publicación en revistas de alto impacto y sobre la combinación de los campos disciplinarios de la historia financiera y los estudios de género. Abstract de "DIANA (1969-1978): the first women's finance magazine in Spain" (Feminist Media Studies, 2022, DOI: 10.1080/14680777.2022.2055606) Durante la segunda mitad del siglo XX las entidades financieras conquistaron nuevos clientes: las mujeres. Esta investigación destaca la estrategia utilizada por un banco privado para llegar a un nuevo segmento de mercado con una herramienta de comunicación inédita en el sector financiero: la revista femenina. La revista DIANA (1969-1978), es la clave de la primera estrategia de divulgación financiera con perspectiva de género lanzada en España. El método de análisis consistió en sistematizar 551 elementos de la revista (artículos, anuncios y portadas y contraportadas) para afinar (extraer/destilar) una selección de 81 elementos para su estudio. DIANA era una revista con anuncios y artículos financieros adaptados a las mujeres y escritos en un nuevo lenguaje publicitario que combinaba las características de las revistas femeninas con un fuerte componente de pedagogía. La revista generó un gran beneficio a través de su acción, guiada por un objetivo económico: la alfabetización financiera femenina (conocimientos financieros). La Dra. Susana Martínez Rodríguez es profesora titular en la Universidad de Murcia. Sus principales intereses son el impacto de las formas empresariales en el desarrollo económico, y la historia empresarial con perspectiva de género en España. Actualmente está trabajando sobre todo en temas vinculados a finanzas, mujeres inversoras y medios de comunicación Otras publicaciones de la autora en 2021 son: “Female Shareholders of Private Spanish Banks (1920-1948). A First Approach” en Quaderni storici, Rivista quadrimestrale; e "Historia de un precedente fallido: el Tribunal Supremo español y la Sociedad de Responsabilidad Limitada en España (1919-1953)” en la Revista de estudios histórico-jurídicos. Paula De La Cruz-Fernandez es consultora, historiadora y editora bilingüe. Editora de New Books Network en español. Fundadora y editora, Edita.

I speak with activist-scholar Dr. Bri Wiens on  radical self-care and communal self-care. Bri and I discuss the invisible labour that women are currently expected to do in the academy and in other places of work.  Bri shares her research on feminist shadow networks, explaining, "They are quiet when they have to be; they are loud when they have to be."  About Bri WiensDr. Bri Wiens (she/her) is a Postdoctoral Fellow in Digital Activism, Design Equity, and Feminist Media Futures in the Department of Communication Arts at the University of Waterloo. Her interdisciplinary work draws on her mixed-race queer activist-scholarexperience to explore the digitally and culturally mediated phenomena of networked social movements and the politics of their design. Dr. Wiens co-runs the digital archive Feminists Do Media (IG: @aesthetic.resistance) out of the Feminist Think Tank, a research-creation lab. Wiens's collaborative work has recently appeared in NECSUS, Feminist Media Studies, and Digital Studies/Le Champ Numériqe. She is a co-editor of Networked Feminisms: Activist Assemblies and Digital Practices (Lexington Books 2021) and is lead editor on the forthcoming collection Stories of Feminist Protest and Resistance: Digital Performative Assemblies (Lexington Books 2022).Connect with Bri Wiens:Web: https://uwaterloo.ca/games-institute/people-profiles/brianna-wiensTwitter: @Bri WiensNetworked Feminism:https://rowman.com/ISBN/9781793613790/Networked-Feminisms-Activist-Assemblies-and-Digital-PracticesFeminst Think Tank:Web: https://www.feminist-think-tank.com

Dr. Safiya Umoja Noble is an Associate Professor at the University of California, Los Angeles (UCLA) in the Department of Information Studies, where she serves as the Co-Founder and Co-Director of the UCLA Center for Critical Internet Inquiry (C2i2). She also holds appointments in African American Studies and Gender Studies. She is a Research Associate at the Oxford Internet Institute at the University of Oxford and has been appointed as a Commissioner on the Oxford Commission on AI & Good Governance (OxCAIGG). She is a board member of the Cyber Civil Rights Initiative, serving those vulnerable to online harassment, and serves on the NYU Center Critical Race and Digital Studies advisory board. She is the author of a best-selling book on racist and sexist algorithmic bias in commercial search engines, entitled Algorithms of Oppression: How Search Engines Reinforce Racism (NYU Press), which has been widely-reviewed in scholarly and popular publications. Safiya is the co-editor of two edited volumes: The Intersectional Internet: Race, Sex, Culture, and Class Online and Emotions, Technology & Design. She currently serves as an Associate Editor for the Journal of Critical Library and Information Studies and is the co-editor of the Commentary & Criticism section of the Journal of Feminist Media Studies. She is a member of several academic journals and advisory boards and holds a Ph.D. and M.S. in Library & Information Science from the University of Illinois at Urbana-Champaign, and a B.A. in Sociology from California State University, Fresno, where she was recently awarded the Distinguished Alumni Award for 2018. Recently, she was named in the “Top 25  Doers, Dreamers, and Drivers of 2019” by Government Technology magazine.

Sociologist and author Sabrina Strings joins us to discuss her new book, Fearing the Black Body: The Racial Origins of Fat Phobia; the history of how “race science” led to the development of diet culture; the many problems with using weight as a measure of health; how culture influences science; and so much more! Plus, Christy answers a listener question about how to tell the difference between diet-culture rules and intuitive observations about foods that help us feel our best. (This episode originally aired on May 6, 2019.) Sabrina Strings is Assistant Professor of Sociology at the University of California, Irvine, and a former Berkeley Chancellor's Postdoctoral Fellow in the Department of Sociology and the School of Public Health at the University of California, Berkeley. Her work has appeared in the Journal of Women in Culture and Society, The Feminist Wire, and Feminist Media Studies. Find her online at uci.academia.edu/SabrinaStrings. Subscribe to our newsletter, Food Psych Weekly, to keep getting new weekly Q&As and other new content while the podcast is on hiatus! If you're ready to break free from diet culture once and for all, come check out Christy's Intuitive Eating Fundamentals online course. You'll get all your questions answered in an exclusive monthly podcast, plus ongoing support in our private community forum and dozens of hours of other great content. Christy's first book, Anti-Diet, is available wherever you get your books. Order online at christyharrison.com/book, or at local bookstores across North America, the UK, Australia, and New Zealand. Grab Christy's free guide, 7 simple strategies for finding peace and freedom with food, for help getting started on the anti-diet path. For full show notes and a transcript of this episode, go to christyharrison.com/foodpsych. Ask your own question about intuitive eating, Health at Every Size, or eating disorder recovery at christyharrison.com/questions.

Episode 210: In the summer of 2003, Ardeth Wood, a 27-year-old PhD candidate studying philosophy at the University of Waterloo, was enjoying a well needed break at her parent's home in the Orleans neighbourhood of Ottawa. In the early afternoon of August 6, 2003, wanting to take advantage of a beautiful, warm summer day Ardeth borrowed her brother's bike to go for a ride. Ardeth never came home. Ardeth's disappearance triggered one of the largest searches in Ottawa's history up to that point covering the almost 200 kilometres of bike paths around the capital city and its suburbs. Five days later, Ardeth's body was discovered. She'd been drowned on purpose and then hidden by her killer in a densely wooded area along the banks of Green's Creek. Police had no suspects. Fearing for their own safety, many of the residents of Ottawa were terrified to use the parks and bike paths for some time even with increased police patrols. It would be more than two years before charges were laid against the man accused of Ardeth's murder. Sources and Further Reading: The Disappearance of Ardeth Wood An Anthology of True Crime by Pete Dove - Ebook | Scribd Ardeth Wood - Wikipedia Murder She Solved - The Pathway Predator - Dailymotion Video Ardeth WOOD | Obituary | Ottawa Citizen Ardeth Mary Margaret Wood (1975-2003) - Find a Grave Memorial The value of virginity? « knitnut.net University of Waterloo — September 10, 2003: Scholarship remembers murdered grad A Mother's Grief – The Healing Power of Forgiveness | Nourished Motherhood Blog Archived Ardeth Remembered Archived A death that touched an entire city Ardeth Wood murder resonates 10 years later | CBC News Interview with Colum Wood — YouTube Global study on homicide Kristen Gilchrist (2010) “Newsworthy” Victims?, Feminist Media Studies, https://doi.org/10.1080/14680777.2010.514110 Support the show: https://www.patreon.com/darkpoutine See omnystudio.com/listener for privacy information.

Episode 209:Daleen Kay Bosse, was a 26-year-old, wife and mother of Cree heritage and member of the Onion Lake First Nation in Saskatchewan near Saskatoon. On May 18, 2004, after a night out with friends Daleen did not return home. Her family grew worried. When she still hadn't come home the next day Jeremiah, Daleen's husband, contacted police, who, initially did not respond with much enthusiasm, telling Jeremiah and Daleen's concerned parents to wait; that she would probably either come home or check in soon. Daleen's family organized searches themselves and two weeks later Daleen's car was found abandoned, but there was no sign of the missing woman. It would be more than four years later that Daleen's family would find out what had happened to their missing loved one. Daleen had been murdered by a man named Douglas Richard Hales, who, during a Mr. Big sting, had admitted to killing the woman and the led police to Daleen's charred remains. Sources: Onion Lake – Cree Nation The Encyclopedia of Saskatchewan | Details — Treaty 6 The Encyclopedia of Saskatchewan | Details — Frog Lake Massacre Frog Lake Massacre - Wikipedia SACP | Missing Persons Database Daleen Bosse Obituary (2008) - Saskatoon StarPhoenix NWAC - Daleen's Story Family hires investigator to help locate daughter MMIWG & Violence Prevention • Native Women's Association of Canada Home Page - Final Report | MMIWG R v Hales, 2014 SKQB 411 (CanLII), < https://canlii.ca/t/gfrdx > Highlights from the Saskatchewan Court of Appeal, 2015 | CanLII Man says he killed woman because she laughed when he couldn't perform sexually | Philippine Canadian Inquirer Douglas Hales guilty of 2nd degree murder of Daleen Bosse | CBC News GUILTY - Canada - Daleen Bosse, 26, Saskatoon, Sask, 18 May 2004 Muskego Family Gets Some Closure - First Nations Drum Newspaper Mother recalls trauma of daughter's disappearance, murder Daleen Bosse | News, Videos & Articles Kristen Gilchrist (2010) “Newsworthy” Victims?, Feminist Media Studies, https://doi.org/10.1080/14680777.2010.514110 The Different Stories of Cree Woman, Daleen Kay Bosse (Muskego) and Dakota-Sioux Woman, Amber Tara-Lynn Redman: Understanding Their Disappearances and Murders through Media Re-Presentations and Family Members' Narratives News camera allowed in Saskatchewan court for first time - J-Source Saskatchewan man found guilty of killing Onion Lake Cree Nation woman, 25 - APTN News Karina Wolfe case echoes Daleen Bosse murder | 650 CKOM Finding Dawn by Christine Welsh - NFB Douglas Hales' appeal decision, Nov 23 2015 — YouTube Hales appeal dismissed. - Free Online Library Tasha Beeds – Walking With Our Sisters 2021 National Action Plan Home • National Family and Survivors Circle Support the show: https://www.patreon.com/darkpoutine See omnystudio.com/listener for privacy information.

本期节目的嘉宾是我们的朋友葛亮@自闭阿凉 和 王宁馨@盛夏几口莲。葛亮是英国伦敦国王学院文化、媒体与创意产业专业的博士候选人，研究耽美文化中的性/别，身体和欲望。宁馨是英国伦敦国王学院文化、媒体和创意产业专业的博士候选人，也是双重意识的第一位返场嘉宾，她在第十九期节目中和我们聊到了粉丝社群内部的权力结构及其与外部的政治、经济、文化环境的关系。观众在观看影视剧和娱乐节目时“磕CP”逐渐成为一种趋势，而与磕CP相关的耽改剧、泥塑等话题也越来越成为大众讨论的焦点。“CP”即coupling，指把两个角色或真人进行配对。从选秀节目到耽改剧中的CP，当女性观众在磕CP时磕的是什么？为什么想象男性之间的爱情是对女性有吸引力的？如果说阅读和创作耽美小说为女性创造了一个自由的空间，这种空间自由在何处？“泥塑”，即逆苏，逆向玛丽苏的意思，代表粉丝欣赏与偶像身上与生理性别不相符的性别特征。在近期引起广泛讨论的耽改剧《山河令》中，主角周子舒和饰演这个角色的男性演员被大家称为“老婆”，就是一种泥塑现象。这种泥塑是不是一个特殊的女性表达情感和欲望的方式，它又展现了一种什么样的性别想象？如果说泥塑挑战了传统意义上的性别认同，它是否具有真正的先锋性？通过泥塑，我们是否向流动的性别观念迈进了一步？本期嘉宾葛亮 @自闭阿凉王宁馨 @盛夏几口莲内容提要+精彩预告01:00 嘉宾介绍02:00 为什么从事亚文化研究？“关注亚文化和主流文化、其他文化形式的互动中产生的权力关系”“我们对亚文化的定义本身就是被主流文化规训的”“粉丝的位置可能是一个边缘的位置，但是文化不是小众文化”07:00 近期娱乐生活：选秀CP的磕法？拉郎CP粉 vs 唯粉磕CP11:20 为什么观众想要磕CP？“偶像在和其他成员产生互动的过程、情感交流中能够丰满自身形象、展现性格中吸引人的特质”“粉丝能够在这里感受到偶像的吸引力”17:50 当我们在磕耽改剧CP的时候我们在磕什么？“为什么女性会喜欢男男爱情故事？”“女性被压抑的情感和欲望在耽美世界里得到表达”“耽美小说的亚类型满足现实中不能满足的欲望”22:50 粉丝和资本的互动“粉丝不接受耽改剧把BL线转BG”25:40 为什么近些年耽改剧成为一种流行趋势？“社交媒体和短视频平台的用户体量激增，用户的讨论成为了资本需要关注的舆论方向”“政策管控滞后于市场发展”“从宫斗剧到耽美剧，资本重新发现了一个审美亚类型来刺激观众的消费”32:10 观众观看耽改剧时带入某一方角色吗？“一些批评指出耽美小说以女性的消失为代价去想象男性之间的爱情；但是女性抽离于这个故事的时候，可能也获得了更加多元和自由的位置，可以自由地凝视和带入故事中的人物，根据自己的意愿重塑和扭转故事中的人物关系”“创造、阅读耽美是自由的空间”41:20 耽美文化 vs 现实中同性恋群体“男同志群体会认为耽美文化挪用同志群体的形象”“耽美本身就是浪漫化想象”47:20 泥塑所代表的性别想象：既先锋也保守“泥塑，就是逆向玛丽苏，是粉丝欣赏与人物社会性别不同的传统意义上的性格特质”“温柔、强大的女性特质引起女性观众共鸣”“泥塑粉也在幻想两性关系”“是对男强女弱的两性关系的复制”“泥塑的先锋性在于女性欲望的表达方式”“但是表达本身是男性生殖器中心的话语”01:02:20 流动的性别观念是什么样的？“一个人可以拥有多种性格特质”“耽美作品的强强作品中攻和受都可以拥有强大和脆弱的一面”“权力的颠覆和平衡是吸引人的”01:07:50 总结与嘉宾聊天的小广告：全平台账号@自闭阿凉 ，微博@盛夏几口莲参考资料澎湃思想市场，澎湃新闻. (2020年4月1日.) “女粉丝喊男明星老婆，“是以我的性别赞美你””，https://mp.weixin.qq.com/s/PvLpjTmuxVsm57awXRRZ2wNg, E., & Li, X. (2020). A queer “socialist brotherhood”: the Guardian web series, boys' love fandom, and the Chinese state. Feminist Media Studies, 20(4), 479-495.Chang, J., & Tian, H. (2020). Girl power in boy love: Yaoi, online female counterculture, and digital feminism in China. Feminist Media Studies, 1-17.Tian, X. (2020). Homosexualizing “Boys Love” in China: Reflexivity, Genre Transformation, and Cultural Interaction. Prism: Theory and Modern Chinese Literature, 17(1), 104-126.Hu, T., & Wang, C. Y. (2020). Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama—SCI Mystery. Television & New Media, 1527476420937262.片头片尾音乐《Sunrise at Seaside》by 王乾-----------双重意识是一档「让我们认识到那些我们以为此时此刻与我们生活需求没有关联的东西其实和我们紧密相关」的播客节目。你可以在各大播客平台及社交平台搜索"双重意识DoubleConsciousness"找到我们，关注我们并收听我们的节目。 欢迎大家在微信后台或是微博(@双重意识DoubleConsciousness)等各大平台给我们留言、提供反馈意见。

Episode 21 : Le conflit dit israélo-palestinien sur Facebook et l'action pacifique des femmes L'article original : Yiftach Ron, Camelia Suleiman et Ifat Maoz, "Women for Peace: Promoting Dialogue and Peace through Facebook?", Social Media + Society, 6(4), 2020. J'en profite pour signaler la belle série "Juifs et musulmans - si loin, si proches" qu'Arte vient de republier sur son site web : https://www.arte.tv/fr/videos/042497-000-A/juifs-et-musulmans-si-loin-si-proches-1-4/ --------- Les références citées dans l'article et mobilisées implicitement ou explicitement dans le podcast : Ifat Maoz, "The women and peace hypothesis? The effect of opponent-negotiators gender on evaluation of compromise solutions in the Israeli-Palestinian conflict", International Negotiation, 14, 2009, p. 519–536. Ximena Zuniga, Gretchen Lopez et Kristie A. Ford, Intergroup Dialogue: Engaging Difference, Social Identities and Social Justice, 1er édition. Routledge, 2016. Autres références (implicitement) citées : Erving Goffman, Les Rites d'interaction, Paris, Les Editions de Minuit, 1974. Daniel Cefaï et Danny Trom, Les formes de l'action collective : Mobilisation dans des arènes publiques, Paris, Editions de l'Ecole des Hautes Etudes en Sciences Sociales, 2001. Nicholas A. John et Shira Dvir‐Gvirsman, "“I Don't Like You Any More”: Facebook Unfriending by Israelis During the Israel–Gaza Conflict of 2014", Journal of Communication, 65(6), 2015, p. 953‑974. --------- Pour aller plus loin : Romain Badouard, Clément Mabi (dir.), Controverses et communication, Hermès, 2015, 73. Jiang Chang et Hao Tian, "Girl power in boy love: Yaoi, online female counterculture, and digital feminism in China", Feminist Media Studies, 2020, p. 1‑17. Laurence Kaufmann, Danny Trom et Collectif, Qu'est-ce qu'un collectif ? : Du commun à la politique, Paris, Editions de l'Ecole des Hautes Etudes en Sciences Sociales, 2010. Pascal Lupien, "Indigenous Movements, Collective Action, and Social Media: New Opportunities or New Threats?", Social Media + Society, 6(2), 2020. Simon Mastrangelo, "Saisir les dynamiques du conflit israélo-palestinien par les commentaires de vidéos et d'images sur Facebook", Communiquer, 27, 2019, 59-76. Magdi Ahmed Kandil, "The Israeli-Palestinian Conflict in American, Arab, and British Media: Corpus-Based Critical Discourse Analysis", Thèse de doctorat, Georgia State University, 2009. Mark Nartey, "A feminist critical discourse analysis of Ghanaian feminist blogs", Feminist Media Studies, 2020, p. 1‑16. Osnat Roth-Cohen, "Viral feminism: #MeToo networked expressions in feminist Facebook groups", Feminist Media Studies, 2021, p. 1‑17.

Data & Society and Stanford PACS host a special book launch: One of the most far-reaching transformations in our era is the wave of digital technologies rolling over—and upending—nearly every aspect of life. Work and leisure, family and friendship, community and citizenship have all been modified by now-ubiquitous digital tools and platforms. Digital Technology and Democratic Theory looks closely at one significant facet of our rapidly evolving digital lives: how technology is radically changing our lives as citizens and participants in democratic governments.To understand these transformations, this book brings together contributions by scholars from multiple disciplines to wrestle with the question of how digital technologies shape, reshape, and affect fundamental questions about democracy and democratic theory. As expectations have whiplashed—from Twitter optimism in the wake of the Arab Spring to Facebook pessimism in the wake of the 2016 US election—the time is ripe for a more sober and long-term assessment. How should we take stock of digital technologies and their promise and peril for reshaping democratic societies and institutions? To answer, this volume broaches the most pressing technological changes and issues facing democracy as a philosophy and an institution.Speaker BiosRobyn Caplan | @robyncaplanRobyn Caplan is a Researcher at Data & Society, and a PhD Candidate at Rutgers University (ABD, advisor Philip M. Napoli) in the School of Communication and Information Studies. She conducts research on issues related to platform governance and content standards. Her most recent work investigates the extent to which organizational dynamics at major platform companies impacts the development and enforcement of policy geared towards limiting disinformation and hate speech, and the impact of regulation, industry coordination, and advocacy can play in changing platform policies.Her work has been published in journals such as First Monday, Big Data & Society, and Feminist Media Studies. She has had editorials featured in The New York Times, and her work has been featured by NBC News THINK and Al Jazeera. She has conducted research on a variety of issues regarding data-centric technological development in society, including government data policies, media manipulation, and the use of data in policing.Lucy Bernholz | @p2173Lucy Bernholz is a Senior Research Scholar at Stanford University's Center on Philanthropy and Civil Society and Director of the Digital Civil Society Lab. She has been a Visiting Scholar at The David and Lucile Packard Foundation, and a Fellow at the Rockefeller Foundation's Bellagio Center, the Hybrid Reality Institute, and the New America Foundation. She is the author of numerous articles and books, including the annual Blueprint Series on Philanthropy and the Social Economy, the 2010 publication Disrupting Philanthropy, and her 2004 book Creating Philanthropic Capital Markets: The Deliberate Evolution. She is a co-editor of Philanthropy in Democratic Societies (2016, Chicago University Press) and of the forthcoming volume Digital Technology and Democratic Theory. She writes extensively on philanthropy, technology, and policy on her award winning blog, philanthropy2173.com.She studied history and has a B.A. from Yale University, where she played field hockey and captained the lacrosse team, and an M.A. and Ph.D. from Stanford University.Rob Reich | @robreichRob Reich is professor of political science and, by courtesy, professor of philosophy at the Graduate School of Education, at Stanford University. He is the director of the Center for Ethics in Society and co-director of the Center on Philanthropy and Civil Society (publisher of the Stanford Social Innovation Review), both at Stanford University. He is the author most recently of Just Giving: Why Philanthropy is Failing Democracy and How It Can Do Better (Princeton University Press, 2018) and Philanthropy in Democratic Societies: History, Institutions, Values (edited with Chiara Cordelli and Lucy Bernholz, University of Chicago Press, 2016). He is also the author of several books on education: Bridging Liberalism and Multiculturalism in American Education (University of Chicago Press, 2002) and Education, Justice, and Democracy (edited with Danielle Allen, University of Chicago Press, 2013). His current work focuses on ethics, public policy, and technology, and he serves as associate director of the Human-Centered Artificial Intelligence initiative at Stanford. Rob is the recipient of multiple teaching awards, including the Walter J. Gores award, Stanford's highest honor for teaching. Reich was a sixth grade teacher at Rusk Elementary School in Houston, Texas before attending graduate school. He is a board member of the magazine Boston Review, of Giving Tuesday, and at the Spencer Foundation. More details at his personal webpage: http://robreich.stanford.eduSeeta Peña GangadharanDr Seeta Peña Gangadharan is Associate Professor in the Department of Media and Communications at the London School of Economics and Political Science. Her work focuses on inclusion, exclusion, and marginalization, as well as questions around democracy, social justice, and technological governance. She currently co-leads two projects: Our Data Bodies, which examines the impact of data collection and data-driven technologies on members of marginalized communities in the United States, and Justice, Equity, and Technology, which explores the impacts of data-driven technologies and infrastructures on European civil society. She is also a visiting scholar in the School of Media Studies at The New School, Affiliated Fellow of Yale Law School's Information Society Project, and Affiliate Fellow of Data & Society Research Institute.Before joining the Department in 2015, Seeta was Senior Research Fellow at New America's Open Technology Institute, addressing policies and practices related to digital inclusion, privacy, and “big data.” Before OTI, she was a Postdoctoral Associate in Law and MacArthur Fellow at Yale Law School's Information Society Project. She received her PhD from Stanford University and holds an MSc from the Department of Media and Communications at the London School of Economics and Political Science.Seeta's research has been supported by grants from Digital Trust Foundation, Institute of Museum and Library Services, Ford Foundation, Open Society Foundations, Stanford University's Center on Philanthropy and Civil Society, and U.S. Department of Commerce's Broadband Technology Opportunities Program.Archon Fung | @ArfungArchon Fung is the Winthrop Laflin McCormack Professor of Citizenship and Self-Government at the Harvard Kennedy School. His research explores policies, practices, and institutional designs that deepen the quality of democratic governance. He focuses upon public participation, deliberation, and transparency. He co-directs the Transparency Policy Project and leads democratic governance programs of the Ash Center for Democratic Governance and Innovation at the Kennedy School. His books include Full Disclosure: The Perils and Promise of Transparency (Cambridge University Press, with Mary Graham and David Weil) and Empowered Participation: Reinventing Urban Democracy (Princeton University Press). He has authored five books, four edited collections, and over fifty articles appearing in professional journals. He received two S.B.s — in philosophy and physics — and his Ph.D. in political science from MIT.

Concurrent with launch of the Trust & Safety Professional Association, Alexander Macgillivray and Nicole Wong provide context and suggestions forward as regulation, policy, and public awareness of content moderation and trust and safety issues evolve.Audience Q&A follows the discussion.Speaker Bios:Alexander Macgillivray, aka “amac,” is curious about many things including law, policy, government, decision making, the Internet, algorithms, social justice, access to information, and the intersection of all of those. He was United States Deputy Chief Technology Officer for the last two plus years of the Obama Administration. He was Twitter‘s General Counsel, and head of Corporate Development, Public Policy, Communications, and Trust & Safety. Before that he was Deputy General Counsel at Google and created the Product Counsel team. He has served on the board of the Campaign for the Female Education (CAMFED) USA, was one of the early Berkman Klein Center folks, was certified as a First Grade Teacher by the State of New Jersey. He is proud to be a board member at Data & Society, Creative Commons, and Alloy.us, and an advisor to the Mozilla Tech Policy Fellows, and part of the founding team of the Trust & Safety Professional Association. https://www.bricoleur.org/Nicole Wong develops tech international privacy, content, and regulatory strategies. She previously served as Deputy U.S. Chief Technology Officer in the Obama Administration, focused on internet, privacy, and innovation policy. Prior to her time in government, Nicole was Google's Vice President and Deputy General Counsel, and Twitter's Legal Director for Products. She frequently speaks on issues related to law and technology, including five appearances before the U.S. Congress. Nicole chairs the board of Friends of Global Voices, a non-profit organization dedicated to supporting citizen and online media projects globally, and sits on the boards of WITNESS, an organization supporting the use of video to advance human rights; the Mozilla Foundation, which promotes the open internet; and The Markup, a non-profit investigative news organization covering technology. Nicole currently serves as co-chair of the Digital Freedom Forum. More info here: about.me/nwong.Robyn Caplan is a Researcher at Data & Society, researching issues related to platform governance and content standards. Her most recent work investigates the extent to which organizational dynamics at major platform companies impacts the development and enforcement of policy geared towards limiting disinformation and hate speech, and the impact of regulation, industry coordination, and advocacy can play in changing platform policies. Her work has been published in journals such as First Monday, Big Data & Society, and Feminist Media Studies. She has had editorials featured in The New York Times, and her work has been featured by NBC News THINK and Al Jazeera. She has conducted research on a variety of issues regarding data-centric technological development on society, including government data policies, media manipulation, and the use of data in policing.

In Terrorizing Gender: Transgender Visibility and the Surveillance Practices of the U.S. Security State, Mia Fischer traces how media and state actors collude in the violent disciplining of trans women, exposing the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them. Bringing together transgender, queer, critical race, legal, surveillance, and media studies, Fisher analyzes the cases of Chelsea Manning, CeCe McDonald, and Monica Jones and shows how the heightened visibility of transgender people has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.   Dr. Mia Fischer is an Assistant Professor in the Department of Communication at the University of Colorado Denver. Her research and teaching focuses on LGBTQ media representations and the ongoing struggles of LGBTQ communities to access civil rights. Her work has been published in several academic journals, including Feminist Media Studies, Communication, Culture & Critique, Sexualities, and Communication & Sport. She also co-leads the Denver Pen Pal Collaborative (DPPC), a collaborative prison-pen-pal project. Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies