Podcast appearances and mentions of edna st

Today's poem is Travel by Edna St. Vincent Millay. The Slowdown is currently taking a break. We'll be back soon with new episodes from a new host. This week, we're going back into the archive to revisit Ada Limón's time as host. Today's episode was originally released on November 17, 2021. In this episode, former host Ada Limón writes… “In today's poem by the iconic Edna St. Vincent Millay, we look at the wanderlust that so many of us have been experiencing during this strange time. How, even if we love where we are right now, love the friends, the landscape, the company, how sometimes escaping even only for a little while, is the thing we desire the most.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Here's another Edna St. Vincent Millay poem turned into a short spell-song for Spring and Poem in Your Pocket Day. The Parlando Project combines various words (mostly literary poetry) with original music in differing styles. We've done over 800 of these combinations, and you can hear any of them and read about our encounters with the words at our blog and archives located at frankhudson.org

This week we travel back in time 100 years (!) to meet Edna St. Vincent Millay, girl poet and emblem of 1920s Greenwich Village bohemia. We are joined by the writer (and my former professor) Kate Bolick, who wrote extensively about Millay in her 2015 book Spinster: Making a Life of One's Own. We discuss Edna's passionate free spirit, her tragic end, and the self-renewing Dream of writerly collaboration in downtown New York. More importantly, we discuss the age old question of how to build a sustainable life as a woman artist — how to define “meaning” vs. “noise” for yourself, and how to live it out with poise.Discussed:Spinster: Making a Life of One's Own, Kate Bolick (2015)“All the Single Ladies” Kate Bolick in The Atlantic (2011)Savage Beauty: The Life of Edna St. Vincent Millay, Nancy Milford (2002)“How Fame Fed on Edna St. Vincent Millay” Maggie Doherty in The New Yorker (2022)The Long Winded Lady (collection of essays by Maeve Brennan in The New Yorker)

Edna St. Vincent Millay wrote a poem about her fears and blessings on the American holiday of Thanksgiving nearly 75 years ago. I think it might speak to some Americans this year, so I've put together these excerpts from her longer poem for you to hear. The Parlando Project combines various words (mostly literary poetry) with original music in differing styles. We've done nearly 800 of these combinations over the years, and you can hear them and some words we write about our experiences with the words at our blog and archives located at frankhudson.org

Edna St. Vincent Millay's early poem of a late Autumn tinged with ambiguous longing, now sung with original music.  The Parlando Project combines various words (mostly literary poetry) with original music in differing styles. As of this date we've released almost 800 of these combinations and you can hear them and read about our encounter with the words at our blog and archives located at frankhudson.org

Saeeda and Clem squash their beefs with the Bitter-Gourd Bakshis. Clem gets adopted by Tamira and provokes Jai Klev into an ambush using the power of Sport. Bidrohi gets a luxury suite in Falcon's Perch, attended by the world's most sinister prison guard. Clem and Arin arrange to read Bidrohi's brain signals using experimental interrogation technology. Bidrohi has his post-torture lunch interrupted by a vigilante who wants to see what he's made of.   Support us at https://ko-fi.com/desperateattune and at https://www.patreon.com/DesperateAttune Follow us at https://twitter.com/DesperateAttune Desperate Attune's season 2 is hosted by Prince Edited by Zoheb (Klow), tree and Aadiyat (Soap) Featuring Prince and salty Poetry read by Emma Poem is 'Love is Not All' by Edna St. Vincent Millay Blades in the Dark by John Harper and Evil Hat Productions With thanks to Johnstone Metzger Duellist playbook by Zoheb (klow) Skovlan playbooks by Prince Iruvian playbooks by Johnstone Metzger Intro music is 'Jalandhar' by Kevin Macleod Outro music is 'Alapana in Kiravani Ragam' by U. Srinivas Recap music is 'Alapana in Shankarabharanam Ragam' by U. Srinivas Sound effects from Pixabay.com Cover art by Fahim Anzoom Rumman (botagainsthumanity) 

Richard Wilbur was born in New York City on March 1, 1921 and studied at Amherst College before serving in the U.S. Army during World War II. He later attended Harvard University.Wilbur's first book of poems, The Beautiful Changes and Other Poems (Reynal & Hitchcock) was published in 1947. Since then, he has published several books of poems, including Anterooms: New Poems and Translations (Houghton Mifflin Harcourt, 2010); Collected Poems, 1943–2004 (Harvest Books, 2004); Mayflies: New Poems and Translations (Houghton Mifflin Harcourt, 2000); New and Collected Poems (Harcourt Brace Jovanovich, 1988), which won the Pulitzer Prize; The Mind-Reader: New Poems (Harcourt Brace Jovanovich, 1976); Walking to Sleep: New Poems and Translations (Harcourt, Brace & World, 1969); Advice to a Prophet and Other Poems (Harcourt, Brace & World, 1961); Things of This World (Harcourt, Brace & World, 1956), for which he received the Pulitzer Prize and the National Book Award; and Ceremony and Other Poems (Harcourt, Brace & World, 1950).Wilbur also published numerous translations of French plays—specifically those of the seventeenth century French dramatists Molière and Jean Racine—as well as poetry by Paul Valéry, François Villon, Charles Baudelaire, Anna Akhmatova, Joseph Brodsky, and others. Wilbur is also the author of several books for children and a few collections of prose pieces, and has edited such books as Poems of Shakespeare (Penguin Books, 1966) and The Complete Poems of Poe (Dell Publishing Company, 1959).About Wilbur's poems, one reviewer for the Washington Post said, “Throughout his career Wilbur has shown, within the compass of his classicism, enviable variety. His poems describe fountains and fire trucks, grasshoppers and toads, European cities and country pleasures. All of them are easy to read, while being suffused with an astonishing verbal music and a compacted thoughtfulness that invite sustained reflection.”Among Wilbur's honors are the Wallace Stevens Award, the Aiken Taylor Award for Modern American Poetry, the Frost Medal, the Gold Medal for Poetry from the American Academy of Arts and Letters, two Bollingen Prizes, the T. S. Eliot Award, the Ruth Lilly Poetry Prize, a Ford Foundation Award, two Guggenheim Fellowships, the Edna St. Vincent Millay Memorial Award, the Harriet Monroe Poetry Award, the National Arts Club medal of honor for literature, two PEN translation awards, the Prix de Rome Fellowship, and the Shelley Memorial Award. He was elected a chevalier of the Ordre des Palmes Académiques and is a former poet laureate of the United States.Wilbur served as a Chancellor of the Academy of American Poets from 1961 to 1995. He died on October 15, 2017 in Belmont, Massachusetts.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

As the school year begins, today's poem goes out to all of those everyday saints performing the unseen and unsung acts of love that make life possible for rest of us!Born Asa Bundy Sheffey on August 4, 1913, Robert Hayden was raised in the Detroit neighborhood Paradise Valley. He had an emotionally tumultuous childhood and lived, at times, with his parents and with a foster family. In 1932, he graduated from high school and, with the help of a scholarship, attended Detroit City College (later, Wayne State University). In 1944, Hayden received his graduate degree from the University of Michigan.Hayden published his first book of poems, Heart-Shape in the Dust (Falcon Press), in 1940, at the age of twenty-seven. He enrolled in a graduate English literature program at the University of Michigan, where he studied with W. H. Auden. Auden became an influential and critical guide in the development of Hayden's writing. Hayden admired the work of Edna St. Vincent Millay, Elinor Wiley, Carl Sandburg, and Hart Crane, as well as the poets of the Harlem Renaissance—Langston Hughes, Countee Cullen, and Jean Toomer. He had an interest in African American history and explored his concerns about race in his writing. Hayden ultimately authored nine collections of poetry during his lifetime, as well as a collection of essays, and some children's literature. Hayden's poetry gained international recognition in the 1960s, and he was awarded the grand prize for poetry at the First World Festival of Negro Arts in Dakar, Senegal, in 1966 for his book Ballad of Remembrance (Paul Breman, 1962).Explaining the trajectory of Hayden's career, the poet William Meredith wrote:Hayden declared himself, at considerable cost in popularity, an American poet rather than a Black poet, when for a time there was posited an unreconcilable difference between the two roles. There is scarcely a line of his which is not identifiable as an experience of Black America, but he would not relinquish the title of American writer for any narrower identity.After receiving his graduate degree from the University of Michigan, Hayden remained there for two years as a teaching fellow. He was the first Black member of the English department. He then joined the faculty at Fisk University in Nashville, where he would remain for more than twenty years. In 1975, Hayden received the Academy of American Poets Fellowship and, in 1976, he became the first Black American to be appointed as Consultant in Poetry to the Library of Congress (later, U.S. poet laureate).Hayden died in Ann Arbor, Michigan, on February 25, 1980.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Helen Eisenbach is a novelist, satirist, playwright, theatre director, screenwriter, journalist and editor. Her books include the novel Loonglow and the how-to/cry for help Lesbianism Made Easy, both published shamelessly ahead of their time and now available as ebooks with Open Road Media. Her plays have been produced in NYC, San Francisco, Chicago, and Edinburgh Festival Fringe. As a book editor, she founded the Plume line of LGBTQ fiction and nonfiction, where she published the subject of today's podcast, Larry Kramer, among others (mostly now dead!); she was also Editorial Director at Arbor House, where she founded a line of trade paperbacks, and Editor in Chief of Alyson Publications on its transition to a mainstream publisher under the Advocate magazine's rule. She was Executive Editor of the late beloved queer weekly magazine QW (where she published Rosanne's first ever queer interview); literary editor of the L.A. magazine Dot 429; an editor at the copy desk of Entertainment Weekly and Time Magazine. In theatre, she assisted writer/director Dick Scanlan, director Michael Mayer and Sherie Rene Scott on the play Whorl Inside a Loop as script editorial supervisor, seeing it from workshop to Off Broadway production for 2ND Stage Theatre; she was also researcher for Scanlan and composer Carmel Dean on their Edna St. Vincent Millay musical Renascence. Helen's reviews, profiles and interviews have appeared in New York magazine, LitHub, the Village Voice, Time Out NY, Newsday, Writer's Digest, The New York Times, Interview, the Daily News, HuffPost, Salonand other tasteful publications. Larry Kramer was a playwright, author, film producer, public health advocate, and gay rights activist.

Helen Eisenbach is a novelist, satirist, playwright, theatre director, screenwriter, journalist and editor. Her books include the novel Loonglow and the how-to/cry for help Lesbianism Made Easy, both published shamelessly ahead of their time and now available as ebooks with Open Road Media. Her plays have been produced in NYC, San Francisco, Chicago, and Edinburgh Festival Fringe. As a book editor, she founded the Plume line of LGBTQ fiction and nonfiction, where she published the subject of today's podcast, Larry Kramer, among others (mostly now dead!); she was also Editorial Director at Arbor House, where she founded a line of trade paperbacks, and Editor in Chief of Alyson Publications on its transition to a mainstream publisher under the Advocate magazine's rule. She was Executive Editor of the late beloved queer weekly magazine QW (where she published Rosanne's first ever queer interview); literary editor of the L.A. magazine Dot 429; an editor at the copy desk of Entertainment Weekly and Time Magazine. In theatre, she assisted writer/director Dick Scanlan, director Michael Mayer and Sherie Rene Scott on the play Whorl Inside a Loop as script editorial supervisor, seeing it from workshop to Off Broadway production for 2ND Stage Theatre; she was also researcher for Scanlan and composer Carmel Dean on their Edna St. Vincent Millay musical Renascence. Helen's reviews, profiles and interviews have appeared in New York magazine, LitHub, the Village Voice, Time Out NY, Newsday, Writer's Digest, The New York Times, Interview, the Daily News, HuffPost, Salon and other tasteful publications. Larry Kramer was a playwright, author, film producer, public health advocate, and gay rights activist. In 1978, Kramer introduced a controversial and confrontational style in his novel FAGGOTS, which earned mixed reviews and emphatic denunciations from elements within the gay community for Kramer's portrayal of what he characterized as shallow, promiscuous gay relationships in the 1970s. Kramer witnessed the spread of the disease known as  Acquired Immunodeficiency Syndrome (AIDS) among his friends in 1980. He co-founded the Gay Men's Health Crisis  (GMHC), which has become the world's largest private organization assisting people living with AIDS. His political activism continued with the founding of the AIDS Coalition to Unleash Power   (ACT UP) in 1987, an influential direct action protest organization with the aim of gaining more public action to fight the AIDS crisis. ACT UP has been widely credited with changing public health policy and the perception of people living with AIDS , and with raising awareness of HIV and AIDS-related diseases.His play The Normal Heart was produced by Joseph Papp at The Public Theater in New York City in 1985. He died from pneumonia on May 27,2020  

An Edna St. Vincent Millay sonnet of youth and aging is turned into a song, which is the thing the Parlando Project does. We take various words (usually literary poetry) and combine them with original music.  We've done over 750 of these combinations, and you can find them at our blog and archives located at frankhudson.org

Tess and Brock put the spotlight on Edna St. Vincent Millay, the 20th century poet and feminist icon. Millay was notorious for her active “social life” among the NYC art scene during the height of the roaring ‘20s, but Tess and Brock focus on her prolific writing. Poet Gillian Obsorne has admired Millay for her eloquent expression of feminine angst since she first read Millay as a teenager. And as an educator, she sees how it still speaks to young women today.Whether it's because of her compelling success story or her well-served, cold disses, Millay is an author who's easy to fall in love with.Mentioned:“The Ballad of the Harp-weaver and Other Poems” by Edna St Vincent Millay“Childhood is the Kingdom Where Nobody Dies” by Edna St Vincent Millay“Sonnet IV” by Edna St Vincent Millay“Renascence” by Edna St Vincent MillayThe Wasteland by T.S. ElliotGreen Green Green by Gillian ObsorneThe house:Millay House RocklandTess Chakkalakal is the creator, executive producer and host of Dead Writers. Brock Clarke is our writer and co-host.Lisa Bartfai is the managing producer and executive editor. Our music is composed by Cedric Wilson, who also mixes the show. Ella Jones is our web editorial intern, and Mark Hoffman created our logo. A special thanks to our reader Ella Jones.This episode was produced with the generous support of our sponsors Bath Savings and listeners like you. 

by Edna St. Vincent Millay

At the conclusion of Ronald Colman's reading of Edna St. Vincent Millay's poem, legendary commentator H. V. Kaltenborn took to the air with news and comments on the day's invasion.

John Nesbitt was born in Victoria, British Columbia on August 23rd, 1910. The grandson of actor Edwin Booth, the family moved to Alameda, California. Nesbitt was active in stock theater in Vancouver and Spokane and began working for NBC in San Francisco in 1933. By 1935, he was an announcer at KFRC in San Francisco. Nesbitt produced a series called Headlines of the Past which spun off into his signature program, The Passing Parade, in 1937. The inspiration came from a trunk inherited from his father that contained news clippings of odd stories from around the world. He utilized a research staff to verify the details, but wrote the final scripts himself, often within an hour of airtime. This led to a series of one-reel shorts produced by MGM. On the evening of June 6th, 1944, the just-heard Ken Carpenter was announcer for a Passing Parade broadcast on CBS at 7:15PM in which Nesbitt attempted to capture, in real time, the historic significance of D-Day by imagining its story being retold to schoolchildren in the year 2044. At 7:30PM over NBC, Ronald Colman read a special “Poem and Prayer for an Invading Army” by Edna St. Vincent Millay.

2 + Hours dedicated to the 80th anniversary of D-Day, June 6, 1944First a look at this day in History.Then early morning audio as the news broke from Europe, all unconfirmed, until a short wave broadcast from the Allied Expeditionary Force headquarters broadcast via short wave from London confirmed the Allied Invasion had begun. Next, commentator HV Kaltenborn at 11am Eastern War Time with commentary and analysis on the first hours of the allied invasion of Europe., followed by A Poem and Prayer For An Invading Army. Ronald Colman reads the poem by Edna St. Vincent Millay. The first reading of the poem the poetess wrote for D-Day.Then a very subdued Fibber McGee and Molly with a program of Patriotic Music by Billy Mills orchestra and the Kings Men. Followed by abbreviated shows from Bob Hope and Red Skelton. Bob's last show of the season was, I'm sure, not what they planned.  And Red Skelton was to have had a farewell show, as he was heading off for military service.  Sadly, the show gets cut off for time. Then a prayer given by President Franklin Roosevelt for the invading troops.  That is followed by President Reagan's address from the D-Day beach-head at Normandy, France. The broadcast originates from the American cemetery on Omaha Beach on the fortieth anniversary of D-Day on June 6, 1984, 40 years ago today. Finally Superman, originally broadcast June 6, 1941, 83 years ago, Mr Deutch and the Radium Mine.   Clark Kent and Jimmy Olsen are seen watching Dr. Deutch's radium mine. Dr. Julius Browning, a prisoner in the mine, is located.Thanks to Richard for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream

Edna St. Vincent Millay, 1892-1950.  

Welcome to the Instant Trivia podcast episode 1114, where we ask the best trivia on the Internet. Round 1. Category: What Do You Mean? 1: In the E.R., doctors ask for things to be done immediately by using this 4-letter Latin abbreviation. Stat. 2: In restaurants this number means "all gone". 86. 3: When used with "up", this type of little house is slang for living together without being married. Shack. 4: From the Latin for "chest", it's a pen used for small animals such as rabbits. a hutch. 5: Manic depression is another term for this "disorder" marked by mood disturbances. Bipolar disorder. Round 2. Category: Tv Medical Shows By Hospital 1: Seattle Grace. Grey's Anatomy. 2: St. Eligius. St. Elsewhere. 3: Princeton-Plainsboro Teaching Hospital. House (M.D.). 4: Sacred Heart. Scrubs. 5: In the 1980s:San Francisco Memorial Hospital. Trapper John, M.D.. Round 3. Category: Tv'S Middle Child 1: Francis and Dewey were the brothers of this kid "in the Middle". Malcolm. 2: Chris Griffin is this animated show's awkward and clueless middle child. the Family Guy. 3: Oh, my god! He's the middle child in the McCormick family on "South Park". Kenny. 4: Brother to Erica and Adam and occasionally trying to rap, Barry is the middle kid on this 1980s-set sitcom. The Goldbergs. 5: Mallory Keaton was older sister to Jennifer and younger sister to Alex on this 1980s sitcom. Family Ties. Round 4. Category: Authors' Names 1: Born Jozef Korzeniowski, he went to the "heart of darkness" as a writer in English. (Joseph) Conrad. 2: Before this author of western novels dropped the first name Pearl, he made a lovely shade for tile flooring. (Zane) Grey. 3: Born Marguerite Johnson, the author of "I Know Why the Caged Bird Sings" adopted this name as an exotic dancer. Maya Angelou. 4: Her uncle's life was saved by doctors at St. Vincent's Hospital, so her mother added it to this poet's name. (Edna St. Vincent) Millay. 5: All things were bright and beautiful for veterinarian Alfred Wight when he wrote under this name. James Herriot. Round 5. Category: The Political Life 1: Proverbially, to indicate one's candidacy is to throw one's hat here. In the ring. 2: An officeholder during the interval before a successor takes over is known as one of these limping birds. Lame duck. 3: From the Latin for "to be away", this type of ballot is a vote cast by mail, not at a polling place. Absentee. 4: Term for the speech at a convention that sets the tone and outlines the main issues. Keynote speech. 5: From the Latin for "grow together", it's an alliance of different groups for a specific cause. a coalition. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Today's poems pay tribute to the soulful and spirited Edna St. Vincent Millay, first woman to win the Pulitzer Prize for Poetry. They are “First Fig,” “Second Fig,” and “Thursday,” all from her collection, A Few Figs From Thistles.Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. In 1912, Millay entered her poem “Renascence” to The Lyric Year's poetry contest, where she won fourth place and publication in the anthology. This brought her immediate acclaim and a scholarship to Vassar College, where she continued to write poetry and became involved in the theater. In 1917, the year of her graduation, Millay published her first book, Renascence and Other Poems (Harper, 1917). At the request of Vassar's drama department, she also wrote her first verse play, The Lamp and the Bell (1921), a work about love between women.After graduating from Vassar, Millay moved to New York City's Greenwich Village, where she lived with her sister, Norma, in a nine-foot-wide attic. Millay published poems in Vanity Fair, the Forum, and others while writing short stories and satire under the pen name Nancy Boyd. She and Norma acted with the Provincetown Players in the group's early days, befriending writers such as poet Witter Bynner, critic Edmund Wilson, playwright and actress Susan Glaspell, and journalist Floyd Dell. Millay published A Few Figs from Thistles (Harper & Brothers, 1920), a volume of poetry which drew much attention for its controversial descriptions of female sexuality and feminism. In 1923, Millay was awarded the Pulitzer Prize for The Ballad of the Harp-Weaver (Flying Cloud Press, 1922). In addition to publishing three plays in verse, Millay also wrote the libretto of one of the few American grand operas, The King's Henchman (Harper & Brothers, 1927).Millay married Eugen Boissevain in 1923, and the two were together for twenty-six years. Boissevain gave up his own pursuits to manage Millay's literary career, setting up the readings and public appearances for which Millay grew famous. Edna St. Vincent Millay died at the age of fifty-eight on October 18, 1950, in Austerlitz, New York.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Remember it, write it down, take a picture: it's a brand new episode of Go Fact Yourself!In this episode…Krystina Arielle is a host and actor, currently fronting “Star Wars: The High Republic,” a multimedia series about stories from the franchise. She appeared on episode 105 of GFY and joins us today as guest co-host.Guests:Sarah Wayne Callies is an actor, perhaps best known for her roles in “Prison Break” and “The Walking Dead.” She recently launched Caliber Studios, a company devoted to creating podcasts. One of her first projects is her “Prison Break” rewatch series. It's a big step for Sarah, but not just because of the new business venture; it's also one of the few times she's watched her own work. Michael Yo is an emmy-nominated host, actor and comedian. His new special “I Never Thought” is streaming on YouTube. He'll tell us about how his comedy has evolved over the years and the impact that his jokes have had on his parents. You can hear Michael Yo almost every day on Sirius XM.Areas of Expertise:Sarah: The sonnets of Edna St. Vincent Millay, lyrics from Paul Simon's Graceland album, and the movie The Adventures of Priscilla, Queen of the Desert. Michael: The movie Friday, the movie Gladiator, the 2001 Miami Hurricanes championship football season.What's the Difference:No Strings AttachedWhat's the difference between twine and string?What's the difference between attach and affix?Experts:Angela Means: Chef and actor, best known for her role as Felisha in the film Friday.Stephan Elliott: Award-winning writer and director, whose work includes The Adventures of Priscilla Queen of the Desert. Hosts:J. Keith van StraatenKrystina ArielleCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Show engineer is Dave McKeever.Associate Producer and Editor is Julian Burrell.Seeing our next live-audience show in Los Angeles by YOU!

On this episode, I explore the world of Edna St. Vincent Millay, one of America's first celebrity poets. I unravel the layers of "Siege," a poem that showcases Millay's brilliant manipulation of traditional forms to express themes of desire, and the inexorable presence of death.Discover how Millay, a luminary of the 1920s, defied societal norms with her bold exploration of sexuality, politics, and the human condition, earning her a place as a pivotal figure in literary history.I take a closer look at Millay's life, from her stratospheric rise to fame to her untimely decline, shadowed by addiction and loss. Then I focus her groundbreaking work, including the Pulitzer Prize-winning "The Ballad of the Harp Weaver," and how her legacy has been unfairly obscured by her scandalous reputation."Siege" serves as a testament to Millay's mastery of poetic form and her profound insight into the human psyche.Edna St. Vincent Millay was a poet who lived fearlessly, wrote passionately, and left an indelible mark on the world of literature. Whether you're a long-time admirer of Millay or new to her work, this episode offers a compelling glimpse into the mind of a poet who dared to challenge the conventions of her time.Key Highlights:Insightful analysis of "Siege," Millay's poignant reflection on mortality and the futility of material possessions.Exploration of Millay's role as a "new woman" of the 1920s, challenging traditional gender roles and societal expectations.Discussion of Millay's impact on poetry and her controversial personal life, including her affairs and outspoken political views.Examination of Millay's legacy and the modern resurgence of interest in her work.If you're captivated by the blend of beauty and rebellion in Millay's poetry or intrigued by her extraordinary life, don't forget to leave us a review and share this episode with fellow poetry enthusiasts. Your support helps us bring the transformative power of poetry to more listeners.The Music In This Week's Episode:'Reawakening' by Scott Buckley - released under CC-BY 4.0. www.scottbuckley.com.auThe New Yorker ArticleFollow the Podcast:Read the Script on SubstackFollow the Podcast On InstagramFollow the Podcast on X/TwitterFollow the Podcast on Tiktok Hosted on Acast. See acast.com/privacy for more information.

Amanda Holmes reads Edna St. Vincent Millay's “Justice Denied in Massachusetts.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman.This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Seeing bands back in the day, musings on aging, me being an idiot with Unwound, the amazing Blonde Redhead, yelling at Julie Delpy, Pavement and a drunken karaoke, the majesty and tragedy of Elliott Smith, the joy that Quasi brings, don't cheat on Beck (or anyone), and a departed friend. Stuff mentioned: Unwound "Lady Elect" (1996), Blonde Redhead "Violent Life" (1995), Blonde Redhead Melody of Certain Damaged Lemons (2000), Blonde Redhead Fake Can Be Just as Good (1997), Blonde Redhead "Futurism vs. Passéism" (1997), Pavement "Sensitive Euro Man" (1996), Pavement Slanted and Enchanted (1989), Pavement "Silence Kid" (1994), Elliott Smith "Say Yes" (1997), Elliott Smith "Coming Up Roses (1995), Elliott Smith "I Figured You Out" (2017, recorded in 1995), Quasi Featuring "Birds" (1997), Quasi "California" (1997), Quasi "It's Raining" (2001), Beck Sea Change (2002), Beck "Cyanide Breath Mint" (1994), Elliott Smith "True Love" (2015, recorded in 2001), Edna St. Vincent Millay "First Fig" (1920), and Elliott Smith "Happiness" (2000).

In this episode, we'll discuss the life and work of Edna St. Vincent Millay. The wildly popular Jazz Age poet ventured fearlessly beyond traditional poetic subjects to tackle political injustice, social discrimination, and female sexuality in her bestselling books, beginning with Renascence and Other Poems in 1917. The first woman to receive the Pulitzer Prize [...]

In this episode, we'll discuss the life and work of Edna St. Vincent Millay. The wildly popular Jazz Age poet ventured fearlessly beyond traditional poetic subjects to tackle political injustice, social discrimination, and female sexuality in her bestselling books, beginning with Renascence and Other Poems in 1917. The first woman to receive the Pulitzer Prize [...]

On how to come back from the dead.Anonymous (2002). Meditations on the Tarot: A Journey into Christian Hermeticism. New York: Tarcher.Ludwig van Beethoven (1825). String Quartet Op. 132 in A Minor III Molto adagio, https://tinyurl.com/mw4c9nk5 (spotify.com). Accessed September 2023.Aldous Huxley (1928). Point Counter Point: A Novel. London: Chatto & Windus.Edna St. Vincent Millay (1921). Spring, https://tinyurl.com/2s3daw6c (poetryfoundation.org). Accessed September 2023.Wachowski, Lana & Lilly Wachowski, directors (1999). The Matrix. Warner Bros.Support the podcast and access additional content at: https://patreon.com/oeith. Buy me a coffee at https://ko-fi.com/oeith or https://www.buymeacoffee.com/dbarfordG. Or you could send me a lovely book from https://www.amazon.co.uk/hz/wishlist/ls/1IQ3BVWY3L5L5?ref_=wl_share. Hosted on Acast. See acast.com/privacy for more information.

Pauletta Hansel is the author of nine collections of poetry, including her latest book Heartbreak Tree. Her work has been featured in Oxford American, Rattle, American Life in Poetry, and Poetry Daily, among others. Hansel was Cincinnati's first Poet Laureate, and she was the 2022 Writer-in-Residence for The Public Library of Cincinnati and Hamilton County. Edna St. Vincent Millay was born in Rockland, Maine in 1892. Along with her many books of poetry, Millay published plays, a libretto called The King's Henchman, and she wrote short stories for popular fiction magazines under the pseudonym Nancy Boyd. She was the first woman to win the Pulitzer Prize in poetry.Links:Read "I Take My Mother with Me Everywhere" and "After"Read "Postcard from Age 60" at Braided WayRead "Recuerdo" at The Poetry FoundationPauletta HanselPauletta Hansel's website"The Road" at Poetry Daily"The City" at Appalachian Review"May 1, 2020" in The Oxford American"Palindrome" at Still: The JournalVideo: "Meet our 2022 Writer-In-Residence" Cincinnati & Hamilton County Public LibraryEdna St. Vincent MillayBio and poems at The Poetry FoundationBio and poems at Poets.orgThe Millay Society's Audio ArchivesMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

Pauletta Hansel is the author of nine collections of poetry, including her latest book Heartbreak Tree. Her work has been featured in Oxford American, Rattle, American Life in Poetry, and Poetry Daily, among others. Hansel was Cincinnati's first Poet Laureate, and she was the 2022 Writer-in-Residence for The Public Library of Cincinnati and Hamilton County. Edna St. Vincent Millay was born in Rockland, Maine in 1892. Along with her many books of poetry, Millay published plays, a libretto called The King's Henchman, and she wrote short stories for popular fiction magazines under the pseudonym Nancy Boyd. She was the first woman to win the Pulitzer Prize in poetry.Links:Read "I Take My Mother with Me Everywhere" and "After"Read "Postcard from Age 60" at Braided WayRead "Recuerdo" at The Poetry FoundationPauletta HanselPauletta Hansel's website"The Road" at Poetry Daily"The City" at Appalachian Review"May 1, 2020" in The Oxford American"Palindrome" at Still: The JournalVideo: "Meet our 2022 Writer-In-Residence" Cincinnati & Hamilton County Public LibraryEdna St. Vincent MillayBio and poems at The Poetry FoundationBio and poems at Poets.orgThe Millay Society's Audio ArchivesMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

All my life I've loved this poet, and now that I know more about her life, I love her more.Words by Winter: Conversations, reflections, and poems about the passages of life. Because it's rough out there, and we have to help each other through.Original theme music for our show is by Dylan Perese. Additional music composed and performed by Kelly Krebs. Artwork by Mark Garry.  Today's poems by Edna St. Vincent Millay are in the public domain. Words by Winter can be reached at wordsbywinterpodcast@gmail.com. 

Listen to and ponder this beautiful poem entitled "Renascence" by Edna St. Vincent Millay. What gospel truths do you relate to in her words? For further study, read these gospel messages that mention this poem. Read the poem here: Renascence by Edna St. Vincent Millay | Poetry Foundation.

Lonely tree in winter --- Support this podcast: https://podcasters.spotify.com/pod/show/daisy726/support

Dr. S. Michael Wilcox continues to explore the power and promise of the Resurrection of Jesus Christ as he examines love and loss.00:00 Part II– Dr. S. Michael Wilcox00:10 Parable of the lost coin01:27 Parable of the Prodigal Son01:54 There are many far countries04:56 What is the real self?06:05 Parables are meant to elicit emotions08:45 There are no hired servants in heaven. Only sons & daughters.15:50 Elder Holland “The Other Prodigal”18:31 God's kind of forgiveness20:03 John Bytheway shares an experience about serving at the prison22:35 The 10 lepers24:12 Expectations, entitlement vs. gratitude for unexpected blessings24:54 Dr. Wilcox shares experiences on deciding to be grateful37:19 Looking at prayers to see through Jesus' eyes in the New Testament38:48 Jesus lifted people40:25 Raising Lazarus from the dead, if thou hadst been here51:47 Renascence by Edna St. Vincent Mallay1:02:47 End of Part II–Dr. S. Michael WilcoxPlease rate and review the podcast.Show Notes (English, French, Spanish, Portuguese): https://followhim.coFacebook: https://www.facebook.com/followhimpodcastInstagram: https://www.instagram.com/followhimpodcastYouTube: https://www.youtube.com/c/FollowHimOfficialChannelThanks to the followHIM team:Shannon Sorensen: Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesJamie Neilson: Social Media, Graphic DesignWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish Transcripts"Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com/products/let-zion-in-her-beauty-rise-piano

Read by Kathryn Bergman Production and Sound Design by Kevin Seaman

The panel closely reads four poems by Edna St. Vincent Millay, focusing primarily on her sonnets, and evaluates their formal structure and potential metaphysical and theological implications, whilst connecting each poem to the others in turn.Continue reading

She called herself Vincent, she smoked cigarettes, and she wore shimmery golden evening gowns when she read her poetry to sold-out crowds. Edna St. Vincent Millay was the emblem of the "New Woman" and one of the most important American poets of the twentieth century...but in years after her death, her literary reputation suffered, and only recently have critics and historians revisited and properly celebrated her work. In this episode, we focus on a sonnet that showcases the ways in which Millay approached desire and eros in her poetry. To learn more about Edna St. Vincent Millay and her life and times, take a look Burning Candles: The Life of Edna St. Vincent Millay, an informative documentary available on YouTube: https://www.youtube.com/watch?v=i9ItdEiBR-o&t=2901s Here is the poem: She had forgotten how the August night Was level as a lake beneath the moon, In which she swam a little, losing sight Of shore; and how the boy, who was at noon Simple enough, not different from the rest, Wore now a pleasant mystery as he went, Which seemed to her an honest enough test Whether she loved him, and she was content. So loud, so loud the million crickets' choir. . . So sweet the night, so long-drawn-out and late. . . And if the man were not her spirit's mate, Why was her body sluggish with desire? Stark on the open field the moonlight fell, But the oak tree's shadow was deep and black and secret as a well. We so admire the podcast Poem Talk. In this episode, Al Filreis, Elisa New, Jane Malcolm, and Sophia DuRose offer a close reading of two more poems by Edna St. Vincent Millay: https://www.poetryfoundation.org/podcasts/155947/biologically-speaking-a-discussion-of-love-is-not-all-and-i-shall-forget-you-presently-by-edna-st-vincent-millay photo by Carl Van Vechten

Love Sweet Love....There are many forms of Love and they all help to develop bonds that help mammals (yes that's us) to create a community and keep our species Alive. Bonus. Rebecca reads two of her favorite poems about love. Emily Dickinson & Edna St. Vincent Millay. The Earthy Girls want to encourage, inform & inspire you to take that small step, make that 2 degree pivot towards loving your planet not just living on it. It's a Mindset! Flip that Script. Reduce, Reuse and then Recycle. Consider it this way, It's Not just an inconvenience, it's an investment in the future generations. Find us on Instagram @earthygirl.co or on Facebook as Earthy Girls. Our outro music provided by @absentmindedwolf. Find him on Spotify or on Instagram @governedlovern If you want to support our show, donate to the cause, please click on the Venmo Link. https://account.venmo.com/u/Rebecca-Behnke https://anchor.fm/rebecca-behnke/subscribe https://kite.link/earthy-girls https://link.chtbl.com/Grg4n6-Xhttps: https://podvine.com/podcast/earthy-girls-3sM6ta9A9 https://psychcentral.com/relationships/the-psychology-of-love --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/rebecca-behnke/message

Amanda Holmes reads Edna St. Vincent Millay's poem “Recuerdo.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman.This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

This week, we're talking about the early origins of a community experimental theatre group called "The Provincetown Players" that produced some of America's best theatrical works and thrived in the Greenwich Village of New York City. They also were extremely progressive by bringing women playwrights, directors, and actresses to the forefront of the theater scene, with many of them winning Pulitzer prizes and other awards for their works. We talk about the founding and fall of The Provincetown Players and the many esteemed women who took part in it including Susan Keating Glaspell, Neith Boyce, Djuana Barnes, Edna St. Vincent Millay, Louise Bryant, and Mary Heaton Vorce. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robin devotes the final episode of the year to poets, from the first known writer in history Enheduanna (Ancient Sumer) through Mary Coleridge, Elizabeth Barrett Browning, Gwendolyn Brooks, Edna St. Vincent Millay, and Muriel Rukeyser.

"Mary had a baby so I can be holy in my body now – not just after I'm rid of it."   About today's speaker: Equal parts funeral director, Edna St. Vincent Millay, and Jesus hippie, Christina Kukuk is author of Loving What Doesn't Last: An Adoration of the Body.   Advent for Every Body is a daily podcast exploring how human bodies bear God in our world. Listen every day in Advent in the "Sermons from Trinity Cathedral Portland" podcast feed, trinitycathpdx.podbean.com.

Today's poem is Travel by Edna St. Vincent Millay. This episode was originally released on November 17, 2021.

Get bonus episodes by subscribing to the SLEERICKETS Secret Show!Wear SLEERICKETS t-shirts and hoodies. They look good!Some of the topics mentioned in this episode:– Poetry Says Ep 200. Anti-Insights– Elizabeth Morgan House– I Hate Matt Wall Podcast Ep. 25 & 26 – Matthew Buckley Smith– Ep 72 & 73: Let's Get Difficult– Ep 76: Fake Winners & Sore Losers– Ep 60: Too Many Manifestos– Joshua Mehigan's poetry classes– Carl Phillips– Geoffrey Hill– Aaron Irwin– Carmine Starnino– Dirty Words by Carmine Starnino– Lazy Bastardism by Carmine Starnino– Robots Are Writing Poetry, and Many People Can't Tell the Difference by Carmine Starnino– Of Gods and Machines by Stephen Marche– Peter Van Toorn– Black Mirror S2E1: Be Right Back – The Sokal Hoax– The Lifecycle of Software Objects by Ted Chiang– Christian Bok– Pierre Menard, Author of the Quixote by Jorge Luis Borges– The Library of Babel by Jorge Luis Borges– The Art of Recklessness by Dean Young– The Whitsun Weddings by Philip Larkin– One Art by Elizabeth Bishop– Elegy by Edna St. Vincent Millay– Mr. Flood's Party by E. A. RobinsonEmail: sleerickets [at] gmail [dot] comTwitter: @BPlatzerSister Podcast (Alice): Poetry SaysEratosphere (Cameron): W T ClarkMusic by ETRNLArt by Daniel Alexander Smith

Christopher Tin/Voces 8 — The Lost Birds (Decca) Jump to giveaway form New Classical Tracks - Christopher Tin by Composer Christopher Tin and the British vocal ensemble Voces8 were introduced to one another by their recording engineer about a decade ago. Ever since that first meeting, Tin has been looking for an opportunity to collaborate with the singers. They were finally able to come together on a project called The Lost Birds. “The main overture of The Lost Birds is actually a melody that I'd written years ago for a documentary about bird extinctions,” Tin said. “This subject has been on my mind for more than ten years. This one little tune that I wrote 11 years ago has stayed as something that I wanted to expand upon in a choral requiem format. I finally got the chance to do that with Voces8 during the pandemic.” Why is the loss of birds important to you? “I've been very captivated by the metaphor of the canary in the coal mine, which you may know comes from the 19th century practice where miners used to bring a canary down to the coal mines with them. If the canary died it meant there was a buildup of poisonous gases in the coal mine and the miners would be next. I thought there was no better metaphor for the impending change in the climate and what it could mean for our own civilization. I took this metaphor and I essentially made an entire choral piece out of it. “We talk about birds and celebrate their beauty in the first half. But over the course of the second half, the birds vanish and the texts become more suggestive of humans going extinct along with the birds. It's a soft activist message about where these extinctions are leading us.”  Why did you decide to adopt a 19th-century musical vocabulary? “I immersed myself in the vernacular of the 19th century, both musically and poetically. The four poets that I chose to set to music are Emily Dickinson, Sara Teasdale, Edna St. Vincent Millay and Christina Rossetti. I really wanted to create a time capsule that was reflecting on where we are now.” What were you going for with the piece “Thus in the Winter”? “The way I think of writing choral parts is almost like the way that birds fly in a flock. The different voices are individual birds and they all have their own motion, but collectively they have a group motion to them. It's directional and it's made up of all these individual threads. A piece like ‘Thus in the Winter' is a realization of that movement. It is a lot of individual lines weaving around, sometimes coming together with big cries, but often diverging and doing their own things.” VOCES8 & Jack Liebeck: The Lark Ascending - Ralph Vaughan Williams (arr. Paul Drayton) To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. More on Christopher Tin New Classical Tracks Christopher Tin's 'To Shiver the Sky' encourages listeners to take flight Composer Christopher Tin has a funky message for APA Heritage Month Giveaway Time For Three New Classical Tracks Giveaway You must be 13 or older to submit any information to American Public Media/Minnesota Public Radio. The personally identifying information you provide will not be sold, shared, or used for purposes other than to communicate with you about things like our programs, products and services. See Terms of Use and Privacy. This giveaway is subject to the Official Giveaway Rules. Resources Christopher Tin/Voces8 — The Lost Birds (Christopher Tin official store) Christopher Tin/Voces8 — The Lost Birds (Center Stage store) Christopher Tin/Voces8 — The Lost Birds (Amazon) Christopher Tin (official site) Voces8 (official site)

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Poet and playwright Edna St. Vincent Millay was born in Rockland, Maine, on February 22, 1892. In 1912, Millay entered her poem "Renascence" to The Lyric Year's poetry contest, where she won fourth place and publication in the anthology. This brought her immediate acclaim and a scholarship to Vassar College, where she continued to write poetry and became involved in the theater. In 1917, the year of her graduation, Millay published her first book, Renascence and Other Poems (Harper, 1917). At the request of Vassar's drama department, she also wrote her first verse play, The Lamp and the Bell (1921), a work about love between women.After graduating from Vassar, Millay moved to New York City's Greenwich Village, where she lived with her sister Norma in a nine-foot-wide attic. Millay published poems in Vanity Fair, the Forum, and others while writing short stories and satire under the pen name Nancy Boyd. She and Norma acted with the Provincetown Players in the group's early days, befriending writers such as poet Witter Bynner, critic Edmund Wilson, playwright and actress Susan Glaspell, and journalist Floyd Dell. Millay publishedA Few Figs from Thistles (Harper & Brothers, 1920), a volume of poetry which drew much attention for its controversial descriptions of female sexuality and feminism. In 1923, Millay was awarded the Pulitzer Prize for The Ballad of the Harp-Weaver (Flying Cloud Press, 1922). In addition to publishing three plays in verse, Millay also wrote the libretto of one of the few American grand operas, The King's Henchman (Harper & Brothers, 1927).Millay married Eugen Boissevain in 1923, and the two were together for twenty-six years. Boissevain gave up his own pursuits to manage Millay's literary career, setting up the readings and public appearances for which Millay grew famous. Edna St. Vincent Millay died at the age of fifty-eight on October 18, 1950, in Austerlitz, New York.From https://poets.org/poet/edna-st-vincent-millay. For more information about Edna St. Vincent Millay:“Time does not bring relief; you all have lied”: https://www.poetryfoundation.org/poems/46464/time-does-not-bring-relief-you-all-have-lied“Edna St. Vincent Millay”: https://www.poetryfoundation.org/poets/edna-st-vincent-millayCollected Poems: https://www.harpercollins.com/products/collected-poems-edna-st-vincent-millay?variant=32205623427106“Defiant and Unsinkable: The Ethos of Edna St. Vincent Millay”: https://lithub.com/defiant-and-unsinkable-the-ethos-of-edna-st-vincent-millay/“How Fame Fed on Edna St. Vincent Millay”: https://www.newyorker.com/magazine/2022/05/16/how-fame-fed-on-edna-st-vincent-millay-diaries-rapture-melancholy

Daniel Mark Epstein's poems and biographies of Aimee Semple McPherson, Edna St. Vincent Millay, Abraham Lincoln, and Bob Dylan, have been translated into many languages.

Caroline Hosts Sam Henry; the creator and curator of Daily Wisdom Texts (https://www.dailywisdomtexts.com). Daily Wisdom Texts is a subscription service that sends you text messages from wisdom literature each day to provide a daily moment of meditative reflection. Announcing a partnership with great ally-guest Egyptian aphorism artist, Yahia Lababidi, whom we will quote with abandon this Fund Drive hour. Aspiring to Click & Clack, Statler & Waldorf, Caroline and Sam shall to and fro: aphorism poker (Much Yahia), sprinkled with snappy come-backs, Dorothy Parker, and liberating Zen…       Sam Henry is the creator and curator of Daily Wisdom Texts (https://www.dailywisdomtexts.com). Daily Wisdom Texts is a subscription service that sends you text messages from wisdom literature each day to provide a daily moment of meditative reflection.   Available options include sayings of Gautama Buddha, Epicurus, Pierkei Avot (rabbinic maxims), Rumi, Omar Khayyam, Evagrius Ponticus, Heraclitus, Edna St. Vincent Millay, Rabindranath Tagore, Ecclesiastes, the Tao Te Ching and many more!   Today we are excited to announce the launch of a partnership to bring you the aphorisms of Yahia Lababidi. Yahia is a friend and frequent guest of The Visionary Activist. He is the author of Desert Songs and Learning to Pray as well as 9 other books of poems, aphorisms, essays & conversations. You can sign up for a free 14-day trial at https://dailywisdomtexts.com/yahia_lababidi.       Support The Visionary Activist Show on Patreon for weekly Chart & Themes ($4/month) and more… *Woof*Woof*Wanna*Play?!?* The post The Visionary Activist Show – Words to Live By appeared first on KPFA.

Read by Barbara MorganProduction and Sound Design by Kevin Seaman

Read by Brooke PhillipsProduction and Sound Design by Kevin Seaman

Every time we say “pneumatic tubes,” take a drink! I continue telling Leah Felicity Lucci the life story of Inez Milholland, from her unpaid job as a PR symbol for suffrage to her uphill battle to become a lawyer. We contemplate the unimaginable horror of millions of bros, how happy Inez looks on a horse, and the dangers of pushing yourself too hard. SHOW NOTES: I could not find anything online to support my claim that women weren't allowed to practice certain types of criminal law in the 1910s. Sorry about that. In the 1916 election was Woodrow Wilson, who had already been president for a term, vs. Charles Evans Hughes. Wilson was okay with letting suffrage get decided on a state-by-state basis, whereas Hughes endorsed a national amendment. But Wilson campaigned on keeping America out of World War I, while Hughes criticized his weak foreign policies. Hughes also was against some of the progressive policies that Wilson wanted to pass, including the 8-hour work day for railroad workers. He said they would hurt the economy :( So I was wrong about old timey Republicans being better. Brittanica.com gives a nice overview of the election. According to HopkinsMedicine.org, aplastic anemia is a form of bone marrow failure. Treatments include bone marrow transplants, blood transfusions, drug therapy, and supportive care. Inez died of aplastic anemia in 1916. She was thirty. The poem that coined the expression “burning candle at both ends” was titled “First Fig,” by Edna St. Vincent Millay, published in 1922. Here's the poem: My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends— It gives a lovely light! The music I played under Edna St. Vincent Millay's poem: Heartbreaking by Kevin MacLeod | https://incompetech.com/ Music promoted by https://www.chosic.com/free-music/all/ Creative Commons Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ The spongy moth is a highly invasive, non-native moth that defoliates hundreds of acres of forests across the country. You can read more about how they do this on MassAudobon.org. Which instar are you in? If you want to see that picture of Inez on a horse, visit https://www.researchholepodcast.com/episodes/inez-milholland-pt-2-burning-the-candle-at-both-ends. Support us on Patreon for extras and general good feelings at https://www.patreon.com/valhowlett. Follow Val on instagram at @val.howlett and Leah on instagram at @leelee_lulu_.

What a monumental episode for Northern Exposure this week! It's the first episode… where Chuck Berry's "You Never Can Tell" is played in Northern Exposure! Kidding, kidding, it's a momentous occasion for the show as co-host Lee and Charles discuss arguments out of context, earthquakes, Edna St. Vincent Millay, and, of course, the second-ever depiction of Gay Marriage on TV!! At the end of the episode, co-hosts of Subtextual Podcast, Lizzie and Sam, come in to talk shop about Ron and Eric being more brothers than husbands and their lack of physical chemistry so tune in the end to hear all about it! Listen to Subtextual podcast here: https://subtextual.podbean.com/ OR wherever you get your podcasts! patreon.com/northernoverexposurepodcast Theme music by Matt Jackson Podcast Artwork by Bball Y'all (bballyall.com) Available on Apple Podcasts, Google Play Music, Stitcher, Spotify, and SoundCloud. write in: northernoverexposurepodcast@gmail.com twitter: twitter.com/NorthernOverPod