Podcasts about Lead guitar

In this episode, Paul Andrews wraps up the Beginner Guitar Academy's “Learn to Play Five Minutes a Day in May” challenge by recapping week four, focused on lead guitar skills. Paul guides listeners through key lessons from the challenge, including the importance of the minor pentatonic scale, practicing with a metronome, playing classic riffs, taking first steps into improvisation, and essential lead guitar techniques like hammer-ons, pull-offs, and slides. As the month-long challenge concludes, Paul shares tips for building a regular practice routine and explains how to continue your learning journey with Beginner Guitar Academy.Key Topics CoveredRecap of the May Challenge:Review of the “five minutes a day” approach and benefits of consistent, foundational practice.Week Four Focus: Lead GuitarDay 22: Introduction to the E minor pentatonic scale. Why it's a must-know for guitarists, how it's constructed, and tips for effective practice.Day 23: Playing with a metronome. Building timing skills; suggested starting speed is 60 BPM; practicing both single and double picks per click.Day 24: Learning the riff from Eric Clapton's “Sweet Home Chicago” application of the minor pentatonic scale; breaking down the riff and its phrasing.Improvisation Basics: Demystifying improvisation using the scale, phrasing, changing direction, and leaving spaces for musicality.Step-by-step process with a backing track to get started soloing.Lead Guitar TechniquesHammer-ons: How and why to use them for smoother, faster playing.Pull-offs: The “reverse” of hammer-ons; tips for even volume and proper technique.Slides: Adding expression and fluidity to your playing; pressure technique and common sliding notes.Putting It All Together: Integrating these techniques and improvisation over a backing track. Advice on practicing in small, manageable chunks and not feeling overwhelmed.Challenge Recap & What's NextA summary of all four weeks: picking, chords, strumming/timekeeping, and lead guitar.Encouragement to repeat the challenge for deeper mastery.How to continue with structured learning at Beginner Guitar Academy and what makes the online school unique (personalized support, community, experienced teaching).Resources MentionedBeginner Guitar Academy – Join & Try for $1Backing tracks and lesson notes are available for members.Email Paul: info@beginnerguitaracademy.comTakeawaysMaster the basics—strong foundational skills pay off at any level.Consistency (even five minutes a day) leads to noticeable progress.Don't feel rushed; repeat and refine lessons as needed for your pace.Beginner Guitar Academy offers ongoing guidance, tailored feedback, and supportive community for your guitar journey.

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Whether it's on the first two BOSTON albums or on releases by his latest group, BARRY GOUDREAU'S ENGINE ROOM, guitarist BARRY GOUDREAU brings the world a soaring, blues-inflected sound that has been part of our collective musical psyche ever since he threw down the monster lead on Boston's 1977 rock radio smash, “Foreplay / Long Time.” I was thrilled to have Barry not only visit us backstage at a recent JEFFERSON STARSHIP gig I played in Beverly, Massachusetts — where Barry plugged in his beloved '60s Gibson SG Junior and did this interview (during which, as you'll hear, he discusses everything from working with Boston's brilliant mastermind/chief composer and multi-instrumentalist/producer TOM SCHOLZ to collaborating with the late, great Boston singer BRAD DELP to creating music with his other bands, including RTZ, ORION THE HUNTER, and, of course, the Engine Room) — but also have Barry sit in with us on stage! That's right: During our encore later that night, Barry joins us for an extended jam where he starts off with a big solo, and then we trade licks back and forth, and you'll hear it all go down at the end of the episode. Thanks to GUITAR PLAYER and guitarplayer.com for bringing this episode to you. “Guitar Player — Play better, sound better!” — JUDE GOLD, host/creator, NO GUITAR IS SAFE

Aussie band Men at Work's most famous song is arguably Down Under. But what if it wasn't actually their song? This was the claim made by Larrikin Music, who are the copyright holders of the nursery rhyme Kookaburra Sits in the Old Gum Tree. In this episode of Crime Insiders Judgement, go inside the plagiarism battle that remains a cautionary tale in copyright law. This episode references suicide. If you or anyone you know needs help, contact Lifeline on 13 11 14.See omnystudio.com/listener for privacy information.

On today's podcast I chatted with Liam Mullane, the musician turned Mercedes-Benz General Manager. Liam's passion is music, and despite his very best efforts he realised that the life of a musician playing original material was not going to sustain him and he had to choose a different path. With a new focus this talented lead guitarist became a leading salesman, and after 22 years in the motor trade he is now the General Manager of Mercedes-Benz in Cork. He chatted about his career path, the ups and downs, the buzz of being a successful salesman, how to close a sale, the special role of cars in our lives, QTR and why the music never ever stops! Enjoy the show… Podcast Production by Greg Canty Greg's blog Greg on Twitter  Greg on LinkedIn Email Greg with feedback or suggested guests: greg@fuzion.ie  

To celebrate St Patrick's Day here is another chance to hear this interview with legendary guitarist Eric Bell from the equally iconic and legendary Irish hard rock band, Thin Lizzy.This episode was originally released in March 2023.Episode photo attributed with thanks -  By Klaus Hiltscher - https://www.flickr.com/photos/khiltscher/3141138463/in/faves-24788065@N02/, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=15531140With it's haunting and mesmerising guitar intro many listeners will be familiar with the Thin Lizzy hit, Whisky in the Jar which reached no. 6 in the UK charts in 1973.My guest today is the legendary former lead guitarist and founding member of Thin Lizzy, Eric Bell.  As well as playing on that famous song, Eric recorded 3 albums with Thin Lizzy,  'Thin Lizzy,' ' Shades of a Blue Orphanage' and 'Vagabonds of the Western World.'In our conversation Eric talks about;1) His introduction to the guitar2) Playing in Irish Showbands3) How a chance meeting with Phil Lynott and Brian Downey led to the formation of Thin Lizzy4) How the trio wrote songs5) The story of how Whisky in the Jar was never intended to be a single!6) Reaching success and how Phil Lynott developed his enigmatic stage persona7) His career after Thin Lizzy, including playing with Jimi Hendrix's bassist Noel Redding8)The Eric Bell Trio9) Valuable lessons about performing for other musicians10) Eric's autobiography, 'Remembering'11) Songwriting  and much more.If you are a Thin Lizzy fan I hope that you will enjoy this episode and for those listeners who may not be too familiar with the band but would like to hear a captivating tale from a true gentleman and one of the worlds greatest  guitarists, this is for you. Enjoy!Eric's links;https://www.facebook.com/EricBellOfficialhttp://www.oftheedgeproductions.com/index.htmlQuestion or comment? Send us a text message.www.undercurrentstories.com

Mateo Vintimilla is an Ecuadorian born Classical Guitarist who has performed in venues across the globe giving recitals in Dominican Republic, Iceland, United States, and Ecuador. A recipient of the Augustine Foundation Scholarship, he has collaborated with the Brooklyn Composers Society, premiering new music at Brooklyn College and commissioned and premiered works from several Ecuadorian composers. Mateo obtained his bachelor's degree in classical guitar performance at the Manhattan School of Music with the American virtuoso Mark Delpriora and his master's degree under the tutelage of the internationally acclaimed artist Dr. Andrew Zohn at the Schwob School of Music. As an educator Mateo has been a faculty member in The Brooklyn Center for Musical Arts, the New York City Guitar School, and non-profit organizations like Lead Guitar and Internal Creations, where he currently works as artistic director.

Visit https://www.GuitarMusicTheory.com/zoom for more information about my upcoming lead guitar Zoom classes.

▶▶ Blues Solo Breakthrough email course - https://www.playguitaracademy.com/bluessolobreakthrough Unlock the foundation of blues guitar with these 3 essential scales. Learn how to use them to create expressive solos and connect with the roots of blues music! THIS WEEK'S LESSON - https://youtu.be/GCJX2Xuke9Q SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/the-foundations-of-blues-lead-guitar-398 PLAY GUITAR ACADEMY - Instant access to the tabs, backing tracks, and guitar pro files from all my lick videos, Monthly masterclasses, and weekly Q&A. https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YOUTUBE  (SUBSCRIBE)- https://www.youtube.com/@playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy Copyright ©2024 Play Guitar Academy

Welcome to our new Jazz Cast where we are featuring the latest melodies and phrasing from Lou's Studio "V". The melodies range from simple to more intricate lead parts. We hope you like it! The titles: "SAY IT SWEETLY", "WHAT A GREAT IDEA!", "TURN IT UP TO ELEVEN" and "IS THAT YOU?". (compliments of cosmic consciousness music BMI © 2024) Enjoy!

UK five-piece hard rockers, The Rattlebacks' debut album, ‘Sidewinder', was released on November 15th, 2024. An album that we loved and described as: Deeply authentic and deeply relatable, The Rattlebacks have made sure this album is super-accessible, without compromising their powerful hard rock sound. Read our the full album review here: https://www.gbhbl.com/album-review-the-rattlebacks-sidewinder-self-released/ We spoke to guitarists Jack “Coxy” Cox and Max Horn about the new album and all the work that has gone into making it a reality. We delve into the journey to this point, what it means to them to release it, and indulge in some randomised questions about drinking, who defines the term ‘rockstar', nicknames, parties, and more! Find out more here: https://linktr.ee/TheRattlebacks Website: https://gbhbl.com/ LinkTree: https://linktr.ee/gbhbl Ko-Fi (Buy us a coffee): https://ko-fi.com/gbhbl Facebook: https://www.facebook.com/GBHBL Instagram: https://www.instagram.com/gbhbl/ Bluesky: https://bsky.app/profile/gbhbl.bsky.social Threads: https://www.threads.net/@gbhbl Twitter: https://twitter.com/GBHBL_Official TikTok: https://www.tiktok.com/@gbhbl Contact: gbhblofficial@gmail.com Soundcloud: https://soundcloud.com/gbhbl Spotify: https://open.spotify.com/show/5A4toGR0qap5zfoR4cIIBo Apple Podcasts: https://podcasts.apple.com/hr/podcast/the-gbhbl-podcasts/id1350465865 Intro/Outro music created by HexedRiffsStudios YouTube: https://www.youtube.com/channel/UCKSpZ6roX36WaFWwQ73Cbbg Instagram: https://www.instagram.com/hexedriffsstudio

From the ground floor of Thrash Metal playing Lead Guitar with Anthrax to a full on master watchmaker Dan Spitz is the definition of passion. Tune in and hear how he became a watchmaker on today's episode of Let There Be Talk. Thanks for tuning in my friends and dont forget to join my Patreon for over 160 bonus episodes. https://www.patreon.com/DeanDelray  All my tour dates are here https://www.deandelray.com/tourdates  Thank you for all your support of=ver the last 13 years. I really appreciate it. DDR  

From the ground floor of Thrash Metal playing Lead Guitar with Anthrax to a full on master watchmaker Dan Spitz is the definition of passion. Tune in and hear how he became a watchmaker on today's episode of The Grail. Thanks for tuning in my friends and dont forget to join my Patreon for over 160 bonus episodes. https://www.patreon.com/DeanDelray  All my tour dates are here https://www.deandelray.com/tourdates  Thanks for all your support. DDR

On Saturday, July 27th, 2024, at 5:30 in the afternoon, Kurt climbed into my car and drove from Garden Grove, California, to the city of Corona, a distance of about 30 miles to a small bar called Rockefellas in the Temescal Valley. Leo was in town and performing with his band, Castle Pines. Castle Pines was an indie rock band from the Corona area and Inland Empire whose formation began in the early 2010s. The band consisted of Leandro Barrientos on Vocals and Rhythm Guitar, Niki Barrientos on Lead Guitar, Jesse Briseno on Bass, and Sterling Fairfield on Drums. The band gained local traction and built a community, releasing a collection of live recordings from shows at The Wire. They released their first album, Bless This House, in 2010 on SoundCloud. In 2014, they released an album called Summer Blood.This episode is about Kurt's experience at that concert, and the profound effect that Castle Pines had on a tight community and its music scene in Southern California.Thank you to Ricky Garvey for his expertise and hard work on mixing this episode. Live shows are difficult to get usable tracks for, but he exceeded our expectations. Thank you to Leandro, Niki, Jesse, Sterling, and Ricky for putting on an incredible show and providing us all with incredible music.Credit to Victor Duran Photography for his excellent photos of the performance.Songs used (all by Castle Pines):"Derailed""Sumer Blood""Black Star Canyon""Palm Springs" (Rockefellas, 2024)"Wretched Life" (Rockefellas, 2024)"I Saw You On The Radio" (Rockefellas, 2024)"I'm A Volcano" (Rockefellas, 2024)"Castle Pines"Links:Just One Song HomepageCastle Pines InstagramCastle Pines MusicRicky Garvey: Recoverer MusicVictor Duran Photography

Welcome to the Beginner Guitar Academy podcast, where we dive into all things guitar! In today's episode, we're taking a deep dive into the iconic band Oasis. We'll explore their history, their most iconic songs, and the lead guitar style of Noel Gallagher. From their debut album to their rise to international fame, we'll uncover the secrets behind their music. We'll also discuss the essential techniques used by Noel Gallagher and the gear he prefers to create their signature sound. So, if you're a fan of Oasis or interested in learning more about their music, this episode is perfect for you. Stay tuned as we unravel the magic of Oasis right here on the Beginner Guitar Academy podcast!

Lead Guitar update

This band was this winner of Grayslake's Summer Nights event. Learn about this local band and come hear them live on August 16th at Grayslake Summerfest. https://linktr.ee/steadyaheadmusic Steadyaheadofficial@gmail.com Steady Ahead consists of 4 members    Eric Brankey - Lead Vocals, Lead Guitar, Primary Songwriter    TJ Lamont - Guitar and Secondary Vocals    Kasen Brock - Drums and Percussion    Josh French-Villarreal - Bass 

In this episode, host Paul Andrews walks you through the essential steps to becoming a better lead guitar player and improving your improvisational skills. Paul delves into the key components of improvisation, emphasizing the importance of melody, rhythm, and expression. He provides a structured approach to developing your improvisation skills and offers practical tips for building confidence in your playing. From understanding scales to applying them in different keys and chord progressions, Paul's expert guidance will help you take your improvisation to the next level. So grab your guitar and get ready to level up your lead guitar skills!

Send us a Text Message.In this episode I am talking you through the MUST know triads for playing lead guitar.Triads are groups of 3 notes we use to make chords, there are four kinds of triad: Major, Minor, Augmented & Diminished. Today were looking at 3 shapes for the major triad.This will allow you to find root notes all over the neck, identify the chord tones & use the shapes as 'jumping off' points for playing lead lines.to get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing listDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the Show.

Highlights this week. Interviews may be abbreviated. For the date and hour podcast to hear more, see the note (0:00) Dr JoAnn di Filippo--excerpt of full discussion [Apr 29, Hr 2] (11:32) Joe DeSimone, Blue Chip Planning, current events and how they affect financial markets [Apr 29, Hr 3] (23:24) Pima BOS District 3 Dem candidate Edgar Soto--excerpt of full discussion [Apr 30, Hr 2] (38:30) Ted Maxwell, SALC, update from the state Legislature [Apr 30, Hr 3] (48:13) Janay Arenas, Chair of the Pima County Small Business Commission--recognizing small businesses in Pima County [Apr 30, Hr 2] (55:22) Pinal County Sheriff, and GOP candidate for US Senate, Mark Lamb. Excerpt of interview [May 1, Hr 2] (1:06:07) John Ward, how to have affordable housing, from a veteran developer. Excerpt of full discussion [May 2, Hr 2] (1:16:45) Brad Richter and Freddy Vasquez with Lead Guitar, helping make better students by providing free guitar lessons to those not able to afford it. [May 2, Hr 3] (1:27:27) Ron Payette, Ari Sloane

Welcome to our latest Jazz Cast with Lou's latest arrangements featuring long-tone lead melodies playing over a strong rhythm guitar part. We hope you like it! The titles: "START IT UP EASY!", "THE SUN DANCE", "A LIVELY WIRE", "SWEET EXPRESSION PART I" and "SWEET EXPRESSION PART II". (C cosmic consciousness music 2024 BMI) Enjoy!

Shaun McClusky and Ben Buehler-Garcia sit in for Chris today We are joined today by Brad Richter and Freddy Vazquez with Lead Guitar, a nonprofit who works to empower kids through music. They work to teach kids guitar to kids whose families may not be able to afford it. Music educaton leads to better academic achievement and social emotional growth. The program is free to kids and you can learn more and help at leadguitar.org Tucson City Council Regulations related to housing. Ben Buehler-Garcia is the host of the nationally-syndicated American Warrior Radio, that can be heard every Saturday at Noon, right here on 1030 the Voice. For more information, check out americanwarriorradio.com Shaun McClusky is the owner of Rincon Ventures Real Estate and Property Management, check out rinconventuresaz.com

Celebrating the launch of Season 8 and our 150th episode with the band behind our new music, Fast Suzi. I chat with Matt, Greg, and Alex from the band. Joining us on the show is their producer and mine Rich Zei from Third Ear Audio Productions.Fast Suzi is like the man with 1000 faces. They are a Chicago-based hard rock band, that has changed with the musical world around them. Their long-held mantra of rock 'n' roll to save your soul, is back with a vengeance. New blood, new music, and a new attitude are the driving forces celebrating the band's legacy and a look to the future.Fast Suzi saw the creativity of two guitar players writing material that jelled instantly.  During that time, their song, "Giving It All To You'' achieved heavy rotation on rock radio.****Matt Smith is the Lead Guitar, Vocals, and the Founding Member.Greg Baron is the Lead Vocalist.Alex Alexander is the Drummer.(Bill Kalbfleisch is the Bass Player but was not part of the podcast due to a prior commitment. ) Bands website: www.fastsuzi.com****Discussed on the podcast was the non-profit Guitars for Vets (G4V). G4V provides guitars and a 10-week lesson program to veterans of our military who may be battling PTSD, any mental or physical health disorder stemming from their military service, or being a victim of sexual trauma.  All services and guitars are provided at no cost to the veteran.  If you wish to make a donation or get involved you can do so by clicking the link. https://guitars4vets.org/****If you would like to contact the show about being a guest please email us at Dauna@betertopodcast.comFollow us on Social MediaThis episode is on YouTube: https://youtu.be/lohhK5sKSQ4Instagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comHave a question for our producer Rich Zei contact him at rich.zei@thirdearaudio.comIntro and Outro music compliments of Fast SuziTo see upcoming guests click here: https://www.dmneedom.com/better-topodcast©2024 Better To...Podcast with D. M.Needom Support the show

▶▶ Get both my chord-tone-targeting course "Solos That Make Sense" and my 3 best lead guitar masterclasses "Unlock the Thrills of Lead Guitar" for just $57 (That's way over 50% off and not always available).  - https://www.playguitaracademy.com/solos-that-make-sense-bundle Let's take a look back at the ups and downs of guitar in 2023 and use what we've learned to move forward like never before. SHOW NOTES FOR THIS EPISODE- https://www.playguitaracademy.com/blog/2023-the-year-in-guitar-345 PLAY GUITAR ACADEMY - Instant access to all of Lee's premium courses, Group classes, and "Part 2" videos - https://www.playguitaracademy.com 1-on-1 Guitar Lessons - https://www.playguitaracademy.com/play-guitar-coaching PLAY GUITAR PODCAST - https://podcasts.apple.com/us/podcast/play-guitar-podcast/id1341900209 https://open.spotify.com/show/0MxjU2Y0L8PoYiTKmCtvpt YouTube- https://www.youtube.com/playguitaracademy FACEBOOK - https://www.facebook.com/PlayGuitarAcademy/ https://www.facebook.com/groups/playguitargroup/ INSTAGRAM - https://www.instagram.com/playguitaracademy PODCAST PLAYLIST - https://www.youtube.com/playlist?list=PL3WNVOl-akd36v5CUQjDba9dh6VD7HWo Copyright ©2023 Play Guitar Academy

The 293rd Hangover Sessions features a debut appearance by Andy Hill of The Subtheory fame, joining us for a "Z-interview" (Zoom interview) all the way from Blighty (in the UK).Est. 2019, The Subtheory is a synth-based dark trip hop project founded by composer, writer, DJ and producer, Andy Hill. It's expanded over the last two years to include Cate Debu on vocals, George Lambourne on Bass and Pat Scott on Lead Guitar.The Subtheory recently wrote the score for DEFIANCE, an award winning documentary about protest in sport narrated by Olympic champion Michael Johnson. They also sound-tracked the Golden Rose of Montreux nominated BBC Sounds podcast; MOMENT OF TRUTH narrated by James Nesbitt.  Their music has been featured on BBC prime-time TV, in Working Title films and on TV sporting event coverage including the Olympics, Boxing, American Football, European Football Championships, and the legendary Match of the Day.They have also produced and remixed other artists of many genres - most recently the “Summertime” collaboration with Janelle Monae's lead guitarist and musical director, Kellindo Parker.Listen to the full show's playlist here+ Follow The Subtheory via www.TheSubtheory.com

It's becoming that time of year, to sip on hot cocoa, enjoy the Christmas decorations…and rock out!  The Trans-Siberian Orchestra's music is a staple over the holiday season and you can experience it all during their 2023 winter tour. The Trans-Siberian Orchestra (TSO) is one of the world's top touring artists of the past decade and has sold over 12 million albums. Nine-time Emmy winner David Sams chats with lead guitarist and musical director of TSO, Al Pitrelli. Al shares how the music we've all come to know and love was created, and the impact it's had on generations of fans. TSO's 2023 Winter Tour: “The Ghosts of Christmas Eve: The Best of TSO and More!” is kicking off and they are making stops all across the country until the end of December. You can purchase tickets now in your city at trans-siberian.com/tour. #TransSiberianOrchestra #TSOTime #TSO #ChristmasMusic #AlPitrelli #DavidSams #KeepTheFaith #ContagiousInfluencer

Clear-tone lead guitar sounds and phrasing are the the feature for this week's Jazz Cast.  Hear the nuance and pure tone on these new tunes: "DON'T BE SCARED", "IN YOUR HEART", "AROUND EVERY CORNER", "AHEAD OF THE GAME" and "BOULEVARD BLUE". We hope you like it. Enjoy!

The Initials Invitational participants slowly filter in, with the NFL Network's Tom Pelissero revealing some pretty cool secrets about his past

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In today's episode we read the chapter 20 – The Music Box – in which a day of celebration turns rather dark, rather quickly.This week's podcast partner is Bluestep Audio:INSTRAGRAM: https://www.instagram.com/bluestepaudio/EMAIL: bluestepaudio@hotmail.comOutro Music: Elliot Under Glass (instrumental) - Composed and recorded by Cannelle, Mixed and Mastered by Bluestep Audio, featuring special guests Steven Holloway on Rhythm Guitar, Drums, and Triangle, and Anthony Freeman on Lead Guitar and Bass.The Skylark Bell official website - http://www.theskylarkbell.comThe Skylark Bell on Instagram: @theskylarkbellAuthor/Producer: Melissa Oliveri - http://www.melissaoliveri.comJoin Melissa's Patreon for early access to podcast episodes, music downloads, and more: http://www.patreon.com/melissaoliveriThe Skylark Bell on Ko-Fi: https://ko-fi.com/theskylarkbellAll music by Cannelle: http://www.cannellemusic.comCannelle on Instagram: @cannelle.musicOfficial Merch Shops: http://www.melissaoliveri.com/storeThe Skylark Bell is brought to you by: Phaeton Starling Publishing and Things with Wings Productions.FULL TRANSCRIPT:Things with Wings Productions presents: Chapter 20 of The Skylark Bell, Skyedive. I am your host, Melissa Oliveri.  In last week's episode Farfalla had a strange encounter with a boy on the beach while out with Frannie and Felix.In today's episode we read the chapter 20 – The Music Box – in which a day of celebration turns rather dark, rather quickly.Today's podcast partner is Bluestep Audio located in Halesowen UK. Bluestep Audio has mixed and mastered several songs for The Skylark Bell composed by myself under my stage name Cannelle. Theyu provide professional services with great attention to detail and impeccable results. If you're looking for the highest quality audio for your podcast or music, be sure to reach out to them. Contact links are in the shownotes.I would also like to acknowledge La Fete de la St Jean Baptiste, which takes place on June 24th and has been embraced as a holiday strong in cultural identity in my native Quebec, Canada, which has inspired many of the scenes throughout The Skylark Trilogy. Now, it's time to settle in… grab a blanket, and a warm drink… and let's get started.October 16th, 1799The people of Pòcaid have kept me busy with “performances” of late, calling me in for people who, I have no doubt, are simply suffering from a common cold. But I do my duty, plop that ridiculous crown on my head, and sing them the French lullaby Audrey Tourtereaux taught me all those years ago.I have discovered something, however. Something of great value. There are times when singing the same song grows tiresome, so I instead sing the song of the Oak Tree, and those times I've noticed the song seems to have an effect on the people in the room. When I finish, they are all staring at me with unseeing eyes. One time I told one of the little boys in the room to spin around, and he did so, as if in a daze, almost like he was sleepwalking. It was quite curious, but I presumed he was simply a very obedient child. I was intrigued enough, however, to try it again. So, the next time I was called in for a performance, I sang the song of the Oak Tree, and this time when it ended I asked the maid to take a drinking glass from the tray on the bed and smash it to the floor. To my amazement, she followed my request without hesitation. When the lady of the house came bursting in asking what was going on, the maid blinked and looked at the shattered glass on the floor, hopelessly confused. She had no recollection of any of the events leading up to that point. I took the blame for the glass, and of course all was forgiven. The villagers love me, I can do no wrong.~~~~~~“Frannie, it's your turn,” says Donald Carnifex, handing his daughter an object wrapped in layers cloth. Frannie's face lights up, she just watched Felix unveil his gift from their father, a collection of horses and soldiers carved out of wood, each painted in bright colours. She carefully pulls the cloth off the object, and holds it up at eye level, unsure what to do next. “It's a music box,” says Mr. Carnifex. “Here, let me show you how it works.” He places a small metal key in the back of the box and turns it. A playful tune emanates from the box, to everyone's delight, especially Frannie's. “Oh Papa, it's magic!” she breathes, “May I try?”“Of course! I'm glad you like it,” he says, handing her the key. Frannie places it in the hole and cranks it a few times. The music begins to play over the soft whirring of the small motor inside the box. Frannie cranks it two more times before jumping in her father's arms. “Oh Papa, I've missed you so!” she says.“Me too!” shouts Felix, both of them running to their father and throwing their arms around his neck.Donald has been away on business for weeks. He travelled to the mainland, and eventually on to other parts of Europe, collecting gifts for the children along the way. “I've missed you too,” he says, giving them each a pat on the head. “Now Frannie, that music box is very rare and very special, promise you'll be careful with it,” he says.“I promise Papa,” she replies, cradling the box in her hands like a baby bird. She runs her fingers over the carved wood, feeling the flowers engraved around the edges of the top. “Nurse Betsey, why don't you head upstairs to help the children wash up for dinner,” says Isabella. “May we bring our gifts upstairs with us?” asks Felix, not quite ready to put down his toy soldiers.“You can bring them up to put them away. It's no longer time to play,” says Nurse Betsey in her dry, cracking voice as she lifts herself out of her chair.“Perhaps you'd like to enjoy dinner as a family, now that Mr. Carnifex has returned,” says Farfalla.“Nonsense, you're family now too,” replies Isabella with a wave of her hand.Farfalla can feel Nurse Betsey bristle at Isabella's words. She plods up the stairs behind the children, her body stiff as a board. Farfalla glares at her back until she disappears on the landing. She's found Frannie in tears on more than one occasion and found Felix by the beach throwing large rocks furiously into the water just last week. Neither one of them wanted to talk about what happened, but Farfalla could tell Nurse Betsey was involved.“Isabella told me how you have helped with the children in my absence. We are both very grateful,” says Donald.“They are both an absolute joy, I truly love spending time with them,” replies Farfalla, turning her gaze away from the stairway and back to Donald and Isabella.“They enjoy spending time with you as well. Felix still talks about your picnic at the beach, and Frannie has spent weeks painting the seashells she collected. She displays them on the windowsill in her bedroom,” smiles Isabella.“We are very fortunate to have you here,” adds Donald, wrapping his arm around his wife's shoulders. She turns her face toward him and they look at one another lovingly. Farfalla remembers she and Marius looking at one another that way, and feels a sinking feeling in her heart. Suddenly, a loud crash on the ceiling above their heads followed by a piercing scream shakes her out of her memories. Farfalla, Isabella and Donald rush up the stairs in unison. Isabella reaches the doorway to the children's room first. “What in the world?!” she exclaims.“Oh Frannie, your music box!” says Donald.Farfalla creeps up behind them and looks over their shoulders. Frannie is crumpled on the floor, weeping. In front of her, pieces of the music box are strewn about the floor. Felix is cowering in the corner, a terrified look in his eyes.“What happened here?!” demands Isabella.“Well, it would appear Felix here was jealous of his sister's very rare and special gift,” begins Nurse Betsey with a sneer, “so he held it up over his head and smashed it to the ground!”Farfalla watches as Felix's eyes grow wide with shock. Isabella lets out a gasp, “Felix, how could you?!” she shouts. “Nurse Betsey, please take Felix into the next room and administer a suitable consequence for his actions,” she says sternly, her eyes cold as ice.“No, Mama, please! It wasn't-“ he begins, desperation in his little voice.“Come now, I think we've heard enough from you!” says Betsey, grabbing him roughly by the arm and dragging him out of the room before he can say anything else.Farfalla watches Frannie intently, she is crying so hard she can't speak. Farfalla pushes past Mr. and Mrs. Carnifex and sits on the floor next to her. She slowly begins picking up the pieces of the music box and collecting them in the skirt of her dress. “You know,” she says in the most calming tone she can muster, “Mr. Crake down in the village is quite handy, he has that shop, Crake's Clocks. I bet he would be willing to try and fix this for you.” Frannie looks up at her with teary eyes, and Farfalla is shocked to realize Frannie isn't crying over the music box. It isn't sadness on her face, it's fear. Farfalla leans in closely and whispers in her ear, “Did Nurse Betsey smash your music box?” she asks. Frannie gives her a very faint nod. Farfalla can feel the rage boiling inside her. She bites her lip and inhales deeply to regain her self-control. “I apologize, Miss Skye, perhaps it would be best if we sent some dinner home with you and gathered together to celebrate Donald's return tomorrow night,” says Isabella, a hint of embarrassment in her voice.Farfalla nods and stands up. She steps into the hallway and is about to go downstairs when she hears a cry from down the hall. She hears a loud smacking noise and another cry. Felix! Nurse Betsey must be exercising some kind of punishment for breaking the music box, even though he did nothing of the sort. Farfalla's fists clench as she walks down the stairs, Felix's cries of pain echoing behind her. This is the last time Nurse Betsey hurts these children, she thinks to herself.Thank you so much for listening.  Join me next week for Chapter 21 – Sea Bird – in which Farfalla uses newfound skills to avenge the Carnifex children.The Skylark Bell is brought to you by Phaeton Starling Publishing and features original music by Cannelle. If you are enjoying this story, please consider leaving a rating or a review, they are both greatly appreciated. You can also support my work by subscribing to Patreon or Ko-Fi, where you get early access to episodes as well as MP3 downloads of the music, artwork, behind the scenes videos and more! You can also find The Skylark Bell exclusive merch on my website, www.theskylarkbell.com. Just check the show notes for all necessary links.Please keep listening for an instrumental version of my song Elliot Under Glass, which was mixed and mastered by Bluestep Audio and features additional instrumentation by Steven Holloway and Anthony Freeman.Once again, thank you for listening – I'm Melissa Oliveri, writer, host and producer of The Skylark Bell Podcast.  Support this podcast at — https://redcircle.com/theskylarkbell/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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Konnichiwa Minnasan, Welcome to episode 167. we're on autopilot this week! But that doesn't mean I did not come empty-handed by rerunning one of my "Classic Smooth Tokyo Episodes" from this podcast Catalog! We're continuing our summer series of my favorite Japanese pop music, and I want to discuss and talk about the famous artists I have liked throughout the years!  This week's episode focuses on the 1st Japanese pop artist I listened to back in 2009: YUI Singer-songwriter/ Lead Guitar of the band Called FLOWER FLOWER! I will take you on a journey to answering all  your Questions about why I love her and Her Music. Enjoy this episode! Music By Lofi Japan, Elijah Nang,  YUI / Flower Flower Albums and songs From Me to You  - Life Can't Buy My Love - Rolling Star, Goodbye Days & Cherry I Loved Yesterday -  Laugh Away My Short Stories/Holidays in the Sun - Again  How Crazy Your Love- Separation & Green alive   Flower Flower-    Mi albums  "Subarashii Sekai   Spotlight album - Inochi Target Album  Aitsu (feat. ミゾベリョウ) Here's the Social Media Info for SpiritGundam and where you can find it: https://www.facebook.com/SpiritGundam/ https://www.instagram.com/spiritgundam/  Enjoy this episode!!! Music by Lofi Japan  Here are all the Info Links to my Podcast episodes, Social Media, https://linktr.ee/Smoothtokyothepodcast! Podcast Merch https://smooth-tokyo-the-podcast.creator-spring.com/  --- Send in a voice message: https://podcasters.spotify.com/pod/show/andrew-harris3/message

Welcome to our Episode #199! We are high-lighting the different lead guitar tones with the pick, or the nails or fingers to add more expression within the melody. Hear what we mean on: "A NEW MESSAGE", "CITY CAKE WALK", "THE NEW STORY", "AT THE FIVE CORNERS" and "OVER THE MOON part one". Enjoy!

On this episode Brian is joined by Liaan and Armando from The Color Blew.Together since 2014, The Color Blew has 65 years of combined experience. They are a four piece outfit consisting of Liaan Horton (Vocals & Rhythm Guitar) Marius Cronje (Bass Guitar) Timothy James Lotter (Lead Guitar) Armando Santos (Drums), based in the East Rand of Gauteng, South Africa, where they rehearse, create, record and produce their music in their own studio located in Springs.Their sound can be categorized as alternative rock grunge and punk influences. Their newer music brings in the bright hues of Jazz and African beats, blended with meaningful lyrics.Find The Color Blew here:https://www.facebook.com/thecolorblewhttps://www.instagram.com/thecolorblew/https://www.youtube.com/TheColorBlewMusichttps://thecolorblew.bandcamp.com/musicFind CTMU here:https://linktr.ee/ConcertsthatmadeusNewsletter: https://concertsthatmadeus.aweb.page/p/f065707b-2e34-4268-8e73-94f12bd2e938If you would like to support the show you can do so by rating/reviewing us on Itunes and Spotify or by signing up at https://www.patreon.com/ConcertsthatmadeusSave 10% on Band Builder Academy membership by following this link https://bandbuilderacademy.com/Brian_Concerts/join and using promo code "concerts" at signup. Become a member at https://plus.acast.com/s/concerts-that-made-us. Hosted on Acast. See acast.com/privacy for more information.

THE BONNEVILLES, A 50's & 60's ROCK n ROLL Band,   In this episode I shall be T talking to the entire line up of the Bonnevilles. We were talking about how they came together and what makes him such a busy band. Also there is a recording of the band at the end of the podcast. 5 piece Band, we've been together for 3 years, as The Bonnevilles, 1 year previous as Reborn 59, Hannah, Denise and Craig were part of Reborn 59, Phil joined as we formed The Bonnevilles, Mike has been with the Band for a year now, Hannah Bowie-Carlin, Lead Vocals. Phil Gilbert, Lead Guitar. Denise Greenwood, Bass Guitar. Mike Emery, Keyboard. Craig Clark, Drums/Vocals. https://www.facebook.com/profile.php?id=100038120736546   The_Bonnevilles@outlook.com   To support the podcast and get access to features about guitar playing and song writing visit https://www.patreon.com/vichyland and also news for all the creative music that we do at Bluescamp UK and France visit www.bluescampuk.co.uk   For details of the Ikaro music charity visit www.ikaromusic.com   Big thanks to Josh Ferrara for the music  

Episode 95 Early Intersections of Rock and Electronic Music   Playlist Frank Zappa, The Mothers of Invention, “The Return of the Son Of Monster Magnet (Unfinished Ballet In Two Tableaus)” from Freak Out! (1966 Verve). Bass, Guitarrón, Soprano Vocals, Roy Estrada; Drums, Jimmy Carl Black; Guitar, Vocals, Arranged By, Written-By, Leader, Musical Director, Frank Zappa; Lead Guitar, Rhythm Guitar, Elliot Ingber; Vocals, Harmonica, Tambourine, Finger Cymbals, Ray Collins. Having been gifted a copy of the Mother's album Freak Out! In 1966, it was apparently this song that stuck in Paul McCartney's mind, inspiring the “Carnival of Light” recording to follow. 12:15 The Beatles, “Carnival of Light” an unreleased track that was commissioned by the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on January 28 and February 4, 1967. Recorded during a session for the song "Penny Lane" in January 1967. Working with the recording studio as a creative tool, this was a project brought to band by Paul McCartney who had been asked by the festival sponsors to create a tape to be featured at the event. It was reported later that McCartney explained the exercise to his bandmates by saying, "This is a bit indulgent, but would you mind giving me 10 minutes? I've been asked to do this thing. All I want you to do is just wander round all of the stuff and bang it, shout, play it." The result was this sound piece. The Beatles were already conditioned for turning out spectacular sound effects in the studio. This was before the Moog Synthesizer came to Abbey Road. Nonetheless, they had access to all manner of guitar effects, echo, reverb, a Mellotron, electronic piano, organ, Lesley speakers and other devices with which to improvise. 13:08 The Riders Of The Mark, “The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg” from The Electronic Insides And Metal Complexion That Make Up Herr Doktor Krieg/Gotta Find Somebody (1967 20th Century Fox). I wish I knew more about this band, but I don't. They had this one single. It has sometimes been included on compilation of psychedelia. Rock music, tape reversal, tape echo, fuzz tones, guitars. 2:13 Pink Floyd, “Interstellar Overdrive” from The Piper At The Gates Of Dawn (1967 Columbia). UK release of the formidable Pink Floyd, then making an impact with their first LP. No synthesizers, but there were electronic rock instruments galore and some imaginative stereo imaging, a benefit of working with tape in those days. Bass Guitar, Vocals, Roger Waters; Lead Guitar, Vocals, Syd Barrett; Drums, Nicky Mason; Piano, Organ, Rick Wright. 9:40 Bernard Parmegiani, “Pop'eclectic (1968)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Parmegiani was one of the lesser-known composers associated with the French musique concrete school, although he was no less prolific in many genres, including electronic music for commercials. He was adept at experimenting across genres, providing musique concrete vividness to works for jazz and rock music. I always find his work to be refreshing and uncluttered by musical cliches. 11:03 (Frank Zappa) The Mothers of Invention, “Are You Hung Up?” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 1:30 Silver Apples, “Velvet Cave” from Silver Apples (1968 Kapp). Composed and Arranged by, Dan Taylor, Simeon; Percussion, Dan Taylor; The Simeon (oscillators, filters), Simeon; Vocals, Dan Taylor, Simeon. “INSTRUCTIONS: Play Twice Before Listening.” This two-man group used a genius combination of drums and oscillators, a match made in heaven. 3:27 (Frank Zappa) The Mothers of Invention, “Nasal Retentive Calliope Music” from We're Only In It For The Money (1968 Verve). Arranged By, Composed By, Conductor, Concept By Conceived, Directed By Executed, Producer, Frank Zappa; Bass, Vocals, Other Asthma, Roy Estrada; Drums, Trumpet, Vocals, Other Indian Of The Group, Jimmy Carl Black; Drums, Vocals, Other Yak & Black Lace Underwear, Billy Mundi; Guitar, Piano, Vocals, Edited By, Other Weirdness, Frank Zappa; Piano, Woodwind, Other Wholesome, Ian Underwood; Saxophone, Other Weirdness & Teen Appeal, Euclid James Motorhead Sherwood; Sounds Snorks, Dick Barber; Voice Creepy Whispering, Engineer, Gary Kellgren; Voice Telephone, Suzy Creamcheese; Woodwind, “Mumbled Weirdness,” Bunk Gardner. 2:03 The United States of America, “The American Metaphysical Circus” from The United States of America (1968 Columbia). While the entire psychedelic scene in America was adding tape manipulation, fuzz tones, and echo to their recordings, The United States of America brought a blend of rock musicianship and serious tape collage work to the fore. The tape effects in their music were not the usual brief hooks or the sake of novelty, but fully composed blocks of electronic and found sounds integrated in the core of their tunes. Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. 5:07 The United States of America, “Hard Coming Love” from The United States of America (1968 Columbia). Electric Bass, Rand Forbes; Keyboards, Electronics, Organ, Piano, Arranged, Electric Harpsichord, Calliope, Joseph Byrd; Lead Vocals, Dorothy Moskowitz; Organ, Piano, Calliope, Ed Bogas; Percussion, Drums Electric Drums, Craig Woodson; Producer, David Rubinson; Violin Electric Violin, Ring Modulator, Gordon Marron. No synthesizers as such, but Tom Oberheim built ring modulators and other devices for them. 4:48 Bernard Parmegiani, “Du Pop À L'âne (1969)” from JazzEx (1999 Plat Lunch). Composed, produced, edited by Bernard Parmegiani. Of special interest on this track is a sampled chunk of a song by the Doors that appears about 6 minutes in, altered and accompanied by editing and effects. This use of sampling speaks to the liberties that musique concrete musicians were taking with found materials. 10:14 Pierre Henry & Michel Colombier, “Prologue,” “Psyché Rock,” “Jéricho Jerk,” and “Teen Tonic” from Mass For Today / The Green Queen (1969 Limelight). Compilation of earlier works first released in 1967. These four works were part of “Mass for Today,” an electronic rock ballet.” This is a decent collection, with selections from other Henry musique concrete works. The electronic sounds and tape effects seem somewhat heavy-handed now, but at that time, this was what one could do without a synthesizer. Henry was already a maestro of musique concrete by that time so it's especially interesting to see what sounds he added without seeming trite or cliched. Réalisation Sonore, Pierre Henry; Written by, Michel Colombier, Pierre Henry. 9:54 Spooky Tooth and Pierre Henry, “Have Mercy” from Ceremony: An Electronic Mass (1969 Island). Bass Guitar, Andy Leigh; Composed by Gary Wright, Pierre Henry; Drums, Mike Kellie; Electronics, Realisation Sonore, Pierre Henry; Lead Guitar, Luther Grosvenor; Lead Vocals, Mike Harrison; Lead Vocals, Keyboards, Gary Wright. 8:10 The Free Pop Electronic Concept, “Pish! Pshaw!” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 4:47 The Free Pop Electronic Concept, “Cosmos Rhythms” from A New Exciting Experience (1969 Palette). From Brussels. Bass, James; Composed By, Recorded by Arsène Souffriau; Drums, Stu Martin; Electric Guitar, Jess; Organ, Scott Bradford; Percussion, Tumba, Vinagre. 3:01 Tommy James and the Shondells, “Cellophane Symphony” from Cellophane Symphony (1969 Roulette). This title track was a rare instrumental from this group normally associated with rock vocal hits. This is the only track in this podcast featuring the Moog Modular Synthesizer. There were certainly other examples of the Moog since it was first used in 1967, but I wanted to choose an example of how the synthesizer could be used by a rock band, rather than a pop artist such as Jean Jacques Perrey or Mort Garson. This is a terrific example that I would bet many of my listeners have never heard before. Tommy James, lead vocals, guitars, keyboards; Eddie Gray, lead guitar, backing vocals; Ronnie Rosman – keyboards, backing vocals; Mike Vale, bass guitar, backing vocals; Pete Lucia, drums, percussion, backing vocals. 9:37 West Coast Pop Art Experimental Band, “As Kind as Summer” from Vol. 3 - A Child's Guide To Good & Evil (1968 Reprise). American psychedelic rock band, formed in Los Angeles in 1965, broke up in 1969. Three teens (brothers Dan and Shaun Harris and their friend Michael Lloyd) teamed up with 30-year old Bob Markley, who got them a record deal with Reprise. Each of their albums was most bizarre, combining hummable pop tunes and spacey production. I included this particular track because it starkly demonstrates the use of tape loops and sound reversal. 1:10 Toshi Ichiyanagi, The Flowers, "Electric Chant” and “The Flowers (内田裕也とザ・フラワーズ)” from Opera "From The Works Of Tadanori Yokoo (1969 The End Record). Composed by Toshi Ichiyanagi and performed by the Japanese rock group The Flowers: Bass, Takeshi Hashimoto; Drums, Joji Wada; Guitar, Vocals, Remi Aso; Percussion, Backing Vocals, Yuya Uchida; Steel Guitar, Katsuhiko Kobayashi; Vocals, Hiroshi Chiba, Kento Nakamura. I'm including two pieces from this opera from 1969. The first, “Electric Chant” is electronic and includes tape collage while the second, “The Flowers” was performed by the Japanese pop rock band The Flowers and is loaded with distortion, echo, feedback, and reverberation, transforming the simple rock format into a discourse in electronic sound. 5:17 & 7:18 Tim Buckley, “Starsailor” from Starsailor (1970 Bizarre). Engineer, Stan Agol; Vocals, Producer, Written by, Tim Buckley. According to Larry Beckett, Buckley's chief lyricist and collaborator, who was there when they recorded this track, Buckley had a basic lyric track to which he recorded 18 additional vocals tracks on top of it. “He didn't write it out as a classical musician does, but it was thoroughly composed.” From the standpoint of rock music, this was more akin to composing with tone clusters than chord progressions. 4:34 Opening background music: Luc Ferrari, “Dialogue Ordinaire Avec La Machine (1984)” from Dialogue Ordinaire Avec La Machine / Sexolidad (2019 Elica). Composed and performed by Luc Ferrari. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Part 2 - After the release of the hugely popular debut self titled album, Baby Animals went on a massive world tour supporting Bryan Adams, Van Halen and Robert Plant on the Shaved And Dangerous Tour . Dave talks about how he dealt with the success. Hilarious story about the last show of the Bryan Adams tour. Eddie Van Halen's love for the band. Performing on David Letterman. The missing years with Baby Animals breaking up in 1996 to reforming in 2007. Playing guitar on Grinspoon's New Detention Album. Filling in on Lead Guitar for The Screaming Jets.  Working on Suzi DeMarchi solo album. Touring with Def Leppard and Live in Australia. @daveleslie64 @babyanimalsmusic www.daveleslie.com.au https://tellcraigyourstory.podbean.com https://www.linktr.ee/tellcraigyourstory @tellcraigyourstory Youtube Channel https://www.youtube.com/channel/UCcCr6P3Ja395SkapnECvOFw?view_as=subscriber #daveleslie #tellcraigyourstory #babyanimals #swignshift #truck #rawbrit #guitarist #suzidemarchi #vanhalen #edwardvanhalen #bryanadams #robertplant #jimmybarnes #coldchisel #richardclapton #grinspoon #rosetattoo #screamingjets #theangels #extreme #inxs #davidletterman #shavedanddangerous #ariaawardwinners #mikechapman #nunobettencort #thisisnottheend #mtv #morecowbell #defleppard #liveband

Get a behind-the-scenes look at the business side of being in a band with Ian D'Sa, guitarist and co-songwriter of Canadian rock group Billy Talent. Ian shares his 30 years of experience navigating the music industry and provides valuable tips on budgeting, hiring lawyers, accountants, and business managers. Learn how to avoid common pitfalls and maintain a successful music career while staying focused on your passion. Tune in now to find out what it takes to make it in the music industry.

COJO's First Lead Guitar Player May Be Someone You Know... Randy Nickerson of Laguna Rod's joins us for stories of his past!See omnystudio.com/listener for privacy information.

All music used with permission by Occidental Gypsy.       It Don't Mean a Think (If it Ain't Got That Swing) - Ellington/Mills Messalina - Feldman Douce Ambiance - Reinhardt Georgia on My Mind - Carmichael/Gorrell Betty's Bossa - Feldman It's Only a Paper Moon - Arlen/Harburg/Rose Minor Swing - Reinhardt Gypsy Blues - Feldman/Bishop/Frantz/Chapman Shine - Mack/Dabney/Brown A Day With Paula May - Feldman Tonight - Feldman/Bishop 44070: Song for Verba - Feldman The House I Live In - Robinson/Meerpol Thriller - Temperton   An Occidental Gypsy show is, without question, the most fun you can have in their native Rhode Island. Their unique blend of gypsy jazz, western rhythms and early swing era vocals have brought them international acclaim.  Every Occidental Gypsy show is a party, and it's every bit as enjoyable as the after party. Featuring Brett Feldman on Lead Guitar, Eli Bishop on Fiddle, Jeremy Frantz on Vocals and Rhythm Guitar, Jeff Feldman on Bass, and Jon Chapman on Percussion, and from a March 31st, 2022 performance it's Occidental Gypsy – Live at the Bop Stop. Live at the Bop Stop is made possible by the Music Settlement – serving Northeast Ohio by offering music instruction – music therapy and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn – create – inspire – and heal.   This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio and the studios of KUNV in Las Vegas, Nevada. Additional production at the Bop Stop is provided by Graham Rosen. Editing for WOBC,WNPA and the Public Radio Exchange is provided by Dr. Pete Naegele - and for our podcast and other radio affiliates by Shawn Gilbert at Gilazar Media.     The executive producer is Daniel Peck – with additional consulting production by Bryan Kennard and Gabe Pollack.   For extended versions of all of our shows –our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link.   Want to Support The Bop Stop?  Donate here!   Contact us here

What's the difference between rhythm and lead guitar? Today, I'll unpack this to help beginners AND provide some clarity for more advanced players. Cyber Week Beginner Course (1/2 off with 7-day FREE trial to the Academy): https://www.playguitaracademy.com/starthereguitar Cyber Week Coaching Intro Special (2 months for over 1/2 off): https://www.playguitaracademy.com/offers/x2agpKfL YouTube PlayGuitarTV: https://www.youtube.com/playguitartv Show notes at: https://playguitarpodcast.com/rhythm-vs-lead-guitar-289/ Copyright ©2022 Play Guitar Academy

From the Buskin with The Beatles episode 'Fab Four Double Tracking'www.patreon.com/BWTB

Legendary Country Music icon Jerry Reed was a monster guitar player.  Some folks probably aren't aware that Jerry Reed, the guy that played the part of “The Snowman” in the 1977 Hollywood movie “Smoky and The Bandit” alongside Burt Reynolds, was not only a great singer and songwriter, he was also simply an uncanny animal with a guitar in his hands.  Let's just say, guitar players in the know, understand and realize just how good Jerry was. So, in 1997 when Jerry was needing to hire a new guitar player for his band, one can only imagine just how high the level of guitar-playing talent must have been for those auditioning for the job. On today's episode of The Troubadour, we're interviewing the guitar player Jerry Reed picked for that position and who played with him until Jerry's passing in 2008. His name is Mark Thornton and he's a multi-talented guitar player, engineer and producer based in Nashville. Mark's Nashville recording studio, Sidekick Sound, was founded in 1994 and since that time it's been graced by great artists like Marty Stuart, Chris Scruggs, the aforementioned Jerry Reed and others. Today, when Mark's not busy recording in his studio he can be found playing around Nashville with his band, “The Sidekicks”.  Or, you may find him driving his 1937 Ford stakebed truck, aka “The Nashville Show Truck”, to a nearby event where the truck operates as a vintage mobile stage for artists to perform on. You can learn more about Mark, his studio Sidekick Sound, and The Nashville Show Truck by visiting www.themarkthornton.com or by clicking on the show notes for this episode at www.thetroubadourpodcast.com . So here comes our visit with the multi-talented musician, engineer and producer, Mark Thornton. NASHVILLE SHOW TRUCK CONTACT MARK BY EMAILING HIM AT:  sidekicksound@yahoo.com How YOU can support the podcast! If you would like to support the podcast AND ALSO earn some free swag in the process  CLICK HERE to sign up as a Gold, Silver or Bronze supporter! You can listen to our wonderful podcast by clicking on any of the following links: The Troubadour Podcast Website, Apple Podcasts, Spotify, Stitcher, Podbean

Karson played lead guitar at his churches Easter service for the first time and he had some nerves. He brought in the audio this morning so we can hear how it went!

Today on the show we hear the audio from Karson's debut performance on lead guitar, Dan got to pick up his first new car ever at the dealership yesterday and had an embarrassing moment and on 4/20 we play a game called weed strain or jam band for Red Sox tickets

3/13/2022STEAM ROOM CONFIDENTIAL - Buy Now - https://amzn.to/3H99OQOSchool of RockSeason 3  - Episode #23SUMMARYTyler dreamt of being a rock star. Playing guitar was his passion, but sadly, life had other plans for his career. One day, while passing a pub, he heard the hard-hitting sounds of a metal guitar. From that day he was hooked. He couldn't decide which turned him on more. The shredding of a killer riff, or the crazy-sexy lead guitarist of the band? One thing was certain- Tyler was going to take lessons and get to know this sexy musician better!JOIN OUR NEWSLETTER: http://eepurl.com/dvR2zjOUR STORE: steamroomstories.com/shopOUR BOOKS The 10 Year Plan (Amazon) https://amzn.to/3stDAw6 Revenge of the BROBOT (Amazon) https://amzn.to/3J8ERhUOUR MOVIESWatch our movies in the Cinema175 Screening Room (cinema175.com/screeningroom/)SOCIAL LINKS Instagram: instagram.com/steamypodcast/ Twitter: twitter.com/steamypodcastFacebook: https://www.facebook.com/steamypodcast Author Website: JCCalciano.com Steamy Stories Website: SteamyStoriesPodcast.comABOUT THE AUTHOR, JC CALCIANOOver his 35-year career, JC has worked in nearly all corners of the entertainment business: from major studio blockbusters, independent features, and reality television to documentaries, music videos, webisodes, and theater.In 2010, JC founded Cinema175, an entertainment production company under which he produces, writes and directs projects that predominantly focus on LGBTQ comedy and romance genres.JC spends his personal time mentoring other filmmakers and serving as a film professor at UCLA's film school.ABOUT STEAMY STORIESSteamy Stories podcast is a gay podcast where bromance becomes bromosexual. Steamy Stories is an LGBTQ and gay podcast about gay love, friendship, and hookups. If you're looking for a podcast where you'll hear stories about hot and sexy gay men finding love in a new and titillating way every month, then please tune into Steamy Stories.EPISODE CREDITSSTEAMY STORIES is written by JC Calciano, the creator of STEAM ROOM STORIES, and narrated by Casey Alcostor.   THANK YOU for listening!#podcast #applepodcasts #lgbtq #gaystories #gayshorts #gaykiss #mmromance Support the show (https://www.paypal.com/paypalme/cinema175)Support the show (https://www.paypal.com/paypalme/cinema175)

On this episode I am joined by musician and author Mickey Leigh! A staple in New York City music since the 1970's playing in bands like The Rattlers and Stop, Mickey's latest group Mickey Leigh's Mutated Music recently dropped their debut record Variants of Vibe. We discuss new music as well as-Goals for Mutated Music-Having Steven Van Zandt release your bands new record-Mickey's songwriting approach-Seeing he and brother Joey Ramones lives reenacted on the big screen as his book I Slept With Joey Ramone gets adapted into a Netflix movie-The great undertaking of writing a book and if he could see himself ever doing it again-The added responsibilities of being the sole guitarist in a band-If New York City surroundings shape the sound of his music-Finding creative inspiration in others lives and journeys and not just sticking to what you know-Being the most critical of your own work and why musicians are never 100% happy with the final product-What goes in to putting together the Joey Ramone Birthday Bash every year (and his plans for this year)-The ever changing music industry-The feeling he gets from playing Ramones songs on stage with Richie and CJ and much more!Follow Mickey Leigh/Mutated Musichttps://mickeyleigh.comhttps://mickeyleighsmutatedmusic.bandcamp.com/album/variants-of-vibehttps://www.youtube.com/user/OfficialMickeyLeighhttps://www.instagram.com/mickeyleighnyc/?hl=enhttps://www.facebook.com/MickeyLeighhttps://twitter.com/MickeyLeighNYCCheck out the Power Chord Hour radio show every Friday night at 10 to midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.powerchordhour@gmail.comInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_Mg