Podcast appearances and mentions of Harold Faltermeyer

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Played Dance Classics/Hindi Bhangra/RnB/Boogie/Hip Hop/Remixes With Kashif, Anthony Franklin, Trax Allstars Feat Renee - "Object", Dynasty, Galaxy - "What Do I Do" (Carnival Mix), KC & The Sunshine Band, Alka Yagnik & Hariharan - "Bahon Ke Darmiyan", Harold Faltermeyer, Cherrelle, Direct Drive, Hillside, Prime Time, Collage, Dazz Band, Shreya Ghoshal - "Wada Raha" & More #originalpirates #danceclassics #hindi #bhangra #remixes #boogie #80svibes #90svibes #reggaemusic Catch The Pacman Live Every Monday From 9:00 PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Series, películas… de Quincy, de Lalo, de Isaac Hayes, de Ennio Morricone o de Nino Rota. Policías, ladrones, detectives privados, gangsters… De “El Padrino” a “Superdetective en Hollywood” pasando por “Shaft”, “Coffy” o “Jackie Brown”, “Misión Imposible”, “La Huída”, “Ironside”, “Colombo”, “Kojak”, “Banacek”, “Hawaii 5-0”…  DISCO 1 ISAAC HAYES Theme From Shaft (6) DISCO 2 WILLIE HUTCH Theme From Foxy Brown (2) DISCO 3 ROY AYERS Coffy Is The Color (CAN YOU DIG IT - CD 1 - 1)  DISCO 4 QUINCY JONES & TOOTS THIELEMANS Love Theme Frome “The Getaway” (YOU’VE GOT IT BAD - 4) DISCO 5 QUINCY JONES Theme From “Ironside” (SMACKWATER JACK - 3) DISCO 6 MIKE POST Hill Street Blues TVE GREATEST HITS- Car 2 Core 3)  DISCO 7 JOHN BARRY ORCHESTRA James Bond Theme (1) DISCO 8 ADAM CLAYTON/ LARRY MULLEN/LALO SHIFFRIN Theme From “Mission Imposible” (1) DISCO 9 LALO SCHIFRIN Dirty Harry Main Title (ESCA) DISCO 10 LALO SCHIFRIN The First Snowfall (BULLITT- 13)  DISCO 11 LALO SCHIFRIN Mannix (Cara 1 Corte 1) DISCO 12 HAROLD FALTERMEYER Axel F (From "Beverly Hills Cop" Soundtrack) (Cara 2 Corte último) DISCO 13 APOLLO FOUR FORTY Charlie’s Angels (14) DISCO 14 JAMES NEWTON HOWARD Theme From “The Fugitive Movie” (5) DISCO 15 ENNIO MORRICONE The Untouchables End Titles (Cara 1 Corte 1) DISCO 16 NINO ROTA The Godfather Waltz (Main Title) (1)Escuchar audio

En ce samedi 5 octobre, souhaitons un très bon anniversaire à la chanteuse Caroline Loeb, aux comédiens Kate Winslet et Jesse Eisenberg, au DJ Philippe Corti, au chanteur Jean-Jacques Lafon ,à l'animatrice Alessandra Sublet, au compositeur Harold Faltermeyer , aux comédiennes Karen Allen et Laura Gemser et au chanteur du groupe AC/DC Brian Johnson. Et si on tentait d'appeler Sophie Favier pour lui fêter le sien ? Ecoutez L'anniversaire de stars avec Vincent Perrot du 05 octobre 2024.

Zach Robinson returns to Beyond Synth to chat about making the music for the final season of Cobra Kai. Zach and his musical partner Leo Birenberg have been busy dudes having also worked on the Twisted Metal series and winning an Emmy for their work on Weird: The Al Yankovic Story. Zach and Andy chat about supportive teachers, finding cool musical collaborators on instagram, The Matlock Reboot, and working with Sunglasses Kid and Tim Capello on some Cobra Kai tracks. Zach also recalls hanging out with Paul Hertzog, Harold Faltermeyer and playing live with Vince DiCola! You can check out Zach Robinson here: https://www.instagram.com/zrobusa/ https://open.spotify.com/artist/1jesNA0xWqXtanMVTB1EMp https://zachrobinsonmusic.com/sounds https://soundcloud.com/dadmusic https://dadmusic.bandcamp.com/album/the-construct If you like what you're hearing you can support Beyond Synth on Patreon: www.patreon.com/beyondsynth or PayPal: www.paypal.com/paypalme/beyondsynth Today's Playlist: Cobra Kai Season 5 - “Actions Have Consequences” Cobra Kai Season 3 - “Miyagi Metal” Cobra Kai Season 4 - “It's Karate Time” Cobra Kai Season 4 - “Mecha-Robby” Cobra Kai Season 5 - “White Lightning” Cobra Kai Season 5 - “Cleanin' For The Boys” Cobra Kai Season 6 - “Heart of the Cobra”

En el episode de hoy regresa mi querido hermano Carlos para hablar de la fascinante historia de Julio César.  Colaborador: Carlos Espí Forcén, Profesor Titular de Historia del Arte, Universidad de Murcia.  Imagen: Julio César, retrato de Tusculum (retrato hecho en vida) Música: Max Richter: Sunlight; The Wanderer; To The Stars. Harold Faltermeyer and Hans Zimmer: Top Gun: Maverick, BSO. 

Forty years after the film Beverly Hills Cop (1984), Detroit police detective Axel Foley (Eddie Murphy) returns for the fourth installment in the Beverly Hills Cop film series. After being burned by Eddie's legacy sequel Coming 2 America (2021), we were cautious about Beverly Hills Cop: Axel F. We share our love for Eddie in the opening, along with Harold Faltermeyer, who composed the great "Axel F" theme song. This movie was released on Netflix, where it quickly rose to the most-watched film. Many older actors returned for this one, including Judge Reinhold, John Ashton, Paul Reiser, and Bronson Pinchot as Serge. The film also stars Joseph Gordon-Levitt, Kevin Bacon, and Taylour Paige as Axel's daughter. The film is directed by first-time director Mark Molloy. We tried to bring some love and light to this one!

Thank you for coming, my friends. The moment is at hand because Wes Mattice returns to the podcast this week! So come check out some listener feedback, discuss some comics recommendations and read Baltimore: The Red Kingdom! No wonder the library at Alexandria burned.  03:39 - Listener Feedback 15:50 - Whaddya See, Whaddya Say? 25:47 - Baltimore: The Red Kingdom part 1   Bill the Platypus Kickstarter by Ross Radke http://kck.st/3zHps7P After Realm Kickstarter by Oeming https://t.co/bFYe9mGMkD John Allison discusses Homicide Baking in "The Great British Bump-Off" with Mark Tweedale  http://www.multiversitycomics.com/interviews/allison-discusses-great-british-bump-off/ "Istanbul not Constantinople," by They Might Be Giants, "Axel F," by Harold Faltermeyer & "Dracula's Castle," by Nox Arcana used for educational purposes only Social Media Banner by Matt Strackbein https://linktr.ee/TheLetterhack  Logo by Ross Radke https://www.rossradke.com/   opening and closing theme by https://onlybeast.com/ 

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“The Omega Man” (Boris Sagal, 1971)“The Last Movie” (Dennis Hopper, 1971)“The French Connection” (William Friedkin, 1971)“The Last Picture Show” (Peter Bogdanovich, 1971)“The Big Boss” (Lo Wei, 1971)“Duck, You Sucker!” (Sergio Leone, 1971)“Fiddler on the Roof” (Norman Jewison, 1971)“Duel” (Steven Spielberg, 1971)“The War Game” (Peter Watkins, 1966)“THX 1138” (George Lucas, 1971)“The Hunger Games” (Gary Ross, 2012)“Oppenheimer” (Christopher Nolan, 2023)“Natural Born Killers” (Oliver Stone, 1994)“Man Bites Dog” (Rémy Belvaux, André Bonzel, and Benoît Poelvoorde, 1992)“2001: A Space Odyssey” (Stanley Kubrick, 1968)“Running Man” (Paul Michael Glaser, 1987)Audio quotation:“Punishment Park” (Peter Watkins, 1971)“The Running Man Revolution End Credits” from “The Running Man” (Paul Michael Glaser, 1987), written by Harold Faltermeyer, https://www.youtube.com/watch?v=rl73wrJU1nw&list=PLk83Uk_KUSSfJjwF0oZnhaESCw2cG9j0t&index=18 

Today, the new Beverly Hills Cop: Axel F movie has dropped on Netflix, and in honor of that, Matt and I decided to dive into the iconic theme song "Axel F," written by Harold Faltermeyer. This breakdance-inspired instrumental not only became a Top 5 hit but also defined the sound of the '80s. We explore the artistry behind this unforgettable tune, marvel at the intense talent of composer Harold Faltermeyer, and try to pinpoint the last time an instrumental song topped the charts. Join us as we celebrate this synth masterpiece and its lasting impact on both music and pop culture, just in time for Eddie Murphy's triumphant return as Axel Foley. One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Faltermeyer kam aus Bayern nach Los Angeles. Bald war er einer der angesagtesten Musikproduzenten Hollywoods! Sein "Axel F" wurde der Titelsong zum Kinofilm "Beverley Hills Cop". Komplett elektronisch erstellt mit Keyboards - das hatte es bis dahin noch nie gegeben. Ein Welthit! 

Cuando se habla de algo como "apocalíptico", tiene poco que ver con lo que la Biblia llama Revelación o Apocalipsis. Sugiere ruina y destrucción, algo que produce auténtico terror. El mensaje de Jesús en el Evangelio, sin embargo, es que cuando confiamos en Él, no debemos temer el final... ¡Él viene para salvarnos! Al principio de este capítulo 21, Lucas contrasta el orgullo y la hipocresía de la religión de los ricos y poderosos, con el ejemplo de generosidad que la gracia produce en una pobre viuda (vv. 1-4). El compositor británico con el matrimonio de los Getty en Irlanda del Norte, de algunos de los cánticos de alabanza con mayor profundidad doctrinal como "Sólo en Cristo", Stuart Townend, tiene una modesta obra en solitaria, más cercana al folk y la música celta. En "Vida sencilla" (Simple Living 2011) pone música a este episodio del Evangelio con la voz de Kate Rusby. El anuncio de Jesús de la destrucción del Jerusalén (vv. 7-24) inspira al veterano cantante de "country" y actor Randy Travis. Tras una juventud salvaje se vuelve al "gospel" en los últimos años con temas como este "Llanto de Jerusalén" (Jerusalem´s Cry 2002). El Templo será destruido (vv- 5-6), pero Dios levanta con Cristo Jesús, una "Iglesia no hecha de manos" (Church Not Made With Hands 1984), como canta Mike Scott de los escoceses Waterboys en su segundo álbum, "Un lugar pagano" (A Pagan Place). El disco toma el título de una novela de la irlandesa Edna O´Brien, después de las claras declaraciones de fe de su primer álbum, como "Diciembre" (December 1983). Si hay un película del género de catástrofes que ahora llaman "apocalíptico" con título bíblico, esa es "Armageddon" (1998). El graduado de la Universidad Wesleyana, Michael Bay plantea la amenaza de una "señal del cielo" como las que habla Jesús (v. 11), un enorme asteroide que amenaza destruir el planeta Tierra. Escuchamos algunas escenas dobladas del principio de la película, que José de Segovia comenta con las bandas sonoras de Trevor Rubin y otra película del principal colaborador de Bay, el productor de origen judío alemán, Jerry Bruckheimer, "Top Gun Maverick" por Harold Faltermeyer. La profecía de la destrucción de Jerusalén en el año 70 d.C. está unida aquí al anuncio de la llegada del Juicio con la segunda venida de Cristo como el Hijo del Hombre (vv. 25-38). Señales como estas apuntan al fin, pero no llega todavía con ellas. El regreso de Jesús es inminente en el sentido de que puede ocurrir en cualquier momento, pero no sabemos cuándo. Debemos mantenernos despiertos y vigilantes (v. 36), pero no tener miedo, porque Dios está al control y nos trae en Cristo, la liberación. El músico británico Norman Barratt (1949-2011) de la banda de "rock progresivo" Gravy Train vivió una conversión dramática al cristianismo en los 70, que le llevó después de formar parte de la banda de Alwyn Wall a crear su propio grupo en 1980. Esta "Voz en la noche" (A Voice In The Night 1981) tiene el aire "sinfónico" y la dramática voz del mejor Barratt. Habla del "Hombre en la Cruz", cuyo Reino traerá la caída de cualquier otro poder. Sus estructuras pueden parecer impresionantes y que durarán para siempre, pero son como las ruinas de civilizaciones antiguas. Sueñan con la inmortalidad, pero como el imperio babilónico, azteca, romano o estadounidense, tienen los días contados. "El Mesías tomará el poder a la fuerza", canta Larry Norman en uno de sus temas más "políticamente incorrectos" al final de su vida, "Messiah". La escuchamos esta vez en una versión en vivo en Noruega en 1991.

An indelible synth theme by Harold Faltermeyer. A scene-stealing turn from Bronson Pinchot. A banana in a tailpipe. EDDIE FREAKING MURPHY. It's no wonder that Martin Brest's Beverly Hills Cop is one of the most beloved action comedies (and still the highest-grossing R-rated film adjusted for inflation). We couldn't be more thrilled to have two of the hottest action directors in Hollywood - Bad Boys: Ride or Die's Adil & Bilall - join us to talk about Brest's blockbuster second feature, bringing all the expertise from their years spent developing Beverly Hills Cop 4. We're getting into the Stallone of it all, the Simpson/Bruckheimer of it all, the Judge Reinhold of it all - while also taking some time to unpack the specific nuances that Brest brings as a director (as opposed to Tony Scott's take on the sequel). And….yes. We talk about BATGIRL. This episode is sponsored by: Bombas (bombas.com/check CODE: CHECK) MUBI (mubi.com/blankcheck) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! 

Beverly Hills Cop III – Retrospective. Join hosts Trevor and Jason as they discuss the 1994 Box-Office flop with Eddie Murphy, Judge Reinhold, Hector Elizondo, Theresa Randle and George Lucas Debate/Conversation Topic: An in-depth discussion of Beverly Hills Cop 3 , including detailed plot breakdown, historical relevance, critical reaction, and merchandising. Alex F., Harold Faltermeyer, John Landis. Plus much more, tune in now!

Also, nennt doch mal ein paar berühmte Filmkomponisten! Hans Zimmer, Harold Faltermeyer… und klar: Larsi Pilami! Mein heutiger Gast, der bürgerlich Lars Hempel heißt, wird den meisten Hörern wahrscheinlich nicht sofort etwas sagen. Es sei denn, man ist auf TikTok, Instagram und YouTube zuhause und liebt großartige, sehr lustige Unterhaltung. Hier nämlich hat der Hamburger Filmkomponist sein Fenster zur Welt und erfreut seine Fans mit Videos, in denen er (meist) (sehr) verpeilte Gen-Z-Gören in vermeintlich schwierigen Lebenslagen mit Impromptu Musik-Unterlegungen quasi unter die Arme greift und der Verzweiflung in akuten Lagen mehr Dramatik verleiht. Denn wenn der Freund erstmal das ganze Pesto allein aufgegessen hat, dann können bittere Tränen fließen und zarte Herzen bersten. Das Ganze ist schwer an Komik zu überbieten - und kann (Vorsicht!) eventuell süchtig machen. Es gibt also viel zu besprechen über das Leben und den Beruf eines leidenschaftlichen Künstlers, der die moderne, mediale Welt ohne Vorbehalte umarmt und sich dadurch viele Türen in einem von außen betrachtet schwierigen Business geöffnet hat. Lars Hempel auf Social Media: YouTube: https://www.youtube.com/channel/UCjXpkVFcvLOnnJND6WDpC5w Instagram: https://www.instagram.com/larsi.pilami/ TikTok: https://www.tiktok.com/@larsi.pilami Diese Folge wird präsentiert von: **RABOT Charge** Erlass der Servicegebühr von Rabot Charge in Höhe von 4,99€/pro Monat für die ersten 6 Monaten mit dem Code: RABOTxDASZIEL https://t1p.de/rabotxdasziel Mehr über den Podcast: FB: https://www.facebook.com/daszielistimweg Instagram: https://www.instagram.com/andreas.loff

Your long nightmare is over... as the Summer Movie Preview has returned!  Finally, Mikey, d$, and #XLessDrEarl give the dish, the skinny, the 411 if you will, on many of the upcoming films over the next few months!  With Anya Taylor-Joy set to ride the desert while Daisy Ridley swims the ocean, Will Smith Rides or Dies or Slaps, and Glen Powell has his big summer, and Harold Faltermeyer returns, and Dave Bautista goes soft... and Mikey not only Licks the Guest, but he also swoons over Costner... and much more!  Plus, InternationEarl pays off!  The Good Doctor himself gives his rankings of the foreign films assigned to him. And the first update of the Movie Auction held in Episode 614

"Bad Girls" war 1979 das siebte Studioalbum von Donna Summer und wurde das erfolgreichste Album der amerikanischen Sängerin. "Bad Girls" war das erste Album von Donna Summer, das es in Amerika bis auf Platz 1 der Billboard Charts schaffte und sich fast ein Jahr in den Albumcharts halten konnte. Auch bei uns in Deutschland war "Bad Girls" ein voller Erfolg: Bis auf Platz 7 schaffte es ihr Album bei uns und konnte sich dort knapp ein halbes Jahr halten. Und obendrauf gab es für den Song "Hot Stuff" auch noch einen Grammy. Donna Summer war mit ihren Songs übrigens die erste weibliche Künstlerin, die es geschafft hat, zwei Singles gleichzeitig in den Top 10 der Billboard Hot 100 zu platzieren. Im Juli 1979 fiel ihr Song "Hot Stuff" von Platz eins auf Nummer zwei, dafür stieg die Nachfolgesingle "Bad Girls" auf Platz drei hoch. Der Song "Hot Stuff" vom Album war nicht nur die erste Single des Albums, die ausgekoppelt wurde, sondern ist auch der erfolgreichste Song vom Album geworden. Aber die Platte hat deutlich mehr zu bieten als nur diesen einen "Überhit". Das ganze Album "Bad Girls" wurde von vielen Musikkritikern weltweit hoch gelobt. Da reihen sich auch die SWR1 Musikredakteure gerne ein und outen sich als echte Donna-Fans: "Es ist eine Platte für die Ewigkeit. Es ist das beste Diskoalbum seiner Zeit", sagt zum Beispiel SWR1 Musikredakteur Dave Jörg. Das Besondere an Donna Summer war nicht nur, dass sie eine tolle Stimme hatte, sondern dass sie als Schauspielerin auch die Fähigkeit hatte, für ihre Songs in unterschiedliche und für den Song passende Rollen zu schlüpfen, erklärt SWR1 Musikredakteurin Nina Waßmundt im Podcast. Donna Summer war nicht nur eine unglaublich gute Sängerin mit einer gewaltigen Stimmkraft, sondern auch eine extrem gute Songwriterin und Texterin, die den Produzenten im Studio "ebenbürtig" war, wie Dave Jörg im Podcast betont. Was für eine tolle Texterin sie war, das beweist sie auch im Song "Bad Girls", der zwar gut gelaunt klingt mit einem tollen Diskobeat, aber im Text wird sie da durchaus sehr kritisch. Nach einem Vorfall, bei dem eine Kollegin von der Polizei schikaniert und fälschlicherweise für eine Prostituierte gehalten wurde, macht Donna Summer ihrer Wut über das rassistische Vorgehen der Polizei in diesem Song Luft. "Sie hat sich sehr über die Doppelmoral der Leute aufgeregt in dem Song. [...] Auf der einen Seite zerreißen sie sich so das Maul über die "bösen Mädchen" und bemitleiden sie auch ein bisschen, so von oben herab und auf der anderen Seite wollen sie auch was von ihnen und das hält sie ihnen [...] auch vor", erzählt SWR1 Musikredakteurin Nina Waßmundt. Neben der Musik hat Donna Summer, wie zum Beispiel auch Madonna, stark für ihre Selbstbestimmung im männerdominierten Musikbusiness gekämpft und damit auch den Weg geebnet für später Künstlerinnen und ist ein echtes Vorbild geworden. Neben Donna Summer waren auch die beiden Pioniere der elektronischen Musik an dem Album beteiligt: Giorgio Moroder und Harold Faltermeyer. Ein Hauptgewinn für ein Album, das natürlich sehr stark durch elektronische Elemente wie Synthesizerrhythmen und -melodien lebt. Der musikalische Weg von Donna Summer beginnt, ähnlich wie auch der von Whitney Houston, im Kindesalter im Kirchenchor. Und schon dort hatte Donna Summer einen "Erweckungsmoment", wie SWR1-Musikredakteurin Nina Waßmundt es im Podcast beschreibt, denn die junge Donna konnte selbst kaum glauben, was für eine gewaltige Stimme da aus ihrem Körper rauskam. Dieser Moment war für Donna Summer höchst emotional. Neben der Gospelmusik aus der Kirche hat Donna Summer aber auch schon früh angefangen, zum Beispiel Musik von Rocksängerin Janis Joplin zu hören und das hört man auch auf ihrem Album "Bad Girls". Einer ihrer ersten professionellen Schritte in der Musik hat in Deutschland stattgefunden, genauer gesagt in München. Dort hat sie als 19-jährige Sängerin im Musical "Hair" gesungen, passenderweise natürlich die Rolle der Donna. Von einem wirklich internationalen Erfolg konnte man bei der deutschen Version von Hair natürlich noch nicht sprechen. Internationale Beachtung gab es dann für Donna Summer erstmal 1975 mit dem verruchten Song "Love to Love You, Baby". __________ Über diese Songs vom Album "Bad Girls" wird im Podcast gesprochen (14:18) – "Hot Stuff" (29:12) – "Bad Girls" (38:25) – "Dim All the Lights" (1:00:13) – "All Through the Light" (1:04:43) – "Our Love" __________ Über diese Songs wird außerdem im Podcast gesprochen (07:16) – "Haare" gesungen von Donna Summer (09:28) – "Love to Love You, Baby" von Donna Summer (10:38) – "I Feel Love" von Donna Summer (36:55) – "Bang Bang" Joe Cuba (43:00) – "Enough is Enough" von Donna Summer und Barbra Streisand (1:07:44) – "Blue Monday” von New Order __________ Shownotes Album Review zu "Bad Girls" aus dem Rolling Stone: http://www.rollingstone.com/artists/donnasummer/albums/album/233978/review/5946581/bad_girls Bildergalerie über Donna Summers Leben: https://www.hollywoodreporter.com/gallery/donna-summer-death-career-pictures-326135/6-religion/ Donna Summer auf YouTube: https://www.youtube.com/@RealDonnaSummer/featured TAZ-Interview mit Georgio Moroder zu seiner Karriere: https://taz.de/Giorgio-Moroder-ueber-seine-Karriere/!5025680/ Harold Faltermeyer bei SWR1 Leute: https://www.swr.de/swr1/swr1leute/top-gun-axel-f-musiker-harold-faltermeyer-100.html ARD Podcast-Tipp: "Zeitzeichen": https://www.ardaudiothek.de/sendung/wdr-zeitzeichen/33514748/ Die SWR1 Meilensteine über die im Podcast gesprochen wird: https://www.swr.de/swr1/rp/meilensteine-podcast-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

In dieser Folge spreche ich mit Jochen Veith, einem renommierten Studiobauer mit über 35 Jahren Erfahrung. Jochen hat Studios für prominente Persönlichkeiten wie Harold Faltermeyer, Stefan Raab und Walt Disney entworfen. Im Podcast teilt er Einblicke in seine Arbeit und gibt wertvolle Tipps zum Studiobau, von der Raumakustik bis zur technischen Infrastruktur. Das Gespräch deckt auch Themen wie begrenzte Budgets für Heimstudios, die Bedeutung der richtigen Materialien und Akustikelemente sowie häufige Fehler bei Eigenbau-Projekten ab. Erfahre mehr über Jochen Veiths beeindruckende Referenzen und seine Expertise in der Gestaltung von akustischen Räumen für Musikproduktion, Kinos und mehr. Hier seht ihm mein neues Studio: https://youtu.be/siBUkyQuIZA MUGENT: https://www.mugent.com

Recognising it often takes more than two Pet Shop Boys to change a lightbulb, Graham and Chris go In Depth on PSB musical collaborations. From Bobby O's Passion to Harold Faltermeyer's abattoir, producers and remixers past, present and future come under the podcast microscope. There are deep-dives on Dusty and Electronic, and tales of Glastonbury and Hyde Park before, to conclude the season, Graham and Chris curate Disco 5 and pick a fight with Noel Gallagher as a result. You can get additional content on our socials: You can follow us on social media via our new Facebook page: http://tiny.cc/3jhcvz or on X: http://tiny.cc/5jhcvz You can support the podcast by buying a t-shirt here: in-depth.teemill.com  

Brixx - Erotomania (feat. Kim Little) from the 2023 album Erotomania on SYNTHICIDE This week's Song of the Day picks were chosen by Sharlese, in honor of Halloween. For more dark sounds in various wave and synth genres, check out her show Mechanical Breakdown, Friday nights/Saturday mornings from 1-3 AM PT.  Melbourne, Australia-based DJ, producer, and composer Brixx teams up with Kim Little aka Hnymlk on today's Song of the Day. The single comes off Brixx's latest LP, Erotomania, which was inspired by film scores from Wang Chung's soundtrack for To Live and Die in L.A. to cinematic composers Harold Faltermeyer, Brad Fiedel, and Claudio Simonetti. “I wanted to create a soundscape that was an amalgamation of the musical palette defined by these films — icy synths, gated drums and arpeggiated bass,” Brixx says in a press statement. “The challenge was to create instrumental pieces I could imagine in such a film, and then to use the defining elements of these scores to create music that could also be played on a dancefloor.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Die Bedeutung künstlicher Intelligenz in der Musikproduktion wächst rasant. Zusammen mit Uli Fischer, der viele Jahre mit Harold Faltermeyer zusammengearbeitet hat, präsentieren wir in diesem Podcast einen umfassenden Überblick über die führenden AI-Tools, die die Musikproduktion revolutionieren. Entdeckt mit uns, wie KI die Musikbranche transformiert und welchen Einfluss sie auf die Art und Weise hat, wie wir Musik schaffen und erleben. MUGENT: https://www.mugent.com XO by XLN https://www.xlnaudio.com/products/xo Ubderduck https://www.uberduck.ai/ Samplette https://samplette.io/ findet Songs zum Samplen Convert: MusicFyAI Vocals: https://create.musicfy.lol/?ref=mha https://musicfy.lol/ Gesang von Musik trennen: LALAL.AI Izotope RX7: https://www.izotope.com/en/learn/rx-7-elements-overview-audio-repair-for-music-and-post.html Snyplant 2: https://soniccharge.com/synplant Playphrase https://playphrase.me/ Sucht nach O-Tönen in einer Datenbank Landr https://www.landr.com/de/preise/mastern/?utmsource=google&utmmedium=paidsearch&utmcampaign=salesplatformdeintllandr&utmterm=landr%20mastering&utmcontent=659937963550&gad=1&gclid=CjwKCAjwrranBhAEEiwAzbhNtZu6Uz6b9L3SzCEFkyi43vs3vnroZtWG6Hd5MN75xbs6CEKqXzwBoCCbMQAvD_BwE

Der Musiker und Komponist Harold Faltermeyer feierte seinen Durchbruch in den 80ern mit Soundtracks zu Filmen wie dem Eddie-Murphy-Klassiker "Beverly Hills Cop" oder "Top Gun".

Do you love 1980s pop culture and hate silence? Then you'll love 1980s Now.Each week, the 1980s Now podcast examines the importance of 1980s pop culture and its influence today.We speak with the 1980s icons we grew up loving, like: Ernie Hudson, Taylor Dayne, Elvira, Sir Mix-A-Lot, Dee Wallace, Harold Faltermeyer, and many more.And every week we discuss current news related to 1980s media.Plus, there's often a surprise game too.So, if you love 1980s pop culture, you don't also need to miss it.You can have your 1980s Now.

Tony Scott's 1986 classic Top Gun is a definitive movie for its superstar lead, Tom Cruise. While he's had (arguably) the best run of any movie star on the planet, Top Gun's lead, Maverick, remains the part many of his fans identify him the most with. It took thirty-six years, but Cruise finally has a sequel ready with Top Gun: Maverick and the reviews so far have been outstanding. But, in a bittersweet twist, two of the men who made the film such a smash have since passed away. Uber-producer Don Simpson died in 1996, while Tony Scott died a decade ago, in 2012. In this episode of WTF Happened to this Movie, we dig into the history behind Top Gun, including how Cruise was cast and his tense relationship with leading lady Kelly McGills and friendly adversary Val Kilmer. We also get into the real-life training many of the actors playing pilots had to undergo, including Anthony Edwards, who played the loyal but doomed Goose. And, of course, we dig into that iconic soundtrack, which included Kenny Loggins' Danger Zone, Berlin's Take My Breath Away and composer Harold Faltermeyer's Top Gun Anthem. All of these elements made this the classic it is today, as we reveal in WTF Happened to Top Gun!

Intro song: "Tango: Por Una Cabeza" by John Williams & Itzhak Perlman (from Scent of a Woman)20. "The Pink Panther Theme" by Henry Mancini (from The Pink Panther)19. "Rey's Theme" by John Williams (from Star Wars Episode 7: The Force Awakens)18. "Oogway Ascends" by Hans Zimmer & John Powell (from Kung Fu Panda)17. "Test Drive" by John Powell (from How to Train Your Dragon)16. "Top Gun Anthem" by Harold Faltermeyer & Steve Stevens (from Top Gun)Outro song: "Now We Are Free" by Hans Zimmer, Lisa Gerard, et. al. (from Gladiator)Vote for your favorite theme from today's episodeAnd if you haven't yet:Vote on Episode 1

Intro song: "20th Century Fox Fanfare" & "Cantina Band" by John Williams (from Star Wars)25. "End Credits" by Michael Giacchino (from Star Trek)24. "The Ludlows" by James Horner (from Legends of the Fall)23. "The Battle" by Harry Gregson-Williams (from The Chronicles of Narnia: The Lion, The Witch and The Wardrobe)22. "Axel F" by Harold Faltermeyer (from Beverly Hills Cop)21. "End Credits" by Dario Marianelli (from Pride and Prejudice)Outro song: "Main Title" by Max Steiner (from Gone With the Wind)Vote for your favorite theme from today's episode

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We step into 1984 with a true children's classic that was bound to scar so many young minds. Because this week's movie is a meditation on grief, loss, and how we intertwine with stories to help heal, and it's also full of really cool practical special effects. But while our director may have made the greatest submarine movie of all time, his ability to sort through the nuances of a really beautiful story was kind of a mess. For a 90 minute movie, this drags, and it's not only because the story is lost in translation. Yet the real travesty is missing the second half of the story, which pulls everything full circle in a truly beautiful, wonderful way. Grab a hold of Falcor and get ready to ride as we talk about The NeverEnding Story this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Misogyny, murder, STDs. 1985's movie is perhaps the role Chevy Chase was born to play. Imagine a man with a shoestring disguise budget, the affable charm of the mediocre white man, and an absolute disdain for everyone around him. That's Irwin Fletcher, and Chevy is absolutely fantastic in the role. Unfortunately, Hollywood couldn't escape the thought that they needed to make a silly comedy and not a sarcastic send-up of noir. This movie needed to let Chevy be Chevy and turn on all of his sarcastic charm. Instead, it relies a bit too much on bits, ignoring the mystery structure, and the one-liners outshine the fun of the characters. Splurge on some 49-cent fake teeth as we talk about Fletch this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc. Excerpts taken from the movie Fletch, copyright 1985 Universal Studios. All Rights Reserved. Excerpt taken from “Opening Title Theme” from the soundtrack to the movie Crocodile Dundee, written and composed by Peter Best. Copyright 1986 Paramount Pictures Corporation; Best Results Pty. Ltd.

In the fifth episode of season nine, or the 53rd episode overall, and the SEASON FINALE until 2024, Kevin welcomes comedian and co-host of The Bechdel Cast, Caitlin Durante, and the two discuss Caitlin's love of film, and a handful of songs that were used impactfully on the big screen. Take a listen to Caitlin's "Cool Songs From Cool Soundtracks From Cool Movies" playlist here; listen to her podcast The Bechdel Cast, which is updated every Thursday, and follow her on Instagram or Twitter. For additional information about Anhedonic Headphones, please click here; or follow Kevin on Instagram and on Twitter.  Musical Credits: Intro Music- "Hip 2 Da Game" (Instrumental) performed by Lord Finesse. The Awakening: 25th Anniversary Edition, Tommy Boy, 2021. Closing Music- "Buck 'Em Down," performed by Black Moon. Black Moon: Instrumentals, Fat Beats, 2017.  "The Power of Love," written by Hugh Anthony Cregg III, Chris Hayes, and Johnny Colla; performed by Huey Lewis and The News. Back To The Future: Music From The Motion Picture, MCA, 1985. "My Heart Will Go On," written by Will Jennings and James Horner; performed by Celine Dion. Titanic: Music From The Motion Picture, Sony, 1997. "I'm A Believer," written by Neil Diamond; performed by Smash Mouth. Shrek: Music From The Original Motion Picture, Interscope, 2001. "Hot Stuff," written by Pete Bellotte, Harold Faltermeyer, and Keith Forsey; performed by Donna Summer. Bad Girls, Casablanca, 1979 "Pretend to Be Nice," written by Adam Schlesinger; performed by Kay Hanley. Music From The Motion Picture Josie and The Pussycats, Epic/Playtone, 2001. "Sunflower," written by Austin Post, Khalif Brown, Carter Lang, Carl Rosen, Billy Walsh, and Louis Bell; performed by Post Malone and Swae Lee. Spider-Man: Into the Spider-Verse (Soundtrack from & Inspired by the Motion Picture), Republic, 2018. "Naatu Naatu," written by M. M. Keeravani and Kanukuntla Subhash Chandrabose; performed by Rahul Sipligunj and Kaala Bhairava. RRR, Lahari Music, 2022.

“She Works Hard for the Money,” is Donna Summer's classic that was born when she saw a waitress sleeping during her shift and thought, damn she works hard for the money. In this episode we talk about the birth of the song with Summer's husband and we talk about Black women's economic issues and how Black women can accrue more wealth and what society needs to do for Black women and how sisters can get more venture capital funds so they can start and grow their own businesses.  Guests: Bruce Sudano, Donna Summer's Husband   Omi Bell, CEO, Black Girl Ventures Foundation Lauren Maillian, CEO, Digital Undivided  Nina Banks, Professor Bucknell University   Credits: Donna Summer - MacArthur Park Writer: Jimmy Webb Label: Casablanca Record and Filmworks Inc. Publisher: Canopy Music   Donna Summer - Hot Stuff Writer: Keith Forsey, Harold Faltermeyer & Pete Bellotte Label: Casablanca Records Publisher: Sweet Summer Night Music    Donna Summer - Bad Girls  Writer: Joe Esposito, Edward Hokenson, Bruce Sudano & Donna Summer Label: Casablanca Records Publisher: Sweet Summer Night Music    Donna Summer - She Works Hard For the Money  Writer: Michael Omartian & Donna Summer Label: Casablanca Record and Filmworks Inc. Publisher: Phonogram International B.V.   Gwen Guthrie - Ain't Nothin Goin On But The Rent  Writer: Gwen Guthrie Label: Polydor Publisher: Universal Polygram International Publishing Inc See omnystudio.com/listener for privacy information.

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your time warp to the 1980s: The Belle Stars, Bucks Fizz, Shalamar, UB40 with Chrissie Hynde, Stray Cats, The Art Of Noise, The Blow Monkeys, Dexys Midnight Runners, Grandmaster Flash & The Furious Five, Kool & The Gang, Harold Faltermeyer, Madness, Frankie Goes To Hollywood, Japan, Level 42, Shakin’ Stevens, and finishing off with the Beastie Boys.

This week, we'll live to see you enjoy the score, but we hope you leave room for our podcast, because we're going to ram it into your earholes and break your goddamned brain! Okay, that was very aggressive, but can you blame us? It's The Running Man, with music by Harold Faltermeyer!

We welcome Jarett back to the show! We discuss socializing rules in a society post shutdown. What is the new normal? (0:32) How does getting a new driver's license work in Manitoba work these days and just how long does it take? (12:40) What is graduated driving? Can you use your car's cameras to help parallel park?What is Splat and Bone and what drunk purchase did Sean make? (17:00) Crave TV, IPTV, and streaming TV and the little tricks they play they play on you. (20:16) Will the next big release get your butt in the theatre or will you invest more time at home? (35:04) Tom Cruise is at the top of the box office with Top Maverick, but is the movie as revolutionary as the hype would make it believe? (36:34) Tom Cruise has had a stellar career and went through a phase when people were tired of him. Which movies polarized people for him or against him? (43:59) Ben Stiller who parodied Tom so expertly directed and wrote Reality Bites, a 90's movie that tried to find the pulse of that generation and came with a killer soundtrack. (56:16) Movies such as Empire Records, Threesome and Almost Famous also came at that time. Jason Lee who played a role in the film got his start with the Kevin Smith film Chasing Amy. Soundtracks overshadowed Scores by composers but the ones like Harold Faltermeyer found a way to thrive. (1:13:32) And what about Steven Wright, with a key voiceover part in Reservoir Dogs that shone with such brilliance? (1:31:00)#podcast #music #movies #soundtracks #driverslicense #tomcruise #interviewwiththevampire #topgunmaverick #haroldfaltermeyer #stevenwrightWebsite: www.seanmcginity.caMerch: Red Bubble: https://www.redbubble.com/people/seangeekpodcast/shopTee Public: https://www.teepublic.com/seangeekpodcast@seangeekpodcast on Twitter, Instagram and Facebook@fastfretfingers on Instagram@ToddGeeks Tech Talk on Facebook @captivatefmMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee PublicThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Watch out for the banana in the tailpipes because we're going into the 1980s! The decade changed for cinema with the inclusion of the buddy cop genre. Eddie Murphy comes back to the sub-genre with a film that surpassed expectations and created something for years to come, what is it about Beverly Hills Cop that makes it timeless? What did this do for the careers of the actors? What device was created solely for the movie's plot? Part 1: The Beginning of Eddie MurphyPart 2: The different kinds of Buddy Cop charactersPart 3: How is Beverly Hills Cop a Buddy Cop movie?Part 4: The Dynamic of the DetectivesPart 5: The Success of Beverly Hills CopPart 6: The Soundtrack of Beverly Hills Cop Part 7: The Legacy of Harold Faltermeyer's ThemePart 8: The Future of Beverly Hills CopPart 9: Did Eddie Murphy save the crime genre?Part 10: An Early InventionPart 11: Final Notes!Part 12: The NEXT EPISODE!My insta! - @thequeenofthescreen (Hit me up for any movie recommendations you want to hear on the show!)Tiktok - themysticalspacewitch Profile picture - Cover art by Emily Whitacre (https://teenytinycoffeebean.carrd.co/)Opening Theme - Night Rider - jiglr https://soundcloud.com/jiglrmusic Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/3CmBsaH Music promoted by Audio Library https://youtu.be/u-YQBe7ZfIESupport the showMy Inglorious Ink series! - https://www.amazon.com/stores/Samantha-Parrish/author/B0BNQ2D7D1?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=trueI'm on Goodreads! - https://www.goodreads.com/author/show/20042112.Samantha_ParrishHow To Support The Show! - https://ko-fi.com/queenofthescreen#linkModalArticles I've written - https://vocal.media/authors/samantha-parrishMy Linktree https://linktr.ee/themysticalspacewitch

It's impossible to imagine a world without Eddie Murphy. Throughout his career, he evolved from stand-up comic to Saturday Night Live breakout and finally, an Academy Award-nominated A-list movie star. And though Murphy had appeared in a few previous films, his ascension to the comedy star hall of fame didn't truly kick into gear until 1984's Beverly Hills Cop. On this episode, Phoenix Clouden of Film Code joins us to discuss how director Martin Brest's action-comedy redefined the genre for the modern age, how it serves as an unlikely launchpad for Murphy's own stardom, and -- of course -- the iconic theme song. So cue up your Harold Faltermeyer (or Crazy Frog, if you prefer) as we start our Beverly Hills Cop mega-series! Connect with Crooked Table Productions on social media: Facebook  |  Twitter  |  Instagram

"Top Gun: Maverick" has gone on to become one of the highest-grossing films of all time since its release earlier this year. Now, the film is a bonafide Oscar contender for multiple categories, including Best Picture, Best Director, Best Actor (Tom Cruise), and many of its craft categories. One Oscar race where it's been the frontrunner for almost the entire season has been in Best Original Song for Lady Gaga's "Hold My Hand." The rock, power ballad plays over the credits but has its music weaved in throughout the movie, giving her composer credit alongside Hans Zimmer, Lorne Balfe, and Harold Faltermeyer. Balfe was kind enough to take some time over the summer to talk with us about working on the score, what went into creating "Hold My Hand," and more. Please take a listen below and enjoy. Thank you!   Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Terminal Jive had the misfortune of following up No. 1 in Heaven, which enjoys legendary status today. It also had the misfortune of Ron and Russ's original slate of songs being defenestrated outright by Giorgio Moroder and Harold Faltermeyer. What we have instead is seven-and-a-half songs (you'll figure out what I mean) written by committee - the lead single being a crucial exception. Terminal Jive was written and recorded in a hurry, but it doesn't mean there isn't a lot to enjoy here. Faltermeyer, along with W. Snuffy Walden and a coterie of studio cats, work to fashion a sound that was new and vibrant and fresh. You know the gated drum sounds of the 80s? It's here already. The synths are a generation newer than the Moog on N1iH, and Walden's guitar is pure new wave angular punchiness. Oh - and several songs on here are actually damn good. I begin the episode eulogizing Marc Moulin of Telex, whom Ron called his "best friend since 1979." Then Monte and I begin our Jive to see if it truly is Terminal. You can email me (Christian) at podcastsparks@gmail.com important links: Marc Moulin - Official Website FanMael https://www.sparks-onefortheages.com

Will, Kat and Jon discuss current 80s news including a real-life floating Max, James Earl Jones retires as Darth's voice lives on, and even more stars return for Beverly Hills Cop: Axel Foley. Then, we chat about the curious details about the best songs from 1980s movies as ranked by Billboard. What's your favorite movie song? Email us your thoughts to will@1980snow.com. Introduction - :35 Did Harrison Ford Praise Crystal Skull? - 2:30 1980s News - 6:34 Best Songs from 1980s Movies - 25:00 Thank You and Wrap-Up - 56:40 For the many ways to support the show, visit www.1980snow.com/support. For more episodes of 1980s Now and information about the show visit www.1980snow.com. And for even more 1980s awesomeness visit the80sruled.com or facebook.com/80sruled. Learn more about Jon's podcast and Youtube channel at www.GenXGrownup.com. Love soundtracks? Check out our chat with legendary 80s film composer Harold Faltermeyer here: https://bit.ly/382uR8L.

Man hat Harold Faltermeyer im Ohr, noch bevor er ein Wort gesagt hat. Als Filmkomponist landete er seinen größten Coup mit "Axel F.", der Musik zu Beverly Hills Cop. Auch die Titelmelodie von "Wetten,dass..." entstammt seiner Feder. Zu seinem 70. Geburtstag am 5. Oktober wiederholen wir ein Gespräch aus dem Jahr 2013. Moderation: Stefan Parrisius

It's another COULD'VE BEEN A CANNON and this time we're covering the infamously maligned TANGO & CASH. A movie that's better than the punchline it became over the past few decades. It's got prime sexy form Kurt Russel, Sly Stallone and Teri Hatcher with a Harold Faltermeyer score, what's not to love about this blatant copaganda romp?! Also, this movie's got more quips than Chandler Bing writing Deadpool fanfic over the corpse of an attention-deprived standup, cha cha. "Best Of What I Got"? It's certainly the best of what the Cannon Bros got, "peewee"! OUR PATREON: patreon.com/thecannoncanon Follow us on the socials: Twitter: @thecannoncanon Instagram: @thecannoncanon Please rate and review us!

This week on The Metro, Warlock Jeff Ivins brings you the following bands: Alphaville, Harold Faltermeyer, Taylor Dayne, Squeeze, Saga, Peter Gabriel, Billy Idol, Fear, Til Tuesday, Sparks, New Order, Men At Work, and finishing off with Marilyn Martin.

Will speaks with the Grammy Award-winning composer of "Beverly Hills Cop," "Top Gun" and more, Harold Faltermeyer. [:30] - Introduction (with professor of electronic music composition Dr. Michael Bratt) [10:05] - Interview with Harold Faltermeyer For the many ways to support the show, visit www.1980snow.com/support. For more episodes of 1980s Now and information about the show visit www.1980snow.com. And for even more 1980s awesomeness visit the80sruled.com or facebook.com/80sruled.

We're still firmly in Light the Fuselage territory with “Top Gun: Maverick” score producer/composer Lorne Balfe. Lorne breaks down the contributions of every composer on the movie (which also includes Lady Gaga, Harold Faltermeyer and Hans Zimmer), the challenges of composing during the pandemic and how initially the score was more ‘80s-indebted.

每日英語跟讀 Ep.K390: Hollywood's Last Real Movie Star   The helicopter had the star's name painted on it, the letters coming into focus as it landed on the retired aircraft carrier, which was adorned for the occasion with an expansive red carpet and a smattering of fighter jets. Tom Cruise. Top Gun. Maverick. 直升機上漆有這位明星的名字，當它降落在舖有寬闊紅地毯及數架戰機停放的退役航空母艦上時，湯姆克魯斯。捍衛戰士。獨行俠。幾個大字映入眼簾。 It couldn't have been anyone else. 就是他，不作第二人想。 Decked out in a slim-fitting suit, his hair a little shaggier and his face a little craggier than when he first played Lt. Pete “Maverick” Mitchell more than three decades ago, Cruise took the stage on the USS Midway while Harold Faltermeyer's iconic theme music played in the background. 比起30多年前首次扮演彼得「獨行俠」米契爾上尉，阿湯哥的頭髮更厚長，臉上皺紋也更多。在哈洛德．佛特邁爾的經典音樂中，穿著合身西裝的阿湯哥登上航空母艦「中途島」號的舞台。 Gesturing to the spectacle around him, including the crowd of fans and media members, Cruise said: “This moment right here, to see everybody at this time, no masks. Everyone. This is, this is pretty epic.” 阿湯哥指著周圍的盛大場面，包括大群粉絲和媒體記者說：「此時此刻，在這看到所有人都沒戴口罩。每個人。這真是太好了。」 It also felt like a time capsule. The three-hour promotional escapade — which included a batch of F-18 fighter jets executing a flyover to the sound of a Lady Gaga song from the film — harkened back to the halcyon days of Hollywood glamour. Days when Disney didn't think twice about shuttling an aircraft carrier from San Diego to Hawaii for the premiere of Michael Bay's “Pearl Harbor” in 2001. That kind of extravagance seems almost unthinkable today, when the streaming algorithm and its accompanying digital marketing efforts have replaced the old-fashioned boots-on-the-ground publicity tour with stars circumnavigating the globe, and studios spending millions to turn movie openings into cultural events. 這也讓人感覺像是個時間膠囊。這場長達3小時的宣傳活動，包括一批F-18戰機伴著電影中「女神卡卡」唱的歌曲飛越上空，讓人回想起好萊塢的美好輝煌歲月。2001年，為了麥可貝的《珍珠港》首映會，迪士尼毫不猶豫地從聖地牙哥安排一艘航空母艦前往夏威夷。這種大手筆在今天看來幾乎無法想像，串流媒體演算法及其隨之而來的數位行銷活動，已取代了老式的明星周遊列國親身宣傳，以及製片公司花數百萬美元將電影首映變成文化活動。 Making these events go were the film's megastars. They are the kind of stars who no longer really exist. Now, it's the characters that count. Three actors have portrayed Spider-Man and six have donned the Batman cowl for the big screen. Audiences have shown up for all of them. The Avengers may unite to huge box office returns but how much does it matter who's wearing the tights? 促成這些活動的是主演電影的天王巨星，不復存在的巨星。現在，重要的是角色。演過蜘蛛人的有三人，六名演員曾在大銀幕上披上蝙蝠俠的蒙頭斗篷。觀眾為了他們進電影院。《復仇者聯盟》也許合力帶來巨大的票房營收，但穿上緊身衣的是誰又有多大的差別呢？ Yet there is Cruise, trundling along as if the world hasn't changed at all. He's the last remaining global star who still only makes movies for movie theaters. He hasn't ventured into streaming. 然而，阿湯哥還在，緩緩走來，彷彿世界一點都沒有改變。他是專為電影院拍攝電影，碩果僅存，尚未涉足串流媒體的國際巨星。 There is a moment in “Top Gun: Maverick” where Ed Harris, playing Maverick's superior, tells him, “The end is inevitable. Your kind is headed to extinction.” 《捍衛戰士：獨行俠》中有一幕，扮演獨行俠上司的艾德哈里斯告訴他：「結局無可避免。你們這類飛官遲早會被淘汰。」 And Cruise, still holding on to that brash self-confidence that made him a movie star four decades ago, grins at him and replies, “Maybe so, sir. But not today.” 依然保持40年前讓自己成為電影明星那種傲慢自信的阿湯哥，露齒而笑：「也許是，長官，但不是今天。」 There are plenty of people in the movie industry who hope he's right. 電影業有很多人希望他是對的。Source article: https://udn.com/news/story/6904/6346289

1. Duke & Jones - Lucid (Extended Mix) 2. EWAVE x Linka x Gregor Potter - I'll Miss You (Club Mix) 3. Melsen - Tell Me What You Want (Extended Mix) 4. Alesso & Zara Larsson - Words (Paul Green & Fred Chase Remix) 5. Matt Steffanina - Radio Rockin (Extended Mix) 6. Timothy Allen - Can't Stop Me (Extended Mix) 7. PØP CULTUR & HÄWK - Left & Right (Extended Mix) 8. G-POL & Costel Van Dein - SAMOKAT (Extended Mix) 9. Chasner & Afrojack - Starts Right Now (Extended Mix) 10. Swatkat x DJ ACCIA - Easy To Love (Extended Mix) 11. MARTEN HØRGER vs Tove Lo - Take Me High (Kerry Glass Habits Bootleg) 12. Fisher - Losing It (Extended Mix) 13. DJ ACCIA - ID (ID) 14. Tunesquad - The Chant (Original Mix) 15. Pitbull vs Jazz & Ephwurd - Don't Rock The Party (BPM Supreme Bootleg) 16. Empire Of The Sun - Walking On A Dream (Cesar Castilla Tech House Bootleg) 17. Kungs - Clap Your Hands (Robin Schulz Remix) 18. Harold Faltermeyer vs Tiësto & 7 Skies - Axel F (R-You Bootleg) 19. Kaskade & Kosha Dillz - Sexy (Extended Mix) 20. VINAI & Le Pedre - I Was Made (Extended Mix) 21. Pegboard Nerds x Quiet Disorder - Move That Body (Original Mix) 22. Moobek - Watching You (Radio Edit) 23. Chapter & Verse vs Rihanna - Lights Go Out (DJ ACCIA Mashup) 24. Tiësto - Grapevine (Tujamo Remix) 25. Reece Low vs Maurice West & SaberZ - Wait A Minute vs Rhythm Of The Night (DJ ACCIA Mashup) 26. Meduza, Becky Hill & Goodboys vs Bingo Players & Breaking Beattz - Lose Devotion (David Puentez Mashup) 27. DJ ACCIA - We Got The Fire (Original Mix)

This week we have these artists which include a few songs from soundtracks of movies and/or tv shows sprinkled around the course of the show.  Here are the artists in this episode: Phoenix, Starcrawler, Fontaines DC, Blind Melon, Julia Jacklin, Big Thief, Shadowy Men On A Shadowy Planet, Medium Medium, Kate Bush, Big Country, Teddybears with Iggy Pop, Midnight Oil, Divinyls, Harold Faltermeyer with Steve Stevens.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ Twitter: @SUBedford1051 Facebook: SuburbanUndergroundRadio Instagram: SuburbanUnderground And available on demand on your favorite podcast app!  

Stevie, Pappy, Josh and latecomer PK try to become the best fighter pilots in the world. ****** After more than 30 years of service as one of the Navy's top aviators, Pete "Maverick" Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it. Release date: May 27, 2022 (USA) Director: Joseph Kosinski Starring: Tom Cruise; Miles Teller; Jennifer Connelly; Jon Hamm; Glen Powell; Lewis Pullman; Ed Harris; Val Kilmer Music by: Harold Faltermeyer; Lady Gaga; Hans Zimmer; Lorne Balfe; Box office: $557.2 million Distributed by: Paramount Pictures Studios

Part II of the Season 7 premiere of 2 Black Nerds has arrived. In the previous episode, we focused on all things TV and in this episode we spend time discussing and reviewing recent movies. First up, the long awaited and anticipated sequel from Tom Cruise has finally released and has broken some records in the process with 'TOP GUN: MAVERICK' (1:40). We also got the chance to check out the latest film from Alex Garland and A24, 'MEN' (33:36), a folk horror film. We were also blessed with some early screeners for Jerrod Carmichaels directorial debut with his dark comedy about suicide titled 'ON THE COUNT OF THREE' (52:57). Disney+ decided to drop some family fun for all ages with the 'Who Framed Roger Rabbit-esqe" film 'CHIP N' DALE: RESCUE RANGERS' (1:04:31). Also on Disney+, 20th Century Studios dropped a somewhat under the radar technology based animated film with 'RONS GONE WRONG' (1:14:25). 2BlackNerds.com (Songs: Top Gun Theme x Harold Faltermeyer, Steve Stevens, Silent Hill x Kendrick Lamar ft. Kodak Black)

Wie komponiert man den Nachfolger eines Soundtracks, der Filmgeschichte geschrieben hat? Der Grammy-Preisträger, Musikproduzent und Filmkomponist Harold Faltermeyer spricht mit Alev Doğan in diesem Achten Tag über seine Arbeit an dem neuen Top Gun Film, seine Kollaboration mit Oscarpreisträger Hans Zimmer und das Leben und Arbeiten in Hollywood. Ein Achter Tag über Wagner, musikalische Rohrverstopfung und Kriegsfilme in Zeiten des Krieges.

Lorne was a guest on Film.Music.Media for the first time 11 years ago, and he was the very first All Access video interview over 7 years ago. We've had many great conversations over the past decade, so it's a true pleasure to have Lorne back for a new All Access. For this conversation we discuss what has changed in the entertainment industry over the past decade, and what it means for younger people starting their careers now versus back then. We also discuss how integral music editors are on films and television, and why Lorne wholly believes that every aspect of filmmaking is a team effort including scoring. We dive into Top Gun: Maverick and how Lorne worked with Harold Faltermeyer, Lady Gaga and Hans Zimmer on the music for the film. He shares how they had to adapt during the pandemic, and the key to making a team effort be cohesive to serve the story. Lorne also talks about how much of a fan he was of 90's action films especially those from producer Jerry Bruckheimer. We talk about our shared love for 90's action, and how Lorne is now working with people like Michael Bay and Jerry Bruckheimer on different projects. We also talk about Lorne's scores to Bad Boys For Life, and how he made sure Mark Mancina's theme was front and center. Lorne also talks about working on Michael Bay's Ambulance. As always, it's a pleasure to have Mr. Balfe as a guest and this conversation is a fantastic insight and reflection on some of his current projects. A Film.Music.Media Interview | Produced & Presented by Kaya Savas

EPISODE 5: The SoundtrackIn this week's special episode, we talk the classic Fletch soundtrack.  From the lyrics to the unusual music videos, we cover it all, bit by bit.  Also, what's the connection between Fletch and Top Gun?  And what does Billy Idol have to do with it? Composer Harold Faltermyer has the answer!  0:00 - Intro0:44 - Episode 5, the soundtrack1:21 - Tom Scott Swing & a Miss3:53 - Faltermeyer Saves Fletch8:00 - Fletch Music Videos8:44 - Getting Out of Town with Dan Hartman15:49 - Faltermeyer's Legendary Fletch Theme23:43 - Harold Faltermeyer's “Idol” Takes his theme To The Sky with Maverick26:15 - What If… Fletch Soars Through The Sky28:55 - Stephanie Mills is Working Overtime35:56 - Letter From Both Sides37:50 - LakerJim is Running For Love40:16 - Faltermeyer Radio RollerSkate Remix43:14 - Harold F Re-Release Remaster 48:40 - 8-bit NES Fletch Midi… and episode wrap upFLETCH MUSIC VIDEOS:Fletch, Get Outta Town Video   ( Dan Hartman): https://youtu.be/aGGidnZtQUEFletch Theme (Harold Faltermeyer): https://youtu.be/bNtQr57_QTIBit By Bit (Stephanie Mills): https://youtu.be/jPlxWRZO7jYFletch Theme Cover ( Freak Audio Lab): https://youtu.be/u9zHdDaJesQFletchCast is Your Ultimate source for everything Fletch: the books, the movies, & the latest news about our favorite journalistic reporter, Irwin M. Fletcher. Host: James "Laker Jim" Kanowitz (@webguy911)Co-Host: Jake Parrish (@jakelparrish)Co-Host: Bob West FLETCHCAST VOICEMAIL HOTLINELeave us a voicemail with a comment or question: (267) 714-6799 - the voicemail is open & available 24/7Follow Us on Social Media:Instagram: https://www.instagram.com/imfletchcast/Facebook: https://www.facebook.com/imfletchcastTwitter: https://twitter.com/imfletchcastP.S. Have a nice day. Fletch is Copyright 1985, 1989 Universal Studios and distributed by MCA/Universal Pictures.  The Fletch Soundtrack is Copyright MCA Records. All images and sounds are the intellectual property of Universal Studios. They are used only with the intent of public appreciation of a great film and possible publicity for its place among the great comedies of our time.