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Discussing the 1983 Frances Ford Coppola film The Outsiders. If you'd like to pick a movie for us to watch for an upcoming episode of the show, consider joining us as a producer https://patreon.com/lowres Hosted on Acast. See acast.com/privacy for more information.
Hey Next Picture Show listeners, sorry there's no new episode in your feed today. Real life got in the way of podcast life and prevented us from recording our next pairing in time to release it this week. But we will be back next Tuesday with part one of our double feature comparing Robert Eggers' new Nosferatu with Frances Ford Coppola's own take on Bram Stoker's Dracula from 1992. If you're playing along at home, the former is in theaters now, while Coppola's Dracula is digitally rentable from the usual outlets, and available in an array of physical-media releases to purchase — or perhaps check out from your local library. We hope you'll enjoy both movies, and join us next week as we sink our teeth into this pairing. Learn more about your ad choices. Visit megaphone.fm/adchoices
You KNEW this episode was coming, and we got to it as soon as we could! We discuss Francis Ford Coppola's defiantly personal, defiantly incomprehensible, personal-fortune-destroying Megalopolis! And for such a megaflopolis episode we enlisted the help of Roman Mars, a man who knows a thing or two about architecture and design, and who's currently co-hosting a podcast series with Elliott about The Power Broker, a book about Robert Moses (clearly an inspiration for Adam Driver's "what if Robert Moses but not totally evil" character)!We're in season 2 of FlopTV! Pop in for individual episodes, or get a price break with a season pass! Peruse the full line-up and/or get tickets here! And hey, while you're clicking on stuff, why not subscribe to our NEWSLETTER, “Flop Secrets?!”Wikipedia page for MegalopolisRecommended in this episode:Dan: Lost Highway (1997)Stu: Anora (2024)Elliott: You and Me (1938)Roman: Hearts of Darkness: A Filmmaker's Apocalypse (1991)For a limited time, visit AuraFrames.com and get $45 off Aura's best-selling Carver Mat frames by using promo code FLOP at checkout.Stay energized with America's #1 Ready-to-Eat Meal Delivery Service.Head to factormeals.com/flop50 and use code flop50 to get 50% off your first box and 20% off your next month
This week BL has sensory overload on the tram, Kate got a bad first email of the day, what did she learn about Amyl and the Sniffers from Brodie's profile of them?, going Chris Farley mode talking to Waxahatchee about Gilmore Girls, Kate's phone thinks she's someone else entirely, where were we on election day in 2016 and where have we come since?We discuss the performances and purposes of The Apprentice, then Brodie fills Kate in on Jason Reitman's Saturday Night and the latest episode of Saturday Night Live, Kate will NOT be putting on a pink cowgirl hat for Chappell Roan but that's okay, the internet is being insane about John Mulaney.While we're on the subject of pop girlies: Brodie is fanging to talk about Addison Rae, Kate and Brodie each have information to share each other about Sabrina Carpenter, "Barry Keoghan's wife should be hosting SNL".Then it's time to debrief on the little indie flick called Megalopolis, we're mad at Joaquin Phoenix but he looks really good, Frances Ford Coppola gave Kate the gift of Pepsi Max.We've both watched Fanatical: the Catfishing of Tegan and Sara, a documentary that made us remember the good songs and the L Word episode, and debate "Fegan" and the merits of a directors inserting themselves into a show. Kristen Stewart in Twilight lost a Saturday to unnecessary research.Our next screening at Thornbury Picture House is a lesbian holiday classic: Todd Haynes' CAROL (2015)Join us on Dec 17 for two screenings – 6pm and 8:30pm – with a post-film chat, plus a special martini.Get your tickets!Keep an eye on our IG to submit your requests for our holiday gift guide + advice column!See AlsoWhere's My Roy Cohn?Live From New YorkSean Price William on Addison Rae in DazedThe English Teacher – streaming on Disney Plus and HuluCelebrity Book Club 'Club Kids' episode on FanaticalCasey Affleck and Rain Phoenix's kidMartha Stewart responds to Ina Garten's book on WWHLMarisa Meltzer review in NYTimesAlso AlsosThe Row playlistsDistant Call: Collected Demos 2000–2006Culture StudyStructure Face Sculpt facial at Little CompanyMartha on NetflixTHE FIRST AND LAST OF ENGLAND: THE QUEER LEGACIES OF DEREK JARMAN at Melbourne Cinematheque 6–20 Nov Hosted on Acast. See acast.com/privacy for more information.
On this mailbag episode of the Gold Derby Show, editors and experts Joyce Eng and Christopher Rosen answer listener emails about "Juror No. 2," Danielle Deadwyler's Oscar chances, whether Frances Ford Coppola's in play for Best Director and if "The Wild Robot" can break out of the animation race. Be a part of the show and email Chris and Joyce at slugfests@goldderby.com. Make your own predictions at https://www.goldderby.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Matthew Socey pays tribute to Dame Maggie Smith, reviews the new Frances Ford Coppola film Megalopolis and the annual Indy Bard Fest roundtable discussion (Full Disclosure: Matthew is an actor in one of the productions).
Now that the summer is over, Pumpkin Spice Lattes fresh in Mikey's hand, college football season on the TV, Garrison wiping his tears over his team eliminated on Day 10 of the season, Dr Earl out of the show because he's curing botox injuries with Australian aboriginals, d$ finally giving his Dave'Stalgia lineup... Its the fall, and its the Fall Movie Preview. And its the biggest one ever, as Mikey, d$, and guest host Garrison "Pride of Blue Ridge" Ryfun read 12 pages of upcoming films... not only lots of movies coming to the theaters, but also streaming on Netflix, Hulu, Prime and beyond. Docs about Superman's life... cartoons about robots... more cartoons about robots... Matt Walsh asking a question... Frances Ford Coppola's latest disaster... why d$ doesn't care about Joker's singing... Mikey's pumped for new Askew... a new Stephen King adaption... Tom Hardy's last go-round... a bald Marky Mark... and so, so much more. Plus, the five classic films assigned to d$ for watching and ranking. Dave'Stalgia Films Arsenic & Old Lace (Scotty Ryfun) - for rental A Face in the Crowd (Dr Earl) - MAX The Lady Vanishes (Garrison) - Amazon Prime; MAX Strangers on a Train (Mikey) - TubiTV Targets (Burgey) - for rental
Welcome back, Tombstoners. Vampire month continues as we discuss the Frances Ford Coppola classic, Bram Stoker's Dracula. This is a first time watch for both of us, and we couldn't get enough. Listen in as we gush about this great film. Get some of our sweet Merch www.Honhpod.threadless.com Make sure to let us know what you think of the show on all of our social media pages https://twitter.com/HOnHPod https://www.instagram.com/honhpod/ https://www.tiktok.com/@honhpod? also you can follow all of the guys other shows on twitter Chris https://twitter.com/GeekPeakPod Miles https://twitter.com/TheDiscDump and https://twitter.com/RealmsToast and Josh https://twitter.com/FNBNPodcast
This week we talk about The Outsider from 2020, The new Netflix series The Decameron, House of Dragons S2E7 spoilers (and calling Aemond Aegon the whole time), and the new Time Bandits series on Apple TV. Tessa catches up with Axel F and tries to watch some new movies. We also talk about the newest allegations against Neil Gaiman and Frances Ford Coppola and more! Support this podcast at patreon.com/doomgeneration Call or text 702-720-DOOM (3666) to recommend something! --- Support this podcast: https://podcasters.spotify.com/pod/show/doomgeneration/support
Welcome to You Haven't Blanked That! It's Frances Ford Coppola month. This week watched The Conversation. We talk about the sound, not appreciating it, Gene Hackman, The Master and the Margarita, not your usual detective story, All The President's Men, The Post, The Spielberg List, Harrison Ford, John Cazale, the Godfather sequel books, Enemy of the State, Orwell, Corey Feldman. What we are blanking: Jimmy's sexcapades, Poor Things, Next Goal Wins, Curb Your Enthusiasm, Essex County, The Exorcist (book), Jigsaw, Spaceman, Walker, Opening theme by the Assassins Closing theme by Lucas Perea For more info, click the link in the bio. https://linktr.ee/yhblankthat --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanked-that/message
Johnny talked with Len Berman and Michael Riedel about Frances Ford Coppola not being able to get a movie in theaters. Johnny also talked with the guys about Curb. Johnny loved it too.
Welcome to You Haven't Blanked That! It's Frances Ford Coppola month. This week watched Bram Stoker's Dracula. We talk about the book, epistolary novels, Frankenstein, Vampire Biology, Van Helsing, superstitions, Last Voyage of the Demeter, Blue Flame, Command of the Winds, Tom Waits, Keanu Reeves, Saved by the Bell, Cary Elwes, Billy Campbell, SFX, Horny movie chaste book, Lux Interior, Eiko Ishioka, Tom Waits's Dracula, Dracula: Dead and Loving It, Cape Fear, Absinthe commercial, Zoolander No. 2, Vampire stories, Gnomes, Who would Corey Feldman Play? What we are blanking: X-Men 97, Traitors, Opening theme by the Assassins Closing theme by Lucas Perea For more info, click the link in the bio. https://linktr.ee/yhblankthat --- Send in a voice message: https://podcasters.spotify.com/pod/show/blanked-that/message
This week we blow out the 40 birthday candles on Sean Connery's one-off return as James Bond in NEVER SAY NEVER AGAIN and Frances Ford Coppola's second film of the year, the mostly forgotten curio RUMBLE FISH. Please rate, like, and subscribe, and we'll be back next time to celebrate THE BIG 4-0's of Tom Cruise in ALL THE RIGHT MOVES (his second film of 1983, as we trace his trajectory to superstar status) and Christopher Walken (in his second film of 1983 as well) in David Cronenberg's (second film of 1983...) Stephen King adaptation (the second of 1983) THE DEAD ZONE.
The Criterion CULT Film Podcast has double feature from director Frances Ford Coppola.
And on S&A we reach our final episode in this Brian De Palma Retrospective. And on this episode Lindsay is joined by Cinema Drunkie host Robb Antequera as the really get into film with a truly Masterpiece Double of Frances Ford Coppola's The Conversation (1974) & De Palma's Blow Out (1981). As I said Masterpiece Double. Both of these movies take the very notion of how to capture a narrative and run with it in multiple different directions. And both are brilliant pieces of cinema in their own right. Listen to Cinema Junkies Here Follow Cinema Drunkies on Twitter @CinemaDrunkies Follow Robb on Twitter @thecinedrunkie Follow Schlock & Awe on Twitter @schlockandawe1 Follow Schlock & Awe Instagram @schlockandawe1/ Follow Lindsay on Twitter @readandgeek Say Hi schlockandawemovies@gmail.com Please Rate & Review Schlock & Awe on Apple Podcasts & Spotify Original Music Composed and Performed by Anthony King
S01E23 - Gian-Carlo Coppola - Fatal Boating Accident (1986)Jason Connell and Sal Rodriguez breakdown the true crime story of the Gian-Carlo Coppola - Fatal Boating Accident in 1986. On May 26, 1986, Gian-Carlo Coppola, son of legendary filmmaker Frances Ford Coppola, and his friend, Griffin O'Neal, son of actor Ryan O'Neal, rented a motorboat near Annapolis, MD. Soon after O'Neal attempted to pass between two slow-moving boats but was unaware they were connected by a towline which struck and killed Coppola.Recorded: 12-21-21Studio: Just Curious Mediahttps://www.JustCuriousMedia.com/Listen: https://ThatsACrime.buzzsprout.com/Watch:https://www.youtube.com/channel/UCbw014MVA3wQM8INVVe0Obw/Follow:https://www.facebook.com/ThatsACrimePodcast/https://www.instagram.com/ThatsACrimePodcast/Hosts:https://www.instagram.com/MrJasonConnell/https://www.instagram.com/SalvadorLosAngeles/#justcuriousmedia #thatsacrime #mrjasonconnell #salvadorlosangeles #truecrime #misdemeanor #murder #mystery #suspense #thriller #horror #criminal #serialkiller #thief #suspect #victim #guilty #jail #prison #giancarlocoppola #fatalboatingaccident
Discussing Vincent Gallo's directorial efforts Buffalo '66 (1998) and The Brown Bunny (2003) and Frances Ford Coppola's Tetro (2009). Follow Ston on Instagram: https://www.instagram.com/jetb1ackpope/ Video Episodes & Bonus Episodes: https://patreon.com/lowres Instagram Page: https://www.instagram.com/lowreswunderbred
Synopsis On today's date in 1995, the four members of the Arditti String Quartet entered four helicopters warming up their engines at an airfield in Holland. Followed by video cameras, each player's image and audio was relayed to huge video displays and loud-speakers on the ground for the mid-air premiere of a work titled – what else – “Helicopter Quartet” by the avant-garde German composer Karlheinz Stockhausen. Guided by click-tracks, the Arditti Quartet coordinated their performance, which was mixed on the ground by the composer for an audience gathered in a concert auditorium during the 1995 Holland Festival. This music, like all the music Stockhausen wrote in the last years of his life, fit into his cycle of 7 operas, collectively titled “Light.” Like Wagner's “Ring” operas from the 19th century, Stockhausen's operas attempted to synthesize world mythology into a visionary program for world salvation. Speaking of Wagner and helicopters automatically calls to mind the scene from Frances Ford Coppola's 1979 Vietnam War film, “Apocalypse Now,” in which helicopters blare Wagner's “Ride of Valkyries” from loudspeakers as they attack. By a bizarre coincidence, Wagner's opera, “Die Walküre,” ALSO had its premiere performance on June 26th in 1870 – the same day as the premiere of Stockhausen's “Helicopter” Quartet! Music Played in Today's Program Karlheinz Stockhausen (1928 - 2007): Helicoptor Quartet (Arditti Quartet) Discques Montaigne Arditti Edition CD-35
Synopsis On today's date in 1995, the four members of the Arditti String Quartet entered four helicopters warming up their engines at an airfield in Holland. Followed by video cameras, each player's image and audio was relayed to huge video displays and loud-speakers on the ground for the mid-air premiere of a work titled – what else – “Helicopter Quartet” by the avant-garde German composer Karlheinz Stockhausen. Guided by click-tracks, the Arditti Quartet coordinated their performance, which was mixed on the ground by the composer for an audience gathered in a concert auditorium during the 1995 Holland Festival. This music, like all the music Stockhausen wrote in the last years of his life, fit into his cycle of 7 operas, collectively titled “Light.” Like Wagner's “Ring” operas from the 19th century, Stockhausen's operas attempted to synthesize world mythology into a visionary program for world salvation. Speaking of Wagner and helicopters automatically calls to mind the scene from Frances Ford Coppola's 1979 Vietnam War film, “Apocalypse Now,” in which helicopters blare Wagner's “Ride of Valkyries” from loudspeakers as they attack. By a bizarre coincidence, Wagner's opera, “Die Walküre,” ALSO had its premiere performance on June 26th in 1870 – the same day as the premiere of Stockhausen's “Helicopter” Quartet! Music Played in Today's Program Karlheinz Stockhausen (1928 - 2007): Helicoptor Quartet (Arditti Quartet) Discques Montaigne Arditti Edition CD-35
In the Best Picture Cast Season 3 Premiere we complete the Godfather journey by discussing the Best Picture winner of 1974, The Godfather Part II. The Godfather squad is back as Grant Z, Artie B, and Joey R rejoin Kieran B to dissect, digest, or whatever you call it to Frances Ford Coppola's follow up to one of the most iconic films of all time. Buckle up as this is one of the most emotionally and intellectually exhausting discussions we have had to date. Let us know what you think! Follow us on our socials, Facebook, Instagram, and Twitter: @bestpicturecast We are now also on letterboxd @bestpicturecast You can also shoot us an email: bestpicturepodcast@yahoo.com Looking for some sweet Best Picture Swag?? Check out our brand new merch store: https://best-picture-cast.creator-spring.com
The hosts make you an offer you can't refuse - sleep with the fishes or take the cannoli and continue listening to their new season with the 70’s saga classic, The Godfather, written by Mario Puzo and directed by Frances Ford Coppola. Widely regarded as one of the greatest films of all time, it is a landmark in cinema history. The hosts pair the film with a Francis Ford Coppola Director's Cut Cabernet Sauvignon. Join the hosts, who are honored and grateful that you have invited them into your home, as they review this timeless, classic film.Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.com
It’s time to get in your Thunderbird, cruise the downtown strip, and drag race the night away as the hosts kick off their brand new season for Three & 1/2 Gentlemen with the 70’s classic American Graffiti, directed by George Lucas and produced by Frances Ford Coppola. The hosts are reviewing movies from several decades this new season, starting with the 1970’s. They pair the film with the “High Octane Cherry Coke” cocktail. Join them as they go back to the last days of the summer of ‘62 and relive the nostalgia with this classic film.Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.com
In what may be our biggest venture yet, the Best Picture Cast gang tackles one of the most famous films of all time in Frances Ford Coppola and Mario Puzo’s THE GODFATHER. BPC “Made Men” Artie B, Joey R and Grant Z return to join host Kieran B in this momentous celebration. We dissect all the elements of the film that add up to the greater whole, and analyze why exactly this is considered by many to be one of the greatest films ever made. Joey R shares his viewing experiences, as this was his much anticipated first watch of The Godfather. We mix some heavy conversation of deep themes with some light hearted laughter and much needed levity. Pour yourself a nice glass of wine and join us on this cinematic journey! You can email us with any thoughts bestpicturecast@yahoo.com Follow us on our socials @bestpicturecast Please Rate and Review!
Paramount Pictures is a goliath, a company that is instantly recognisable to movie watchers around the world, and its archives are chock full of some of humanity's best-loved moments. American Zoetrope is an equally mammoth operation, founded by Frances Ford Coppola and George Lucas. Our guests today are Andrea Kalas, vice president of archives at Paramount, and James Mockoski, archivist at Zoetrope. They discuss the process that goes into reinterpreting and remastering epics from the past, primarily focussing on Coppola's ‘final cut' version of Apocalypse Now and the newly reversioned ‘The Godfather III', now ‘The Godfather Coda: The Death of Michael Corleone'. They explain how archivists help to reimagine a story whilst paying respects to the original works, and how new technology is able to make us fall back in love with a film all over again. In this episode, discover the value of revisiting stories from the past, explore the notion that a story has never finished being told, and find out why it's important to plan for the future by never throwing any of your work away. var podscribeEmbedVars = { epGuid: 'behindthespine.podbean.com/18270cee-3fe2-3dab-bf65-973fe4ef72a6', rssUrl: 'https://feed.podbean.com/behindthespine/feed.xml', backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
We dive into our second Time Travel episode with a double-dose of 50's nostalgia: Frances Ford Coppola's Peggy Sue Got Married, and Gary Ross' Pleasantville. Now if you only watched the trailers, these movies might seem like polar opposites, with Peggy Sue seemingly wanting to glorify the past as Pleasantville sets out to mock it. But MG argues that both films wildly subvert these expectations, and each features far deeper character stories than almost any other entry in the genre. So buckle yourself into the way-back machine and get ready for some social commentary, poodle skirts, and a breakout performance from a very young (and very weird) Nicholas Cage!
More deep-diving with Ken into "Apocalypse Now: Final Cut". Mike plays "What Kind of Guy Are You?" for a look at movies with similar themes that Ken leans toward. Instagram:https://instagram.com/fruit_cart_flicksFacebook Page:https://www.facebook.com/Fruit-Cart-Flicks-108335794289597/Facebook Group Member Page:https://www.facebook.com/groups/1186796548333085/membersApple podcast link:Feeling warm and gooey inside after listening to an episode or two? Please share the love and leave us a review here: ⬇️https://podcasts.apple.com/us/podcast/fruit-cart-flicks/id1522007639Follow Mike’s
Ken and I delve into "Apocalypse Now: Final Cut" with a close look at its source material, “Heart of Darkness”. Ken takes a stab at three actor impersonations from Mike. Facebook ⬇️https://www.facebook.com/Fruit-Cart-Flicks-108335794289597/Facebook Group Member Page ⬇️https://www.facebook.com/groups/1186796548333085/membersInstagram ⬇️https://instagram.com/fruit_cart_flicksPodcast Directories ⬇️https://fruitcartflicks.buzzsprout.com/Follow Michael’s
@scottlo on twitter said he'd be interested in hearing more about 'The Certainty of Delivery at some point, and so this is that. Plus, a tiny treat for Frances Ford Coppola fans at the end.
Short Story: The Premature Burial (1844) Film: The Premature Burial (1962) Directed by Roger Corman and based on the short story of the same name, this would be the third film in the Corman - Poe cycle. The film stars Ray Milland, Hazel Court, Alan Napier, Heather Angel and Richard Ney. The screenplay by Charles 97 Faces of Dr Lao) Beaumont and Ray (Mr Sardonicus) Russell. The story centres around a man who has a fear of being buried alive. Interestingly enough, the film's assistant director is Frances Ford Coppola. We urge all our listeners to listen to this fantastic podcast – The Story Geeks available by clicking on this link: iTunes: or Website: or TuneIn Radio We are joined by Rondo award winner of 2020 Rod Labbe. Opening Credits; Introduction (1.32); Story Geeks – What to Watch This Week (14.41); Forming the Plot (17.23); Film Trailer (51.54); Time Slingers Book Release – Death of a Bounty of Hunter (54.23); Lights, Camera, Action (56.51); Epilogue (1:42.19); End Credits (1:53.32); Closing Credits (1:54.19) Opening Credits – Thanking Purple Planet Music for our fantastic Opening and Closing Credits. Closing Credits – You Can’t Stop The Beat from the motion picture soundtrack ‘Hairspray’. Used by Permission All rights are reserved.
Carolina Hidalgo from The Last Podcast Network’s “No Dogs and Space” and “Movie Signs With The Mads” joins Hold My Popcorn to discuss the super gothic and super horny 1992 horror film Dracula directed by Frances Ford Coppola. The boys and their first ever LAAADDYY (insert Bill Burr voice) guest talk about the main plot points of this visually strange movie. Highlights include: Keanu’s horrific English accent, Gary Oldman’s solid C cup on top of his head, vampire freaks in the sheets and where did they come from, bite victims finding ways to take their top off, bad optics for tongues, how casual Anthony Hopkins was in this movie, using robots as your goons, the movie Air Force One, the weird anticlimactic ending, and living your #bestun-life! Also, who cleaned up all the blood in Lucy’s room? Quarantine movie recommendations from the Hold My Popcorn crew include: The Invisible Man (2020) The Witch (2015) Night of the Creeps (1986) House (1985) Waxwork (1988) If you want to be part of the show, or want to scream at us check out our Instagram, Facebook and Twitter pages, or email us at tdbackrow@gmail.com For more on artwork like ours, please visit: https://www.frowles.com
Hot on the heels of our discussion about nutsoid sci-fi horror teen farce Detention, comes an episode about another teen film, but one that’s mostly forgotten, in spite of Criterion reissuing a super deluxe version on blu-ray: Frances Ford Coppola’s direction of S.E. Hinton’s Rumble Fish. When we think of teen movies, we think of […] The post Rumble Fish by Andrew Bargeron appeared first on Ouch My Ego! - Music, Art, & Culture Blog of the Rio Grande Valley.
Das Heimkino-Label Arthaus steht seit 25 Jahren für anspruchsvolle Filmkost aus allen Ländern dieser Welt. Dieses Jubiläum haben wir uns zum Anlass genommen, ein wenig in dem Katalog zu kramen und unsere drei Lieblingsfilme auszusuchen, die wir Euch in diesem Kino+-Spezial vorstellen möchten. Gemeinsam mit ihren Gästen Tino Hahn und Wolfgang M. Schmitt vom YouTube-Kanal „Die Filmanalyse“ beginnen wir in den frühen Sechzigerjahren in Rom: Hier erzählt der Nouvelle-Vague-Regisseur Jean-Luc Godard mit „Die Verachtung“ eine zeitlose Geschichte über das Filmemachen, in der Brigitte Bardot und Michel Piccoli als Ehepaar berauschen. Anschließend wird’s paranoid: In „Der Dialog“ von Frances Ford Coppola ist Gene Hackman felsenfest davon überzeugt, verfolgt zu werden. Und es bleibt düster: „Wenn die Gondeln Trauer tragen“, „Angel Heart“ und „Angst essen Seele auf“ haben es der Kino+-Crew ebenso angetan wie der mit einem spektakulären Twist ausgestattete Thriller „The Crying Game“ oder das Fantasydrama „Sieben Minuten nach Mitternacht“, in dem ein von Liam Neeson verkörpertes Baummonster verzweifelt versucht, einen trauernden kleinen Jungen aufzumuntern. Bei so viel Schwärmerei kann man schon mal die Zeit aus den Augen verlieren, sodass am Ende dieser Ausgabe außer Frage steht, dass wir für einen zweiten Teil wiederkommen werden. Bis es soweit ist, schaut Euch aber bitte erstmal die erste Ausgabe an und geratet gemeinsam mit uns ins Schwärmen. Mit cineastischen Grüßen: Kinoplus.
On this week’s episode of Napa Valley Inside Out, I sit down with Sonia Tolbert, Chief Operating Officer of Festival Napa Valley, one of the country’s premier summer destination Festivals, and one of the largest cultural institutions in Napa Valley. Sonia tells us about the extraordinary Board of Directors and sponsors that have greatly contributed to the Festival becoming the largest private funder of arts education in Napa Valley. We share our memories of some of the many highlights from the Festival's previous years, including: Carlo Ponte’s orchestral tribute to his mother Sophia Loren in the grounds of Far Niente winery. Followed by Whoopie Goldberg, Robert Redford and Frances Ford Coppola sharing their stories of how she influenced their lives and careers. Henry Mancini’s daughter, Monica, and Dave Koz performing at the tribute to Margrit Mondavi, once again at Far Niente winery, where Sophia Loren returned to be by her side as we celebrated her extraordinary life. Kristin Chenoweth singing with local high school students on stage at the Arts for Gala event at Hall Winery. We talked about the Bouchaine Young Artist Series, the tuition-free Blackburn Music Academy, Jan Shrem and Maria Manetti Shrem’s Vocal Arts Series, Sunday at the Symphony, and much more. Seal is one of the headliners so be sure check out the calendar for the many outstanding performances, luncheons, and dinners in spectacular settings. Tickets are now on sale to this year’s Festival Napa Valley. Sending a special thank you to the many generous sponsors - Mercedez Benz, Bouchaine Winery, the San Francisco Chronicle and First Republic to name a few.
[School of Movies 2018] In 1992 Frances Ford Coppola, director of The Godfather Trilogy and Apocalypse Now tackled the first cinematic adaptation of the seminal 1897 Gothic Horror novel by Bram Stoker. It was a character that had been a screen icon for decades already and synonymous with charismatic monsters, but to date nobody had decided to follow the book closely. It has not yet been bettered. The addition of his lost wife, reincarnated as Mina Murray nudged this into an extremely accomplished Gothic Romance, but beyond the emotional strength added to the text this stands as a love letter to now-antiquated special effects, specifically those dating back to the Victorian birth of cinema. It is still an absolute triumph, despite (or maybe because of) the hilarious non-mastery of the English accent from some of its stars. It also features a performance of Dracula by Gary Oldman of extraordinary intensity. Screaming with rage, and yet brooding in pain. We go deep on this one. almost Lord of the Rings levels of focus on the many tiny details that make this shadowy tale totally worth watching.
Steve Cavanagh is the author of the Eddie Flynn legal thrillers The Defence, The Plea, The Liar and now, with his new book Thirteen, he is on the verge of a bestselling breakthrough. Steve brings his legal expertise to his writing and creates compelling characters and nail-biting thrillers, and co-presents the Two Crime Writers And A Microphone podcast… Which we're not going to plug on the show. No way. In this episode you will discover… Why a screenwriting rejection from Frances Ford Coppola shouldn't get you down Why holding your nerve when told to scrap your book can pay dividends Top tips on keeping your series character fresh and making your antagonists compelling Why it's so important to be a fan of your genre and to become a member of the genre's community And how to announce to an editor that what you've written is something different...
Jimmy catches up with "Danny Boy" O'Connor of House Of Pain / La Coka Nostra at The Voltage Lounge in Philadelphia to discuss his purchase and restoration of 'The Outsiders' house in Tulsa, Oklahoma which was used in Frances Ford Coppola's classic coming of age film of the same name. Also discussed is the birth of the "Delta Bravo Urban Exploration" team. Please Follow, Like and Support the Following Social Media Pages. Thank you. THE OUTSIDERS HOUSE: https://www.facebook.com/theoutsidershouse/ https://twitter.com/OutsidersHouse https://instagram.com/theoutsidershouse DELTA BRAVO URBAN EXPLORATION TEAM: https://www.deltabravourbanexplorationteam.bigcartel.com https://www.facebook.com/groups/885109204876836/ https://www.instagram.com/deltabravodaily LA COKA NOSTRA: https://www.facebook.com/lacokanostramusic/ https://www.instagram.com/lacokanostraofficial
We're gonna make you an offer you can't refuse. 1972 brings us only one film this week. Frances Ford Coppola's masterpiece "The Godfather" is a cultural touchstone that tops many "Best Of" movie lists of all time. The Italian mob drama owned the box office that year, while also wrestling the Best Picture Oscar away from "Cabaret," which won the most Oscars that year. Listen to our thoughts on the film.
In this episode recorded LIVE! at the NorthEast Comic Con Ken welcomes actress Candy Clark (American Graffiti, The Man Who Fell to Earth) to the show. Ken and Candy discuss growing up in Texas, moving to NYC, being a teen model, John Houston, Fat City, Susan Tyrrell, the high cost of living in Manhattan, Room 222, auditioning for American Graffiti, THX 1138, working with George Lucas, the amazing soundtrack of American Graffiti, revitalizing the Hot Rod World, meeting Jeff Beck, The Dating Game, The Man Who Fell to Earth, David Bowie, Nick Roeg, how being an actress can be like waiting tables, Circus of the Stars, being mauled by a tiger, Pat Morita : Magician, Barbie Benton being put in danger, Faerie Tale Theater, The 1988 remake of The Blob, the new Twin Peaks, child actors, Ron Howard, the fight over the title "American Graffiti", how Frances Ford Coppola almost personally purchased the movie, the Thighmaster, and the difficulties of working with George Peppard on Banachek.
Matthew will be reviewing IRON MAN 2 and the DVDs of the musical NINE, Frances Ford Coppola's TETRO and the Amy Adams comedy LEAP YEAR. Plus a chat with writer Neil Gaiman (CORALINE, STARDUST) and a tribute to actress Lynn Redgrave.
Bernard Gersten, Executive Producer of Lincoln Center Theater, takes listeners on a highly condensed tour of his 60-year career in the theatre, including his joining Maurice Evans' US Army Special Services Unit while stationed on Hawaii during World War II; his subsequent New York debut as assistant stage manager, ensemble member and understudy in Evans' "G.I." "Hamlet"; his years as a stage manager, including the threat to his job at the American Shakespeare Festival in Connecticut after he was called before the infamous House Un-American Activities Committee; how he met and came to work with Joseph Papp at the New York Shakespeare Festival, a tenure that included the construction of the "temporary" Delacorte Theatre, the opening of The Public Theater on Astor Place with the original "Hair", and the phenomenal success of "A Chorus Line"; his work with Frances Ford Coppola on four films, including the oft-discussed but little seen "One From the Heart"; how he signed on at the inception of Lincoln Center Theater in 1985 when the Vivian Beaumont was thought to be a highly undesirable venue; and his role in the selection of Andre Bishop as LCT's artistic director upon the departure of Gregory Mosher in 1991. Original air date - December 21, 2009.
Bernard Gersten, whose tenure as Executive Producer of Lincoln Center Theater has scored them numerous Tony Awards, including the recent revival of South Pacific, Coast of Utopia and Contact, takes listeners on a highly condensed tour of his 60-year career in the theatre, including his joining Maurice Evans' US Army Special Services Unit while stationed on Hawaii during World War II; his subsequent New York debut as assistant stage manager, ensemble member and understudy in Evans' "G.I." Hamlet; his years as a stage manager, including the threat to his job at the American Shakespeare Festival in Connecticut after he was called before the infamous House Un-American Activities Committee; how he met and came to work with Joseph Papp at the New York Shakespeare Festival, a tenure that included the construction of the "temporary" Delacorte Theatre, the opening of The Public Theater on Astor Place with the original Hair, and the phenomenal success of A Chorus Line; his work with Frances Ford Coppola on four films, including the oft-discussed but little seen One From the Heart; how he signed on at the inception of Lincoln Center Theater in 1985 when the Vivian Beaumont was thought to be a highly undesirable venue; and his role in the selection of Andre Bishop as LCT's artistic director upon the departure of Gregory Mosher in 1991.
Bernard Gersten, Executive Producer of Lincoln Center Theater, takes listeners on a highly condensed tour of his 60-year career in the theatre, including his joining Maurice Evans' US Army Special Services Unit while stationed on Hawaii during World War II; his subsequent New York debut as assistant stage manager, ensemble member and understudy in Evans' "G.I." "Hamlet"; his years as a stage manager, including the threat to his job at the American Shakespeare Festival in Connecticut after he was called before the infamous House Un-American Activities Committee; how he met and came to work with Joseph Papp at the New York Shakespeare Festival, a tenure that included the construction of the "temporary" Delacorte Theatre, the opening of The Public Theater on Astor Place with the original "Hair", and the phenomenal success of "A Chorus Line"; his work with Frances Ford Coppola on four films, including the oft-discussed but little seen "One From the Heart"; how he signed on at the inception of Lincoln Center Theater in 1985 when the Vivian Beaumont was thought to be a highly undesirable venue; and his role in the selection of Andre Bishop as LCT's artistic director upon the departure of Gregory Mosher in 1991. Original air date - December 21, 2009.