Podcasts about Jandek

Chad Freidrichs is a documentarian who has crafted a filmography built with a series of fringe stories that unveil fascinating narratives that exist just outside the periphery of normalcy. His first feature doc, Jandek on Corwood, sees a reclusive folk and blues musician gain a following, all the while he never truly engages with his followers fascination with his work. In 2011, Chad crafted the ethnographic documentary The Pruitt-Igoe Myth, which looks at the urban racism that existed in social housing in St Louis. Then, in 2017, with The Experimental City, Chad explores the rise and fall of societal ideas as witnessed with The Minnesota Experimental City, a grand vision that was never truly realised.Each of these stories have paved the way for his latest film, The Cinema Within, an exploration into the way editing works. Chad explores the language of cinema with Walter Murch, whose book In the Blink of an Eye equally explores the role blinking plays in editing, and also scholar David Bordwell who explores the impact of an edit on our psyche to understand the way it transforms our understanding of cinema. Murch and Bordwell play scene setters for the deeper narrative in The Cinema Within, which sees researcher Sermin Ildirar head to rural Turkey to find a group of people who have never seen a film before, creating the foundation to her research into the role of editing, perspective, and more, on our minds.The Cinema Within is a fascinating look into the impact of editing, and the notion of taking the language of cinema for granted. Like every language, it's one that needs to be learned and built on over time, and Chad's work invites that perspective of cinema. His films are invitations to see the world from a different perspective, and it's that notion that we explore in the following interview, which sees Chad talk about the notion of ideas, while I bring up my personal connection to Jandek on Corwood, a film that I saw back in 2004 at Perth's Revelation Film Festival, and that has stuck in my mind.The Cinema Within is now available to view on DVD, Amazon, Apple TV & Kanopy in America.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Chad Freidrichs is a documentarian who has crafted a filmography built with a series of fringe stories that unveil fascinating narratives that exist just outside the periphery of normalcy. His first feature doc, Jandek on Corwood, sees a reclusive folk and blues musician gain a following, all the while he never truly engages with his followers fascination with his work. In 2011, Chad crafted the ethnographic documentary The Pruitt-Igoe Myth, which looks at the urban racism that existed in social housing in St Louis. Then, in 2017, with The Experimental City, Chad explores the rise and fall of societal ideas as witnessed with The Minnesota Experimental City, a grand vision that was never truly realised.Each of these stories have paved the way for his latest film, The Cinema Within, an exploration into the way editing works. Chad explores the language of cinema with Walter Murch, whose book In the Blink of an Eye equally explores the role blinking plays in editing, and also scholar David Bordwell who explores the impact of an edit on our psyche to understand the way it transforms our understanding of cinema. Murch and Bordwell play scene setters for the deeper narrative in The Cinema Within, which sees researcher Sermin Ildirar head to rural Turkey to find a group of people who have never seen a film before, creating the foundation to her research into the role of editing, perspective, and more, on our minds.The Cinema Within is a fascinating look into the impact of editing, and the notion of taking the language of cinema for granted. Like every language, it's one that needs to be learned and built on over time, and Chad's work invites that perspective of cinema. His films are invitations to see the world from a different perspective, and it's that notion that we explore in the following interview, which sees Chad talk about the notion of ideas, while I bring up my personal connection to Jandek on Corwood, a film that I saw back in 2004 at Perth's Revelation Film Festival, and that has stuck in my mind.The Cinema Within is now available to view on DVD, Amazon, Apple TV & Kanopy in America.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Episode 191 of Pudding On The Wrist.  In which your faithful deejay and psychic friend, Frozen Lazuras, spins choice cuts from Burning Spear, Byard Lancaster, Jandek, Asha Puthli, Saint Etienne, and so many more.Giving you what the algorithms won't since 2020.

On this episode of Songs of Our Lives, it's the return of Sarah Hennies! I always knew I'd have Sarah back, and with her new album with Tristan Kasten-Krause out now on Dinzu Artefacts, it was the perfect opportunity. (The album is incredible, by the way). We talk a lot about the point of singular genius that is Jandek, belting out “The Piano Man,” Hatebeak, The Shaggs, Cerberus Shoal, Bobby Conn, The Fire Theft, and more!Listen to all of Sarah's picks HERE“The Quiet Sun”Sarah's WebsiteSarah's First EpisodeSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramBlueskyThe Jewel GardenSong ListThe Shaggs “I'm So Happy That You're Near”Jonathan Richman “Cold Pizza”Billy Joel “The Piano Man”Hatebeak "Beak of Putrefaction”Officer! “Dynamite?Jandek "You Won't Get Up”Frances Baskerville "The Nanny's Panties”The Shivers "L.I.E.”Cerberus Shoal “Wyrm”Bobby Conn “Never Get Ahead”The Fire Theft “Uncle Mountain”Baudouin Oosterlynck "La Point et La Ligne”

On this episode of Songs of Our Lives, it's Circuit des Yeux! My love for Haley Fohr's work goes way, way back (shout out Night People), but this new record, “Halo On The Inside” is a different beast entirely. I am pretty much floored by it, so this was an absolute treat. We get into eternal love for the Bee Gees, Joëlle Leandre's tearjerker, Neil Young at his worst, vibing with Jandek, the madman that is Lindsey Buckingham, Chris & Cosey, Brian Eno, Charli XCX, Van Halen, and more!Listen to all of Haley's picks HERE“Halo On The Inside”Tour DatesCdY on InstagramSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListBee Gees “How Deep Is Your Love”Joëlle Leandre “Cri”Missy Elliot “One Minute Man”Ronnie Spector “Try Some Buy Some”Olivier Messiaen “L'Ascension”Teenage Jesus & the Jerks “Orphans”Jandek “Naked in the Afternoon”Chris & Cosey “October (Love Song)”Neil Young “There's a World”Lucinda Williams “Fruits of My Labor”Brian Eno “Green World”Charli XCX “Von Dutch”Van Halen “Humans Being”Neil Young “Razor Love”

2:50:24 – Frank in New Jersey, plus the Other Side. Topics include: What’s in the box?, Birchwood Palace Industries, Corwood Industries, Jandek, fonts, Delphin, Delphian, Palatino, publications from Birchwood Palace Industries (Videoland: A Visual Catalog of American Video Store Logos, 1980-1995, Private Worlds: A Visual Catalog of Progressive Toy Designs, 1970-1990, Trust Me, I’m a Doctor: A […]

2:50:24 – Frank in New Jersey, plus the Other Side. Topics include: What’s in the box?, Birchwood Palace Industries, Corwood Industries, Jandek, fonts, Delphin, Delphian, Palatino, publications from Birchwood Palace Industries (Videoland: A Visual Catalog of American Video Store Logos, 1980-1995, Private Worlds: A Visual Catalog of Progressive Toy Designs, 1970-1990, Trust Me, I’m a Doctor: A […]

Episode 732: January 19, 2025 playlist: General Magic, "Seite 5" (Bosko) 2025 Editions Mego Throwing Muses, "Summer Of Love" (Moonlight Concessions) 2025 Fire Midori Hirano and Brueder Selke, "Scale G" (Split Scale) 2025 Thrill Jockey Eiko Ishibashi, "Coma" (Antigone) 2025 Drag City Violeta Parra, "Gracias A La Vida" (Las ultimas composiciones de Violeta Parra) 1966 / 2025 Vapmi Soul Dub Syndicate, "Right Back To Your Soul" (Obscured By Version) 2025 On-U Sound They., "Diamonds And Pearls" (Love.Jones) 2024 Drink Sum Wtr Spinnen, "Geister" (Warmes Licht) 2025 Alien Transistor Lawrence English, "Even The Horizon Knows Its Bounds (excerpt II)" (Even The Horizon Knows Its Bounds) 2025 Room40 Myriad Myriads, "Seventh Hit" (All The Hits) 2025 Wrong Speed Lambrini Girls, "Bad Apple" (Who Let The Dogs Out) 2025 City Slang Jandek, "Second Movement" (Three Movements) 2024 Corwood Rose City Band, "Radio Song" (Sol Y Sombra) 2025 Thrill Jockey David Lynch and Alan Splet, "In Heaven (Lady in the Radiator Song)" (Eraserhead) 1982 I.R.S. / 2012 Sacred Bones Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

The world's most prolific creator Matt Farley is back again! Thomas opens with a selection of songs from 70s rock guys where they sound even more exhausted and worn out than normal - was this a trend? Matt F. then utterly baffles the group with an introduction to the most mysterious outsider musician ever... The one and only Jandek.   https://moternmedia.com/   LMO Survey https://www.niagaramoonmusic.com/   https://www.thinlear.com/   X / Twitter: https://twitter.com/losingmyopinion IG: https://www.instagram.com/losingmyopinion/ Tiktok: https://www.tiktok.com/losingmyopinion

I discuss the mysterious and prolific outsider musician, Jandek.

Episode 672: January 25, 2024 playlist: Maya Shenfeld, "Analemma" (Under the Sun) 2024 Thrill Jockey Four Tet, "Loved" (Loved) 2024 Text Nick Schofield, "Picture Perfect" (Ambient Ensemble) 2024 Backward Music Julia Holter, "Sun Girl" (Something in the Room She Moves) 2024 Domino Hyperculte, "Les malheurs du siecle" (La Pangee) 2023 Bongo Joe Neville Brown, "Prophetic Dub" (Prince Fatty Meets The Gorgon In Dub) 2023 VP the volume settings folder, "a dim flare" (Oostende) 2023 [self-released] Jandek, "Twenty-Four" (Telegraph Melts) 1986 Corwood High Llamas, "Hey Panda" (Hey Panda) 2024 Drag City Rafael Toral, "Fifths Twice" (Spectral Evolution) 2024 Moikai Nurse With Wound, "She And Me Fall Together Like Free Death [phosphorous mix] (edit)" (She And Me Fall Together In Free Death) 2004 Beta-Lactam Ring MJ Guider, "Grand Couteau" (Youth and Beauty) 2024 Modemain Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

We talk about the Jandek documentary Jandek on Corwood and accidentally stumble on where modern day Jandeks reside. Email us at vizauralmusic at gmail dot com for submissions or comments

Brian gets to hang out with John Ferguson, a partner-in-crime of indie rock pioneer Robert Schneider and a member of the rock band The Apples in Stereo for a chat about family history, who his dad MIGHT have made eyes with, and touring in Japan. This episode brought to you in part by Louder Than Life Music Festival. Louder Than Life America's Biggest Rock Festival Louisville, KY September 21-24, 2023 Highland Festival Grounds At Kentucky Exposition Center Foo Fighters, Green Day, Tool, Avenged Sevenfold, Godsmack, Pantera, Queens Of The Stone Age, Weezer, Limp Bizkit, Megadeth, Rancid, Turnstile & More General Admission And VIP Passes On Sale Now Starting At $10 Down Win Louder Than Life tickets by entering HERE! Support the show on Patreon: https://www.patreon.com/rocknrollbedtimestories Songs used in this episode: "I Wish I Could Sing" by R Stevie Moore; "No Thugs in Our House" by XTC; "Time and Space" by Jandek; "I Found Love" by The Free Design; "Paralyzed" by Big Fresh (w Robert Schneider); "Television" by Ulysses; "No Vacation," "Energy," "Can Yo Feel It" by The Apples in Stereo

Phil Selway, Hannah Peel, Valentina Magaletti, and Errollyn Wallen discuss how to progress from a blank page to a room full of musicians, navigating barriers to development, and balancing the various demands of being a musician. Phil Selway grew up in Oxfordshire and met his Radiohead bandmates at school. They formed the band in 1985 and released their debut album Pablo Honey in 1993. They've released nine studio albums to date. Phil's debut solo album, Familial, came out in 2010, and he recently released his third solo album Strange Dance. Hannah Peel is a Mercury Prize and Emmy-nominated composer, musician, artist and broadcaster. Her music is primarily electronic and often includes classical scoring and sound design, with references to the links between science, nature and music. As well as solo releases, she has also composed soundtracks and collaborated with artists such as Paul Weller, John Foxx and Phil Selway. Valentina Magaletti is a drummer, composer and multi-instrumentalist, with an inventive approach to drums and percussion. She moves effortlessly between the seemingly disparate worlds of alternative and mainstream music. She's played with artists such as Jandek, Mica Levi, Sampha, Kamasi Washington, and Nicolas Jaar. Errollyn Wallen is a multi award-winning Belize-born British composer and performer. Her output includes 22 operas and a large catalogue of orchestral, chamber, and vocal works. She composed for the opening ceremony of the 2012 Paralympic Games and for the climate change conference COP26. In 2020, she was awarded a CBE for services to music.

On today's show, investment disparities in Arkansas are highlighted through the University of Arkansas' 2021 Capital Scan. Plus, the Razorback's indoor track and field success, achieves from the Pryor Center, Jandek is scheduled to perform this weekend and more.

Sam Coomes is a Cascadia based musician/producer, half of the long-running underground pop band Quasi (along with Janet Weiss ), & synth player in Jon Spencer and the Hitmakers. SC has also toured &/or recorded with Built To Spill, Elliott Smith, Jandek, The Go-Betweens, Marissa Anderson, J.D. Pinkus (Butthole Surfers) & a long list of musicians of lesser media visibility, & is also a member of heavy prog/experimental ensemble Pink Mountain (not to be confused with The Pink Mountaintops {unfortunate happenstance}), Crock - a duo also featuring Spencer Seim (Hella), & Deep Fried Boogie Band. He has collaborated with visual artist/musician Chris Johanson on soundtracks to art installations (Ensemble IS) & scored several films by Portland based underground filmmaker Vanessa Renwick. SC has toured internationally as a solo artist, first under the name Blues Goblins, & later under his more mundane given name. Oddly, SC is a two time member or the Oregon Music Hall of Fame (it exists), as a member of Quasi & also as a member of Heatmiser.All production by Cody Maxwell. Artwork by Cody Maxwell. Opening graphic assets by UlyanaStudio and Grandphic.sharkfyn.com

This episode is part of Pledge Week 2022. Every day this week, I'll be posting old Patreon bonus episodes of the podcast which will have this short intro. These are short, ten- to twenty-minute bonus podcasts which get posted to Patreon for my paying backers every time I post a new main episode -- there are well over a hundred of these in the archive now. If you like the sound of these episodes, then go to patreon.com/andrewhickey and subscribe for as little as a dollar a month or ten dollars a year to get access to all those bonus episodes, plus new ones as they appear. Click below for the transcript Transcript Just a note before I begin, this episode deals with mental illness and with the methods, close to torture, used to treat it in the middle of the last century, so anyone for whom that's a delicate subject may want to skip this one. There's a term that often gets used about some musicians, "outsider music", and it's a term that I'm somewhat uncomfortable with. It's a term that gets applied to anyone eccentric, whether someone like Jandek who releases his own albums through mail order and just does his own thing, or someone like Hasil Adkins who made wild rockabilly music, or an entertainer like Tiny Tim who had a bizarre but consistent view of showbusiness, or a band like the Shaggs who were just plain incompetent, or people like Wesley Willis or Wild Man Fischer who had serious mental health problems. The problem with the term is that it erases these differences, and that it assumes that the most interesting thing about the music is the person behind it. It also erases talent, especially in the case of mentally ill artists. There are several mutually incompatible assumptions about creative artists who have mental health problems. One is that their music should be treated like a freak show, and either appreciated for that reason (if you're someone who gets their entertainment from someone else's suffering) or disdained (if you don't want to do that). Other people think that the mental illness *makes* the music, that great art comes from mental health problems, while yet others will argue that someone's art has nothing at all to do with their mental health, and is not influenced by it in any way. All of these positions are, of course, wrong. Mental illness doesn't stop someone from making great art -- except when it takes away the ability to make art at all of course -- people like Brian Wilson or Vincent Van Gogh are testament to that, and their best work has nothing to do with a freak show. But nor does it grant the ability to make great art. Someone with no musical talent who develops schizophrenia just becomes a schizophrenic person with no musical talent. But to say that mental illness doesn't affect the work is also nonsense. Everything about someone's life affects their art, especially something as important as their mental health. And the real problem with these labels comes with those artists who don't manage to develop a substantial body of work before their illness sets in. Those with real musical talent, but who end up getting put in the outsider artist bucket because their work is so obviously affected by their illness. And one of those is Roky Erickson, of the Thirteenth Floor Elevators. Erickson started his career aged fifteen with a group based in Austin, Texas, called the Spades -- and I hope that this wasn't intended as a racial slur, as the word was sometimes used at this time. Their first single, "We Sell Soul", released in 1965, shows the clear influence of "Gloria" by Them: [Excerpt: The Spades, "We Sell Soul"] That was a regional hit, and so their second single, the first song that Erickson had ever written, was recorded in the same style: [Excerpt: The Spades, "You're Gonna Miss Me"] But by December 1965, Erickson had left the Spades, and joined Stacy Sutherland, Benny Thurman, and John Ike Walton, the members of another band called the Lingsmen. They were joined by a fifth man, Tommy Hall, who became the band's lyricist, liner-note writer, and general spokesman, and who played an electric jug, creating an effect somewhere between bubbling and a wobble board. Hall started calling the group's music "psychedelic rock" in late 1965 after being influenced by Timothy Leary, and I've seen some people say he was the first person ever to use the term. The group released a rerecorded version of "You're Gonna Miss Me" on a small local label: [Excerpt: The Thirteenth Floor Elevators, "You're Gonna Miss Me"] That was released in January 1966, and later picked up by a larger label, International Artists, which was the home of a lot of Texan psychedelic bands, like the Golden Dawn and the Red Crayola. It spent most of the year slowly climbing the charts, eventually reaching number fifty-five -- the highest chart position the group would ever have. It was included on their debut album, The Psychedelic Sounds of the Thirteenth Floor Elevators, released towards the end of the year, by which time Thurman had been replaced by Ronnie Leatherman on bass. The album's liner notes were written by Hall and had a large amount of advocacy for the use of psychedelic drugs -- as did the music itself, though some of this was a little more subtle, like the song "Fire Engine", where the line "let me take you to the empty place" was meant to sound like "DMT place", DMT being a psychedelic drug: [Excerpt: The Thirteenth Floor Elevators, "Fire Engine"] Around this time, the band crossed paths with Janis Joplin, who was a big fan of the group and who they tried to get to join them, but Joplin decided to move to California instead. Tommy Hall was a huge advocate for both the potential of LSD to open people's minds, and of the general semantics of Alfred Korzybski, and his enthusiasm for both showed up on the group's second album. Unfortunately, not all of the group were of quite the same mind, and Leatherman and Walton left early in the sessions for that album, Easter Everywhere, which was considered not quite up to the standards of the previous album, though Erickson and Hall's eight-minute long "Slip Inside This House" is a favourite of most of the fans. [Excerpt: The Thirteenth Floor Elevators, "Slip Inside This House"] Unfortunately, the band started to disintegrate. The core of Erickson, Hall, and Sutherland remained together, but various bass players and drummers came and went -- though one of the band's rhythm sections, Duke Davis and Danny Thomas, was good enough that the band's label got them to back Lightnin' Hopkins on his album Free Form Patterns. According to reports I've read, Davis and Thomas were both on acid during the session, but they still play solidly throughout: [Excerpt: Lightnin' Hopkins, "Give Me Time to Think"] Another potential bass player at this point was a roommate of Erickson's, who Erickson tried to get into the band but who Hall turned down. Townes Van Zandt later went on to rather bigger things. Erickson also started to have some mental problems -- apparently taking LSD literally every day for years is not great for you. And when he was arrested for marijuana possession, he decided to use his mental health as a way to get out of a potential ten-year jail sentence, by getting three years in a psychiatric hospital instead. He later claimed that he was lying about his problems and acting mad to get this sentence, but he had been having problems before then. Hall and Sutherland and their current rhythm section finished up a few demos, and the record label put out one final album made up of outtakes, plus a faked live album with crowd noise overdubbed on some earlier studio recordings, but with their lead singer in hospital for three years the band split up. Hall became a Scientologist and quit the music industry altogether. If Erickson *was* faking his illness when he went into the hospital, he wasn't faking it by the time he came out. Psychiatric medicine was still in its infancy then. It's far from wonderful today, but at least in general you can be relatively sure that the treatment won't make you worse. That wasn't the case in the late sixties and early seventies, and Erickson was forced through multiple sessions of electro-shock therapy. (To be clear, electro-shock therapy can sometimes be effective for some conditions when done properly and with the patient's consent. This wasn't either.) When Erickson finally got out, he tried to put his life back together, and formed a new band called Bleib Alien, later renamed Roky Erickson and the Aliens, who made hard rock records with lyrics about science fiction and horror themes like zombies, fire demons, medical experimentation, and two-headed dogs: [Excerpt: Roky Erickson and the Aliens, "Two-Headed Dog"] Erickson became a cult artist, cited as an influence by everyone from Henry Rollins to ZZ Top, and intermittently released recordings for the next few decades, but he spent much of the time dealing with severe, untreated, schizophrenia. There are many stories about this time that get shared, and are easy to find online, but which I'm not going to repeat here because they tend to be shared in a freak-show manner. But by 2001 he was placed in the legal custody of his brother . This kind of situation is often abused, but in Erickson's case it seems to have done him good. His brother got him legal and medical help, and helped him start finally receiving royalties on some of his records. There was a one-off fiftieth anniversary reunion of most of the living original members of the Thirteenth Floor Elevators, and in 2010 Erickson released his finest album, a collaboration with the band Okkervil River, True Love Cast Out All Evil: [Excerpt: Roky Erickson and Okkervil River, "Ain't Blues Too Bad"] By all accounts the last years of Erickson's life were happier and more comfortable than any he'd had. He got to tour the world, playing for appreciative crowds, he got his schizophrenia under control, and he was able to live a relatively independent life, and to know that new generations of musicians admired his work. He died in 2019, aged seventy-one.

SPLASH! Mini-Mutations vs. The Shat; b-Aluria from Brazil, Jandek, Lydia Lunch, Italian Post-Industrial Music, Patti Smith, William Hooker, everything that is stretched & saturated… PLAYLIST: Mini-Mutations “A Visible Spectrum” [The Study of the Universe] Mini-Mutations “Mercury, Venus, Earth & The Moon” [The Study of … Continue reading →

Eli Keszler is a New York based producer, performer, and percussionist, known for grand art installations and inventive compositions. Informed by improvisation and experimental noise, Eli Keszler utilizes unique techniques to create inventive motions of sound."Roots to Grooves" is a production of SIGNL.https://www.signlradio.comhttps://www.instagram.com/signlradiohttps://www.twitter.com/signlradiohttps://www.facebook.com/signlradiohttps://www.mixcloud.com/signlhttps://open.spotify.com/user/96mhz6qfjoztxbl2dpm0uj903?si=aAZpsoEnRAKdx85kr1QWhg

Honored to have Shae & Derek from Navin Avenue on the show today.  Such sweet, gracious and talented people....not to mention how they met might be the coolest story I have ever heard.  We talk about Country music, the songwriting process, concept albums and whether you're more likely to be murdered by Jandek or Adele.  

Some of the most popular and profitable stories today are based on characters created and developed by authors and artists at Marvel Comics.  Douglas Wolk has read all 27,000 issues to unpack the hopes, anxieties, and cultural aspirations in their half-million pages. Douglas Wolk is a pop culture critic, teacher and writer, and the author of “All of the Marvels,” “Reading Comics” and “33 1/3: Live at the Apollo.”  He's written about comics and music for magazines, newspapers and websites including Time, The New York Times, Rolling Stone, The Washington Post, The Believer, Entertainment Weekly, The Los Angeles Times, The Village Voice, Slate and Pitchfork.  Wolk has been a National Arts Journalism Fellow at Columbia University and a Fellow in the USC Annenberg/Getty Arts Journalism Program.  His other projects have included the comic book “Judge Dredd: Mega-City Two” and the record label “Dark Beloved Cloud.”  Wolk has lectured and moderated panels at Comic-Con International, the Experience Music Project Pop Conference, the Center for Cartoon Studies, New York Comic-Con, Rose City Comic Con, Emerald City Comic Con, WonderCon, and elsewhere.  He has appeared in the documentaries “Marvel's Behind the Mask,” “Cartoon College,” “Ink: Alter Egos Exposed” and “Jandek on Corwood.”  He's been honored with the Will Eisner Award for Best Comics-Related Book, the Harvey Award for Best Biographical, Historical or Journalistic Presentation, and the Krill Tro Thargo for Service to Thrill-Power.  Currently, he teaches at Portland State University and hosts the podcast “Voice of Latveria.”  His latest book, “All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told,” was published in October 2021, receiving critical acclaim. See omnystudio.com/listener for privacy information.

This time on Soundcheck, Ben, Michael and Brody take a trip through the weird, weird world of outsider music. You'll know it when you hear it! Featured Artists: Daniel Johnston, The Shaggs, Three Beat Slide, Wesley Willis, Tiny Tim, Jandek, Hasil Adkins, The Legendary Stardust Cowboy, Bobby Frank Brown, Wild Man Fischer, Ed & Alice Gorin, Eilert Pilarm, Highway 61, Ramsey Kearney, The Cramps, B.J. Snowden, Bobb Trimble, Kindness, Texas

Music critic Byron Coley wrote for Forced Exposure magazine in the 1980s until the magazine ceased publication in 1993. Prior to Forced Exposure, he wrote for NY Rocker, Boston Rock, and Take It! . During 1980s and '90s, he was a contributing writer to Spin. Byron has contributed liner notes to albums by The Flesh Eaters, Sonic Youth, Dinosaur Jr., Yo La Tengo, John Fahey, and numerous others. He has also appeared in documentaries about artists Half Japanese, Minutemen, Jandek, and The Holy Modal Rounders. Byron is also a published poet and occasionally gives public readings of his work. He also wrote a biographies of Chuck Norris and the  Mötley Crüe. In 2010, Byron became involved with Feeding Tube Records in Northampton, Massachusetts, a record store where he sells rare items from his personal collection.

How did a musician who kept his identity a secret and made music that was frequently called bizarre and disturbing develop a passionate fan base? This episode explores possible answers to that question, through a timeline of Jandek's against-all-odds successes, a summary of his discography, and a look at negative reviews of his work. --- Send in a voice message: https://anchor.fm/hope-jacobson/message Support this podcast: https://anchor.fm/hope-jacobson/support

Bassist, librettist, and musical force of nature Mike Watt on the fear of reruns, the social construct of "winning", being yourself while creating art for a larger audience, working on Ball-Hog or Tugboat? with 17 different bands, recording with Kelly Clarkson, and talking with Jandek about craft beers and Bad Brains.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Jandek, "Part Five" (Boston Friday) 2007 Corwood 2. Claire Deak & Tony Dupé, "from a rooftop" (the old capital) 2020 Lost Tribe Sound 3. The Microphones, "Microphones in 2020 (excerpt)" (Microphones in 2020) 2020 P.W. Elverum & Sun 4. Midwife & Amulets, "Heaven (excerpt)" (In / Heaven) 2020 Flesner 5. Kassel Jaeger, "Accalmie (light gaps)" (Swamp Things) 2020 Shelter Press 6. øjeRum, "Imagine Absence" (Selected Percussive Works 1998 - 2001 Vol. I) 2020 Opal Tapes 7. Richard Skelton, "For The Application of Fire" (These Charms May Be Sung Over A Wound) 2020 Phantom Limb 8. Mouchoir Étanche, "Kommuniqué Zéro (excerpt)" (Kommuniqué Zéro) 2020 Holodeck 9. Bill Nace, "Part 7" (Both) 2020 Drag City 10. ESP Summer, "cicadas & piano" (Here) 2020 The Institute of Spoons ## Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. *

This week we welcome Slambrackets own, @eric_time to talk about brackets, Sting, the Police, Tupac as a singles artist, Neutral Milk Hotel, John Mellencamp and so much more. This is a music podcast for people who like music. Plus we play the game, "Slam This Bracket, BABY." It's a real treat.#DEFUNDSTINGFollow us on Twitter: @CHIDSPIN / @SighFieri / @RoundingDownRate and review us on iTunes.Support the show (https://cash.app/$roundingdown)

You may not get all the answers you want. It's better that way.

Episode 480: August 16, 2020 playlist: Jandek, "Part Five" (Boston Friday) 2007 Corwood Claire Deak and Tony Dupe, "from a rooftop" (the old capital) 2020 Lost Tribe Sound The Microphones, "Microphones in 2020 (excerpt)" (Microphones in 2020) 2020 P.W. Elverum and Sun Midwife and Amulets, "Heaven (excerpt)" (In / Heaven) 2020 Flesner Kassel Jaeger, "Accalmie (light gaps)" (Swamp Things) 2020 Shelter Press ojeRum, "Imagine Absence" (Selected Percussive Works 1998 - 2001 Vol. I) 2020 Opal Tapes Richard Skelton, "For The Application of Fire" (These Charms May Be Sung Over A Wound) 2020 Phantom Limb Mouchoir etanche, "Kommunique Zero (excerpt)" (Kommunique Zero) 2020 Holodeck Bill Nace, "Part 7" (Both) 2020 Drag City ESP Summer, "cicadas and piano" (Here) 2020 The Institute of Spoons Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Jandek's first album, like most of his career, was made with aggressive alienation. Heralded as a master of American DIY, at no point during the first 25 years of his career did he seek attention, press, or notoriety outside his homemade music. No press kits. No live performances. No ambition or self-awareness. All interviews are summarily denied. Prolific in both his obscurity and output, Jandek would release 45 records (always 12' full albums until CDs were available) between 1978 and 2006 under the Corwood Industries label. These would all be sold only via mail order from a Houston PO box. In that quarter century, there are only a handful of supposed interviews, which might be a misnomer because interview implies some transmission of pertinent information. He may have worked as a machinist. He may have had formal musical training. The unidentified man, who was Jandek, but only identified himself as representative of Corwood Industries.If Tom Waits' song “What's He Building in There” was non-fiction, it would've been about Jandek.Highway Hi-Fi is a proud member of the Pantheon Music Podcast Network - Home of the Finest Music Podcasts

Jandek’s first album, like most of his career, was made with aggressive alienation. Heralded as a master of American DIY, at no point during the first 25 years of his career did he seek attention, press, or notoriety outside his homemade music. No press kits. No live performances. No ambition or self-awareness. All interviews are summarily denied. Prolific in both his obscurity and output, Jandek would release 45 records (always 12’ full albums until CDs were available) between 1978 and 2006 under the Corwood Industries label. These would all be sold only via mail order from a Houston PO box. In that quarter century, there are only a handful of supposed interviews, which might be a misnomer because interview implies some transmission of pertinent information. He may have worked as a machinist. He may have had formal musical training. The unidentified man, who was Jandek, but only identified himself as representative of Corwood Industries. If Tom Waits’ song “What’s He Building in There” was non-fiction, it would’ve been about Jandek. Highway Hi-Fi is a proud member of the Pantheon Music Podcast Network - Home of the Finest Music Podcasts

Jandek's first album, like most of his career, was made with aggressive alienation. Heralded as a master of American DIY, at no point during the first 25 years of his career did he seek attention, press, or notoriety outside his homemade music. No press kits. No live performances. No ambition or self-awareness. All interviews are summarily denied. Prolific in both his obscurity and output, Jandek would release 45 records (always 12' full albums until CDs were available) between 1978 and 2006 under the Corwood Industries label. These would all be sold only via mail order from a Houston PO box. In that quarter century, there are only a handful of supposed interviews, which might be a misnomer because interview implies some transmission of pertinent information. He may have worked as a machinist. He may have had formal musical training. The unidentified man, who was Jandek, but only identified himself as representative of Corwood Industries. If Tom Waits' song “What's He Building in There” was non-fiction, it would've been about Jandek.Highway Hi-Fi is a proud member of the Pantheon Music Podcast Network - Home of the Finest Music Podcasts

Jandek’s first album, like most of his career, was made with aggressive alienation. Heralded as a master of American DIY, at no point during the first 25 years of his career did he seek attention, press, or notoriety outside his homemade music. No press kits. No live performances. No ambition or self-awareness. All interviews are summarily denied. Prolific in both his obscurity and output, Jandek would release 45 records (always 12’ full albums until CDs were available) between 1978 and 2006 under the Corwood Industries label. These would all be sold only via mail order from a Houston PO box. In that quarter century, there are only a handful of supposed interviews, which might be a misnomer because interview implies some transmission of pertinent information. He may have worked as a machinist. He may have had formal musical training. The unidentified man, who was Jandek, but only identified himself as representative of Corwood Industries. If Tom Waits’ song “What’s He Building in There” was non-fiction, it would’ve been about Jandek. Highway Hi-Fi is a proud member of the Pantheon Music Podcast Network - Home of the Finest Music Podcasts

Red & Blue PLAY THEIR OWN RECORDS!! In the thick of Spooky Szn, time is limited, resources are waning, but things are gettin' creepy. During his hunt for Spooky media, Blue dove into the archives of his hard drives and came across a bunch of the music he (and sometimes Red) have recorded over the years and decided to set aside the Spooky tracks for Red & Blue to listen to and share with the world. It's a bit of a cop-out, but it's also a lot of fun to hear the weird, hauntingly eerie music that Red & Blue made during their very early years of marriage. Not much has changed...still weird, still Spooky.**NOTE: Red is allowed to touch whatever she wants in the house. The Theremin is a proximity-based instrument that is played without touching it......Blue isn't a control freak. Blue is an over-thinker.

For our fourth instalment, Richard Skelton and Phantom Limb Publishing are bringing us a psychogeographical mix. British musician and sound artist Richard Skelton has been exploring the natural world, its cycles of life and decay and our relationship with landscape and human-constructed spaces with experimental atmospheres. Skelton has just published his latest album, Border Ballads (Corble Stone Press). After spending the last two years living in the rural northern edge of the Scotland-England border, a boundary demarcated by various watercourses, this hinterland topography has informed a series of musical recordings, twelve miniatures fragments of a larger whole, such is their unity in tone and timbre. For this mix Skelton shares that this mix is loosely constructed around absences, vacancies, and dereliction. The image of a deserted church, now falling into disrepair, located deep in the north Cumbrian interior: I pass by the building on a regular basis as I traverse the labyrinthine back roads between Scotland and England. Fittingly, therefore, all the music in this mix is sourced from vinyl — the ever-present sound of cracks and pops attesting to a kind of degraded materiality. Perhaps predictably, the first recording that came to mind was Nico’s ‘No One Is There’ — a favourite song with a haunting melody, and my selection moved out from there, looking for records that had similar resonances, regardless of their provenance or genre. I was therefore interested to discover overlaps between the Baroque inflections of Boismortier’s ‘Concerto for 5 Tenor Recorders’ and the synthetic swells of Vainqueur’s ‘Elevation’, or the howling sonorities of Gareth Davis’ clarinet and Jandek’s cracked harmonica. The whole mix is held together by the rich field recordings of Joshua Bonnetta’s ‘What Lies in It’, which itself is a document of a Californian ghost resort, Salton Sea. In turn, various segues are made with Alan Lomax’s recordings of human voices, many of which crackle and blur with their own disintegrating physicality. These are various documents of (primarily North American) languages and dialects: Blood (00:50, Stoney (07:50, Beaver (17:48, English (25:45 & 36:00, Achumawi (48:45)and Nenet (54:05). Given this proliferation of languages, in the end, Nico herself has gone — vanishing through the cracks in her own song to leave only its refrain, looping eternally. Tracklist: 00:00 Joshua Bonnetta — What Lies in It (Shelter Press) 01:05 Tirath Singh Nirmala & Richard Youngs — A2 (Untitled) (HP Cycle) 05:40 Stephen Vitiello — Shake (Farpoint Recordings) 19:05 Baby Ford — New York (Rhythm King) 19:37 Gareth Davis & Steven R Smith — Westering (Important) 23:46 Jandek — Harmonica (Corwood Industries) 29:06 Félicia Atkinson — The Owls (Umor Rex) 36:35 Nico — No One Is There (Refrain) (WEA) 39:00 Musica Dolce — Concerto for 5 Tenor Recorders in D Minor (Adagio) (Grammofonfirma BIS) 40:30 Vainqueur — Elevation (Version 3) (Chain Reaction) 50:10 Jessika Kenney & Eyvind Kang — Orcus Pellicano (Editions Mego) 55:00 Joshua Bonnetta — What Lies in It (Shelter Press)

John Patroulis, worldwide chief creative officer at Grey, talks about niche and counterculture topics that have captured his attention over the years, like hypnosis and the atonal musical creations of Jandek. He also gives a rundown of his odd jobs, like window-breaker and night watchman, names shades of gray and weighs in on movies he knows he never needs to see.

Improvising guitarist in many ad hoc groups. Frequent collaborations with Milo Fine, Jaron Childs, and Davu Seru. Bass and guitar in Take Acre. Multi-instrumentalist in Brown Rainbow and Tall Walls. Guitarist in Tuning The Pulse, a short documentary about Jandek’s 2012 performance in Mankato, MN. Discography: Senilita with Milo Fine, Viv Corringham and Davu Seru … Continue reading "Charles Gillett, guitar"

Improvising guitarist in many ad hoc groups. Frequent collaborations with Milo Fine, Jaron Childs, and Davu Seru. Bass and guitar in Take Acre. Multi-instrumentalist in Brown Rainbow and Tall Walls. Guitarist in Tuning The Pulse, a short documentary about Jandek’s 2012 performance in Mankato, MN. Discography: Senilita with Milo Fine, Viv Corringham and Davu Seru …Continue reading "Charles Gillett, guitar"

Susan Alcorn - "Excerpt 4 - Jandek with Susan Alcorn Ryan Sawyer Shahzad Ismaily" - Jandek Live at ISSUE Project Room [CC BY-NC-ND] Starlicker - "Set 2" - Live at ISSUE 5/5/2011 [CC BY-NC-SA] Bing and Ruth - "Bing and Ruth Live at ISSUE Project Room 6/13/09" - Bing and Ruth Live at ISSUE Project Room 6/13/09 [CC BY-NC-SA] Ensemble Pamplemousse - "Dave Plays Rama's (second half)" - BLOCKS (Live at ISSUE Project Room) [CC BY-NC-SA] Uncle Woody Sullender - "Part II" - Live at ISSUE 5/22/10 [CC BY-NC-SA] Bill Nace - "Live at ISSUE 1/29/10" - Live at ISSUE 1/29/10 [CC BY-NC-SA] Gary War - "Scales" - Horribles Parade [CC BY-NC-SA] Music behind DJ: Podington Bear - "60's Quiz Show" - Bon Voyage [CC BY-NC] http://www.wfmu.org/playlists/shows/80938

PJ Sykes performed with Jandek last week. Matt has the exclusive interview with him about it!

This week Micah and Amanda summon the talented Brett Nash back to Rock Hill for our theme “Let’s Get Weird!” Pull out some wigs, find some peanut butter, and break into interpretive dance as we explore the stranger songs that make us tingle.Playlist: Understanding You by People Like Us, Turn Me Well by Micachu, Temporary Secretary by Paul McCartney, Wait (The Whisper Song) by Ying Yang Twins, 300 Pounds of Hongry by Tony Joe White, My Companion by The Shaggs, Batman by John Zorn, Pablo Picasso by The Modern Lovers, Water Music by John Cage, Time and Space by Jandek, Amazing by T.I., Blueberry Boat by The Fiery Furnaces, Assassins by Geto Boys, Fatty Boom Boom by Die Antwood.

After a hiatus, the Indieheads Podcast is finally back as Matty, Ethan, Keaton, and Alex talk The National, Slowdive, Bon Iver, Twin Peaks (the show), Angel Olsen, Nails, Soul Coughing, Jandek, The Julie Ruin, Gorilla Biscuits, and the gang’s concert experiences in 2016, including a recap of Pitchfork Music Festival 2016!

Dominic and Jarid try to figure out where Ramsbottom England got its name, say 666 a lot, discuss the musical genius that is Jandek, and talk about this week's tracks. Episode 6's Tracks: Starlings - Elbow This Must Be It - Röyksopp Otherside - Rancid Swing Life Away - Rise Against Job - Swans

Matt talks Jandek with a guy named Jack, who is from Houston. Jack also has a podcast called Ready For The Houston. You should listen to it!

Episode 4 in our international survey of quasi religious musical mayhem. Charles Manson's best Jandek imitation, the Worldwide Church of God visits Sesame Street, shitty new age synth ballad from the Raelian movement, dubstep from the Cuban antichrist and other ungodly shite Charles Mansion - Our God is ATWA Dr. Ben Townsend (Lord's Recovery Movement) - The Ballad of Watchman Nee Westboro Baptist Church - Two Elizabeths in Fire Ching Hai - Ocean of Love The New Ambassadors (Worldwide Church of God) - Sing a Song Mark Woodgate (Raelism) - Messiah Creciendo en Gracia - Transformacion 666 Manmin Central Church - Church on Fire

Wade McNeil, singer of Gallows & guitarist of Alexisonfire, sits down with Danko and Nick to talk about The Dead Coast, when Wade met Danko, Fucked Up, Jandek, The Frogs and the transition to Gallows from Alexisonfire. The post Episode #17: Wade McNeil, Nick Flanagan appeared first on Danko Jones.

In our 13th episode we interview our hero Mike Watt and talk about his new Spielgusher album, fIREHOSE reunion and working with Jandek. We also discuss last week's embarrassment, argue about processed foods and learn about mules.

News and E-mails! Let's talk about: Cake, Conan O'Brien, Mike Watt, Captain Beefheart, Jandek, MCA and the Beasties, 78RPM turntables, cleaning fluids, Rod Stewart, The Stones' Exile Box, Discwasher friction, Foo Fighters, Nas, Culture Club, Kiss, Wilco, The Decemberists, Don Kirshner R.I.P. Total time 35:00 lick here to subscribe: Direct Download:

This time I bridge the gap of the time I take to record podcasts by recording three different segments, each about a month apart. Podcasts I like to listen to: Inside Home Recording http://www.insidehomerecording.com/ Music by Jandek from the album "Nine-Thirty"(1985), played on the Technics SL1200M3D Turntable.   bill@boxofsound.com podcast.boxofsound.com http://www.youtube.com/user/dverada Total Time: 34:12