Podcasts about jukeboxes

In this episode, Dr. Laura Sicola interviews Richard Blank, the CEO of Costa Rica's Call Center, about the importance of communication skills and influence in the business world. They discuss the value of soft skills, such as foreign language proficiency, and the need to recognize and leverage one's unique talents. Richard challenges listeners to improve their voicemail messages and congruence between their audio and visual presence. They also talk about the importance of giving people a personalized outbound voicemail message and the impact it has on the impression they leave. He emphasizes the importance of trust, faith, and having a sense of humor in building relationships and achieving success. In this episode you will learn: Character during chaos is an important leadership trait. Promote individuals based on their strengths and redirect them to roles where they can excel. Express appreciation and acknowledge the contributions of team members. Take calculated risks and communicate with stakeholders about challenges and unique aspects of the business. Soft skills, including foreign language proficiency, are valuable and marketable skills in the business world. Recognize and leverage your unique talents and skills, and don't downplay their importance. Improve your voicemail message and ensure congruence between your audio and visual presence. Give a personalized outbound voicemail message to make a positive impression. Be the lone voice of dissent when necessary and advocate for others. About Richard Blank At 27 years old, Richard relocated to Costa Rica to train employees for one of the larger call centers in San Jose. He has trained over 10 000 bilingual telemarketers over two decades. Richard has the largest collection of restored American Pinball machines and antique Jukeboxes in Central America making gamification a strong part of CCC culture. Richard Blank is the Chief Executive Officer for Costa Rica's Call Center since 2008.   You can connect with Richard in the following way: Website: https://costaricascallcenter.com Facebook: https://www.facebook.com/groups/businessprocessoutsourcingcallcenter YouTube: https://www.youtube.com/channel/UC9ST99AEp7COEWS4q4VUw4Q LinkedIn: https://www.linkedin.com/in/costaricascallcenter/ You can connect with Dr. Laura Sicola in the following ways: LinkedIn: https://www.linkedin.com/in/drlaurasicola LinkedIn Business Page: https://www.linkedin.com/company/laurasicola-inc YouTube: https://www.youtube.com/@LauraSicolainc Facebook: Dr. Laura Sicola Twitter: @LauraSicola Instagram: @drlaurasicola Website: https://laurasicola.com Laura's Online Course: virtualinfluence.today See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

OR: the secret geniuses of WisconsinOriginal post: https://www.experimental-history.com/p/startling-differences-between-humansAll posts: https://www.experimental-history.com/Music by Brandon Rosiar, photographs by my dad

Six String Hayride Episode 37, Classic Country in the 1920's. Chris and Jim build a time machine and visit the 1920's. WLS in Chicago and WSM in Nashville start Radio's Golden Era with national music broadcasts, , Prohibition starts and so does Bootleg Booze, RCA Victor provides phonographs for the home, Jukeboxes and Radios come on the dance hall scene, Ralph Peer records the Carter Family and Jimmie Rodgers in Bristol, Chris defines what "Classic" really means and Jim runs down the world of the 1920s. How "Frankie and Johnny" and "Wreck of the Old 97" became American Classics , Another fine cocktail recipe and Charleston Lessons too. Join us on the Six String Hayride Classic Country Podcast.

Every time I go into a Wyoming bar, I'm pretty sure I'll come out with a funny story. Did you hear the one about the coyote and badger that walked into a bar? No? I guess you'll have to listen to the episode. Today features Julianne Couch, author of Jukeboxes and Jackalopes. We giggled a lot and got surprisingly philosophical - I promise we weren't drinking! She guides us through a lot of Wyoming bars, mostly small town ones and we discussed what makes Wyoming bar culture unique. Hartville is the Dot on the Map - it's Wyoming's oldest continuously populated settler town, which features the oldest bar in Wyoming, the historic Miner's and Stockmen's Saloon.   Check out the shownotes for more details!

We speak to Chris Black, Managing Director of Sound Leisure, who are the manufacturers of one of the coolest products coming out of Leeds… jukeboxes!Chris explains how a broken piece of electronics inspired the launch of the business over 50 years ago. He also shares with us the ups and downs of running a family business, how Brexit, then Covid, almost destroyed the business, the way the pub smoking ban inspired the creation of a new product division in the company and the fascinating ebb & flow of vinyl, CD and digital music in the business.He also gives us a passionate explanation as to why we should encourage youngsters into a career in manufacturing. Plus you'll also get an invite to tour the jukebox factory to see these wonderful machines and how they are built.INTRODUCING CHRIS BLACKChris Black joined the family business in June 1986, initially intending this to be for the duration of the 6 weeks summer holidays prior to enrolling for a painting & decorating course. However, 37 years later and having worked his way through most of the divisions within the company he is now Managing Director. Chris works alongside his father, who founded the business in 1978, his wife, brother and eldest son and along with 70 team members manufactures a range of Classic styles Jukeboxes that grace some of the world's finest locations. In addition to manufacturing Sound Leisure also supplies over 1,300 hospitality venues with jukeboxes and Back ground music systems and has a children's play division that supplies a wide range of sectors from airports to the NHS.As a family business Chris believes passionately in supporting the local community, apprenticeships and working alongside schools and colleges to promote manufacturing and exporting within the region. Chris is a Northern Powerhouse Export Champion and has recently been voted in as the president of Leeds Chamber of Commerce.EPISODE HIGHLIGHTS[00:02:30] Why jukeboxes?[00:04:45] The pros and cons of working in a family business[00:09:00] Vinyl, CDs and digital music[00:16:45] How the smoking ban brought around a new division[00:00:00] The effect of Covid on the business[00:24:30] The problems Brexit brought[00:28:00] How to enjoy, and get the most, out of your business[00:35:00] The importance of manufacturing to Leeds and the UK[00:41:00] Book a tour around the jukebox factoryKEY TAKEAWAYS & BUSINESS LEARNINGSYou got to have a differential between home life and workThink about changes in legislation can bring opportunities, rather than problemsSurround yourself with good people Find something you enjoy to give you downtime from the businessEveryone should have a good non-exec board around themLeeds is the third biggest manufacturing zone in the UKBEST MOMENTS“Eddie put his hands in his pocket for £80k on a handshake with no contract to start the business”“In 1980 we made our first vinyl playing jukebox. It 1982 Phillips and Sony launched the CD”“If someone tells me I can't do something, I'll prove them wrong”“With the vinyl revival we had to go into one of our sheds and pull out an old machine”“I don't care what anybody says Brexit is a pain. It's cost the business a lot of money“VALUABLE RESOURCES FOR YOUWebsite: www.leedsbusinesspodcast.com Website: https://soundleisure.com/Book a factory tour: https://soundleisure.com/book-a-tour/LinkedIn:

Join Chris Akin and Erik Ferentinos on this episode of CHRIS AKIN PRESENTS as they dive into Guns N' Roses' unique release strategy for "Perhaps" on TouchTunes jukeboxes. Could this reshape artist revenue? Stay tuned for entertaining tales of bar jukebox antics and engaging music industry insights! BECOME A VIP: https://classicmetalshow.locals.com GET A FREE RUMBLE ACCOUNT: https://rumble.com/register/classicmetalshow/ GET A FREE ODYSEE ACCOUNT: https://odysee.com/$/invite/@ClassicMetalShow:a Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode! **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.** Get all our episodes at www.chrisakin.net. Facebook: www.facebook.com/chrisakinpresents Instagram: www.instagram.com/chrisakinpresents Twitter: www.twitter.com/realchrisakin Youtube: https://www.youtube.com/@chrisakinpresents?sub_confirmation=1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/cmspn/message

Join Chris Akin and Erik Ferentinos on this episode of CHRIS AKIN PRESENTS as they dive into Guns N' Roses' unique release strategy for "Perhaps" on TouchTunes jukeboxes. Could this reshape artist revenue? Stay tuned for entertaining tales of bar jukebox antics and engaging music industry insights!

Jukeboxes were one of the first ways to listen to popular music on demand, and their history goes back a lot farther than you probably think.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/ABTf86ytv4I Whether you're a fan of oldies or classic rock, there's no better way to celebrate than by listening to some great music. On National Jukebox Day, choose some of your favorite songs and blast them out of your car or home stereo! It's the perfect way to spend a fall day! On Wednesday November 23rd, National Jukebox Day, enjoy some of your favorite classic tunes!Whether you're a fan of oldies or classic rock, there's no better way to celebrate than by listening to some great music. On National Jukebox Day, choose some of your favorite songs and blast them out of your car or home stereo! It's the perfect way to spend a fall day!Jukeboxes have always been an American pastime. When you think of jukeboxes, most people think of the 50's, when the greasers and cheerleaders would gather around and play their favorite songs in a diner. However, if you think jukeboxes have died, they haven't.Please join me as I create my own Jukebox by celebrating some of my favorite CDS with a few surprise guests thrown in! If you are interested in sponsoring a Richard Skipper Celebrates show episode, you can contact Richard :

A suburban dad takes his family out to enjoy a hotel buffet of the Porterhouse, portland's most popular steak.

Am 19. August 1988 wurden zwei Songs besonders häufig von den Jukeboxes abgespielt. Welche das waren und warum eigentlich zwei Songs- das erklärt uns KölnCampus Redakteur und Frührauschmoderator Sören Pöschel. Denn dazu muss man auch erstmal verstehen wie so eine Jukebox eigentlich funktioniert...

Jordan discusses the differences between Dime Time and Quarter Jukebox contests and which contest he recommends to play at the low stakes. DFS Office Hours is hosted live by SaberSim Monday-Friday at 2pm ET to answer your questions on daily fantasy sports, sports betting, and more. We'll cover everything you need to know to improve your DFS process and build winning lineups fast on DraftKings, FanDuel, and Yahoo for NFL, NBA, MLB, PGA, MMA, and more. Watch on YouTube: https://www.youtube.com/watch?v=6NQ53J_5ATk 00:00 Intro4:13 Dime Time vs. Quarter Jukebox9:42 Dropping lowest score to deal with PGA withdrawals15:50 Homerun Derby and All-Star Game Betting19:43 Best stacks for large slates31:09 Ownership fade in large-field contests38:38 Is there an advantage to capping starting pitchers in MLB DFS?47:51 Research build for MMA on FanDuel Head over to the #office-hours channel in our Slack group to get the link and catch these shows live. Not in Slack? Sign-up here: https://bit.ly/3cGr2c4 Start Your Free 7-Day Trial of SaberSim Now: https://www.sabersim.com/Follow us on Twitter: https://twitter.com/sabersim

Congratulations to Her Majesty The Queen Elizabeth II on her Platinum Jubilee! The Channel 5 documentary “Are You Being Served? Secrets and Scandals” - we can't wait to see it. Which do you love more: the original AYBS or AYBS-Again/Grace & Favour? Our poll shows an even split! Joanne Heywood, who played Miss. Lovelock, is unanimous in her choice of “Are You Being Served Again” / “Grace & Favour”. Professor Jeff defines “skeuomorph” thanks to a Unanimous Superman's tip. A live #1 hit with George Michael and Elton John. What would happen if an AI listened to every AYBS episode and wrote a new script? @KeatonPatti on twitter did this with Hallmark Christmas movies and we read a hilarious example. Mr. Brandon uncontrollably giggles again. Our “Moment of Butch”. What exactly -is- Mrs. Slocombe's foundation? And she wants to know exactly where that pub is… Jukeboxes. Air quality in the UK and the disaster in the 1952 called “The Great Smog”. A walking billboard for Reebok running gear. Mr. Humphries finds that 4 inches is more than acceptable. What does “ship shape and Bristol fashion” mean? A surprising slavery connection to a West England port city. Fun with non-sequiturs. “He really gets on my wick” = Cockney rhyming slang. Why can Mr. Humphries handle the Goblin vacuum? The political stunt from Boris Johnson to revert the UK away from the metric system to the old fashioned Imperial measurement system. Pulling a date/pulling a customer. The Benny Hill-like scene with Captain Peacock and the lawn mower. Mr. Humphries and Mavis cry together over cutting onions. A random Paul Lynde impression! Check out graceandfavour.net! Teseling the dirty sheets! Wendy Richard almost breaks character and laughs at the kitchen table. Lots of call backs to the original AYBS series in this episode! Cleg-Hampton, played by Maggie Holland, is past it. Mr. Volpone, played by Gorgon Peters, was in the original AYBS episode, who is amazing at playing an off-balanced British Rail waiter. The 3 new roles in AYBSA/Grace & Favour really added a lot to the new series- a tribute to Joanne Heywood, Fleur Bennett, and Billy Burden! Are there any clips of John Inman around from his PBS promotional tour in from the 1990s? Treat yourself to some That Does Suit Madame merch at our Bargain Basement podcast shop at imfree.threadless.com for t-shirts, mugs, tote bags, and more! Leave the show a voicemail at the Peacock Hotline: (662)-PEACOCK (662-732-2625) and find us on Twitter @DoesSuitMadame and #AYBS #AreYouBeingServed #ImFree #Britcom #comedy #MrHumphries #ThatDoesSuitMadame #GraceBros #podcast #LGBT #BlackLivesMatter #BBC #AreYouBeingServedAgain #GraceAndFavour #GraceAndFavor

Featuring the fic "Jukebox Serenade" by Cheerful_Shinigami AO3 link: https://archiveofourown.org/works/31771279 podfic link: https://archiveofourown.org/works/37996813 Rating: General Audiences Tags for this fic include: Jukeboxes, Idiots in Love, Love songs, Power Ballads, POV Sam Winchester, Brotherly Love, Angel Castiel (Supernatural), BAMF Castiel (Supernatural), Castiel and Dean Winchester Need to Use Their Words, Gay Castiel (Supernatural), Bisexual Dean Winchester, Monster of the Week, Rugaru, Sam Winchester Ships Castiel/Dean Winchester, Sam uses a jukebox, Dorks in Love, Musical References, 80's Music, Prankster Sam Winchester, Fluff and Humor, Fluff and Angst

Episode 133 (Brain Freeze, Jukeboxes and Long Bois) You're at an old school diner and someone plays a bad song on the Jukebox that gives your brain a feeling that can only be described as brain freeze. You look around to see who interrupted your fine dining experience in nostalgia and it's a god damn LONG BOI!!!! As always we opened the door to some pretty interesting conversations, personal stories, bad jokes and lots of laughs. Thanks for listening and remember to subscribe and review if you enjoy what we're doing. Continued thanks to friends and family for the ongoing support. Another big thank you to Bend Tech for laying some of the ground work to help us get this up and running. Last but not least, thank you to Vinnie's wife Jen for our podcast artwork. You can find us on Apple podcasts, Spotify, Stitcher, Google Podcasts, Amazon Music and YouTube. We also have an Instagram account @withoutdefiniteaimpodcast. If for any reason you'd like to contact us we can be reached through our instagram or our gmail: withoutdefiniteaim@gmail.com Send us suggestions for topics you'd like us to cover (we like random, so go crazy)! If we use your random topic or how much, you will of course get a shoutout. ► Music Credit for our theme: LAKEY INSPIRED Track Name: "Distant" Music By: LAKEY INSPIRED Official "LAKEY INSPIRED" YouTube Channel License for commercial use: Creative Commons Attribution 3.0 Unported "Share Alike" (CC BY-SA 3.0) License. Music promoted by NCM

Steve Miner is on Afternoons Live with Tyler Axness, he has the largest collection of Hamm's memorabilia and we have him on the show to tell you all about it! See omnystudio.com/listener for privacy information.

Air Week: October 18-24, 2021 Dinah Washington, Pt. 5 – 1954-59 Dinah Washington was more than just the “Queen of The Jukeboxes,” “Queen Of The Blues” and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah […]

Vinyl Ventures usually focuses on albums. On this episode a guest, Steve Hoff, who collects and restores jukeboxes educates the guys on the uncharted waters of the wonderful world of jukeboxes and the 45s. Steve started out listening to 45s and a jukebox was the next step in his vinyl journey. We thought we knew a lot about vinyl, a whole new chapter is opened in front of us digging into the roots of the vinyl craze.

Air Week: October 11-17, 2021 Dinah Washington, Pt. 4 – 1951-53 Dinah Washington was more than just the “Queen of The Jukeboxes,” “Queen Of The Blues” and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah […]

Air Week: October 4-10, 2021 Dinah Washington, Pt. 3 – 1950-51 Dinah Washington was more than just the “Queen of The Jukeboxes,” “Queen Of The Blues” and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah […]

Air Week: September 27-October 3, 2021 Dinah Washington, Pt. 2 – 1947-49 Dinah Washington was more than just the “Queen of The Jukeboxes,” “Queen Of The Blues” and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, […]

Air Week: September 20-26, 2021 Dinah Washington, Pt. 1 – 1943-46 Dinah Washington was more than just the “Queen of The Jukeboxes,” “Queen Of The Blues” and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah […]

Carolla, quick. Adam's apple orchard. Window tint in Los Angeles. More motorcycle repair adventures. If I like pina coladas. More like digital PUKEbox. The Nirvana baby. I was "left" behind by(e) her. 

For many of us, the Jukebox was the center of our social life while we grew up. We hung out wherever we found the music. At the pizza shop (for me it was Tony & Ann's), the ice cream stand (Doc Davis'), and the soda fountain (The Rexall). We spent a lot of nickels, dimes, and quarters. Jukeboxes, and the songs we played, sent a message to our friends and the world, “These are the songs we love”. And, of course, we were always trying to impress the girls by playing the “coolest” songs. Listen here, and remember our Hit Parade. This episode includes:1)     Mess Around by Ray Charles2)     Rum And Coca-Cola by The Andrews Sisters3)     Jo-Ann by The Playmates4)     Tell Me Why by The Four Aces (Featuring Al Alberts)5)     Matilda, Matilda by Harry Belafonte6)     The Jones Boy by The Mills Brothers 7)     Cross Over The Bridge by Patti Page8)     Don't Let The Stars Get In Your Eyes by Perry Como9)     Since I Met You Baby by Ivory Joe Hunter10) Teardrops from My Eyes by Ruth Brown11) A Very Precious Love by The Ames Brothers12) The Birth Of The Blues by Sammy Davis Jr.13) In the Middle of an Island by Tony Bennett14) Wonderful! Wonderful! By Johnny Mathis15) Let's Get Away From It All by Louis Prima & Keely Smith16) Darktown Strutter's Ball by The Platters17) Earth Angel by The Crew Cuts18) See You Later, Alligator by Bill Haley & His Comets19) Night And Day by Steve Lawrence20) He's My Dreamboat by Connie Francis21) Patricia by Pérez Prado

What has always been known in the U.S. as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked on three significant charts: • Best Sellers in Stores • Most Played by Jockeys • Most Played in Jukeboxes On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen, sales data compiled by Nielsen (both at retail and digitally) and streaming activity provided by online music sources. Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com You’ll hear: 1) I'm A Believer (Reached #1 on Dec 31, 1966 Lasted for 7 wks) by The Monkees 2) Kind Of A Drag (Reached #1 on Feb 18, 1967 Lasted for 2 wks) by The Buckinghams 3) Ruby Tuesday (Reached #1 on Mar 4, 1967 Lasted for 1 wk) by The Rolling Stones 4) Penny Lane (Reached #1 on Mar 18, 1967 Lasted for 1 wk) by The Beatles 5) Something Stupid (Reached #1 on Apr 15, 1967 Lasted for 4 wks) by Frank Sinatra & Nancy Sinatra 6) Respect (Reached #1 on Jun 3, 1967 Lasted for 2 wks) by Aretha Franklin 7) Windy (Reached #1 on Jul 1, 1967 Lasted for 4 wks) by The Association 8) Light My Fire (Reached #1 on Jul 29, 1967 Lasted for 3 wks) by The Doors 9) Ode to Billie Joe (Reached #1 on Aug 26, 1967 Lasted for 4 wks) by Bobbie Gentry 10) The Letter (Reached #1 on Sep 23, 1967 Lasted for 4 wks) by The Box Tops 11) To Sir With Love (Reached #1 on Oct 21, 1967 Lasted for 5 wks) by Lulu 12) Judy In Disguise (With Glasses) (Reached #1 on Jan 20, 1968 Lasted for 2 wks) by John Fred & His Playboy Band 13) (Sittin' On) The Dock Of The Bay (Reached #1 on Mar 16, 1968 Lasted for 4 wks) by Otis Redding 14) Mrs. Robinson (Reached #1 on Jun 1, 1968 Lasted for 3 wks) by Simon & Garfunkel 15) People Got To Be Free (Reached #1 on Aug 17, 1968 Lasted for 5 wks) by The Rascals 16) Harper Valley P.T.A. (Reached #1 on Sep 21, 1968 Lasted for 1wk) by Jeannie C. Riley 17) Hey Jude (Reached #1 on Sep 28, 1968 Lasted for 9 wks) by The Beatles 18) Love Child (Reached #1 on Nov 30, 1968 Lasted for 2 wks) by Diana Ross & The Supremes 19) I Heard It Through The Grapevine (Reached #1 on Dec 14, 1968 Lasted for 7 wks) by Marvin Gaye

What has always been known in the U.S. as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked on three significant charts: • Best Sellers in Stores • Most Played by Jockeys • Most Played in Jukeboxes On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen, sales data compiled by Nielsen (both at retail and digitally) and streaming activity provided by online music sources. ----- Join the conversation on Facebook at ----- https://www.facebook.com/profile.php?id=100008232395712 ----- or by email at: ----- dannymemorylane@gmail.com ----- You’ll hear: 1) American Pie (Reached #1 on Jan 15, 1972 Lasted for 4 wks) by Don McLean 2) Let's Stay Together (Reached #1 on Feb 12, 1972 Lasted for 1 wk) by Al Green 3) Without You (Reached #1 on Feb 19, 1972 Lasted for 4 wks) by Harry Nilsson 4) The First Time Ever I Saw Your Face (Reached #1 on Apr 15, 1972 Lasted for 6 wks) by Roberta Flack 5) Oh Girl (Reached #1 on May 27, 1972 Lasted for 1 wk) by The Chi-Lites 6) I'll Take You There (Reached #1 on Jun 3, 1972 Lasted for 1 wk) by The Staple Singers 7) Song Sung Blue (Reached #1 on Jul 1, 1972 Lasted for 1 wk) by Neil Diamond 8) Lean On Me (Reached #1 on Jul 8, 1972 Lasted for 3 wks) by Bill Withers 9) Alone Again (Naturally) (Reached #1 on Jul 29, 1972 Lasted for 4 wks, then off the top for 1 wk [Brandy] then back to #1 for 2 more wks) by Gilbert O'Sullivan 10) Brandy (You're A Fine Girl) (Reached #1 on Aug 26, 1972 Lasted for 1 wk) by Looking Glass 11) Black And White (Reached #1 on Sep 16, 1972 Lasted for 1 wk) by Three Dog Night 12) Baby Don't Get Hooked On Me (Reached #1 on Sep 23, 1972 Lasted for 3 wks) by Mac Davis 13) My Ding-A-Ling (Reached #1 on Oct 21, 1972 Lasted for 2 wks) by Chuck Berry 14) I Can See Clearly Now (Reached #1 on Nov 4, 1972 Lasted for 4 wks) by Johnny Nash 15) Papa Was A Rollin' Stone by (Reached #1 on Dec 2, 1972 Lasted for 1 wk) by The Temptations 16) I Am Woman (Reached #1 on Dec 9, 1972 Lasted for 1 wk) by Helen Reddy 17) You're So Vain (Reached #1 on Jan 6, 1973 Lasted for 3 wks) by Carly Simon 18) Superstition (Reached #1 on Jan 27, 1973 Lasted for 1 wk) by Stevie Wonder 19) Crocodile Rock (Reached #1 on Feb 3, 1973 Lasted for 3 wks) by Elton John 20) Killing Me Softly With His Song (Reached #1 on Feb 24, 1973 Lasted for 4 wks, then off the top for 1 wk [Love Train] then back to #1 for 1 more wk) by Roberta Flack 21) Love Train (Reached #1 on Mar 24, 1973 Lasted for 1 wk) by The O'Jays 22) Tie A Yellow Ribbon Round The Ole Oak Tree (Reached #1 on Apr 21, 1973 Lasted for 4 wks) by Tony Orlando & Dawn 23) You Are The Sunshine Of My Life (Reached #1 on May 19, 1973 Lasted for 1 wk) by Stevie Wonder 24) My Love (Reached #1 on Jun 2, 1973 Lasted for 4 wks) by Paul McCartney & Wings 25) Will It Go Round In Circles (Reached #1 on Jul 7, 1973 Lasted for 2 wks) by Billy Preston 26) Bad, Bad Leroy Brown (Reached #1 on Jul 21, 1973 Lasted for 2 wks) by Jim Croce 27) Brother Louie (Reached #1 on Aug 25, 1973 Lasted for 2 wks) by The Stories 28) Let's Get It On (Reached #1 on Sep 8, 1973 Lasted for 1 wk, then off the top for 1 wk then back to #1 for 1 more wk) by Marvin Gaye 29) We're An American Band (Reached #1 on Sep 29, 1973 Lasted for 1 wk) by Grand Funk (Railroad) 30) Half-Breed (Reached #1 on Oct 6, 1973 Lasted for 2 wks) by Cher 31) Photograph (Reached #1 on Nov 24, 1973 Lasted for 1 wk) by Ringo Starr 32) Time In A Bottle (Reached #1 on Dec 29, 1973 Lasted for 2 wks) by Jim Croce

“Why would you want a jukebox - you have 50 million songs on your watch?!” asks Don Muller of potential customers at Jukeboxes Unlimited. My answer would be - because they are pure magic. I got my “Unorthodox Jukebox” almost a decade ago and it is my prized possession. Picking a song, watching the needle hit the record, and the sound as it comes out of the speakers with no skips!! It's music in it's purest form. Don Muller, owner of Jukeboxes Unlimited, has had his company since 1971. He's put a jukebox in everyone's house from Tom Petty to Pac. We discuss the origins of a juke, business in the 60s, 70s, and 80s, vinyl, and everything you need to know about buying a jukebox.

On this excellent episode of The Impact Sessions, we are delighted to welcome Chris Black, Managing Director of Sound Leisure. Discussing The Global Success Story of a UK Manufacturer & Brand, Chris runs a Leeds based manufacturing business, renowned for the design and manufacture of high-quality Jukeboxes, plus a range of other craftsman-led leisure products that have literally taken the world by storm. From a small family-business in the late 1970's to a global brand selling into over 25 countries, Chris has taken his father's business to new markets, whilst building a brand that is known for quality, innovation and customer excellence. Quite a journey and quite a story too........ How has a global pandemic affected Sound Leisure? How has innovation been a a cornerstone of their success? What's next for Sound Leisure? This and more are discussed in this really engaging episode with a Titan of the West Yorkshire Manufacturing & Export fraternity. Inspiring..... Contact Details Chris Black, Managing Director Sound Leisure Tel +44 (0) 113 232 1700 Email - chris.black@soundleisure.com Web - www.soundleisure.com 

What has always been known in the U.S. as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked on three significant charts: • Best Sellers in Stores • Most Played by Jockeys • Most Played in Jukeboxes On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen, sales data compiled by Nielsen (both at retail and digitally) and streaming activity provided by online music sources. Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com You’ll hear: 1) How Will I Know (Reached #1 on Feb 15, 1986 Lasted for 2 wks) by Whitney Houston 2) Kyrie (Reached #1 on Mar 1, 1986 Lasted for 2 wks) by Mr. Mister 3) Kiss (Reached #1 on Apr 19, 1986 Lasted for 2 wks) by Prince & The Revolution 4) Addicted To Love (Reached #1 on May 3, 1986 Lasted for 1 wk) by Robert Palmer 5) The Greatest Love Of All (Reached #1 on May 17, 1986 Lasted for 3 wks) by Whitney Houston 6) Invisible Touch (Reached #1 on Jul 19, 1986 Lasted for 1 wk) by Genesis 7) Sledgehammer (Reached #1 on Jul 26, 1986 Lasted for 1 wk) by Peter Gabriel 8) Papa Don't Preach (Reached #1 on Aug 16, 1986 Lasted for 2 wks) by Madonna 9) Higher Love (Reached #1 on Aug 30, 1986 Lasted for 1 wk) by Steve Winwood 10) Venus (Reached #1 on Sep 6, 1986 Lasted for 1 wk) by Bananarama 11) Take My Breath Away (Reached #1 on Sep 13, 1986 Lasted for 1 wk) by Berlin 12) Stuck With You (Reached #1 on Sep 20, 1986 Lasted for 3 wks) by Huey Lewis & The News 13) True Colors (Reached #1 on Oct 25, 1986 Lasted for 2 wks) by Cyndi Lauper 14) You Give Love A Bad Name (Reached #1 on Nov 29, 1986 Lasted for 1 wk) by Bon Jovi 15) Walk Like An Egyptian (Reached #1 on Dec 20, 1986 Lasted for 4 wks) by The Bangles 16) Livin' On A Prayer (Reached #1 on Feb 14, 1987 Lasted for 4 wks) by Bon Jovi 17) Nothing's Gonna Stop Us Now (Reached #1 on Apr 4, 1987 Lasted for 2 wks) by Starship 18) (I Just) Died In Your Arms (Reached #1 on May 2, 1987 Lasted for 2 wks) by Cutting Crew 19) With Or Without You (Reached #1 on May 16, 1987 Lasted for 3 wks) by U2 20) You Keep Me Hangin' On (Reached #1 on Jun 6, 1987 Lasted for 1 wk) by Kim Wilde 21) I Wanna Dance With Somebody (Reached #1 on Jun 27, 1987 Lasted for 2 wks) by Whitney Houston 22) Alone (Reached #1 on Jul 11, 1987 Lasted for 3 wks) by Heart 23) I Still Haven't Found What I'm Looking For (Reached #1 on Aug 8, 1987 Lasted for 2 wks) by U2 24) La Bamba (Reached #1 on Aug 29, 1987 Lasted for 3 wks) by Los Lobos 25) Bad (Reached #1 on Oct 24, 1987 Lasted for 2 wks) by Michael Jackson 26) I Think We're Alone Now (Reached #1 on Nov 7, 1987 Lasted for 2 wks) by Tiffany 27) Mony Mony (Reached #1 on Nov 21, 1987 Lasted for 1 wk) by Billy Idol 28) (I've Had) The Time Of My Life (Reached #1 on Nov 28, 1987 Lasted for 1 wk) by Bill Medley & Jennifer Warnes 29) Heaven Is A Place On Earth (Reached #1 on Dec 5, 1987 Lasted for 1 wk) by Belinda Carlisle 30) Faith (Reached #1 on Dec 12, 1987 Lasted for 4 wks) by George Michael

(0:00) - Show Open, Columbus/Indigenous Peoples' Day (3:10) - Stories from Karen and Clayton's Vacations (8:25) - Vinyl Albums, BMG Music and the Cable Music Channel (17:37) - Evolution of Recording Music, Cell Phones in Concerts (26:44) Discovering Artists Before They're Big, Jukeboxes in Public to Technology in Music (36:50) First and Last Concerts We've Been To (41:20) Fun Facts and Show Wrap Music courtesy of Goth Babe. --- Support this podcast: https://anchor.fm/karen-philip7/support

What has always been known in the U.S. as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked on three significant charts: • Best Sellers in Stores • Most Played by Jockeys • Most Played in Jukeboxes On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen, sales data compiled by Nielsen (both at retail and digitally) and streaming activity provided by online music sources. Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com You’ll hear: 1) Physical (Reached #1 on Nov 21, 1981 Lasted for 10 wks, knocked out by Hall & Oates' "I Can't Go For That" on Jan 30, 1982) by Olivia Newton-John 2) I Can't Go For That (No Can Do) (Reached #1 on Jan 30, 1982, ending Olivia Newton-John's 10 wk #1 run with "Physical" Lasted for 1 wk) by Hall & Oates 3) Centerfold (Reached #1 on Feb 6, 1982 Lasted for 6 wks) by The J. Geils Band 4) I Love Rock N' Roll (Reached #1 on Mar 20, 1982 Lasted for 7 wks) by Joan Jett & The Blackhearts 5) Ebony And Ivory (Reached #1 on May 15, 1982 Lasted for 7 wks) by Stevie Wonder (w/ Paul McCartney) 6) Don't You Want Me (Reached #1 on Jul 3, 1982 Lasted for 3 wks) by The Human League 7) Eye Of The Tiger (from the Sylvester Stallone films, Rocky III (1982) & 1985's Rocky IV) (Reached #1 on Jul 24, 1982 Lasted for 6 wks) by Survivor 8) Abracadabra (Reached #1 on Sep 4, 1982 Lasted for 1 wk, then off the top for 2 wks [Hard To Say I'm Sorry] then back to #1 for 1 more wk on Sep 25, 1982) by The Steve Miller Band 9) Hard To Say I'm Sorry / Get Away (Reached #1 on Sep 11, 1982 Lasted for 2 wks) by Chicago 10) Jack & Diane (Reached #1 on Oct 2, 1982 Lasted for 4 wks) by John Mellencamp (John Cougar) 11) Who Can It Be Now? (Reached #1 on Oct 30, 1982 Lasted for 1 wk) by Men At Work 12) Up Where We Belong (from the 1982 film, An Officer And A Gentleman) (Reached #1 on Nov 6, 1982 Lasted for 3 wks) by Joe Cocker and Jennifer Warnes 13) Truly (Reached #1 on Nov 27, 1982 Lasted for 2 wks) by Lionel Richie 14) Mickey (Reached #1 on Dec 11, 1982 Lasted for 1 wk) by Toni Basil 15) Maneater (Reached #1 on Dec 18, 1982 Lasted for 4 wks) by Hall & Oates 16) Down Under (Reached #1 on Jan 15, 1983 Lasted for 3 wks, then off the top for 1 wk [Africa] then back to #1 for 1 more wk on Feb 12, 1983) by Men At Work 17) Africa (Reached #1 on Feb 5, 1983 Lasted for 1 wk) by Toto 18) Baby, Come To Me (Reached #1 on Feb 19, 1983 Lasted for 2 wks) by Patti Austin & James Ingram 19) Billie Jean (Reached #1 on Mar 5, 1983 Lasted for 7 wks) by Michael Jackson 20) Come On Eileen (Reached #1 on Apr 23, 1983 Lasted for 1 wk) by Dexy's Midnight Runners 21) Beat It (Reached #1 on Apr 30, 1983 Lasted for 3 wks) by Michael Jackson 22) Let's Dance (Reached #1 on May 21, 1983 Lasted for 1 wk) by David Bowie 23) Flashdance... What A Feeling (Reached #1 on May 28, 1983 Lasted for 6 wks) by Irene Cara 24) Every Breath You Take (Reached #1 on Jul 9, 1983 Lasted for 8 wks) by The Police 25) Sweet Dreams (Are Made Of This) (Reached #1 on Sep 3, 1983 Lasted for 1 wk) by Eurythmics 26) Maniac (Reached #1 on Sep 10, 1983 Lasted for 2 wks) by Michael Sembello 27) Tell Her About It (Reached #1 on Sep 24, 1983 Lasted for 1 wk) by Billy Joel 28) Total Eclipse Of The Heart (Reached #1 on Oct 1, 1983 Lasted for 4 wks) by Bonnie Tyler 29) Islands in the Stream (Reached #1 on Oct 29, 1983 Lasted for 2 wks) by Kenny Rogers & Dolly Parton 30) All Night Long (All Night) (Reached #1 on Nov 12, 1983 Lasted for 4 wks) by Lionel Richie 31) Say, Say, Say (Reached #1 on Dec 10, 1983 Lasted for 6 wks) by Michael Jackson & Paul McCartney

What has always been known in the U.S. as the Hot 100 had existed for nearly fifteen years as numerous charts, tracking and ranking the most popular singles of the day in several areas. During the 1940s and 1950s, popular singles were ranked on three significant charts: • Best Sellers in Stores • Most Played by Jockeys • Most Played in Jukeboxes On June 17, 1957, Billboard discontinued the Most Played in Jukeboxes chart, as the popularity of jukeboxes waned and radio stations incorporated more and more rock-oriented music into their playlists. The week ending July 28, 1958 was the final publication of the Most Played By Jockeys. On August 4, 1958, Billboard premiered one main all-genre singles chart: the Hot 100. The Hot 100 quickly became the industry standard and Billboard discontinued the Best Sellers In Stores chart on October 13, 1958. The Billboard Hot 100 is still the standard by which a song's popularity is measured in the United States. The Hot 100 is ranked by radio airplay audience impressions as measured by Nielsen, sales data compiled by Nielsen (both at retail and digitally) and streaming activity provided by online music sources. Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 or by email at: dannymemorylane@gmail.com You’ll hear: 1) Saturday Night (Reached #1 on Jan 3, 1976 Lasted for 1 wk) by Bay City Rollers 2) Love Rollercoaster (Reached #1 on Jan 31, 1976 Lasted for 1 wk) by The Ohio Players 3) 50 Ways To Leave Your Lover (Reached #1 on Feb 7, 1976 Lasted for 3 wks) by Paul Simon 4) Love Machine (Pt. 1) (Reached #1 on Mar 6, 1976 Lasted for 1 wk) by The Miracles 5) December, 1963 (Oh, What a Night) (Reached #1 on Mar 13, 1976 Lasted for 3 wks) by The Four Seasons 6) Disco Lady (Reached #1 on Apr 3, 1976 Lasted for 4 wks) by Johnnie Taylor 7) Welcome Back (Reached #1 on May 8, 1976 Lasted for 1 wk) by John Sebastian 8) Boogie Fever (Reached #1 on May 15, 1976 Lasted for 1 wk) by The Sylvers 9) Silly Love Songs (Reached #1 on May 22, 1976 Lasted for 1 wk, then off the top for 2 wks [Love Hangover] then back to #1 for 4 more wks) by Paul McCartney & Wings 10) Love Hangover (Reached #1 on May 29, 1976 Lasted for 2 wks) by Diana Ross 11) Kiss And Say Goodbye (Reached #1 on Jul 24, 1976 Lasted for 2 wks) by The Manhattans 12) Don't Go Breaking My Heart (Reached #1 on Aug 7, 1976 Lasted for 4 wks) by Elton John & Kiki Dee 13) You Should Be Dancing (Reached #1 on Sep 4, 1976 Lasted for 1 wk) by The Bee Gees 14) (Shake, Shake, Shake) Shake Your Booty (Reached #1 on Sep 11, 1976 Lasted for 1 wk) by K.C. & The Sunshine Band 15) Play That Funky Music (Reached #1 on Sep 18, 1976 Lasted for 3 wks) by Wild Cherry 16) If You Leave Me Now (Reached #1 on Oct 23, 1976 Lasted for 2 wks) by Chicago 17) Rock'n Me (Reached #1 on Nov 6, 1976 Lasted for 1 wk) by The Steve Miller Band 18) Tonight's The Night (Reached #1 on Nov 13, 1976 Lasted for 8 wks) by Rod Stewart 19) You Don't Have To Be A Star (To Be In My Show) (Reached #1 on Jan 8, 1977 Lasted for 1 wk) by Marilyn McCoo & Billy Davis Jr. 20) You Make Me Feel Like Dancing (Reached #1 on Jan 15, 1977 Lasted for 1 wk) by Leo Sayer 21) Car Wash (Reached #1 on Jan 29, 1977 Lasted for 1 wk) by Rose Royce 22) Blinded By The Light (Reached #1 on Feb 19, 1977 Lasted for 1 wk) by Manfred Mann's Earth Band 23) Evergreen (Reached #1 on Mar 5, 1977 Lasted for 3 wks) by Barbra Streisand 24) Rich Girl (Reached #1 on Mar 26, 1977 Lasted for 2 wks) by Hall & Oates 25) Dancing Queen (Reached #1 on Apr 9, 1977 Lasted for 1 wk) by ABBA 26) Don't Leave Me This Way (Reached #1 on Apr 23, 1977 Lasted for 1 wk) by Thelma Houston 27) Hotel California (Reached #1 on May 7, 1977 Lasted for 1 wk) by The Eagles 28) Sir Duke (Reached #1 on May 21, 1977 Lasted for 3 wks) by Stevie Wonder 29) Dreams (Reached #1 on Jun 18, 1977 Lasted for 1 wk) by Fleetwood Mac 30) Got To Give It Up (Part 1) (Reached #1 on Jun 25, 1977 Lasted for 1 wk) by Marvin Gaye 31) Undercover Angel (Reached #1 on Jul 9, 1977 Lasted for 1 wk) by Alan O'Day 32) Da Doo Ron Ron (Reached #1 on Jul 16, 1977 Lasted for 1 wk) by Shaun Cassidy 33) Looks Like We Made It (Reached #1 on Jul 23, 1977 Lasted for 1 wk) by Barry Manilow 34) Best Of My Love (Reached #1 on Aug 20, 1977 Lasted for 4 wk, then off the top for 1 wk [I Just Want To Be Your Everything] then back to #1 for 1 more wk) by The Emotions

The guys talk about Jukeboxes and other things that the guys have when they were younger and that Alex doesn't know plus a Minneapolis park is being over runned by the homeless  

Florentine Grelier is a filmmaker from Paris who specializes in animation. Her animated short My Jukebox premiered at the 2020 Sundance Film Festival. My Jukebox explores the relationship between Florentine and her father (who sells and repairs Jukeboxes at the famous “Le Puz” Flea Market in Paris) through the metaphor of a juke-box, using multiple forms of media, including paper dolls, paint on glass, and computer animation.    What you will learn: How long it takes to produce just one minute of animated film.  What the production process looks like for animated films like My Jukebox. How Florentine obtains funding to make animated films.  How Florentine was able to premiere her animated short at the Sundance Film Festival.   What opportunities Sundance has opened up for her as an artist.   What formative childhood experiences influenced her as an artist.  How teaching animation gives her the financial freedom to work in an artistic medium that would not otherwise allow her to survive financially.  What inspired her to write, produce, and direct My Jukebox. Resources: Novanima Film Production Florentine IMDB Florentine Director Interview Meet The Artist Article on Florentine Grelier Florentine Vimeo Great Women Animators

This episode is a show about nothing. While smoking the Trinidad Espiritu, the guys go off on a number of random tangents, including how to troll a bar with an app on your phone, Nick's night out, and Jeff's car troubles. Follow us on Instagram @TheCigarPulpit and email the guys at Nick@CigarPulpit.com.

After the horrific attacks on Muslims in Christchurch, New Zealand, an image of a Christian in England standing guard outside his local mosque went viral. Andrew Graystone was the good witness. Speaking in a press tent at Greenbelt festival, he talks to Beer Christianity about power and whether the Church needs it.  Also on the podcast, in the pub: a man called Drabs and a woman called Laura talk about losing our confidence in evangelism, how beer once funded the Baptist Missionary Society (but sadly doesn't anymore), power and light stuff like universalism.  Beer flows. Jukeboxes get loud. Truth is mumbled to power.     Thanks to Greenbelt for organising the interview. You guys are lovely. 

Fleet Town vs Slimbridge (16/2/2019)Sean and Gus visit leafy Hampshire, and come away with more questions than answers:- Could a podcast prove the afterlife?- Should footballers be role models?- If Fleet is the best place to live in the UK, then how come Fleet Service Station is only the 63rd best?Fortunately, they managed to distract themselves from these issues by visiting a fantastic (but now closed) jukebox shop (although it still operates online - see details below) and Fleet Town; a very friendly football club then struggling due to the FA's last minute decision to switch them into a more travel intensive league. This left the club going into the season without players, without management and without sponsorship. What does all this mean? Tune in to hear more.Contact details Please get in touch via Twitter at: @20000leaguespod Or email us at: 20000leaguespodcast@gmail.com JukeboxesSelect jukeboxes (jukeboxes repaired, hired or sold): https://selectjukeboxes.co.uk/

It’s time to take another look at the highest grossing movie of 1990...Ghost! Erika and Paul spend a fair amount of time debating between Patrick Swayze and Tony Goldwyn, but they manage to carve out a few minutes to dissect the movie as well. -Paul brings up Selfie early in the episode, which was a cute comedy starring John Cho and Karen Gillan. -Erika offers Top Secret! as a palate cleanser. -Paul enjoyed Rough Night, also with Demi Moore, and recommends it if you’re in the mood for something silly.

I have a dream. Big chill at the Ice House. Peter Lorre. More like Robert BAT-tinson. Fuck juke (joot?) boxes. 

on this episode of SAgC we do some day drinking with RACHEL DECKER from the OAK HILL DRIFTERS. we cover a lot of ground: sweet pickles are for psychopaths. wanda jackson & curly neal are line cutters eating hotel hallway french fries. treating your clone like crap. group prostate exam discounts. the subtle difference between […]

If you wonder how to promote your evergreen content efficiently, you might want to check out Social Jukebox, a tool that allows you to share your content over and over again on Facebook, LinkedIn or Twitter. In this episode, we talk with Tim Fargo from Social Jukebox. He is a two-time Inc. 500 winner, an entrepreneur, an international speaker and bestselling author and the creator of Social Jukebox. We are paid users of Social Jukebox and use it on a daily basis to promote the Communities That Convert podcast. It may even by why you are here. Tim shares with us some of his best tips and practices to get the most out of your evergreen content.Social Jukebox is an automated content delivery system. So it’s essentially Buffer that just keeps on going, When you get to the end of one of your content databases on Social Jukebox, the content will keep recycling over and over again like an hourglass that just keeps turning over. Question: What is Social Jukebox and why did you create it? Answer: In 2013, I published the book Alphabet Success. I was trying to build an audience to promote the book and found the process of scheduling posts to be mind-numbing things. You could carve your tweet on a granite tablet and send it on horseback to be delivered. The person receiving it on Twitter will have no idea that ever happened so they don’t care how it got there. As a result, I started looking around for a more efficient way to deliver the content. I ended up calling my former head of IT from Omega, that I sold in 2003, and asked him to build a tool to help me deliver my content to the social media sites. I didn’t intend to sell it, but I quickly found people were much more interested in why I was posting 24 hours a day then they were my book. I thought maybe it’s time to abandon the book and try the software business. So here we are. I just shared it with a few people in the beginning and it had a lot of utility. It just didn’t look very nice. So for people that are thinking about starting something, don’t get too hung up on getting it perfect. Just go for “good enough” when you’re getting started. Question: When you started, it only worked with Twitter, but now you have added a few more platforms, correct? Answer: We added the other two biggies in my mind, which are Facebook and LinkedIn, where most people have at least some presence. Almost everybody I think has a favorite go-to platform whether they’re doing a lot of Facebook marketing or whether they’re Twitter-centric. So we added those two platforms and, of course, we continue to look at other platforms to possibly add in the future. Question: What is evergreen content in your mind? Can you give us some examples? Answer: World Cup scores are great to share live or comment on. I have a connection with Sweden because my kids are half Swedish and Sweden’s actually South Korea right now as we are speaking. So that’s a great thing to live tweet because the game is happening now. It’s not a great thing to put in Social Jukebox because in a couple months it’ll be like, yeah we kind of know what happened with that event (Sweden won that match 1-0). Things that make great evergreen content include a social media tip, a great graphic, podcasts, blog posts are very often great, especially if they cover leadership or management. A good example is a plumber that creates videos about how homeowners can take care of jobs that are super easy, like how to tighten the washer onto someone’s sink can then be put in a Jukebox to be shared on Facebook and Twitter to develop a social community. It’s anything that would resonate with your audience on an ongoing basis. Today everyone’s their own media company. Media companies have editorial calendars and you can have an editorial calendar, too. You can create a Jukebox to share seasonal items only at a certain time of year. For instance, you could have content in a Jukebox for Black History Month, if that is something that would resonate with your audience. Question: For people that have not been on the tool yet, can you describe how it works? Answer: Jukeboxes are basically miniature databases of content that post over and over in a random pattern. When people quiz me as to why I chose to do it this way, I tell them that every time I tried to accurately predict the perfect time for the perfect content I was almost universally incorrect. If you have a particular kind of content that you want to share at a certain hour of the day, then that’s great, but don’t get too hung up on it being a specific post. In the Jukeboxes, the content is randomly going, and we also have a calendar for targeted posts where you’ve got a greater level of control. There are actually three different ways to schedule things: Auto-schedule allows you to decide how many times per day you want something to post from each Jukebox. It does it all for you and spaces out the posts. You can set a specific schedule for an entire Jukebox to be used over a specific period of time. You can also visual schedule, which looks like a giant excel spreadsheet. You can move posts around on that for people who want to tweak and get more specific with the time slots. What I recommend for those people is to use auto-schedule to create the massive schedule to start with and then go into the visual schedule and pinpoint different times. Question: What is the effectiveness of the system? Answer: The effectiveness and engagement will depend on the content. If you have a post that’s great, it’s going to get picked up and shared, but if you have a post that sucks, it’s not going to go anywhere. No amount of wizardry is going to make and uninteresting piece of content resonate with people. Think back to the TV shows Friends and Seinfeld. The whole idea was to get eyeballs and once you have those eyeballs, have enough trust generated that those eyeballs will stick around and watch the commercials. There’s lots of different ways to skin a cat and I think driving engagement comes from different ways, right? Some of the ways I have seen work include: Helpful content General interest content Things people find interesting or amusing. Interesting content could be just facts or something that you share that might be relevant to your audience and develop some pickup. Other things could just be pure entertainment. The key is going to be in what does your audience care about. Take the home shopping network, for instance. By my estimation, that whole channel is spam, right? But it’s a business. They don’t exist for no reason. There are people who sit at home and call the place up and order stuff. If they didn’t they go off the air. So it’s all about serving your audience and that’s the key. All that my tool can do is deliver that message to the audience you have. You can automatically add a hashtag to every post in a Jukebox by just adding it once in options instead of adding it to every post in the jukebox, which is much more efficient. But it does always go back to don’t try to put lipstick on a pig. If you don’t have good content you need to focus on fixing that because getting a new tool isn’t  going to take you across the goal line. Question: Twitter has new policies in place when it comes to duplicating tweets. Does your tool violate any of these new rules? Can you talk a little bit about the new Twitter policy? Answer: Twitter has had a no duplicate policy since 2009. I don’t want to tempt fate, but the amount of resources that it would require for them to check every post that’s coming on against everything that’s been posted on your account before–you’re talking about a gargantuan amount of overhead. We run an algorithm now to make sure that people aren’t duplicating content too quickly as it goes out because we’re enforcing a 72 hour rule. I’m sure that if I contacted people at Twitter, they’d say it’s absolutely forbidden. But I haven’t heard from anybody that’s having a problem.   My impression about these rules and what they were trying to combat is the rise of fake news. Particularly on Twitter where we’d see trends pop up and it was a six word phrase. How does the six word phrase trend? The only way a six word phrase trends is because a bunch of accounts are coordinating the posting.   I could add a wrinkle to Social Jukebox where you could update a thousand accounts because you’d have a shared jukebox between all 1000 accounts or 10,000 accounts for 100,000 accounts.  There really isn’t an upper limit as long as you have the server resources and you can automatically have that post go out to all those accounts more or less simultaneously. That is something Twitter specifically talked about when they were reaching out. And I’m sure it was the same for everybody that has a posting tool for Twitter. They were very keen to know how you could move content back and forth between accounts, how quickly it could be shared, things like that. So my impression, and I think it’s correct, was they really wanted to find a way to limit people who are trying to make something look as if it was news. And if and if you can have something trend and the articles look newsworthy, people only read the headline and don’t necessarily click on the link but that message becomes the takeaway. I think from Twitter’s perspective, you don’t want to be caught in the middle of this kind of chaos, with people putting out things that are just patently false on your platform.. I’m pretty sure what they were really after was to prevent that kind of thing. And by the way, they don’t like repetitive stuff, so I do think there’s going to be a higher level enforcement where you have to maybe wait, say six or seven hours before you can repeat a post and I’m sure the time table is going to continue to increase. But the idea that you could never share the same post again, I’m not saying never. I said I don’t want to tempt fate, but I don’t see that happening. Question: What makes Social Jukebox standout over similar services on the market? Answer: I like to keep the platform somewhat simple. I think there’s a tendency among almost all software tools to keep adding stuff until you have a product that is so complicated that you need a master’s degree to turn the thing on.   It’s great to add features, but at the same time you add overhead to the process, you add complexity to the product, and as a result it very often it becomes intimidating to use it for the simple task that it was made for from the beginning. I’m much more interested in having it be really effective at the things that it’s really meant to do. I’d even include in that having a predictive tool about the best time to tweet is an idiot’s game. All you do is take everyone’s followers and tell them that at 8:00 AM in your area, most of your followers are online. Wow, that’s a real insight. And by the way, it’s not like you’re buying super bowl airtime.  You’re adding posts, so why wouldn’t you post around the clock just with the idea that maybe you’ll get a great client from Malaysia? Maybe you’ll find somebody that’s really interested in what you do in New Zealand.   Don’t be parochial and think that just because your existing audience is in a certain time zone that you should restrict yourself to that. In the ideal world, you’re not just serving who you’re talking to now. You’re expanding the number of people you’re talking to. At least that would be my key to marketing. I would say really our key is just keep simplifying the tool. I’m not saying take things away, but just try to make it easier and easier to use. If you ever have a support question for Social Jukebox, you get me, there is no support department. If you create a support department, they will do what you’ve mandated them to do. They will give great support on the product. Right? Very rarely are they going to try to figure out a way to eliminate their own job. And the reality is clients don’t want great support. They want a product they understand. And if you keep getting the same questions from customers, don’t figure out a great support answer, figure out a way to redesign the product so that the person doesn’t have a question anymore. That is my mindset. I’m incentivized as the entrepreneur because not only am I the one who’s going to have to ask the questions, but I’m also the person that can affect change. For me that’s a really important distinction, making sure that you’re constantly trying to eliminate the number of questions people might have about something rather than just try to find great ways to answer those questions. Tools, Apps and Links Mentioned: Social Jukebox How to reach Tim: LinkedIn Take Action Make a list of your own evergreen content and tweet it out with the #CTCpodcasthashtag so the community can see your best content and share it. We will retweet some of the best ones from our Twitter accounts. You can also go to our Facebook community and share your best content in our share thread. To get in, use the secret word: ACTION How to reach Kami: If you’d like to learn more about Kami Huyse, visit her website at www.zoeticamedia.com. You can contact her by email at kami@zoeticamedia.com or tweet to @kamichat. How to reach Madalyn: If you’d like to learn more about Madalyn Sklar, visit her website at www.madalynsklar.com. You can contact her by email at madalyn@madalynsklar.com or tweet to @MadalynSklar. Join Our Community We have a new community on Facebook. We will extend the conversation from each episode and deliver bonus content. Sign up for our email list at http://bit.ly/CTCVIP to get an invitation to join or go to our Facebook group here (shhh. The codeword is ACTION)!

Dog names! New televisions! Jukeboxes! S.O.A! The mind of Robb! And Mike vs. FedEx.

Jukeboxes have fallen out of favor as time and technology marches on, but they still serve as reminders of a different time with respects to music and culture. Berry Bell shares information about jukeboxes and walks us through his collection on this week's show. Put a few quarters in the machine and listen to learn more about the "jutebox" confusion, the Gullah roots of the machine's nickname, and how jukeboxes changed radio programming forever. Find photos of Berry's collection at: http://www.everythingsounds.org/50/

In 1993 I made a summer series of five 30 minute programmes on the history of recorded sound. The series was inspired by a visit to the Museum in Utrecht, which then was called From Singing Tower to Street Organs. The  is still there. I then discovered people who were collecting pianolas, gramophones and jukeboxes. Of course, it wasn't just the devices. It was the stories that went with them. I've re-released them here as high quality MP3's. Although not a Media Network show, I have had requests from people to put these documentaries into the collection, since they have a connection with communications. This fifth programme explores an unusual hobby in the Netherlands, importing and restoring jukeboxes. I was intrigued at the way they get around the problem of the different phase in the power lines - 60 Hz in North America, 50 Hz in Europe. This was the final and concluding part of the radio series. The earlier episodes are also on line. Let me know what you think!

11/23/10 “Jukeboxes and Doctor Who” – TiTH.TechJives.net by:Amy Elk Keywords: amy elk podcast tech jives techjives techjives.net chris pope today in technology history amyelk.com voice actress Feedburner RSS feed: http://feeds.feedburner.com/tith

It's all about jukeboxes this time as Mike, Smitty, and Ian welcome jukebox expert Mike Zuccaro. Mike talks about the history of jukeboxes as well as how the various Wurlitzer, Seeburg, and Rock-Ola jukeboxes work. What do you do if you want to get an old jukebox repaired? Mike Zuccaro offers some suggestions for getting your vintage jukebox restored and repaired. Also, Ian remembers Dennis Hopper and Art Linkletter. Smitty has a very rare recording of Art Linkletter on radio Station KGB from 1936. A brief excerpt from this rare transcription disc is played on this episode of Galaxy Moonbeam Night Site!