Podcast appearances and mentions of William Eggleston

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto   Adelie de Ipanema (POLKA Galerie) Established in 2007 by Adélie de Ipanema and her brother, Edouard Genestar, Polka Galerie is located in the heart of the Marais district in Paris. The gallery represents over thirty photographers. Each year, within its 300 sq. meters divided into two spaces, the gallery organises ten exhibitions, which question the different forms of the Document within modern and contemporary practices.  - POLKA Galerie official website https://www.polkagalerie.com/en/home.htm - Membership page on AIPAD https://www.aipad.com/member/polka-galerie - Follow POLKA Galerie on instagram https://www.instagram.com/polkagalerie/   Arnika Dawkins (Arnika Dawkins Gallery) Arnika Dawkins Gallery is devoted to presenting fine art from both emerging and established photographers, specialising in images by African Americans and of African Americans. The gallerist is passionate about connecting collectors to artwork that is significant, inspiring and provocative. As a fine art photographer and avid collector herself, she is a valuable resource to collectors and artists alike. The gallery's objective is to provide an educational platform that supports this burgeoning community of talented artists. - Arnika Dawkins Gallery official website https://adawkinsgallery.com/ - Membership page on AIPAD https://www.aipad.com/member/arnika-dawkins-gallery - Follow Arnika Dawkins Gallery on instagram https://www.instagram.com/arnikadawkinsgallery   Anna Walker Skillman (Jackson Fine Art) Jackson Fine Art is a world-renowned contemporary gallery, specializing in photography with a 33-year history of supporting artists and collectors. The gallery cultivates and guides both emerging and established collectors to the best fine art photography of the 20th and 21st century, across both traditional and innovative photo-based mediums. Working closely with collectors, curators, consultants, and designers, JFA provides expertise in a warm, welcoming space in the Buckhead neighborhood of Atlanta, GA. - Jackson Fine Art official website https://www.jacksonfineart.com/ - Membership page on AIPAD https://www.aipad.com/member/jackson-fine-art - Follow Jackson Fine Art on instagram https://www.instagram.com/jacksonfineart/   Yancey Richardson (Yancey Richardson Gallery) Founded in 1995, Yancey Richardson represents artists working in photography, film, and lens-based media. The gallery is committed to working with museums, private institutions, leading art collectors, and other galleries to advance the careers of the artists we represent. Our current program includes emerging photographers as well as critically recognized, mid-career artists such as John Divola, Mitch Epstein, Ori Gersht, Anthony Hernandez, Laura Letinsky, Andrew Moore, Zanele Muholi, Mickalene Thomas and Hellen van Meene. Additionally, the gallery has presented exhibitions of historically significant figures such as Lewis Baltz, William Eggleston, Ed Ruscha, August Sander, and Larry Sultan. - Yancey Richardson Gallery official website https://www.yanceyrichardson.com/ - Membership page on AIPAD https://www.aipad.com/member/yancey-richardson-gallery - Follow Yancey Richardson Gallery on instagram https://www.instagram.com/yanceyrichardsongallery/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 25. March 2025 between Perth (AU), Paris (FR), Atlanta GA, and New York (US) with Riverside.

Felix Hoffmann is an image and cultural scholar and the inaugural Artistic Director of the Center for Photography and Lens-Based Media FOTO ARSENAL WIEN and the Director of FOTO WIEN. From 2005 to 2022, he served as the Chief Curator of the exhibition space C/O Berlin, where he was responsible for exhibitions, programs, and strategy. He curated numerous international exhibitions, including Nan Goldin (2009), Robert Mapplethorpe, Peter Lindbergh (2011), Gordon Parks (2014), Ren Hang and Elfie Semotan (2018), and William Eggleston (2023), as well as thematic exhibitions like Eerily Familiar: Images of Terror (2011), The Last Image: Photography and Death (2018), and Send me an Image: From Postcards to Social Media (2020).  - Follow Felix on Instagram here --> https://www.instagram.com/felix_hoffmann__/   FOTO ARSENAL WIEN is Austria's new center for photography and lens-based media. Since 2023 it has been responsible for the FOTO WIEN festival, and starting in 2025 it will be responsible for the Festival Vienna Digital Cultures with the Kunsthalle Wien. Initiated as a media literacy center by the city of Vienna in fall 2022, FOTO ARSENAL WIEN explores all facets of photography. As a hub for photography and lens-based media in Austria, the institution brings together historical and international topics at the interface between analog and digital worlds as well as between static and moving pictures. FOTO ARSENAL WIEN presents the full spectrum of the medium of photography in up to twelve exhibitions held annually in a one-thousand-square-meter exhibition space—a combination of young talents, still-to-be-discovered photographers, and internationally known artists. - https://www.fotoarsenalwien.at/en/ - https://www.instagram.com/foto_arsenal_wien/   FOTO WIEN is a member of the European Month of Photography (EMOP), a European collaborative project that currently includes photography festivals in Berlin, Brussels, Lisbon, and Luxemburg. Once an insider event for Vienna's lively photography scene, FOTO WIEN has become Austria's largest festival of photographic images in over twenty years of collective commitment. It offers programs for a broad audience that is interested in art and contemporary events as well as a professional audience. FOTO ARSENAL WIEN has been the organizer since 2023. - https://www.fotowien.at/en/ - https://www.instagram.com/foto_wien/   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 7. March 2025 between Perth (AU) and Vienna (A).

In this conversation, Greg & Tom interview Ted Forbes, a renowned photographic educator and YouTube creator, about his journey in photography, his new book, and the evolving landscape of visual communication. Ted shares insights from his unconventional career path, the influence of his time working in an art museum, and the importance of understanding visual language in photography. They discuss the impact of social media and AI on photography, as well as the content and purpose of Ted's new book, which aims to educate photographers on the analytical aspects of creating compelling images. In this conversation, Ted Forbes shares insights on the practice of photography, emphasizing the importance of learning to see and understand visual elements in familiar spaces. He discusses the significance of building a relationship with one's own work and the necessity of analyzing past images to improve. Forbes also delves into key principles of composition, the context of photography, and the impact of current trends and technology, including the influence of AI on the industry. In this conversation, Ted Forbes, Tom Barnes, and Greg Funnell discuss the evolving landscape of photography, focusing on the cost of equipment, the importance of simplicity, and the balance between creativity and technical skill. They explore the liberating experience of using manual cameras, the challenges of digital photography, and the significance of making intentional choices in the creative process. The discussion culminates in personal recommendations for favourite cameras and photography books, emphasising the value of inspiration and experimentation in the art of photography. Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative). Thank you for your support! Here are the shownotes; Ted Forbes: https://www.tedforbes.com Ralph Gibson: https://www.ralphgibson.com/ Jason Eskenazi: http://jasoneskenazi.com/ Elliot Erwitt: https://www.elliotterwitt.com/ Henri Cartier Bresson - The Decisive Moment: https://amzn.to/4fZTweI Ansel Adams: https://www.anseladams.com/ John Blakemore: https://britishphotography.org/artists/74-john-blakemore/overview/ Art of Photography episodes on composition: https://www.youtube.com/playlist?list=PLGEE7pGLuppTEjrviNCTwDHA00VsMzsAl Provoke Magazine - Japan: https://www.1854.photography/2018/11/50-years-since-provoke/ Hiroshi Sugimoto: https://www.sugimotohiroshi.com/ William Eggleston: https://egglestonartfoundation.org/ Rick Ruben - The Creative Act: https://amzn.to/3C02ESw Holga panoramic technique: https://shootitwithfilm.com/how-to-shoot-holgaramas/ Teds Desert Island Camera Holga Teds Desert Island Book John Blakemore - Black and White Photography Workshop: [https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds](https://onlineshop.oxfam.org.uk/john-blackmores-black-and-white-photography-workshop/product/HD_302460207?pscid=ps_ggl_OOS+-+Performance+Max+-+ROAS+(All)_&crm_event_code=20REUWWS08&gad_source=1&gclsrc=ds)

American artist Christian Patterson is a master of multi-dimensional, photo-based projects. His latest book "Gong Co." is a testament to his creative and intellectual curiosity, not to mention the fortitude to work on a project that spanned almost 20 years. We discuss his journey to photography, his time in Memphis with William Eggleston, and his impressive, unique approach to photo books. LinksChristian Patterson websiteGong Co. at TBW BooksGong Co. at Editions Images Vevy William Eggleston: Eggleston Art Foundation

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

In this episode of PhotoWork with Sasha Wolf, Sasha engages in an honest and deeply personal conversation with photographer Christian Patterson. They delve into the creation of "Redheaded Peckerwood" (MACK) and his latest book, "Gong Co." (TBW Books & Éditions Images Vevey). Christian offers a thorough description of his intricate process and motivations for these long-term projects, providing nearly step-by-step insights. He also reflects on his years working with William Eggleston and the nuanced ways in which that experience did, and did not,  influence his artistic direction. http://www.christianpatterson.com  |||   https://www.instagram.com/christian.patterson/ CHRISTIAN PATTERSON was born in Fond du Lac, Wisconsin and lives in New York, New York. His visually layered work has been described as novelistic, subjective documentary of the historical past, and often deals with themes of the archive, authorship, memory, place and time. Photographs are the heart of his multidisciplinary work, which includes drawings, paintings, objects, video and sound. Patterson is the author of four books, including Sound Affects (2008), Redheaded Peckerwood (2011, Recontres d'Arles Author Book Award), Bottom of the Lake (2015,Shortlist, Aperture-Paris Photo Book of the Year), and the forthcoming Gong Co. (2024). He is a Guggenheim Fellow (2013), winner of the Grand Prix Images Vevey (2015), a New York Public Library Picture Collection Artist Fellow (2022) and James Castle House Resident (2023). His work is in the collections of the National Gallery of Art, Los Angeles County Museum of Art (LACMA), J. Paul Getty Museum, Milwaukee Art Museum, Nelson-Atkins Museum of Art and Ogden Museum of Southern Art, and his books are in many institutional artist book collections. He has lectured, mentored and taught widely. He is represented by Rose Gallery, Santa Monica, USA and Robert Morat Galerie, Berlin, Germany. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

A 63. adás vendége Láng Péter és Lénárt Gábor fotográfusok, a Tripodcast műsorvezetői. Külön-külön és párban is rendkívül szimpatikus fiatalemberek, az alkalmazott fotográfia kiválóságai, akik rengeteg energiával, alázattal és állandó fejlődni akarással űzik hivatásukat. Hozzáállásuk példával szolgálhat mindazok számára, akik életvitelszerűen szeretnék művelni a fotográfiát. A Tripodcast műsorvezetőiként ráadásul közösséget is építenek, és adásról adásra nyíltan, őszintén osztják meg saját tapasztalataikat, gondolataikat és tanácsaikat a fotó iránt érdeklődők számára. A mai adás egy kötetlen, baráti beszélgetés, mellyel több célom is volt. Először is szerettem volna külön-külön bemutatni őket, megismertetni élettörténetüket. Másodsorban kíváncsi voltam arra, hogyan építették fel magukat a fotó világában és milyen örömök, illetve kihívások szegélyezték számukra ezt a könnyűnek korántsem nevezhető utat. Harmadrészt, mint fellow podcasterek, célom volt elmélyülni a tartalomgyártás rejtelmeiben, és elmerülni egy picit a Tripodcast univerzumban. Mint hallani fogjátok, a célok mind teljesültek, ezeknél azonban sokkal többről volt szó. Beszélgetünk a fotóművészet és az alkalmazott fotó közötti szakadékról, az improvizáció személyiségfejlesztő aspektusairól, inspiráló példákról, életcélokról és egy sor olyan témáról, amiről a fotózás szerelmesei egy kávézás alatt beszélgetni szoktak. Jó szórakozást kívánok hozzá!-------------FONTOS: A wopcast-et támogathatod Patreon-on és egyszerű utalással is.  . Patreon: https://www.patreon.com/wopcast . Az utalás ide érkezhet: Kocsány Kornél - CIB Bank 10700495-62634067-51100005 ------------Péterről bővebben:https://www.instagram.com/langpeter.photos/https://www.youtube.com/@hellopeti.Gáborról bővebben: https://www.instagram.com/gabor_lenart/https://gaborlenart.pic-time.com/-portfolio/galleryhttps://gaborlenart.pic-time.com/-weddingselection/gallery.A Tripodcast:https://www.instagram.com/tripodcast_/https://podcasters.spotify.com/pod/show/tripodcasthttps://www.facebook.com/groups/438945583333377------------A Péter által ajánlott fotográfusok:.Kaunitz Tamás.denhoda / Lantos István. Greg Williams.Peter Lindbergh.Joey L------------ A Gábor által ajánlott fotográfusok: . Varga Benedek.Sutus Fanni.William Eggleston .Stephen Shore .Todd Hido.Jason Lee Perry.Cameron Hammond------------- A wopcast, a wonderzofphotography és a wonderzofpainting: https://www.facebook.com/wopcastforlife https://www.facebook.com/wonderzofphotography https://www.tiktok.com/@wonderzofphotography https://www.instagram.com/wopcast_hun https://www.instagram.com/wonderzofphotography https://www.facebook.com/wonderzofpainting https://www.instagram.com/wonderzofpainting ------------- Ha bármi kérdésetek, kérésetek lenne, keressetek bátran a wonderzofphotography@gmail.com emailcímen vagy közvetlenül bármelyik közösségi médián. ------------- Műsorvezető: © Kocsány Kornél https://linktr.ee/kornelkocsany Arculatfelelős: © Kocsány Ákos https://www.instagram.com/wyldebeest

Primal Scream is one of our favorite bands of all time. Their excellent new record, Come Ahead, is out November 8th. We spoke with Bobby Gillespie from his home in England about Andy Cohen dancing at a Grateful Dead show, we're both moderating conversations this week, caviar, venues with chairs in them, opening for Alice Cooper, Direct To Consumer marketing, his kids listen to Tyler The Creator, how drug trends shape music, working in Tennesse, William Eggleston stories, the music industry used to be full of fun characters but now, not so much, when a band changes their sound every record, The Ramones and Iggy Pop, politically charged disco and funk music, and how he learned how to perform sober. instagram.com/primalscreamofficial twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 280 Guest: Alex Osman Book: Scandals --- In this episode, I sit down with the multi-talented Alex Osman, a writer, musician, and photographer based in Austin, Texas. We dive into his latest poetry collection, Scandals, which was released on August 1st. Alex shares the organic process behind compiling the collection, starting with just 20 poems in 2021 and eventually amassing nearly 80. We delve into his unique approach to art, where unfulfilled film scripts often become poems or short stories. A particularly fascinating story is how John Waters discovered Alex's work, leading to an unexpected and supportive friendship. We also touch on Alex's musical endeavors with his projects A Need to Be Shot and Thinner, both available on Bandcamp. Additionally, we explore his passion for photography, influenced by icons like William Eggleston and Diane Arbus, and his ongoing project to compile a full-length photo book. Thanks for listening! Kyler --- Episode Links: PURCHASE Scandals Instagram: @magkneesiumm Linktree: @alexosman --- SLD Podcast Info: www.saltlakedirt.com Radio Broadcast every Monday on KPCR 92.9 FM Los Gatos & 101.9FM Santa Cruz - 6PM - 8PM PST Listen on APPLE Podcasts Listen on SPOTIFY Instagram: @saltlakedirt

What do you do when you're a talented corporate type who is diagnosed with a crippling disease which might put you in a wheel-chair?If you're artist Janna Garza, you file for divorce after 18 years: "He wasn't the guy I wanted pushing me around".  But Kristi's long-time friend, who calls herself a "collector", and had moved from Texas into a plush corporate apartment in Chelsea, was about to discover her artistic side for real.It came about, as she says, through traveling, collecting vintage jewelry, fabrics, and oak treasures, watching people, and blogging about them.Now she has books - sometimes the design comes first, and sometimes the words. The latest is "Looks Familiar" - a spectacular collection of her haphazard, yet spectacularly accurate, portraits of often-familiar characters. She came to visit Liss'NKristi in July, amid the Texas storms, and while mascot Winslow was having a turn. website:https://www.jannagarza.com/https://www.facebook.com/jannajgarzahttps://www.instagram.com/janna.garzaSTORIES00:00 - Start00:11 - Winslow's tummy troubles00:53 - "Welcome Janna, to the house, my tit has popped out and there's dogshit everywhere"01:15 - The official introduction of Janna and her book "Looks Familiar"01:39 - "O.Henry meets Sex and the City"01:54 - "Kinda Tracey Ullman, visually you can see some Wes Anderson"02:29 - I borrow from photographers such as William Eggleston03:13 - "I did a one woman show, wrote plays, started this project in 2006"03:25 - "I got sick with a condition called "Polymyositis", a progressive muscle-wasting disease05:01 - In New York, working for a product company, 2013-1506:20 - "I couldn't get out of a chair"07:15 - "As strong women, we power through"09:20 - "Polymyositis was the best of the evils"10:34 - "Within a month of the diagnosis I filed for divorce"13:34 - Auto-immune protocol, awful meds, and my hair's falling out15:02 - "I started messing with wigs, and then it just kinda started"16:35 - Getting lost in Hobby Lobby19:10 - I wanted to photograph the visuals22:18 - American Savings and Loan23:44 - "I loved doing these characters. Sometimes the visual came first. Sometimes the story.24:59 - Western shirts and Dwight Yoakam26:42 - "I didn't start out to monetize it, practical wasn't on my radar"27:50 - "I was invited to display the art in a gallery - it didn't occur to me that anyone would buy it."31:21 - "I'd call it storytelling art"31:50 - The story of Bobby Broussard33:42 - Create to create35:23 - "I was a Chelsea Girl, but I've never been as home sick"36:15 - Janna's go-to advice

Patrick Sansone talks to us about his way of looking out at the world, starting off with Polaroid, his love of shooting slide film, meeting William Eggleston, how movies and paintings influence his photography and more!

Mit Andrea Holzherr, Ausstellungsmanagerin und Kuratorin bei der Fotoagentur Magnum und Behnam Attar-Hamedani, Bruder von Abbas, tauchen wir ein in das Werk dieses legendären Fotografens.  (Interview in English) Abbas Attar, besser bekannt als Abbas, war ein renommierter Fotograf und Mitglied der legendären Fotoagentur Magnum. Der gebürtige Iraner begann seine Karriere als Fotograf in den 1970er Jahren und wurde bekannt für seine eindringlichen und sensiblen Dokumentationen von Konflikten, Religionen und sozialen Veränderungen auf der ganzen Welt.  Abbas' Arbeiten spiegeln sein tiefes Verständnis der menschlichen Natur und seine Fähigkeit wider, komplexe Geschichten in Bildern zu erzählen.  Denn ein Mann der großen Worte war er nicht, wie er 2009 in einem Interview deutlich machte:  „Ich stelle Fragen, ich gebe keine Antworten. Die Menschen sollen eigene Antworten finden. Ich gebe ihnen dazu Mosaiksteinchen; sie sind nicht objektiv, denn auch meine Arbeit ist nicht objektiv. Aber ich bemühe mich, gerecht zu sein.“ Abbas Fotografien wurden in renommierten Publikationen veröffentlicht und international ausgestellt.  Abbas starb 2018, hinterließ jedoch ein beeindruckendes Vermächtnis und inspirierte Generationen von Fotografen auf der ganzen Welt.  In dieser Podcast-Episode tauchen wir in das Leben und Werk des Ausnahmekünstlers ein - gemeinsam mit Abbas' Bruder Behnam Attar-Hamedani und Andrea Holzherr, Ausstellungsleiterin und Kuratorin bei der Fotoagentur Magnum.   Aufgezeichnet haben wir das Gespräch im August 2023 während der Medientage des letztjährigen Festivals „La Gacilly - Baden Photo“. Wir - das sind Pia Parolin und ich. Pia hat wieder einmal ein Gespräch mit ihren Fragen bereichert. Ich freue mich schon auf die Fortsetzung beim diesjährigen Festival, das vom 13. Juni bis 13. Oktober 2024 stattfindet.  Ich zehre noch lange von den ereignisreichen Tagen in Baden mit vielen Begegnungen. Dass noch heute Aufnahmen vom letzten Jahr im Archiv schlummern, ist der beste Beweis dafür.  // Werbung // Wenn du bei den Aufnahmen für den GATE7-Podcast live im Zoom dabei sein und am Ende den Gästen deine Fragen stellen möchtest, dann komm zu unserem Projekt „Abenteuer Reportagefotografie“, das ich zusammen mit Thomas B. Jones mache. Dort hast du nicht nur die Möglichkeit, dem GATE7-Podcast noch näher zu kommen, sondern auch in vielen anderen Formaten wie Videos, Webinaren, Aufgaben & Feedbackrunden und einem exklusiven Podcast mit Thomas und mir tief in die Welt des visuellen Geschichtenerzählens einzutauchen. Apropos exklusiver Podcast: In der Serie „Lernen von Meister:innen“ sprechen Thomas und ich darin regelmäßig über legendäre Fotograf:innen und geben dir Tipps, was du von ihnen für deine eigene Fotografie lernen kannst. In den bisherigen Folgen haben wir unter anderem über William Eggleston, Saul Leiter, Joel Meyerowitz, Robert Frank, Nan Goldin und William Klein gesprochen. Eine Folge über Abbas wird sicher bald folgen.  Was dich sonst noch konkret in diesem interaktiven Projekt erwartet, das, wenn man so will, der verlängerte Arm von GATE7 ist, in dem die Themen des Podcasts vertieft und praxisnah aufbereitet werden, erfährst du unter: www.abenteuer-reportagefotografie.de  Solltest du schon davon gehört haben - vielleicht auch schon auf der Seite warst - aber trotzdem noch offene Fragen hast, dann melde dich gerne direkt bei uns unter: mail@abenteuer-reportagefotografie.de  Wenn du Street Photography live mit uns erleben möchtest, dann komm doch zu einem unserer Workshops. In diesem Jahr stehen Helsinki im Juli, Hamburg im Oktober und Lissabon im November an.

Bis in die 1970er Jahre galt Farbfotografie als kommerziell und war in Museen verpönt. Nur Schwarz-Weiß-Fotografie genügte den Maßstäben der Kunstkritiker:innen. Doch dann kam William Eggleston und zeigte, dass Farbbilder durchaus ihren Platz in der modernen Kunst haben können. Unter dem Motto „Lernen von den Meistern:innen“ nehmen Thomas Jones und ich dich im exklusiven Podcast für alle Teilnehmer:innen von „Abenteuer Reportagefotografie“ mit auf eine Reise durch die Fotografiegeschichte. In jeder Folge stellen wir dir einen legendären Fotografen oder eine legendäre Fotografin vor und geben dir praktische Tipps, was du von ihnen für deine eigene Fotografie lernen kannst.  In den bisherigen Folgen ging es um Joel Meyerowitz, Nan Goldin, William Klein und William Eggleston. Um dir einen Eindruck zu vermitteln, wie so eine Episode klingt, gibt es das Gespräch über William Eggleston auch bei GATE7.  Alle Informationen zu „Abenteuer Reportagefotografie“ und wie du den exklusiven Podcast abonnieren kannst, wenn dir diese Folge gefällt, findest du unter: www.abenteuer-reportagefotografie.de // Werbung // Thomas B. Jones und ich haben zuletzt intensiv an der Weiterentwicklung unserer interaktiven Lernplattform für visuelles Storytelling gearbeitet.  Langsam nimmt das Ganze immer mehr Gestalt an - und es wird auch nach außen hin sichtbar, woran wir in den letzten Wochen gearbeitet haben:   Unser Videokurs, die „Visual Storytelling Masterclass“, ist draußen. In gut 6,5 Stunden nehmen wir dich mit auf eine Reise in die Welt des visuellen Geschichtenerzählens in der Reportage und Street Photography.    Unser fortlaufender, interaktiver Online-Kurs „Abenteuer Reportagefotografie“ wird zur „Visual Storytelling Academy“. Ein neues, kompaktes Onboarding macht es noch einfacher, jederzeit einzusteigen - egal auf welchem fotografischen Level du dich gerade befindest.    Außerdem haben wir unseren Workshopkalender für 2024 gefüllt. Unter anderem geht es dann wieder nach Helsinki und Lissabon zum Streetfotografie-Erlebnis-Workshop. Rund um die PHOTOPIA bieten wir wieder einen Street-Workshop in Hamburg an - und in Kürze startet die zweite Auflage unseres Buch-Workshops in Zusammenarbeit mit Sebastian H. Schroeder. 

Épreuves de la matièreLa photographie contemporaine et ses métamorphosesà la BnF François Mitterrand, Parisdu 10 octobre 2023 au 4 février 2024Interview de Héloïse Conésa, cheffe du service de la photographie, chargée de la photographie contemporaineau département des Estampes et de la photographie, BnF, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 9 octobre 2023, durée 16'3725, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/17/3488_epreuves-de-la-matiere_bnf-francois-mitterrand/communiqué de presseCommissariatHéloïse Conésa, cheffe du service de la photographie, chargée de la photographie contemporaine au département des Estampes et de la photographie, BnFTraversé par de multiples explorations plastiques, le questionnement autour de la matière irrigue tous les champs de la photographie, du processus créatif à la présentation des images. Prenant appui sur la riche collection de photographies contemporaines de la BnF, l'exposition révèle les capacités de métamorphose de la matière photographique mais aussi sa possible disparition. À travers les oeuvres singulières de près de deux cents photographes français et étrangers se dévoile une histoire sensible et incarnée de la photographie.L'exposition explore en quatre grandes parties les états possibles de la matière-image en photographie, analogique comme numérique.La première partie, « L'image tangible, la matière incarnée », montre comment des photographes tels que William Eggleston, Ann Mandelbaum, Denis Brihat entre autres transforment la matière photographiée en recourant par exemple au fou, au gros plan, aux variations d'échelles. D'autres comme Andreas Müller-Pohle, Philippe Gronon ou Isabelle Le Minh s'attachent à analyser toutes les textures des composantes de la photographie : grain d'argent, gélatine, pixels, papier...Avec « L'image labile, la matière expérimentée », l'exposition évoque ensuite la matérialité à l'aune des explorations mises en place dans la « cuisine » du laboratoire jusqu'au menu de l'ordinateur : aussi les expérimentations analogiques sur les émulsions (chimigrammes de Pierre Cordier, gommes bichromatées mélangées à du sang chez Marina Bério) ou sur le support photographique (photogramme plié d'Ellen Carey, daguerréotype de Patrick Bailly Maître Grand ou impressions sur végétaux d'Almudena Romero) sont-elles présentées en regard des oeuvres numériques de Thomas Ruff (série « Substrats » obtenue par la superposition de plusieurs images glanées sur internet ) ou de Lauren Moffatt (détournement de la photogrammétrie dans la série « Compost »).« L'image hybride, la matière métamorphosée » met en exergue des pratiques où la photographie s'hybride avec d'autres expressions artistiques (Anne-Lise Broyer, Paolo Gioli) ou alors parvient par ses ressources propres à suggérer des effets de matière picturale, graphique ou sculpturale (Valérie Belin, Jean-Luc Tartarin, Laurent Millet).Enfin, la quatrième et dernière partie, « L'image précaire, la matière fragilisée », présente des oeuvres interrogeant la photographie soumise au passage du temps et des éléments qui peuvent conduire à son effacement progressif (travaux sur l'archive photographique d'Eric Rondepierre, Joan Fontcuberta, Hideyuki Ishibashi, Lisa Sartorio, Oscar Muñoz…) ainsi que des matérialisations fugaces qui donnent lieu à des images évanescentes (hologramme de Michael Snow) ou à des images latentes, spectrales (Rosella Bellusci, Smith, Vittoria Gerardi, Alain Fleischer).[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week Marcus and Sam discuss the use of black and white photography. Marcus did a poll on LinkedIn and found that (from the sample of people who responded) people preferred colour for a head shot, but like black and white photography in their homes. William Eggleston a famous photographer did an exhibition in the Museum of modern art, New York in the mid 1970s and he used colour. At the time the critics said his use of colour was “vulgar”. Marcus thinks that using actual film, black and white film, and developing it yourself will expand your understanding of black and white photography. Now the software we use for photography still uses many of the terms that come from those original dark room techniques. And they will make more sense once you have experienced developing actual film. There are photography clubs all over the country that have dark rooms you will be able to use.   Marcus also think photography books are also a great way to learn about black and white photography. Also go and look at photographic exhibitions and how those photographers use black and white photography.   Sam and Marcus then talk about the use of black and white commercially. Black and white is great for headshots. Also, for some businesses black and white can really match their brand. Some brands need some bright colours, but for others black and white can work really well for their brand. Barbara Kruger is a famous photographer who used red text against black and white photography which was a great look and could work really well for a brand. At weddings black and white can be used. It's used often when the weather is bad as it helps deal with poor light. But black and white can also be used for effect on any wedding. But as the shots will be digital these can be made black and white after the event. Don't forget to sign up to the podcast newsletter to get the lastest episodes direct to your inbox, get bonus extra content past episodes to try and more.

Hey! Så er Fotografiske Signaler tilbage - og igen ude på vandring med mikrofon og kamera. Denne gang har Adam taget turen til Aarhus for at gå en tur langs havnen og fotografere. Det handler rigtig meget om inspiration. Fordi vi som fotografer tit glemmer, at det at fotografere i høj grad handler om at se. Ikke kun på verden - men også på andres billeder. Finde inspiration i det som andre har gjort før os. Og i denne episode handler det især om Garry Winogrand og William Eggleston - og hvordan deres, ekstremt produktive, fotografiske oeuvre kan inspirere os. Links: Wikipedia Garry Winogrand Eggleston Foundation (med masser af billeder) Og husk at du kan finde blogpost med alle billederne på fotografikurser.dk Som lovet i episoden er her link til Slack-workspace: https://join.slack.com/t/slack-ihw6063/shared_invite/zt-1xaphbxhs-fduwyIs_wH5o2EWx4q2CiA - kom frisk - alle er velkomne så længe tonen er god. --- Send in a voice message: https://podcasters.spotify.com/pod/show/fotografiskesignaler/message

William Eggleston è un fotografo d'avanguardia americano noto per le sue immagini vivide, poetiche e misteriose. I suoi soggetti preferiti sono le brutture e gli angoli banali della sua città, che restituisce in una prospettiva del tutto personale e utilizzando magistralmente i colori.

“Harry Gruyaert” La part des chosesLE BAL, Parisdu 15 juin au 24 septembre 2023Interview de Diane Dufour, directrice du LE BAL et commissaire de l'exposition,par Anne-Frédérique Fer,à Paris, le 14 juin 2023, durée 16'46,© FranceFineArt.https://francefineart.com/2023/06/15/3456_harry-gruyaert_le-bal/Communiqué de presseCommissaire de l'exposition : Diane Dufour, directrice du LE BALPhotographe né à Anvers en 1941, Harry Gruyaert est un des pionniers de la photographie couleur, au même titre que les grands américains qu'il a très tôt vus et aimés, Joel Meyerowitz, William Eggleston ou Stephen Shore. Loin de sa Belgique natale trop étriquée, le New York du début des années 1970 l'expose au Pop Art et « à regarder autrement la banalité, à accepter une sorte de laideur du monde et à en faire quelque chose ». Ses amitiés avec la nouvelle scène new-yorkaise (Gordon Matta-Clark, Richard Nonas) confortent ce que Le Désert rouge d'Antonioni, « vu mille fois », avait déjà distillé en lui : le besoin d'arpenter le monde, de s'y jeter avidement, non pour le désigner ou nous en informer mais pour le sculpter, le modeler. Transcrire sa perception des choses et non les choses elles-mêmes. Se faire voyant, pas témoin.Harry Gruyaert a dit cette lutte physique, ce corps à corps avec les choses et les êtres : « Je me jette dans les choses pour éprouver ce mystère, cette alchimie : les choses m'attirent et j'attire les choses ». Dans la bande passante de la vie, alors que tout se dérobe et échappe et pour que « tout tombe en place », il faut être à la fois plus là et moins là, s'oublier soi-même pour saisir la matière, la texture, tout ce qui fait l'ici et le maintenant ; se soumettre, tout en en cultivant la prescience, à un ordonnancement instinctif des formes, couleurs, symboles, lumières, motifs.Alain Bergala dans Correspondance new-yorkaise distingue deux types de photographes : celui qui croit en la réalité et fait de la photographie un art de la présence et celui qui vit le réel comme impossible et ne fait que fixer l'absence. À l'aune de cette distinction, Harry Gruyaert serait une anomalie, un photographe dont la présence viscérale au monde vise avant tout à en saisir le caractère fugitif, intangible. Des trajectoires isolées, des espaces disjoints, des corps en périphérie, tout concourt dans ses images à rendre l'absurdité du monde, le collage surréaliste de la vie et ses morceaux détachés.Photographier peut donc aussi être cela : communier avec un état de solitude et dire un mensonge plus vrai que la vérité.Diane Dufour« Je me dis parfois qu'il serait tellement plus simple de mettre en scène mes images, de repeindre tel mur comme Antonioni, ou de demander à tel personnage de s'habiller autrement. Mais je crois que j'y perdrai ce miracle instantané de l'inattendu qui coupe le souffle, de ce phénomène très physique de la photo qui soudain s'inscrit. » – Harry Gruyaert Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Look under your car seat, peep behind the sofa, Kev's looking for his X100V! Perhaps it's been used by his interior decorator - all will be revealed. Also on the show, getting more bang for your buck in backup-land, photographing in a pyramid, displaying your pictures in the myriad of aspect ratio frames available, why wedding cake makers are miffed with Bake Off, best skin tone film simulations, jpeg compression and choose your favourite ever lens chaps! Also a new feature this week about photography films on YouTube. This week, The Photographic Eye channel's film about William Eggleston's approach to photography, the 'dilemma of boring photographs'. THIS WEEK'S LIST OF LINK GOODNESS...   Pic Time: https://www.pic-time.com/  - use FUJICAST when creating an account for discount offers to apply   The showpage: https://www.fujicast.co.uk/episodes/episode-247   Kevin Mullins: https://www.kevinmullinsphotography.co.uk   Neale James: https://www.nealejames.com   Eggleston's art foundation site: http://egglestonartfoundation.org/   Shiftabrick: https://www.instagram.com/shiftabrick/   Sync: https://www.sync.com/   Alex Kilbee's film about making boring pictures: https://youtu.be/Jm2pw7kPQ-E 

Happy Woo Wednesdays!Rachel is my favorite family photographer and does long form family shoots meaning she's with the family ALL Day. I love the way she loves herself, her family, her clients, and her body.www.rachellarsenweaver.com/linksRachel Larsen Weaver is an artist-educator and film photographer in Maryland on the shore of the Chesapeake Bay. She is a mother to five who travels the country creating art with families and she mentors photographers who are interested in building businesses that are rooted in their creative longings.Today's Hot TopicLet's talk newsletters! Rachel talks about why you should start one, how to do it, and ways to grow your list.1. choose a format and schedule that feels exciting and not overwhelming2. stories sell- so determine what stories you want to tell3. repurpose. repurpose. repurpose.Favorite sales technique: How do you get a HECK YES from your dream clients?This one is kind of hard for me. I have often remarked that I feel confident when it comes to marketing but less so in sales. For me the heck yes really is about the client feeling deeply connected to me and the offer. When I love the things that I am creating- I think that my joy and enthusiasm is contagious. When my offers are not actually aligned with my deepest desires- they don't have that same magnetic energy.What is your Woo Factor? The Woo Factor is how you stand out from the crowd. What makes you unique?I think its two fold: one is that my work is really about honoring the art of the offer. I talk a lot about studying the artists I admire, exploring the tradition photography. I want to make a William Eggleston photo at your wedding. I want to create a Sally Mann when I'm photographing your family. That would seem really snobby though and possibly intimidating and not the easiest sell. So I couple that with really genuine relationship building. One of the things that I love to do is to respond to dm's with voice messages- A) I find it so much easier to respond in a thoughtful way quickly when I can talk and have my hands free (I have five kids remember) B) I hope it feels sort of personal.Connect with Rachelhttps://www.rachellarsenweaver.com/instagram.com/rachel.larsen.weaverConnect with Carissahttps://www.instagram.com/carissawoo/https://heckyesmedia.co/

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

"It's all about that creative spark that births a new visual language or idea that maybe could live on its own."

In this inaugural episode, Stephen K. Schuster and Hollis Monk Thayer discuss William Eggleston's vision, Deep South roots, his relationship to cinema, psychology, approach towards art and much more.Music: Oui lele

Álvaro Méndez (de Photolari) nos presta 'OK Computer' de Radiohead. Este episodio es la segunda parte de las tres que dedicaremos al 'OK Computer' de Radiohead. Si no habéis escuchado la primera, os recomiendo que empecéis por ahí. Álvaro Méndez hace un poco de todo en Photolari, una web y canal de YouTube sobre fotografía y vídeo, de referencia en el mundo hispanohablante. Cuando no está trabajando emplea su tiempo en hacer de padre, ver pelis, leer cómics, escuchar música y, según la web de Photolari, en «despreciar todo aquello que se haya puesto mínimamente de moda». En este episodio, entre otras cosas, Álvaro y yo hablamos de: Cómo 'OK Computer' consiguió seducir a oyentes con gustos musicales muy dispares. La relación especial que Radiohead siempre han tenido con la industria musical. La posible influencia de David Lynch y William Eggleston en el videoclip de «Karma Police». La épica de grupos como U2, Coldplay, Keane o Muse. Los sonidos y las letras de las tres siguientes canciones del disco: «Exit Music (for a Film)», «Let Down» y «Karma Police». También escuchamos una traducción completa al español de «Fitter Happier». Y, por el camino, nos encontramos con Led Zeppelin, Metallica, el Napster, Apple, Romeo y Julieta, la doctora Quinn y el Mellotron. 'Disco prestado' en Instagram: @discoprestadopodcast Transcripción en dishttps://marcaliana.com/radiohead-ok-computer-con-alvaro-mendez-photolari-2-3-transcripcion La música original de este podcast forma parte de mi EP 'The Entertainer EP', que podéis encontrar en marcaliana.com/musica y en todas las plataformas digitales. ¡Salud y buena música! Marc Aliana marcaliana.com

Er gilt als Pionier der Farbfotografie, und er ist der Gigant der amerikanischen Farb-Fotografie. William Eggleston. Er fand im Banalen und Alltäglichen überall Schönheit: Ob Strassenschilder, Läden im Nirgendwo, Diner, Parkplätze, essende Männer, rauchende Frauen, leer ausgetrunkene Kaffeetassen. stets umgibt etwas Geheimnisvolles seine Aufahmen. Zu sehen bei c/o Berlin Eggleston - Mystery of the Ordinary" bis zum 4. Mai 2023. William Eggleston nimmt uns mit zum Beispiel auf einen Roadtrip durch die Südstaaten Amerikas der 1970 er Jahre. Neben berühmten Serien wie Los Alamos (Straßenfotografie), sind in der großen Retrospektive noch nie gezeigte Werke zu sehen. Dafür hat er sein Archiv durchforstet. Elke Buhr, Chefredakteurin von Monopol, dem Magazin für Kunst und Leben hat sie besucht und spricht zudem über Fotostrecke und Essay, die dem Fotografen im aktuellen Heft von Monopol gewidmet sind. Moderation: Yvi Strüwing detektor.fm/was-wichtig-wird Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

In this episode, Lauren and Chris circle back and talk about their recent trip to Charleston. Tune in to hear their thoughts on William Eggleston, Bo Bartlett and alternative gallery models.Robert Lange Studios@rlsartRobert Lange on John Dalton's Gently Does It Podcast:https://podcasts.apple.com/us/podcast/john-dalton-gently-does-it/id730106108?i=1000486891884Gibbes Museum of Art@thegibbesmuseumBo Bartlett@thebobartlettCheck out Lauren's Patreon at:https://www.patreon.com/laurenstarotCheck us out on Instagram at:@laurenpiemont@chrisclampart@avartclubEmail us at:avartclubpodcast@gmail.com

The visionary performance artist, musician, filmmaker, visual artist, and author behind the legendary Unapproachable Panther Burns founded with Alex Chilton in 1979 just completed the whirlwind “Rouge Male” U.S. tour. He joins René inside the Feral Zone to discuss the trip, his relocation to Bangkok, his current recording and film projects, and Rene’s early tenure in the band. Tav shares pearls of wisdom concerning the “secret eye of the artist” from his mentor, the great photographer William Eggleston. Topics include a first Tupelo’s gig, a Club Lingerie birthday, a first tour, a blowout, the 40Watt Club, an aberrant orbit, the Lore of the Panther Burns, an infamous performance action, Televista, Marge Thrasher’s Straight Talk, artistic output, starting in the middle, R.L. Burnside, Eugene Baffle, a college riot, “Mondo Memphis Vol. 1,” a time traveler, the American South, learning Thai and Italian, poetic gradients, a photo book, a Memphis archive, a Thailand studio, the Urania Trilogy, the current band, sharkskin slacks, and much more. Intro music: "The Trucker Takes A Wife" by Styler/Coman Break Music: "Bourgeois Blues" from "Behind the Magnolia Curtain" by Tav Falco's Panther Burns Outro music: "Money Talks" from "Sugar Ditch Revisited" by Tav Falco's Panther Burns Support the podcast: Paypal or Venmo Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podcast Instagram Iguanas Tour Dates René Coman Facebook Tav Falco Facebook Tav Falco Homepage The Panther Burns on Marge Thrasher's Straight Talk YouTube

If Meyerowitz had formalized his relationship with photography, they would have just celebrated the diamond jubilee. Through all these years he seem to never lost his excitement about photography. From July 1, photos showing changes in this relationship will be displayed at Leica Gallery in Warsaw.Joel Meyerowitz - born in 1938 is a master of photography, one of the most outstanding in this genre. Apart from John Szarkowski and William Eggleston, he is a precursor of color photography in high art world. He has published over 40 photography books, has received a Guggenheim photography scholarship, received the National Endowment for the Humanities and National Endowment for the Arts awards, the British Royal Photographic Society's centenary award and the Leica Hall of Fame award. He was the only photographer with unlimited access to Ground Zero after the September 11, 2001 attacks. His works are in the collections of prestigious institutions such as the Museum of Modern Art and the Tate Modern. Joel Meyerowitz is still an active photographer. Lives with his wife Maggie Barrett in Tuscany and New York.

Learn how cinematographer Simon Dennis BSC created an authentic and super saturated early 1980's world for CANDY on Hulu. Simon and Go Creative Show host, Ben Consoli, discuss why he chose the Sony Venice and custom tuned lenses to create CANDY and how the look was inspired by William Eggleston and Napoleon Dynamite.  We also dive deep into the 1:66 aspect ratio, the challenges of working with child actors, how to make multi-camera look like single camera, and much more! Subscribe Now! What you will learn in this episode How color and saturation represents plot (03:35) Being influenced by Nepolioan Dynamite (09:15) Recreating the 1980s through cinematoraphy (13:18) Shooting with limited daylight hours (17:14) Why the 1.66 aspect ratio is important (20:10) Simion's approach to shooting wideshots (24:09) Creating a "vinyl" look with detuned lenses (30:31) Approach to lighting CANDY (36:25) Working with actor Justin Timberlake (40:32) Deconstructing the court room scenes (50:02) And more! Subscribe + Follow Go Creative Show Twitter Facebook Apple Podcasts Stitcher Google Play Podcasts iHeart Radio YouTube Show Links CANDY IMDb CANDY trailer CANDY on Hulu William Eggleston - unseen Kodachrome dye transfer process photos Napoleon Dynamite The Magic Of The 1.66:1 Aspect Ratio Follow Our Guest Simon Dennis' IMDb Simon Dennis' Instagram Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Connor Crosby (producer) Ignition Visuals' website Ignition Visuals' Instagram Follow Dave Siegel (sound mixer) Dave Siegel's website

In ArtiFact #20, Joel Parrish and Alex Sheremet went through the history of photography from Louis Daguerre (the creator of the daguerreotype) to contemporary photographers. In ArtiFact #25, there are fewer technicals to address and more emphasis on ‘forgotten' and misunderstood photographers, with more connections to the art world as a whole. Among the questions asked: how can artists understand the techniques of one medium and apply it to their own art? What should the viewer look for in a photograph, anyway? What are the unique advantages and drawbacks of photography, especially in light of “borrowed” tropes such as painting's still life genre? What do ‘timeless' photographic shots look like, and is there a difference between those and documentary-style photography? Photographers covered: Josef Sudek, Zdzisław Beksiński, Francesca Woodman, Hengki Koentjoro, Gordon Parks, Harry Callahan, Josephine Sacabo, Sebastiao Selgado, Laura Macabresku, William Eggleston, Pete Turner You can also watch this conversation online: https://www.youtube.com/watch?v=au4d8fjlmhQ Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Google Podcasts: https://bit.ly/3dSQXxJ Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L ArtiFact #25: Photography From Josef Sudek To Laura Makabresku | Joel Parrish, Alex Sheremet Timestamps: 0:24 – introduction; why there has been such a glut of good (and terrible) photography the past half-century; Joel on the popularization of photography over time 6:12 – Josef Sudek (1896 – 1976) – his strengths & influence; the use of light, color, motifs, and inversions of expectation; an example of a great cityscape; Sudek's use of abstraction; some issues with still life photography 53:29 – Zdzisław Beksiński (1929 – 2005) – a look at his paintings, surrealism, & comparisons with his photography; an excellent video montage of his photos; how photography naturally lends itself to a ‘softer' or more muted surrealism; how to apply these principles across art forms & disciplines 01:26:06 – Francesca Woodman (1959 – 1982) – a young photographer who was known for her selfies; how Woodman was able to subvert the “nude in a dilapidated building” cliché; a (rare) excellent photographic still life; responding some flaws in The Woodmans (2010) documentary 01:48:32 – Hengki Koentjoro – a still-living Indonesian photographer known for his landscapes, oceanscapes, and more minimalist shots; Koentjoro's subtle use of time-lapse photography 02:50:45 – Harry Callahan (1912 – 1999) – a Detroit-based photographer who was excellent in a number of styles, techniques, and photographic genres 03:06:08 – Gordon Parks (1912 – 2006) – a black American photographer who excelled at everything from fashion photography, to the documentary style, to breaking conventions across genres; how his Red Jackson series on Harlem captures the basis for art's longevity 03:29:00 – Sebastiao Selgado (b. 1944) – a contemporary Brazilian photographer who is most known for his documentary-style photography, even as he pushed boundaries and tropes far outside of the range of more typical documentary snapshots 03:45:35 – Josephine Sacabo – a contemporary photographer with some of the richest uses of analog-style editing techniques; her dipping into ‘painterly' processes; Josephine Sacabo as a technician 04:06:14 – Laura Makabresku – a contemporary photographer with a tremendous work ethic & an emphasis on symbolism, folklore, religious imagery 04:30:03 – William Eggleston (b. 1939) – a modern photographer who was a pioneer in the use of color, seemingly “unartistic” or banal shots, & documenting the American South at a time when it was out of vogue 04:42:32 – Pete Turner (1934 – 2017) – a photographer across genres and styles anchored by his expert use of color, whether it's the depiction of New York City in the 1950s using a now-unexpected palette, his travel photography in Africa & beyond, or his more symbolic work Video thumbnail © Joel Parrish Joel's website: https://poeticimport.com Read the latest from the automachination universe: https://automachination.com Read Jessica Schneider's review of The Woodmans: https://www.automachination.com/so-mu... Read Alex's (archived) essays: https://alexsheremet.com

"La Carretera", de JC González, maestro del podcast Cuentos del bosque oscuro (https://go.ivoox.com/sq/1131024), se ha erigido ganador de la XXII Edición Microrrelatos de la Parroquia que estamos organizando aquí: https://www.patreon.com/vuelodelcometa Esta ficción sonora, ejecutada y producida por el maestro Vicente Ortiz, forma parte del premio que intentamos establecer para aquellos que participen y ganen en cada edición: locutar, montar y publicar el micro en este podcast. Todo hecho con mimo desde la hoguera de la Parroquia en la que nos encontramos numerosas almas atrapadas. Para estar al tanto de futuras actualizaciones estas son las redes sociales a las que debes acudir: linktr.ee/Vuelodelcometa Y si quieres apoyar este y otros proyectos relacionados: https://www.patreon.com/vuelodelcometa o bien apoyándonos directamente en iVoox y teniendo acceso a los programas exclusivos para mecenas. El bloque de intro pertenece a Luis Alberto Martín, locutor, actor de doblaje y voz y periodista: @lamartinvoz Arte de William Eggleston. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Our guests this week are Chad Clark and Erin Nelson of DC post-punk band Beauty Pill. Clark emerged from the DC/Dischord punk scene with his band Smart Went Crazy, and he worked on records by Fugazi, Dismemberment Plan, Lungfish, Q & Not U, and many more. He formed Beauty Pill in the early 2000s and it's proved a musically restless unit ever since. He's allowed the band to shift and morph in public and in 2012 the group was commissioned to craft the album Beauty Pill Describes Things As They Are live in public. Most recently, the band has released some great EPs, including Instant Night and Please Advise. For this episode of Transmissions, host Jason P. Woodbury spoke with Clark and Nelson about the oblique lyrical references in these works—get ready for our most Matt Damon-centric episode yet—as well as dig into the influence of Miles Davis, William Eggleston, and collaborations with the Taffety Punk Theatre Company.

Born 1953 in Cardiff, Wales, Peter Fraser acquired his first camera at the age of 7 and after a false start studying Civil Engineering, at 18, began studying photography at Manchester Polytechnic the following year. In the summer of 1974 he lived in New York and worked at the Laurel Photography Bookstore at 32nd St and 6th Avenue which significantly expanded his sense of photography's expressive possibilities. He graduated in 1976 after repeating his 3rd year due to major illness crossing the Sahara, while photographing in West Africa.Peter lived in Holland and Hebden Bridge, West Yorkshire, before moving back to Manchester in 1981. He then began working with a Plaubel Makina camera in 1982 which led to an exhibition with William Eggleston at the Anolfini, Bristol in 1984, and a move to that city. In summer 1984 Peter travelled to Memphis, USA to spend nearly two months with Eggleston, which confirmed for him the desire to commit his life to working with colour photography.He then worked on several series of photographs, leading to a first publication, Two Blue Buckets which won the Bill BrandtPrize in London (the precursor of the CitiBank International Photography Prize), in 1988.He moved to London in 1990, subsequently publishing several new bodies of work,  including Ice and Water1993, Deep Blue 1997,Material 2002, and Peter Fraser (Nazraeli Press) 2006.In 2002, The Photographers' Gallery, London, staged a 20 year survey exhibition of Peter's work, and he was shortlisted for the Citigroup International Photography Prize in 2004. In 2006 he was invited to be an Artist in Residence at Oxford University, England and produced new work for permanent installation in their new Biochemistry building in 2008.In 2009 Peter was given a major commission by The Ffotogallery, Wales, to return to his country of birth, to make new work for a solo exhibition at the gallery, which opened in March 2010, with a new publication, Lost For Words.In 2008 Fraser began working on A City In The Mind a new series of photographs in London, which was shown at Brancolini Grimaldi Gallery, London in May 2012 accompanied by a Steidl Publication.From January to May 2013, Tate St Ives held a retrospective of Fraser's career, the first Tate Retrospective for a living British Photographer working in colour, and Tate published a major monograph on the whole of Fraser's career with a text by David Chandler. Tate purchased 10 works for their permanent collection from theTwo Blue Buckets series in 2014.In 2014 Peter was awarded an Honorary Fellowship by the Royal Photographic Society, UK.In spring 2017 Peperoni Books, Berlin, published a new ‘Director's Cut' of Fraser's 1988 publication Two Blue Bucketswith 19 missing images from the original, and a new essay by Gerry Badger and a discussion between Fraser and David Campany.In 2017 Peter's exhibition Mathematics was exhibited at the Real Jardin de Botanico, Madrid, part of PhotoEspana 17 and Skinnerboox, Italy, published Mathematics with 52 colour plates, and essays by Mark Durden, David Campany and an afterword by Peter. The first UK exhibition of Mathematicsopened at Camden Arts Centre, London on the 5th July, and ran to 16th September 2018. The accompanying File Note no 120 published by the gallery, featured a specially commissioned essay The Things That Count by Amy Sherlock, Deputy Editor of Frieze.In March 2021 Peter received a Pollock Krasner Foundation Award, to support the production of new work in the UK and across Europe in the time of Covid-19 ‘paying subtle attention to atmosphere and nuance, quietly reflecting on manifestations of our responses to the enormous changes taking place across the human landscape'. On episode 172, Peter discusses, among other things:The Pollock Krasner Foundation Award.Responses to Covid and his approach.Poetic truth vs. documentary truth.How he came to live in Hebden Bridge, Manchester.Seeing in colour, having made a B&W darkroom.His epiphany in the sahara desert.The influence of the film, Powers of Ten, which he saw at 15.His love of mathematics and how he came to explore it photographically.His Two Blue Buckets image and why it's significant.Staying with William Eggleston in the 80s and what he took away from it.His ‘lost decade', broke in London, printing for Martin Parr and other photographers. Referenced:Jackson PollackTed HughesAlbert Street Workshop - Ray Elliott and Jenny Beavan Martin ParrCharlie MeechamBrian GriffinPaul GrahamCharles and Ray Eames - Powers of TenMax TegmarkThe New Colour Photography by Sally EuclaireJem SouthamWilliam Eggleston Flannery O'connorVolker HelnzMarcus HansenChris Dorley BrownDafna TalmorWolfgang TillmansNick SerotaWilliam ScottDavid ChandlerWebsite | Instagram“I'm absolutely awestruck by the almost incomprehensible beauty and strangeness of everything that is around us. And that goes to the very heart of what I've spent 40 years trying to investigate.”

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Ce podcast a été auto-produit.  Pour nous soutenir : https://visionspodcast.fr/nous-soutenir/    La première fois que je rencontre Laura Henno, c'est à l'occasion de la visite de presse de sa nouvelle exposition, fin 2021, intitulée Radical Devotion, à la galerie Nathalie Obadia. J'arrive l'un des premiers. Je suis directement frappé par ces tirages de diverses formes, certains sont très grands, d'autres sont assemblés comme des polyptiques. Et ces photographies, la plupart du temps mises en scène, dégagent une certaine tension, notamment par le regard souvent frontal des sujets. Le temps semble s'être arrêté. L'artiste expose ici sa série encore en cours sur Slab City, « la dernière ville libre des États-Unis ».  Je m'interroge sur le titre. Une dévotion, c'est déjà un fort attachement et un geste radical. Pourquoi y ajouter ce qualificatif ? Et une dévotion à quoi ? À qui ? Une dévotion, c'est un moment d'amour inconditionnel, presque une transe. On se livre, on donne de sa personne, de son intimité. On aime aussi de manière sincère, on vénère parfois un dieu ou une figure, qu'elle soit religieuse ou non. Entre images fixes et en mouvement, Laura Henno s'attarde à montrer des personnes en lisière, à la marge, ou que l'on place à la marge. Des vies invisibles en somme. Des migrants comoriens, des adolescents fragiles, en passant par des mineurs isolés ou bien, plus récemment, par une communauté souvent « blessée », en autarcie. Ces sujets photographiés par l'artiste vouent une dévotion certes, mais à une certaine liberté. Au fait de vivre pleinement. Ou de vivre tout simplement.      À la suite d'études de photographie à l'ENSAV de La Cambre, Laura Henno s'initie au cinéma au Fresnoy. Lauréate du Prix Découverte des Rencontres Internationales de la Photographie d'Arles en 2007, l'artiste multiplie depuis les expositions en France et à l'étranger, à l'instar de son exposition à l'Institut pour la Photographie de Lille 2019, au Ryerson Image Center de Toronto, Redemption aux Rencontres de la photographie d'Arles en 2018, M'Tsamboro au BBB Centre d'Art à Toulouse en 2017, Summer Crossing au Centre Photographique Ile-de-France ou de son exposition au Finnish Museum of Photography à Helsinki en 2011. Lauréate du Prix SAM pour l'art contemporain 2019, Laura Henno bénéficiera également d'une exposition au Palais de Tokyo du 15 avril au 4 septembre 2022.     Dans ce grand entretien, l'artiste évoque tout d'abord son parcours, ses références. Beaucoup sont américaines. On comprend que les maîtres de la peinture et du cinéma, souvent documentaire, ne sont jamais loin de son travail initial. Il est évoqué son rapport singulier à la mise en scène et à la fiction. On parle également de son approche, qui a évolué au fil des ans. Une photographie, qui, comme elle le souligne dans le podcast, « s'est rapprochée au fil du temps de l'humain, de situations de vie existentielles ». Malgré une esthétique documentaire bien présente dans son travail, Laura Henno cherche toujours le pas de côté. En observant avec attention ses photographies, nous devinons que l'artiste cherche avant tout à dévoiler la part d'humanité, souvent imperceptible au premier abord, de ses sujets.     Puis, nous entrons doucement dans son univers en commençant par deux séries intimement liées : Summer Crossing et La Cinquième Ile. Suite à sa recherche aux Comores, qui explore la géopolitique complexe de l'archipel au travers de portraits de vie d'adolescents clandestins, de passeurs, Laura Henno tourne son regard vers Slab City, campement hors du temps, perdu dans le désert californien. Montrée pour la première fois à Paris, la série Outremonde, initiée en 2017 est remarquée par la critique aux Rencontres d'Arles en 2018, ainsi qu'à l'Institut de la Photographie en 2019 et au Bleu du Ciel en 2020, sous le commissariat de Michel Poivert.      Le résultat final ? Un podcast aux couleurs musicales : nous naviguons entre différents projets, descriptions de photographies, pistes de réflexion… L'artiste se plonge à corps perdu dans ses séries, aux côtés de ses sujets… De manière littérale parfois, comme à Slab City, où elle vit en immersion plusieurs semaines par an, demeurant dans sa caravane. Finalement, ne serait-ce pas Laura Henno qui voue une dévotion « radicale » aux arts visuels qu'elle pratique ? Nous ressentons en tout cas une passion communicative qui fait plaisir à entendre. Il ne reste plus qu'à vous souhaiter une agréable écoute.   Pour aller plus loin  Walker Evans, Robert Frank, Dorothea Lange, Diane Arbus, Stephen Shore, William Eggleston, Jeff Wall, Don DeLillo, Jim Harrison, Russel Banks, Toni Morrison, James Baldwin, Philip Roth, Édouard Glissant, Patrick Chamoiseau, John Akomfrah, Francis Alÿs, Steve McQueen, Mohamed Bourouissa, Wang Bing, Roberto Minervini, Peter Watkins, Gianfranco Rosi, FSA   Liens  https://www.instagram.com/hennolaura/  https://laurahenno.com/  https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Ce podcast a été auto-produit. Pour nous soutenir : https://visionspodcast.fr/nous-soutenir/        Une voix douce, posée, qui semble remplie de sagesse. Cyrille Weiner aime prendre son temps. Principalement quand il réalise ses différents projets depuis le début des années 2000, mais aussi dans ses propos, souvent mûrement réfléchis. J'enregistre ce podcast dans son studio, en proche banlieue parisienne. En arrivant, j'aperçois en premier lieu plusieurs éléments : quelques tables, des écrans calibrés, signe d'un travail précis, et des étagères remplies de livres très graphiques. Nous commençons l'enregistrement avec la description d'une photo tirée de Jour de fêtes, un projet qui interroge la porosité entre le décor et le paysage et qui projette le spectateur dans une atmosphère où la limite entre réalité et fiction est troublée. Un prologue intéressant pour comprendre son travail.      Né en 1976 et diplômé de l'École Nationale Supérieure Louis Lumière, Cyrille Weiner vit et travaille à Paris. Un vrai Parisien en somme. Son travail a été publié par de nombreux magazines internationaux (M le Monde, Foam, British Journal of Photography, Artpress, l'Architecture d'Aujourd'hui, Domus…) et exposé à la Bibliothèque Nationale de France (Paysages Français, 2018), au musée d'Art Contemporain de Lyon (La région humaine, 2006), aux Rencontres d'Arles (L'impensé, 2010), à la Villa Noailles à Hyères (Presque île, 2009), à la galerie parisienne Salle Principale (Notre-Dame-des-Landes ou le métier de vivre, 2018).   Pour définir son travail, nous allons nous référer à sa biographie, qui est disponible sur son site. Au croisement du poétique et du politique, de l'art et du documentaire, Cyrille observe des expériences d'individus qui résistent et échappent aux espaces et aux modes de vie normalisés. Ses photos explorent le rapport que nous entretenons à la ville – notamment dans ses marges, ses interstices et ses lieux en transformation – et nos manières d'habiter l'espace.   Les sujets du paysage, de l'architecture et de l'humain sont associés dans des enquêtes précises menées sur les lieux. Se demandant obstinément comment les individus peuvent prendre prise sur leurs lieux de vie, à distance des directives venues « d'en haut », le photographe quitte peu à peu le registre documentaire pour proposer un univers traversé par la fiction, qu'il met en scène par des expositions, des projets éditoriaux et des installations.   Dans ce podcast, nous évoquons plusieurs sujets. Par exemple, son rapport au temps, qui est essentiel. Il l'affirme d'ailleurs lui-même dans le podcast : « ce qui peut me caractériser par rapport à d'autres photographes qui s'intéressent aussi au paysage, c'est que c'est plus souvent la notion de la temporalité des lieux que la notion d'espace qui m'intéresse. ». Il nous parle de ses (très !) nombreuses références : d'une photographie plus posée, mais aussi de la photographie de rue, en passant par la photographie de l'intime. Je lui pose différentes questions : quel est son rapport avec le réel, le tangible ? Qu'est-ce qui l'intéresse dans la transition, dans la mutation et finalement dans le côté éphémère d'un lieu ? Il y répond, en tâtonnant parfois, comme dans le noir, mais avec, paradoxalement, une certaine assurance. Enfin, nous évoquons ses différents projets, ceux qui ont marqué sa carrière ses dernières années : Twice, Le ban des utopies, Avenue Jenny, La fabrique du pré. Bref, un podcast long, qui se déguste peu à peu ou bien qui s'engloutit d'un trait. Selon votre sensibilité. En tous les cas, nous vous souhaitons une très belle écoute.   Pour aller plus loin  Playtime - Jacques Tati, Stalker - Andreï Tarkovski, Wim Wenders, Bruce Davidson - East 100th Street, Garry Winogrand, Jean-Marc Bustamante, Gabriele Basilico, Walker Evans, Stephan Shore, William Eggleston, Lewis Baltz, Thomas Ruff, Christophe Bourguedieu, Patrick Faigenbaum, Tango Photo, Francis Alÿs, Groupe Stalker, Patrick Bouchain, Gregory Lacoua, Marguerite Pilven, Fabrice Vacher, Jean Pottier, Rogedes Prés.   Liens  https://www.instagram.com/cyrilleweiner/  https://cyrilleweiner.com/fr/  https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

On this weeks show, after a suitably rambling start, we get into a discussion about some of Ade and Clare's favourite photographers (the very different William Eggleston, Dianne Arbus, Corinne Day and Helmut Newton) why their work has been important to them over the years, and why it stands out amongst the sea of photography out there. We also have a couple of cracking follow up emails from last weeks show. 

Hay grandes fotógrafos y hay quien tiene la capacidad de hablar de la fotografía de tal manera que no te queda más remedio que enamorarte perdidamente de ella. Además de reunir esas dos condiciones tan escasas, mi invitado de hoy logra capturar una luz que parece que solo ve él. Hablaremos, entre otras cosas, de que fotografiar es quitar, sustraer; tiene todo el sentido, porque hay tanto de lo que me gustaría charlar con él, que al preparar mis notas lo más difícil ha sido precisamente dejar fuera preguntas, y quizás reservarlas para cuando, al fin, nos conozcamos en persona. En este episodio hablamos de - La Fotografía como oficio. - La importancia de estar. - Que la Fotografía es una construcción. - Y que no es la realidad, ni falta que hace. - Viajar solo para que sucedan otras cosas. - Cómo las palabras pueden contaminar las imágenes. - Y de que estas, las imágenes, viven en nuestra cabeza. - Que menos es – siempre – más. - Lo que hace a un fotógrafo. - Que lo realmente importante – en fotografía – es cómo (y no qué)… Y de, claro, muchas otras cosas que fuimos encontrando en el camino. Quién me acompaña José Manuel Navia nace en Madrid en 1957, descubre la fotografía siendo un niño y se fascina con la magia del cuarto oscuro gracias a un curso por correspondencia que le regala su madre. Comienza a trabajar como fotógrafo muy joven en una editorial de libros educativos. De ahí pasa a colaborar con la agencia Cover, donde aprende a contar historias con imágenes, y posteriormente se integra en la agencia VU´. Es free lance desde 1987, año en el que gana el Fotopress, el primero de muchos premios y reconocimientos. Combina su labor docente con la publicación en grandes medios y el desarrollo de proyectos que aúnan literatura y fotografía y que se encarnan en libros como Nóstos, Miguel de Cervantes o el deseo de vivir y Alma Tierra por citar solo algunos de los últimos. Encuentra a mi invitado y profundiza en sus proyectos en la completísima web de José Manuel Navia. (https://jmnavia.blogspot.com/). Hace un tiempo dediqué una entrada a recopilar recursos para aprender de y con él (https://jotabarros.com/aprende-de-jose-manuel-navia/). Referencias y enlaces Autores - André Kertész (https://jotabarros.com/analisis-fotografia-calle-street-photography-andre-kertesz-paris-1963/). - Cristina García Rodero (https://jotabarros.com/transtempo-la-galicia-de-cristina-garcia-rodero/). - Diane Arbus. - Dorothea Lange. - Eugène Atget. - Eugene W. Smith. - Garry Winogrand (https://jotabarros.com/mejora-aprende-fotografia-calle-street-photography-garry-winogrand/). - Henri Cartier-Bresson (tienes un curso monográfico dedicado a Cartier-Bresson en El Club de Fotografía Callejera: https://jotabarros.com/curso/monografico-henri-cartier-bresson/). - Jordi Socías. - Lisette Model. - Paul Strand. - Robert Doisneau. - Robert Frank. (https://jotabarros.com/robert-frank-el-testigo-incomodo/) - Saul Leiter (en EL Club también hay un curso monográfico sobre el gran Saul Leiter: https://jotabarros.com/curso/monografico-fotografia-callejera-saul-leiter/) - Stephen Shore. - William Eggleston (https://jotabarros.com/analisis-fotografia-callejera-william-eggleston-cassidy-bayou-1969/). Trabajos - Lección de Fotografía, Stephen Shore. (https://jotabarros.com/libro-leccion-fotografia-stephen-shore/) - Cuenca en la Mirada, de Navia (https://jotabarros.com/libro-fotografia-calle-cuenca-en-la-mirada-jose-manuel-navia/). - Lusofonías, José Manuel Navia (https://jotabarros.com/libro-fotografia-pisadas-sonambulas-lusofonias-jose-manuel-navia-fabrica/). - Miguel de Cervantes o el Deseo de Vivir, José Manuel Navia (https://jotabarros.com/libro-fotografia-miguel-cervantes-deseo-vivir-jose-manuel-navia/). - Nóstos, José Manuel Navia (https://jotabarros.com/libro-fotografia-nostos-jose-manuel-navia/). - Sixty Years of Photographs, Paul Strand (https://amzn.to/3wt4hRx). - The Americans, Robert Frank. (https://jotabarros.com/the-americans-los-americanos-de-robert-frank/) Gracias por tu escucha. Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Navia. Muchas gracias por estar ahí, al otro lado. Muy pronto, nuevo episodio del podcast. Mientras tanto… Nos vemos en las calles! Jota.

Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie.     Depuis plus de 20 ans, Julien Magre photographie sa famille, sa femme, ses enfants et quelques paysages. Se considérant comme spectateur de sa propre vie, il choisit avec une grande sensibilité des fragments d'intimité, des « entre-moments » où se mêlent joie, tristesse et mélancolie. La préparation de ce podcast a été marquée par la complexité des images, qui ont souvent plusieurs niveaux de lecture, et par les nombreux  projets et livres de Julien. Nous sommes ainsi très heureux d'enregistrer et de partager un moment de près d'une heure avec lui à l'occasion de ce 21ème Vision !    Julien, alors étudiant, commence à photographier passionnément sa femme, Caroline. Comme il le dit dans le podcast : « Je ressentais un puissant besoin de photographier la vie, mon monde. » Il continue tout naturellement avec ses enfants, Louise et Suzanne. En 2015, un drame bouleverse soudainement sa vie et sa manière de photographier : la mort précoce de Suzanne d'une leucémie à 7 ans. Suite à cet événement, l'acte photographique a été pour Julien une manière de survivre, ou en tout cas de ne pas sombrer, de faire corps avec le réel et la vie.    Les photographies sont volontairement difficiles à dater, intemporelles. Au départ exclusivement en couleurs et en argentique puis en noir et blanc pour certains projets plus récents, les images sont réalisées instinctivement et sans protocole. Elles capturent le temps qui passe sur les êtres aimés. Le photographe prend grand soin de ne pas dévoiler toutes les parcelles de sa vie et opère ainsi une transfiguration de la banalité quotidienne et s'éloigne de la photographie dite vernaculaire. Il instaure toujours une distance avec ses sujets, une sorte de flottement, de fluide, qui crée un trouble, une confusion chez le regardeur.    Dans ce podcast, nous parlons de plusieurs projets : Caroline histoire numéro deux, un livre publié chez Filigranes en 2010, Je n'ai plus peur du noir (2016), l'histoire de ce drame familial, Là, une série plus récente et lumineuse puis enfin Troubles (2015), que l'on retrouve dans son corpus plus « fictionnel ». Nous évoquons également plusieurs sujets très intéressants : sa manière de concevoir ses livres, son rapport à l'esthétique ou même l'importance du regard dans ses images… En 2014, Julien Magre fait partie de l'exposition collective du BAL, S'il y a lieu, je pars avec vous avec Sophie Calle, Antoine d'Agata, Alain Bublex et Stéphane Couturier. Cette exposition donnera lieu à un catalogue édité chez Xavier Barral. Il fait partie du collectif France(s) Territoire Liquide et participe en 2017 au projet AZIMUT avec le collectif Tendance floue. En janvier 2017, il présente sa série Troubles et Un hiver sans brume à la Galerie Le Lieu, à Lorient. Il montre pour la première fois sa série Je n'ai plus peur du noir au Festival de Toulouse MAP en juin 2017, une exposition parrainée par Leica. Son ouvrage Je n'ai plus peur du noir (Filigranes, 2016) fait partie des 10 meilleurs livres sélectionnés par le Prix Nadar 2017 ainsi que de la short-list de livres d'auteur aux Rencontres d'Arles 2017. En mars 2017, il rejoint la galerie Le Réverbère, à Lyon. En espérant que ce podcast vous plaise, nous vous souhaitons une excellente écoute !  Essayez gratuitement Adobe Creative Cloud pendant 7 jours :  http://urlr.me/f9V2k  Nous soutenir  https://visionspodcast.fr/nous-soutenir/    Pour aller plus loin  Collectif Luce, Édouard Caupeil, Fannie Escoulen, Christine Ollier, Patrick Le Bescont, Françoise Vogt, Catherine Derioz et Jacques Damez, Galerie La Réverbère, Fred Jourda, Photo Magazine, William Eggleston, Robert Franck, Stéphane Duroy, Dolorès Marat, Paulo Nozolino, Jack London - Martin Eden, Jim Harrison, Marguerite Duras, Les Travailleurs de la mer - Victor Hugo, Neil Young, By the Ways, a Journey with William, Eggleston de Cédric Laty, Vincent Gérard, Clément Chéroux, Antoine d'Agata, Alain Bublex, Stéphane Couturier, Sophie Calle Liens  https://www.instagram.com/julien__magre  http://www.julienmagre.fr/ https://www.instagram.com/podcastvisions/    https://www.visionspodcast.fr/   

In episode 171 UNP founder and curator Grant Scott is in his shed reflecting on mentorship, teaching and the passing on of information. He also provides his final found rules for life. Plus this week photographer Peter Fraser on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Peter Fraser bought his first camera at the age of 7 and went to school in Wales until 1971, when he left to study Civil Engineering for three months at Hatfield Polytechnic, before deciding to study photography at Manchester Polytechnic between 1972 and 1976, repeating his final year due to becoming seriously ill crossing the Sahara Desert in early 1975. Fraserwas an early adopter of colour photography in the UK, and began exhibiting colour photographs in 1982. In 1984, he travelled to Memphis, USA to spend two months with William Eggleston, after meeting him at Eggleston's first UK exhibition opening the previous year. Between 1983 and 1986, Fraser made the exhibitions, Twelve Day Journey, The Valleys Project, Everyday Icons and Towards an Absolute Zero which led to his first publication Two Blue Buckets in 1988. This book won the Bill Brandt Award hosted by the Photographers' Gallery in 1989. In 1990 Fraser was invited to be the British Artist in Residence in Marseilles, which led to the subsequent exhibition and publication Ice and Water. He travelled widely in the early 1990s to scientific research establishments photographing machines at the cutting edge of technology, proposing a series of ‘Portraits' of machines shown and published as Deep Blue. While visiting nearly 60 scientific sites, he frequently photographed in scientific ‘Clean Rooms' where particles of dust above a certain size were not admitted. Subsequently, he decided to start photographing ‘dirt and other low status' material. Simultaneous to this work was a University of Strathclyde commission to make new Art in their Applied Physics Department. This led to two series being combined into a single new series of photographs, Material published in 2002. The same year The Photographers' Gallery showed a 20-year overview of Fraser's work, and in 2004 he was shortlisted alongside Robert Adams, David Goldblatt and Joel Sternfeld for the Citigroup International Photography Prize. In 2006 Fraser was invited to be an Artist in Residence at Oxford University to make photography for the Biochemistry Department. In 2009 he was commissioned by Ffotogallery, Wales, to make work across the country that resulted in the exhibition and publication Lost For Words. In 2012 Fraser exhibited A City in the Mind at the Brancolini Grimaldi Gallery, London. In 2013 Tate St Ives exhibited a selected retrospective of his work, and published a monograph containing photographs from all of Fraser's major series to date. In 2013 Fraser received an Honorary Fellowship from the Royal Photographic Society. In 2017 his exhibition Mathematics was exhibited as part of PhotoEspana 17, and Skinnerboox, Italy, published Mathematics. The first UK exhibition of Mathematics opened at Camden Arts Centre, London in 2018. The accompanying File Notes no 120 published by the gallery, featured a specially commissioned essay The Things that Count by Amy Sherlock, deputy editor of Frieze. www.peterfraser.net Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2021

Dan Martensen’s fashion and portrait photographs have an aesthetic of natural beauty. Often photographing on location and in rural environments, Martensen’s relaxed and collaborative approach creates images of genuine ease and spontaneity. Martensen studied photography at the Rhode Island School of Design and brings the qualities of an observational photographer—finding meaning within the scenarios that unfold in front of his camera—to his commercial work. With his clear talent for framing the experience of his encounters with his subjects, Martensen is a regular editorial contributor to magazines including i-D, Self Service, The Last Magazine, American Vogue, British Vogue, Vogue Germany, Vogue Paris, and WSJ. Magazine. His commercial clients include H&M, Mango, Jimmy Choo, Maybelline, Mugler, Nike, Prabal Gurung, Ralph Lauren, Tommy Hilfiger and Zara, and special projects created for Alexander Wang and David Yurman. Since the early 2000s, Dan Martensen has been traveling and photographing across America and principally in the States of the Southwest. Martensen seeks out the visual paradoxes and embedded histories of the region, taking cues and his creative departure from the work of the legendary chroniclers of the American vernacular; William Eggleston, Joel Sternfeld and Stephen Shore. A selection of sixty photographs from this project is published in Martensen’s book Photographs from the American Southwest, designed by Berger + Wild. Martensen’s five-year photographic collaboration with the seven Angulo siblings—the subjects of Crystal Moselle’s feature-length documentary film The Wolfpack—was published in fall 2015 and designed by Dean Langley. Dan is based in both London and New York. Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

American photographer Christian Patterson was born in Wisconsin and lives in New York City. His conceptually grounded, narratively driven, visually layered work has been described as novelistic, subjective documentary of the historical past, and often deals with themes of the archive, authorship, memory, place and time. It includes photographs, drawings, paintings, objects, video and sound.Christian moved from Brooklyn, New York to Memphis, Tennessee in 2002 to seek out his photographic hero William Eggleston. They became friends and Christian ended up working for him at the William Eggleston Trust, under the stewardship of William’s son, Winston.In 2005, Christian completed his first project, Sound Affects, a collection of photographs that explore Memphis utilizing light and color as visual analogues to sound and music. In 2008, Sound Affects was published as a book by Edition Kaune, Sudendorf (Cologne). Christian’s second monograph the critically-acclaimed Redheaded Peckerwood was published by MACK in 2011 and was almost universally lauded as one of the best books of the year by numerous noted international photography critics. It was nominated for the 2012 Kraszna-Krausz Book Award and won the prestigious 2012 Recontres d’Arles Author Book Award. The book featured in The Photobook: A History, Volume 3, co-edited by Gerry Badger and Martin Parr. Christian’s third book, Bottom of the Lake was published in 2015. He is a Guggenheim Fellow (2013) and winner of the Grand Prix Images Vevey (2015). His work is in the collections of the National Gallery of Art, Los Angeles County Museum of Art (LACMA) and J. Paul Getty Museum among others. Christian has lectured, mentored and taught widely and is represented by Robert Morat Galerie, Berlin. On episode 152, Christian discusses, among other things:His current project, Gong Co. and how it came about.Discovering William Eggleston during his early years in New York.Going down to Memphis to meet him and ending up working with him.Addressing some of the myths and misconception around Eggleston.Reheaded Peckerwood - Badlands as an influence.Going to Nebraska where the original events occurred.The influence and success of the book.Referenced:William EgglestonTerence MalickStephen ShoreDavid Bowie Website | Instagram “You’re expressing yourself and you’re taking part in the larger conversation that’s happening in your field. I wanted to take part in the conversation and I wanted to feel like I was influencing, shaping or expanding that conversation in a way.”

Essayez Lightroom gratuitement pendant 7 jours : https://urlr.me/4J21f Chaque vision est singulière, porteuse de sens et de changement. Le but de ce format est de rassembler de nombreux artistes et que chacun nous délivre sa vision et son expérience de la photographie. Pour ce onzième Vision, nous sommes très heureux de recevoir Clémentine Schneidermann, l’une des photographes documentaires les plus doué.e.s de sa génération.  Clémentine a grandi en banlieue parisienne, à Clamart, dans une famille n’ayant aucun lien avec le monde de l’image. Après le bac, elle décide de partir s’inscrire dans une école de photo à Vevey puis continue son parcours au Pays de Galles, à Newport. La jeune femme commence à s’intéresser à la représentation des milieux populaires du Royaume-Uni, et aux territoires oubliés. En 2016, elle remporte le prix Leica Oskar Barnack Newcomer pour son projet réalisé dans la région minière du sud du pays. Dans ce podcast, Clémentine Schneidermann va nous parler de son travail, notamment de sa série (I Called Her Lisa Marie) sur les fans d’Elvis et de sa résidence avec Images Singulières, à Sète. Pourquoi s’intéresser à l’idolâtrie, aux gens qui vouent une passion presque démesurée ? Est-elle elle-même une fan ? Elle a aussi tout récemment exposé son projet plus actuel appelé It's Called Ffasiwn à la Martin Parr Foundation, à Bristol. Fruit d’une collaboration avec la directrice artistique Charlotte James, ce projet mélange plusieurs sujets : la photo documentaire, l’engagement social, le Pays de Galles, mais aussi la mise en scène, les costumes et la mode. Un podcast passionnant, très bonne écoute à vous ! Nous soutenir https://visionspodcast.fr/nous-soutenir/ Pour aller plus loin Alec Soth, Susan Meiselas, Mary Ellen Mark, Lise Sarfati, Julian Germain, Tom Wood, Tim Walker, William Eggleston, The Last Elvis (Ultimo Elvis), Bieke Depoorter, Juliana Beasley, Yto Barrada, Abdellatif Kechiche. Liens https://www.instagram.com/clementine.schneidermann/ https://www.clementineschneider.com/ https://www.instagram.com/podcastvisions/ https://www.visionspodcast.fr/

La Fotografía Callejera es mucho más que los clichés trillados, fotos-anécdota y una determinada estética. Si buscamos – incluso dentro de las plataformas y las redes más populares – es posible encontrar trabajos de esos que nos enseñan a mirar el espacio que transitamos cada día con otros ojos. Hace mucho tiempo que sigo y disfruto de las imágenes de Ernesto pero, aunque nos conocemos en persona, nunca habíamos charla de dónde vienen y cómo ve la calle… Hasta ahora. En este episodio hablamos de Que a veces un fallo es en realidad un desvío para acabar acertando. Cómo “coleccionar objetos” puede llevarnos a series fotográficas. Localizar temas recurrentes mientras trabajamos con nuestro archivo. Pensar en el conjunto y no solo en las fotos sueltas. La importancia de llevar la cámara encima, siempre. Que la herramienta influye en el proceso. La conveniencia de vagar sin rumbo. Cómo el lugar en el que estamos condiciona lo que vemos. Que podemos construir, echar todo abajo y volver a empezar, y que eso nos puede ayudar a evolucionar. La importancia de jugar, experimentar y divertirse. Y por supuesto de muchas cosas más que surgieron durante la charla. Quién me acompaña Ernesto Peña, madrileño y nacido en 1978, tiene una de las galerías más elegantes y bellas que he visto, consecuencia de una capacidad envidiable para construir imágenes engañosamente simples (oirás su risa en el episodio cuando le digo esto), llenas de color, formas… Y espacios. No solo eso, gracias a él también he conocido el trabajo de muchos autores y autoras que han expandido mi idea de la Fotografía, mucho más allá de los supuestos límite de la street photography. No olvides localizar y seguir a Ernesto en las redes: - Este es su perfil en Instagram: https://www.instagram.com/e_rnst/ - Aquí tienes el apartado dedicado a su trabajo en la web del colectivo Urban Disorder al que pertenece: https://urbandisorderblog.wordpress.com/ernesto/ - Su cuenta en Soundcloud: https://soundcloud.com/ernst-p-sanz - La foto del chicle, con la que resultó premiado en el Brussels Street Photography Festival: https://www.bspfestival.org/en/contests/street-still-life/finalists/ Referencias y enlaces Autores y autoras -Alec Soth. - Aleix Plademunt. - Alex Webb. (https://jotabarros.com/mejora-fotografia-calle-street-photography-alex-webb/) - Bryan Schutmaat. - David Fidalgo “Bricks”. (https://bricksstreetphotography.com/) - Federico Clavarino. - Herman Toothroot. (https://www.hermantoothrot.com/) - Helen Levitt. (https://jotabarros.com/helen-levitt-la-belleza-de-las-calles/) -Jesús Caballero Varela (Banco Editorial). - José Luis Barcia. - José Manuel Navia. (https://jotabarros.com/aprende-de-jose-manuel-navia/) - Mark Steinmetz. - Martín Molinero. - Mary Ellen Mark. - Matt Stuart. - Matthew Genitempo. - Pablo Yarza. (https://www.instagram.com/pabloypunto/) - Rafa Badia. (https://jotabarros.com/busqueda-estilo-fotografico-propio-rafa-badia-calle-oscura-episodio-2/) - Robbie Lawrence. - Sally Mann. - Saul Leiter. (https://jotabarros.com/saul-leiter-fotografo-calle-alma-pintor/) - William Eggleston. (https://jotabarros.com/analisis-fotografia-callejera-william-eggleston-cassidy-bayou-1969/) Libros y trabajos - An Open Window de Ernesto Peña en Lens Culture. (http://bit.ly/3uJJtnz) - Curso y Discurso, libro de Gonzalo Golpe, Ricardo Báez y Alejandro Marote. (https://www.cabezadechorlito.net/tienda/cabeza-de-chorlito/19156/) - Exposición The New Topographics en el SFMoMA (https://www.sfmoma.org/exhibition/new-topographics/) y un artículo en The Guardian sobre la original [english]. (https://www.theguardian.com/artanddesign/2010/feb/08/new-topographics-photographs-american-landscapes). - La Narración Gráfica de Will Eisner. No se menciona directamente en el capítulo pero este libro explica por qué el cómic nos enseña secuenciar, también fotos. (https://amzn.to/305HrQj) - Jasper de Matthew Genitempo. (https://amzn.to/2Ol1s2F) - Mutatio de Thomas Manneke. - The South Trilogy de Mark Steinmetz. - William Eggleston´s Guide. (https://jotabarros.com/libro-de-fotografia-william-egglestons-guide/) Muchas gracias por tu escucha. Si te ha gustado este capítulo de Calle Oscura, deja tu valoración positiva en Ivoox, Apple Podcast y Spotify, donde también puedes encontrar este podcast. No olvides suscribirte a través de cualquiera de esas plataformas para no perderte ningún episodio. Por favor, comparte este contenido entre tus redes para que llegue a más gente, puede suponer una gran diferencia. Y ahí abajo tienes los comentarios, para seguir conversando sobre los temas abordados con Ernesto. Muchas gracias por estar ahí, al otro lado. Hasta pronto. Jota.

This week, we're wrestling with the concepts of “good” vs “different” and whether one is better than the other, both as an end product and as a prime mover. What's more important to you, good or different? Also, a couple interesting items around copyright and how others can or can't share your images. Plus, preserving Disney cels and documentaries about William Eggleston and Ansel Adams. Thomas Struth is our Photographer of the Week.

August marks the release of our 16th annual photo issue. This year, for our Idols Issue, we paired 16 up-and-coming photographers with the veterans who inspired them, creating unique conversations between generations of talent. Here's our table of contents: - Throughout the episode, we hear from four young photographers in the issue on the artists who inspire them: Tommy Kha on William Eggleston; Tasneem Alsultan on Maggie Steber; Maria Gruzdeva on Mark Power; and Jonathan Gardenhire on Leslie Hewitt. - Photo editor Elizabeth Renstrom discusses our dual covers, describes why we chose the concept of “idols” as this year's theme, and recalls a photography mentor of her own. - Logan Jackson and his idol Roe Ethridge talk about re-contextualizing editorial work into art and about the beauty of getting it “exactly wrong” in photography. - Olivia Bee talks to her idol, Doug DuBois, about the importance of honesty in photography, from how a picture is made to how it's used. Hosted on Acast. See acast.com/privacy for more information.

On the show this week my guest is photographer Christian Patterson. I recently visited his Brooklyn studio to talk about his start in photography, his time working with Winston and William Eggleston, his break-out work Redheaded Peckerwood and his latest project and show at Festival Images in Vevey, Switzerland Gong Co! This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander.

In the 1960s when only black-and-white photographs were considered 'art', the American photographer William Eggleston changed that perception with his brightly-coloured photographs of the American South. Photographer Eamonn McCabe reviews a new exhibition at the National Portrait Gallery which brings together many of Eggleston's portraits of the people who lived there.Tess Gerritsen, author of the best-selling crime series Rizzoli and Isles, talks to Kirsty about her latest novel, a stand-alone historical thriller, Playing with Fire. In 2012, the art collective Random International made headlines with their work Rain Room which featured a large room filled with pouring rain which visitors could walk through without getting wet. For a new show at Manchester's Museum of Science and Industry they've made their first video work, Everything and Nothing, in response to graphene, the world's first two-dimensional material. Co-founder of the collective, Florian Ortkrass, discusses making art out of scientific discoveries.Wang Jianlin, one of China's billionaires, made his fortune in property development. Now intent on building a global entertainment empire, he's been busy buying film production companies and cinema chains worldwide, including most recently the UK's Odeon cinema chain. Patrick Frater, Asia Bureau Chief for Variety, explains why Wang Jianlin could soon be making his presence felt in Hollywood.Presenter Kirsty Lang Producer Jerome Weatherald.

On this episode, Robert chats with Ben Lowy about his acclaimed career covering international conflict, natural disaster, as well as commercial work for various brands. They also talk about his his early adoption of mobile photography and social media to tell stories in a new way. Sit back, relax, and enjoy this episode of The Photo Brigade Podcast!Benjamin Lowy is award winning photographer based in New York City. He received a BFA from Washington University in St. Louis in 2002 and began his career covering the Iraq War in 2003. Since then he has covered major stories worldwide. In 2004 Lowy attended the World Press Joop Swart Masterclass, he was named in Photo District News 30 and his images of Iraq were chosen by PDN as some of the most iconic of the 21st century. Lowy has received awards from World Press Photo, POYi, PDN, Communication Arts, American Photography, and the Society for Publication Design. Lowy has been a finalist for the Oskar Barnak Award, a finalist in Critical Mass, included in Magenta Flash Forward 2007, as well as the OSI Moving Walls 16 exhibit. His work from Iraq, Darfur, and Afghanistan have been collected into several gallery and museum shows, and shown at the Tate Modern, SF MOMA, Houston Center for Photography, Invalides, and Arles. His work from Darfur appeared in the SAVE DARFUR media campaign. In 2011 Lowy's Iraq | Perspectives work was selected by William Eggleston to win the Duke University Center for Documentary Studies/Honickman First Book Prize in Photography. The book is currently available and in stores now. In 2012, Lowy was awarded the Magnum Foundation Emergency fund to continue his work in Libya. In the same year, he received the International Center of Photography (ICP) Infinity Award for Photojournalism. In 2014, at the age of 35, Lowy received a Distiguished Alumni Award from Washington University in St Louis. Lowy is based in New York City. He is currently represented by Reportage by Getty Images. BenLowy.com

In 1976, William Eggleston opened his first color show at MoMA, the reviews were fairly polarized. To some of the art establishment, color photography was for snapshots and not to be taken seriously and black and white was the only true photographic art form. But while one critic called the show “perfectly banal”, another called it a milestone and said that after it black and white would seem slightly quaint and precious. In the 40 years since, it's almost impossible, at least for me, to imagine a photographic world without color. Don't get me wrong, I love black and white and spent years shooting only black and white but there's something to be said for the work of photographers like Fred Herzog, Steve McCurry and Saul Leiter. We see in color and when it's done right, photography can help us see our world differently through color, which is one of the things I love about the work of Ben Thomas. In Ben's series Chroma, color becomes almost a character, a necessary element to help communicate the narrative behind the work. When I first saw it, I knew I wanted to talk to him. What I found is that each series that he's done over the past several years is an exploration of composition, texture and color—and it all began with a project called Cityshrinker. LINKSOlivo BarbieriAnreas GurskyVincent LaforetVilla Lena Henry the Worst CONNECT WITH BENWebsite: http://benthomas.coTwitter: @___benthomasInstagram: @___benthomas MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0