Podcast appearances and mentions of Terry Date

“You're not supposed to swallow it…but it's fine to have it in your mouth.”   Whether it's the debut from Metal Church or Dream Theater, or the swansong from Slayer or Pantera, TERRY DATE is undoubtedly one of the most prominent and prolific producers, engineers, and mixers of metal music to have blessed the ears of metal fans for more than 40 years.   Get ready for “a little origami”, remember that cross walks exist “for health reasons”, and discover why it's better to not be “on the boat” during a thunderstorm if astraphobia is an issue.   Check out our accidental album dive that was riddled with “Dysfunction” and discover just how many outstanding albums got left out of our discussion thanks to the “different tastes” of some of us.   Behold the hilarity of “Dealer's Choice”, realize that “Episode 300 will be ‘The One' (it's gonna be a mindblower)” and JOIN US as we go BEHIND THE BOARD with our METAL PRODUCERS SPOTLIGHT on TERRY DATE. Visit www.metalnerdery.com/podcast for more on this episode   Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast   Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast Show Notes:   (00:01): “We both cried a little bit…it was fine…”/ #EasterPotluck / #fabulous / “Wait, are they Lebanese? From Lisbon?” / #markthetime #OreoBalls / “If you saw ‘em, you'd be impressed…”/ ***WARNING: #listenerdiscretionisadvised *** / “Advised but not recommended…”/ “I act like I don't hear it…you keep saying it…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** / “Here we go…”/ Crosswalks exist for a reason…use them as if your life depended on them. / “He probably would have rioted…”/ “Okie dokie…” / “Sorry, is that better?” / “Two girls walking together…probably no undies either…” (07:50): #thisepisodesbeeroftheepisode / #TwoTidesBrewing #GardenOfEvil / “It looks like Opeth's Still Life…”/ “Super day drinking…4%ABV…”/ #RussellsReflectionsBoatEdition / “You start small…”/ #Bowrider / #Astraphobia / “How long is the water electrified?”/ “Isn't it great how they can be wrong all the time and still keep their jobs?”  (13:13): “If you wanna reach out and touch us you can EMAIL US at metalnerdery@gmail.com or VOICEMAIL US at 980-666-8182 or hit us up on the socials at #metalnerderypodcast at #TikTok #InstaGram #FaceBook #YouTube / “This episode's #SlayerOfTheEpisode…”/ #BumpOfSlayer / “A little #origami bump of Slayer…my precious…”/ MANDATORY SUICIDE (South Of Heaven – 1988) / “And just like that…”/ “If Reign In Blood had THAT production…”/ “It comes from the factory #preloud …”/ #origamiASMR / “We don't need to do that anymore…” / “Maybe just a little…” / #RussellsReflections / #TheWhiteLotus / “Here's the rules if you wanna make a show on #HBO…” / “They can't be hard…”/ #TheRighteousGemstones / “I can put so much, right there…”/ “No, I'm talking about White Lotus…Righteous Gemstones is funny…”/ “It's people you want bad things to happen to…”/ The joys of being wealthy and giving back  (23:55): #TheDocket / “You're about to get re-railed…”/ “That's gonna be the one, dude…”/ #nextweek / METAL NERDERY PODCAST PRESENTS:  BEHIND THE BOARD – PRODUCER SPOTLIGHT: TERRY DATE / “We didn't do the #Patreon…” / “Do you think it's possible to make #PulpFiction chronological?” / #TenFilmRule / #PatreonShoutout / ***COME JOIN US ON THE PATREON AT patreon.com/metalnerderypodcast *** / “What is that noise?” / #MetalChurch METAL CHURCH (Metal Church – 1984) / “Here's a trivial question for you…remember the #HowardSternTVShow on cable?” / #FifthAngel MIDNIGHT LOVE (Time Will Tell – 1989) / *** NOTE: This was actually produced by Terry Brown, NOT Terry Date, and was released in 1989, NOT 1986. The eponymous Fifth Angel debut was released in 1986 and was produced by Terry Date. *** / “Wait…that's not racist either…” (35:00): “You were so into the shred though…the super technical…”/ “I like it when he does this…”/ #TheAccused PSYCHOMANIA (Martha Splatterhead's Maddest Stories Ever Told – 1988) / “How many riffs can we put in there?” / “That was like comparing dick sizes…”/ “It sounds nothing at all like the rest of their catalog…”/ #debutalbum / “What's up with the cover?” / #DreamTheater A FORTUNE IN LIES (When Dream And Day Unite – 1989) / “Does it sound like Queensryche?” / “They've got Paul Stanley naked on the cover…”/ “It's like a nasal hallucination…”/ #Soundgarden LOUD LOVE (Louder Than Love – 1989) (44:04): “We did a dive on it…you were here…if they got their sound from that, let's play something off of that…”/ “Every now and then we'll throw a hit out there…”/ #Overkill ELIMINATION (Years Of Decay – 1989) / “Even the riff is shaped similarly…”/ #Pantera THE ART OF SHREDDING (Cowboys From Hell – 1990) / #MetalYoga / “It's the French one…”/ #Overkill HORRORSCOPE (Horrorscope – 1991) / “Very #djenty…”/ “It's doomy…”/ “It's the chair…”/ “Now wait a minute, why is that funny?” / “Just for funsies…you're not gonna like it…”/ “I gotchu…when someone says that, they're gonna hook you up…”/ #Pantera FUCKING HOSTILE (Vulgar Display Of Power – 1992) / “Fun fact about this that I learned the other day…”   (54:22): “I thought we have…maybe it was on our #BlackMetal episode…”/ #whyareyousuchadick? / “Last night…Satan came into my room…and he had his way with my forehead…”/ “It's okay to have it in your mouth, just don't swallow it…” / #247Spyz BREAK THE CHAINS (Strength In Numbers – 1992) / “Do you have to put the mic IN your mouth?” / “How about some Prong?” / ***INTERJECTION:  THESE ARE ALL #TERRYDATEPRODUCED ALBUMS!!!*** / #Prong (NOTE: slight misunderstanding…This was NOT “Cleansing” but “Rude Awakening”) / RUDE AWAKENING (Rude Awakening – 1996) / “We don't have to, but we kinda have to…”/ #DoobInterludeExtendedMix / “Dealer's choice?” / #LMAO / #Pantera SHEDDING SKIN (Far Beyond Driven – 1994)    (1:03:55): “We've skipped a lot…we don't have to play every band…”/ #WhiteZombie ELECTRIC HEAD PT. 1 (THE AGONY) (ASTRO-CREEP: 2000 – 1995) / “This is where he went from White Zombie to Rob Zombie…”/ “That brings back fond memories…”/ “You can't skip over that…”/ #Pantera (REPRISE) SANDBLASTED SKIN (The Great Southern Trendkill – 1996) / “That is fucking ugly as homemade fuck…”/ “I met him at Redneck Fest…” / “You've gotta go with some #Helmet, right?” / “We're filling a hole…”/ #Helmet PURE (Aftertaste – 1997) – Mixing / “What about that one?” / “It's actually my favorite KISS album…”/ #Staind MUDSHOVEL & HOME (“I'm surprised you like this…there's a lot of melody…”) / “It's not Planet Caravan…”/ SUFFOCATE (Dysfunction – 1999)    (1:17:43): “This is what you wanna hear?” / “This was a huge album…let me see the #setlist…” / #LimpBizkit NOOKIE (Significant Other – 1999) / “You know what that sounds like? / #Soulfly PROPHECY (Prophecy – 2004) / #KoRn TWISTED TRANSISTOR (See You On The Other Side – 2005) – Mixing / “Whatever dude, it's the same thing…”/ “I know there's some good stuff near the bottom…” / “That was THEIR last album ever…”/ “Where did this come from? And you're still doing it!” / #Slayer TAKE CONTROL (Repentless – 2015) & PIANO WIRE / “Sounds like a mess, right?” / THANK YOU FOR JOINING US!!! / “Here's what makes a lot of noise…it sounds like a woman screaming through the woods…”/ “Fuuuuuuuuck…”/ #untilthenext #outroreel 

HOW HAS IT TAKEN 57 EPISODES?!Inspired by the upcoming London summer show and news of new music on the horizon, Chris and Nikki finally rank the albums of Sacramento, California Nu-Metal pioneers and evolvers and general heavy music gods... Deftones!In Part 1 the influence and personal importance of the band gets discussed as the album ranking and discussion of the Terry Date era of albums: Adrenaline, Around The Fur, White Pony and Deftones.

Episode 19 of Somewhere in Time Podcast's look back at albums from 1994 features the Prong classic, "Cleansing". This is the first album to feature bassist Paul Raven and also the first Prong album to be produced by Terry Date. Also featured on this episode is news about Mastodon and Tool, and our "Shit you Gotta Hear" segment features music from Manowar, The Doors, DRI, and Lucifer.  Visit Somewhere in Time Podcast's website -https://somewhereintimepodcast.com Follow Somewhere in Time Podcast on Social Media: www.facebook.com/somewhereintimepodcast Instagram - @somewhereintimepodcast TikTok – Somewhere in Time Podcast

This episode went on air on 20 Feb 2025.  Apologies up from the episode is about 4 min short due to a major technical glitch which caused the entire console to freeze 1/3 of the way through the show, Audacity was called in to help.  See if you can spot the break.  In the Diabolical Challenge, we featured Terry Date as our producer, and in the Rock and Metal Time Machine, we discussed Ozzy, Scorpions, Queensrÿche, and Metallica.  Artists featured:  Def Leppard, BlackØwl, Thunder, ZZ Top, The Temperance Movement, Seether, Springbok Nude Girls, The New Roses, The New Black, Rainbow, Manfred Mann, Lord of the Lost, Marilyn Manson, James Reyne, Smith/Kotzen, No Friends of Harry, James & the Cold Gun, Newsted, Brian Fallon, Scorpions, Metallica, Billy Morrison, Queensrÿche, Machine Head, Soundgarden, White Zombie, Bring Me the Horizon, Pantera, Black Country Communion, Dan Patlansky, Rory Gallagher, The Dead Daisies, Black stone Cherry, Piet Botha.  The Story of Rock and Roll. TSORR - Your one-stop shop for Rock

Season 1, Episode 3 - From their formation in 1985 until they disbanded in 1994, Jeff Braimes was the vocalist of Panic, a Seattle-based thrash metal band. He's retired from metal now, but he stopped by the studio to tell me about how he got into it, and offered his perspective on what it was like to be in a metal band in Seattle when the whole Grunge thing happened. Enjoy!  A few links for folks who are interested in exploring Panic's stuff:  Music Video - Panic - Blackfeather Shake: https://youtu.be/mm2B46Zf88U?si=1lsqvybFAoro5wE5 Full Album - Panic - Epidemic - https://youtube.com/playlist?list=OLAK5uy_lMcIBOcLrng3c51XJlEO0I1Zm_qODax24&si=az9cDStnI2osr2bA Panic - Leave It Alone (from their 1987 Demo, produced by Terry Date, mentioned and excerpted in this episode) - https://youtu.be/UqDcPG_iHkI?si=zuXjEAwzob4SGsiw Panic at Metal Archives: https://www.metal-archives.com/bands/Panic/1132   Music for this podcast by Tauntaun (tauntaun.bandcamp.com) - Used by permission.  The Metal Gateway Podcast is a production of Studio Portcullis - Copyright 2024   

On this episode of Adventures In Vinyl we discuss the 2nd studio album by an American Alternative Metal band that was certified gold in 1999. That band is the Deftones adn the album is Around The Fur.Songs Of The Week!Blink 182 - DammitReliant K - If You Believe MeDeftones - Around The FurGenre: Alternative MetalRelease Date: October 18th, 1997Studio: Studio Litho (Seattle)Producer(s): Terry Date and DeftonesLabel: MaverickLength: 73:56Number of Tracks: 10For more information on the band Deftones be sure to check out their website at www.deftones.com. IIf you like this podcast be sure to check us out on our website at www.adventuresinvinyl.com where you can find links to our episodes and through our support section you can find a place to order your very own adventures in vinyl T Shirt. Follow us on instagram @adventures.in.vinyl and be sure to subscribe to the podcast and leave a 5 star review on your favorite platform of choice.

In this episode of the Nu Pod, hosts Joshua Toomey and Ro Kohli, along with guest Ahrue Luster, former guitarist of Machine Head and current Lions at the Gate, discuss Machine Head's album "The Burning Red," released 25 years ago. They touch on the influence of producer Ross Robinson, the polarizing nature of the album, and its impact on the nu-metal scene. The conversation delves into the recording process, highlighting the emphasis on emotion and feeling in the music. They also explore the opening track, "Enter the Phoenix," and the polarizing "Desire, The Fire," dissecting its origin and unique elements. Ahrue discusses various aspects of his experience during the recording process and touring with Machine Head. He mentions his initial impressions of the band, the challenges faced during recording, and specific details about certain songs such as "Nothing Left," "The Burning Red," "The Blood, The Sweat, The Tears," and "From This Day." Ahrue also shares an anecdote about an incident during the tour with Coal Chamber and Slipknot, highlighting the growing popularity of Slipknot during that time.  Ahrue discusses the common tendency of bands to blame labels for low record sales and not receiving enough promotion. They touch upon the perception that external factors contribute to a band's success or lack thereof. The conversation then shifts to the iconic orange jacket worn by Robb Flynn in music videos, revealing it originated from a piece Ahrue had bought at Urban Outfitters but found to have an unusual fit. The orange jacket became a memorable and iconic part of Robb's image. Ahrue shares insights into the making of specific songs, such as "Message in a Bottle," expressing the satisfaction of playing teh opening riff. The interaction with producer Terry Date during the mixing process is highlighted, emphasizing the unique experience of working with him. Overall the guys look back on this record with high praise and great memories.Nu Pod on Instagram @nupod1999 Joshua Toomey on Facebook/Twitter @talktoomeytalk Ro Kohli on Facebook/Twitter @warmachinemerch Subscribe to KNOTFEST YouTube for exclusive performances & in-depth interviews with the most exciting artists in aggressive music, deep dives into iconic artists' discography, and more. Website: http://www.knotfest.com​​​​​​​​ Facebook: https://www.facebook.com/KNOTFEST​​​​ Twitter: https://twitter.com/KNOTFEST​​​​​​​​ Instagram: https://www.instagram.com/knotfest ​​ #nupod #numetal #knotfest #machinehead #slipknot

The Nu Metal classic from 1997 - In this episode, we review Deftones - Around the Fur.Blenderstyle Hosts: Casey, Matthew, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netListen to the albumYouTube Music: https://music.youtube.com/playlist?list=OLAK5uy_kP4OiagUn1C03Ut5SObx5bzu-2p1BQ1CcSpotify: https://open.spotify.com/album/7o4UsmV37Sg5It2Eb7vHzuApple Music: https://music.apple.com/us/album/around-the-fur/1099843198Deftones, Around the Fur, Album Review, Reaction, Chino Moreno, Stephen Carpenter, Chi Cheng, Abe Cunningham, Max Cavalera, Frank Delgado, Terry Date, Ulrich Wild, My Own Summer, Lhabia, Mascara, Rickets, Be Quiet and Drive, Lotion, Dai the Flu, Headup, MX, Bong Hit, Damone, Nu Metal, Emo, Sacramento, Blenderstyle, Bakersfield0:00 Intro0:25 Background4:00 Album Review12:10 Matt's Rating12:57 Nathan's Rating13:49 Casey's Rating14:52 Outro

Coop and Radulich are back to review the latest from SLAYER!!!!!Repentless is the twelfth and final studio album by American thrash metal band Slayer, released on September 11, 2015. This is the band's only album recorded without guitarist Jeff Hanneman, who died from liver cirrhosis in 2013 and was replaced by Gary Holt, and the first to feature drummer Paul Bostaph since God Hates Us All (2001). Repentless is also the only album the band released on Nuclear Blast and was produced by Terry Date, replacing Rick Rubin after twenty-nine years and nine studio albums as their producer or executive producer. The six-year gap between World Painted Blood (2009) and Repentless was the longest between two Slayer albums in their career, and it would be the band's last studio album before disbanding in 2019, following the conclusion of their final world tour.Three singles were released from the album: "Repentless," "You Against You" and "Pride in Prejudice". The album debuted at no. 4 on the Billboard 200, the highest-charting debut from the band in its native country. It also topped the chart in Germany and featured in the top ten of almost twenty charts around the world. It received generally positive reviews from critics.Original Airdate 9/17/2015Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

En este episodio de El Álbum Esencial conversamos sobre “Chocolate Starfish and the Hot Dog Flavored Water”, el tercer álbum de Limp Bizkit, lanzado el año 2000.

Garza sits down in-person with Otep Shamaya. Vocalist & founder of OTEP. Her new album THE GOD SLAYER is out now! https://www.linktr.ee/otepofficial SPONSORS: Click this link to purchase from Sweetwater & help support the podcast: imp.i114863.net/rnrmVB CHAPTERS: 00:00 - Smoking & Drinking Is Unnecessary For the Creative Process 04:40 - No Rules While Creating Otep Songs 08:24 - Performing on HBO's Def Poetry 16:02 - Acting & Performing 17:28 - Winding Down From an Intense Performance 18:18 - Working Out, Grieving & Losing Gains 21:47 - Texas Roots & Animal Farms 29:40 - The Colosseum in Rome 31:46 - How Otep Got a Record Deal Without a Demo, Playing Ozzfest 38:42 - Learning How to Be a Frontwoman on Tour 43:03 - Working with Terry Date in Seattle 47:09 - “Jonestown Tea” & Writing Dark Songs 51:12 - Trusting Your Collaborators 54:06 - “Blood Pigs” Inspired by Lord of the Flies 59:21 - Phil Anselmo Blown Away by Otep's Vocals 1:02:28 - Women Doing Heavy Vocals 1:05:22 - Being a Pioneer For Women Metal Vocalists 1:08:07 - Being a Natural Leader 1:10:18 - Being Outspoken About Social Issues & Getting Blacklisted 1:20:30 - Facing Backlash for Coming Out as Lesbian 1:28:40 - Dealing with Online Critics & Trolls 1:30:58 - House of Secrets Criticism 1:32:05 - Relationship With the Band, Creative Differences & Joey Jordison 1:35:32 - Writing Songs About Predators & Bullies 1:40:12 - Being Authentic On & Off Stage, Standing Up for Yourself 1:42:24 - The Future of Metal 1:45:29 - New Covers Album, The God Slayer & Reasons Behind Song Choices

YOU WANTED THE WORST. YOU GOT THE WORST. In a landmark, epic event, Them Nudy Boyz finally sit down to review the sophomore album by NüMetal titans, LIMP BIZKIT, 1999's 'Significant Other' (18:17)! As you might guess from the runtime, it's a review filled with tangents but also an in-depth discussion about the band's musicianship, Terry Date's production, the inclusion of various guest musicians, the album's impact on the music world, the Woodstock '99 controversy, & so much more! All this plus Ross talk about his recent injury & Brent details the next handful of episodes! —————————————————————— Subscribe on your favorite podcast app & if you like the show, share it with your friends! Check out the NuDis Colony Playlist on Spotify & follow along on our journey through NuMetal: https://open.spotify.com/playlist/4JpmdS16YoAtPwVargXxgn Email NuDis Colony: nudispod@gmail.com Follow NuDis Colony on social media! Twitter: https://twitter.com/NuDisPod Instagram: https://www.instagram.com/nudispod/ "NuDis Colony" logo by Ross Lickteig with help from Jack Franklin. Follow Jack on Instagram: https://www.instagram.com/milkywaymaps/

Interview by Kris PetersThe endurance of melodic power metal outfit Fifth Angel is remarkable.After starting in Seattle in the mid 1980s and enjoying massive success with their self titled debut album, co-produced with famed music producer Terry Date (who later went on to produce Pantera, Soundgarden, White Zombieand more), Fifth Angel remained at the forefront of heavy metal of an era - which also included Queensryche and Metal Church - in a town that has since become known mainly for its output of grunge acts.This swarm of emerging bands and music eventually caused the premature disbanding of Fifth Angel, who remained that way until being enticed out of retirement to perform at Germany's Keep It True Festival in 2010.The band received an overwhelming outpouring of positivity at that show and subsequently reformed Fifth Angel on a more permanent basis and picked up pretty much where they left off, eventually releasing their first album in nearly 30 years titled The Third Secret.That journey culminates with the release of When Angels Kill on June 16, a double concept album that weaves lyrics and subject matter from their first three albums into a fascinating tale of love, catastrophic events, isolation, and impending doom.Drummer Ken Mary joined HEAVY to reveal more."We felt like we wanted to make this a little bit more progressive," he began. "But at the same time we wanted to hark back to the feeling of our first album, which was a darker type of record. This album is perhaps the darkest of all the Fifth Angel albums. It's a very heavy record. The story is a heavy story, but it's an interesting story and I think it's a good story. It centres around four main characters. There's a young man named Phoenix and he has two friends, a girl named Lana and Dylan who ends up being his best friend. They are living in a world that's a little dystopian and is now being run by a global tyrant and so this tyrant is not against subjugating the entire world through force. So if you wanna resist that it could be fatal and that really is what the story is about. It's about these young people's attempts to resist the tyrant. The story takes you through that process. They are trying to survive and there's also a love story that happens, there's some natural disasters that happen, there's some terrorism that happens so it's a deep, dark story but I think one that I think the fans will enjoy and I think our Fifth Angel fans will really enjoy because a lot of the lyrics and song titles... there are little Easter Eggs that lead you back to the earlier records. So if you want to know more about what's happening you can go and listen to the songs that are referenced on this record and get an even greater idea of what's going on."In the full interview, Ken talks more about the album musically, weaving three stories into one, the flow of the album, what lessons the band has learnt over the course of their career, the early days of Fifth Angel in the Seattle scene, following the lead of Queensryche and focussing on getting their first album right more than touring, their eventual disbanding and why, getting the chemistry back when they reformed, future plans and more.

Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Overkill es una banda estadounidense de thrash metal formada en 1980 en la ciudad de Old Bridge, Nueva Jersey. Es considerada una de las pioneras de este estilo, además de ser una de las agrupaciones enmarcada en el thrash metal que más álbumes ha publicado a nivel mundial. A lo largo de su carrera la banda ha experimentado constantes cambios en su alineación, siendo el cantante Bobby "Blitz" Ellsworth y el bajista D.D. Verni los únicos miembros de la formación original que aún continúan en la agrupación.​ A menudo se les menciona como los "Motörhead del thrash metal".​ Al igual que otras bandas como Iron Maiden, Megadeth o los mismos Motörhead, Overkill creó una especie de mascota a la que llaman "Chaly". Se trata de un murciélago esquelético con una calavera humana como cara, cuernos, alas óseas y ojos verdes. Chaly ha aparecido en la mayoría de las portadas de sus discos. A la fecha, Overkill ha publicado 19 álbumes de estudio, uno de versiones, tres EP y tres álbumes en vivo. Fueron una de las primeras bandas de thrash metal en fimar con una discográfica importante (Atlantic Records en 1986), pero no lograron el éxito masivo de sus contemporáneos Anthrax, Exodus, Metallica, Megadeth, Slayer y Testament. Sus álbumes más populares y exitosos son Under the Influence (1988), The Years of Decay (1989), I Hear Black (1993), The Electric Age (2012) y White Devil Armory (2014), los cuales debutaron en las posiciones 142.ª, 155.ª, 122.ª, 77.ª y 31.ª respectivamente en la lista de éxitos estadounidense Billboard 200.​ En 2006, Overkill había vendido cerca de 625.000 copias de sus álbumes en los Estados Unidos desde la fundación del sistema Nielsen SoundScan y cerca de 16 millones de discos en todo el mundo al 2012.​ Overkill fue uno de los primeros grupos de thrash metal en aparecer en la escena. Formados originalmente en Nueva Jersey por D. D. Verni Y Rat Skates (sus nombres reales son Carlos Verni Y Lee Kundrat), aunque bajo el nombre de "The Lubricunts". Para avanzar con el proyecto, D.D. Verni puso un anuncio en un periódico local en busca de vocalista, anuncio que respondió un tal Bobby Ellsworth, que, por aquel tiempo tocaba también el bajo. Bobby fue contratado y junto con él apareció el primer guitarrista de la banda proveniente de la anterior agrupación de Ellsworth. Durante algún tiempo la banda fue dando tumbos, al igual que su nombre, el cual cambió varias veces hasta asentarse como Overkill.​ Inicialmente se dedicaron a hacer versiones de canciones de punk de bandas como The Ramones, Aron mc Garrigle y The Dead Boys, entre otros. Luego empezaron a versionar canciones como "Overkill" de Motörhead, "Prowler" de Iron Maiden o "Tyrant" de Judas Priest. En 1981, luego del abandono del guitarrista Robert Pisarek, ingresaron otros guitarristas a la agrupación, entre ellos Dan Spitz (quien integraría Anthrax poco tiempo después), Anthony Ammendola, Rich Conte, Mike Sherry y finalmente Bobby Gustafson.​ Posteriormente la banda comenzó a escribir sus propios temas, entre esas canciones destacan "Grave Robbers" (nombrada luego "Raise the Dead"), "Overkill" y "Unleash the Beast (Within)", esta última contenida en el demo Power in Black, publicado el 14 de septiembre de 1983, y considerada una de las primeras muestras de thrash metal de la historia. Para ese entonces, Overkill inició una etapa de presentaciones en clubes nocturnos en Nueva York y Nueva Jersey. En 1983, la alineación compuesta por Rat Skates, D.D. Verni, Bobby Gustafson y Blitz publica el mencionado demo Power in Black, grabación que causaría un gran impacto entre los coleccionistas “underground”. La canción "Feel the Fire" fue incluida en el compilado New York Metal '84 y la canción "Death Rider" apareció en el quinto volumen de la legendaria serie de compilaciones Metal Massacre. Tras la repercusión del demo, la banda aseguró un contrato con la disquera Azra/Metal Storm Records, que dio como resultado el EP Overkill de 1984, el cual agotó sus existencias en poco tiempo. Jon Zazula, propietario de Megaforce Records, decidió darle un contrato a la banda luego de escuchar el EP. Con Megaforce la agrupación grabó su primer larga duración: Feel the Fire en 1985. Entre 1985 y 1986 la banda salió de gira en soporte de su nuevo álbum, inicialmente abriendo conciertos en los Estados Unidos para Megadeth (que se encontraban en ese momento promocionando su disco Peace Sells) y luego junto a Anthrax y Agent Steel en territorio europeo. 1987 marcó el lanzamiento de la segunda producción de Overkill: Taking Over, publicado por Megaforce en cooperación con Atlantic Records. Este trabajo discográfico les valió el reconocimiento inmediato, especialmente por la canción "In Union We Stand", cuyo vídeo obtuvo fuerte rotación. Siguió otra gira por Europa, en este caso junto a los alemanes Helloween. A finales de 1987 publicaron un EP titulado !!!Fuck You!!!, que consistía en un cover de la canción del mismo nombre (original de la banda canadiense Subhumans) y de algunas versiones en vivo grabadas en Cleveland ese mismo año. 1987 también trajo consigo el abandono del baterista Rat Skates. Fue reemplazado por Mark Achabal para dar algunos conciertos, y luego de manera definitiva por Bob "Sid" Falck (anterior miembro de la banda Paul Di'Anno's Battlezone). Overkill lanza Under the Influence en 1988. Producido por Alex Perialas, Under the Influence presentó un sonido mucho más agresivo que Taking Cover. La canción "Hello From The Gutter" fue publicada como sencillo, con su vídeo rotando frecuentemente en el programa Headbangers Ball del canal MTV. Overkill siguió girando alrededor del mundo de manera constante. En 1989 vio la luz The Years of Decay, producido por el famoso Terry Date (Pantera, White Zombie y Soundgarden). El álbum se convirtió en un éxito instantáneo, mezclando la agresividad de Under the Influence con elementos épicos y estructuras musicales complejas. "Elimination" fue lanzada como sencillo. La gira soporte del disco se llevó a cabo en parte en una serie de conciertos llamada "Dawn of the Decade", junto a sus compañeros de disquera Testament. En 1990, el guitarrista y compositor Bobby Gustafson abandona Overkill. Verni y Gustafson habían tenido problemas en cuanto a la dirección que estaba tomando la banda, con Blitz compartiendo la misma opionión que Verni, y pidiéndole a Gustafson que abandonara el proyecto. Se añadieron dos nuevos guitarristas a la formación, Rob Cannavino y Merritt Gant. La nueva formación graba Horrorscope, nuevamente con el productor Terry Date, en 1991. El álbum es considerado como el más pesado de su catálogo, esto influenciado principalmente por los aportes de los dos nuevos guitarristas. Sin embargo, durante la gira promocional del disco, Sid Falck abandona la formación, interesado en grabar otro tipo de música. Fue reemplazado por el baterista Tim Mallare, con el que grabaron el álbum I Hear Black, producido esta vez por Alex Perialas y lanzado exclusivamente por la disquera Atlantic Records. Nuevamente se presentó un cambio en el sonido, esta vez influenciado por el stoner y el blues rock similar al sonido de Black Sabbath. Se grabó un vídeo para "Spiritual Void", aunque no logró la rotación esperada. La gira en soporte del álbum en tierras europeas los llevó a compartir escenario con Savatage. El séptimo álbum de la banda, W.F.O., fue publicado el 15 de julio de 1994. El disco retoma el sonido rápido y agresivo de sus primeras producciones, abandonando la experimentación. El vídeo de la canción "Fast Junkie" fue prácticamente ignorado por MTV, debido principalmente al protagonismo que estaban tomando bandas como Nirvana, Alice in Chains y Pearl Jam en el canal musical.​ Todos estos factores, sumado el decaimiento del género a mediados de los años 1990, llevaron a que Atlantic Records dejara de publicar discos de Overkill. En 1995 se publica el primer directo de la banda, Wrecking Your Neck Live bajo el sello CMC International. Ese mismo año Cannavino y Gant deciden dejar la banda; Rob Cannavino para enfocarse en su pasión: las motocicletas, y Merritt Gant para pasar más tiempo junto a su familia. Se contrató a Joe Comeau, cantante de la banda Liege Lord, ahora encargado de las guitarras. Comeau trajo consigo al guitarrista Sebastian Marino (ex-Anvil), con el que había trabajado en proyectos anteriores. La nueva alineación grabó el disco The Killing Kind en 1996, producido por la propia banda y mezclado por Chris Tsangarides (Judas Priest, Tom Jones, Thin Lizzy y Gary Moore, entre otros). Aunque la respuesta por parte de la crítica al álbum fue generalmente positiva, una porción de sus fanáticos se vio defraudado por lo "moderno" del sonido, que incorporaba elementos del recién surgido hardcore.​ En octubre de 1997 sale a la luz From the Underground and Below, conservando la misma fórmula de su producción anterior y agregando algunos elementos de metal industrial, particularmente notorios en la canción "Save Me". Se grabó un vídeoclip para la canción "Long Time Dyin'", pero su exposición en la televisión fue prácticamente nula. En 1998 nuevamente la banda optó por hacer la gira promocional solamente en Europa, esta vez acompañados de las bandas Nevermore, Angel Dust y Nocturnal Rites. En 1998, Blitz fue diagnosticado con cáncer nasal y fue sometido a cirugía inmediatamente, logrando controlar la enfermedad. Luego de su operación, la banda empezó a trabajar en su décimo álbum, que terminó llamándose Necroshine y fue publicado en febrero de 1999. Dave Linsk ingresó en la banda en reemplazo de Sebastian Marino. Septiembre de 1999 vio el lanzamiento de Coverkill, un álbum consistente en versiones de bandas que influenciaron el sonido de Overkill en sus primeros años, como Black Sabbath, Kiss, Motörhead, Manowar, Deep Purple, Judas Priest, The Sex Pistols y The Ramones. Una gira fue llevada a cabo para promocionar Necroshine y Coverkill en el año 2000 junto a las bandas Annihilator y Dew-Scented. La agrupación retornó al estudio esta vez sin Joe Comeau, y a finales del año 2000 grabó Bloodletting, producido por la banda y mezclado por Colin Richardson. Luego de tomar un descanso de dos años, Overkill regresó a escena con Wrecking Everything, su segunda producción en vivo, grabada en el Teatro Paramount en Asbury Park, Nueva Jersey. La gira de ese mismo año en promoción de Bloodletting y Wrecking Everything vio a Blaze y Wicked Mystic abriendo para Overkill. La agrupación logró un contrato con Spitfire Records e ingresó al estudio a finales de 2002 para grabar el disco Killbox 13. A finales del año 2004, luego de una gira por Japón junto a Death Angel y Flotsam and Jetsam, la banda empezó a trabajar en otro disco en el estudio privado de D.D. Verni. ReliXIV fue publicado en marzo de 2005. Tim Mallare abandona y es reemplazado por Ron Lipnicki. Ese mismo año Overkill anuncia su primera gira por la costa oeste estadounidense en más de diez años, convirtiéndose en un éxito de taquilla. Luego de su experiencia con Spitfire, Overkill firmó un contrato con el sello Bodog Records y lanzó su decimoquinta producción, Immortalis, el 9 de octubre de 2007. El cantante Randy Blythe (Lamb of God) aportó su voz para la canción "Skull And Bones". El 30 de octubre de 2009 la banda firma con Nuclear Blast Records. El álbum Ironbound — descrito como una obra maestra del thrash metal — fue publicado el 9 de febrero de 2010.​The Electric Age (2012) y White Devil Armory (2014) fueron los siguientes discos, nuevamente producidos bajo el sello Nuclear Blast.​​ En 2013 la banda se embarca en la gira Dark Roots of Thrash junto a Testament y Flotsam and Jetsam. Sin embargo, su presentación del 15 de febrero en Huntington fue cancelada por problemas de salud de Bobby "Blitz".​ Esto ocasionó que la banda fuera excluida del resto de la gira.​ El 16 de abril de 2016 la banda dio un concierto en la ciudad de Oberhausen, donde tocaron los álbumes Feel the Fire y Horrorscope en su totalidad. El concierto fue grabado de manera profesional, y se planea utilizar el material para la edición de un DVD.​ El 11 de agosto de 2016, Bobby Ellsworth reveló en una entrevista el título del nuevo álbum de la banda, el cual llevaría por nombre The Grinding Wheel. El álbum fue publicado finalmente el 10 de febrero de 2017 por el sello Nuclear Blast.​ El 6 de mayo de 2017, Overkill anuncia la incorporación de Jason Bittner como batería para cubrir la baja de Ron Lipnicki.​ El 22 de febrero de 2019 lanzan su decimonoveno álbum de estudio de material propio titulado The Wings of War.​ En abril de 2020, D. D. Verni avanzó que están trabajando en un nuevo álbum, con 9 temas ya escritos, para lanzarlo antes de la gira europea de marzo de 2021. Estos planes han quedado en el aire debido al Covid-19.​ Pagina Oficial: https://www.facebook.com/OverkillWreckingCrew/?locale=es_ES

This week we present another installment of an ongoing series called “Grave Mistakes: They Shoulda Been Huge!!!”. We bring you an in-depth exploration of a band from the early 2000s that straddles the lines of alternative, rock, metal, and prog simultaneously: DREDG! Equal parts Incubus-Tool-Muse-Pink Floyd-U2, yet this band was never able to break into the mainstream. We think this band Shoulda Been Huge!!! This episode is rooted in our Should Have Been category. This band is similar to another favorite that we featured on an early Grave Mistake episode; OURS. Kevin had a chance to catch OURS & DREDG on tour together back in 2005, although he screwed the time up and completely missed OURS; but that's beside the point. Robert is completely unaware of them. Will he agree with Kevin's lobbying for “Shoulda Been Huge” status??? Have a listen and find out for yourself. Songs this week include:Dredg – “Symbol Song” from Leitmotif (2001)Dredg – “Same Ol' Road” from El Cielo (2002)Dredg – “The Tanbark Is Hot Lava” from Catch Without Arms (2005)Dredg – “Ode To The Sun” from Live At The Fillmore (2006)Dredg - “I Don't Know” from The Pariah, The Parrot, The Delusion (2009)Dredg – “Upon Returning” from Chuckles And Mr. Sqeezy (2011)Dredg – “The Canyon Behind Her” from El Cielo (2002)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

En este episodio revisamos "Vulgar Display Of Power", uno de los trabajos más importantes de Pantera, conversando sobre el éxito de la banda tras su lanzamiento, la creación de este trabajo, influencia en la escena posterior, y muchos aspectos más.

It was an honor to have one of my favorite guitar players of all time on the show, Mark Engles from Dredg & Black Map! We talk about the 20th Anniversary of El Cielo and the new Box set, working with Terry Date, his guitar setup, writing process, the new album, plus so much more! Enjoy! *

Programa 305 del 05 de octubre, trasmitiendo en España en Sol y Rabia, Revi Radio, TNT Radio Rock y Asalto Mata Radio Rock, en Argentina en Lado Salvaje Radio y en Puerto Rico en Heavy Metal Mansion. Un programa especial dedicado al productor Terry Date y algunos de los discos en los que ha trabajado desde sus inicios. Escucharemos música de los discos Metal Church – Metal Church (1984), Fifth Angel – Fifth Angel (1986), Chastain – The 7th of Never (1987), Sanctuary – Refuge Denied (1988), Dream Theater – When Dream and Day Unite (1989), Soundgarden – Louder Than Love (1989), Overkill – The Years of Decay (1989), Pantera – Cowboys from Hell (1990), Dark Angel – Time Does Not Heal (1991), White Zombie – Astro Creep: 2000 (1995), Deftones – Adrenaline (1995), Incubus – S.C.I.E.N.C.E. (1997), Staind – Dysfunction (1999) Si quieres ver las entrevistas en nuestra web: http://www.madeinmetal.es/index.php/entrevistas

Warning - this episode contains the C-bomb (blame Kyle). It's the big 9-0! This week, we have the return of Welsh heroes Funeral For A Friend. Kyle knew the last album we listened to and Rich didn't like it. Rich knew this album - will history repeat itself? Key talking points - Endless sniffles, Watergate 2: Scandal Harder, Terry Date - the man that produced that one Handsome album, John Mitchell strikes again, Rich takes us on a quick Robbie Williams detour, a mystery party line, the interesting recording of a boring song, Kyle gets Rich to check he hasn't gone mad and a disclaimer for the next few months. Email - chewthemetal@gmail.com Twitter/Instagram - @ChewTheMetal Chew The Metal Playlist - https://open.spotify.com/playlist/0vedrYyJ3GrLsjINczQfcc?si=25da4f62745b4592 Support the artist by buying their music here - https://music.apple.com/us/album/hours/68842363 Theme by Kyle Gormley Logo by Jessica Martin

Arlésienne désormais réalité, bienvenue dans ce spécial Deftones ! 2h15 de parlotte autour d'un incontournable de la scène Métal mondiale, n'ayons pas peur des mots. Inventeur d'un genre aux côtés de Korn, 9 albums au compteur et 30 ans de carrière pour ce groupe né dans un sous-sol de la banlieue de Sacramento. D'Adrénaline à Ohms, de Terry Date à ...Terry Date, toute une carrière passée au crible pour un épisode voulu comme dantesque. Bonne écoute. Pour habiller cet épisode, une setlist composée de Bored, My Own Summer, Back To School (Mini Maggit), Hexagram, Kimdracula, Rocket Skates, Poltergeist, Gore, Ceremony, Pompeji et Radiant City. A écouter via le Deezer officiel du Podcast par ici: https://deezer.page.link/LocvHYhsASeTCvPt6 Top Albums: 1) Adrenaline / Around The Fur (ex aeqo) 2) White Pony 3) Ohms 4) Koi No Yo Kan 5) Diamond Eyes 6) Deftones 7) Gore 8) Saturday Night Wrist -- Et on oublie pas de venir faire un petit tour sur le Fb: https://www.facebook.com/metaladvisory ou sur l'Insta: https://www.instagram.com/metaladvisory/ Histoire de laisser un pouce ou deux !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Will Putney, guitarist for Fit For An Autopsy and END, joins me to talk a bit about the bands new album and how cinematic the whole thing feels and if scoring films is in the cards for Will in the near future? We also talk about Will's producing career, and how he's able to work with so many bands who are constantly pushing the boundaries of a somewhat confining scene. The relationship he has with his bands to create these albums, and how he's quickly become one of the IT producers who's putting their stamp on the hardcore/metal genre with the likes of Ross Robinson or Terry Date etc. We wrap up with some Body Count / Ice T talk, working with someone so legendary, the wisdom Ice has shared with Will and how he applies it to his life and much more. Intro Music: “Remember “This Night” (Podcast Edit) by Chae Hawk "Pretty Lights" by Heartsick Show Sponsors: Rockabilia (www.rockabilia.com) USE OUR CODE BREWTALLY AND GET 10% OFF YOUR TOTAL ORDER!! The Bean Bastard (www.thebeanbastard.com) On Point Pomade (www.onpointpomade.com) USE OUR CODE BSP15 AND GET 15% OFF YOUR TOTAL ORDER!! Links: Facebook: www.facebook.com/fitforanautopsyofficial www.facebook.com/rockabiliacom www.facebook.com/onpointpomade www.facebook.com/thebeanbastard www.facebook.com/brewspeakpod Instagram: @willputney, @fitforanautopsy, @rockabiliacom, @onpointpomade, @beanbastard, @brewspeakpod, @jbeatty616 Twitter: @willputney, @fitforanautopsy, @onpointpomade, @brewspeakpod, @jbeatty616 Website: www.ohwhatthefutureholds.com www.brewspeakpod.com Patreon: www.patreon.com/brewspeakpod Email: Brewtallyspeaking@gmail.com RATE/REVIEW/SUBSCRIBE!!! --- Support this podcast: https://anchor.fm/brewspeakpod/support

My guest today is Dorian Heartsong an American composer, producer, and multi-instrumentalist based in Los Angeles, California. As an artist, Heartsong is currently playing bass for Jason Bonham's Led Zeppelin Evening.  He is also well known for his Bass work in Powerman 5000 from inception in 1990 until late 2001. Constant touring with bands such as Black Sabbath, Metallica, Kiss, Pantera, and Primus, helped elevate Powerman 5000's album "Tonight The Stars Revolt" to platinum status and landed songs in movie soundtracks including, Zoolander, Scream 3, and Evolution. Dorian has also performed and recorded with other artists and producers including Everlast, Vinnie Moore, Ruby Friedman Orchestra, The Flying Tigers, Dan Rockett, Stevie Salas, Michael Beinhorn, Lior Goldenberg, Sylvia Massey, Joe Barrisi, and Terry Date. He and Stevie Salas scored the indie movie "Live Free or Die" which won Top Jury prize at SXSW film festival in 2006. Heartsong graduated from Berklee College of Music with a degree in songwriting & performance.  Thanks so much to Lior Goldenberg for making our introduction Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 50% off select mics https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://www.youtube.com/user/adamaudiospeakers http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/16IcmFoWmpJjA5QnxTi8py?si=6ee6c745935a45b2 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/327

This week we talk about waning enthusiasm for the NFL, a Mastodon/Opeth tour and new music from Russian Circles. Also, we debut our new segment highlighting our favorite record producers with an exhaustive look at the career of Terry Date, producer for Deftones, Pantera, Soundgarden and many others. Later, we discuss why Thoryn hates scream vocals, sophomore slumps, great records with terrible cover art and how the parking lot scene was the ruin of the Grateful Dead. Turn on, tune in and drop dead.

By the early 90s metal music faced a crossroads - fixtures of the 70s and 80s influenced by Black Sabbath and Led Zeppelin were less connecting less with a younger generation of fans whose exposure to the thrash of Metallica, the hardcore of Bad Brains, and a new wave of guitar gods like Vernon Reid of Living Colour and Tom Morello of Rage Against The Machine. From their early years in high school through years of demoing and playing gigs in Southern California, the Deftones tapped into this wide variety of sounds, as well as new wave and post-punk, to craft a uniquely 90s take on metal. Thought dubbed nu-metal at the time on their 1995 debut album Adrenaline and 1997 follow-up Around The Fur, both with producer Terry Date, their sound continued to expand in the 2000s, incorporating shoegaze, space rock, and more. We revisit their 1990s output to trace the beginnings of one of the most interesting and influential alternative metal bands of the past twenty years.   Songs In This Episode: Intro - My Own Summer (Shove It) from Around The Fur 20:11 - 7 Words from Adrenaline 35:23 - Be Quiet And Drive (Far Away) from Around The fur 42:28 - The Chauffeur (Duran Duran cover) Outro - Bored from Adrenalin   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

By the early 90s metal music faced a crossroads - fixtures of the 70s and 80s influenced by Black Sabbath and Led Zeppelin were less connecting less with a younger generation of fans whose exposure to the thrash of Metallica, the hardcore of Bad Brains, and a new wave of guitar gods like Vernon Reid of Living Colour and Tom Morello of Rage Against The Machine. From their early years in high school through years of demoing and playing gigs in Southern California, the Deftones tapped into this wide variety of sounds, as well as new wave and post-punk, to craft a uniquely 90s take on metal. Thought dubbed nu-metal at the time on their 1995 debut album Adrenaline and 1997 follow-up Around The Fur, both with producer Terry Date, their sound continued to expand in the 2000s, incorporating shoegaze, space rock, and more. We revisit their 1990s output to trace the beginnings of one of the most interesting and influential alternative metal bands of the past twenty years.   Songs In This Episode: Intro - My Own Summer (Shove It) from Around The Fur 20:11 - 7 Words from Adrenaline 35:23 - Be Quiet And Drive (Far Away) from Around The fur 42:28 - The Chauffeur (Duran Duran cover) Outro - Bored from Adrenalin   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Cowboys from Hell is the fifth studio album by American heavy metal band Pantera, released on July 24, 1990 by Atco Records. It marked the band's major label debut and their first collaboration with producer Terry Date.

Seems like every album ever is getting a 20th anniversary remaster/re-release whether the original warrants it or not. Listen, not every record released in 2001 needs to be dragged back up to the surface, least of all an undisputed pile of shit like Korn's "Untouchables." We also profess our love for everyman producer Terry Date, discuss how Phil Anselmo seems to have survived cancellation, get nostalgic about the time we met Corrosion of Conformity and talk nepotism in the music industry, specifically as it relates to Wolfgang Van Halen and Jakob Dylan. Finally, Thoryn accuses Jason of having misogynist ears and Jason does a terrible job of defending against the allegations. Put that in your pipe and smoke it.

In this episode of Drag The Waters, Joshua Toomey sits down to talk to famed producer Terry Date. We discuss each album and recording process, his involvement in the 20th anniversary remix of REINVENTING THE STEEL, how he and Dimebag recorded solos and got his tone, going to New Orleans to record Phil Anselmo's vocals on THE GREAT SOUTHERN TRENDKILL and more.Support the show (https://www.patreon.com/talktoomey?fan_landing=true)

Ian, our chief Gen X Correspondent, takes the reigns on this week's Toilet Radio. Ian sat down with Ken Mary to discuss a lifetime behind the drums and the mixing boards of some of metal's biggest and longest-running acts. Ken's currently drumming with Flotsam and Jetsam and, now that they've all recovered from COVID, new material is coming your way imminently. Ken and Ian discuss the intricacies of recording with analog and digital equipment (BONUS: Kemper talk for you big ol guitar dorks!) Ken describes working with Terry Date on the first Fifth Angel records before Terry worked on a butt ton of platinum records, playing in front of tens of thousands of fans with Alice Cooper, and his work on the skins with Full House's John Stamos in Jesse & The Rippers. Good lord this is an excellent interview. Music featured on this sode: Fifth Angel – Time Will Tell from Time Will Tell  Call into the show and leave us a message at (803) 712-3773. Don’t forget to rate, review, and subscribe to Toilet Radio on iTunes so you’ll get new episodes automatically. Or use Stitcher if you don’t fuck with Apple.

Hailing from Los Gatos, CA, Dredg began sharpening their aggro-metal sound in the early '90s. Comprised of Gavin Hayes (vocals/guitar), Mark Engles (guitar), Drew Roulette (bass), and Dino Campanella (drums), the group was performing in area clubs before they'd even graduated from high school. Dredg self-released the Orph EP in 1997. The ambitious Leitmotif followed two years late, and it was reissued with the band's 2001 signing to Interscope. El Cielo, Dredg's proper Interscope debut, arrived in autumn 2002, and Deftones producer Terry Date was at the helm for their 2005 effort Catch Without Arms. They released the concert album Live at the Fillmore a year later, followed by Pariah, The Parrot, The Delusion in 2009.* JC got a chance to sit down with Drew Roulette to talk about those early days, their time away from the spotlight, and how the pandemic impacted their new music. All of that and much more on this episode of theFIVE10 Podcast! *bio taken from Allmusic.com

PANTERA is one of the few bands to raise the bar consistently and continuously with each album.  THE GREAT SOUTHERN TRENDKILL is the most “everything” Pantera album.  It’s easily the angriest, heaviest, darkest Pantera album EVER and is, most indubitably, the “kick in the jimmy” that the Metal world was in dire need of in the mid 90’s after grunge and alternative music effectively “declawed” Metal and turned it (for the most part) into some watered down, tame, “domesticated” shadow of its former self.   JOIN US as we celebrate the obnoxiously abrasive audacity that is Pantera’s 8th studio album and see if you don’t feel transcendentally relaxed & refreshed afterwards (trust us, you will).   Visit www.metalnerdery.com/podcast for more on this episode   Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Play or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter   Email: metalnerdery@gmail.com   Show Notes: (00:00) – #arewerolling? #fuckyeah See also the #lastepisode #tomorrowwillbetoday #backwagon #jackwagon #backshadowing #timetravelling / Another pending #albumdive and some #EVH #trivia (#acdc #powerage) / ***What did YOU think when you first heard The Great Southern Trendkill?*** (#tooextreme #grower #allheatnoflavor) / A serious increase in darkness on this record compared to prior #PanterA releases / ***CALL METAL NERDERY NOW AT (980) 666 – 8182*** CALL NOW!!!*** #screamfortheballs and/or #screamfromtheballs / A #voicemail from a #metalnerderypodcast #listener (thank you for that!)   (06:13) - #albumnumbereight (5th with Philip H. Anselmo) / #shoutout to #analcunt for #returningthefavor and the #grindcore #documentary (Slave to the Grind, not to be confused with the #skidrow album of the same name) and also Seth Putnam #tangentionalalityismness / Still #groovemetal but also ultra-abrasive #hail to Terry Date / A note from Ron regarding a new favorite from #theriblounge   (09:43) – Released May 7, 1996 / Produced by Terry Date and recording dates (NOTE:  vocals and music recorded separately.  Lyrics recorded at #nothingstudios / #avulgardisplayofpantera was fucking KILLER!! #HAIL to #philiphanselmoandtheillegals / #bustthruthis / The Alex #ooooh of Creeped-out-ness (Nothing Studios is an 85 year old funeral home) and a #ridiculously #longreach for an #intentional #blackalbumreference that wasn’t even really that tangentionally related to #theblackalbum / The #decor of the #nothingstudios / #dontdenythepowerof #Dime / #criticalreception #startledturtle / The actual spoken part of “Living Through Me (Hell’s Wrath)” used to be on the interwebs and now it’s unfindable…if you find it CALL US AT 980-666-8182 and READ THOSE LYRICS and we’ll play your voicemail on a future episode!!!*** / #downunder / #waitwhat that was wrongly #pronunciationized    (17:00) – The process of purchasing music compact discs in the mid 1990’s and getting to the point of actually PLAYING the compact disc musics you purchased in the mid 1990’s / #youpullitout and then you #putitin and then…#welldone / The Great Southern Trendkill (still groovy, but definitely angry as all fuck! #badass #perfectsetup) / #PanterA sans #melody (and the memo to the #metal #world to pick up their game and #overcome their #limitations / #ftw War Nerve #truly #ftw #lookhere    (23:00) – This is definitely a #headphones #album / and now, a song that is #onehundredpercent #relevant #today Drag the Waters #leftturn (it’s the #waitwhat of #riffs #hahaha #hashtag #hashbags #tags and #bags) and the video directorial debut of #Dimebag #herewego #WWDDD (that’s “What would Dime do, Dude?”) / #magictentacles #almost / 10’s (#isntitobvious its about #drugabuse definitely #dark #metalnerderyASMR) and the explanations about some of the songs #recordscratch… 10’s isn’t so much a “slow” song as it is ultra fucking “creepy” / #fuckyourcancelculture #GFY #cancelculture #tipoftheslongue / Say ALL of that again…#dragonballz #doomy.   (32:08) – 13 Steps to Nowhere (#ultracreepy #notasoftintro #readthoselyrics) #Predator is on backing vocals / Very visual (#what?) / Suicide Note Pt. I (and the #classact that is #philiphanselmoandtheillegals #hail #leftturn) This is definitely NOT your typical #acoustic #ballad #wrongpedia / It’s like “Going to California” via Hell / and now for #evendarkerpart2 Suicide Note Pt. II #getyousome #blackdog.   (41:56) - #reinventingthemetal (that will never not be funny!) #keeper #tickler / Living Through Me (Hell’s Wrath) and the #energy of the #Trendkill album (Use those #headphones #overandover) / Floods (also very visual…based on true events as “reported”) and an #incredibly #ranked #guitarsolo #recordscratch #hilarious and an #actual #legitimate #blackalbumreference for the show #augusttwelfth #ohno Floods (con’t) and that #guitarsolo (Very tastefully done)   (55:09) – The Underground in America and #fuzz #readthoselyrics and tuned down an entire step with that low E string dropped another whole step (Standard D tuning with a Dropped G equals #somuchheavy) / (Reprise) Sandblasted Skin and endless layers of fuzz / #softoutro / No tracking changes needed / #softoutroreintro /#production #commentary #okayturnitoffnow  

En este episodio repasamos el inmenso aporte de Terry Date como productor e ingeniero de sonido en la música pesada. Su influencia para cambiar el metal en los 90s con Pantera, su sociedad con Deftones y sus intervenciones en el grunge, especialmente con Soundgarden, entre otros miles de trabajos.

Welcome to Productionwise, the podcast about digging into music producers' discographies to find their signature sounds. In this episode we will be discussing the work of noted metal producer Terry Date from his Seattle beginnings to his most recent works. Don't forget to look for our Terry Date playlist on Spotify. This episode features music from the great @patfunkk

“Terminal, what disease?…”   Anytime Overkill’s 1989 Thrash masterpiece “The Years of Decay” comes on (henceforth also to be known in the realm of Metal Nerdery as “The YOD”, pronounced like nod, not like yode), IMMEDIATELY you can hear neon green and visualize an omnipresent, crazy, winged, bat-skull (or is it skull-bat?) flying through the entirety of the sonic landscape, like Overkill’s own quality control.   “I’ve learned to deal with the absurd…”   “The YOD” was the pinnacle of Overkill’s sound during the late 80’s, streamlining and further refining the East Coast Thrash sound they had developed over their three previous albums to create not only one of the finest albums of their career but also one of the finest albums in all of Thrash Metal!  No one articulated the sheer attitude, aggression and general New Jerseyan irritation and angst of the 80’s quite like Overkill.  All summed up in a single, succinct directive; a kind of “single finger salute” if you will.   (If you know, you know…).   “Last one out closes the coffin door…”   It’s time to prepare your “pre-game” relaxerole regimen (try it with an orange this time), put the bats back in their belfry, turn on the black & green black-lights and JOIN US as we dive headfirst into The YOD and explore its multi-faceted majestic thrash splendor.  PLUS…a few “extras” just for fun (because “we don’t care what you say” …just kidding).   Visit www.metalnerdery.com/podcast for more on this episode Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Play or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com   Show Notes: (00:00): - #waitfuck #noteven / Overkill and the East Coast (#fuckyourbox) / Overkill:  Per capita, by volume, THE Most “Fuck You!” of any band in Thrash/ Wait…Zero!?  The Bobby Gustafson (DBD:  Dime before Dime #backwagon #backshadowing) The One stop shop Riff Lord “The Years of Decay” (The YOD) / A message from Steve, a great moment in radio and Matt’s comedy consulting campaign #dmdirectly #ridiculous #overkill    (04:40): – The last Overkill record with Bobby Gustafson (#YOD)/Elimination and Overkill’s “brand” and a beautifully executed accidental #mandatory #blackalbumreference / The Master of Black Albums / Various Overkill show memories and remembering the whole issue with #Chaley and #A7X #thrashslut/ Overkill and the punk influences in their brand of thrash / #pregame at #johnnyspizza / Terry Date’s Production genius and the high degree of #tangentionalalityismness with Pantera.   (12:34): - #trackboner #onmicburp / #masterofblackalbumscore / Old Overkill band history/The Tony Iommi of Overkill?  #DBD / Russell is “producing” in the #bigboychair for a moment / #killerintros / Time To Kill (#downpicking) / #CBLE / Blitz as a “spirit animal” = #Chaly / A few more words as to the incredible production prowess of Terry Date and the extreme tangentionalality of #CFH to #YOD / All the gravy, sarcasm and fuck you (#killerending) /  E-Limination:  the perfect song for a pandemic (#canyouhearit?) #shreddery #oldefayce #noteven #mathwords   (32:28): – I Hate:  Proof that Overkill has MORE Fuck You per capita, by volume #thenewcore #postfuckyoupercapitacore (Thrashy, Upbeat and crunchy, verbal, venom ball riffs) / Coverkill, various Overkill covers ***BONUS TRACKS*** Overkill doing Dirty Deeds by  #akkadakka #totally / Nothing to Die For (never played live) / Those riffs… #sickaf / ***GET YOUR POPCORN & RELAXERS, IT’S STORY TIME***/ Playing with Spiders/Skullkrusher  #stonermetal  #heavyasfuck/ Blitz and The character of the frontman and the impact on the band’s sound (and the #urgency of #blitz) / Overkill doing Black Sabbath’s “Cornucopia” #ASMR #EASMR #genre #timetofrost / Track listing for Coverkill    (51:58): – Side 2:  Birth of Tension (#crunchyballriffs) That tone and that tightness (#dogslovemetaltoo) / Hello WAY after the fact… / Who Tends The Fire (Definitely #creepyaf) #CBLE #cantbeloudenough / Side 2 is darker than Side 1/ The Years of Decay (#YOD) and Thrash “ballads” #readthoselyrics / Overkill’s Exciter #mandatoryexciter #reference #ASMR #creepy More of a #dirge than a #ballad #rockstardrummersolo #intheairtonight / The Grueling cycle of touring & recording   (1:03:40): - E. vil N. ever D. ies (Part of the #backwagon #jackwagon #backshadowing #sidetitle Overkill Saga:  This was Part IV) / Overkill’s tangentionalality to Slayer and Venom back in the 80’s / Ron’s special C.O.T.L.O.D. #RibLoungeRub / A.N.D. #gumASMR #creepy #chewy #dontdenythepowerof #heaviness #thatpart #readthoselyrics / #IDigest / Tracking The YOD (Side 1 vs Side 2) #boom #bolth #hold / ***SPECIAL DEDICATION TO EVERYONE!*** #hashbagtrashtags “We don’t care what you say…” / Calgon for men during the middle age and the #blackdog ***THANK YOU FOR LISTENING AND SUPPORTING AND SHARING METAL NERDERY AND GO PURCHASE THE YEARS OF DECAY***#youareablessing #words #reoanthraxwagon #what?  

This week we start a series of shows where we go through Wayne's recently purchased albums that he hasn't listened to yet. We start with the band Fifth Angel with their Self Titled debut and their second album "Time Will Tell". Fifth Angel was formed in Seattle in 1983, they went into Steve Lawson Productions studio in late 1983 with Terry Date as producer/engineer and recorded a four song demo that consisted of "Fade to Flames", "Fifth Angel", "In the Fallout", and "Wings of Destiny". Shrapnel Records signed them in 1985 and financed the recording of five more songs to complete a self titled album, that eventually appeared in 1986. The group was signed a major label deal with Epic Records in 1988 and the debut album was re-released. As the band prepared to record a second album they lost founding guitar player James Byrd. Kendall Bechtel was brought in as his replacement. In 1989, the follow-up record, Time Will Tell appeared, but the band had lost its label support, with its members going their separate ways by 1990. Although many rumors cropped up in the 2000s about a reunion, it finally happened in 2009. Ed Archer, John Macko and Kendall Bechtel were joined by drummer Jeffrey McCormack and in 2010, the band played its first live show in its history at the Keep it True Festival, with guest singer Peter Orullian (ex-Heir Apparent). McCormack left the group in 2011, along with announced lead singer David Fefolt (the latter performed on some demos, but never actually performed live or officially recorded with the band). By 2017, Fifth Angel had been active once again. Original drummer Ken Mary rejoined the group, and vocalist Peter Orullian returned to sing for some 2017 engagements. The band booked two shows for the year: April 22, 2017 at El Corazon in Seattle, Washington, and the Keep it True Festival in Germany on April 29, 2017. Their third album, The Third Secret, was released on October 26, 2018 on Nuclear Blast. Visit Fifth Angels website here: https://fifthangelofficial.com/ If you would like to donate to our show, you could do so to our paypal address Openurlife@aol.com Buy Our T-Shirts Here: www.StoreFrontier.com/RatSaladReview Visit our website at: www.RatSaladReview.com Facebook: www.Facebook.com/RatSaladReview Instagram: www.Instagram.com/Rat_Salad_Review Twitter: www.Twitter.com/Rat_Review Subscribe to our Video channels Youtube:https://www.youtube.com/channel/UCsyM... Also on the HAMIN MEDIA GROUP Youtube Channel: https://www.youtube.com/channel/UCnZk... Bit Chute: https://www.bitchute.com/channel/QKQq... Subscribe to our Podcast Network. Where we have more shows. Podbean: https://ratsaladreview.podbean.com iTunes:https://podcasts.apple.com/us/podcast... Spotify: https://open.spotify.com/show/3cfDC7k... Stitcher: https://www.stitcher.com/show/rat-sal... I Heart Radio: https://www.iheart.com/podcast/256-ra... SHOW LESS --- Send in a voice message: https://anchor.fm/rat-salad-review/message

It's episode 26! This week, we're discussing yet another album that Rich knew very well but that Kyle had never heard. Makes you wonder how he ended up hosting this podcast in the first place? What a shambles. Key talking points - A surprise animal appearance, a backfiring double bluff, unexpected Pirates Of The Caribbean influences, Metal Hammer forget how numbers work, Rich gets anxious over Kyle's opinions, Kyle picks video game developer Hideo Kojima as his mastermind topic and we save ourselves on the brink of a long Oscars rant. Editing note - Sadly, unlike BMTH, we didn't have access to Terry Date's production skills so please excuse any pops/hisses/clips/general bad audio quality in this episode! Email - chewthemetal@gmail.com Twitter/Instagram - @ChewTheMetal Chew The Metal Playlist - https://open.spotify.com/playlist/3K6MgPreHpBAXUz6MNcrEZ?si=P8uASJHhTiq5c1n9Cf1U2Q Support the artist by buying their music here - https://music.apple.com/gb/album/sempiternal/598282638 Theme by Kyle Gormley Logo by Jessica Martin

In this episode of Drag The Waters, Joshua Toomey sits down to talk to famed producer Terry Date. We discuss each album and recording process, his involvement in the 20th anniversary remix of REINVENTING THE STEEL, how he and Dimebag recorded solos and got his tone, going to New Orleans to record Phil Anselmo's vocals on THE GREAT SOUTHERN TRENDKILL and more. Get all our episodes at www.talktoomeypod.com. --- Send in a voice message: https://anchor.fm/cmspn/message

Hoy en "Discos para el Camino", el álbum que cambiaría el rumbo del heavy metal en 1990. El que muchos pensábamos que era el primer disco de Pantera pero que realmente era el quinto de los tejanos que encontrarían su camino tras el fichaje del gran Phil Anselmo. Tras una primera etapa en la que abrazaron el glam metal, con Terry Glaze como cantante, llegó el de Nueva Orleans para dar un giro de 180º al sonido de la banda. En esta tarea también tuvieron mucho que ver el productor Terry Date y el guitarrista de Slayer, Kerry King. Nos lo cuenta el periodista Pau Navarra, que entrevistó en varias ocasiones a la banda que hoy protagoniza el programa nº 33 de "DPEC". Va por los hermanos Abbott: Dimebag Darrell (D.E.P) y Vinnie Paul (D.E.P).

We sat down with Deftones legendary drummer Abe Cunningham for the Everblack Podcast to talk about Ohms and it’s heavier direction, working with Terry Date again, celebrating White Pony’s 20th anniversary and its incredible sound on vinyl, their influence on other bands and more!Pre-order Deftones - ‘Ohms’ HERE : https://wma.lnk.to/DeftonesEVERBLACK PODCAST: SUBSCRIBE - SPOTIFY PODCAST : https://open.spotify.com/show/4znToU3ETh4dJyMTv0lFG9 ITUNES PODCAST: https://podcasts.apple.com/au/podcast/everblack-metal-podcasts-tracks/id1287458669 YOUTUBE : https://www.youtube.com/channel/UCau_EiKKLEwZ22aWMu9ASVA www.everblackmedia.com www.facebook.com/Everblackmedia Thanks to : RW Promotion Blacklight AD Screenprinting Electric Witch The Faction Lumberpunks Axe Throwing Everblack theme and intro by Wade Norris from Our Last EnemyDEFTONES PHOTO CREDIT: TAMAR LEVINE

We sat down with Deftones legendary drummer Abe Cunningham for the Everblack Podcast to talk about Ohms and it’s heavier direction, working with Terry Date again, celebrating White Pony’s 20th anniversary and its incredible sound on vinyl, their influence on other bands and more!Pre-order Deftones - ‘Ohms’ HERE : https://wma.lnk.to/DeftonesEVERBLACK PODCAST: SUBSCRIBE - SPOTIFY PODCAST : https://open.spotify.com/show/4znToU3ETh4dJyMTv0lFG9 ITUNES PODCAST: https://podcasts.apple.com/au/podcast/everblack-metal-podcasts-tracks/id1287458669 YOUTUBE : https://www.youtube.com/channel/UCau_EiKKLEwZ22aWMu9ASVA www.everblackmedia.com www.facebook.com/Everblackmedia Thanks to : RW Promotion Blacklight AD Screenprinting Electric Witch The Faction Lumberpunks Axe Throwing Everblack theme and intro by Wade Norris from Our Last EnemyDEFTONES PHOTO CREDIT: TAMAR LEVINE

This episode has absolutely nothing to do with The Great Kat, in fact I don't think she is that great. But it is a catchy title to the otherwise underlining theme of this episode CURIOSITY. Such as J Dawg hearing early Biohazard or Prong. His favorite IMMORTAL album and whether or not he looked deeper into his CDs in the 90s to notice credits to people like Terry Date. Be curious yourself and just watch/listen to this episode of HELLCAST!  Support the content, hear your name on HELLCAST, gain early access to episodes, plus more... check out the Reaper Metal Fan Club on Patreon: https://www.patreon.com/reapermetalproductions

Music Follow-ups/Corrections Hatebreed - Release date for new album.Weight of the False Self Nov 27. Job For a Cowboy - Actually working on a new record. Fear Factory Looking to put out a new record in 2021. They started a GoFundMe to bring the funds together to produce the record. https://www.gofundme.com/f/fear-factory-regenerate Pantera Reinventing the Steel is getting a re-release with a new cover and a new mix from Terry Date. TV/Streaming Follow-ups/Corrections Raised by Wolves - the first episode is streaming on YouTube. Obi-Wan - Ewan McGregor told ET that the series would likely only be one season. https://www.etonline.com/ewan-mcgregor-says-obi-wan-series-will-be-a-standalone-season-exclusive-152725 The Boys - Butcher 5 minute short posted, AND Amazon reveals that it will only be a single episode every friday.https://youtu.be/75pAMx_LBK8 Reno 911 - Renewed for another Quibi season. Robocop Ed Neumeir (writer on the original and the 2014 remake) said he is working with MGM on a prequel series. Read: WITHOUT Robocop. https://moviehole.net/exclusive-mgm-working-on-robocop-series-focusing-on-young-dick-jones Daleks BBC is making a CG animated series for the ultimate Dr. Who villain. https://www.bbc.com/ Movies Follow-ups/Corrections Army of the Dead - Zack Snyder’s Netflix movie is now getting an animated prequel series AND movie. The series will be called Army of the Dead: Las Vegas, and it will follow Bautista’s character. ALSO, Snyder will be directing 2 of the episodes. https://variety.com/2020/film/news/zack-snyder-army-of-the-dead-prequel-anime-1234757806/ Scream 5 - Neve Campbell has signed on to be in the new movie. https://comicbook.com/movies/news/scream-5-neve-campbell-cast-ghostface-sequel/ Gaming/Tech Follow-ups/Corrections Prince of Persia - The Sands of time IS getting remade! Jan 21 release date. https://youtu.be/IAnLmxrSInk Apex Legends - Emergency patch. https://comicbook.com/gaming/news/apex-legends-season-6-update-patch-notes-september-10/ Comic Books/Books Follow-ups/Corrections Follow Batman #100 The book (Oct.6) will introduce Tynion’s most recent addition to the Bat-mythos, Ghost-Maker. The new villain will apparently be linked to the early days of Bruce’s journey to becoming the Bat. Wolverine Speaking of new nemesis. Wolverine will be getting a new archnemesis according to Marvel, in Wolverine #6. The name is all we know is the name… Solem. Rumor Mill More Movie Delays There is a potential that Tenet (and corona) will be disrupting things again later this year. There is word that WB might move back the release of WW84 once Tenet gets fully released into theaters that are closed now, but will be newly open in October. Which would effect Bond, which would effect Dune… Spider-Man 3 and Venom are also part of this, though this is more news than rumor because it comes from Chairman Tony Vinciquerra from Sony. Flashpoint Now there is word that Gal Gadot might be coming to the movie too. Which KIND OF goes against previous rumors. G.I. Joe x Transformers Paramount is reported to be going forward with the once rumored to be dead movie.

The gang geeks out on Umbrella Academy (Neflix), easter eggs in The Batman teaser trailer, the return of Pumpkin Spice...in August, an Asteroid is headed for earth, and some Music and Sports News. Geek Out: "Bill & Ted Face The Music" (Orion Pictures, 2020)...(Spoiler-filled discussion) ******************************************************* Brew of the Day: Guillermo's Pick "Plum-Berliner Weisse" by Octopi Brewing Octopi Brewing's Plum Berliner Weisse has a flavorful plum taste, making it a perfect compliment to a weisse beer as citrus. It's a great summer weisse as plums are in season. Remember to drink responsibly. ******************************************************* Beat of the Week: "Ohms" by Deftones Chino Moreno and company are at it again with a single that is very Deftones but also uses all the elements that they have experimented and honed along their 25+ years career in the music scene. Back as producer is Terry Date, whom produced their first 4 albums. Album cover designer Frank Maddocks will be in charge of album artwork. He was responsible for Deftones third studio album cover White Pony as well as other artists album covers including Linkin Park, Metallica, Static-X, Alanis Morissette and even some Tarantino soundtracks. Be sure to check out the Geeks and Beats playlist on Apple Music and Spotify. ******************************************************* Stalk Us: Website: www.geeksandbrews.com Facebook, Twitter, Instagram Leave no beer behind and wash your f**king hands! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/geeksandbrews/message

Our guest for this episode is the perpetually cool Terry Date, producer and mixing engineer for bands such as Soundgarden, Pantera, Deftones, Slayer and the list goes on. Terry's track record is very impressive and when it came time for my band, Loaded, to make an album with him a few years back I was well nervous. But, what an easy guy to work with and a man with legendary stories! I was happy to have him share his career trajectory here and tell some fun stories along the way. I hope you enjoy this conversation as much as I did! If you enjoy Couch Riffs Podcast and/or our video series please leave a rating and review and share on your social media platforms! And, you can become a pledge supporter for as little as .99/month at anchor.fm/couch-riffs. You can also buy our super comfortable t-shirts and trucker hats at couchriffs.com where all of our podcasts and videos live. Thank you so much for your continued support! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/couch-riffs/message Support this podcast: https://anchor.fm/couch-riffs/support

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

Steve Albini. Nigel Godrich. Butch Vig. Bob Rock. Jack Endino. Michael Beinhorn. J Robbins. Sean Slade. Paul Kolderie. Youth. Ric Ocasek. Dave Fridmann. Ken Andrews. Brendan O'Brien. Brad Wood. Rick Rubin. Ted Niceley. Stephen Street. Flood. Terry Date. Dave Jerden. Alan Moulder. Dave Ogilvie. Chances are, if you purchased a CD in the 1990s and read through the liner notes, whether it was a major label release or a regional indie label, there is a possibility their name, or someone else you may recognize, is listed as the producer. But what does a producer do, and how do they influence the sound of a record? We often talk about liking or not liking some aspect of the production, and on this roundtable, we dig into what exactly that means, who does what in the studio, and some traits, commonalities, and differences of producers who worked in the 1990s.   Songs In This Episode:   Intro - Stuck On You by Failure (Ken Andrews) 8:04 - Rusty Cage by Johnny Cash (Rick Rubin) 17:36 - Pull The Cup by Shellac (Steve Albini) 41:56 - Holes by Mercury Rev (Dave Fridmann) 49:04 - Buddy Holly by Weezer (Ric Ocasek) 1:08:59 - Girls And Boys by Blur (Stephen Street) Outro - Never Said by Liz Phair (Brad Wood)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

In this brand new monthly podcast from Street Fight Radio's Bryan Quinby and Blocked Party's John Cullen, the two men sit down and wax poetic about their favourite genre of music: nu-metal. The hosts intend to dissect one nu-metal album per episode, and first on the docket is Limp Bizkit's Significant Other.  Seen by both men as the pinnacle of the genre, the two talk about their history with nu-metal and with this album specifically, before diving into a chat about Fred Durst's lyrical ability (but possible status as a genius), how much Wes Borland hated the band, the psychology behind some of the decisions made, Terry Date's production, and how Re-Arranged is possibly the greatest song ever written. And in this month's Challenge, John and Bryan square off to see who can do the better Matt Pinfield rant.

This excerpt was taken from the full in bloom interview with Metal Church founder/guitarist Kurdt Vanderhoof. Kurdt talks about Metal Church's 1984 self-titled debut album, working with Terry Date (Soundgarden, Mother Love Bone, Pantera, Deftones) and dispels a couple of longstanding Metallica rumors. More @ fullinbloom.com

We're not sure what album Mantissa intended to make with their 1992 debut Mossy God. On the one hand, it's got the guitar riffage that would find allies in heavier/dirtier 1980s hard rock/metal bands like Circus Of Power or Faster Pussycat. On the other hand, with producer Terry Date onboard, there is a tinge of the Seattle sound, like early Alice In Chains or pre-Superunknown Soundgarden. There is even a touch of Red Hot Chili Peppers funk. What does this all add up to? Kind of a mess, but not surprising considering the shifting landscape of early 90s hard rock/metal, where band either stuck to their quickly out-of-date guns or attempted an alternative makeover. Along with a confused albums comes and evening confusing (and exasperating) back story of an Australian band trying to "break" in America.     Songs In This Episode: Intro - Sanctify 23:02 - Ruby's Mind 27:44 - Dream Alone 32:41 - Extro 36:52 - Mystery Line Outro - Mary Mary   To support the podcast, join us at Patreon for bonus content and more. Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com  

We're not sure what album Mantissa intended to make with their 1992 debut Mossy God. On the one hand, it's got the guitar riffage that would find allies in heavier/dirtier 1980s hard rock/metal bands like Circus Of Power or Faster Pussycat. On the other hand, with producer Terry Date onboard, there is a tinge of the Seattle sound, like early Alice In Chains or pre-Superunknown Soundgarden. There is even a touch of Red Hot Chili Peppers funk. What does this all add up to? Kind of a mess, but not surprising considering the shifting landscape of early 90s hard rock/metal, where band either stuck to their quickly out-of-date guns or attempted an alternative makeover. Along with a confused albums comes and evening confusing (and exasperating) back story of an Australian band trying to "break" in America.     Songs In This Episode: Intro - Sanctify 23:02 - Ruby's Mind 27:44 - Dream Alone 32:41 - Extro 36:52 - Mystery Line Outro - Mary Mary   To support the podcast, join us at Patreon for bonus content and more. Facebook / Twitter / Instagram   Zazzle Merch Store   http://www.digmeoutpodcast.com  

This is the sound that sparks the fire! It's part two of Sean's conversation with Bryan Whiteman, bassist of the iconic Louisville band EMANUEL. In this episode, Bryan discusses shopping the album, touring with Jared Leto, having a rumble with the Suicide Girls, writing and recording Black Earth Tiger, the time everyone mistakenly thought they had scabies, recording with Terry Date, crashing their van in Texas, and the playing the band's final show. Later, we kick out the jams with "YEAR OF THE PIG", a smile fire erupts at the Smithsonian, and Bryan entertains the question of a possible Emanuel reunion! Will they or won't they? Find out now on this week's episode of the Sean Vs. Wild Podcast! Emanuel Links: "The Willing" Music Video- https://youtu.be/2Eg-1opzpBA "Make Tonight" Music Video - https://youtu.be/5qEB_AfIx-E "Cottonmouth" Music Video - https://youtu.be/0ACYms7FrBw   Sean's Links: Site - http://www.seanvswild.com Itunes - https://itunes.apple.com/us/podcast/sean-vs.-wild/id1192530869 Google Play - https://play.google.com/music/m/Iqdwyk4q6aqnzzqffdeoql2n7kq?t=Sean_Vs_Wild iHeartRadio: https://www.iheart.com/show/263-sean-vs-wild/ Facebook - http://www.facebook.com/seanvswild Instagram - @SeanVsWildPodcast Twitter - @SeanVsWild TuneIn - http://tunein.com/radio/Sean-Vs-Wild-p1009380/   Today's podcast is sponsored by AUDIBLE. Audible is extending a 30 day free trial to the listeners of the Sean Vs. Wild podcast! Simply go to http://www.audibletrial.com/seanvswild , Sign up for your free 30 day trial, and then choose an audiobook from over 180,000 in their catalog. And when you do, the fine folks at Audible help me out with a little something to help keep the lights on in the Smithsonian. That's it. Quick. Simple. Now go enjoy your book!  

Emitido el 29/07/2017 en radioutopia.es Cerramos nuestra aventura radiofónica en Radio Utopía con un especial de dos horas dedicado a la carrera de Screaming Trees y Mark Lanegan de la mano de nuestro amigo Andrés Muñoz. El programa cuenta con la participación de Juanjo. Bienvenido a los 90 regresa después de las vacaciones. Intro . Mark Lanegan - Death Trip to Tulsa (Glastonbury 2017) 0.“Shadow of the season” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 1.“Barriers” (Other worlds, EP, Velvetone Records, Steve Fisk, 1985). 2. “The turning” (Clairvoyance, LP, Velvetone Records, Steve Fisk, 1986). 3. “In the forest” (Even if and especially when, LP, SST, Steve Fisk, 1987). 4. “Back together” (Even if and especially when, LP, SST, Steve Fisk). 5. “Grey diamond desert” (Invisible Lantern, LP, SST, Steve Fisk, 1988). 6. “Black sun morning” (Buzz Factory, LP, SST, Jack Endino). 7. “Change has come” (Change has come, EP, Sub Pop, Jack Endino). 8. “Bed of roses” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 9. “Lay your head down” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 10. “Nearly lost you” (Singles B.S.O./Sweet Oblivion, LP, Epic, Don Flemming). 11. “Butterfly” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 12. “Halo of ashes” (Dust, LP, Epic, George Drakoulias, 1996). 13. Mark Lanegan & Queens of the stone age, “Hanging tree” (Songs of the Deaf –LIVE-, 2002). 14. Mark Lanegan, “Mockingbirds” (The winding sheet, LP, Sub Pop, Jak Endino & Mike Johnson, 1990). 15. Mark Lanegan, “Where did you sleep last night” (The winding sheet, LP, Sub Pop, Jack Endino & Mike Johnson, 1990). 16. Mark Lanegan, “Carnival” (Whiskey for the holy ghost, LP, Sub Pop, Mike Johnson, 1994). 17. Mark Lanegan, “Wheels” (Scraps at midnight, LP, Sub Pop, Mike Johnson, 1998). 18 .Number nine (Twilingt Singers) 19. Mark Lanegan Band, “Come to me” (Bubblegum, LP, Beggar’s Banquet, Alain Johannes, 2004). 20. Mark Lanegan Band, “Harborview Hospital” (Blues Funeral, LP, 4AD, Alain Johannes, 2012). 21. Screaming Trees, “Ash gray Sunday” (The final recording, LP, Sunyata, Barrett Martin, 2012).

Emitido el 29/07/2017 en radioutopia.es Cerramos nuestra aventura radiofónica en Radio Utopía con un especial de dos horas dedicado a la carrera de Screaming Trees y Mark Lanegan de la mano de nuestro amigo Andrés Muñoz. El programa cuenta con la participación de Juanjo. Bienvenido a los 90 regresa después de las vacaciones. Intro . Mark Lanegan - Death Trip to Tulsa (Glastonbury 2017) 0.“Shadow of the season” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 1.“Barriers” (Other worlds, EP, Velvetone Records, Steve Fisk, 1985). 2. “The turning” (Clairvoyance, LP, Velvetone Records, Steve Fisk, 1986). 3. “In the forest” (Even if and especially when, LP, SST, Steve Fisk, 1987). 4. “Back together” (Even if and especially when, LP, SST, Steve Fisk). 5. “Grey diamond desert” (Invisible Lantern, LP, SST, Steve Fisk, 1988). 6. “Black sun morning” (Buzz Factory, LP, SST, Jack Endino). 7. “Change has come” (Change has come, EP, Sub Pop, Jack Endino). 8. “Bed of roses” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 9. “Lay your head down” (Uncle anesthesia, LP, Epic, Terry Date, 1991). 10. “Nearly lost you” (Singles B.S.O./Sweet Oblivion, LP, Epic, Don Flemming). 11. “Butterfly” (Sweet oblivion, LP, Epic, Don Flemming, 1992). 12. “Halo of ashes” (Dust, LP, Epic, George Drakoulias, 1996). 13. Mark Lanegan & Queens of the stone age, “Hanging tree” (Songs of the Deaf –LIVE-, 2002). 14. Mark Lanegan, “Mockingbirds” (The winding sheet, LP, Sub Pop, Jak Endino & Mike Johnson, 1990). 15. Mark Lanegan, “Where did you sleep last night” (The winding sheet, LP, Sub Pop, Jack Endino & Mike Johnson, 1990). 16. Mark Lanegan, “Carnival” (Whiskey for the holy ghost, LP, Sub Pop, Mike Johnson, 1994). 17. Mark Lanegan, “Wheels” (Scraps at midnight, LP, Sub Pop, Mike Johnson, 1998). 18 .Number nine (Twilingt Singers) 19. Mark Lanegan Band, “Come to me” (Bubblegum, LP, Beggar’s Banquet, Alain Johannes, 2004). 20. Mark Lanegan Band, “Harborview Hospital” (Blues Funeral, LP, 4AD, Alain Johannes, 2012). 21. Screaming Trees, “Ash gray Sunday” (The final recording, LP, Sunyata, Barrett Martin, 2012).

The time as come. The Roach Koach Podcast brings the boys home to the Indigo Basement as Jenny, Lorin and Matt have a very long listen and discussion about Limp Bizkit's sophomore album, Significant Other. Topics discussed: Limp Bizkit as a peace offering, Bizkit fashion, the band on trial, unreadable liner notes, “The whole album is tight as fuck”, Did “Break Stuff” break up Rage Against the Machine?; The slickness of Terry Date, Jenny is a 3 Dollar Bill Y'All girl, Woodstock '99, the confidence to bring in Method Man, the “No Sex” radio station debacle, Jenny reads Fred, defining the nu-metal timeline, Who's Tweeting?; and of course deciding whether Significant Other belongs in the Nu-Metal Canon. As mentioned on the show, please take a moment to support DICO Presents Snow Day X the 24 Hour Improv Marathon at Go Comedy Improv Theater in Ferndale MI, January 14th and 15th 2017. Purchase tickets at GoComedy.net. Out of state and want to donate to the cause, go to https://www.gofundme.com/snowday-x-the-24-improv-marathon. All proceeds raised go towards Gilda's Club and The Tim Hayden Scholarship Fund. Like the event on Facebook at https://www.facebook.com/Snow-Day-24-Hour-Improv-Marathon-474925452692928/ Like Roach Koach on Facebook, follow @RoachKoach on Twitter, give Roach Koach a rating and review on iTunes. Have recommendations for the show? Tweet, Facebook us or send an email to RoachKoachPodcast at Gmail.

SLAYER on working with producer Terry Date for eleventh studio album, REPENTLESS, out September 11, 2015 (worldwide) via Nuclear Blast Records. Order album on iTunes: http://nblast.de/SlayerRepentlessIT

Esta semana a gente completa a sequência de episódios especiais dedicados aos lançamentos importantíssimos do último mês, histórico para qualquer fã de Rock e Metal. Hoje falamos sobre "Repentless", o novo álbum do Slayer, que será lançado no dia 11 de Setembro. Comentamos o décimo primeiro álbum da banda, com Gary Holt e Paul Bostaph e produzido por Terry Date, ouvimos faixas já reveladas, e ainda comentamos sobre todo o álbum para quem está ansioso para o lançamento. Ainda aproveitamos o episódio para nomear nossas músicas favoritas da carreira da banda. No Orgulho Nacional ouvimos a banda Marenna, projeto de Rodrigo Marenna, do Rio Grande do Sul. E na promoção da semana vamos presentear um WikiBrother com o novo álbum do Slayer, "Repentless". Neste episódio: Slayer e Marenna.

Vulgar Display of Power es el sexto álbum de estudio de la agrupación estadounidense Pantera, se lanzó el 25 de febrero de 1992 y fue la segunda colaboración de la banda con el productor Terry Date, después de haber trabajado previamente con él en su exitoso álbum Cowboys from hell. Este fue su segundo álbum con un sello importante, el que los llevó al frente de la escena del metal en su momento junto con bandas veteranas para ese entonces como Metallica, Slayer o Antrhax. Así que la propuesta sónica que podemos resumir en algo de power metal y post hard core nos acompaña en este episodio de Rock and roll radio junto a Andrés Durán y Héctor Mora.