Podcasts about smart museum

Greetings Glocal Citizens! This week's episode has been in the making since Episode 122 (https://glocalcitizens.fireside.fm/122) guest, Natasha Moore (https://glocalcitizens.fireside.fm/guests/natasha-d-moore). I'm joined by interdisciplinary artist, choreographer, scholar and educator, specializing in dance forms of the African Diaspora, Winston Benons, Jr. He has extensive training in Afro-Cuban, Haitian, Afro-Brazilian, and Bomba dance, complemented by studies in Horton and Dunham modern dance techniques. He has curated and led intensive programs in culture and dance techniques in both New York City and Cuba. He is the Founder and Director of tRúe Culture & Arts, an organization dedicated to facilitating cultural exchanges, workshops, and academic residencies. His works and studies have explored the intersections between Theater and Performance Studies, Curation and Visual Culture culminating in his graduate thesis entitled Marked: The Racialization Of African Phenotypes And Creation Of An Embodied Archive. Also an educator, he served as a lecturer at Pace University and an adjunct faculty member at the Mason Gross School of the Arts at Rutgers University. He has also held guest faculty positions at Ballet Hispánico, Peridance, Djoniba Dance & Drum, and Cumbe. He is currently the US/MS IB Dance educator at Brooklyn Friends School (https://brooklynfriends.org). Recent choreography and direction credits include Amahl and the NIght Visitors (https://en.wikipedia.org/wiki/Amahl_and_the_Night_Visitors) and What Lies Beneath (https://en.wikipedia.org/wiki/What_Lies_Beneath) with On Site Opera (https://osopera.org/), where he also served as the cultural advocate. Most recently, he developed and performed part 1 of a series entitled Conversations with Rothko at the SMART Museum (https://smartmuseum.uchicago.edu/) in Chicago. Where to find Winston? the-culturalist.com (https://www.the-culturalist.com/) On LinkedIn (https://www.linkedin.com/in/winston-benons-jr-b131074/) On Instagram (https://www.instagram.com/wbenonsjr/) On Facebook (https://www.facebook.com/tRueCultureArts/?view_public_for=142096181671) What's Winson watching? Barry Jenkins, Moonlight (https://a24films.com/films/moonlight) and other works Dianne Reeves (https://diannereeves.com) Other topics of interest: From British Guiana to Guyana (https://en.wikipedia.org/wiki/Guyanese_people) The Country of Five People (https://en.wikipedia.org/wiki/Guyanese_people) Madeira Islands (https://en.wikipedia.org/wiki/Madeira) What's The Highline (https://www.thehighline.org)? How Chemical Bank became Chase Bank (https://en.wikipedia.org/wiki/Chemical_Bank#:~:text=In%201996%2C%20Chemical%20acquired%20Chase,be%20better%20known%2C%20particularly%20internationally.) ASWAD - Assocation for the Study of the Worldwide African Diaspora (https://www.aswadiaspora.org/) Wideman Davis Dance (http://widemandavisdance.org/) Special Guest: Winston Benons, Jr..

Ep.225 Mario Moore, a Detroit native, received a BFA from the College for Creative Studies, Detroit, MI in 2009 and an MFA in Painting from the Yale School of Art, New Haven, CT in 2013. He is a recent Kresge Arts Fellow (2023) and a recipient of the prestigious Princeton Hodder Fellowship (2018-2019). He also has been awarded residencies at Duke University, Josef and Annie Albers Foundation, Fountainhead, and Knox College. Moore's work is in the permanent collections of but not limited to the Detroit Institute of Arts, Princeton University Art Museum and The Studio Museum in Harlem. Moore's work has been widely exhibited, including at the Smart Museum of Art, Chicago, IL; Cranbrook Art Museum, Bloomfield Hills, MI; Jeffrey Deitch Gallery, Los Angeles, CA; Arthur Roger Gallery, New Orleans, LA; The Cleveland Museum of Art, and Colby College Museum of Art. Mario Moore / Enshrined: Presence & Preservation exhibition—Moore's largest survey of work to date—opened at the Charles H. Wright Museum of African American History, Detroit in June 2021 and traveled to the California African American Museum (CAAM) in March 2022, his first solo exhibition on the West Coast]. Moore's most recent traveling museum exhibition, Revolutionary Times opened at the Flint Institute of Arts in January 2024 and closed at the Grand Rapids Art Museum in August 2024. Mario Moore currently works and lives in Detroit, MI. Headshot by Danielle Eliska Artist https://www.mariomoorestudio.com/ ABC news https://www.abc12.com/video/detroit-native-brings-revolutionary-times-to-the-flint-institute-of-arts/video_1a604728-0a2e-5a4b-969d-f0304557c2a1.html Hour Detroit https://www.hourdetroit.com/art-topics/two-new-exhibitions-at-cranbrook-art-museum-highlight-detroit-artists/ Canvas Rebel https://canvasrebel.com/meet-mario-moore/ David Klein Gallery https://www.dkgallery.com/artists/45-mario-moore/ Grand Rapids Art Museum https://www.artmuseumgr.org/press-releases/artist-mario-moore-bridges-untold-stories-of-americas-past-and-present-at-the-grand-rapids-art-museum Kresege Arts https://kresgeartsindetroit.org/artist/mario-moore/ Shondaland https://www.shondaland.com/act/a40458000/detroit-artist-mario-moore-interview/ Outlier Media https://outliermedia.org/mario-moore-artist-detroit-painter-interview/ LSU Museum of Art https://www.lsumoa.org/mario-moore-responding-to-history CAA Museum https://caamuseum.org/exhibitions/2022/enshrined-presence-preservation Duke Arts https://arts.duke.edu/projects/mario-moore/ Duke Form https://www.dukeform.co/all-content/mario-moore Sakehile & Me https://www.sakhileandme.com/artists/mario-moore.htm Cranbrook Art Museum https://cranbrookartmuseum.org/events/artist-led-tour-skilled-labor-mario-moore-sabrina-nelson-richard-lewis/ CCS Detroit https://www.ccsdetroit.edu/news/mario-moore-honored-with-ccss-2023-distinguished-alumni-award/ Detroit Metro Times https://www.metrotimes.com/arts/mario-moore-tells-detroits-underground-railroad-history-in-new-exhibit-midnight-and-canaan-31303155 Cultured Mag https://www.culturedmag.com/article/2022/11/02/mario-moore-painting-black-history Princeton University https://www.cnn.com/2020/01/01/us/princeton-university-portraits-workers-trnd/index.html The Art Newspaper https://www.theartnewspaper.com/2020/01/20/princeton-artist-fellow-mario-moore-celebrates-african-american-workers

Twenty years ago today, Channel Four in the UK first aired "Shattered," a show where contestants tried to stay awake the longest to win a grand prize. Plus: this month in 1970, German artist Wolf Vostell unveiled a work in Chicago in which he'd taken a 1957 Cadillac and encased it in concrete.  Shattered: legacy of a reality TV experiment in extreme sleep deprivation (The Guardian)  VOSTELL CONCRETE 1969–1973 JANUARY 1 (Smart Museum of Art) Sleep better knowing that you've backed this show on Patreon --- Send in a voice message: https://podcasters.spotify.com/pod/show/coolweirdawesome/message Support this podcast: https://podcasters.spotify.com/pod/show/coolweirdawesome/support

In Episode 68, we sit down with Jill Sterrett, Director of Collections at the Wisconsin Historical Society. Before her tenure in Wisconsin, and even before her time as director at the Smart Museum of Art, Jill dedicated over 28 years to SFMOMA. There, she led the conservation department during its formative years, establishing SFMOMA as a pioneer in the field of time-based media conservation. Throughout Jill's extensive career, from her early years at SFMOMA to her current work in Wisconsin, she's consistently challenged predefined norms. She combines a deep respect for traditional conservation methods with a drive for big-picture innovation. Tune in to hear Jill's story!Links from the conversation with Jill> https://cool.culturalheritage.org/byorg/bavc/pb96/> https://www.sfmoma.org/read/team-media-action-contemplation/> https://www.getty.edu/conservation/publications_resources/newsletters/24_2/dialogue.html> https://www.wisconsinhistory.org/Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali was born in Harbin, China in 1963. He graduated from the painting department at the Central Academy of Fine Arts in Beijing with a BA in 1987. An influential figure in socio-political artistic movements in China, Zhang Dali has, for decades, challenged the conventional with his social documentation in graffiti, sculpture, photography, and painting. Zhang was exiled from China after graduating from the Central Academy of Fine Arts and spent six years immersing himself in Western art and art history in Italy. Upon his return to Beijing, he developed a keen interest in portraiture (usually of himself), documentary and public urban art, often interrupting spaces with confrontational political statements. The photograph series 'A Second History' consists of propaganda and found images under the rule of Mao, which have been doctored or altered to the Chairman's artistic 'vision' of politics and appropriation. He is critically recognized as one of China's first graffiti and street artists. In 2011, Zhang Dali's work was featured in New Photography 2011 at the Museum of Modern Art in New York. The New York Times reviewed the show, mentioning that “the evocation of Orwellian busywork constantly varnishing truth for the benefit of dictatorial dominion is chilling to contemplate.” In 2014, Zhang Dali presented a comprehensive solo show at Klein Sun Gallery titled Square, which featured his cyanotypes, fiberglass sculptures, and paintings. Art in America praised Zhang's work as it ”compels his audience to acknowledge those who are damaged and marginalized, in hopes of expanding civic awareness and empathy” and stated that “it is now time for the Western media to accord Zhang recognition for his powerful, courageous artworks, which speak up for those who cannot freely speak for themselves." His work is in public collections including Museum of Modern Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Saatchi Gallery, London, UK; Smart Museum, Chicago, IL; and Asia Society, New York, NY. Zhang Dali currently lives and works in Beijing, China. Zhang Dali Dove (41), 2021. Red cyanotype on cotton, 63 x 90 1/2 inches (160 x 230 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali Dove (57), 2023. Blue cyanotype on cotton, 59 x 74 3/4 inches (150 x 190 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali Zhang Dali, Herbarium Pagoda Tree (S. japonicum) (2), 2020. Blue cyanotype on cotton, 53 1/8 x 37 3/4 inches (135 x 96 cm) Courtesy of the artist and Eli Klein Gallery © Zhang Dali

In the second half of our conversation with Jeffrey Michael Austin, we discuss their first ever artwork, how language factors into their practice, the persistent validity of creating art objects, the way art can bring a person into the present, the magic of mirrors, and using fun as a Trojan horse. Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater Outro Music: Careful by Daisy Days

In this episode, we talk to Jeffrey Michael Austin about taking things day by day, the importance of spending time with Mother Nature, their NFT work “Everything Must Go (Help Wanted),” the idea of ownership, and the possibility of "rapid, far-reaching and unprecedented changes in all aspects of society." Jeffrey Michael Austin (b. 1988) is a multidisciplinary artist and musician based in Chicago. Their work has been exhibited nationally and internationally, with recent and forthcoming solo exhibitions at Chicago Art Department, Heaven Gallery Chicago, Bert Green Fine Art (Chicago) and The Luminary (St. Louis, MO). Austin also composes, performs and produces all musical scores for Growing Concerns Poetry Collective, whose performance venues include The Museum of Contemporary Art Chicago, The Art Institute of Chicago, The Steppenwolf Theatre, NPR Tiny Desk Tour and the Smart Museum of Art. Austin studied at Columbia College Chicago and the Burren College of Art in Ireland before receiving their BFA from The School of the Art Institute of Chicago in 2014. Links: TLPS: A Group NFT Exhibition at Lydian Stater

Internationally recognized artist Amir H. Fallah is known for his vibrant figurative work that draws from western painting vocabulary and turns the history of portraiture on its head. The work explores how one reconstructs identity and asks the question, how do you describe someone without showing their physical likeness? It's incredibly powerful work that is also personal. In this interview, Amir talks about his background, how he began creating his current work, and his recent public pieces that were unveiled in California.    Amir H. Fallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California, Los Angeles. He has exhibited extensively in solo and group exhibitions across the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; South Dakota Art Museum, Brookings SD; Schneider Museum of Art, Ashland OR; San Diego Art Institute; and the Nerman Museum of Contemporary Art, Overland KS.   In 2009, the artist was chosen to participate in the 9th Sharjah Biennial. In 2015, Fallah received the Joan Mitchell Foundation Painters and Sculptors Grant. In 2019, Fallah's painting Calling On The Past received the Northern Trust Purchase Prize at EXPO Chicago. In 2020, Fallah was awarded the COLA Individual Artist Fellowship and the Artadia grant. In addition, the artist had a solo exhibition at the Museum of Contemporary Art, Tucson, accompanied by a catalogue, and a year long installation at the ICA San Jose.   The artist is in the permanent collection of the Jorge M. Pérez Collection, Miami; McEvoy Foundation For The Arts, San Francisco; Nerman Museum, Kansas City; SMART Museum of Art at the University of Chicago; Davis Museum, Massachusetts; The Microsoft Collection, Washington; Plattsburgh State Art Museum, NY; Cerritos College Public Art Collection, CA; and Salsali Private Museum, Dubai, UAE.    Amir H. Fallah creates paintings, murals, and installations that explore systems of representation embedded in the history of Western art. His ornate environments combine visual vocabularies of painting and collage to deconstruct traditional notions of identity formation, while simultaneously defying expectations of the genre for portraiture by removing or obscuring the central figure. In Fallah's works, the absence of the sitter's likeness is substituted with a wider representation of their personhood—one that spans time and cultures and is articulated through a network of symbols and imagery. Fallah's paintings question not only the historical role of portraiture, but the cultural systems that are used to identify one person from another.    When autobiographical, Fallah's paintings employ a lexicon of symbols that amalgamate personal narratives with historical and contemporary parables. The paintings serve as a diary of lessons, warnings, and ideals providing coded insight into the formation of an identity, while investigating cultural values often passed between generations. When non-autobiographical, portraits of veiled subjects capitalize on ambiguity to skillfully weave fact and fiction, while questioning how to create a portrait without representing the physicality of the sitter. Although the stories that surround his subjects are deeply personal and are told through the intimate possessions they hold most dear, this work addresses generational immigrant experiences of movement, trauma, and celebration.    Fallah wryly incorporates Western art historical references into paintings formally rooted in the pattern-based visual language of art historical works from the Middle East. In doing so, his paintings possess a hybridity that reflects his own background as an Iranian-American immigrant straddling cultures. As seen in the artist's tondos—circular paintings originally used in Renaissance portraiture—Fallah reinterprets classical floral paintings that entangle references to Dutch still lives and Persian miniatures. These botanicals depict flora that don't “naturally” occur in the same ecosystem; this serves as a metaphor for immigrants that attempt to thrive in their new country, creating a new space that spans the limits of geography and disrupts the fallacy of borders.    Neither of this world or the next, Fallah's works reside in the liminal space of being ‘othered'. The paintings utilize personal history as an entry point to discuss race, representation, and the memories of cultures and countries left behind. Through this process, the artist's works employ nuanced and emotive narratives that evoke an inquiry about identity, the immigrant experience, and the history of portraiture.      SHOUT OUTS:    Matt Phillips Asad Faulwell Matt Bollinger Wendell Gladstone   GALLERIES: Shulamit Nazarian, Los Angeles Denny Dimin Gallery, New York The Third Line, Dubai, UAE Dio Horia, Athen/Mykonos, Greece   SPONSORS: The Empowered Artist Workshop-Bridgette Mayer Sunlight Tax Free Masterclass “The Key to More Tax Deductions"   LINKS:  http://www.amirhfallah.com/ https://www.instagram.com/amirhfallah/   I Like Your Work Links: Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram  

1:01 - Abby Winograd, the MacArthur Fellows Program 40th Anniversary Exhibition Curator at the University of Chicago Smart Museum of Art, discusses her work organizing the multi-site exhibition “Toward Common Cause: Art, Social Change, and the MacArthur Fellows Program at 40” and an accompanying museum exhibit at the Smart Museum of Art.39:45 - Craig takes a look at the life of Chuck Close

Alexander Lavrov, PhD is the founder at Next.space. For 20 years he has been bringing new innovative technologies to the cultural industry for solving challenges and creating new experiences. His portfolio in the cultural field includes more than 300 projects around the world for high caliber clients including: Hermitage, Museum of George Washington, National monuments foundation, Discovery Science Channel, National Geography, State Museum of Fine Arts, Darwin Museum and many others.Alexander is a member at AVICOM, board member of Digital transformation council at ICOM, member of American museum alliance, ex-president (now advisor) at VRARA (global virtual and augmented association), member of ACM Siggraph and IEEE computer graphics group.He has one of the largest expertises in the world in digital museums field:The world first portal in 2008 (Vizerra) with 20+ UNESCO cultural heritage sites which were reconstructed in interactive 3D including Angkor Wat, Machu Picchu, Red Square, Taj Mahal, Prague, Vatican, San Marco square in Venice and other locations;More than 20 international awards for digital museum projects including Heritage in Motion, The best in heritage, The MUSE award by AAM, F@IMP by AVICOM, Unity Awards and etc;Smart Museum the world first museum planner in virtual reality;More than 2 millions users of Next.space museum products in 130 countries;Augmented reality guides for more than 100 museums;The world largest museum quest "Life code" for Darwin museum in partnership with Microsoft.FIND ALEXANDER ON SOCIAL MEDIA LinkedIn | Facebook | InstagramVisit the podcast page for additional content https://www.uhnwidata.com/podcast

This episode, we are very lucky to speak with the visionary collector, philanthropist, and our personal art world hero, Pamela Joyner. Based in San Francisco, California, Pamela is a true champion for artists of African descent. Together with her husband Fred Giuffrida, she has built one of the world’s leading collections of artworks by Black and African diaspora artists, including deep holdings of works by artists including Alma Thomas, Mark Bradford, Jack Whitten, and Sam Gilliam - among many others. Their collection has been the subject of several museum exhibitions, including shows at Chicago’s Smart Museum of Art and the Nasher Museum of Art at Duke University. The collection is also documented in the beautiful book, Four Generations: The Joyner Giuffrida Collection of Abstract Art. Pamela is also a distinguished and highly active philanthropist, sitting on the boards of multiple non-profit institutions, including the San Francisco MoMA, the J. Paul Getty Trust, the Art Institute of Chicago, and the Tate Americas foundation. She is also a founding member of the Black Trustee Alliance for Art Museums an organization of and for Black trustees currently serving on the boards of art museums within the United States. Some artists discussed: Doron Langberg Leonardo Drew Alma Thomas Norman Lewis Sam Gilliam Mark Bradford Emanoel Araujo Rachel Jones Charles Gaines Malik Gaines Lauren Halsey Rodney McMillian Catherine Opie David Huffman Jordan Casteel Kerry James Marshall Lorna Simpson William Kentridge Christina Quarles Michael Armitage Jean-Michel Basquiat For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

Twenty Summers was thrilled to welcome author & journalist Jenna Wortham in residence at the Hawthorne Barn this past September, and to host a virtual conversation with photographer Naima Green. Naima Green’s exhibit Brief & Drenching is on view at Fotografiksa until February 2021, and Jenna Wortham’s Black Futures, co-edited by Kimberly Drew, will be published by Penguin Random House in December 2020.For more virtual arts programming please visit https://www.20summers.org Jenna Wortham is an award-winning journalist for the New York Times and host of the culture podcast "Still Processing." A graduate of the University of Virginia, she worked at Wired before joining the Times in 2008 and more recently, the New York Times Magazine. Wortham is an important voice on digital culture and new technologies, and is a co-author of “Black Futures” with Kimberly Drew, coming out via One World 2020.Jenna Wortham on her current project:  I am working on a collection of linked essays that treat finding the body as a neo-noir thriller as an entry point, and then broadens out into a larger concentric series of inquiries and investigations about how the modern black female queer body functions in space and time. The body is a container for the self, and a vessel for experiences. My book seeks answers to the questions: What does it mean to participate in a body? To unmake and make one while inside one? My book is an investigation on the formation of identity, a blueprint for how to keep it, especially in our newly digitized lives. It’s about discovering the thrill of architecting desire outside of patriarchy, living in blackness and the freedom of exploring life beyond any earth-bound paradigm. I think about this work as a ritual, an unlearning, an unbecoming as a means to unfold. An exorcism in reverse. A repossession. It is a story about identity, and body consciousness, the liminal space between our masculine and feminine sides, digital homogeneity, intimacy and lust.Naima Green is an artist and educator currently living between Brooklyn, NY and Mexico City, Mexico. She holds an MFA in Photography from ICP–Bard, an MA from Teachers College, Columbia University, and a BA from Barnard College. Her work has been featured in exhibitions at the Smart Museum of Art, MASS MoCA, International Center of Photography, Houston Center for Photography, Bronx Museum, BRIC, ltd los angeles, Gallery 102, Gracie Mansion Conservancy, Shoot the Lobster, the Studio Museum in Harlem, and Arsenal Gallery. Green has been an artist-in-residence at Recess, Mass MoCA, Pocoapoco, Bronx Museum, Vermont Studio Center, and is a recipient of the Myers Art Prize at Columbia University.Her works are in the collections of MoMA Library, the International Center of Photography Library, Decker Library at MICA, National Gallery of Art, Leslie-Lohman Museum, Teachers College, Columbia University, and the Barnard College Library.Share 

Amir H. Fallah received his BFA in Fine Art & Painting at the Maryland Institute College of Art and his MFA in painting at the University of California, Los Angeles. He has exhibited extensively in solo and group exhibitions across the United States and abroad. Selected solo exhibitions include the Museum of Contemporary Art in Tucson; San Diego Art Museum, Brookings SD; Schneider Museum of Art, Ashland OR; San Diego Art Institute; and the Nerman Museum of Contemporary Art, Overland KS. He’s in the permanent collection of the Pérez Art Museum Miami (PAMM), Miami; McEvoy Foundation For The Arts, San Francisco; Nerman Museum, Kansas City; SMART Museum of Art at the University of Chicago; Davis Museum, Massachusetts; The Microsoft Collection, Washington; Plattsburg State Art Museum, NY; Cerritos College Public Art Collection, CA; and Salsali Private Museum, Dubai, UAE. Public art commission awards include the Los Angeles Arts Comission; the Baik Art Mural Project, Los Angeles; Pow Wow Antelope Valley, Museum of Art and History, Lancaster, CA; the MOCA Mural Program, Museum of Contemporary Art, Tucson; and the Cerritos College Public Commission, Lancaster, CA. In 2009, he was chosen to participate in the 9th Sharjah Biennial. In 2015, Amir received the Joan Mitchell Foundation Painters and Sculptors Grant. In 2019, his painting Calling On The Past received the Northern Trust Purchase Prize at EXPO Chicago. In 2020, he was awarded the COLA Individual Artist Fellowship and the Artadia grant. He has a current show at Shulamit Nazarian, Los Angeles that’s up through October.

This week we talk Cuba, books and artistic exchange with Chicago's Dianna Frid. In advance of the opening of...  CROSS CURRENTS / INTERCAMBIO CULTURAL JULY 11, 2019 5:00 PM - 8:00 PM   FOOD !    MUSIC ! Smart Museum of Art   5550 S. Greenwood Avenue, Chicago, IL 60637 JULY 11–AUGUST 18, 2019   For more information and museum hours visit https://smartmuseum.uchicago.edu/exhibitions/cross-currents-intercambio-cultural/     Cross Currents is the result of an artist exchange organized by the National Museum of Mexican Art. Six Chicago-based artists visited Havana in spring 2017 and six Cuban artists visited Chicago in fall 2017 and summer 2018. The work on view reflects the artists’ experiences and observations as they interacted with each other, curators, cultural spaces, and neighborhoods during their trips. The project aims to open pathways of communication and understanding between the two cities and peer artists while also reflecting on their own artistic practices at this moment in time.  Artists Based in Chicago: Alberto Aguilar (b. Chicago) Carlos Barberena (b. Nicaragua) Dianna Frid (b. Mexico City) Rodrigo Lara Zendejas (b. Toluca, Mexico) Harold Mendez (b. Chicago) Edra Soto (b. San Juan, Puerto Rico) Based in Havana: Humberto Diaz (b. Cuba) Susana Pilar Delahante Matienzo (b. Cuba) Douglas Pérez (b. Cuba) Alejandro González (b. Cuba) Celia Irina González (b. Cuba) and Yunior Aguiar Perdomo (b. 1984, Cuba) Requer (Renier Quer Figueredo, b.Cuba) Dianna can be found here.

This episode features an onsite visit to the exhibition “Solidary & Solitary: The Joyner/Giufridda Collection,”with Alison Gass, the Director of the Smart Museum of Art in Chicago. Alison discusses the history of the exhibition and recounts the stories behind featured artworks by Bethany Collins, Leonardo Drew, Melvin Edwards, Sam Gilliam, Samuel Levi Jones, Norman Lewis, and Amanda Williams, among others. The episode also features a special conversation with the co-curator of the exhibition, Christopher Bedford, Director of the Baltimore Museum of Art.

Postloudness and Sixty present South Side Stories: Dr. Margaret T. Burroughs, a podcast special exploring one of Chicago’s most influential figures. Dr. Burroughs was an artist, a writer, an educator, and a leader for black people—both in Chicago and across the globe—in the arts. In this two-part episode, our hosts—artist and educator Zakkiyyah Najeebah and writer and storyteller Britt Julious—will explore Dr. Burroughs’ work on the South Side of Chicago and how her initiatives influenced Black Chicagoans for decades. In part one, Najeebah and Julious introduce listeners to Dr. Burroughs and explain how she helped build the South Side Community Arts Center and the DuSable Museum, including memories and interviews from Patric McCoy (Co-Founder of Diasporal Rhythms), Masequa Meyers (Director of South Side Community Art Center), Faheem Majeed (artist, co-director of the Floating Museum), Skyla Hearn (Archivist and Special Collections Librarian at DuSable Museum), Tempestt Hazel (Curator and Writer, director of Sixty), and Rebecca Zorach (Curator of The Time Is Now!: Art Worlds of Chicago's South Side, 1960-1980). In part two, listeners will join the hosts as they view some of her work and the work of fellow artists in the Black Arts Movements through Art Design Chicago exhibitions such as The Many Hats of Ralph Arnold: Art, Identity, and Politics at the Museum of Contemporary Photography and The Time Is Now!: Art Worlds of Chicago's South Side, 1960-1980, and learn how their legacy continues to influence Chicago today. sixtyinchesfromcenter.org postloudness.com __ This podcast is presented in collaboration with Art Design Chicago, an initiative of the Terra Foundation for American Art exploring Chicago’s art and design legacy through more than 30 exhibitions, as well as hundreds of talks, tours and special events in 2018. www.ArtDesignChicago.org. Image Credit: Faces (Faces á la Picasso) by Margaret T. Burroughs (1917-2010), Printed and signed in 1993, block carved circa 1960s, Linoleum block print, Private collection. Courtesy of the Smart Museum of Art.

Welcome to the OMG Oh! Maura Gale Show with Special Guest Dorian H. Nash. Topic:  Love at any age In this episode of OMG - Oh Maura Gale radio show we will be exploring the subject of LOVE. We’ll be unpacking the exciting elusive and sometimes heartbreaking topic of Love...”Love at any age”. So get ready because no matter what age you are, what your relationship status, there’s still TIME. Time to locate LOVE, fix the LOVE you have rekindle the LOVE and/or allow LOVE to spread, grow and bloom into all it can be. Meet Dorian: Dorian and her husband, Sean Nash have been married almost 19 years and are the proud parents of two beautiful daughters. Dorian currently works as a Project Coordinator at the University of Chicago’s Smart Museum but she is an artist in her own right, a writer and playwright for the past 11 years and as a co-author with her husband of the highly acclaimed relationship book, “Do You Love Me …..Still?  They have shared their personal story as they share practical marriage and relationship building advice and intimate lessons from their own relationship, marriage and parenting The opinions expressed during this broadcast are for inspiration, information and motivational purposes. This show is a production of Up2Me Radio and to learn more about our network, shows, hosts and guests visit us at www.up2meradio.com Enjoy the Conversation!  You can like us on Facebook at Up2Me Radio and follow us on Twitter @Up2Meradio

Curators and artists whose passion is social engagement share their experiments in relational aesthetics—participatory performances, interactive installations, community events, and inside/outside exhibitions—invite viewers to become co-creators, to take ownership in the creative process. Curators Jochen Volz (São Paulo Biennial, Live Uncertainty, 2016), Susan Cross (Massachusetts Museum of Contemporary Art, Material World, 2010-2011, The Workers, 2011-2012), James Voorhies (Bureau of Open Culture, MASS MoCA, The Workers) and Stephanie Smith (SMART Museum of Art, FEAST, 2012, and Institute for Contemporary Art, Richmond, Declaration, 2018) share their perspectives, as do artists William Pope.L (Baile, 2016), Theaster Gates (Soul Food Pavilion, 2012) and Marinella Senatore (Estman Radio, ongoing). Sound Editor: Anamnesis Audio Special Audio: William Pope.L, Baile, São Paulo BiennialThere Is Only Light (We Do Not Know What To Do With Other Worlds) performance-reading, July 2011, MASS MoCA. Produced by Bureau for Open CultureTheaster Gates, FEAST, SMART Museum of Art, University of ChicagoMarinella Senatore and Estman Radio recording, courtesy Marinella Senatore and Virginia Commonwealth University Institute for Contemporary Art Related Links: Live Uncertainty, Material World, The Workers: Precarity/Invisibility/Mobility, FEAST: Radical Hospitality in Contemporary Art, Declaration, Emily Hall Tremaine Foundation Exhibition Award, Exhibitions on the Cusp

Welcome to Public Work! In our first episode, Bryn Pernot, a second year Master’s in Public Humanities student at Brown University, speaks to Michael Christiano, Deputy Director for Audience Engagement and Public Practice at the Smart Museum of Art in Chicago. Their conversation touches on some of the most pressing topics in the museum field: the changing definition of “interpretation”, questions of institutional relevancy faced by museums in the 21st century, and the roles museums can, and should play, in their own neighborhoods and communities. Public Work is produced and hosted by Amelia Golcheski and Jim McGrath. Questions? Comments? Find us on Twitter (PublicWorkPod) or email us: publicworkpodcast[at]gmail. The music on this episode is excerpted from the song "New Day" by Lee Rosevere (licensed via Creative Commons Attribution 4.0 International)

This week I am going to share a GOOD throwback episode. Our long but GOOD interview with Megan Lala Mantia and Leone Reeves the dynamic duo called Blanket Under Cover. We talked about so many things but the Trump Rally stories floored us all. Enjoy! Cheers! Just a lil background on B.U.C…. taken for their website http://www.blanketundercover.com/about-us/ Megan Mantia & Leone Anne Reeves have been collaborating in one way or another since 2003. Megan Mantia is a documentary photographer/producer that dedicates her time to bringing art projects, films, and exhibitions to life while simultaneously capturing the behind-the-scenes process to her clients. She is a 2006 graduate of the Kansas City Art Institute, alumna of the Peggy Guggenheim Collection Internship Program, and works annually in the press office of the Sundance Film Festival. She has produced projects for Grand Arts, Peres Projects, The Hole Gallery, PS1, and the Smart Museum. To see more of her photography, visit www.meganmantia.com Performance artist Leone Anne Reeves, in collaboration with Whoop Dee Doo, the SSION, and filmmaker Melika Bass, has shown at Deitch Projects, PS1, and COIL Festival, New York, Malmöfestivalen, Sweden, The Smart Museum, The Museum of Contemporary Art, Chicago, The Ann Arbor Film Festival, Michigan, and Torino Film Festival, Italy. Reeves hails from North Carolina, and Minnesota. She is a Full Time Visiting Artist in the Art and Sciences Department at Rockhurst University in Kansas City, MO. To see more of her work visit www.vimeo.com/leoneannereeves

Nicoletta Rousseva interviews Prof. Christina Kiaer about Soviet revolutionary art at the Smart Museum and the Art Institute of Chicago, then walks through the Art Institute with Erik Wenzel.

Marcos Raya has shown his work in the Museum of Contemporary Art in Chicago, the Museum of Fine Arts in Houston, the Museum of Modern Art in Mexico City, the Smart Museum of the University of Chicago, the Snite Museum of the University of Notre Dame, the National Museum of Mexican Art in Chicago. He was subject of a retrospective at Institution Ospicio Cabanas, Guadalajara, Mexico and a one man London show in 2013. Marcos Raya will be part of the upcoming exhibition "Surrealism the Configured Life" at Chicago's MCA in the Fall of 2015

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Winners of the Heart of Chicago Writing Contest read from their submissions in the lobby of the Smart Museum.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Winners of the Heart of Chicago Writing Contest read from their submissions in the lobby of the Smart Museum.

This week Duncan talks to Charles Esche, Director of the Van Abbemuseum, Kerstin Niemann, Research Curator at the Van Abbemuseum, and Stephanie Smith, Director of Collections and Exhibitions and Curator of Contemporary Art at the Smart Museum of Art about the current Smart Museum exhibition, Heartland.Project backgroundIn 2007 and 2008, the Heartland curators, eschewing traditional research methods, set out on a series of old-fashioned road trips through the vast center of the United States. These research trips informed two distinct exhibitions. The first presentation, which opened in October 2008 at the Van Abbemuseum in the Netherlands, sought to uncover new ways of thinking about the American interior during the U.S. presidential election and gave European audiences access to a broad survey of the Heartland’s culture, art, and music. The second, reconceived presentation at the Smart Museum, offers U.S. audiences a more focused look at the ideals of resourcefulness and invention that permeate the Heartland. Together, the two presentations offer a richly layered reading of a region that has too often been overlooked. The exhibition is co-organized by the Smart Museum of Art and the Van Abbemuseum, Eindhoven, the Netherlands. The Van Abbemuseum's presentation of Heartland took place from October 3, 2008 to February 8, 2009. In Eindhoven, the project consisted of a group exhibition in the Van Abbemuseum together with a musical program in the Muziekcentrum Frits Philips.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Called a "wizard of language" by the Chicago Tribune and praised as "one of the handful of great performance artists in America today" by director Peter Sellars, Gomez-Pena will showcase his uniquely subversive style's blend of acidic Chicano humor, hybrid literary genres, rapidly shifting personaes, theatricalizations of post-colonial theory and multilingualism (from English to Spanglish to Nahuatl).A frequent National Public Radio commentator and the 1991 recipient of the MacArthur Foundation's Genius Prize, Gomez will focus on identity, race, sexuality, pop culture and the impact of new technologies in the post-9/11 era in his performance, which some have described as "Chicano cyber punk."Gomez-Pena's Mandel Hall performance is part of his University of Chicago Artspeaks fellowship. The Artspeaks series, developed in conjunction with the Court Theatre, the University of Chicago Presents and the Smart Museum of Art, showcases the University's vision of converging artistic theory and practice.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Called a "wizard of language" by the Chicago Tribune and praised as "one of the handful of great performance artists in America today" by director Peter Sellars, Gomez-Pena will showcase his uniquely subversive style's blend of acidic Chicano humor, hybrid literary genres, rapidly shifting personaes, theatricalizations of post-colonial theory and multilingualism (from English to Spanglish to Nahuatl).A frequent National Public Radio commentator and the 1991 recipient of the MacArthur Foundation's Genius Prize, Gomez will focus on identity, race, sexuality, pop culture and the impact of new technologies in the post-9/11 era in his performance, which some have described as "Chicano cyber punk."Gomez-Pena's Mandel Hall performance is part of his University of Chicago Artspeaks fellowship. The Artspeaks series, developed in conjunction with the Court Theatre, the University of Chicago Presents and the Smart Museum of Art, showcases the University's vision of converging artistic theory and practice.

This week we welcome Dan Wang as a new Chicago Correspondent!  He sits down to talk with the University of Chicago's Wu Hung about the Smart Museum show "Displacement: The Three Gorges Dam and Contemporary Chinese Art." It is an excellent and interesting interview, however and unfortunately the last 10 minutes or so of this interview has same sort of technical glitch that created noise on the audio and makes the dialog difficult to hear, Bad at Sports regrets the problems. Wu Hung (as lifted from the U of C website) Harrie A. Vanderstappen Distinguished Service Professor of Art History, East Asian Languages & Civilizations, and the College; Director, Center for the Art of East Asia; Consulting Curator, Smart Museum of Art. Wu Hung specializes in early Chinese art, from the earliest years to the Cultural Revolution. His special research interests include relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory and political discourses. Also the consulting curator for the Smart Museum of Art, Hung is the author of Transience: Chinese Experimental Art at the End of the Twentieth Century (University Of Chicago Press, 1999), Monumentality in Early Chinese Art (Stanford University Press, 1995), Three Thousand Years of Chinese Painting (Yale University Press, 1997), and the forthcoming Remaking Beijing: Tiananmen Square and the Creation of a Political Space. Hung grew up in Beijing and studied at the Central Academy of Fine Arts in Beijing. From 1973 to 1978 he served on the research staff at the Palace Museum, located inside Beijing's Forbidden City. He came to Chicago in 1994. Dan Wang Printer, artist, writer, activist who divides time between his old home in Chicago and his new home in Madison.

Michelle Grabner! We show up with bagels and coffee to interview artist, critic, gallerist, teacher, and writer Michelle Grabner in her Oak Park Studio. Michelle has written criticism for more magazines than I can comfortably count, and shown her work internationally. We talk about her career, the't find a decent solo show to review for Art Forum. The Suburban 244 West Lake Street Oak Park, IL 60302 tel: 708.763.8554 Hours Saturday: 12-5 And as if that discussion isn't enough to fuel thoughtful conversation for weeks and provide enough grist for the intellectual mill, Duncan and I review current shows. And, for the first time, we completely, utterly, and collectively dislike something! We review the Hyde Park Art Center's new show of James Faulkner's work, the Smart Museum's exhibition Beyond Green: Toward a Sustainable Art, the Illinois State Museum Chicago Gallery's show Art in the Abstract, and the Renaissance Society's exhibition All the Pretty Corpses. Links etc. to follow soon! South Park Michelle Grabner Rocket Gallery Shane Campbell Gallery 3 Walls 40000 Illinois State Project Row House Beverly Art Center Hyde Park Art Center The Ren