Podcasts about uun

I'm taking you off the beaten path with a 60‑minute leftfield techno journey. Expect unconventional rhythms, abstract textures, and unpredictable sonic twists that challenge the dancefloor and your imagination. You'll hear music from Kwartz, Uun, Carmelo Ponente, Mythopoet and many others. Tracklist 01 ABSIS - Warm Tom 02 Kwartz - Ascension 03 Svarog - Settling 04 Reggy van Oers - Pristine 05 Mythopoet - Akhet (Alexskyspirit Remix) 06 Uun - Mtatsminda 07 Linear System - Multiverse 08 Carmelo Ponente - Reversal 09 Spring Rolls - La Dame En Blanc 10 Oscar Mulero - Duties Strategies 11 Mythopoet - Dysphoric Chants 12 Acaera - Taika 13 Hod - Exiled From Earth 14 Vertical Spectrum - MNIEJ TĖDY NIZ OWĘDY 15 Skjöld - Perceptions 16 Booz - Trust https://www.facebook.com/lowfrequencypodcast https://www.facebook.com/itsmestevedj https://soundcloud.com/st-eve_dj

Si vous avez déjà ressenti une gêne en montant ou descendant un escalier, cela peut être dû à une conception qui ne respecte pas certaines règles ergonomiques. L'une des principales est la loi de Blondel, une règle mathématique qui définit le rapport idéal entre la hauteur et la profondeur des marches pour assurer un confort optimal.1. La loi de Blondel : un équilibre entre hauteur et profondeurLa loi de Blondel, formulée par l'architecte français Nicolas-François Blondel au XVIIᵉ siècle, établit la relation suivante entre les dimensions d'un escalier :M = 2h + gOù :- H est la hauteur de la marche (contremarche),- G est la profondeur de la marche (giron).Cette équation reflète la longueur moyenne d'un pas humain, qui varie entre 60 et 64 cm. Ainsi, pour garantir un mouvement fluide et naturel, un escalier doit avoir un giron et une hauteur proportionnés :- Une hauteur de marche idéale est d'environ 17 cm.- Un giron confortable doit être d'environ 28 à 30 cm.Si ces proportions sont mal respectées, l'escalier devient inconfortable et potentiellement dangereux.2. Pourquoi certains escaliers sont inconfortables ?Certains escaliers peuvent sembler particulièrement pénibles ou dangereux à utiliser pour plusieurs raisons :a) Un giron trop courtSi les marches sont trop peu profondes (moins de 25 cm), il est difficile d'y poser le pied correctement. Cela force le marcheur à marcher sur la pointe des pieds, ce qui fatigue rapidement les muscles des jambes et augmente le risque de chute.b) Une hauteur excessiveSi les contremarches dépassent 18 cm, chaque pas demande un effort supplémentaire pour lever la jambe plus haut. Cela devient rapidement épuisant, notamment pour les personnes âgées ou les enfants.c) Les escaliers en colimaçon ou en angleLes escaliers tournants posent un problème particulier : les marches ne sont pas uniformes. Près de l'axe central, le giron est extrêmement réduit, ce qui force les utilisateurs à placer le pied en biais ou à compenser avec l'autre jambe. Cela perturbe l'équilibre et rend l'ascension plus fatigante.d) Des matériaux inadaptésLes surfaces glissantes (marbre, métal poli) ou des marches irrégulières ajoutent un inconfort supplémentaire en perturbant la stabilité et la perception de l'escalier.3. Conséquences d'un escalier mal conçuUn escalier inconfortable peut entraîner :- Une fatigue accrue, car il nécessite plus d'effort musculaire.- Un risque accru de chute, notamment si la hauteur ou la profondeur ne sont pas adaptées.- Un inconfort psychologique, rendant son usage stressant, notamment pour les personnes sujettes au vertige.ConclusionUn escalier bien conçu doit respecter des principes ergonomiques comme la loi de Blondel, garantissant un équilibre entre hauteur et profondeur des marches. Les écarts à cette règle, notamment dans les escaliers trop raides ou mal proportionnés, augmentent l'effort physique et le risque d'accident. C'est pourquoi, au-delà de l'esthétique, un escalier doit avant tout être pensé pour le confort et la sécurité des usagers. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

VIGGIANO (BASILICATA) (ITALPRESS) - Riqualificazione agricola e biomonitoraggio per una nuova idea di sostenibilità ambientale. Questo l'obiettivo di Agrivanda, l'iniziativa volontaristica di Eni gestita dalla Fondazione Enrico Mattei, nata nel 2018 a Viggiano in Basilicata. Si tratta di un laboratorio formativo, innovativo e di idee, oltre che uUn dimostratore di buone pratiche agricole mirate alla salvaguardia delle risorse idriche, del suolo e dell'energia. La coltivazione, raccolta e trasformazione di colture officinali come la lavanda o la rosa damascena e il ripristino della biodiversità di colture autoctone sono gli elementi caratterizzanti del campus agricolo sperimentale, che ospita anche il progetto di biomonitoraggio ambientale tramite le api.f08/mgg/fsc/gtr

VIGGIANO (BASILICATA) (ITALPRESS) - Riqualificazione agricola e biomonitoraggio per una nuova idea di sostenibilità ambientale. Questo l'obiettivo di Agrivanda, l'iniziativa volontaristica di Eni gestita dalla Fondazione Enrico Mattei, nata nel 2018 a Viggiano in Basilicata. Si tratta di un laboratorio formativo, innovativo e di idee, oltre che uUn dimostratore di buone pratiche agricole mirate alla salvaguardia delle risorse idriche, del suolo e dell'energia. La coltivazione, raccolta e trasformazione di colture officinali come la lavanda o la rosa damascena e il ripristino della biodiversità di colture autoctone sono gli elementi caratterizzanti del campus agricolo sperimentale, che ospita anche il progetto di biomonitoraggio ambientale tramite le api.f08/mgg/fsc/gtr

Plongez au cœur de la préparation avec Geneviève Healey dans cet épisode du podcast dédié aux sports ! Prépare-toi à être transporté dans un monde d'aventure alors que Geneviève se prépare à affronter un grand défi cycliste : le redoutable Bikingman Corsica. Dans ce teaser exclusif, découvre mon ressenti après l'enregistrement. Uun avant goût de l'épisode où Geneviève nous parlera de sa préparation intense pour cette épreuve. Des montagnes enneigées du Canada aux routes sinueuses de l'île de beauté, suis son incroyable voyage alors qu'elle se confronte aux éléments pour préparer cette événement. Rejoins-nous, ce jeudi, pour une discussion palpitante remplie de rebondissements, de conseils pour dompter les terrains les plus impitoyables et triompher au Bikingman Corsica. Prépare-toi à être inspiré, ému et captivé par cette histoire de détermination, de courage et de passion sans limites. Ne rate pas cet épisode ! Instagram de Geneviève Instagram Les "joies" du Sport Discord du podcast, pour échanger sur les projets ! Vélomag Nature-humaine Musique: Vibe With Me by Joakim Karud http://soundcloud.com/joakimkarud Music promoted by Audio Library https://youtu.be/-7YDBIGCXsY

4th release of THE ROOT SERIES. One hour with the better raw, hard and industrial Techno producers, including, among others, Feisfois, Hugo Rolan, P.E.A.R.L, Lewis Fautzi, Javi Lago, Azogiar, Carara, Uun and Oxygeno. Enjoy!

En este episodio charlamos con el maestro Fabián Díaz. Uun gran compositor, arreglista, DJ y productor --- Send in a voice message: https://podcasters.spotify.com/pod/show/tiempo-sonoro/message

Programa 13, temporada 4. Curse of the Sea Rats y 6 años con Nintendo Switch. Nuevo programa y viene cargado, con todas y cada una de las secciones. En nuestra entrevista hablaremos de uno de los juegos más esperados de este año. El 6 de abril se pone a la venta el título de Petoons Studios que tanto tiempo llevamos esperando: Curse of the Sea Rats. Además, y teniendo en cuenta que hace poco se han cumplido seis años del lanzamiento de Switch, en nuestro debate analizaremos la situación actual y un posible futuro para la consola. Además suma todo este contenido: Indiespensables, Linkstarter, Player Select, la Peña Nintenpera, curiosidades del mundo Nintendo y mucho más. Y si todo esto te parece poco, en este programa anunciaremos a los ganadores de Uun código de Fur Squadron y otro de Zapling Bygone para Nintendo Switch. Además, tenemos otros dos juegos para regalar en el próximo programa. Esperamos que te guste todo lo que hemos preparado. ¡Vamos! SUMARIO: 0:00 – Presentación 5:23 – Entrevista con Mónica Sánchez, ex responsable de comunicación en Petoons Studio. 1:04:51 – Curiosidades Arqueología Nintendo 4x13 #1. 1:06:20 – Anuncio de ganadores de Fur Squadron y Zapling para Nintendo Switch y nuevos sorteos. 1:13:21 – Indiespensables: Tunic. 1:38:51 – Suscríbete y apoya el podcast. 1:44:02 – Debate: 6 años con Nintendo Switch. ¿Cuál es su futuro? 3:14:48 – Medios de contacto. 3:21:20 – Linkstarter: Campañas de crowdfunding que no te puedes perder. 3:47:57 – Curiosidades Arqueología Nintendo 4x13 #2. 3:49:45 – Semana de descanso a medias. 3:55:36 – Players Select: Pauline. 4:33:49 – Presentación de la Peña Nintenpera. 4:35:45 – La peña Nintenpera. 5:01:24 – Apuntes de la sección. 5:06:48 – Despedida. Síguenos en las redes sociales: https://allmylinks.com/alinktothepodcast

Uun a Detroit based techno producer and live act, with tracks signed to Mord, Soma, Modern Cathedrals and his own imprint Ego Death. Enjoy x

HALLOW'S EVE Good intentions may pave the way to ruin, but when Fran - a precocious 11-year old - sets out to rescue what she fervently hopes is a kidnapped child, Halloween may never be the same! Written and produced by Julie Hoverson Cast List Fran - E. Vickery Bobbie - M. Lane Officer Hooper - S. Connor Grigg - C. Hornaday Bool - B. Poole Kidnappers - J. Harvey & Mr.  Synyster Timmy & Billy - B. Lomatewama & R. LeBoeuf Mrs. Hooper - A. Kirby Thompson - S. Hoverson Ari & News Report - J. Hoverson Music:  Kevin MacLeod (Incompetech.com) Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound:   Julie Hoverson Cover Photo: Jeff Mackay (courtesy of Stock Xchange.com)   "What kind of a place is it? Why it's a suburban street, where else would you find...goblins?"   ***************************************** This was one of the original episodes I had ready for the 2008 Halloween season.  It's set in a sort of 1950s era of classic monster movies.  I never actually specify that, but references to bobby socks and Corliss Archer (an old time radio show) should be a bit of a clue. One silly thing I should note in here is Fred and Bob (and in other episodes June and Kathy as well) - these are my generic names for extra characters who speak but don't really have personalities, and show up in surprising numbers if you look over the cast lists for a lot of my shows.  I found that I would waste time trying to come up with interesting names for all these background characters, and lose my train of thought and it would stall my writing, so I just dub the first such characters Bob and Fred for males and June and Kathy for females, and move on.  Later, they may become more specific and get real names, but often enough they just remain half generic.  I also find it makes them slightly easier to keep track of than "man1" or "woman B" Naming characters is often half the fun.  You see me play with names in many of my shows - D. Meeks in "A Stitch in Time", where Dougie jokes about "D. Meeks inheriting de Earth," or the way so many people in the vampire world of "The Big Dark" took new "vampire names" that are some variation on the characters from Stoker's Dracula. The names of episodes are often some kind of pun or inference, as well.  Not so much Hallow's Eve, but The Big Dark is a riff on The Big Sleep (which was a euphemism for death, in the Chandler novel), and the most difficult title to explain "Crumping The Devil" - crumping being a sort of hip hop adjacent challenge dance, conflated with my vague memory of story about an old woman Mrs. Crump who was so awful the devil wouldn't even take her. ***************************************** ALL HALLOW'S EVE Cast: Olivia, host Barbara "BOBBIE" Chandler [16], babysitter TIMMY Martin, child [9] FRAN Hooper, child [10] BILLY Jones, child [8] OFFICER HOOPER [30s] HOOPER [30s] GRIGG [alien] [adult] BOOL [alien child] FRED [30s], a thug BOB [30s], a thug ARI [8], kidnapped child THOMPSON [50s] RADIO VOICE MUSIC OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a suburban street, can't you tell?  Where else would you find "goblins"?  MUSIC     SOMETHING CHILDLIKE   SCENE 1.    OUTSIDE, STREET SOUND    FOOTSTEPS, COSTUMES BOBBIE    There you go, that one's got a light, now shh! SOUND    CRUNCHING OF LEAVES, THEN FOOTSTEPS ON WOOD. BILLY    [giggles] TIMMY    Shh! SOUND    DOORBELL RINGS.  DOOR CREAKS OPEN. THOMPSON [deep spooky voice] Yeeees? CHILDREN    Trick or Treat!!! THOMPSON [regular voice, pleased] Well, you kids!  Hey Martha, come and look, we've got a ghost and a clown and -- and what are you, little boy? FRAN    I'm a girl.  And I'm a Martian. THOMPSON [amused] Well, fancy that! An invasion right here on our street!  Martha...? MUSIC   SCENE 2.    INSIDE, HOUSE MRS. HOOPER    Looks like we've got more goblins coming, dear! SOUND    FOOTSTEPS RADIO VOICE    --in the five county manhunt for-- OFFICER HOOPER    Just a minute, hun.  Gotta see what they're saying-- RADIO VOICE    --involved in the Stanopopolus kidnapping-- [continues under] MRS. HOOPER    It's not your case.  And it's Halloween.  Just because Bobbie was kind enough to take Fran with her doesn't let you off for holiday spirit.  At least until you go on shift. SOUND    SNAP.  RADIO OFF. SOUND    DOORBELL. MRS. HOOPER    Well? MUSIC   SCENE 3.    OUTSIDE, STREET BOBBIE    Come on punkins, you must be getting tired by now! BILLY    [very tired] I'm not! TIMMY    I slept all day. FRAN    [raring to go] I only have half a bag.  We can't stop yet! BOBBIE    It's almost 9 o'clock!  No one will be up much longer.  CHILDREN    Please! BOBBIE    All right.  Three more houses.  That's all. FRAN    Big houses always have the best treats.  We should go to the Palmer's, the Winchell's and that big one on the corner. BILLY    On the corner?  But, that's ... that's the haunted house! TIMMY    Scaredy cat.  FRAN    Phooey!  It was just empty.  I saw someone moving in yesterday.  BOBBIE    If they just moved in, they're probably not-- TIMMY    Let's make Billy go into the haunted house! BOBBIE    No!  Timothy-- BILLY    No!  I don't wanna-- FRAN    Shut up!  It's not haunted.  Boys are dumb. BILLY    Not haunted? BOBBIE    Look, it's getting cold out here, so let's get a move on, whichever houses you plan to go to.  OK? MUSIC   SCENE 4.    ON PORCH SOUND    TENTATIVE KNOCK ON THE DOOR BILLY    [scared, but hiding it - relieved] No one home! FRAN    I hear something! SOUND    DOOR OPENS SLOWLY CHILDREN    [Gasp] BOBBI    Well, he looks normal enough. GRIGG    [weird foreignish accent] Help you may I? TIM    [giggles] He's funny. FRAN    We're here for candy.  Trick or treat. GRIGG    Please? BOBBIE    Oh, gosh, you're foreign aren't you?  They might not even DO trick or treat where he comes from. FRAN    You have to give us candy or we have to play a trick on you! BOBBIE    That's hardly fair if he doesn't know the rules.  Plus, you said it yourself, they just moved in. GRIGG    Candy?  Schweets?  I have-- BOOL    [child's voice, off mike, accented]  I want to go home!  I hate it here!  Take me home!  [Tails off into gibberish with lots of Ls and Ss] GRIGG    [agitated] My child.  He wants to go back to our old home.  He is not used to this one.  I should go to him. SOUND    DOOR SHUTS TIMMY    [beat] I don't want any foreign candy anyway. FRAN    Bobbie? BOBBIE    No arguments.  Time to go home. MUSIC   SCENE 5.    BOBBIE'S ROOM  SOUND    TAP ON WINDOW BOBBIE    Hank? SOUND    FOOTSTEPS BOBBIE    Hank, this is hardly-- SOUND    WINDOW OPENS BOBBIE    Who's that?  You're too short for Hank. FRAN    [whispered] It's me. BOBBIE    [sarcastic] So it's The Whisperer? FRAN    Me!  Fran! BOBBIE    Fran?  By Crosby, this is way too late for you to be out playing Halloween jokes, even on a Saturday night.  You need to get home - your parents will be worried sick. FRAN    Dad's on patrol. BOBBIE    Oh, great, then he'll be the one to arrest you for something. FRAN    Did you listen to the radio at all tonight? BOBBIE    Only Corliss Archer.  Gee, she has some trouble with-- FRAN    Argh!  The news? BOBBIE    Why? FRAN    The kidnapping news! BOBBIE    Look, let me get my penny loafers on and I'll walk you home. FRAN    The son of a Greek raccoon was kidnapped today.  No, that's not right.  Raccoon, typhoon-- BOBBIE    Tycoon? FRAN    A rich guy.  He was kidnapped from their hotel room. BOBBIE    Was he a tycoon, or just a millionaire? FRAN    [whispered with emphasis]  IT DOESN'T MATTER.  We heard him, and we need to go rescue him. BOBBIE    We did what? FRAN    The kid at the haunted house.  Screaming "I want to go home"?  Does that maybe put some thought into that teased-up skull of yours? BOBBIE    They did sound awfully foreign, but I'm not sure if it's Greek. FRAN    Well it ain't Spanish or Chinese.  Or French.  What else is there? BOBBIE    Don't say "ain't" - it ain't in the dictionary. FRAN    Are you coming, or am I going by myself? BOBBIE    Why me? FRAN    Who else?  Timmy?  [dismissive noise]  Besides, you're the only one tall enough to see in the windows.  MUSIC   SCENE 6.    OUTSIDE, YARD SOUND    CREEPING THROUGH BUSHES BOBBIE    OK, this is silly.  And dirty.  I'm walking‑‑ FRAN    No, we have to crawl!  They'll see us! BOBBIE    No one's looking! FRAN    But the window's open, they'll hear us.  [panic] Shh!  Did you hear that? BOBBIE    [beat, listening, then dismissively] No. FRAN    [grumpy] Ok.  Walk to the window.  Get spotted.  See if I care. SOUND    WALKING CAREFULLY ON GRAVEL.  BUSHES RUSTLE BOBBIE    Fran? FRAN    [off, loud whisper] I'm coming.  Keep your hair on. BOBBIE    Don't worry-- Shh! SOUND    LOUD RUSTLE SOUND    [FROM INSIDE] CLICK, FOOTSTEPS NOTE:  BOOL AND GRIG ARE INSIDE, HEARD THROUGH A WINDOW, WHILE BOBBIE AND FRAN ARE OUTSIDE. EAVESDROPPING BOOL    I down wanna be here.  Go home. GRIGG    "don't", not "down", child.  You need talk some good words, living here. BOOL    No talk.  No stay.  Home! GRIGG    Home is soon enough.  Soon as requirement is received. FRAN    [coming on, loud whisper] What are they saying? BOBBIE    Shh! BOOL    [speaks foreign] BOBBIE    Is that Greek? FRAN    Oh, sure, I'm the expert. GRIGG    [angry] English.  Need to hear normal! BOBBIE    [muttered] Like your English is so good, mister. GRIGG    People must not apprehend you are strange. FRAN    Shh. GRIGG    Sleep, child.  Dream of home. BOBBIE    Now that's just mean. SOUND    DOOR CLOSES FRAN    See?  We've got to rescue him! BOBBIE    But what if--? FRAN    What if he turns up dead like little Charlie Lindburgh?  How you gonna feel then? BOBBIE    You need to stop reading those crime books. FRAN    Argh!  Fine.  Boost me up, and you can go.  I'll figure something out! BOBBIE    No.  I-- I'll help, but only if the kid wants to come.  That's where I draw the line - if he wants to stay, then we'll just...  let your dad know and leave it at that. FRAN    Fine, but who's gonna ask him?  Better do it now, or he might fall asleep. BOBBIE    [sigh, then voice raised a bit, calling quietly] Little boy?  BOOL    [off, gasp] BOBBIE    We're here to -- FRAN    [prompting, whisper] --to take you home. BOBBIE    We're here to take you home! BOOL    [off] Home? SOUND    SCUFFLE AS HE ROLLS OUT OF BED AND RUNS TO THE WINDOW FRAN    Yes, home!  Don't you wanna go home? BOBBIE    Your parents must be worried sick about you. BOOL    What is *lala* parents?  Want home! FRAN    Come on then, we'll get you out of there.  Bobbie, give him a boost. BOBBIE    [sigh] MUSIC   SCENE 7.    OUTSIDE SOUND    NIGHT NOISES, WALKING ON SIDEWALK BOOL    [squeak] SOUND    MILD SCUFFLE FRAN    Put it on!  They won't look twice at us if we got masks on! BOBBIE    It is a little late for-- FRAN    So they'll worry, but they won't-- GRIGG    [way off, unearthly shriek] FRAN    Eep!  That sounds like-- BOOL    [squeak] BOBBIE    What if he has a car? FRAN    Then we duck into the bushes - honestly, does every girl lose her brains when she grows into angora? BOBBIE    It's Acrilon. GRIGG    [slightly closer, shriek] FRAN    Run! BOOL    [squeak, ends in gasp] SOUND    RUNNING FOOTSTEPS MUSIC   SCENE 8.    OUTSIDE, A LITTLE LATER BOBBIE    [whispered] Do you hear anything? FRAN    [listens, then whispered]  Nope. BOOL    [whispered squeak] BOBBIE    [comforting whispers]  Shh. It'll be o-k, kid.  All we have to do is get you safe and then--  [sudden thought]  Say, Fran, what is the plan?  Where are we taking this poor kid? FRAN    [whispered, sarcastic] I thought we'd just lie here under this bush until morning and hope it doesn't rain. BOOL    [a bit too loud] What is *lala* rain? BOBBIE    Rain makes-- [whispered] Rain makes you wet.  We should take him to your father.  He'll know what to do to get him home. BOOL    [plaintive wail, way too loud] Home!  FRAN    [whispered] Great.  Now you've set him off again.  We can't go to pop, cause - being a cop and all - he might just deduce I sneaked out.   BOOL    Holme! Home! BOBBIE    [whispered] Well, you did. FRAN    [exasperated noise, then] Ssh! BOOL    Home-- [cut off in mid-word as a hand is clapped over his mouth, then a squeak] FRAN    [whispered] His parents must be worried sick about him--  we need to get him h-o-m-e. BOBBIE    [whispered] To Greece?  [sarcastic]  I'm pretty sure my folks' car doesn't have that much gas.  FRAN    [whispered] See?  There's still a little smarts under all that fluff!  They're stopping at a hotel downtown. BOBBIE    [whispered] Which one? FRAN    [whispered] The news didn't say - there can't be that many, can there? BOBBIE    [exasperated] Ohhhh! BOOL    [muffled squeak] GRIGG    [distant, shriek] FRAN    [whispered] What is that weird guy doing?  He's not exactly sneaky. BOBBIE    [whispered] Someone's going to-- SOUND    CAR PULLS UP, SINGLE WHOOP OF SIREN FRAN    [normal voice, resigned] --Call my dad.  BOBBIE    It's probably for the best - this bush isn't doing my Acrilon any good. FRAN    All right, but-- GRIGG    [closer, shriek] BOOL    [squeak] BOBBIE    It's all right little boy, we won't let the scary man take you away. MUSIC   SCENE 9.    INSIDE, HOUSE SOUND    RADIO PLAYS IN BACKGROUND FRED    No way!  How could they have found us? BOB    Stay cool.  It's Halloween, it could be anything. SOUND    WINDOW SASH GOES UP BOB    [worried] Stop it. SOUND    REVOLVER HAMMER CLICKS BACK FRED    But it's parked right outside!  I'm not going down for this!  Go check on the kid. MUSIC   SCENE 10.    OUTSIDE, STREET GRIGG    [shriek] OFFICER HOOPER    Ok, that's enough. GRIGG    [caught in mid-shriek] *Haysa?*  [deep breath]  What? OFFICER HOOPER    It's much too late, even on Halloween, to be running around screaming.  Time to go home and sleep it off, pal. GRIGG    Sleep, what?  I am missing child.  Must find.  Child will listen me.  [starts to shriek] OFFICER HOOPER    [cutting off the shriek] Hey!  I'm figuring you're new around here, so you may not understand how we do things in the U-S of A, but if your kid's gone missing, you need to let the authorities - that's me - know about it, so we - I - can help you. GRIGG    Help?  Too many wordsssss.  [wail] Bool! BOOL    [slightly off, squeak] OFFICER HOOPER    Eh? FRAN    [slightly off] SHH! OFFICER HOOPER    What the--? GRIGG    Bool! OFFICER HOOPER     Fran? SOUND    GUNSHOT BOBBIE    [Scream] BOOL    [squeak, quickly muffled] GRIGG    Bool! OFFICER HOOPER    Get down! FRAN    Bobbie, get the kid out of here! OFFICER HOOPER    That you, Barbara Chandler?  Don't you move a muscle! SOUND    GUNSHOT GRIGG    [voice no longer sounds remotely human] WHAT IS THAT NOISE? OFFICER HOOPER    Stay down, sir, and let me handle this. SOUND    QUICK GRAPPLE GRIGG    [intense] YOU ME TELL - IS WEAPON?  HURT MY CHILD? BOBBIE    Heavens to Bette Davis, Fran, it's the kid's real dad! FRAN    Phooey. BOOL    [long squeak] OFFICER HOOPER    [forced calm, but furious underneath] As long as they stay behind my car there, they will be fine, now let go of me and let me stop the idiot who's been shooting up my town. GRIGG    SHOOT ARE GUN ARE DANGER?  OFFICER HOOPER    That's my job.  You stay here, and when it's clear, you can go to your kid.  [raising his voice] Bobbie!  You get those children down behind the car, you hear?  BOBBIE    Yes, sir, Officer Hooper! OFFICER HOOPER    [calling] You're still in trouble.  [to Grigg] You. Stay. MUSIC   SCENE 11.    INSIDE, HOUSE SOUND    RADIO PLAYS UNDER BOB    You idiot!  They weren't here for us! FRED    They won't take me alive!  Federal pen?  Uh-uh! BOB    Fine.  You play at O-K Corral.  I'll be out of the line of fire. FRED    [cold, commanding] Don't. BOB    What?  You gonna shoot me, now? FRED    Bring the kid out here.  We can still do this. BOB    Yeah, we give him back, and they take us alive.  I like that - the being alive part. FRED    Get him! MUSIC   SCENE 12.    OUTSIDE HOUSE OFFICER HOOPER    Throw out your guns and come out with your hands up! FRED    [calling from inside] We've got the kid.  Walk away or we kill him. OFFICER HOOPER     [calling to off]  That's not going to happen.  Let the kid go and I'll put in a good word for you. FRED     [from inside] I've got all the words I need, copper! ARI    [from inside] ow! FRAN    That must be the real Greek tyfoon's son, OFFICE HOOPER    [warning] Fran!?  I told you to-- FRAN    Pop!  I'm going to be a policeman when I grow up, so I figure I should start learning. OFFICER HOOPER    No, you're not, and you shouldn't.  This isn't a game.  Get back over there-- SOUND    GUNSHOT BOTH    [react] FRAN    He hasta run out of bullets ... eventually. OFFICER HOOPER    And how many guns does he have? FRAN    Huh?  [shrug] I dunno. [realizing] Oh. OFFICER HOOPER    See?  Now, get back-- SOUND     GUNSHOT OFFICER HOOPER    [fading out] Oh, heck.  Stay right here.  On this spot, young lady. MUSIC   SCENE 13.    INSIDE, HOUSE, BUT HEARD FROM OUTSIDE SOUND    RADIO PLAYS UNDER BOB    [fading in] You've got the kid, you've got the gun.  Let me go. FRED    Like you say, I've got the kid and the gun - what do I need you around for, ya bum? BOB    Good.  [raising his voice] I'm coming out coppers!  I'm giving myself up!  SOUND     FOOTSTEPS, DOOR OPENS   SCENE 14.    OUTSIDE, SHIFT OF PERSPECTIVE, BUT NO ACTUAL SCENE BREAK BOB    Don't shoot! SOUND     BOB TAKES THREE MORE STEPS, THEN-- SOUND    GUNSHOT BOB    Argh! SOUND    BODY FALLS SOUND     DOOR SLAMS MOMENT OF SILENCE   FRAN    Is that guy ... dead? OFFICER HOOPER    Dammit, I can't even go check.  GRIGG    [incoherent, alien tongue] OFFICER HOOPER    Oh, jeez, not you too?  [speaking slow]  Go back.  Your child is safe.  Bobbie has him, over there. GRIGG    [deep breath, then equally slowly]  This you child? FRAN    I'm Fran.  I'm really really sorry about-- OFFICER HOOPER    Yes.  Much as I may want to deny it, she has my nose. FRAN    [not getting it]  Huh? GRIGG    Much words.  You child? FRAN    He don't speak much English, do he?  OFFICER HOOPER    [sigh] Yes.  Mine. BOOL    [squeak] SOUND    SKITTERING FOOTSTEPS SOUND    GUNSHOT BOOL    [Screamy squeak] SOUND    BODY DROP FRAN    [running off] Hey! Kid! OFFICER HOOPER    Fran!  No! SOUND    [after a moment]  SCUTTLING COMING CLOSER FRAN    [breathing hard] Here.  I think he's OK. BOOL    [whimpering] GRIGG    My child! OFFICER HOOPER    Fran, dammit! FRAN    What?  He coulda got shot! MUSIC   SCENE 15.    INSIDE, HOUSE SOUND    RADIO ON IN BACKGROUND FRED    Kid, you speak English? ARI    A little. FRED    You know I'm gonna shoot you if you don't do everything I say? ARI    Yes. FRED    Good.  MUSIC   SCENE 16.    OUTSIDE GRIGG    Your child is brave heart.  OFFICER HOOPER    That's one word for it. GRIGG    She bring safe my Bool. OFFICER HOOPER    Um, yeah.  Dammit.  I can't tell where that guy is. GRIGG    Some child is hurted there? FRAN    Stolen.  Like we did, except we were only trying to help. GRIGG    [decisive] I help bring child to home. OFFICER HOOPER    At least you're an adult, even if you can't understand English.  [talking loud again] We go in.  You go left - that way - I go right.  Get to wall, up against it, then to door. GRIGG    Ahhhh. OFFICER HOOPER    Does he understand? FRAN    I guess.  He's nodding. OFFICER HOOPER    You don't come with us. FRAN    But I-- OFFICER HOOPER    Give me your hand. FRAN    Are you giving me a gun? OFFICER HOOPER    [heavy sigh] SOUND    HANDCUFFS SLAP ON WRIST, THEN ON DOOR HANDLE FRAN    Hey! OFFICER HOOPER    Now you'll stay put.  [sigh] I'm leaving the key here, in case. SOUND    KEY PUT DOWN ON CAR OFFICER HOOPER    Out of reach.  [loud, to Grigg] We go. SOUND    RUNNING FEET, OFF IN TWO DIRECTIONS SOUND    AFTER THEY LEAVE, JINGLE OF STRUGGLING WITH HANDCUFFS FRAN    [grunting]  Uun uun.  Darn it.  SOUND    SCRABBLING ON THE CAR HOOD, TRYING TO STRETCH FRAN    Hey, Bool? BOOL    Bool! FRAN    Yeah, [talking slow] I'm Fran.  BOOL    Flan? FRAN    Good enough.  Can you hand me that?  BOOL    [Hmm noise] FRAN    [slowly again] Give to me? BOBBIE    [coming on]  You're still here!  Let's get going. SOUND    REACTION INCLUDING RATTLE OF THE HANDCUFFS FRAN     How'd you--? BOBBIE    I went around the block.  I'm no dummy. FRAN    Brilliant!  We should-- BOBBIE    You are not talking me into any more shenanigans. FRAN    [whispered] Bool, get the key!  [Up]  Huh?  No, of course not... I -- BOBBIE    Are you -- chained to the car? BOOL    Kaaaay? FRAN    [too bright] No!  Whatever gave you that idea?  [whispered]  Bool! BOBBIE    Oh-- SOUND    SMALL METAL SCRAPE BOBBIE    --so this isn't the key? FRAN    Oh -- Drat!  BOOL    [squeak] FRAN    Boo-ul! MUSIC   SCENE 17.    OUTSIDE, AROUND HOUSE SOUND    RUSTLE IN A BUSH OFFICER HOOPER    [muttered]  Ok, mister rat bastard kidnapper, let me get a look atcha. GRIGG    [off]  Go? OFFICER HOOPER    [muttered] Oh, good, you know one word. [up, calling very quietly]  Make a noise! GRIGG    [shriek] SOUND    [OFF] CLATTER INSIDE FRED    [from inside] What the hell--?  OFFICER HOOPER    Come out of there with your hands up! FRED    [from inside] What's that noise? GRIGG    [shriek] OFFICER HOOPER    [sudden idea] Uh, what noise?  I don't hear anything. FRED    [from inside] What do you mean--?  You didn't hear that-- GRIGG    [shriek] FRED    [from inside] --that "THAT"? OFFICER HOOPER    [very pleased] Nope.  Don't hear anything. They say some people are bothered more than others by [slight chuckle] haunted houses. FRED    [a bit disturbed] Haunted--? MUSIC   SCENE 18.    OUTSIDE AT CAR BOBBIE    If I unlock it, you have to come home. FRAN    [sounding almost teary]  But- but our dads are in there. BOBBIE    That's what your dad does.  It's his job. FRAN    But it's not Bool's dad's job. BOBBIE    Bool?  Is that your name? BOOL    [sounding mournful] Chob.  FRAN    See? He's upset too. BOBBIE    Is he?  Tell you what, I'll get you home and then we'll call for more police. FRAN    [sniffing]  But I was thinking... tsch.  ohhhh. SOUND    THREE METAL TAPS - key on car BOBBIE    [thinking...]  What? FRAN    [sounding really down] Nothing.  Unlock me and we'll go home - [offhanded] even if we maybe COULD help. BOBBIE    Right. FRAN    Even if maybe our dads end up shot.  [long sniff] BOOL    [squeaky sniff] SOUND    UNLOCKING HANDCUFF BOBBIE    Come on. MUSIC   SCENE 19.    INSIDE, HOUSE SOUND    SHUFFLING FEET AS FRED PACES NERVOUSLY, DRAGGING ARI BACK AND FORTH WITH HIM SOUND    RADIO IN BACKGROUND FRED    [to self] Haunted?  Of course.  That explains so much. ARI    Maybe there is ghosts? FRED    That's what haunted means, ain't it?  And it's Halloween. OFFICER HOOPER    [from outside]  It's late, pal.  Almost the witching hour.  Let's get this sorted out. FRED    Witching--?  OFFICER HOOPER    [from outside]  You know, midnight.  Let's settle this and get that kid home safe and sound. FRED    You're going to tell me I can still get out of this, huh?  What about Bob out there? OFFICER HOOPER    Oh, your friend here? FRED    Friend.  [snort]  yeah. OFFICER HOOPER    Hmm.  Killing him on the doorway of house like that might a been a bad move. FRED    Whadda you mean?  Oh! GRIGG    [long, drawn-out shriek] FRED    Oh!! SOUND    RUSTY CREAK OF DISTANT DOOR, INSIDE FRED    What the heck? ARI    [scared]  Oh no! FRED    Shut up, kid.  I'm trying to listen, you hear me? ARI    [gasp and sniff- trying to stay quiet] FRED    [trying to convince himself] It's those cops.  They're doing this - [up, calling] You're doing this, aintcha, copper? OFFICER HOOPER    Doing what? FRED    [clinging to control] Making the damn noises! OFFICER HOOPER    [pleased with himself] What noises? MUSIC   SCENE 20.    INSIDE, HOUSE, UPSTAIRS [NOTE, THEY WHISPER THROUGHOUT SCENE] SOUND    CREAKING MOVEMENT BOBBIE    [whispered] Frannie, if any of us end up dead, it is entirely your fault.  That door was so loud. FRAN    On purpose.  C'mon, the stairs are over here. BOBBIE    How do you know?  This house-- FRAN    Sleepover two years ago, when Jennie and Sam lived here. BOBBIE    Your father is going to kill me. FRAN    We'll be upstairs - well out of the line of fire.  Now c'mon. BOOL    'mon. FRAN    See, Bool agrees with me. BOBBIE    Yeah.  Like a parrot.  [sigh] SOUND    TIPTOEING FOOTSTEPS MUSIC   SCENE 21.    INSIDE, HOUSE, DOWNSTAIRS SOUND    RADIO MUTTERS IN BACKGROUND FRED    [muttering]  They've probably got the back door covered... ARI    [small voice] You should let me go.  FRED    [about to hit him] Ahh!  SOUND    CREAKING FOOTSTEPS SOUND IN WALL AND CEILING FRED    Shh!  Hell!  What's that? ARI    [scary whisper] Evil spirits.  FRED    [gulp] Really? ARI    Maybe it is your dead friend.  He is very angry, I think. FRED    [weak] Shut up. SOUND    THEIR SCUFFLING FOOTSTEPS FRED    We'll just - Let's go check it out, eh?  I bet even ghosts don't like getting shot. MUSIC   SCENE 22.    INSIDE, HOUSE, UPSTAIRS [NOTE:  STILL WHISPERING] FRAN    OK, Bool, you see this vent? BOOL    See. BOBBIE    Great, now he's Spanish.  FRAN    Sh.  Bool, lean in and make a scary noise, like this...  [she does, and the noise echoes through the vents] BOOL    [like a laugh] Ah!  [leans in, mimics her noise, but it ends in his standard squeak - all echoey] BOBBIE    Did we ever figure out where Bool and his dad come from? FRAN    This isn't the time.  C'mon.  Now, Bobbie,  you creak this door - not too often, just from time to time.  Got it? MUSIC   SCENE 23.    OUTSIDE NEAR FRONT DOOR OFFICER HOOPER    OK, fella, time to come out.  [a beat]  Are  you in there?  [beat]  Oh, darn it all to--, they're gone.  Come on - [slow] help me break in the door. GRIGG    [yes] *Heh*. MUSIC   SCENE 24.    INSIDE, HOUSE, UPSTAIRS FRAN    I'll be right across the hall - now start. SOUND    DOOR OPENS FRAN    Eep! BOBBIE     Oh, no! BOOL     [squeak, which echoes] FRED    Ghosts, eh.  Looks like I got me a bunch more bargaining chips.  All of you move out here in the hall, real slow.  [snarls] Get over there-- ARI    [gasp] SOUND    THUD AS HE HITS THE WALL FRED    Keep your hands where I can see 'em! FRAN    [sarcastic] Of course, I might just have a gun. SOUND    SMACK FRED    Keep your mouth shut! FRAN    [gasps in real pain] BOOL    [mimics her gasp] FRED    You, too! BOOL    Flan! [squeaky growl]  Lalalala! FRED    What the hell's wrong with that kid? BOOL    [growl builds] FRED    [starting to get freaked out] Stop it.  What the hell? BOBBIE    Fran, is Bool glowing? FRAN    [sniff, then uncertain] Um, I think so. BOOL    [shriek which is a childish echo of Grigg's] FRED    [scream of terror] SOUND    GUNSHOT BOBBIE, BOOL, FRAN, ARI - scream, gasp, etc. SOUND    POUNDING FEET COMING UP THE STAIRS GRIGG    [full-on shriek, deeper and very alien] OFFICER HOOPER    Holy cow!  What the--? FRED    The light!   No!  [drawn out scream, which fades into a weird little popping noise] BOBBIE    I guess we--[gasp] might know--[gasp] where they came from, now. OFFICER HOOPER    [suspicious] Where'd he go? GRIGG    I made him nothing.  He try my child hurt.  Your child also. OFFICER HOOPER    Yeah, I, uh, noticed--  FRAN    [excited] Are you guys Martians? OFFICER HOOPER    [exasperated] --but she's clearly fine. GRIGG    I know not Marchan. BOOL    [Part muffled, satisfied] Flan! FRAN    [just as pleased]  Bool! BOBBIE    I don't know what to tell you, Mister - officer, I mean - Hooper.  OFFICER HOOPER    Don't worry, I blame my daughter.  [Back to Grigg]  So we don't have to worry about him coming back? GRIGG    Nothing.  No colme back. OFFICER HOOPER    And what exactly - well - are you? ARI    They saved us, is that not enough? FRAN    Yeah.  They're "good people," as mom would say. GRIGG    No concern, Hooper man.  We no stay now, you see us be do that.  We find more - uh - new home. BOOL    Home?  No!  [plaintive] Flan! GRIGG    [softly] No, Bool.  Go. OFFICER HOOPER    Tell me one thing, Grigg.  You planning to invade? GRIGG    *Haysa*? FRAN    He means are you gonna bring a bunch of people here and try and take over the planet - like in the movies? GRIGG    We hide - no one come with.  Bad place come away.  Alone. FRAN    There! BOBBIE    Are you thinking--? OFFICER HOOPER    [considering] I'm thinking I don't want to try writing this up.  Much easier if we just didn't see anything.  The one guy shot the other, then when he saw it was hopeless, he skedaddled. BOBBIE    But--  what--? FRAN    I didn't see anything.  You, Ari? ARI    No.  I was much too frightened.  He threw me against a wall and then ran off before my head cleared. FRAN    See, Bobbie? BOOL    Bah-bee? BOBBIE    That's kinda cute.  Good thing I-- I didn't see anything else.  Besides, anyone who would do whatever it takes to protect their kid - well, they can't be too bad. OFFICER HOOPER    You're still not babysitting for Fran ever again. BOBBIE    [truly relieved] Oh!  Thank you! FRAN    Hey! MUSIC, CLOSING OLIVIA    Now that you know how to find us, don't be a stranger - we have enough of those already...

Sembriamo vivere in un momentaneo disguido in cabina di regia, divisi tra complottisti e attese distopiche. Lo scenario sociale è mutato forse irreversibilmente. Ecco un paio di fatti che sembrano essere nel solco della normalità e non lo sono. Ad esempio è il caso di uUn giallo. David Massetti, musicista, dj, prducer di 49 anni è stato trovato morto nella sua villetta nel sud della Francia dove si era trasferito dopo aver girato il mondo. È stato in Puglia a suonare un paio di volte a Polignano e Acquaviva con un interessante progetto registrato nelle carceri latino americane. Altro tema proviene dallo scontro tra Fedez e Salvini, due capi-popolo che al di là delle opposte posizioni attuano la stessa strategia mediatica, sfruttando la rete senza tipore di appiattimento del pensiero individuale in favore di un omologazione dialettica che diventa sociale.Il Menabò di questa gabbia arrugginita in cui viviamo è stato fatto con le nostre mani. Questo momentaneo disguido corrisponde ad un momento paradigmatico. Gianluigi Trevisi risolve con l'ascolto di tanta buona musica.

ll suono, quello che percepiamo, è la sensazione data dalla vibrazione di un corpo in oscillazione.Tale vibrazione, che si propaga nell'aria o in un altro mezzo elastico, raggiunge l'orecchio che, crea una sensazione "uditiva" correlata alla natura della vibrazione.In particolar modo la membrana del timpano, subendo variazioni di pressione entra in vibrazione.Come estensione in frequenza una persona giovane con un udito perfetto riesce a sentire frequenze da 20 Hz a 20.000 HzLa frequenza rappresenta l'andamento di un evento che si ripete nel tempo.Uun suono con frequenza 20 Hz è molto basso, ad esempio un'esplosione, un suono a 20 KHz è un sibilo o un fischio altissimo. Garvan Acoustic. Diffusori acustici e trattamento acustico www.garvanacoustic.com/

New Techno Podcast with the full tracklist. Please support the artists listed in this Podcast especially during this hard time. U.D.W.[r] is a collective, we are and will stay anonymous, we want to share what we believe to be good music with no barriers of genres/styles. Do not hesitate to contact us if you need any info. (@underwear-records) Thanks for listening and sharing! > Kotai+Mo - Back at Ten / Fast Ghost / Go (version) [Elektro Music Department – 1999] Kas:st (@kasstechno) - 11.11 [Flyance Records – 2016] Boston 168 (@boston-168) - Cosmic Radiation [Involve Records – 2015] Cassegrain (@Cassegrain) - Stax Scarlett [Arcing Seas – 2016] Pharaoh – Spiral [Parallax – 2017] Marco Shuttle (@marco_shuttle) - Flusso Dinamico [Spazio Disponibile – 2016] Blaukoma (@blaukoma) - Iris Pattern [Index Marcel Fengler – 2018] Mario Berger (@mario-berger) - Odd/Even [KONFLKT – 2017] Sylvie Maziarz (@sylvie-maziarz) - Reduction (Andre Kronert Rmx) [OFF Recordings – 2020] Ejeca (@ejeca) – Kolide [Unknown To The Unknown – 2019] Andrea Belluzzi (@andreabelluzzi) – 75 [Synewave – 2013] Jon Hester (@jon_hester) – Cypher [LET Recordings – 2017] K-Hand (@khand) – XTC [Radikal Fear – 1995] DJ Hell (@djhellofficial) - Anything, Anytime (FJAAK Remix) [International Deejay Gigolo Records – 2018] Lewis Fautzi (@lewisfautzi) - Extinction F03 {Soma Quality Recordings – 2019] Petter B (@petter_b) - Slappt Slag [H-Productions – 2018] Johannes Heil (@johannesheil) - EXILE 008 A1[Exile – 2017] Kessell (@kessell) – Sensorium [Pole Recordings – 2017] Tasha (@dj_tasha) - Nine Spirit [Neighbourhood – 2019] Blawan (@ternesc) - The Narrowing [Dynamic Reflection – 2018] O/V/R (@jamesruskin-blueprint) - Post-Traumatic Son (Marcel Dettmann mdr version) [Blueprint – 2011] Planetary Assault Systems (@luke-slater) - Whistle Viper (P.A.S. Live Edit) [Mote-Evolver – 2017] Oscar Mulero (@oscarmulero) - Texture (Cassegrain Remix) [Warm Up Recordings – 2017] Rhomb (@rh0mb) – Helix [Modularz – 2017] Echologist (@brendonmoeller) – Thrust [Lanthan Audio – 2017] Matrixxman (@matrixxman) – Reborn [Atmophile Electronics – 2017] Laurent Garnier (@laurent-garnier) - Astral Dreams [F Communications – 1994] Ecstasy Club (@the-ecstasy-club) - Jesus Loves The Acid (Acid Chant Mix) [Flim Flam Records – 1988] Ausgang (@ausgang-music) – Pteron [Ausgang – 2016] LSD (@lsd-label) - Process 3 [Ostgut Ton – 2017] Cleric (@cleric) - Silent Kingdom [Soma Quality Recordings – 2018] Joton (@joton) – Sings [Digital Reflection – 2014] Invite (@invite-1) – Kyobashi [Invite's Choice Records – 2018] Dasha Rush (@dasha-rush) - Acid Twist [Fullpanda Records – 2018] Uun (@uun) - Give Them Rope [Soma Quality Records – 2019] Adriana Lopez (@adrianalopez) – Awa [Stroboscopic Artefacts – 2019] Yaleesa Hall X Malin (@yaleesa-hall) - Buchan Trap [Hypercolour – 2016] Kuf (@kuf) – Untitled [Arsenik Records – 2016]

Uun reportage de Fiona Collienne dans la province canadienne de l'Alberta, où des producteurs de pétrole veulent que l'on produise alors que d'autres souhaiteraient au contraire que l'on interrompe cette production en regard du défi climatique. Cela a amené à la création d'un nouveau parti politique indépendantiste, le Wexit Canada, qui propose peut-être à l'Alberta de quitter la fédération canadienne soit pour obtenir l'indépendance, soit pour devenir le 51ème état des Etats-Unis.

Uun episood #007 haa'f al ens am maskin snaaket, daaling gungt at widjer, auer nü was miast arken diartu wenet as, en maske tu brüken. An wan ham een diar iarst tu wenet hee, as't ferlicht uk goor ei so ring.

UUn mensaje inesperado, es la reflexión del día. Esta mañana al despertar recibí varios mensajes de gratitud por la labor que realizo con Formé, en la que ayudamos a nuestra comunidad inmigrante que sufre tanto y tiene tantas necesidades, pero tiene pocos recursos y no recibe ayudas de otras organizaciones. A veces podemos pensar o sentir que son tantos los que necesitan ayudas, que por más que hagas no estás generando un impacto, irónicamente eso era lo yo estaba pensado hasta que Dios tocó a mi puerta por medio de esos mensajes inesperados y me recordó que debo estar enfocada en mi misión y que no importa si impactamos 1 o 10 vidas, esas son las que Dios puso en nuestro camino. Con todo esto también me di cuenta que fue Dios quien hizo que otras personas tomaran acción y me escribieran para impactarme, porque yo necesitaba a alguien a mi lado que me dijera que estoy haciendo lo que está en mi poder, que en muchos casos es más de lo que otros que pueden y eligen no hacer. Por eso hoy yo les pido que tomen acción y generen un impacto en alguien que lo puede necesitar, es tan simple como tomar el teléfono y enviar un mensaje. Visita nuestro sitio https://mariatrusa.org/ --- Support this podcast: https://anchor.fm/maria-trusa/support

Aujourd'hui je reçois le Dr Serge Métier Chirurgien dentiste et musher. Le musher est un conducteur de traineau tiré par un attelage de chien. Serge exerce en tant que chirurgien dentiste dans les hauts-de-France à Bapaume. Nous parlerons de l'origine de sa passion en découvrant uUn film qui raconte l'histoire vraie d'une meute de chiens de traineau livrée a elle-même pendant un an en Antarctique. Nous parlerons également de ses nombreux périples en Laponie, en Norvège, en Suède, des courses grande distance (la grande Odyssée en Savoie, la Mush Synnfjell en Norvège) et de son organisation peu courante entre les entrainements dans le nord, la gestion de son cabinet et les soins à apporter à ses chiens, les Alaskan Huskies. Retrouvez les liens qui se rapportent à l'épisode sur le site internet d'entretien avec un dentiste 

Hello, Happy New Year and welcome to the very first episode of the DJ B-12 Techno Podcast of the year 2020. This is episode #15 and we have an almost 100 minute long studio mix of the best techno, house, progressive house, acid house, and deep house around at the moment. This episode features tunes and remixes by Dosem, Maruwa, Scuba, Mechanist & Owen Ni, SERi (JP), Butch & C.Vogt, Gunnter, Fuenka, Rodolf C, Glass Slipper, The Grower, Peter Brown, Christophe, Johnn Aux, GotSome featuring Chuck Roberts, Tom Conrad, Rare Candy & Anto, Future Self & Ragnar Atari, Carol & Crasty, Urban Soul & DJ Roland Clark, Black Sonix, Sept, Uun, Jon Van Dee, Stephen Nicholls, Young Rebels & Francesco Diaz, Junior Sanchez, Z Factor, City Soul Project, Kevin Hedge featuring Rick Galactik, Hot Since 82, and VONDA7 & NRVVS. Hope you enjoy and catch you next time for episode #16.Please like, follow and subscribe.Facebook: facebook.com/djb12technopodcastTwitter: twitter.com/Stress_FactorSubscribe and catch the show on these platforms:iTunes / Apple Podcast: podcasts.apple.com/us/podcast/dj-b…st/id1465508866Spotify: open.spotify.com/show/0MZunnMdVxLpihGDigrxk6Simplecast: dj-b12-techno-podcast-1.simplecast.com/Tune In: tun.in/pjr5HiHeartRadio: www.iheart.com/podcast/966-dj-b-…podcast-45925991/ TracklistTracklist01. Dosem - Visualization [Houstrike]02. Maruwa - 31 Seconds[Steel City Dance Discs]03. Mechanist & Owen Ni - Groove 1 (SERi (JP) Remix) [Hypnotic Room]04. Scuba - Talk Torque [Hotflush Recordings]05. Dosem - Downtown Parallax [Houstrike]06. Butch & C.Vogt - Live At RJ [Rebirth]  07. Dosem - Artifact [Halocyan]08. Gunnter - Maybe [Rutilance Recordings]  09. Fuenka - Evolution (Extended Mix) [UV]  10. Dosem - Not A Coincidence (Extended Mix) [Anjunadeep]11. Rudolf C - Through Fusion [Salt Mines]12. Glass Slipper - Naked Soul (Dub Version) [Nothing But]  13. The Grower - Move Your Body feat. Corey Andrew (Peter Brown Deep Mix) [Club Session]14. Christophe - Rok The Hall (Johnny Aux Remix) [Me Me Me]15. GotSome - The Message feat. Chuck Roberts (Extended Mix) [Ultra]16. Dosem - Next Room [Toolroom Longplayer]  17. Tom Conrad - New York [Adaptation Music]18. Rare Candy & Anto - It's You Baby (Extended Mix) [House Essential Records]19. Future Self & Ragnar Atari - The Feeling (Original Mix) [Play This! Records]  20. Carol & Crasty - Friend (Original Mix) [Weekend Warriors]21. Urban Soul & DJ Roland Clark - My Urban Soul (Black Sonix Lofi Dub) [Street King]  22. Dosem - Smashing Society (Original Mix) [Tronic]  23. Sept - Resonant Slide [Suara]24. Uun - Between The Lines [Soma Records]25. Jon Van Dee - That Thing Called House [Beatfusion] [House]  26. Stephen Nicholls - The Finest (Back To Tha Old Skool Extended Edit) [Hot Sunday Records]27. Young Rebels & Francesco Diaz - Play House [Urban Gorillaz]28. Junior Sanchez - Everyday [Circus Recordings]29. Z Factor - Get in 2 the Music (City Soul Project Remix) [City Soul Recordings]  30. Kevin Hedge - Follow Your Heart feat. Rick Galactik (Hot Since 82 Remix) [4 To The Floor Records]  31. VONDA7 & NRVVS - That's right [art werk]

Andrea Greco, artist name Burden, is an Italian born, London based DJ and producer. Over the years his sound has emerged as increasingly dark and industrial; energised with driving basslines, shadowy atmosphere, and hypnotic leads. Burden’s DJ career was born in Rome in 2011, when he had the chance to play alongside internationally renowned techno artists like Len Faki and Shifted. In 2013 Burden moved to London. His masters degree in Sound Engineering at SAE Institute, the experiences this new city offered, and his fascination with its underground scene, helped sculpt his signature, albeit versatile, sound. Burden was soon contributing to the rave scene playing parties such as Aria, Superstition, Corner, HTBX, Dazed and Confused, 000011010 Collective, Wachtraum… As well as renowned warehouses and clubs such as Fold, Bloc, Electrowerks, The Cause, 93 Feed East, and Egg. Currently, Burden is one of the resident DJs of ARIA; a collective of likeminded techno lovers that have allowed him to perform in underground venues, and alongside names like Blawan and Electric Indigo. At the beginning of 2018, together with DLTN and a group of friends, Burden started his record label ‘Aurea Records’, where he continues to release his music and collaborate with artists such as Uun, Stanislav Tolkachev, Ness, Arnaud Le Texier, Tapefeed, End Train and Flaminia. Burden’s productions are played and supported by Tommy Four Seven, Ben Klock, Cleric, Paula Temple, Ancient Methods, Killawatt and many others. Follow BURDEN here: Resident Advisor: https://www.residentadvisor.net/dj/burden-it Facebook: https://www.facebook.com/BurdenOfficialPage/ Instagram: https://www.instagram.com/burden_aurearecords/ Soundcloud: https://soundcloud.com/burden-6 Mixcloud: https://www.mixcloud.com/burdenoff/ Beatport: https://www.beatport.com/artist/burden/523093 Discogs: https://www.discogs.com/artist/5685261-burden-9 Contact: andreagrecod9@gmail.com --- Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Resident Advisor: https://www.residentadvisor.net/profile/techclubbers Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/c/TechClubbersPodcast Itunes: https://podcasts.apple.com/it/podcast/tech-clubbers-podcast/id1453220509 Contact: info@techclubbers.com

「お気に入りの洋服が黄ばんでしまってテンション下がる」 「洗濯したらすぐに服が傷む」 「最新の洗濯機なら服を放り込むだけで良いの？」 など、洋服のケアには色々な悩みがあります。 今回は、そんな問題に関して、プロがルーティン化しているお洋服長持ちケアテクニックを伝授してもらいます。 [temp id=11] ラジオでもお聴きいただけます 内容は専門家ナリマサさんの音声で聴く事ができます。皆様にあったプラットフォームでお楽しみください。 [temp id=6] ベースは洗濯機の「手洗いモード」 ナリマサ 「洗浄力が高い洗剤をつかって優しく洗う」が基本です。 洗濯できる服なのか微妙な判断がいる場合は「手洗いモード」が無難です。 洗浄力が落ちるのでは？という心配は、洗剤で補います。 粉末洗剤がおすすめの理由 ナリマサ 色々使った結果、やはり粉が最強でした。 液体洗剤や粉洗剤、ジェルボールなど、あらゆる洗剤が販売されいてるため、使用する側も悩んでしまうと思います。 ファッション業界に身を置きながら、十数年あらゆるメンテナンス方法にチャレンジし、断言できるのは「洗剤は粉！」だそうです。 メリットデメリット液体洗剤洗濯機への投入が楽、溶け残りがない、色落ちしにくい価格が割高(コスパが悪い)、洗浄力がやや弱い粉末洗剤コスパが良い、洗浄力が高い、殺菌や消臭効果が強いかさばる、湿気で固まる、溶け残りが起こりやすい 良し悪しを踏まえた上で、中でも「洗浄力が圧倒的に違う」という観点でプロは粉末洗剤を使うようです。 粉末洗剤の洗浄力が高いのはなぜ？ 粉末洗剤の洗浄力は「弱アルカリ性」に理由があります。弱アルカリ性は油や皮脂汚れに対して科学的なアプローチが出来るため「ゴシゴシ洗って落とす」のではなく「汚れを浮かして除去する」効果が高いのです。 対して、液体洗剤の多くは「中性」になります。 もちろん弱アルカリ性の液体洗剤も存在しますが、原液の時点では弱アルカリ性でも、水と融合する(溶ける)とほぼ中性になってしまいます。 その点、粉末洗剤は水と融合した際に弱アルカリ性になります。 洗浄力が高いのもうなずけますね。 あと一工夫の「UUN」で仕上げはバッチリ 粉末のデメリットを克服しつつ、繊維を守る一工夫は「UUN」です。 U：お湯で洗浄U：裏返しにするN：ネットに入れる お湯を投入すると、「粉末を溶かす効果」と「油汚れや皮脂汚れを浮かせる効果」の2大メリットが見込めます。メリットがひとつしかないと「面倒だ」の誘惑に負けがちですが、2つあると「一粒で2度美味しい」感覚になり、続けられそうですね。 また、衣服は必ず「裏返し」にして「洗濯ネット」に入れて洗います。 裏返す事により、表面のデザインや色落ちを防げます。 洗濯ネットは「1ネット1衣服」が理想です。 洗濯ネットにより、洋服は守られます。ネットに入れないと繊維が削れてしまい、型崩れやちぢみ、ヨレヨレの原因になります。 洗剤以外のアイテムで全方位的アプローチ カッターシャツなどの襟や首周りの汚れには、汚れ箇所に塗布する漂白アイテムを併用すると良いです。 ナリマサ 私はワイドハイターのスプレータイプや塗り込むタイプを使っています。 [temp id=7]

Chicago born @Antenes is a Brooklyn based synth obsessive. She builds her own modulars and then sets them to the future to cook up rough edged warehouse tracks that are gritty and bleakly atmospheric, as well as more textured, detailed ambient work. She has done installations at Moogfest as well as playing as far afield as China, Colombia and Japan, and has appeared on LIES, Silent Season, Bunker NY and Mord. She DJs as well as playing live, has roots in goth and industrial as well as noise from her early years playing guitar, but also has a real love of techno, electro and experimental. Her darkly absorbing mix for us this week includes tracks from Electric Indigo, Stephanie Merchak, Fjader, Oisel, Rrose, Lonefront, DJ ESP, Erica Mar, Wata Igarashi, Silent Servant, Ewa Justka, Bergsonist and Uun. It reflects her interest in a healthy amount of ominous dance hypnagogia while also drawing from a large pool of influences from the experimental to her roots in the Midwest. “The ESP track in there has some weird filtering and panning with the crunchy drums for example,” she says, “I love hearing how raw it is”.

thx fo tracks: Zeitgeber, Uun, David Sattva, Edit Select, PWCCA, Rrose, Jokasti & Nek, Augusto Taito, Dyad, Amadeus Joseph, Traversable Wormhole, RNGD, Deas, A Thousand Details, Szmer, Jonas Kopp, James Bong, Aiken, James Ruskin, Fjaak, Marina Aleksandra, Flaminia & End Train, Alessandro Adriani, Seleccion Natural, Albert Salvatierra, Lucy, Tensal, Buttechno

thx fo tracks: Zeitgeber, Uun, David Sattva, Edit Select, PWCCA, Rrose, Jokasti & Nek, Augusto Taito, Dyad, Amadeus Joseph, Traversable Wormhole, RNGD, Deas, A Thousand Details, Szmer, Jonas Kopp, James Bong, Aiken, James Ruskin, Fjaak, Marina Aleksandra, Flaminia & End Train, Alessandro Adriani, Seleccion Natural, Albert Salvatierra, Lucy, Tensal, Buttechno

thx fo tracks: Zeitgeber, Uun, David Sattva, Edit Select, PWCCA, Rrose, Jokasti & Nek, Augusto Taito, Dyad, Amadeus Joseph, Traversable Wormhole, RNGD, Deas, A Thousand Details, Szmer, Jonas Kopp, James Bong, Aiken, James Ruskin, Fjaak, Marina Aleksandra, Flaminia & End Train, Alessandro Adriani, Seleccion Natural, Albert Salvatierra, Lucy, Tensal, Buttechno

Había una vez un hombre muy sabio llamado Bu Adam que vivía en Estambul y era muy reconocido por su bondad y su interés en servirles a los demás especialmente como un defensor de los pobres. Uun día Bu Adam iba caminando por la ciudad cerca de la mezquita azul cuando encontró un hombre que se tambaleaba de debilidad. Bu Adam le pregunto que te pasa que te veo muy débil y emfermo No dijo el pobre hombre es que sucede que soy servidor de un viejo ricachón y avaricioso que vive en aquella casa Y me obliga que trabajé pero ni me paga ni me da de comer y esto me hace sentir débil Entonces Bu Adam fue a ver al ver el ricachón Y Le dijo . Hoy me he encontrado a tu servidor en la calle y se está muriendo de hambre tienes que hacer algo para ayudarle. Qué me importa respondió el ricachón yo no tengo nada Que ver con eso. El solamente se muere de hambre por ser pobre Ciertamente pero es pobre porque tú no le pagas El viejo avaricioso y mezquino le dijo es el problema de el también por ser pobre porque si no fuera pobre no necesitaría dinero de mi Pero tiene hambre dijo Bu Adam Pues claro si es pobre dijo el viejo. Todos los pobres tienen hambre. Bu Adam después de oir esto decidió darle una lección al ricachón Al día siguiente hizo correr la voz de que había llegado a la ciudad un renombrado médico que podía curar todas las enfermedades y Se disfrazó para que no lo reconocieran y se hizo pasar por este famoso y milagroso médico Y claro está la noticia llego al Viejo ricachon y como el se preocupaba mucho preocupa por su salud se fue corriendo a ver al médico milagroso Cuando entró el viejo al despacho donde se encontraba, Bu Adam le dijo a viejo Debes padecer una enfermedad terrible puesto que has sido el primero en venir el viejo le contesto es una enfermedad muy seria esperando que el médico tuviera para él alguna medicina especial Ciertamente tengo como curarte, pero o primero tienes que pagarme cinco monedas de oro por cada uno de tus síntomas El viejo era muy avaricioso pero tenia tantos problemas de salud que decidió pagar lo que fuera necesario por las curas mágicas. Y después de pensarlo un rato le entregó las primeras cinco monedas y Bu Adam le dijo. Dime pues que síntoma tienes va El ricachón le contesto me duelen todos los huesos Eso es muy simple de diagnosticar le dijo, es que estas muy viejo y eso es normal en la vejez. El viejo le dijo tengo otro síntoma Y Bu Adam le dijo dame otras cinco monedas de oro y cuando el viejo de mala gana se las entregó le dijo Dime Que más te pasa Éste me duelen las rodillas Y no se porque Eso también es la vejes le contesto el falso medico. Pero también tengo otro síntoma. Perfecto dame otras cinco monedas de oro y El viejo de nuevo le paso otras cinco Monedas y le dijo Es mi cabeza. Mi pobre cabeza siempre está dando vueltas Eso también es la vejez le dijo bu Adam sin nisiquiera pestañear. Tengo otra. Perfecto otras cinco monedas por favor Y el viejo a regañadientes le paso las monedas y desafiante le dijo Pero es que no duermo por la noche Eso también es la vejez dijo Bu Adam sonriendo. Entonces el ricachón sintiéndose que cada vez que decía algo le tocaba pagar cinco monedas de oro perdió la paciencia y le dijo al falso médico pero qué pasa no haces más que repetir eso es vejez Es que no sabes decir otra cosa que me sirva de cura. Veo que te enojas con facilidad Dijo Bu Ad

What’s up everyone and welcome to the DJ B-12 Techno Podcast episode #7. I hope you’re all doing well. Today we have an 85 minute long studio mix for you taking you on a journey with fresh new tunes with a retro feel. This episode showscases Dusky, Jeremy Olander and Christoph, Skober, Diction, Anhuser, Montel, Chicago Loop, Rudosa, Jam & Loco, Spektre, Beliaal, Flug, Victoria.52, Timmo, and Uun. Tracklist Dusky - Runny Nose [17 Steps] Jeremy Olander, Cristoph - Last Dance [Bedrock Records] Dusky - Square Miso [17 Steps] Skober - Around You [Doppelgaenger] Anhauser - Harmony (Montel Remix) [Rules Music] Diction - Ultimatum (Chicago Loop Remix) [Death Proof Recordings] Rudosa - Frequency Check [Elementra Records] Anti-Slam & W.E.A.P.O.N. - Good To You (Chicago Loop Remix) [Layer 909] Skober - Phoenix Rose (Spektre Remix) [Funk'n Deep Black] Loco & Jam - Moving Forward [Terminal M] Beliaal - Xredit [Shadowprint] Flug - The Hedonist [Suara] Victoria.52 - Fulgura [Elementra Records] Timmo - Meteorite [Drumcode] Montel - Within [Leena Music] Montel - Rhythm of Change [MadTech] Dusky - LF10 [17 Steps] Dusky - Parakeet Feet [17 Step] Uun - All The Wrong Reasons [Suara] Montel - Me Not You [Kaluki Musik]

Lex Gorrie - Sleaze Podcast 103 This month we have a great mix by Lex Gorrie! Lex released a great EP on the label last week "Dark Matter" featuring strong original tracks and remixes by Uun and Farceb. The release is out now on Beatport. You can hear some of the tracks in his mix for the podcast! Listen on Soundcloud: https://soundcloud.com/sleazepodcast/lex-gorrie-sleaze-podcast-103 Subscribe on Itunes: https://podcasts.apple.com/podcast/sleaze-podcast/id399390520  

Coming up in the music scene of Kansas City and currently residing in Detroit, @uun developed his interest in the fringes of sound as a guitarist in multiple bands before turning his focus to techno in 2012. Both his early work as a band member and his current work as a techno producer share a common exploration of darkness both in mood and in execution. Hard Wax described Uun's sound as a "straight ahead techno juggernaut.", As well as releasing on Mord, Dynamic Reflection and many more, he has his own imprint Titled Ego Death. This is a studio recording mix, it consists of all original material, much of it unreleased. RA - https://www.residentadvisor.net/dj/uun Facebook - https://www.facebook.com/uuntechno/ Instagram - https://www.instagram.com/uunegodeath/ facebook.com/Slam.soma instagram.com/slam_djs twitter.com/slamdjs slam-djs.com Subscribe on Spotify: bit.ly/SlamRadioOnSpotify Subscribe on iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850 Slam Radio is produced at www.glowcast.co.uk For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

Next up is one wicked, amazing mix by none other than Animal Farm's founder and label boss, QUAIL. Hailing from Glasgow, Scotland, he's been pushing his sound and vision via his imprint and its events for a number of years, building a roster of supreme talent in the process. For his contribution to The Erratic Podcast he has, surgically and very elegantly, carved out an extended, 90-minute studio mix showcasing of what's to come on the label for much of the tracklist. Mixes from Darren come few and apart but, when they do, they are brilliant, powerful, and of unparalleled quality. Now hit play and enjoy - this is Quail mixing live exclusively for The Erratic Podcast! TRACKLIST Forward Strategy Group - Pet A Burning Dog Wrong Assessment - Empire Portrait - Motiv *Forthcoming Setaoc Mass Kaiser - Unrestricted SPX - Chase Of The Sentinels -2 - TL1 Truncate - Pseudo v3 *Uun - forthcoming on Animal Farm Records *Forthcoming Setaoc Mass *Fixeer - forthcoming on Animal Farm Records Dold - Version (Slv remix) *William Arist - forthcoming on Animal Farm Records Kuf - Akupunktur *Ancestor - forthcoming on Animal Farm Records Truncate Multiply *Ancestor - forthcoming on Animal Farm Records V i L - Processe Sciahri - Sublunar Roseen - Toxin Wrong Assessment - Radial Dold - Lockdown www.facebook.com/QuailAFR www.residentadvisor.net/dj/quail www.animal-farm.bandcamp.com www.facebook.com/AnimalFarmGlasgow - Erratic is comprised of a small team of passionate curators hosting proper Techno parties in New York City. www.ErraticNYC.com | www.fb.com/ErraticNYC

Nick Rodger with this weeks' HoR mix, another vinyl only session with music from uUN, Earth Deuley, Omni AM, Circulation and more. Enjoy :) xxx tracklist: ??? - Top Secret Song (Hardkiss) uNN - Three Pilots (Electrolux) James Warren & Arnaud Le Texier - Opening (Kailash) Second Hand Satellites - Orbit Redux 1.5 (Shaboom) Earth Deuley - Spacial Gathering (white) Derek Marin - Collide (Surreal) Charley's Vault - My Answer (Twilight) Silver Haze - Works (Sabotage Systems) Omni AM - Beat Dis (Euphoria) Spincycle - Shoryuken (Euka Breaks) White label - unknown Earth Deuley - Decomposition (Low Pressings) Lypid - The Sign's Alive (Montage Men dub) (Statra) Plantastik - The Return (Kickin') Circulation - In Bits (End Recordings)

Nick Rodger with this weeks' HoR mix, another vinyl only session with music from uUN, Earth Deuley, Omni AM, Circulation and more. Enjoy :) xxx tracklist: ??? - Top Secret Song (Hardkiss) uNN - Three Pilots (Electrolux) James Warren & Arnaud Le Texier - Opening (Kailash) Second Hand Satellites - Orbit Redux 1.5 (Shaboom) Earth Deuley - Spacial Gathering (white) Derek Marin - Collide (Surreal) Charley's Vault - My Answer (Twilight) Silver Haze - Works (Sabotage Systems) Omni AM - Beat Dis (Euphoria) Spincycle - Shoryuken (Euka Breaks) White label - unknown Earth Deuley - Decomposition (Low Pressings) Lypid - The Sign's Alive (Montage Men dub) (Statra) Plantastik - The Return (Kickin') Circulation - In Bits (End Recordings)

Nick Rodger with this weeks' HoR mix, another vinyl only session with music from uUN, Earth Deuley, Omni AM, Circulation and more. Enjoy :) xxx tracklist: ??? - Top Secret Song (Hardkiss) uNN - Three Pilots (Electrolux) James Warren & Arnaud Le Texier - Opening (Kailash) Second Hand Satellites - Orbit Redux 1.5 (Shaboom) Earth Deuley - Spacial Gathering (white) Derek Marin - Collide (Surreal) Charley's Vault - My Answer (Twilight) Silver Haze - Works (Sabotage Systems) Omni AM - Beat Dis (Euphoria) Spincycle - Shoryuken (Euka Breaks) White label - unknown Earth Deuley - Decomposition (Low Pressings) Lypid - The Sign's Alive (Montage Men dub) (Statra) Plantastik - The Return (Kickin') Circulation - In Bits (End Recordings)

Tracks by BILY, Shlømo, ABSL, 440PPM, Exium, Marco Bruno, Osvil D, Liss C, Phase Fatale, Silent Servant, Paul Ritch, Rubidium, Uun, Patrick Siech, Eduardo de la Calle, Eric Fetcher, Panda, WAFFENSUPERMARKT, Aempty, Bastian Balders, Niereich, Rèdacs, Linear Straight, Future Tragedy, Loris Grimaldi, Surgeon, Mark Broom, Confluence, Unbalance, Developer, Ossa Di Mare, DJ Red, Solenoid.

Tracks by BILY, Shlømo, ABSL, 440PPM, Exium, Marco Bruno, Osvil D, Liss C, Phase Fatale, Silent Servant, Paul Ritch, Rubidium, Uun, Patrick Siech, Eduardo de la Calle, Eric Fetcher, Panda, WAFFENSUPERMARKT, Aempty, Bastian Balders, Niereich, Rèdacs, Linear Straight, Future Tragedy, Loris Grimaldi, Surgeon, Mark Broom, Confluence, Unbalance, Developer, Ossa Di Mare, DJ Red, Solenoid.

Uun returns to Monument with a classic techno track full of life and energy. Read more about the release on: https://mnmt.no/previews/track-premier-uun-absurd-existence/

Live PA of unique originals from Uun

The “Take More Music” or TMM Records label boss supplies his exciting exclusive debut mix for Death Techno. Having also worked with labels like A.Paul’s Naked Lunch, Dr Hoffman’s Blind Spot Music and Joton’s Newrhythmic his production style is vast, consistently delivering creative ideas all the time. Flying the flag for Kosovo, Vegim shows his love for energetic and driving techno with a quality set that includes artists like Komprezzor, Tex-Rec, Brian Burger, Dolby D, Exium and a first play of his own forthcoming track on DEAD CERT. Records… 01. DOPE HEX : in the small place [Technodrome] 02. RYOGO YAMAMORI : goodbye (Diego Hostettler & Krenzlin Remix) [951beat] 03. KOMPREZZOR : drained [Reloading] 04. PHARMAKON : opress [Black Brook] 05. TEX-REC : l.pax 1 [Tex-Rec] 06. TONIKATTITUDE : paranoid (Aggregat Retool) [Rawhard Audio] 07. UUN : reduction (Brian Burger Remix) [Reloading] 08. VEGIM : binary trip [soon on… DEAD CERT. Records] 09. TEX-REC : l.pax 2 [Tex-Rec] 10. DOLBY D & A.PAUL : insidious act1 [Dolma] 11. BORIQUA TRIBEZ : achromatiq (Vegim Repaint) [soon on… Achromatic] 12. OMAR SOLIS : sweep noise [Assassin Soldier] 13. PFIRTER : tide (Exium Remix) [MindTrip] 14. MONO.xID : marodeur [DEAD CERT. Records] 15. VEGIM : sequence you [soon on… Luminar]

As an artist, Uun has quickly made a name for himself in the North American underground techno scene.  His deep, hard, and heady style relies both on smooth blends as well as complex layering.  When DJ'ing, his style ranges from the depths of dub to the broken dystopian soundscapes linking his own sound to the greater [...]

Get ready for some beautiful and emotional techno in this week’s Monument podcast by Uun. The set was recorded live at Space Cats Go to Mars, Official Movement Preparty in St. Louis. Uun told us that “it was played on a wide open patio with a large bar on a sunny Saturday afternoon, so the vibe of this mix pretty much reflects that atmosphere.“ @Uun also known as Ryan Malony has since 2007 been putting out mixes for Dystopian Rhythm, More or Less, Kansas City Techno, Business Class Records, Feed The Raver, Subterror Radio and others. In his home base he is known for being a member of Kansas city Techno as well as his previous residencies at The Riot Room and The Foundry. He also has EP releases titled "Minus” and "Structure" and shows no sign of slowing down with multiple new releases and remixes in the works. We hope you enjoy this weeks podcast, and don't forget to follow Monument for more techno, art, and upcoming events! ----Tracklist---- 1. Substak - Walking [Red Dye] 2. Deepchord - DC14 A2 Untitled [Deepchord] 3. Reggy Van Oers - Sinuosity (Ness Remix) [Affin] 4. Recondite - Stems [Ghostly International] 5. Uun - Morning Dub [Dystopian Rhythm] 6. Donato Dozzy & Tin Man - Test 7 [Acid Test] 7. Minilogue - Nothing is Lost [Cocoon} 8. Yagya - Rigning Brju [Sending Orbs] 9. Tin Man - Futurist Acid [Acid Test] 10. Uun - Grip (Dark Hearts Remix) [More or Less] 11. Efdemin - Back to School [Dial] 12. Uun - City Dub [Dystopian Rhythm] 13. Uun - Influx [Dystopian Rhythm] 14. Uun - Cold Rising [Dystopian Rhythm] 15. Woo York - Oka [Dynamic Reflection]