Podcasts about Flaminia

Flaminia De Angelis proviene da una famiglia arricchita di Roma Nord, vive di apparenze e sta per sposarsi. Ma non tutto va come previsto, quando nella sua vita irrompe Ludovica, sorellastra affetta da disturbi dello spettro autistico. Film di debutto alla regia per Michela Giraud.See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

aggiungi alla lista FLAMINIA un film di e con Michela Giraud Prime / Sky / NOW + (aggiungi alla lista) è un podcast di Marco Mm Mennillo ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/marco_Mm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ascolta MIm (MI minore): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/miminore⁠⁠

In our latest LabTalks episode, Ben sits down with Flaminia Sapori, Inventory Product Development Lead at Magna IPG. Flaminia shares her insights on the evolving ad tech landscape, the importance of Supply Path Optimisation (SPO), and the challenges of achieving transparency and sustainability in the ad supply chain. Flaminia discusses the crucial role of SPO at Magna IPG, emphasising the need for transparency and simplifying the supply chain through log-level data. She explains how transparency in ad tech benefits advertisers and publishers while driving sustainability by reducing the carbon footprint. Looking ahead, Ben and Flaminia share their visions for the future of ad tech, including the potential of blockchain and the commoditisation of log-level data. They highlight the importance of transparency in the supply chain to improve advertiser ROI and publisher yield, ultimately benefiting the entire ecosystem.

Saque na Cinco #82 - a romana Flaminia Daina by Rádio Gaúcha

Mercoledì 19 giugno 2024, ai microfoni di Sveja oggi c'è Angela Gennaro.Vandalizzato il monumento a Giacomo Matteotti sulla Flaminia: scritta “W Fascio”, danneggiata la corona del Presidente della Repubblica. Le testimonianze di Chiara Polcaro e di compagni e compagne dell'ANPIIntesa sulle case popolari, via alle ristrutturazioni (sul Messaggero e sul Tempo)Alberi tropicali contro il caldo alle fermate dell'autobus (da Repubblica)Preso lo stupratore di Prati (Messaggero) Ponte di Nona come Caivano? (RomaToday)Da oggi gli esami di maturitàSu Fanpage Cicalone in versione vigilantes e perché lo preferivamo primaLa cronaca: muore di stenti, la figlia era in vacanza. Novità sul caso di Michelle Causo. Ancora sulla morte di Manila, travolta in monopattino.E poi la festa dell'Unità e la "polemica" del Tempo sul PrideFoto Nobavaglio - liberi di essere informatiA domani con Alessandro BernardiniSveja è un progetto di comunicazione indipendente con il sostegno di Periferiacapitale, il programma per Roma della fondazione CharlemagnePer sostenerci: https://www.sveja.it/sostienici/

In this episode of Travel Not to Escape, we are diving into the secrets for making meaningful connections while solo traveling, particularly in Bali. The episode features insights from five previous guests—Alex , Nikki, Flaminia, Ale, and Susana—who each emphasize the importance of participating in activities that align with personal interests and values, and the benefits of both attending and creating events. The overarching theme is to find and engage in what lights you up to naturally attract like-minded people. Listen to the guests episodes! S1E9 - Alex Trevisan on Leaving Her Doctorate to Live Her Dreams S1E13 - Nikki Thijssen on Choosing Yourself, Mental Health, and Breaking Intergenerational Patterns Through Solo Travel S1E26 - Unveiling the Spiritual Entrepreneurship Journey of Flaminia Buda, Founder of Nomad Haven S1E12 - Solo Travel, Hypnotherapy, and Self-Discovery with Ale Kanashiro S1E18 - Learn Spanish and Solo Travel Resilience With Susana Moscardo Connect with the guests: alexandratrev nicolinethijssen flaminiabuda⁠ alekanashiro ⁠SpanishNomads_Tribe⁠⁠ About Travel Not to Escape: Travel Not to Escape is a podcast dedicated to inspiring and equipping you with resources to create a life that you don't need to travel to escape from. Use solo travel as a catalyst to redesign your life, connect meaningfully, and live playfully. Each week, we share stories of transformation, adventure, and the power of solo travel. Listen and Follow: ⁠⁠⁠⁠https://www.travelnottoescape.com/podcast⁠⁠⁠⁠ Instagram: @⁠⁠⁠⁠⁠⁠travelnottoescape⁠⁠⁠⁠⁠⁠ Geleen's Instagram @⁠geleenonthego⁠ To learn more about how to make more meaningful connections anywhere in the world, join the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Passport to Connection Program.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Take the Play Personality Quiz Join the Travel Not to Escape Community on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/travelnottoescape/message

con Robert Guediguian e Ariane Ascaride, regista e attrice di “E la festa continua!”; focus su “Gloria” di Margherita Vicario; Fabiana Sargentini parla del documentario “La Pitturessa”. Intervista a Matteo Schianchi autore del libro “Cinema e disabilità” (Mimesis). Tra le uscite: “Coincidenze d'amore” di Meg Ryan; “Flaminia” di Michela Giraud; “I delinquenti” di Rodrigo Moreno.

Da poco online parliamo di una serie: Fallout, del canale YouTube di Faster ma soprattutto di Ennio Doris, di Gloria! di Flaminia, e dell'allucinante Coincidenze d'amore. Ma anche di Challengers, il bel film di Guadagnino e dello stato di salute del cinema italiano. Nientepopodimenoche.

Da poco online parliamo di una serie: Fallout, del canale YouTube di Faster ma soprattutto di Ennio Doris, di Gloria! di Flaminia, e dell'allucinante Coincidenze d'amore. Ma anche di Challengers, il bel film di Guadagnino e dello stato di salute del cinema italiano. Nientepopodimenoche.

Se fino a qualche anno fa la scena della stand up comedy era seguita da una piccola nicchia di amatori, con l'arrivo dei social media e delle piattaforme streaming tutto è cambiato e oggi l'arte di far ridere è sempre più apprezzata, anche nel nostro Paese. Ne abbiamo parlato Michela Giraud, una delle più celebri stand up comedian italiane che da ieri è al cinema con il suo primo film da regista, Flaminia.

ROMA (ITALPRESS) - In questa edizione:- "Ghostbusters: Minaccia Glaciale", nuovo capitolo della saga- “Coincidenze d'amore”, il ritorno di Meg Ryan sul grande schermo- “Flaminia”, opera prima di Michela Giraud- “E la festa continua!”, il nuovo film di Robert Guédiguianmgg/gtr

Tintoria è il podcast di @sandanieletinti e @StefanoRapone, prodotto da @thecomedyclub.Ottieni NordVPN qui: https://nordvpn.com/tintoria --------------------------------------INFO e BIGLIETTI per le Registrazioni LIVE: https://bit.ly/tintoriapodcastINFO E BIGLIETTI PER I PROSSIMI LIVE DI TINTI: https://bit.ly/DanieleTintiTOURINFO E BIGLIETTI PER I PROSSIMI LIVE DI RAPONE: https://bit.ly/RaponeTOURPer la 204esima puntata di @tintoriapodcast è tornata a trovarci Michela Giraud, stand up comedian, attrice, conduttrice e da poco anche regista della sua opera prima “Flaminia”, nelle sale dall'11 Aprile 2024. Abbiamo parlato delle difficoltà nello scrivere e dirigere un film con importanti elementi autobiografici, lavorare con Antonello Fassari e Andrea Purgatori, i cameo di Tinti e Rapone e le scene tagliate, vacanze al Circeo, i traumi infantili di Rapone, il possibile ruolo della cremazione in un'invasione zombie, elettrodomestici regalati dopo bestemmie in tv, rituali scaramantici sul lavoro, esperienze psichedeliche in Danimarca, per finire con un contributo alla più famosa rubrica del podcast ambientato negli studi Mediaset di Cologno Monzese.Puoi seguire Tintoria qui: https://www.instagram.com/tintoriapodcast/Puoi seguire Rapone qui: https://www.instagram.com/grandiraponi/Puoi seguire Tinti qui: https://www.instagram.com/sandanieletinti/Puoi seguire Michela Giraud qui: https://www.instagram.com/michelagiraud/Puoi seguire The Comedy Club qui: https://www.instagram.com/thecomedyclub.it/Tintoria è anche su TikTok: https://www.tiktok.com/@tintoriapodcastRegia e montaggio: Enrico Berardi ( @enricoberardivideographer-3126 ) https://focusaziende.itRiprese: Leonardo PicozziAudio:Antonio ArcieriLa sigla di Tintoria è a opera di Di Gregorio (https://open.spotify.com/artist/72kN7wU0KWqEDkHYrvT6Vi)Sigla animata:Crocopie Studiowww.206lab.com/crocopie-studiowww.instagram.com/crocopie_studio

In occasione dell'uscita del suo nuovo film "Flaminia", Michela Giraud è ospite della puntata.

Cosa succede nel mondo di piattaforme, tv e sale cinematografiche? Per gli amanti del genere sentimentale è uscito su Netflix "Fabbricante di lacrime", film tratto dal bestseller di Erin Doom. Sempre su Netflix è arrivato "Scoop", film con Gillian Anderson, mentre nelle sale è in uscita "Flaminia", la prima produzione diretta ed interpretata da Michela Giraud. Notizia interessante per gli appassionati di Dragonball: la saga giapponese prenderà presto vita con un parco divertimento a tema Goku & c. Questa novità fornisce lo spunto per parlare di tutti quei film, serie tv e cartoni che hanno trovato spazio in giostre ed attrazioni all'interno dei grandi parchi a tema, in Italia e in tutto il Mondo. La rubrica "5 cose che non potete non sapere" è dedicata invece al vasto universo di "Ghostbusters- Acchiappafantasmi", anche sulla scia dell'arrivo al cinema del sequel "Ghostbusters - Minaccia glaciale". E ancora: nei prossimi giorni su Prime Video debutta "Fallout", serie basata sull'omonimo videogioco, mentre Michael Douglas si trasforma in Benjamin Franklin per Apple Tv e Luca Zingaretti torna con la seconda stagione del prison drama "Il Re" su Sky.See omnystudio.com/listener for privacy information.

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. Le modifiche al superbonus, il nuovo codice della strada, scuole e Ramadan. La caporedattrice di Donna Moderna, Liliana Di Donato, ci ha parlato di un inserto del giornale, dedicato al fil “Flaminia”. Si avvicina la domenica di Pasqua. Come riconoscere la colomba migliore? Ce lo ha spiegato il pasticcere Sal De Riso, Presidente dell'Accademia Maestri Pasticceri Italiani. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. Si avvicina il weekend di Pasqua: quali le tendenze di quest'anno per le vacanze degli italiani? Lo abbiamo chiesto a Simona Tedesco, direttrice di Dove. Parliamo di Salute. Esiste una ricetta per la longevità? Lo abbiamo chiesto al prof. Silvio Garattini, 95 anni, scienziato, farmacologo e fondatore dell'Istituto di ricerca farmacologica "Mario Negri". L'attualità, commentata dal direttore di Italia Oggi, Pierluigi Magnaschi. All'interno di Non Stop News, con Massimo Lo Nigro, Enrico Galletti e Giusi Legrenzi.

Join us in this episode as we delve into the extraordinary journey of Flaminia Buda, the visionary founder of Nomad Haven. A global traveler, community leader, business advisor, and social impact advocate, Flaminia shares her unique path that intertwines entrepreneurship with spirituality, revealing the essence of Nomad Haven—a community for intuitive women business owners seeking creative, spiritual, and collective nourishment. In this episode, we cover: Roots and Awakening: Flaminia's upbringing in Rome, the start of her spiritual awakening at 18, and the transformative power of breathwork as a tool for emotional release and clarity during challenging times. Nomadic Ventures: The pivotal moments leading Flaminia from Rome to Colorado, her love affair with Barcelona, and the decision to embark on a life-changing journey to Bali, discovering the power of solitude and self-love. Solo Traveler's Toolkit: Insights into Flaminia's solo travels across Europe, building confidence through self-reflection, journaling, and embracing transparency and vulnerability as keys to personal growth. Nomads Giving Back: Flaminia's role as Program Manager and Chief of Staff at Nomads Giving Back, her transformative experience in Colombia, and the harmonious balance of work, community, and self-reflection among remote workers. Nomad Haven's Birth: The founding story of Nomad Haven, born out of Flaminia's quest for a community merging business and spirituality. Find out more about Nomad Haven and Connect with Flaminia: Nomad Haven Instagram Flaminia Buda Instagram Nomad Haven Website To learn more about how to make more meaningful connections anywhere in the world, join the Passport to Connection Program. Join the Travel Not to Escape Community on Facebook --- Send in a voice message: https://podcasters.spotify.com/pod/show/travelnottoescape/message

ROMA (ITALPRESS) - Non solo un'infrastruttura per la mobilità urbana, ma un modo nuovo per far convivere passato e futuro. È l'idea alla base della stazione Venezia, la nuova tappa dei lavori della linea C della Metropolitana di Roma, realizzata dal consorzio Metro C, guidato da Webuild e Vianini Lavori. La stazione sarà profonda 45 metri su 8 livelli interrati. Gli scavi arriveranno fino a 85 metri, inclusi i muri perimetrali di contenimento. È come prendere un edificio alto come il Vittoriano e incassarlo sottoterra. In tutta l'area saranno effettuati scavi con metodologia archeologica, per salvaguardare le antiche taberne romane rinvenute durante le indagini preliminari. Tutte le antiche strutture saranno tutelate con la loro rimozione per consentire l'avanzamento dei lavori, e poi ricollocate all'interno della stazione nella loro posizione originale lungo la via Flaminia. L'atrio della stazione diventerà un polo museale sotterraneo, con il collegamento di diversi complessi monumentali circostanti: Palazzo Venezia, il Vittoriano e l'area archeologica dei Fori Imperiali, ciascuno con il suo accesso dedicato. Il progetto prevede anche la valorizzazione degli Auditoria di Adriano, le cui aule verranno rese fruibili dall'atrio di stazione. Sarà quindi una vera e propria “archeostazione”.sat/mgg/gsl

ROMA (ITALPRESS) - Non solo un'infrastruttura per la mobilità urbana, ma un modo nuovo per far convivere passato e futuro. È l'idea alla base della stazione Venezia, la nuova tappa dei lavori della linea C della Metropolitana di Roma, realizzata dal consorzio Metro C, guidato da Webuild e Vianini Lavori. La stazione sarà profonda 45 metri su 8 livelli interrati. Gli scavi arriveranno fino a 85 metri, inclusi i muri perimetrali di contenimento. È come prendere un edificio alto come il Vittoriano e incassarlo sottoterra. In tutta l'area saranno effettuati scavi con metodologia archeologica, per salvaguardare le antiche taberne romane rinvenute durante le indagini preliminari. Tutte le antiche strutture saranno tutelate con la loro rimozione per consentire l'avanzamento dei lavori, e poi ricollocate all'interno della stazione nella loro posizione originale lungo la via Flaminia. L'atrio della stazione diventerà un polo museale sotterraneo, con il collegamento di diversi complessi monumentali circostanti: Palazzo Venezia, il Vittoriano e l'area archeologica dei Fori Imperiali, ciascuno con il suo accesso dedicato. Il progetto prevede anche la valorizzazione degli Auditoria di Adriano, le cui aule verranno rese fruibili dall'atrio di stazione. Sarà quindi una vera e propria “archeostazione”.sat/mgg/gsl

Hoy hablamos con la Dra. Flaminia Villagrán sobre la forma en que beneficia nuestro autoestima el hacernos un arreglo estético, sólo aquí con Yordi en exa.See omnystudio.com/listener for privacy information.

Welcome to Episode 1543 in which host Victoria Cece interviews Cristina & Chiara Fiorentini with translation by Flaminia, the winery's Export Marketing Manager this week on The Next Generation. The Next Generation where Victoria Cece interviews young Italian wine people shaking up the wine scene. More about the guest Mother and daughter duo Cristina and Chiara Fiorentini are behind Tenuta Freddano, a historic Umbrian wine estate Chiara took over in 2019. Together they work with the original family to produce exceptional organic wines that exhibit their unique terroir, just outside of Orvieto. Flaminia is their marketing manager, who helps manage the brand and translate during the interview. Connect: Website: https://freddano.it/ Instagram: @tenutafreddano More about the host: Victoria Cece is a food and beverage storyteller whose curiosity is somewhere deep in a bowl of pasta or a bottle of wine. A fool for history, you can find her reading up about ancient grape varietals or wandering around a little Italian town eating everything in sight, under her alias Slutti Spaghetti. Connect: Instagram: @sluttispaghetti Twitter: @sluttispaghetti LinkedIn: https://www.linkedin.com/in/victoria-cece/ _______________________________ Let's keep in touch! Follow us on our social media channels: Instagram www.instagram.com/italianwinepodcast/ Facebook www.facebook.com/ItalianWinePodcast Twitter www.twitter.com/itawinepodcast Tiktok www.tiktok.com/@mammajumboshrimp LinkedIn www.linkedin.com/company/italianwinepodcast If you feel like helping us, donate here www.italianwinepodcast.com/donate-to-show/ Until next time, Cin Cin! If you want to be part of the next generation then like and share this track! We will remember you when you need dentures and a straw for your wine!

Scoprire, una mattina, che l'uomo che ti dorme accanto da anni non è quello che credevi. Succede a Flaminia, che sta con Carmine da 20 anni. Da questa "epifania" parte la storia raccontata da Peppe Fiore nel libro "Gli innamorati", un romanzo che esplora quello che crediamo di sapere dell'altro, ma anche quello che crediamo di sapere di noi stessi.

The fantasy expert and Milan-born multidisciplinary artist Flaminia Veronesi invites us to question what is fantasy and experience wonder in all its possible ways. Using her own contemporary symbolic language, she fights patriarchy and violence to free our reality from taboos. Veronesi sits down with ODDA to talk about her whole journey, her mission of bringing back a less oppressive reality, and highlights the importance of having fun and playing all the time through art.

Quarto episodio della serie “I viandanti della cultura” curata da Marco Sonzogni e Federico Magrin. Episodio dedicato ad una persona polisemica: Flaminia Cruciani. Poetessa, archeologa, docente e scrittrice, Cruciani scrive per la posterità. Marco e Federico leggono alcuni brani da un testo incentrato sulla musica, sulla storia di una passione, di un amore tra un'archeologa e un solista. La conversazione letteraria continua analizzando alcuni concetti chiave della prosa e della poesia di Cruciani, e si sofferma su due libri: Lezioni di immortalità (Mondadori, 2018), un testo autobiografico in cui Cruciani parla della missione archeologica a Ebla con una prosa sacerdotale; e Piano d'evacuazione (Samuele Editore, 2017), una raccolta poetica che indica una possibile evasione da “un insostenibile condizione d'incomprensibilità”. Infine, la puntata si sofferma sul ruolo dell'archeologia e sulla sua vicinanza abissale alla poesia. Ringraziamo gli sponsor di questo episodio: il MAECI, Ministero Affari Esteri e Cooperazione Internazionale  https://www.esteri.it/it e la Società Dante Alighieri di Auckland www.dante.org.nz 

Oggi ai microfoni di Sveja c'è Ciro Colonna.Ventitreesima vittima della strada dall'inizio del 2023: una donna investita mentre attraversava la strada sulla Flaminia. Intanto si sospetta che a guidare il suv che è uscito di strada falciando un ventinovenne sul marciapiede a Torbellamonaca fosse il figlio della donna che si è dichiarata colpevole del fatto.Fuori pericolo Luca Battisti, accoletellato a Termini per rapina.Prime frizioni nella maggioranza in Regione per l'assegnazione delle poltrone di maggior prestigio.Sovraffollamento carcerario e record di suicidi nel Lazio, particolarmente esposti i migranti.Incneritore ritenuto incostituzionale per almeno 5 ragioni da uno studio di avvocati romani che presentano ricorso al TAR.Alfredo Cospito è al 120° giorno di sciopero fame.Sveja, è un progetto di comunicazione indipendente sostenuto da Periferiacapitale, il programma per le periferie promosso dalla Fondazione Charlemagne, oltre che dal contributo di Guido Larcher.

10 Pizzeria Diego Vitagliano, in via Flaminia 525 (zona Corso Francia), è il nuovo indirizzo romano del pluripremiato pizzaiolo napoletano (3° posizione 50 Top Pizza Italia 2022, 5° posizione 50 Top Pizza World 2022, 3 Spicchi Gambero Rosso 2023, miglior pizzeria del mondo 2022 per Big 7 Travel 2022). La quarta apertura per Diego Vitagliano si aggiunge ai due storici locali di Napoli e Pozzuoli, e a quello aperto a Doha (in Qatar), in occasione degli ultimi mondiali di calcio. Nel nuovo locale, spazio anche al senza glutine, alla mixology e a un po' di romanità. Le porte si apriranno la prima settimana di febbraio.

Flaminia is a music producer and live performer based in London. She focuses on the live aspect of performing which allows her to have a full scale of creative freedom and expression. Her take towards writing and performing music brought her to play in London's most notorious venues, such as Printworks, FOLD and Village Underground and as well as international stages in Berlin, Athens, Tbilisi, Goa and New York. After starting releasing music on her label Metempsychosis Records which she runs with End Train, she has been heard on VSK Series, Samurai Music and 47. She collaborated with artists such as Headless Horseman, Ancestral Voices, VSK, Sam KDC and Kwartz. Flaminia also co-founded and runs Home of Sound, a polymorphic platform that breaks down barriers between highly established talents and emerging artists through masterclasses and interviews on electronic music. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Incontro con Paola Cadelli e Flaminia Marinaro. Presenta Anna Vallerugo Due grandi donne a confronto, che hanno avuto successo in un mondo comunque dominato dagli uomini. Dai primi, timidi passi in un teatro di Napoli durante la Belle Epoque, Flaminia Marinaro seguirà la trionfante carriera di Francesca Bertini, la diva che brillò sugli schermi di tutto il mondo. Mentre Paola Cadelli, ci porterà a conoscere meglio una grande scienziata, Rosalind Franklyn, la donna che fotografò il DNA. Edizione 2022 www.pordenonelegge.it

Per oggi 2 novembre, giorno di commemorazione dei defunti, vi proponiamo un altro gioiello di Marzia Coronati, la nostra esperta audio-documentarista."KM 14,4 della via Flaminia. Ti trovi fuori dal grande raccordo anulare, ma ancora dentro la città. Lasciati alle spalle le decine di chioschi di fiori, con i loro gigli, tulipani, rose, crisantemi e prosegui verso l'ingresso principale. Stai per entrare nel campo santo più grande d'Italia: il cimitero Flaminio, noto anche come Cimitero di Prima Porta. Ci siamo: varca la soglia dell'ingresso e preparati, cuffie nelle orecchie, a ripercorrere le vite di Enrico Berlinguer, Ilaria Alpi, Rossano Brazzi, Pietro Mennea, Corrado Mantoni, Sylva Koscina". "Biografie itineranti" è un'audio guida del Cimitero Flaminio realizzata all'interno del progetto "Alla fine della città - Narrazioni, viandanze e immagini nelle periferie" di Fernanda Pessolano e Maria MorHART, Ti con Zero e Biblioteca della bicicletta Lucos Cozza, con Massimo Cirri e Marco Pastonesi, letture di Danilo Nigrelli. Musiche di Angelo Pelini. Buon ascolto

Elena Seracini Vitiello, in arte Francesca Bertini, attrice teatrale e cinematografica, nata il 5 gennaio 1892 e scomparsa a Roma il 13 ottobre 1985, è stata la regina del cinema muto italiano. Formatasi alla scuola del teatro verista e vernacolare, donna bellissima per i canoni di allora, anticonformista, tremendamente moderna è stata anche un' ottima regista in “Assunta Spina”. A raccontarci la sua storia è la giornalista e critica letteraria Flaminia Marinaro che l'ha resa protagonista del suo romanzo uscito per Fazi editore “L'ultima diva”.

Flaminia Verdoni è la giovane artista che esporrà Tuscania, ex Chiesa di Santa Croce in piazza Basile 11, dal 27 settembre al 10 ottobre prossimi. Non è facile individuare le domande appropriate da farle: perché lei dice così poco di se stessa, almeno con le parole, che in realtà l'interrogativo che mi parrebbe più naturale proporle per cominciare la nostra intervista – ci siamo incontrate domenica scorsa - è: “Chi è, Flaminia Verdoni?”.Ma sicuramente sarebbe riduttivo, perché, come nelle sue opere, la comunicazione che Verdoni sembra privilegiare è quella della misteriosa calma con cui la sfinge ti sfida: le domande, come le risposte, sono qui. Solo che tu devi ascoltarle prima, vederle poi.Dunque comincio la mia ricerca -quasi archeologica la definirei da tanti sono gli strati che so già che dovrò scavare – affacciandomi alla porta più grande: il titolo della sua personale che sta per essere inaugurata. “Come in una notte antica”, dice la bella locandina. E io chiedo a Flaminia Verdoni di spiegarmi il perché del titolo... ascolta la risposta dell'Artista!

On this week's show we continue expanding our perspective on the conservation field with contemporary art conservator Flaminia Fortunato. For the past two years Flaminia has served as the Stedelijk Museum's first-ever time-based media art conservator, and prior to this held fellowships at MoMA, the Brooklyn Museum, and more. In our chat we hear all about Flaminia's origins growing up in the south of Italy, and her conservation education that began with very traditional roots in Venice, and expanded to the (at the time) only recently established field of contemporary art conservation, as well as scientific and analytical materials research.Tune in to hear Flaminia's story!Links from the conversation with Flaminia> A Race Against Time: Preserving iOS App-Based Artworks https://resources.culturalheritage.org/emg-review/volume-6-2019-2020/heinen/Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

On the podcast this week, I'm answering a question asked by Flaminia, a member of my community all around how to start a community! I discuss:

Siempre os hemos dicho que la mejor configuración para un deportivo es el motor central… Pero hay otra configuración poco habitual, exclusiva de coches muy especiales y que consigue una eficacia similar con algunas ventajas: El sistema Transaxle. La revista https://www.ceroacien.es también habla de tecnología. Por eso hemos hecho este vídeo, con información muy interesante y con muchas fotos que valen la pena. Recordad, CEROaCIEN solo se vende online. Y que, si eres garajista, tienes descuento si introduces el código GH6. Pero ya sabéis cuál es uno de los “mantras” que repetimos siempre en GH, las historias se comienzan por el principio, así que vamos a contar un poco de historia porque muchos cuando les hablas de “transaxle” piensan en los Porsche 924 y 928. Pues no, esta historia comienza mucho antes. Debut en competición. Estamos a finales de los años 30 y las carreras de monoplazas las dominan los Alfa Romeo 162 (1939) los Auto Unión de Grand Prix (1938) y los Mercedes W125 (1937) todos ellos con motor delantero pero todos ellos con el cambio detrás, junto al diferencial. En realidad, tampoco fueron los primero, pues ya el De Dion-Boutton de finales del siglo XIX ya usaba está técnica, que se desarrolló plenamente en competición. Este sistema pasó a muchos modelos de calle, por sus ventajas de reparto de pesos que se combina con una practicidad que no tienen los coches de motor central. Ya sabemos cuándo comenzó, pero ¿sabemos qué es? Tendrás que ver el video donde te explicamos que en realidad “transaxle” significa en inglés el conjunto mecánico que agrupa al cambio y al diferencial juntos. Pero, sobre todo desde que lo comenzó a usar Porsche, cuando hablamos de sistema transxle nos referimos a poner el motor delante y el cambio diferencial detrás… Lancia Aurelia y Flaminia. Lo de Lancia es una pena, porque de verdad han tenido coches espectaculares y con una tecnología de vanguardia. Si tuviese que describirlos con una sola palabra esta sería “refinados”. En este caso incluso el embrague iba en la parte trasera y el empleo de un precioso motor V6 a 60 grados, más corto que un cuatro cilindros, permitía un reparto de pesos magnifico. Pegaso Z-102. El Pegaso era un compendió de la mejor tecnología del momento. Confieso que la suspensión trasera de este coche siempre me ha parecido impresionante. Para comenzar, como otros muchos coches con sistema transaxle, el eje posterior era rígido, pero tipo “De Dion”, con un eje rígido tubular y ligero, pero el diferencial anclado al chasis. Alfa Romeo. Alfa Romeo puede que sea la marca, por número de unidades, que más ha popularizado el sistema transaxle, pues lo montó por supuesto en el precioso Alfetta coupé, pero también en los Alfa 75 y 90, sin olvidar a “Il Mostro”, el SZ que tenía la misma base. Y los Porsche. Os decía que Alfa Romeo fue la marca que popularizó en sistema por número de unidades vendidas, pero Porsche fue quien lo puso en el mapa, pues con sus gamas 924 luego evolucionadas a 944 y 968 y sobre todo con el 928, presumía de las bondades del sistema y era casi os diría que protagonistas en las carpetas de prensa, indicando que era mejor que el motor central. El 924 se presentó en 1975 pero nunca fue un coche de éxito. Era un proyecto de Porsche para VW que luego Porsche recompró, una historia muy parecida a la del 914, aunque distinta. Pero ese “origen” Volkswagen y llevar el motor delante, de 4 cilindros y refrigerado por agua nunca se lo perdonaron los más fieles seguidores de Porsche. En esa época decir seguidor de Porsche era sinónimo de decir seguidos del 911. El coche evolucionó primero como 944 y luego como 968 un coche excelente con un excelente motor de 3 litros… y solo 4 cilindros. No tuvo mucha mejor suerte el Porsche 928, un GT desarrollado por Porsche para ellos mismo, con un motor V8 que he tenido oportunidad de ver desmontado y es una obra de orfebrería. Llevaba el sistema transaxle con un tubo hueco que unía la carcasa del embrague con el cambio. Conclusión. Me confieso un apasionado de la tecnología de los automóviles y este sistema me gusta mucho. Lo he probado muchas veces en distintos Alfa Romeo y desde luego en muchos Porsche, como sabéis los que me seguís, incluso en competición, donde durante casi tres años tuve la fortuna de participar en competición con un excelente 968 y os aseguro que su comportamiento era extraordinario. Coche del día. Entre 1992 y 1995 Porsche puso a la venta el 928 GTS, muy refinado, muy equipado y con nada menos que 350 CV. Probé este coche en su momento y fue el primero con el que rebasé, crono en mano, los 250 km/h reales…

Marco Ferri"Come è passato il tempo"marcos y marcoshttps://marcosymarcos.com/Passaggi Festival, FanoOre 21.00 - 22.00, Chiesa di San FrancescoPassaggi diVersi - Rassegna di poesiaDi questi luoghiAnna Franceschini “Pietre da taglio” (Kurumuny);Alessandra Carnaroli "50 tentati suicidi più 50 oggetti contundenti" (Einaudi)Marco Ferri "Come è passato il tempo" (marcos y marcos)Fabrizio Lombardo, poeta e redattore rivista VersoDovehttps://www.passaggifestival.it/Anche se dimenticatoil tempo lega, come un ormeggio.Vista dal parcheggiodi una notturna dispensa collettivala Terra è fragile, non puòinghiottire tutto.Il titolo di questa ampia e tesa autoantologia suggerisce subito due cose: la dimensione temporale come asse portante del libro, e l'escursione linguistica, dal basso del parlato quotidiano ai registri più alti, e sempre tuttavia secchi, esatti, privi di compiacimento. È con questa parola che rifiuta ogni orpello e che si apre alla quotidianità che l'autore attraversa il tempo, o meglio le sue varie declinazioni: il tempo soggettivo (“Clima e affanni, scadenze / sui calendari, questa lima”), quello storico, e l'altro, più vasto e sfuggente, che riguarda il farsi e disfarsi della vita, del pianeta, del cosmo. Nulla tuttavia è disposto lungo un asse ordinato e rassicurante: l'epicentro sarà certo il presente devastato, azzerato nella sua dimensione progettuale e utopica, preso d'assedio dalla mercificazione di ogni cosa. Ma da questo luogo minaccioso e minacciato l'esplorazione della poesia innesca una dialettica non facile tra le varie dimensioni del passato e l'orizzonte a noi murato del futuro, che pure dovrà esistere: “Le speranze e le piccole illusioni / chiudile in una busta e nascondile / nel giardino o in un bunker / per quelli del tremila. / Gli eredi non saranno teneri con te”.Come è passato il tempo dà conto di un lungo percorso, quarant'anni di ricerca poetica ammirevole, caparbia, silenziosa e ora capace di stupire per la sua intima, coraggiosa coerenza.Fabio PusterlaMarco Ferri, nato a Fano nel 1950, è stato direttore della biblioteca Federiciana di Fano e docente di materie bibliotecarie all'Università di Urbino. Dal 1988 al 1998, insieme a Gabriele Ghiandoni ed Ercole Bellucci ha diretto l'almanacco di letteratura «Cartolaria». Ha pubblicato le raccolte di versi: Prove e variazioni (Fortuna, 1986); L'apparenza necessaria (Flaminia, 1990); Nero il bianco (Stamperia dell'arancio, 1994); Dove guardi (peQuod, 2001); Discorsi in cucina (Aragno, 2007); la plaquette Corpus (l'Obliquo, 2008) ed Esercizi spirituali per cosmonauti (Di Felice Edizioni, 2013). Nel 2002 ha vinto il premio Carlo Bo per la poesia. Ha tradotto: L'invito di Claude Simon (l'Obliquo, 1993); I miserabili di Victor Hugo (Frassinelli, 1997); Per un'arte poetica di Raymond Queneau, in collaborazione con Silvia Ferri (l'Obliquo, 2012).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Disclaimer: Especially post pandemic, working remotely and digital nomadic work is more prevalent than ever - if interested, this is the conversation for you! Flaminia Buda joins me to discuss her work and lifestyle as a digital nomad and the concept of remote working, which she's been doing for several years. Flaminia talks to me about her upbringing in Italy and American background, her first expat experience in Barcelona, and how that set the tone for both traveling abroad, and working remotely, living the life as a digital nomad. We discuss the pros and cons of the lifestyle, including freedom and flexibility vs loneliness, uncertainty and frustration. Flaminia expands on the key traits required to succeed in the digital nomad space, and especially the workshops she does in helping clients navigate and tailor an approach specific to them, whether that be freelancer, entrepreneur or otherwise. Themes include creativity, connection, empathy and more. Absolute pleasure - thank you, Flaminia! You can find out more about Flaminia here; CTA: https://linktr.ee/nomadhaven instagram: https://www.instagram.com/flaminiabuda/ If you enjoyed this conversation, you can find out more at @thecomebackwithck on Instagram.

L'azienda agricola San Valentino sorge sulla cresta della collina di Covignano (o Col Vignano come si chiamava secoli fa), a 150 metri sul livello del mare, in provincia di Rimini, scaldata dal sole e accarezzata da un vento che porta i benefici influssi del vicino mare. Sono le nove finestre colorate della cantina, al centro del podere, il simbolo della San Valentino: affacciarsi a una di queste significa immergersi in un panorama integro e inebriarsi del profumo di una terra generosa. La vista si perde lungo ettari di terreno coltivato a vigne ed ulivi verso sud-ovest fino al monte Titano e ai colli di Verucchio e Santarcangelo, alle spalle il mare. Tutt'intorno borghi e castelli che narrano la storia antica e prestigiosa di quest'angolo di Romagna e della sua città, fondata nel 268 a.C. dai Romani, snodo tra la via Flaminia e la via Emilia, feudo dei Malatesta dal XIV secolo, culla di artisti e, ancora, città natale di Federico Fellini. I vini prodotti nella cantina San Valentino nascono per un atto d'amore: fu la passione per i frutti della terra a spingere Roberto Mascarin nel 1997 a prendere in mano l'azienda del padre e a dare la svolta importante raggiungendo traguardi prestigiosi nel volgere di pochi anni. Ma è l'incontro con Valentina, Enrico e Alfredo Aureli, che nel 2016 entrano in società con Roberto, a sancire la rinascita della San Valentino. L'azienda, oggi più moderna ed innovativa, è un punto di riferimento del settore e vanta punteggi internazionali tra i più alti nel suo territorio. Protagonista anche il noto enologo Luca D'Attoma, che già negli anni 2000 aveva curato la piantumazione dei nuovi impianti e dal 2016 affianca San Valentino nella gestione dei vigneti e nella produzione dei vini.I vigneti si estendono su una superficie di 17 ettari in proprietà, tutti in collina ed esposti a sud e sud-ovest; il 70% degli stessi è a Sangiovese e Rebola ed il restante a Cabernet Franc, Syrah, e Merlot. Vengono inerbiti a filari alterni e condotti secondo le direttive del Biologico. Il sesto d'impianto conta 7000 piante per ettaro, a guyot. I terreni sono poveri, con una piccola percentuale di argilla e calcare. La resa è di circa 8.000 chili di uva per ettaro, tutta raccolta a mano. Tutti gli interventi sulle piante sono fatti ad un unico scopo: creare condizioni ottimali per uve sane e di eccellente qualità perché “il vino buono nasce nel vigneto e si completa in cantina”. I vini San Valentino, tutti biologici, sono identitari e caratteristici, sia della varietà che del territorio. Quattro sono le uve principali, nove le etichette totali. Quattro i cru: ViVi, Terra di Covignano, Luna Nuova e Mascarin. Tutti vini fermi; due sono bianchi, sei rossi e un passito di Rebola affinato in caratelli di rovere per oltre 15 anni con metodo solera: Contesse Muschietti.

Una bella bambina con un futuro davanti, una immensa passione per i cavalli, una vita piena di sole: si chiama Flaminia e a soli dieci anni conosce l'uomo che la deruberà della sua adolescenza e di un pezzo di futuro. Vittima del suo istruttore, il Federale, stimato maestro di dressage e giudice equestre, ma anche di un sistema giudiziario che si incaglia e si ferma. Denuncia la violenza sessuale e si trova il mondo contro. Denuncia con coraggio, tempestivamente, vuole giustizia. Ma la giustizia non arriverà mai: una contesa tra due procure italiane - poi risolta dalla Corte di Cassazione - impedirà per circa un decennio l'inizio del processo. Un processo appena iniziato e già finito. Il reato è prossimo alla prescrizione. In fumo anni di indagini e tante aspettative. Giustizia non è fatta ma Flaminia vuole raccontare la sua storia con dignità e fermezza. Un colpevole resta impunito. Adesso Flaminia è una bellissima ragazza, appena laureata in legge, alle sue prime esperienze professionali. Ma non dimentica, né perdona. Ora vuole semplicemente vivere.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Per mestiere, Flaminia Fazi diciamo che risveglia il potenziale assopito delle persone. È infatti una Executive Coach & Leadership Trainer e da diversi anni allena Manager e Dirigenti d'impresa a sviluppare la loro capacità di essere una guida per gli altri. Ma Flaminia è anche un coach dello spirito, una sciamana, nel vero senso della parola. Con lei abbiamo parlato di attrazione, vibrazioni e altri fenomeni che la nostra scienza ancora fatica a misurare.-Scopri il nostro mondo di contenuti! znap.link/RinascitaDigitale

The CTV advertising market in Australia is one of the fastest growing areas of the digital advertising ecosystem. In this podcast we chat to Flaminia Sapori, – National Head of Partnerships & Strategic Investments at Matterkind and Alysha Dino – Senior Director, Business Development for Publica. They discuss the growth in the Australian market, compare the AU market with other international markets, improving ad experiences, how e-commerce can be powered by CTV and much more. See omnystudio.com/listener for privacy information.

Quarto Checkpoint Taverna dedicato agli artigiani dell'arte. Vi hanno partecipato Sebastian Andre', Flaminia e Beatrice Bulla, Pierluigi Ferro,Francesco Fiammeri e Luca Paolelli

Yes. it's totally fine. In fact, it's the preferred way to send your spleens to the lab. Here's another thing that I learnt from this episode: pathologists don't necessarily look like Uncle Fester from the Adams Family! Join us with the very un-Uncle Fester-like anatomical pathologist Dr Flaminya Coiacetto for more things that you didn't know about how to ensure better histopath results. (And happier pathologists!) From sample handling, preparation and storage, to what the ideal history looks like. Minia also tells us about the common special stains: how they work and when to use them. If you enjoy listening to Flaminya you should check out her video on how to do a necropsy at https://www.vetnostics.com.au/our-services/educational-resources/. Thank you the SVS Pathology Network (Vetnostics, QML, TML, Vetpath and ASAP labs for lending us their pathologist, and for supporting our new pathology series of podcasts. Go to https://thevetvault.com/podcasts/ for show notes and to check out our guests' favourite books, podcasts and everything else we talk about in the show. If you want to lift your clinical game, go to https://vvn.supercast.tech for a free 2-week trial of our short and sharp high-value clinical podcasts. We love to hear from you. If you have a question for us or you'd like to give us some feedback please leave us a voice message by going to our episode page on the anchor app (https://anchor.fm) and hitting the record button, via email at thevetvaultpodcast@gmail.com, or just catch up with us on Instagram. (https://www.instagram.com/thevetvault/) And if you like what you heard then please share the love by clicking on the share button wherever you're listening and sending a link to someone who you know will enjoy listening. --- Send in a voice message: https://anchor.fm/vet-vault/message

An Interview with Flaminia Assirerrli who is the owner of an authentic Italian restaurant opening opening in Idaho Falls that is opening in August.

Elvira Orphée (San Miguel de Tucumán; 29 de mayo de 1922 - Buenos Aires; 26 de abril de 2018) fue una escritora argentina. Nació el 29 de mayo de 1922 en San Miguel de Tucumán, localizado en la provincia homónima, a la cual ella se refirió diciendo "no es el paraíso terrenal. Quizás en septiembre sea su máximo esplendor porque en las calles hay naranjos y entonces están los azahares. Es para artistas del perfume". El apellido que la identificó a lo largo de toda su vida fue el de su padre, Orphée, que es de origen francés; sin embargo, también adoptó el apellido de su madre, Segura, de origen español. Pasó gran parte de su infancia postrada en una cama a causa de una salud débil. Emigró a fines de los años cuarenta a Buenos Aires, donde estudió Letras. Estuvo casada con el pintor Miguel Ocampo, padre de sus tres hijas: Laura, Paula y Flaminia, a quien acompañó como diplomático a Roma y donde trabó amistad con Alberto Moravia, Italo Calvino y Elsa Morante. Regresó a Argentina y luego a París, donde en 1961 fue consejera de literatura latinoamericana para la editorial Gallimard. Ha sido reeditada, por un lado con su novela Aire tan dulce (1966) bajo el sello Bajo la Luna (agosto de 2009 - Buenos Aires) y su novela Dos veranos (1956) bajo el sello Eduvim (Editorial de la Universidad de Villa María, 2013, Córdoba), en la colección Narradoras Argentinas, codirigida por María Teresa Andruetto, quien también hubiera rescatado su figura anteriormente en su blog Narradoras argentinas y en artículos publicados en el diario La Capital de Rosario. Murió en Buenos Aires, a los 95 años de edad. Bibliografía Novelas Dos veranos (1956) Uno (1961) Aire tan dulce (1966) En el fondo (1969) Su demonio preferido (1973) La penúltima conquista del Ángel (1977) La muerte y los desencuentros (1989) Basura y luna (1996) Cuentos Las viejas fantasiosas (1981) Ciego del cielo (1991) Premios recibidos 1967 - Segundo Premio Municipal de novela, por Aire tan dulce 1969 - Primer Premio Municipal de novela, por En el fondo.

TESTO DELL'ARTICOLO ➜ http://www.bastabugie.it/it/articoli.php?id=6626PER CAPIRE LA (FALSA) DONAZIONE DI COSTANTINO VA CONOSCIUTA LA (VERA) DONAZIONE DI SUTRIPer Donazione di Sutri si intende la cessione effettuata nel 728 dal sovrano longobardo Liutprando a papa Gregorio II, di alcuni castelli del Ducato romano importanti per la difesa di Roma, il maggiore dei quali era quello di Sutri. Fu la prima delle due restituzioni per donationis titulo effettuate da Liutprando alla Chiesa di Roma. La seconda si ebbe nel 743.Dopo essere stato eletto re dei Longobardi (712), Liutprando, re di un popolo divenuto ormai cattolico, si trovò a fronteggiare una serie di problemi quali il forte potere delle principali famiglie dell'aristocrazia e la minaccia di secessione di alcuni grandi ducati; tra questi in particolare i ducati di Spoleto e di Benevento, costituenti la Langobardia Minor, di fatto autonomi dal potere centrale e separati dal resto del regno dal Corridoio bizantino, che attraversava tutta l'Italia centrale dal Tirreno (Roma) all'Adriatico (Ravenna).A tal proposito iniziò dunque una politica di rafforzamento del potere centrale. Mentre, in una prima fase, cercò l'appoggio di parte del mondo ecclesiastico e romano, in seguito, una volta scoppiata la disputa iconoclasta si volse contro l'impero bizantino, tentando la conquista di quei territori che dividevano in due tronconi il regno. Liutprando seppe cogliere il momento propizio quando nei territori italiani governati dai bizantini si diffuse lo sdegno per l'appoggio dell'imperatore Leone III Isaurico al movimento iconoclasta. La sua campagna militare iniziò appunto da quei territori che dividevano in due la Langobardia, cioè l'area del Ducato romano.Quando il papa capì le intenzioni dei Longobardi - i quali erano probabilmente decisi a conquistare la stessa Roma - si sentì direttamente in pericolo, in quanto da molti anni l'impero bizantino aveva cessato di intervenire militarmente in favore di Roma, spendendo le proprie energie per difendere la sola Ravenna, capitale dell'Esarcato. Il corso degli eventi prese una direzione diversa da quella annunciata (la possibile presa di Roma) quando, nel 728, i Longobardi conquistarono la fortezza di Narni, centro strategico lungo la via Flaminia. Persa la via Flaminia, i bizantini concentrarono tutte le loro difese sulla via Amerina, unica altra strada romana che, partendo da Roma, attraversa l'Umbria e il Piceno.A presidiare la via Amerina vi erano le fortezze di Todi, Amelia ed Orte. Più a sud, i castra di Bomarzo, Sutri e Blera erano a salvaguardia della via Cassia. Papa Gregorio II (715-731) si rivolse direttamente a re Liutprando chiedendogli di rinunciare ai territori già conquistati e di restituirli all'esarca bizantino cioè al legittimo possessore. Liutprando, che nel frattempo era riuscito ad ottenere la sottomissione dei duchi "ribelli" di Spoleto e Benevento, invece donò il castrum di Sutri al pontefice, con un gesto di grande significato simbolico.IL SIGNIFICATO POLITICO DELLA DONAZIONEA partire almeno dal VI secolo, con papa Gregorio I (romano di nascita) la Chiesa era stata costretta suo malgrado a sostituirsi all'amministrazione bizantina provvedendo al vettovagliamento della popolazione dell'Urbe e dei dintorni. La popolazione era stata colpita da carestie e pestilenze, che si succedettero ripetutamente in quel periodo. In effetti già papa Leone I nel V secolo dovette sopperire con le istituzioni caritatevoli alla sensibile diminuzione delle pubbliche elargizioni seguite alle occupazioni dei Barbari. Dovendo far fronte all'assenza dell'intervento dell'Imperatore di Costantinopoli, legittimo sovrano, e dell'Esarca di Ravenna, ai quali ripetutamente e invano aveva fatto ricorso per ottenere aiuti, il pontefice amministrò sotto la sua responsabilità l'Annona civile e militare, attingendo anche ai beni della Chiesa. Non di rado inoltre, a difesa del territorio e in nome dell'Imperatore, lo stesso papa Gregorio dovette esercitare l'imperium per mezzo del duca (il comandante della guarnigione militare) sulle truppe bizantine stanziate a Roma.Si può far risalire quindi almeno a questo periodo l'acquisizione de facto da parte del papato di un nuovo ruolo politico-istituzionale sul territorio di Roma e dei dintorni, non in virtù di una formale sovranità territoriale, ma in base al riconoscimento ottenuto dalla popolazione stessa. Inoltre, l'accresciuto peso politico-istituzionale della Chiesa, che andava oltre l'autorità religiosa, comportò una ristrutturazione della stessa struttura ecclesiastica al fine di metterla in grado di fare fronte alle accresciute, ed impreviste, funzioni cui si era vista chiamata.Le donazioni longobarde dei primi castelli nell'VIII secolo, formalmente destinate "agli apostoli Pietro e Paolo", non possono pertanto prescindere da un riconoscimento ormai consolidato di un ruolo politico della Chiesa a cui gli stessi sovrani longobardi guardavano ormai come necessario interlocutore negli equilibri politici della penisola. Una soggettività che ormai andava oltre la sua forza principale data dalla "superiorità" spirituale conferitagli dal primato di San Pietro ed in virtù della successione apostolica (preminenza ribadita più volte nei concili ecumenici dei secoli III e IV, e già testimoniata nel I secolo durante il pontificato di papa Clemente I), autorità morale che veniva ormai riconosciuta anche dai popoli germanici: i Franchi, i Visigoti di Spagna, i Burgundi, gli Anglo-sassoni d'Inghilterra e gli stessi Longobardi.D'altra parte la Santa Sede era già proprietaria di numerosi territori, i Patrimonia, storicamente documentati e mediante i quali venivano donati chiese e monasteri, e che erano pervenuti sin dalla fine del III secolo, come già testimoniato nell'Editto di Milano mediante il quale Costantino e Licinio ordinavano che alla Chiesa venissero anche restituiti i beni ad essa in precedenza confiscati, per accrescersi ulteriormente come descritto nel Liber Pontificalis. Già in anni precedenti inoltre erano avvenute altre restituzioni di patrimoni già appartenenti alla Chiesa e sottratti dai Longobardi come il patrimonio delle Alpi Coziee la città di Cuma recuperata dallo stesso Gregorio II.La Donazione di Sutri, pur non rappresentando l'atto formale della concessione di una sovranità statuale e pur ricevendola papa Gregorio II solo come rappresentante dell'Imperatore, costituisce comunque un riconoscimento formale dell'esercizio di alcuni poteri giurisdizionali in capo alla Santa Sede che questa già da tempo esercitava ormai di fatto, sostanzialmente diverso quindi dalla mera gestione amministrativa dei Patrimonia, e segno di una autorità politica che era venuta accentuandosi negli ultimi decenni.Tale riconoscimento di una autorità anche civile e giurisdizionale (che fino ad allora era stata esercitata solo di fatto ma non di diritto sui territori romani), andrà accentuandosi negli anni di poco seguenti con gli immediati successori di Gregorio II (Gregorio III e Zaccaria), dovuto anche al progressivo disinteresse e allontanamento degli imperatori bizantini.La donazione di Sutri, che avveniva nel pieno della rivolta ai decreti bizantini iconoclasti, vedeva inoltre la popolazione romana al fianco del papa contro i rappresentanti degli imperatori di Costantinopoli: l'Esarca e il Duca romano, che già si erano resi protagonisti di un fallito attentato ai danni di papa Gregorio II. Ciò rese maggiormente significativo il fine politico dell'atto della donazione da parte del re longobardo, che si ritagliò un ruolo di primo piano nel ristabilimento, seppur transitorio, dell'ordine e della pace nella penisola. [...]EVENTI SUCCESSIVI ALLA DONAZIONENel 739 papa Gregorio III indirizzò una lettera a Carlo Martello, maestro di palazzo del re dei Franchi, in cui comparve per la prima volta la locuzione populus peculiaris beati Petri, riferita alle popolazioni del Ducato Romano, del Ravennate e della Pentapoli, che vivono insieme in una respublica di cui san Pietro è il protettore e l'eroe eponimo.Tra il 739 e il 741 a Sutri si aggiunsero: Gallese (per riscatto) e per donazione i castra di Ameria (Amelia), Orte, Bieda (Blera), e Polimartium (Bomarzo) e ancora nel 743 re Liutprando restituiva al Pontefice papa Zaccaria per donationis titulo quattro città da lui occupate (Vetralla, Palestrina, Ninfa e Norma) e una parte dei patrimoni della Chiesa in Sabina, ad essa sottratti oltre trent'anni prima dai duchi di Spoleto. Liutprando, dal canto suo, aveva temporaneamente sfumato le tensioni con gli altri ducati longobardi, soprattutto con i ducati periferici - e quindi più autonomi - di Spoleto e Benevento, evitando così una guerra civile.Di poco successiva è la Promissio Carisiaca, sottoscritta a Pavia dal re dei Franchi Pipino il Breve nel 754.Con i patti stretti con i sovrani franchi sin dalla seconda metà dell'VIII secolo la respublica di San Pietro non è più solo da intendere come "Patrimonio del vescovo di Roma", ma come un ente avente soggettività giurisdizionale riconosciuta ormai da più parti e a cui Pipino il Breve nel 754 garantirà protezione militare contro le aggressioni dei re longobardi. Le successive restituzioni dei re longobardi al pontefice (774) indotte dai patti con i Franchi, tra cui Ravenna e la Pentapoli, parlano espressamente di una restitutio alla Respublica Romanorum di cui il vescovo di Roma veniva riconosciuto capo.LA DONAZIONE DI COSTANTINO È LA GIUSTA RIVENDICAZIONE DEL RUOLO ACQUISITO DALLA CHIESAUno degli eventi successivi alla donazione di Sutri è anche la redazione del falso storico della Donazione di Costantino (in latino Constitutum Constantini). Secondo il documento, retrodatato al 321, l'imperatore romano Costantino I avrebbe ceduto alla Chiesa di Papa Silvestro I l

San Juan I, papa y mártir, que, habiendo sido enviado por el rey arriano Teodorico en embajada al emperador Justino de Constantinopla, fue el primer pontífice romano que ofreció la Víctima Pascual en aquella Iglesia, pero a su regreso, detenido de manera indigna y arrojado en la cárcel por el mismo Teodorico, pereció como víctima por Cristo Señor, en Ravena, en la Flaminia en el año 526.

Flaminia ed Alessandra, oltre ad essere sorelle e tra le mie primissime fan, sono delle grandi appassionate di WDW che hanno visitato la prima volta nel 1995, dopo il quale ne sono susseguiti altri 15 nel corso di 25 anni! Con loro parleremo come sono cambiati i parchi, come è cambiato il loro modo di viverli e come non si stancano mai di visitare così spesso il "Posto più felice della Terra" SPONSOR by TIQETS la migliore piattaforma per l'acquisto di biglietti! Offrimi un CAFFE' ☕️ --- Send in a voice message: https://anchor.fm/parksandfun/message

La partita del web tra genitori e figli - Ne parliamo con la Sen. Vanna Iori e la psicologa Flaminia Bolzàn

La partita del web tra genitori e figli - Ne parliamo con la Sen. Vanna Iori e la psicologa Flaminia Bolzàn

Il Re guida i suoi uomini lungo la via Flaminia. Dietro di lui file e file di lancieri, arcieri e cavalieri. Sono tanti, diecimila, forse di più “non tanti quanti eravamo un tempo”, pensa Totila. Dieci anni prima erano discesi dalla stessa via, il Re d’Italia ricorda bene la strada: ecco lì il Ponte Milvio. Si ricorda di come avevano circondato la città. Era molto giovane allora, e avventato. Ricorda i suoi amici e i compagni d’arme, la guerra era stata un gioco per loro. “Oggi i corpi di tanti di loro sono ancora sepolti qui”, pensa il Re. Questa terra è stata innaffiata del sangue dei Goti, un anno di terribile assedio alla città eterna. “Ma siamo ancora vivi” pensa Totila “E ora siamo tornati”.---Ti piace il podcast? Sostienilo, accedendo all’episodio premium, al canale su telegram, alla citazione nel podcast, alle première degli episodi e molto altro ancora:https://www.patreon.com/italiastoria o con una donazione su www.italiastoria.com---►Trascrizioni episodi, mappe, recensioni, genealogie:www.italiastoria.com ►FacebookPagina: https://www.facebook.com/italiastoriaGruppo: https://www.facebook.com/groups/italiastoria►Instagramhttps://www.instagram.com/italiastoria/►Twitterhttps://twitter.com/ItaliaStoria►YouTube:https://www.youtube.com/channel/UCzPIENUr6-S0UMJzREn9U5Q►Contattami per commenti, idee e proposte di collaborazione: info@italiastoria.com---Musiche di Riccardo Santatohttps://soundcloud.com/riccardo-santato---Grazie ai miei Patreon:Livello Leonardo da Vinci: Paolo, David l’apostata, Massimo, Pablo, Simone, Frazemo Arianna, Jacopo, Jacopo F., Riccardo, Lucio, Enrico, Dalla Sicilia.com, Alberto, Davide, Manuel, Andrea.Livello Galileo Galilei: Davide, Francesco, Jacopo Toso, Riccardo, Stefano, Roger, Anna, Pierangelo, Luigi, Antonio, Giulia, Ezra, Andrea, Paola, Daniele, Mariano, Francesca, Gabriella, Alessio, Giovanni, Alessandro, Valerio, Angelo, Alberto, Viviana, Riccardo, Giorgio, Francesco G., Francesco B., Emanuele, Giacomo, Francesco M, Giacomo, Martina. Grazie anche a tutti i miei sostenitori al livello Marco Polo!

  Fustella Rotante - LA LIVE #020 - 01/03/2021 - Ospiti Flaminia Brasini e Virginio Gigli - 50 Clues FUSTELLA ROTANTE LIVE! Ogni lunedì 90 minuti (abbondanti) di intrattenimento parlando di giochi da tavolo. Ogni lunedì un ospite. Addirittura una coppia di ospiti questa sera, con Flaminia Brasini e Virginio Gigli. Rinomata coppia autoriale, tra […] L'articolo Fustella Rotante – LA LIVE #020 – 01/03/2021 – Ospiti Flaminia Brasini e Virginio Gigli – 50 Clues proviene da Fustella Rotante.

La terza via consolare affrontata nel podcast "TracciaRoma" è la Flaminia. In passato fondamentale via di comunicazione tra Roma e il Nord, la via inizia da Porta Flaminia, meglio conosciuta come Porta di Piazza Del Popolo, luogo che tutt'oggi continua a rappresentare a pieno la meraviglia di Roma. Ascolta l'episodio per saperne di più! Fonti: “Le strade di Roma”, di Sergio Delli (1993), www.romanoimpero.com, www.treccani.it. Instagram: @tracciaroma; Twitter: @tracciaroma; Mail: tracciaroma@gmail.com; Logo: @mattiaforotti; Voce: Blake De Luca; Composizione musicale sotto la citazione: Umberto La Barbera; Testi: Simone Oliva; Foto: Priscilla Ruggiero; Social Media Manager e Social Content Creator: Francesco Giosuè Pantuso; Cura e Produzione Audio: Simone del Gracco; Produzione: Andrea De Angelis e Simone Oliva.

durée : 00:05:00 - Déjà debout - par : Mathilde MUNOS - Flaminia Carloni, artiste peintre, directrice d'une école d'art à Pau répondra aux questions de Mathilde Munos

durée : 00:05:00 - Déjà debout - par : Mathilde MUNOS - Flaminia Carloni, artiste peintre, directrice d'une école d'art à Pau répondra aux questions de Mathilde Munos

durée : 00:05:00 - Déjà debout - par : Mathilde MUNOS - Flaminia Carloni, artiste peintre, directrice d'une école d'art à Pau répondra aux questions de Mathilde Munos

Deutsch-Italienerin Flaminia besetzt in der neuen Denken Erlaubt Episode das dritte Mikrofon. Wie sie es schafft mit einer Katze die Blicke auf sich zu ziehen und warum sie eine der wenigen mutigen Frauen auf Liebesplattformen ist erfährt ihr bei uns! Außerdem begeben sich die Drei auf die Suche nach dem Liebesrezept für glückliche Partnerschaften.

Nello scorso episodio abbiamo infine posto fine all’assedio e alla battaglia per Roma, anticipando però che la battaglia per l’Italia doveva ancora iniziare. Si tratterà di una guerra di nervi e di soldati combattuta tra Ravenna e Roma, nel campo di battaglia dell’Italia centrosettentrionale: la regione attraversata dall’asse portante del Regno, la Via Flaminia.Milano sotto assedio, l’arrivo di Narsete, una battaglia sotto le porte di Rimini: in questo episodio la guerra dilagherà in tutta Italia. Eserciti percorreranno in lungo e in largo la penisola, sempre più dimentichi del vero dramma in corso.Perché in tutto questo, mentre i principi giocano alla guerra, l’Italia muore di fame. ---Ti piace il podcast? Sostienilo, accedendo all’episodio premium, al canale su telegram, alla citazione nel podcast, alle première degli episodi e molto altro ancora:https://www.patreon.com/italiastoria---►Trascrizioni episodi, mappe, recensioni, genealogie:www.italiastoria.com ►FacebookPagina: https://www.facebook.com/italiastoriaGruppo: https://www.facebook.com/groups/italiastoria►Instagramhttps://www.instagram.com/italiastoria/►Twitterhttps://twitter.com/ItaliaStoria►YouTube:https://www.youtube.com/channel/UCzPIENUr6-S0UMJzREn9U5Q►Contattami per commenti, idee e proposte di collaborazione: info@italiastoria.comGrazie ai miei Patreon:Livello Leonardo da Vinci: Paolo, David l’apostata, Massimo, Pablo, Simone, Francesco, Frazemo Arianna, Jacopo, Jacopo F., Riccardo e Lucio.Livello Galileo Galilei: Davide, Francesco, Jacopo Toso, Riccardo, Stefano, Roger, Anna, Pierangelo, Luigi, Antonio, Giulia, Ezra, Andrea, Paola, Daniele, Mariano, Francesca, Gabriella, Alessio, Giovanni, Alessandro, Valerio, Angelo, Alberto, Viviana.Livello Marco Polo: Dominik, Giacomo, Jacopo, Marco, Fabio, Francesco, Roberto, Stefano, Sergio, Fabrizio, Gianmarco, John, Luca, Gianluca, Marco, Federico, Tony, Mariette, Luca, Andrea, Gabriele, Bruno, Gabriele Mazzon, Ale, Maurizio, Enrico, Federico, Leandro, Patricia, Emiliano, Alessandro, Pietro, Nikola, Tommaso, Marco N., Nicolò, Dario L., Dario C., Vittorio, Tommaso, Andrea B, Marco il nero, Valerio, Pasquale, Antonino, Jonathan, Enrico, Patrizia, Giannoide, Christian, Giorgio, Matteo, Antonio, Marzia, Francesco, Dario, Lorenzo, Norman, Andrea, Erika, Michele, Paolo, Michel, Michael, Vittorio, Andrea, Enrico, Gianpiero, Luca, Elia. Musiche di Riccardo Santato

1. Flaminia & Tapefeed-137 Weapons 2. Atonism-Ancient Creatures 3. UVB-In All Fairness 4. Tommy Four Seven-The Virus (Ansome Remix) 5. Kontain-Americana (Swarm Intelligence Remix) 6. Anfs-Rashad 7. Michael Wells-Universe Forms 8. Forest Of Fire-Ankh 9. Nigh & TMare-Evocative Regression 10. Qant-Coaxial 11. Kamikaze Space Program-Sparks 12. Forest Drive West-Para 13. Eomac-Entrance 14. Stave & Karim Maas-Fabricator 15. Skee Mask-Dial 274 16. Alessandro Adriani-Two Journeys 17. Slope Unit-First Tube To Elephant & Castle 18. KRTM & Ansome-Fiend

Muchá, hoy les traigo a una mujer increíble y que está haciendo cosas bien chileras. Te presento a Flaminia Villagrán, emprendedora, cantante, pianista, compositora, médico y mamá. Actualmente, Flaminia es la fundadora de una clínica especializada en Medicina Estética y Antienvejecimiento llamada Total Health Clinic. Pero no solo es una médico sino que también es una cantautora guatemalteca, apasionada por producir música indie experimental con uno que otro toque de electrónica. Pasó su infancia en la ciudad de Austin, Texas en los Estados Unidos. Empezó a tocar el piano cuando tenía 3 años de edad y comenzó a estudiar para ser pianista clásico cuando regresó a Guatemala en 1992. En el 2001, ganó un concurso de canto a nivel latinoamericano en la Ciudad de México, con el cual consiguió un contrato de grabación en los Estados Unidos. Allí grabó un disco de música country en Nashville. En el 2004, estando en Miami también aprendió sobre producción e ingeniería en sonido. Flaminia se ha presentado en lugares muy reconocidos como el Madison Square Garden y The Miami Arena. En 2010 colaboró con uno de los DJ más importantes de Latinoamérica, Francis Davila para un álbum llamado Shine. A inicios del 2011 obtuvo el título de Médico y Cirujano en la Universidad Francisco Marroquín de Guatemala. Y en junio del mismo año lanzó su primer álbum como solista llamado Flaminia, que también combina los sonidos electrónicos de sintetizadores, beats y secuenciadores, con instrumentos reales como el piano, alcanzando los primeros lugares en radios locales. Estuvimos conversando acerca de todo el camino que ha recorrido a lo largo de su vida como artista y profesional, aprendizajes, lecciones y cómo fue que le hizo para hacer todo lo que le apasionaba sin perder el control. Pero bueno… no te sigo contando más y te dejo la siguiente historia. INVIERTE EN PORTAFOLIO DIVERSIFICADO

Giovanni Brizzi"Andare per le Vie Militari Romane"Il Mulino Editorehttps://www.mulino.it/Festival del Mondo Antico, RiminiSabato 17 ottobre 2020 - ore 11.30 - Museo della Città "Luigi Tonini"L'antico in terza paginascritti giornalistici di Giancarlo Susini, a vent'anni dalla scomparsa dello studiosone parlano Giovanni Brizzi, Valeria Cicala, Vittorio LegaSabato 17 ottobre 2020 - ore 19.00 - Museo della CittàAndare per le vie militari romaneGiovanni Brizzi in dialogo con M. Pia GuermandiDomenica 18 ottobre 2020 - ore 19.00 - Museo della CittàEl AlameinAndrea Santangelo in dialogo con Giovanni BrizziTre sono le strade che più delle altre hanno scandito la conquista e il controllo della penisola da parte di Roma: l'Appia, la Flaminia e l'Emilia, vie consolari sorte nell'arco di 125 densissimi anni. Inizialmente, progettando l'Appia, Roma si propose di difendere la «prima Italia», il versante tirrenico raccolto intorno all'Urbe. La Flaminia, via militaris per eccellenza, permise poi di tener separati i principali nemici, i Galli e i Sanniti, consentendo di disporre da mare a mare una fascia di territorio fedele alla res publica. L'Emilia (187 a.C.), infine rappresentò per molto tempo la chiusura a settentrione dell'Italia politica legata a Roma, prefigurando il modello di limes destinato a divenire canonico lungo le frontiere presidiate del suo futuro impero mondiale, dalla Britannia all'Eufrate. Un itinerario da percorrere cercandone per ognuna anima e vocazione.Giovanni Brizzi è professore emerito di Storia romana nell'Università di Bologna. Con il Mulino ha pubblicato «Il guerriero, l'oplita, il legionario. L'esercito nel mondo antico» (nuova ed. 2013), «Annibale» (2014), «Canne» (2016), «Ribelli contro Roma» (2017), «Silla» (2018) e curato «Guerre ed eserciti nell'antichità» (con M. Bettalli, 2019).IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Oggi parliamo di un tema molto delicato con la dott.ssa Flaminia Froio. Parliamo di famiglie, abusi e maltrattamenti sui minori e le conseguenze psicologiche di queste situazioni spesso multiproblematiche.Buon ascolto.

Coronavirus e gli aspetti psicologici di questa quarantena con la dottoressa Flaminia Bolzan

Nuovo martedì, nuova tappa!Il nostro viaggio lungo la Via degli dei prosegue: oggi andiamo da Madonna dei Fornelli al PAsso della Futa, fra piogge apocalittiche, cimiteri tedeschi e antiche strade romane.Una tappa archeologica, storica, ma anche demenziale e gastronomica, che ci porta dall'Emilia alla Toscana! Buon ascolto!

How do we discover music? If it wasn’t for compilations, playlists and passionate music diggers such as Adam Heaton, it would be much harder to find new stuff. In this podcast with Adam, an independent Spotify curator taking care of over 100 playlists of different and specific styles, we also talk about the importance of treating people behind a computer as people (and not robots) and saying thanks more. And we extensively talked about the relevance of Spotify and the story of how Adam went from sorting music just for himself to helping tens of thousands of us discover fresh music every week. If you enjoyed it, follow us for more and share it, share it, share it! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ This is Home Of Sound by Flaminia, End Train, Tapefeed and Vlad Panaite. -- Adam Heaton Links https://www.adam-heaton.co.uk/playlists/ https://open.spotify.com/user/adamscottheaton https://www.instagram.com/adamheatonuk/ https://soundcloud.com/adamheaton https://www.youtube.com/channel/UCdl6zlhIlzowfq7x6WcLFMQ Other links Skiley.net / Soundsgood - playlist management Spotify Tool proposal to connect playlists to beatport Moz / Ahref guides for SEO (Seach Engine Optimization) Kiskelfacit - artist (and DJ) who made Adam’s artworks -- Home Of Sound All updated links: https://linktr.ee/home_of_sound Subscribe on YouTube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ?sub_confirmation=1 Spotify playlists: https://open.spotify.com/user/w5cr2gkssqiituy7ue4d1k4o7 Instagram: https://www.instagram.com/home_of_sound/ Facebook: https://www.facebook.com/Home-Of-Sound-107669157311141/

Do failures matter? Yes, but only because they help you learn and progress. In this chat with Bas Jenster, who cofounded Vault Sessions, we talked about their journey from a ‘vibe’ to 2,000+ people event. We also spoke about what helps artists get exposure to promoters, how being open to feedback is the only real recipe to grow and how side jobs are actually not that bad, especially if they allow you to develop your passion freely. Bas also shared with us more about Vault Sessions’ multi-day lineups and future plans... If you enjoyed it, follow us for more and share it, share it, share it! This is Home Of Sound by Flaminia, End Train, Tapefeed and Vlad Panaite. -- Bas / Vault Sessions Upcoming projects 31st Jan - 2nd Feb Vault Sessions V (Amsterdam) and more: https://www.facebook.com/pg/Vault.Sessions.Amsterdam/events/?ref=page_internal Links https://www.facebook.com/Vault.Sessions.Amsterdam/ https://www.instagram.com/vault_sessions/ https://soundcloud.com/vault-sessions-collective https://www.vault-sessions.com/ Other links Bjarki live set: https://www.youtube.com/watch?v=ugLZFV0vKIk -- Home Of Sound Spotify: https://open.spotify.com/show/5Cx9Vz5mAs71ln2oEKTOiz Youtube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ Apple podcast: https://podcasts.apple.com/us/podcast/home-of-sound/id1492316183?uo=4 Google Podcast (Android only): https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9mNGMxMWFjL3BvZGNhc3QvcnNz Get notified about next ones on YouTube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ?sub_confirmation=1 Spotify curated playlists: https://open.spotify.com/user/w5cr2gkssqiituy7ue4d1k4o7 Instagram: https://www.instagram.com/home_of_sound/ Facebook: https://www.facebook.com/Home-Of-Sound-107669157311141/ Other podcast platforms: https://anchor.fm/home-of-sound

Andrea Greco, artist name Burden, is an Italian born, London based DJ and producer. Over the years his sound has emerged as increasingly dark and industrial; energised with driving basslines, shadowy atmosphere, and hypnotic leads. Burden’s DJ career was born in Rome in 2011, when he had the chance to play alongside internationally renowned techno artists like Len Faki and Shifted. In 2013 Burden moved to London. His masters degree in Sound Engineering at SAE Institute, the experiences this new city offered, and his fascination with its underground scene, helped sculpt his signature, albeit versatile, sound. Burden was soon contributing to the rave scene playing parties such as Aria, Superstition, Corner, HTBX, Dazed and Confused, 000011010 Collective, Wachtraum… As well as renowned warehouses and clubs such as Fold, Bloc, Electrowerks, The Cause, 93 Feed East, and Egg. Currently, Burden is one of the resident DJs of ARIA; a collective of likeminded techno lovers that have allowed him to perform in underground venues, and alongside names like Blawan and Electric Indigo. At the beginning of 2018, together with DLTN and a group of friends, Burden started his record label ‘Aurea Records’, where he continues to release his music and collaborate with artists such as Uun, Stanislav Tolkachev, Ness, Arnaud Le Texier, Tapefeed, End Train and Flaminia. Burden’s productions are played and supported by Tommy Four Seven, Ben Klock, Cleric, Paula Temple, Ancient Methods, Killawatt and many others. Follow BURDEN here: Resident Advisor: https://www.residentadvisor.net/dj/burden-it Facebook: https://www.facebook.com/BurdenOfficialPage/ Instagram: https://www.instagram.com/burden_aurearecords/ Soundcloud: https://soundcloud.com/burden-6 Mixcloud: https://www.mixcloud.com/burdenoff/ Beatport: https://www.beatport.com/artist/burden/523093 Discogs: https://www.discogs.com/artist/5685261-burden-9 Contact: andreagrecod9@gmail.com --- Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Resident Advisor: https://www.residentadvisor.net/profile/techclubbers Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/c/TechClubbersPodcast Itunes: https://podcasts.apple.com/it/podcast/tech-clubbers-podcast/id1453220509 Contact: info@techclubbers.com

What matters for promoters when they book artists? What are the challenges of up and coming artists? What is happening in the Electronic Music scene in India? In this chat with Chhabb audio, we explored how artists and promoters can make it work and what has been going on in India for the last few years, including the Far Out Festival that Chaab co-organized. We also talk about Chhabb audio’s experience and we got philosophical about the deep drivers for doing art between hierarchy and territory. If you enjoyed it, follow us for more and share it share it share it! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ This is Home Of Sound by Flaminia, End Train, Tapefeed and Vlad Panaite. -- Chhabb audio Upcoming projects https://www.facebook.com/events/622217388585294/ Faroutleft compilation: https://folrecords303.bandcamp.com/ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Socials Facebook: https://www.facebook.com/Chhabb-audio-1389675634676577/ Instagram: https://www.instagram.com/chhabb_audio/ Soundcloud: https://soundcloud.com/imaginary-friend-4 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Other links Bhish (Chhabb’s partner in FarOut Left): https://www.instagram.com/bhish_regenerate/ Kyle (Chhabb’s partner in FarOut Left): https://www.facebook.com/kyle.pereira3 Faroutleft: https://www.facebook.com/faroutleftfestival/ Regenerate: https://www.facebook.com/RegenerateMusic/ Social: https://www.facebook.com/SocialOffline/ Cirrus Goa (where Chhabb and us from HoS played): https://www.instagram.com/cirrusgoa/ Metaexperimantal (Chhabb audio’s experimental collective): https://www.instagram.com/meta_experimental/ ‘Hierarchy and Territory’ concept in Steven Pressfields’ book The War Of Art:https://www.amazon.co.uk/War-Art-Through-Creative-Battles/dp/1936891026 ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Home Of Sound Spotify: https://open.spotify.com/show/5Cx9Vz5mAs71ln2oEKTOiz Youtube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ Instagram: https://www.instagram.com/home_of_sound/ Facebook: https://www.facebook.com/Home-Of-Sound-107669157311141/

Why if you don’t ask you get far less and miss out on incredible stuff. How much do relationships with people in the scene help? What are the big pitfalls of social media and how can we keep a better balance? In this chat with Niamh, we explored her incredible experiences going from random jobs in London to being a club booking manager and exploring many other projects such as the online publication MOTZ and writing for DJ Mag. If you enjoyed it, follow us for more and share it share it share it! This is Home Of Sound by Flaminia, End Train, Tapefeed and Vlad Panaite. -- Niamh Upcoming projects 4th Jan 2020, Niamh playing at Fabric London w/JoeFarr, Hypah & more - fabricldn.co/04gkci Socials Facebook: https://www.facebook.com/niamhsounds/ Instagram: https://www.instagram.com/nevelbean/ Other links MOTZ, where Niamh was taking care of content and interviews: https://www.facebook.com/MOTZberlin/ MOTZ's cofounder Jasmine Azarian: https://www.facebook.com/azarianjasmine/ Mantas, (great) DJ/production teacher and artist himself: https://www.facebook.com/AbstractMan.London/ Become a DJ, Mantas’ Dj/production school in London: https://www.facebook.com/becomeadj.co.uk/ Monki, the commercial house DJ playing Egg Niahm mentioned: https://www.facebook.com/monkidj/ Egg LDN, where Niahm used to manage Bookings: https://www.egglondon.co.uk/ Orange Yard, the new club where Niahm will manage Bookings: https://www.residentadvisor.net/news/71006 Sciatic Records: https://www.facebook.com/sciaticrecords/ or https://sciaticrecords.bandcamp.com/ Sciatic founder Georgia aka Ôneyra: https://www.facebook.com/oneyramusic/ Marcus Barnes, Mixmag techno journalist mentioned: https://www.facebook.com/mgoldenbarnes/ Luther Vine, the Egg LDN resident who also works in Phonica: https://www.facebook.com/luthervinemusic/ Doors Open: https://www.doorsopen.co/ Music Week: https://www.musicweek.com/ Home Of Sound Spotify: https://open.spotify.com/show/5Cx9Vz5mAs71ln2oEKTOiz Youtube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ Apple podcast: https://podcasts.apple.com/us/podcast/home-of-sound/id1492316183?uo=4 Google Podcast (Android only): https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9mNGMxMWFjL3BvZGNhc3QvcnNz Get notified about next ones on YouTube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ?sub_confirmation=1 Spotify curated playlists: https://open.spotify.com/user/w5cr2gkssqiituy7ue4d1k4o7 Instagram: https://www.instagram.com/home_of_sound/ Facebook: https://www.facebook.com/Home-Of-Sound-107669157311141/ Other podcast platforms: https://anchor.fm/home-of-sound

Are you putting too much attention on the end goals and stopped enjoying making music? What things will help you get bookings through time? Are social media likes all-important? In this podcast - we went all the way to India and met with Arjun Vagale, a household name of Indian’s electronic music scene, who gave us tons of insights on his music, life and what helps artists in their career. If you enjoyed it, follow our channel for more and share it with a friend who may find this valuable. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ This is Home Of Sound by Flaminia, End Train, Tapefeed and Vlad. -- Arjun Vagale Upcoming projects Asymetrik (new ‘creative-freedom’ alias): https://soundcloud.com/asymetrik-in/sets/asymetrik-001 Socials Facebook: https://www.facebook.com/ArjunVagaleOfficial Instagram: https://www.instagram.com/arjunvagale/ Twitter: https://twitter.com/ArjunVagale Soundcloud: https://soundcloud.com/arjun-jalebee Asymetrik Soundcloud: https://soundcloud.com/asymetrik-in Asymetrik Instagram: https://www.instagram.com/asymetrik.in/ Unmute (Arjun’s) booking agency: https://www.facebook.com/UnmuteAgency/ Other links Book Arjun mentioned in the chat about validation: ‘How Music Works’ by David Byrne DOTDAT - https://soundcloud.com/dotdatofficial / https://soundcloud.com/dotdatofficial / -- Home Of Sound: Spotify podcast series: https://open.spotify.com/show/5Cx9Vz5mAs71ln2oEKTOiz Youtube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ Subscribe YouTube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ?sub_confirmation=1 Instagram https://www.instagram.com/home_of_sound/ Facebook https://www.facebook.com/Home-Of-Sound-107669157311141/ Spotify curated playlists: https://open.spotify.com/user/w5cr2gkssqiituy7ue4d1k4o7

VSK: Upcoming projects VSK Series 001 - Equilibrio Volume 1 VA with VSK, Michal Jablonski, Kwartz, Ansome, Flaminia: https://vskseries.bandcamp.com/album/va-equlibrio-volume-1 VSK release Grida e Chaos on Mord: https://mord.bandcamp.com/album/grida-e-caos-ep VSK Series showcase @ Disconnekt, Berlin on 7th Dec 19: https://www.facebook.com/events/1428653910616705 Socials: VSK Facebook: https://www.facebook.com/VSK.CRS/ VSK / VSK Series Instagram: https://www.instagram.com/vsk_series VSK Soundcloud: https://soundcloud.com/vsk_crs VSK Spotify: https://open.spotify.com/artist/7frRbZPI7AdesYaLpfyfb0 VSK Series Facebook: https://www.facebook.com/VSKSeries/ Home Of Sound: Instagram https://www.instagram.com/home_of_sound/ Facebook https://www.facebook.com/Home-Of-Sound-107669157311141/ Youtube: https://www.youtube.com/channel/UCc4ne-_8CEBLbCzluujEcEQ Spotify curated playlists: https://open.spotify.com/user/w5cr2gkssqiituy7ue4d1k4o7

This month on PoleGroup radio we are going to listen to a mix from our PoleGroup buddy Kwartz, he has recorded this mix in his home studio in Berlin, no tracklist available for the mix but he is using tracks from D. Dan, PEARL, Karenn, E-Saggila, VSK, Reeko and Sedvs to name a few of them. Kwartz will release soon a track called "Malaria" for a Various Artists EP on VSK's label, "VSK series" together with Ansome, VSK, Michal Jablonski and Flaminia and he has a remix coming out for Subjected's new album. On the touring side he has just finished his Colombia tour and you can see him playing soon in Budapest for Technokunst @ Lärm, in Paris for Bender @ Glazart, in Berlin @ Griesmühle and in Brussel @ Zodiak where he will be presenting his new live set. So, Enjoy the listening and see you all next month on PoleGroup radio. www.polegroup.net www.facebook.com/polegroup www.twitter.com/PoleGroup www.instagram.com/polegroup/ https://polegroup.bandcamp.com/

#cieffe educare, #imparare #giocando un progetto non profit per la formazione dell'infanzia. conferenza stampa di presentazione del progetto. Mercoledì 16 ottobre 2019, Roma, via Flaminia 82.Explora, il museo per bambini di Roma.#WebRadioSenzaBarcode #SenzaBarcode #disputandum

En nuestro último capítulo hablamos con la chef ejecutiva del restaurant Divertimento Chileno, Flaminia Sacco, quien nos contó sobre sus platos favoritos de Latinoamérica y su impresión sobre esta nueva versión de la Copa América. Además, el periodista Sebastián Cáceres realizó un balance general sobre este torneo donde Brasil se quedó con la copa.

This is Draw The Line Radio Show with Jacki-e, featuring my mix in the 1st hr of music made by women and then, for the 2nd hr, I hand the decks over to a female DJ. Helping me Draw The Line this week, with her guest mix in the 2nd hour is Stacy James who comes from Northamptonshire in the UK. She is an experienced DJ / Producer with over 20 years behind the decks and more than 23 productions under her belt. Her first residency, as Princess S.K.B ,was at the legendary Forbidden in Leicester. She has made regular DJ appearances at Ministry of Sound, The Gallery, Gatecrasher , Sundissential, Storm and many others. Stacy’s releases cover Hard Dance, Trance, Tech House and, most recently, Techno. Her techno EP ‘Gotta Be Strong’ was released by DeepDownDirty. Links for Stacy James- https://www.mixcloud.com/stacy-james/ https://www.beatport.com/release/gotta-be-strong/2392865 In my mix in the first hour the featured EP is ‘Changes’ by Rebeca Ark released by by Onesun Records on 18th March 2019. I’ve also got tracks from Melissa Queen, Flaminia, Grace Dahl, Mila Chiral, Glia and lots more. .It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list. 1st hour mixed by Jacki-e:- 1. Tienezo - Mirage (Lorraine Roar remix) Palace Rec. 2. Mleissa Queen - Some Love (original mix) Elektrobeats Records. 3. Jacki-e & Eric Louis - Marionette (Jazzuelle's 6am Disco remix) Get Physical Music. 4. Rebeca Ark - Changes (original mix) Onesun Records. 5. Brigitta Kocsis - Bubbles Trouble (original mix) iM Electronica. 6. Glia - Commotion (original mix) Deepnd Records. 7. Glia - Infirmum (original mix) Toxic Recordings. 8. Melissa Queen - Black Mass ( Bob Ray remix) Elektrobeats Records. 9. Rebeca Ark - Impulsive (original mix) Onesun Records. 10. Insolate, Arnaud le Texier - Avalanche (original mix) Prodigal Sun. 11. Rebeca Ark - Changes (Theodore Elektrk remix) Onesun Records. 12. Flaminia - Suspension of Consciousness (original mix) Metempsychosis Records. 13. Arweenn - Overrun (Anetha remix) Diffuse Reality Records. 14. Sophie T - Hunger (original mix) Kopfüber https://kopfueber.bandcamp.com/album/kopf-ber-solisampler-f-r-sea-watch 15. Grace Dahl - Violet Chamber (original mix) Everyone on Acid https://everyoneonacid.bandcamp.com/releases 16. Cynthia Spiering - Short Acid (original mix) Everyone on Acid https://everyoneonacid.bandcamp.com/releases 17. Ramiro Lopez - Twisted (Jacki-e bootleg) Unreleased. 18. Fresh Otis, Theodore Elektrk - Atrophine Headrush (Melissa Nikita remix) Layer 909. 19. Flaminia - Suspension of Consciousness (Kwartz remix) Metempsychosis Records. 20. Ayako Mori - Trigo (Atze Ton remix) Volume Berlin Records. 21. Mila Chiral - Asteroideas Final Rave (Live cut) Kopfüber https://kopfueber.bandcamp.com/album/kopf-ber-solisampler-f-r-sea-watch 2nd hour Stacy James - An Exclusive Guest Mix for Draw The Line Radio Show 1. Wex 10 - Jc2204 Ictus (original mix) Odd Recordings. 2. Dense & Pika - Casino (Truncate remix) Kneaded Pains. 3. Radio Slave - Feel The Same (Floorplan remix) Rekids. 4. Eats Everything - Space Raiders (Charlotte de Witte remix) Kneaded Pains. 5. Alan Fitzpatrick - System Addict (original mix) Unknown to the Unknown. 6. Stacy James - Gotta be Strong (original mix) Deepdowndirty. 7. Eats Everything - No Seatin Available (original mix) Intec. 8. Cajmere - Percolator (Will Clarke remix) Relief. 9. Mark Broom - EFB (original mix) Rekids. 10. Stacy James - Ain’t Got No Love (original mix) Deepdowndirty. 11. Nicole Moudaber - Beyond Borders (Bart Skills remix) Kling Klong. 12. Mario Ochoa - Beast (original mix) Toolroom. 13. Beau3tiful - Get Down (Konvic remix) Deepdowndirty. 14. Eats Everything - Bettah (original mix) Intec. 15. AFTR - Love Me (original mix) Deepdowndirty. Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production.

It is fair to say that Bulgarian-born SLLAV (@sllavbhx) is fairly new to the field of techno. Regardless, during the past 3 years, his desire to discover and share fresh sounds has grown to a level where he literally breathes the music. Resident at KODEN Birmingham, having supported artists such as VSK, Stephanie Sykes, Flaminia and others, he possesses a keen attitude and a taste for groovy, hard hitting music. In 2017, he received an 8-weekly show at Fnoob techno radio, deliberately focusing on bringing contemporary sound to the forefront. Gaining a practical understanding of the genre from Birmingham and London based nights, he has found his feet producing. Link to post with Q&A https://www.facebook.com/virtualundergroundtechno/posts/723150178038400

SLLAV is a technology and music enthusiast as well as a resident at KODEN Birmingham, having supported artists such as VSK, Stephanie Sykes, Flaminia and others. Over the last 3 years he quickly developed and cemented his own movements in the Birmingham techno scene with a keen attitude and a taste for groovy, hard hitting music mirrored within his sets. In 2017, he received an 8-weekly show at Fnoob techno radio, deliberately focusing on conveying real-life stories through the sound of techno. Meticulously gaining a practical understanding of the genre from Birmingham and London based nights, he has found his feet producing.
 FB : https://www.facebook.com/SllavOfficial/ SC : https://soundcloud.com/sllavbhx Container brings our vision of clubbing around the city, proposing a journey through visual art and techno, exploring its Sub-genres, meeting step by step Italian and international artists. -FB : www.facebook.com/Container.project.Roma -YT : www.youtube.com/channel/UC4osKRARZ22dsu_pspg04PA -IG : www.instagram.com/containerproject/

C’est l'émission idéale à écouter dans son auto de collection qui sera, bien sûr, équipée d’un récepteur radio DAB+ pour écouter Crooner Radio en son HD : sur les écrans des applications et les récepteurs, l’idéal serait de voir les images que tous les collectionneurs, rallyes et clubs de France nous envoie de leurs défilés, compétitions ect. James Bond et son Aston Martin ne sont pas loin…. Plus d'informations sur l’émission www.crooner.fr

The London-based artist Flaminia releases her debut vinyl release with the British Metempsychosis Records imprint. The Illusion In Fire EP is an interesting four-track release of modern, distorted, dark and percussive sounds, including remixes from Headless Horseman and Ancestral Voices. Monument is previewing Fear of Fire, the opening track of the EP. The track, including delicate experimental elements and sounds, sets the haunting tone of the whole release. The Fear Of Fire EP will be released on June 15th. @Flaminia_Elohk @Metempsychosis-records

End Train is a London based Dj and LIVE act, producing more than one track per day. Whether he is playing with 4 decks and his sampler or his 2 hour live set with synths and a coffee machine, his music stretches the boundaries of techno with deep and fat bass, melancholic sounds and energetic drums. End Train has been heavily involved in the free parties scene for years where he started by playing 250+ bpm distorted hardcore industrial. With time, an almost innate passion for techno built up and shaped the artist’s own vision. “There is something about abandoned factories that connects with people in a deep, tribal and guttural manner. Techno encapsulate the essence of this connection by letting cold machines create their own soul that in turn, connects to humans”. People refer to End Train’s music as colourful and high-energy, built on a solid kick and bassline. Together with Flaminia he founded Ways to Die records and Metempsychosis records in 2015 and 2017 respectively, to promote techno in various shapes and form from industrial to deep and broken and inspire people to move toward the lives they want. SC : https://soundcloud.com/thetrain FB : https://www.facebook.com/thetrainmusic/?ref=br_rs Container brings our vision of clubbing around the city, proposing a journey through visual art and techno, exploring its Sub-genres, meeting step by step Italian and international artists. -FB : www.facebook.com/Container.project.Roma -YT : www.youtube.com/channel/UC4osKRARZ22dsu_pspg04PA -IG : www.instagram.com/containerproject/ -WS : containerprojectro.wixsite.com/container-project

London-based live artist, Flaminia, grew up and lived in Rome until 2013, drawing what inspiration she could from her hometown, before making the move to London to pursue her dream of studying electronic music. Her style is characterised by melancholic melodies and kick drums, obscured by harsh distortion. A shadowy exploration, which goes from a densely deep and experimental ambient, to soulless industrial dark techno. Flaminia’s main focus is on performing an analogue-digital live set, using drum machines, synths and Ableton Live DAW. In 2015, she co-founded the label Ways to Die Records together with Train, and it was here that she started to release her own music. Ways to Die has a clear mission to communicate that results and success in life should be achieved through efforts that come from the act of choosing, creating and “doing” which, ultimately, defines who you really are. Fast-forward to 2017, Flaminia launches Ways to Die’s sister label, Metempsychosis Records. Where Ways to Die was founded on the principle of destruction, Metempsychosis lays out its philosophy in line with construction. The debut of the sister came in the shape of a Various Artists, containing 4 tracks by Train, Ossa Di Mare, Tapefeed and Flaminia, spanning deep and driving techno, to less refined broken beats. Together the labels begin to communicate a wider message, a reflection of the movement, in it’s current and ever-changing form. FB : https://www.facebook.com/flaminia.techno/?fref=ts SC : https://soundcloud.com/flaminia_elohk RA : https://www.residentadvisor.net/dj/flaminia

Fedi e nuove economie con Betta Sormani, Danila e Massimo Niccolai, Beppe Bertagna, Luigino Bruni

"Politeisti o monoteisti" con Maurizio Bettini, Antonio Genitli e Neva Papachristou.

"Architettura e Liturgia" con Goffredo Boselli, Crispino Valenziano, Marko Ivan Rupnik

"Essere orfani: un aspetto della condizione umana" con Enzo Bianchi e Maria Luisa Algini.

Flaminia Catteruccia discusses the molecular basis of mating and reproduction in Anopheles gambiae mosquito. Her research provides insight into the mosquito reproductive biology to better develop vector control. Catteruccia is Associate Professor of Immunology and Infectious Diseases at the Harvard School of Public Health.TranscriptSpeaker 1: Spectrum's next. Speaker 2: [inaudible] [inaudible] [inaudible] [inaudible] Speaker 3: [inaudible].Speaker 2: [inaudible].Speaker 1: [00:00:30] Welcome to spectrum the science and technology show on k a l x Berkeley, a biweekly 30 minute program bringing you interviews, featuring bay area scientists and technologists as well as a calendar of local events and news. Speaker 4: Good afternoon. My name is Brad swift and I'm the host of today's show. Our interview is with Dr Flaminia cutthroat Chia associate professor of immunology and infectious [00:01:00] diseases in the department of the same name at the Harvard School of Public Health. She is also an associate professor at the University of [inaudible] in Italy. Malaria is a leading cause of death in tropical and subtropical regions. The plasmodium parasite that causes malaria is transmitted by the biting of female [inaudible] mosquitoes. Dr Cutthroat Chias group studies the molecular basis of mating and reproduction in both the female and male of [00:01:30] four species of mosquito. They are looking for the most effective and robust strategies to frustrate mosquito reproduction. Overall, they aim to provide insight into the reproductive biology of this malaria vector, which until recently remained largely unstudied. So the new targets for vector control can be developed. And Dr Cutolo Chia was in the bay area recently for a conference and I was able to arrange an interview Flaminia Katja, welcome to spectrum. [00:02:00] Thank you. What'd you give us an overview of your current Speaker 3: object? Yes, sure. So my research group is based at the Harvard School of Public Health, uh, is working on, uh, the biology of the mosquitoes that transmit malaria in Africa. And mother is still a massive problem for tropical and subtropical countries, but in particular for Africa as it scales almost a million people every year and infects not 200 million people [00:02:30] every year. So it's a massive social and economical problem and malaria is transmitted by mosquitoes. So we believe that if we can stop mosquitoes from transmitting malaria, then we can solve a big problem for the countries that are affected. Three particular, my group focuses on studying some aspects of the mosquito biology that are important for malaria transmission and will focus on reproduction on how mosquitoes reproduce, what makes them fertile. Because [00:03:00] at the end of the day, our goal is to develop novel methods to control mosquito populations. And we think that we could control them by introducing sturdy to international populations as an alternative to what's already been done now, which is mainly based on the use of insecticides to kill them. Speaker 3: And, but they have to be quite targeted ways to use the insecticides by pushing these insecticides on mosquito nets. So that mosquitoes that try to bite on night while people are asleep and the nets get killed [00:03:30] or through sprays or insecticides inside and house walls to kill mosquitoes at arresting indoors. But these methods are not sufficient to stop moderate transmission. And also mosquitoes are becoming resistant to the action of insecticides, which means they're not killed anymore and they change their behavior rather than biting at night inside houses to start by the outdoor and during the day so that insecticides can not get to them anymore. So our thought is our instead is on the idea that, uh, rather than killing [00:04:00] mosquitoes, we can sterilize them so that then there'll be fewer mosquitoes out there. They can transmit malaria and then eventually malaria transmission will stop. Speaker 3: And so we study how mosquitoes reproduce, what's important for their reproductive biology. And we have three major avenues or research. The first one is we try to understand what's important for reproduction because one tracking aspects of reproduction in the malaria mosquitoes is that the females have sex only once in their lives and after that they [00:04:30] completely switch off. They're not interested in more. And so this is quite a vulnerable step in the life cycle of our mosquito because it happens on once. So we are very much interested in understanding what is it that happens to females, what's the switch that completely abolishes that their receptivity to compilation. Because in principle, if we could understand what are the refactoring is as a call to further copulation, then we could induce the same mechanisms in variant females [00:05:00] and trick them into thinking that they've made it. And so they would make any model contributed to the next generations. Speaker 3: So that's a big area of our research where we try to understand what happens to females after copulation after sex so that we can identify what are those factors that change that behavior so that we can induce them. The second area or research and studies is a more translational side. We are interested in developing tools to induce the reality [00:05:30] in male mosquitoes. One idea of control is based on the release of males that are sterile. This males will of course try to find females to have sex with them and eventually those fund them. But there'd be no project coming out of these compilations. And so if we keep doing this over and over again, if you keep releasing sterile males, then we can sterilize most of the females that are natural populations and so the population will crush. And so with malaria [00:06:00] transmission, and so we are trying to find ways to serialize males in a genetic way, introduce genetic stability rather than using irrigations or chemo sterilizations as it's done for other insects. Speaker 3: Because it's important that whatever we do to fertility, it doesn't affect biology. The general biology of this mosquitoes and their behavior and also their fitness and that of competitiveness in terms of meeting and normally irritation or chemo sterilizations, those [00:06:30] can cause severe fitness costs to these mosquitoes. And so we got a little more subtle than we tried to study. So the mosquito DNA and understand what are the factors that are important for my facility so that we can interfere specifically with those factors. And so develop a male mosquito that is sterile and then we can release in the field. So that's our second area of research. And then a newer area research that we're interested in is in understanding what's the impact of what we do in terms of malaria transmission in particular, in terms [00:07:00] of what would be the impact of these measures on the ability of the female to transmit malaria. Speaker 3: Because if we introduce sterility in a population, how does that effect the partial development within those females? We don't want to develop mosquitoes that are sterile, but at the same time that are better at transmitting malaria. And so one new aspect of our research is trying to understand what's the link between reproduction and mosquitoes and Parkside development inside the female. So this [00:07:30] is broadly what our love is doing. Why is it that malaria is so lethal? Well, the mother has been eradicated from large parts of the world, has been eradicated from the u s from Europe and we are actually quite close already getting malaria in Africa as well in the fifties and sixties with the use of insecticides use a queening. And so drugs to kill the precise insecticides to kill mosquitoes. But unfortunately [00:08:00] those programs were stopped because of a number of reasons. And within a few years the number of Americans really went back to what it was before these programs were even started. Speaker 3: So one of the problems with malaria said it's a very dynamic disease from one single case, you can have tens and hundreds of secondary cases that can spread very quickly. So it's very difficult to control. So the synergy between the mosquito and the malaria [00:08:30] is the enabling factor in principle is a preventable and curable disease. It shouldn't be so deadly. However, our ability to control it in the countries where it's presence at the moment is limited by logistic reasons, lack of hospitals, lack of resources, and the fact that the mosquitoes are very efficient at transmitting the parasite. [inaudible] Speaker 4: [00:09:00] you were listening to spectrum on KALX Berkeley. Our guest today is Flaminia Qatari Chia molecular entomologist at the Harvard School of Public Health, researching mosquito reproduction as a way to combat malaria. How long has your project been going? We've been working on it for six [00:09:30] years. So that's kind of new. Yeah. And does it have a length of time or is it pretty open ended? Speaker 3: It's open-ended until I get funded. It's the funding. Yes, yes. Always is, isn't it? Yes. And of course, until it's relevant release, I think the funding will be there until this was a breakthrough. Yeah. A solution. Yes. Yeah. Yeah. And Udall, was that a completely empty niche? No one was doing that. So we are really the first ones looking at reproductive biology in this mosquitoes from a molecular [00:10:00] and genetic point of view. Most of the studies before us were performed at the ecological level. So there's actually quite a lot knowing about the ecology of reproduction, but not much known about genetic factors and the pathways that are important for fertility. That's something that is completely new. So whatever we find is novel. So it's exciting for us, but at the same time, we have to do everything you know, is, we have to start from scratch. So it's more challenging maybe Speaker 4: once [00:10:30] the mosquito has ingested the parasite, the malaria parasite from a human, how does it interact with the mosquito? Speaker 5: Okay. Speaker 3: The parasite has a complex life cycle inside the mosquito vector, and it takes a few days to complete from when the mosquito ingests the parasite. When the mosquito can inject the parasite into the next person, it takes about 12 days. And that's the time that the press site needs to go through different developmental stages. [00:11:00] And so once some mosquito takes sliders infected, then the process will have to leave the blood environments. There'll be a stage that happens inside the mosquito midgut and then the prosight will have to leave as quick as possible. Uh, the makeup before he, it gets killed by the mosquito enzymes, digestive enzymes particular, and then it'll have to find its way to the salivary glands, which are these tissues where saliva is produced by the mosquito. And once it reaches the Salami Glands, then [00:11:30] it can be injected into the next person because during blood feeding, the female will inject a little bit of saliva into the team of the person that is this biting. Speaker 3: And so during that process the process can be transmitted. Actually most mosquitoes don't even live long enough for the proceeds to develop. So that's a major roadblock or process in development. Is there any thought to trying to alter the parasite itself? There's a lot of research on modifying [00:12:00] the mosquito so that rather than allowing person development, they'll kill the parasite. And of course there's a lot of research on finding drugs that can kill across sites in people that are infected. And there is research on malaria vaccines as well. We don't have a vaccine yet. There is a vaccine that is now in Stage three trials that could be promising in combination with other control measures. It's quite clear that malaria will not be defeated by using a single measure. So [00:12:30] the use of insecticides, possibly the use of sterile males, hopefully combined with the use of drugs to confirm [inaudible] in people and hopefully also without, without vaccine that could be effective for awhile. We will need all these measures to control the spread of the disease. Speaker 4: How large your group is, is the group that's working on your project. Speaker 5: Okay. Speaker 3: My group is composed by about 10 people at the moment. Speaker 4: And what are the different scientific disciplines you've brought together [00:13:00] with that group? Speaker 5: Yeah, Speaker 3: well it's a combination of molecular biology and genetics and biochemistry. Also evolutionary biology, big of ecology as well. Speaker 5: Okay, Speaker 4: and within the group, how do you orchestrate the workflow of all that? How do you decide which thing you're going to focus on at what point in time Speaker 3: to go ahead and go forward with the research? Oh yeah, those are actually tough decisions sometimes because there is so much [00:13:30] that we can be doing, just so many different ideas. It's circulated in the lab and sometimes it's difficult to prioritize them. So in general, we do discuss ideas all together. I can come up with some ideas and then we discuss, uh, with the group and some we like the brainstorming and then more ideas emerge. And then we focus on what's more important according to our priorities. We always have to make choices. We tried to have projects that are most solid in a way that we [00:14:00] know will give us results quite quickly. And then at the same time also establish longer term projects for maybe bigger goals. So it's a combination of all the two. Speaker 4: What is the life cycle of this mosquito? Speaker 3: So the mosquitoes we work on, um, anopheles mosquitoes that, that are not fillings are the only mosquito, second trust mates, uh, malaria to humans and draw about 30, 40 and awful in species that transmit malaria. And we study in particular, um, our mosquitoes called [00:14:30] Anopheles Gambiae and that's the most important vector in Africa and therefore the most important actor in the world. But we also start in some other mosquitoes out important vectors in other parts of the world. We are now interested in southern American vectors, Asian vectors. So we have four different mosquito species in our lab for comparative studies and Life Cycle is from a female that is, I've been intimidated by a male. Then this female will need to feed them blog to develop eggs. And that's the step that is exploited [00:15:00] by the plasmodium parasite of malaria to be transmitted. And so the female will feed on blood preferentially on, on men, on humans. Speaker 3: She will develop her eggs and then the eggs will be fertilized by the sperm that is transferred from the male. The eggs will be laid water, so the eggs will hatch and give larvae. And then a pupa will with form that doesn't feed. And then after two days and adult will emerge from the PUPA. And so our, as a, as that [00:15:30] little step, males and females will have to find each other for copulation and then the female will have to block feed again. And so that the cycle can start all over again. So overall from egg to egg is about a couple of weeks. The Life Cycle Speaker 2: [inaudible]Speaker 6: this is k a l x Berkeley. The show is spectrum. Our guest is Flaminia [00:16:00] [inaudible]. She's working to eradicate malaria. Speaker 2: [inaudible].Speaker 3: Is there a side effect to affecting the mosquito population so thoroughly? Yeah, that's a very good question. What are the possible effect on the ecosystem of mosquitoes? Useful for anything? Do we need mosquitoes in this world? And these are very good concerns, very reasonable concerns. [00:16:30] However, the Fallon sets targeting fertility is a very specious Pacific control measure. Unlike the use of insecticides where you kill everything that comes in contact with insecticide, if you use mosquitoes to eradicate mosquitoes, that's a very selective way to do that. It's a very specific way to do that. So I think that the effects on the ecosystem will be very marginal, but of course that's something that will have to be followed and would have to be monitored, will be a very insane eco-friendly way to reduce monitor transmission because you would, [00:17:00] we would only target those pieces that cosmic me [inaudible] thousands of mosquitoes species on the planet and only 20 or 30 I at transmitting malaria so we wouldn't kill all mosquitoes and we would only have to target those that ugly at transmitting the disease. Speaker 3: With the mosquitoes that you're growing in the lab, how are you feeding them? We feed them differently depending on their developmental stage, so we, the larval stages, the early stages, we feed them with fish food or cat food and for the adults [00:17:30] we feed them with sugar solutions that both the male and the female will feed on. So it's water mixed with sugar and then the females, we have to feed them on bloods for egg developments, we feed them with blood that we buy from blood banks. So we've completely eliminated the use of animals for that, which is we are very pleased with. Speaker 4: Do you feel you're close with the sterilized male part of the project and do you have plans to try to take it to the next level? Speaker 3: Yeah, we, we are thinking [00:18:00] a lot now about how we can make our system more effective because the way we in use steroids in this males, it's very inefficient in the lab. We need more than a day's work to get 20 or 30 males that are sterile to how do we scale this up. We really need to push and hopefully we can work with engineers and find the best way to scale this up and do the automated way that can be much more effective. Speaker 4: [00:18:30] You're continuing to pursue the female side of it. Speaker 3: The female side of it is what's more exciting for us in a way because there's more biology behind it, but we're also very much interested in understanding what are the determinants of fitness in the males because when we make them sterile, we'll still need to make sure that there will be competitive for meetings with feel females. And so apart from studying the biology of reproduction in females, we're also very much interested in that in what makes a meal good [00:19:00] meal, a fit meal that will have good chance of success once it's released. So yeah, that's why we are studying both male and female reproductive biology. We are not just selling waist to induce 30 but also what are the determinants of fertility? Speaker 4: If you succeed in creating a sterilized male or a female that doesn't lay eggs, do you have a plan or is there a plan for how to introduce them into the wild [00:19:30] or is that something that would need to be developed when the time comes? Speaker 3: We don't have a plan as such, but we are starting to think about a plan in terms of the logistics of it. There is a lot of know how that comes from the release of sterile males for targeting other insects, species, insects, pieces that are mainly agricultural pests like fruit flies, Milo flies, school worms, potato. We will do that. Old insects that cause the via damage [00:20:00] to the agriculture. It's a drug programs and based on the release of millions of sterile flies all over the world really. And so all the issues concerning the mass production of these insects, the packaging and the distribution of these stallions, six to the places where they're needed and then the release, all those issues have already been sorted out for other insects and so in principle shouldn't be too difficult to transfer that expertise onto mosquito work. It [00:20:30] should be feasible. We don't have the expertise in ourselves, but working in collaboration with the people that have it, that should be possible. I'm optimistic that that could be done without huge efforts. Speaker 4: Are you teaching as well as doing your research? Speaker 3: Yeah, I have some teaching to do is not massive. I mainly teach postgraduate students and I teach while they work on, so it's infectious diseases. My teaching load is not very big. Maybe it will get bigger in the next few years because [00:21:00] I've just started a year ago and I'm enjoying it. I enjoy teaching postgraduate students very much because they're small groups and normally they're very interested, very dedicated and also they ask amazing questions. So it's actually quite fulfilling. I know that some of the Harvard students are just brilliant, so it's a different experience from what was used before. I like it very much. Yeah. But I really prefer doing research. You know, it's, it's like that's my first, uh, my [00:21:30] top priority is to do good research, but of course we have a mission to encourage the next generations to get into science and getting into research. I like the idea of contributing to that. Flaminia Katya, thank you very much for coming on spectrum. Welcome. Good luck. Thank you. Speaker 7: I'm gonna [inaudible] Speaker 3: um, Speaker 6: if you would like to hear a previous [00:22:00] spectrum show, they are archived on iTunes university, go to the calyx website, calix.berkeley.edu. Click on programming, select news, scroll down to spectrum and that section. There's a link to podcasts or send us an email@spectrumdotcalyxatyahoo.com and I'll send you the link. Speaker 2: [inaudible]Speaker 8: [00:22:30] a feature of spectrum is to present news stories we find interesting. When the news are Renee Rao and Rick Karnofsky, Speaker 9: the UC Berkeley habitus will play host to the first ever dreambox a three d printing bending machine. By the end of this month, the machine will allow users to take advantage of three d printing technology without paying steep up front costs for the machinery [00:23:00] to use. The machine users will first choose an item model within Dream Boxes Catalog upload one of their own via the web. Next, the print command is given and the order is sent to a cloud based print queue before being directed to the vending machine. Once the item has been created, it is put into a locker with a unique unlock code that is texted to the users. The creators estimate that each use of the printer will range from two to $15 on average depending on the complexity of the object and the materials used. Speaker 8: [00:23:30] A team from New Castle University reported in science that honeybees are three times more likely to remember a learn floral scent when they are rewarded with caffeine. Caffeine occurs in coffea and citrus species and to be pharmacologically Speaker 9: active but not repellent to the bees in higher concentrations. It is known to be toxic and repellent due in part to the bitter taste, but in lower concentrations that occur in nature. It offers a reward. [00:24:00] The team also applied caffeine to the brains of the insects and observed that it increased activity aiding the formation of longterm memories. Speaker 2: [inaudible].Speaker 9: A [00:24:30] regular feature of spectrum is dimension. A few of the science and technology events happening locally over the next few weeks. Rick and Renee present the calendar this March nerd night. East Bay will feature UCB associate Professor Matt Walker on Sleeping Memory Guy Branum on the invasion of Canada and the Chabot space and science centers. Jonathan Bradman on the night sky. This will happen Monday, March 25th at the new Parkway Theater in Oakland. Doors will open at seven show begins at eight. [00:25:00] Tickets are available online for $8 and all ages are welcome. Past spectrum guests, Michael Isen will be speaking to the Commonwealth club on the subject of reinventing scientific communication. While most scientific literature is now online, it remains as inaccessible to the public as it was centuries ago. With the physical limitations of print journals replaced by expensive publisher paywalls, [inaudible] who cofounded the Public Library of science. [00:25:30] We'll discuss the scientific journals and new open access models. Tickets are $20 or $7 for students with valid id. Speaker 9: The talk is on Wednesday, March 27th in San Francisco. There is a reception@fivethirtyandthetalkstartsatsixpmvisitcommonwealthclub.org for tickets and more info this April 2nd the ASCA scientist lecture series. We'll discuss tiny creatures with the ability to invade your body, [00:26:00] hijack your cells, change your DNA, and modify you physically and behaviorally to suit their own devious goals. Jack Mackarel, director of the Center for discovery and innovation in parasitic diseases will lead the talk on the parasitic organisms that live among and inside us. Some of the world's most pernicious diseases are caused by these supreme sophisticated organisms, but according to evolutionary biologist, parasites have also played a significant role in shaping the human species. The event will be held Tuesday, April 2nd [00:26:30] at 7:00 PM in Soma Street food park near the corner of 11th and Harrison. Leonardo art science evening rendezvous or laser has several talks this month. Speaker 8: Jess holding explains the use of light and other natural phenomenon to explore perception. NASA is Chris McKay will speak about the curiosity. Mars mission, USF Vagina and Nagarajan presents embedded mathematics in women's ritual [00:27:00] art designs in southern India. She'll talk about the geometry of rice powder paintings. Finally, Nikki, you Layla will discuss the mechanics and construction of marionettes. Laser takes place@stanforduniversityonaprilfourthfromsevenpmtoninepmmoreinformationaboutthelaserseriescanbefoundonthewebatleonardo.info.Speaker 9: That's pretty good. Tuesday, April 16th in the Tuscher African Hall, Mary Roach [00:27:30] will lead an unforgettable tour of the human insides. Questions inspired by our insides are taboo in their own ways. Why is crunchy food so appealing? Why doesn't the stomach digest itself? How much can you eat before your stomach burst? Can Constipation kill you? Did it kill Elvis? Roche will introduce her audience to the scientist who tackle these questions. She will then take the audience through her experiences in a pet food taste test, lab of bacterial [00:28:00] transplant and alive stomach. This lecture will take place Tuesday, April 16th at 7:00 PM in San Francisco for more information and to get tickets in advance, go online to cal academy.org Speaker 2: [inaudible] [inaudible] [00:28:30] music card during the show is by Lasonna David from his album folk and acoustic made available by a creative Commons license 3.0 attribution. Special thanks [00:29:00] to David Dropkin for helping set up the interview. [inaudible] thank you for listening to spectrum. If you have comments about the show, please send them to us via our email address is spectrum dot klx@yahoo.com join us in two [00:29:30] weeks at this same time. The [inaudible] [inaudible] [inaudible]. Hosted on Acast. See acast.com/privacy for more information.

Flaminia Catteruccia discusses the molecular basis of mating and reproduction in Anopheles gambiae mosquito. Her research provides insight into the mosquito reproductive biology to better develop vector control. Catteruccia is Associate Professor of Immunology and Infectious Diseases at the Harvard School of Public Health.TranscriptSpeaker 1: Spectrum's next. Speaker 2: [inaudible] [inaudible] [inaudible] [inaudible] Speaker 3: [inaudible].Speaker 2: [inaudible].Speaker 1: [00:00:30] Welcome to spectrum the science and technology show on k a l x Berkeley, a biweekly 30 minute program bringing you interviews, featuring bay area scientists and technologists as well as a calendar of local events and news. Speaker 4: Good afternoon. My name is Brad swift and I'm the host of today's show. Our interview is with Dr Flaminia cutthroat Chia associate professor of immunology and infectious [00:01:00] diseases in the department of the same name at the Harvard School of Public Health. She is also an associate professor at the University of [inaudible] in Italy. Malaria is a leading cause of death in tropical and subtropical regions. The plasmodium parasite that causes malaria is transmitted by the biting of female [inaudible] mosquitoes. Dr Cutthroat Chias group studies the molecular basis of mating and reproduction in both the female and male of [00:01:30] four species of mosquito. They are looking for the most effective and robust strategies to frustrate mosquito reproduction. Overall, they aim to provide insight into the reproductive biology of this malaria vector, which until recently remained largely unstudied. So the new targets for vector control can be developed. And Dr Cutolo Chia was in the bay area recently for a conference and I was able to arrange an interview Flaminia Katja, welcome to spectrum. [00:02:00] Thank you. What'd you give us an overview of your current Speaker 3: object? Yes, sure. So my research group is based at the Harvard School of Public Health, uh, is working on, uh, the biology of the mosquitoes that transmit malaria in Africa. And mother is still a massive problem for tropical and subtropical countries, but in particular for Africa as it scales almost a million people every year and infects not 200 million people [00:02:30] every year. So it's a massive social and economical problem and malaria is transmitted by mosquitoes. So we believe that if we can stop mosquitoes from transmitting malaria, then we can solve a big problem for the countries that are affected. Three particular, my group focuses on studying some aspects of the mosquito biology that are important for malaria transmission and will focus on reproduction on how mosquitoes reproduce, what makes them fertile. Because [00:03:00] at the end of the day, our goal is to develop novel methods to control mosquito populations. And we think that we could control them by introducing sturdy to international populations as an alternative to what's already been done now, which is mainly based on the use of insecticides to kill them. Speaker 3: And, but they have to be quite targeted ways to use the insecticides by pushing these insecticides on mosquito nets. So that mosquitoes that try to bite on night while people are asleep and the nets get killed [00:03:30] or through sprays or insecticides inside and house walls to kill mosquitoes at arresting indoors. But these methods are not sufficient to stop moderate transmission. And also mosquitoes are becoming resistant to the action of insecticides, which means they're not killed anymore and they change their behavior rather than biting at night inside houses to start by the outdoor and during the day so that insecticides can not get to them anymore. So our thought is our instead is on the idea that, uh, rather than killing [00:04:00] mosquitoes, we can sterilize them so that then there'll be fewer mosquitoes out there. They can transmit malaria and then eventually malaria transmission will stop. Speaker 3: And so we study how mosquitoes reproduce, what's important for their reproductive biology. And we have three major avenues or research. The first one is we try to understand what's important for reproduction because one tracking aspects of reproduction in the malaria mosquitoes is that the females have sex only once in their lives and after that they [00:04:30] completely switch off. They're not interested in more. And so this is quite a vulnerable step in the life cycle of our mosquito because it happens on once. So we are very much interested in understanding what is it that happens to females, what's the switch that completely abolishes that their receptivity to compilation. Because in principle, if we could understand what are the refactoring is as a call to further copulation, then we could induce the same mechanisms in variant females [00:05:00] and trick them into thinking that they've made it. And so they would make any model contributed to the next generations. Speaker 3: So that's a big area of our research where we try to understand what happens to females after copulation after sex so that we can identify what are those factors that change that behavior so that we can induce them. The second area or research and studies is a more translational side. We are interested in developing tools to induce the reality [00:05:30] in male mosquitoes. One idea of control is based on the release of males that are sterile. This males will of course try to find females to have sex with them and eventually those fund them. But there'd be no project coming out of these compilations. And so if we keep doing this over and over again, if you keep releasing sterile males, then we can sterilize most of the females that are natural populations and so the population will crush. And so with malaria [00:06:00] transmission, and so we are trying to find ways to serialize males in a genetic way, introduce genetic stability rather than using irrigations or chemo sterilizations as it's done for other insects. Speaker 3: Because it's important that whatever we do to fertility, it doesn't affect biology. The general biology of this mosquitoes and their behavior and also their fitness and that of competitiveness in terms of meeting and normally irritation or chemo sterilizations, those [00:06:30] can cause severe fitness costs to these mosquitoes. And so we got a little more subtle than we tried to study. So the mosquito DNA and understand what are the factors that are important for my facility so that we can interfere specifically with those factors. And so develop a male mosquito that is sterile and then we can release in the field. So that's our second area of research. And then a newer area research that we're interested in is in understanding what's the impact of what we do in terms of malaria transmission in particular, in terms [00:07:00] of what would be the impact of these measures on the ability of the female to transmit malaria. Speaker 3: Because if we introduce sterility in a population, how does that effect the partial development within those females? We don't want to develop mosquitoes that are sterile, but at the same time that are better at transmitting malaria. And so one new aspect of our research is trying to understand what's the link between reproduction and mosquitoes and Parkside development inside the female. So this [00:07:30] is broadly what our love is doing. Why is it that malaria is so lethal? Well, the mother has been eradicated from large parts of the world, has been eradicated from the u s from Europe and we are actually quite close already getting malaria in Africa as well in the fifties and sixties with the use of insecticides use a queening. And so drugs to kill the precise insecticides to kill mosquitoes. But unfortunately [00:08:00] those programs were stopped because of a number of reasons. And within a few years the number of Americans really went back to what it was before these programs were even started. Speaker 3: So one of the problems with malaria said it's a very dynamic disease from one single case, you can have tens and hundreds of secondary cases that can spread very quickly. So it's very difficult to control. So the synergy between the mosquito and the malaria [00:08:30] is the enabling factor in principle is a preventable and curable disease. It shouldn't be so deadly. However, our ability to control it in the countries where it's presence at the moment is limited by logistic reasons, lack of hospitals, lack of resources, and the fact that the mosquitoes are very efficient at transmitting the parasite. [inaudible] Speaker 4: [00:09:00] you were listening to spectrum on KALX Berkeley. Our guest today is Flaminia Qatari Chia molecular entomologist at the Harvard School of Public Health, researching mosquito reproduction as a way to combat malaria. How long has your project been going? We've been working on it for six [00:09:30] years. So that's kind of new. Yeah. And does it have a length of time or is it pretty open ended? Speaker 3: It's open-ended until I get funded. It's the funding. Yes, yes. Always is, isn't it? Yes. And of course, until it's relevant release, I think the funding will be there until this was a breakthrough. Yeah. A solution. Yes. Yeah. Yeah. And Udall, was that a completely empty niche? No one was doing that. So we are really the first ones looking at reproductive biology in this mosquitoes from a molecular [00:10:00] and genetic point of view. Most of the studies before us were performed at the ecological level. So there's actually quite a lot knowing about the ecology of reproduction, but not much known about genetic factors and the pathways that are important for fertility. That's something that is completely new. So whatever we find is novel. So it's exciting for us, but at the same time, we have to do everything you know, is, we have to start from scratch. So it's more challenging maybe Speaker 4: once [00:10:30] the mosquito has ingested the parasite, the malaria parasite from a human, how does it interact with the mosquito? Speaker 5: Okay. Speaker 3: The parasite has a complex life cycle inside the mosquito vector, and it takes a few days to complete from when the mosquito ingests the parasite. When the mosquito can inject the parasite into the next person, it takes about 12 days. And that's the time that the press site needs to go through different developmental stages. [00:11:00] And so once some mosquito takes sliders infected, then the process will have to leave the blood environments. There'll be a stage that happens inside the mosquito midgut and then the prosight will have to leave as quick as possible. Uh, the makeup before he, it gets killed by the mosquito enzymes, digestive enzymes particular, and then it'll have to find its way to the salivary glands, which are these tissues where saliva is produced by the mosquito. And once it reaches the Salami Glands, then [00:11:30] it can be injected into the next person because during blood feeding, the female will inject a little bit of saliva into the team of the person that is this biting. Speaker 3: And so during that process the process can be transmitted. Actually most mosquitoes don't even live long enough for the proceeds to develop. So that's a major roadblock or process in development. Is there any thought to trying to alter the parasite itself? There's a lot of research on modifying [00:12:00] the mosquito so that rather than allowing person development, they'll kill the parasite. And of course there's a lot of research on finding drugs that can kill across sites in people that are infected. And there is research on malaria vaccines as well. We don't have a vaccine yet. There is a vaccine that is now in Stage three trials that could be promising in combination with other control measures. It's quite clear that malaria will not be defeated by using a single measure. So [00:12:30] the use of insecticides, possibly the use of sterile males, hopefully combined with the use of drugs to confirm [inaudible] in people and hopefully also without, without vaccine that could be effective for awhile. We will need all these measures to control the spread of the disease. Speaker 4: How large your group is, is the group that's working on your project. Speaker 5: Okay. Speaker 3: My group is composed by about 10 people at the moment. Speaker 4: And what are the different scientific disciplines you've brought together [00:13:00] with that group? Speaker 5: Yeah, Speaker 3: well it's a combination of molecular biology and genetics and biochemistry. Also evolutionary biology, big of ecology as well. Speaker 5: Okay, Speaker 4: and within the group, how do you orchestrate the workflow of all that? How do you decide which thing you're going to focus on at what point in time Speaker 3: to go ahead and go forward with the research? Oh yeah, those are actually tough decisions sometimes because there is so much [00:13:30] that we can be doing, just so many different ideas. It's circulated in the lab and sometimes it's difficult to prioritize them. So in general, we do discuss ideas all together. I can come up with some ideas and then we discuss, uh, with the group and some we like the brainstorming and then more ideas emerge. And then we focus on what's more important according to our priorities. We always have to make choices. We tried to have projects that are most solid in a way that we [00:14:00] know will give us results quite quickly. And then at the same time also establish longer term projects for maybe bigger goals. So it's a combination of all the two. Speaker 4: What is the life cycle of this mosquito? Speaker 3: So the mosquitoes we work on, um, anopheles mosquitoes that, that are not fillings are the only mosquito, second trust mates, uh, malaria to humans and draw about 30, 40 and awful in species that transmit malaria. And we study in particular, um, our mosquitoes called [00:14:30] Anopheles Gambiae and that's the most important vector in Africa and therefore the most important actor in the world. But we also start in some other mosquitoes out important vectors in other parts of the world. We are now interested in southern American vectors, Asian vectors. So we have four different mosquito species in our lab for comparative studies and Life Cycle is from a female that is, I've been intimidated by a male. Then this female will need to feed them blog to develop eggs. And that's the step that is exploited [00:15:00] by the plasmodium parasite of malaria to be transmitted. And so the female will feed on blood preferentially on, on men, on humans. Speaker 3: She will develop her eggs and then the eggs will be fertilized by the sperm that is transferred from the male. The eggs will be laid water, so the eggs will hatch and give larvae. And then a pupa will with form that doesn't feed. And then after two days and adult will emerge from the PUPA. And so our, as a, as that [00:15:30] little step, males and females will have to find each other for copulation and then the female will have to block feed again. And so that the cycle can start all over again. So overall from egg to egg is about a couple of weeks. The Life Cycle Speaker 2: [inaudible]Speaker 6: this is k a l x Berkeley. The show is spectrum. Our guest is Flaminia [00:16:00] [inaudible]. She's working to eradicate malaria. Speaker 2: [inaudible].Speaker 3: Is there a side effect to affecting the mosquito population so thoroughly? Yeah, that's a very good question. What are the possible effect on the ecosystem of mosquitoes? Useful for anything? Do we need mosquitoes in this world? And these are very good concerns, very reasonable concerns. [00:16:30] However, the Fallon sets targeting fertility is a very specious Pacific control measure. Unlike the use of insecticides where you kill everything that comes in contact with insecticide, if you use mosquitoes to eradicate mosquitoes, that's a very selective way to do that. It's a very specific way to do that. So I think that the effects on the ecosystem will be very marginal, but of course that's something that will have to be followed and would have to be monitored, will be a very insane eco-friendly way to reduce monitor transmission because you would, [00:17:00] we would only target those pieces that cosmic me [inaudible] thousands of mosquitoes species on the planet and only 20 or 30 I at transmitting malaria so we wouldn't kill all mosquitoes and we would only have to target those that ugly at transmitting the disease. Speaker 3: With the mosquitoes that you're growing in the lab, how are you feeding them? We feed them differently depending on their developmental stage, so we, the larval stages, the early stages, we feed them with fish food or cat food and for the adults [00:17:30] we feed them with sugar solutions that both the male and the female will feed on. So it's water mixed with sugar and then the females, we have to feed them on bloods for egg developments, we feed them with blood that we buy from blood banks. So we've completely eliminated the use of animals for that, which is we are very pleased with. Speaker 4: Do you feel you're close with the sterilized male part of the project and do you have plans to try to take it to the next level? Speaker 3: Yeah, we, we are thinking [00:18:00] a lot now about how we can make our system more effective because the way we in use steroids in this males, it's very inefficient in the lab. We need more than a day's work to get 20 or 30 males that are sterile to how do we scale this up. We really need to push and hopefully we can work with engineers and find the best way to scale this up and do the automated way that can be much more effective. Speaker 4: [00:18:30] You're continuing to pursue the female side of it. Speaker 3: The female side of it is what's more exciting for us in a way because there's more biology behind it, but we're also very much interested in understanding what are the determinants of fitness in the males because when we make them sterile, we'll still need to make sure that there will be competitive for meetings with feel females. And so apart from studying the biology of reproduction in females, we're also very much interested in that in what makes a meal good [00:19:00] meal, a fit meal that will have good chance of success once it's released. So yeah, that's why we are studying both male and female reproductive biology. We are not just selling waist to induce 30 but also what are the determinants of fertility? Speaker 4: If you succeed in creating a sterilized male or a female that doesn't lay eggs, do you have a plan or is there a plan for how to introduce them into the wild [00:19:30] or is that something that would need to be developed when the time comes? Speaker 3: We don't have a plan as such, but we are starting to think about a plan in terms of the logistics of it. There is a lot of know how that comes from the release of sterile males for targeting other insects, species, insects, pieces that are mainly agricultural pests like fruit flies, Milo flies, school worms, potato. We will do that. Old insects that cause the via damage [00:20:00] to the agriculture. It's a drug programs and based on the release of millions of sterile flies all over the world really. And so all the issues concerning the mass production of these insects, the packaging and the distribution of these stallions, six to the places where they're needed and then the release, all those issues have already been sorted out for other insects and so in principle shouldn't be too difficult to transfer that expertise onto mosquito work. It [00:20:30] should be feasible. We don't have the expertise in ourselves, but working in collaboration with the people that have it, that should be possible. I'm optimistic that that could be done without huge efforts. Speaker 4: Are you teaching as well as doing your research? Speaker 3: Yeah, I have some teaching to do is not massive. I mainly teach postgraduate students and I teach while they work on, so it's infectious diseases. My teaching load is not very big. Maybe it will get bigger in the next few years because [00:21:00] I've just started a year ago and I'm enjoying it. I enjoy teaching postgraduate students very much because they're small groups and normally they're very interested, very dedicated and also they ask amazing questions. So it's actually quite fulfilling. I know that some of the Harvard students are just brilliant, so it's a different experience from what was used before. I like it very much. Yeah. But I really prefer doing research. You know, it's, it's like that's my first, uh, my [00:21:30] top priority is to do good research, but of course we have a mission to encourage the next generations to get into science and getting into research. I like the idea of contributing to that. Flaminia Katya, thank you very much for coming on spectrum. Welcome. Good luck. Thank you. Speaker 7: I'm gonna [inaudible] Speaker 3: um, Speaker 6: if you would like to hear a previous [00:22:00] spectrum show, they are archived on iTunes university, go to the calyx website, calix.berkeley.edu. Click on programming, select news, scroll down to spectrum and that section. There's a link to podcasts or send us an email@spectrumdotcalyxatyahoo.com and I'll send you the link. Speaker 2: [inaudible]Speaker 8: [00:22:30] a feature of spectrum is to present news stories we find interesting. When the news are Renee Rao and Rick Karnofsky, Speaker 9: the UC Berkeley habitus will play host to the first ever dreambox a three d printing bending machine. By the end of this month, the machine will allow users to take advantage of three d printing technology without paying steep up front costs for the machinery [00:23:00] to use. The machine users will first choose an item model within Dream Boxes Catalog upload one of their own via the web. Next, the print command is given and the order is sent to a cloud based print queue before being directed to the vending machine. Once the item has been created, it is put into a locker with a unique unlock code that is texted to the users. The creators estimate that each use of the printer will range from two to $15 on average depending on the complexity of the object and the materials used. Speaker 8: [00:23:30] A team from New Castle University reported in science that honeybees are three times more likely to remember a learn floral scent when they are rewarded with caffeine. Caffeine occurs in coffea and citrus species and to be pharmacologically Speaker 9: active but not repellent to the bees in higher concentrations. It is known to be toxic and repellent due in part to the bitter taste, but in lower concentrations that occur in nature. It offers a reward. [00:24:00] The team also applied caffeine to the brains of the insects and observed that it increased activity aiding the formation of longterm memories. Speaker 2: [inaudible].Speaker 9: A [00:24:30] regular feature of spectrum is dimension. A few of the science and technology events happening locally over the next few weeks. Rick and Renee present the calendar this March nerd night. East Bay will feature UCB associate Professor Matt Walker on Sleeping Memory Guy Branum on the invasion of Canada and the Chabot space and science centers. Jonathan Bradman on the night sky. This will happen Monday, March 25th at the new Parkway Theater in Oakland. Doors will open at seven show begins at eight. [00:25:00] Tickets are available online for $8 and all ages are welcome. Past spectrum guests, Michael Isen will be speaking to the Commonwealth club on the subject of reinventing scientific communication. While most scientific literature is now online, it remains as inaccessible to the public as it was centuries ago. With the physical limitations of print journals replaced by expensive publisher paywalls, [inaudible] who cofounded the Public Library of science. [00:25:30] We'll discuss the scientific journals and new open access models. Tickets are $20 or $7 for students with valid id. Speaker 9: The talk is on Wednesday, March 27th in San Francisco. There is a reception@fivethirtyandthetalkstartsatsixpmvisitcommonwealthclub.org for tickets and more info this April 2nd the ASCA scientist lecture series. We'll discuss tiny creatures with the ability to invade your body, [00:26:00] hijack your cells, change your DNA, and modify you physically and behaviorally to suit their own devious goals. Jack Mackarel, director of the Center for discovery and innovation in parasitic diseases will lead the talk on the parasitic organisms that live among and inside us. Some of the world's most pernicious diseases are caused by these supreme sophisticated organisms, but according to evolutionary biologist, parasites have also played a significant role in shaping the human species. The event will be held Tuesday, April 2nd [00:26:30] at 7:00 PM in Soma Street food park near the corner of 11th and Harrison. Leonardo art science evening rendezvous or laser has several talks this month. Speaker 8: Jess holding explains the use of light and other natural phenomenon to explore perception. NASA is Chris McKay will speak about the curiosity. Mars mission, USF Vagina and Nagarajan presents embedded mathematics in women's ritual [00:27:00] art designs in southern India. She'll talk about the geometry of rice powder paintings. Finally, Nikki, you Layla will discuss the mechanics and construction of marionettes. Laser takes place@stanforduniversityonaprilfourthfromsevenpmtoninepmmoreinformationaboutthelaserseriescanbefoundonthewebatleonardo.info.Speaker 9: That's pretty good. Tuesday, April 16th in the Tuscher African Hall, Mary Roach [00:27:30] will lead an unforgettable tour of the human insides. Questions inspired by our insides are taboo in their own ways. Why is crunchy food so appealing? Why doesn't the stomach digest itself? How much can you eat before your stomach burst? Can Constipation kill you? Did it kill Elvis? Roche will introduce her audience to the scientist who tackle these questions. She will then take the audience through her experiences in a pet food taste test, lab of bacterial [00:28:00] transplant and alive stomach. This lecture will take place Tuesday, April 16th at 7:00 PM in San Francisco for more information and to get tickets in advance, go online to cal academy.org Speaker 2: [inaudible] [inaudible] [00:28:30] music card during the show is by Lasonna David from his album folk and acoustic made available by a creative Commons license 3.0 attribution. Special thanks [00:29:00] to David Dropkin for helping set up the interview. [inaudible] thank you for listening to spectrum. If you have comments about the show, please send them to us via our email address is spectrum dot klx@yahoo.com join us in two [00:29:30] weeks at this same time. The [inaudible] [inaudible] [inaudible]. See acast.com/privacy for privacy and opt-out information.

Lancia Thema Un’alternativa di valore nel segmento delle berline di rappresentanza. Questo è il vero obiettivo della nuova Lancia Thema che vanta un design esterno a richiamare la Thema degli anni 80 e i fari posteriori a riprendere quelli della Flaminia. Handling, silenziosità, comfort e sicurezza sono le sue doti salienti. L’insonorizzazione è ai massimi livelli grazie al parabrezza acustico con inserto in PVC, al materiale composito su tutto il pianale, alle guarnizioni aggiuntive sulle portiere, ai passaruota foderati e all’utilizzo del PVC per tutti i finestrini. La nuova Thema è caratterizzata da pedaliera regolabile, portabicchieri riscaldabili/refrigerati indipendentemente, lettore SD card, sistema Connect Touch con schermo di 8,4 pollici (il più ampio della categoria), grande tetto apribile ed oltre 70 dispositivi di sicurezza attiva e passiva. Per il suo sviluppo sono stati utilizzati il 60% di acciai ad alta resistenza e l’8% ad altissima resistenza, le sospensioni sono a quadrilatero davanti e multilink a 5 bracci dietro. Dotata di trazione posteriore, l’ammiraglia Lancia sarà disponibile dal 5 novembre (a partire da 41.400 Euro) con due motori V6 3.0 Multijet da 190 e 239 CV e successivamente con il benzina V6 Pentastar di 3,6 litri da 286 CV. Quest’ultima versione sarà abbinata ad un cambio automatico ad otto rapporti.