Podcast appearances and mentions of Alfred Uhry

On the next Charlotte Talks, a conversation about the true story captured in the musical, "Parade," with playwright Alfred Uhry and Rabbi Steven Lebow.

We're going backstage at Proctors Theatre to meet the cast and crew of "Parade" - the Jason Robert Brown and Alfred Uhry musical that is teching and starting it's national tour right here in Schenectady! We chat with Max Chernin and Talia Suskauer (who are playing Leo and Lucille Frank) and get a peek of what the tech process looks like at Proctors! "Parade" plays at Proctors from Jan 11 - 17, 2025. Get tickets at https://www.atproctors.org/event/parade/

Into The MysticEpisode 08: Mystic Pizza (1988) - Behind The Scenes - Vol. 02Jason Connell and Sal Rodriguez revisit the classic movie again and talk about Matt Damon's first movie role, must-see filming locations, and the probability of Mystic Pizza 2: The Second Slice. Synopsis: Three teenage girls come of age while working at a pizza parlor in the Connecticut town of Mystic.Director: Donald PetrieWriter: Amy Holden Jones (story & screenplay), Perry Howze (screenplay), Randy Howze (screenplay), Alfred Uhry (screenplay)Cinematographer: Tim SuhrstedtCast: Julia Roberts, Annabeth Gish, Lili Taylor, Vincent D'Onofrio, William R. Moses, Adam Storke, Conchata Ferrell, Joanna Merlin, Louis Turenne, John Cunningham, Matt DamonRecorded: 06-10-24Studio: Just Curious MediaPartner: Mystic Film FestivalSponsors:Olde Mistick VillageMystic AquariumListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeHost:Jason ConnellGuest:Sal Rodriguez#justcuriousmedia #mysticfilmfestvial #intothemystic #talesfromhollywoodeast #mrjasonconnell #cinema #classicmovies #movies #moviereviews #film #filmreviews #filmfestival #studios #producers #directors #writers #actors #mysticpizzaSend us a Text Message.Support the Show.

Into The MysticEpisode 07: Mystic Pizza (1988) - Behind The Scenes - Vol. 01Jason Connell and Sal Rodriguez revisit the classic movie and talk about Julia Roberts' rise to stardom, the real-life Mystic Pizza parlor, and what's in the secret sauce.Synopsis: Three teenage girls come of age while working at a pizza parlor in the Connecticut town of Mystic.Director: Donald PetrieWriter: Amy Holden Jones (story & screenplay), Perry Howze (screenplay), Randy Howze (screenplay), Alfred Uhry (screenplay)Cinematographer: Tim SuhrstedtCast: Julia Roberts, Annabeth Gish, Lili Taylor, Vincent D'Onofrio, William R. Moses, Adam Storke, Conchata Ferrell, Joanna Merlin, Louis Turenne, John Cunningham, Matt DamonRecorded: 06-10-24Studio: Just Curious MediaPartner: Mystic Film FestivalSponsors:Olde Mistick VillageMystic AquariumListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeHost:Jason ConnellGuest:Sal Rodriguez#justcuriousmedia #mysticfilmfestvial #intothemystic #talesfromhollywoodeast #mrjasonconnell #cinema #classicmovies #movies #moviereviews #film #filmreviews #filmfestival #studios #producers #directors #writers #actors #mysticpizzaSend us a Text Message.Support the Show.

Max Chernin Broadway: Parade, Bright Star, Sunday In The Park with George. NYC: Brooklynite (Vineyard), Golden Apple (Encores!) Regional: Passing Through (Goodspeed), Daddy Long Legs (Theatre Raleigh), Elf (Pioneer). Television: “Dickinson,” “Blacklist.” CCM Alum. @maxcherns. Alfred Uhry (Book) is distinguished as the only American playwrights to have won a Pulitzer Prize, an Academy Award, and two Tony Awards. A 1958 graduate of Brown University, he began his professional career as a lyric writer under contract to the late Frank Loesser. He made his Broadway debut in 1968 with Here's Where I Belong, which ran for one night. He had better luck with The Robber Bridegroom in 1976, which won him his first Tony nomination. He followed that with five recreated musicals at the Goodspeed Opera House in East Haddam, Connecticut. His first play was Driving Miss Daisy, which began life at the 74-seat upstairs theatre at Playwrights Horizons in 1987 and went on to run for three years and won the Pulitzer Prize in 1988. The film version, starring Morgan Freeman and Jessica Tandy, won the Academy Award for Best Picture of 1989 and gained Uhry his own Oscar for Best Screenplay. His next two Broadway outings won him Tony Awards: The Last Night of Ballyhoo (Best Play of 1997) and Parade (Best Book of a Musical 1999). In 2014, he was inducted into both the Theatre Hall of Fame and the Georgia Writers Hall of Fame. Learn more about your ad choices. Visit podcastchoices.com/adchoices

ALFRED UHRY is a graduate of Brown University. He is the only American playwright to have won a Pulitzer Prize (Driving Miss Daisy), an Academy Award (Driving Miss Daisy) and two Tony Awards (The Last Night of Ballyhoo and Parade). In 2014 he was inducted into both the Georgia Writers Hall of Fame and the Theater Hall of Fame. He is the proud father of four daughters and the proud grandfather of six granddaughters and two grandsons. He lives in New York. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Last Sunday, the musical Parade won the Tony for Best Revival of a Musical. Written by Atlanta native Alfred Uhry, Parade documents the 1915 lynching of Leo Frank. Host Bill Nigut welcomes Uhry, Rabbi Alvin Sugarman, and author Steve Oney to tell Frank's story. The panel Alfred Uhry, playwright and screenwriter, "Parade" Rabbi Alvin Sugarman, senior rabbi, The Temple Jim Galloway, @jimjournalist, former columnist, The Atlanta Journal-Constitution Steve Oney, @steveoneywriter, author, And the Dead Shall Rise 0:00 - Introduction 5:00 - Alfred Uhrey writes "Parade," a story about the lynching of Jewish man Leo Frank 13:00 - Steve Oney on the parallels of the Leo Frank lynching and antisemitism today 18:00 - Alfred talks writing "Parade" 20:00 - Steve Oney talks Leo Frank's sexual history 25:00 - Rabbi emeritus Alvin Sugerman talks Atlanta's current climate 33:00 - Alvin talks Leo Frank's wife Lucille Selig 38:00 - Steve Oney talks importance of lynching in history 41:00 - Jim Galloway on failed antisemitism bills in the legislative session 43:00 - The importance of the Shema The Political Rewind team will be off Monday, June 19 in observance of Juneteenth. Tuesday on Political Rewind: The Atlanta Journal-Constitution's Greg Bluestein joins the panel.

The final episode of Season 10 has arrived! Jackson and Jacob discuss Parade (Alfred Uhry and Jason Robert Brown), which was recently revived on Broadway. Listen in!  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

The word is "shushky." It means to shush something -- to not speak about something, to silence a conversation. It is a uniquely Southern Jewish Yiddishism. Let me tell you about the first time that I heard that word. I was with a group of Jews in Atlanta, Georgia. The conversation turned to the topic of Leo Frank. I suggested that it might be a “nice idea” to have a monument for him, somewhere in Atlanta. As they say -- awkward. "Under no circumstances," someone said. "It's too raw. It's too fresh,” another person said. "Let's just shushky the whole thing, shall we?" yet another person said. Consider the musical, "Parade," with the book by Alfred Uhry, author of "Driving Miss Daisy" and "Last Night of Ballyhoo," now revived on Broadway. It has gotten good reviews, along with some harassment by antisemites. Why "Parade," and why now? Because "Parade" is the story of the life and death of Leo Frank. His story will no longer be shushkied. 

Mickey-Jo has just got back from an epic 2 week visit to New York City and one of the first shows he saw on his trip was the revival of PARADE at the Bernard B Jacobs Theatre. The show features a score by Jason Robert Brown, a book by Alfred Uhry and stars Ben Platt and Micaela Diamond. Check out the new review video for Mickey-Jo's thoughts on the show's artistic merits as well as whether it made him cry... Buy tickets for THE SECRET LIFE OF BEES: https://almeida.co.uk/whats-on/the-secret-life-of-bees/?utm_source=mickeyjo&utm_medium=ytvideo&utm_campaign=beescampaign • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

When Pope Pious XII died, the Catholic Church sealed his documents until 2020.  David Kertzer was among the first to gain access to those documents when they were unsealed, and his new book reveals what the Pope knew and did while World War II ravaged Europe. Kertzer is a Pulitzer Prize-winning author and the Paul Dupee University Professor of Social Science at Brown University.  His latest book, “The Pope at War: The Secret History of Pius XII, Mussolini, and Hitler,” was published in June 2022, with Italian, German, Spanish, and Chinese editions also in press.   He is an authority on Italian politics, society, and history; political symbolism; and anthropological demography.  Kertzer is a past president of both the Social Science History Association and the Society for the Anthropology of Europe and is co-founder and served for many years as co-editor of the Journal of Modern Italian Studies.  In 2005, Kertzer was elected a member of the American Academy of Arts and Sciences.  From 2006 to 2011, he was the Provost of Brown University.   Kertzer's “The Kidnapping of Edgardo Mortara” was a finalist for the National Book Award in 1997 and has been published in eighteen foreign editions.  The book was also adapted into a play by playwright Alfred Uhry was performed at the Guthrie Theater in Minneapolis in 2006.  In April 2016, Steven Spielberg announced that he would be making a film based on Kertzer's book, with a screenplay by Tony Kushner.See omnystudio.com/listener for privacy information.

Today, I am so honored to announce my episode with Pulitzer Prize Winner Alfred Uhry. Alfred Uhry recently enjoyed great success with a revival of his musical Parade at Encores!, and he joins me today for a conversation about his legendary career, including what it was like being mentored by Frank Loesser, how he met Terrence McNally through John Steinbeck, when John Houseman introduced him to Patti LuPone, how figures from his childhood reacted to characters based on themselves, the art to writing a screenplay, why he admires A Strange Loop and Hamilton, the process of casting Driving Miss Daisy, why Alex Timbers is a brilliant director, the play that was about his parents, why Parade is relevant today, the dance piece that required a lot of research, and so much more. A Note: This interview was recorded in April 2022, so all viewpoints reflect that time.

On this week's episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: working with a new bookstore and a reading chair conundrum Current Reads: we've got some wheelhouse reading here today including some non-fiction that we think you'll love Deep Dive: the books we read during our childhoods that impacted the readers we are today Book Presses: two more of those childhood books that we want to make sure you've read As per usual, time-stamped show notes are below with references to every book and resource we mentioned in this episode. If you'd like to listen first and not spoil the surprise, don't scroll down!  New: we are now including transcripts of the episode (this link only works on the main site). These are generated by AI, so they may not be perfectly accurate, but we want to increase accessibility for our fans! *Please note that all book titles linked below are Bookshop affiliate links. Your cost is the same, but a small portion of your purchase will come back to us to help offset the costs of the show. If you'd prefer to shop on Amazon, you can still do so here through our main storefront. Anything you buy there (even your laundry detergent, if you recently got obsessed with switching up your laundry game) kicks a small amount back to us. Thanks for your support!*   . . . .   2:10 - Listener Press Episode: Record a voice memo on your phone with the following details: Your name, where you're from, the book's title and author, a description of it and WHY you are pressing it.  These are DUE FRIDAY JUNE 17 4:29 - Bookish Moment of the Week 4:57 - Cafe Con Libros Bookstore  9:08 - Current Reads 10:23 - Taste by Stanley Tucci (Kaytee) 14:28 - Hidden Pictures by Jason Rekulak (Meredith) 18:07 - The Appeal by Janice Hallett 20:05 - Diary of a Wimpy Kid by Jeff Kinney 20:29 - A Kind of Spark by Elle McNicoll (Kaytee) 20:37 - Lexy @readlexyread on Instagram 20:42 - @thewilltoread on Instagram 24:00 - The Palace Papers by Tina Brown (Meredith) 24:55 - The Diana Chronicles by Tina Brown 28:16 - HRH by Elizabeth Holmes 29:22 - Red White and Royal Blue by Casey McQuiston 28:28 - Majesty by Katharine McGee 28:29 - American Royals by Katharine McGee 29:39 - World of Wonders by Aimee Nezhukumatathil (Kaytee) 33:15 - Hide by Kiersten White (Meredith) 36:38 - The Hunger Games by Suzanne Collins 36:29 - Fantasticland by Mike Bockoven 30:03 - Deep Dive: Childhood Reading that Impacted Us 42:26 - First Person Plural: My Life as a Multiple by Cameron West (Amazon Link) 43:39 - Sybil by Flora Rheta Schreiber  44:26 - Mrs. Frisby and the Rats of Nimh by Robert C. O'Brien  46:13 - A Tale of Two Cities by Charles Dickens  46:57 - To Kill a Mockingbird by Harper Lee 48:41 - Are You There, God? It's Me Margaret by Judy Blume 48:54 - Deenie by Judy Blume  48:59 - Tiger Eyes by Judy Blume 49:01 - Blubber by Judy Blume  49:13 - Forever by Judy Blume 49:55 - Where the Red Fern Grows by Wilson Rawls 50:51 - Maus by Art Spiegelman 50:56 - Night by Elie Weisel  50:58 - The Diary of A Young Girl by Anne Frank 52:30 - Rumble Fish by S.E. Hinton 52:31 - The Outsiders by S.E. Hinton 53:36 - West Side Story by Irving Shulman 53:48 - Much Ado about Nothing by William Shakespeare 53:55 - A Raisin in the Sun by Lorraine Hansberry 53:56 - Driving Miss Daisy by Alfred Uhry 55:00 - The Odyssey by Homer 55:01 - The Canterbury Tales by Geoffrey Chaucer 56:07  - Books We'd Like to Press Into Your Hands 56:28 - The Giver by Lois Lowry (Kaytee) 1:00:05 - The Indian in the Cupboard by Lynne Reid Banks (Meredith) Connect With Us: Meredith is @meredith.reads on Instagram Kaytee is @notesonbookmarks on Instagram Mindy is @gratefulforgrace on Instagram Mary is @maryreadsandsips on Instagram Roxanna is @roxannatheplanner on Instagram currentlyreadingpodcast.com @currentlyreadingpodcast on Instagram currentlyreadingpodcast@gmail.com Support us at patreon.com/currentlyreadingpodcast and www.zazzle.com/store/currentlyreading

A Belvárosi Színházban újra műsoron Alfred Uhry klasszikus darabja, a Miss Daisy sofőrje. Az Intermezzo Impresszió rovatában Egri Márta Jászai Mari-díjas színészt kérdezi Bálint Edina a darabról.

Alfred Uhry amerikai drámaíró Pulitzer-díjas története, a Miss Daisy sofőrje, a '40-es évek Atlantájába kalauzolja a nézőket, ahol a zsidó származású nyugdíjas tanárnő, Miss Daisy Werthan éli magányos, ám annál aktívabb életét.

We're loving towards the end of the alphabet now with all things Letter U from the world of musicals including Leslie Uggams, The Unsinkable Molly Brown, Bjorn Ulvaeus, Miyoshi Umeki, Ushers The Front of House Musical, Jenna Ushkowitz, Urinetown, Alfred Uhry and more.

Happy Pride! "Ultimately, I think our job as artists is to share the secrets of our heart so that others may be set free... saving our own lives so that others can save theirs." Erik Liberman soothes the soul, simple as that. Whether or not it's his voice, his charm, his talent, or his point of view, Erik makes the world better for other people.  “It's not enough to want to make it, you've got to have something to make it with,” is a quote he holds near and dear. After the experience of seeing Chita Rivera in Kiss of the Spider Woman, and having said that to Erik, it kept him focused and able to hang in the industry and build success; a concept we touch on in this episode paired with failure.  Whenever interacting with someone, Erik tries to hold a vision for who someone was and who they will be. In a place of presence, it not only meets them in the now, but it extends forward and backwards. “We seek to be drawn from the plague of linear time into an encounter of infinity,” he says. “And that's why with great stars they say they stopped time.” Erik is also a survivor of a near death experience, which has informed his artistry. “What I realized was the thing that everything was fearing: death, was the wrong place to put the focus,” he says. “The place to put the focus is on utilizing the time one has in the body to do what one came for.” In this episode, Erik provides incredibly useful insight and tools on how the multi-hyphenate experience helps us understand the ecosystem of show business as a whole. You'll also hear us touch on the concept of vulnerability, weaponizing vulnerability, near death experiences, dignity & alignment, existentialism, commercial theatre, activism, and the discipline to sit down with yourself and create something that is bigger than you.  "Multifaceted, irreducible, and astonishing." - Joan Juliet Buck, former editor-in-chief of French Vogue Mentored by Maureen Stapleton, named a YoungArts winner in high school, and trained at London's Complicité and National Theatre, where he came under the wing of Dame Judi Dench. He received a grant to study with master clown teacher Philippe Gaulier in France, and in Los Angeles, was the face of noted improv-and-sketch-comedy school, The Groundlings. Liberman was "discovered" by 21-time Tony Award winning director and producer Hal Prince as a winner of the Lotte Lenya Competition. Prince hired him for his Broadway debut in Lovemusik, written by Oscar winner Alfred Uhry and starring Tony winners Donna Murphy and Michael Cerveris, remarking of the actor, "Erik is the real deal. Once you've seen him, you can't forget him." Liberman went on to receive Helen Hayes, Ovation, Garland, and Connecticut Critics Circle Awards, his onstage work reviewed as "a showcase of sheer star power." He originated the roles of The Telephone Guy in the award-winning Band's Visit opposite Tony Shalhoub, Charles Revson opposite Patti LuPone and Christine Ebersole in War Paint, and Clopin in Alan Menken, Stephen Schwartz, and Peter Parnell's The Hunchback of Notre Dame.  Other theatre highlights include: Motel the Tailor in Fiddler opposite Harvey Fierstein and the film's star, Topol. Some television credits include: Amazon's Transparent, Modern Family, and Martin Scorsese's Vinyl, and he will soon appear in the film American Dream.  Liberman has contributed to books including Performance of the Century, Wisdom From an Empty Mind, and Luminous Life. His master class series, Bridge to Broadway, benefited 45 charities and earned him a 2020 Encore Award from The Actors Fund, and he is currently developing a new book, documentary, and series for television.  For more information, please visit www.erikliberman.org and follow @erikliberman. Connect with Michael: @themichaelkushner (IG and TikTok) @dearmultihyphenate (IG) www.michaelkushneronline.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, new play advocate Danielle Feder discusses Jason Robert Brown and Alfred Uhry's 1998 musical Parade, focusing on the changes made between the original Broadway Production and the 2007 Donmar Warehouse production. We also talk about the song "What Baking Can Do" from Sara Bareilles and Jessie Nelson's 2016 musical Waitress. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you’d like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” The theme music is by Julia Meinwald. Music played in this episode: "How Can I Call This Home?" from Parade (Broadway cast recording) "It's Hard to Speak My Heart" from Parade (Donmar Warehouse recording) "A-Rumblin' and A-Rollin'" from Parade (Donmar Warehouse recording) "Come Up To My Office" from Parade (Broadway cast recording) "Come Up To My Office" from Parade (Donmar Warehouse recording) "The Picture Show" from Parade (Donmar Warehouse recording) "What Baking Can Do" from Waitress

Rob Ashford, Bertie Carvel, Tom Murray, Lara Pulver, and Alfred Uhry continue sharing their experiences of writing, staging and performing Jason Robert Brown and Alfred Uhry's 1998 musical Parade. Parade: Part Two includes the PBP Parade QUIZ and clips from the 2007 Donmar Warehouse Cast Album, featuring Malinda Parris, Shaun Escoffery, Lara Pulver, Steven Page, Mark Bonnar, Norman Bowman, Bertie Carvel, and the Company of Parade. Piece by Piece is written and hosted by Joe Bunker. It is mixed and edited by Nikki Davison for Auburn Jam Music, and produced by Pint of Wine. The theme music is by Ben Cox and our production assistant is Olivia Bloom. Our thanks go to Becky Applin, Tom Cane, Matt Eberhardt, Brandon Force, Miri Gellert, Jonathan Goodwin, Mel Heslop and Mark Newnham for their input and insights in the build-up to this episode! You can find Piece by Piece on Facebook, Twitter & Instagram. You can also email us c/o piecebypiecetalkshow@gmail.com - we would love to hear your thoughts on the show!

Rob Ashford, Bertie Carvel, Tom Murray, Lara Pulver, and Alfred Uhry join host Joe Bunker to share their experiences of writing, staging and performing Jason Robert Brown and Alfred Uhry's 1998 musical Parade. Find out: How Alfred Uhry’s family are linked to the real-life Leo & Lucille Frank Why new characters and songs were added for the revival (and why some were cut) How the Parade cast warmed up before shows (and why Bertie Carvel wasn’t included) How Lara Pulver came to be cast as the leading lady in the premieres of two Jason Robert Brown musicals Why Alfred and Rob call the London production ‘the happiest working experience’ of their lives Piece by Piece is written and hosted by Joe Bunker. It is mixed and edited by Nikki Davison for Auburn Jam Music, and produced by Pint of Wine. The theme music is by Ben Cox and our production assistant is Olivia Bloom. Our thanks go to Becky Applin, Tom Cane, Matt Eberhardt, Brandon Force, Miri Gellert, Jonathan Goodwin, Mel Heslop and Mark Newnham for their input and insights in the build-up to this episode! Parade: Part One includes clips from the 2007 Donmar Warehouse Cast Album, featuring Stuart Matthew Price, Steven Page, Bertie Carvel, Lara Pulver, Mark Bonnar, Norman Bowman, Malinda Parris, Shaun Escoffery, and the Company of Parade. You can find Piece by Piece on Facebook, Twitter & Instagram. You can also email us c/o piecebypiecetalkshow@gmail.com - we would love to hear your thoughts on the show!

Lois Reitzes interviews playwright Alfred Uhry about his upcoming discussion on the intersection of race and religion at the Breman Museum; filmmaker Adelin Gasana about his documentary "High On Heels"; and Yoel Levi with Bob Bahr about their four-part seminar "The Art of the Conduction."

Lois Reitzes interviews Jason Shannon, Ben Holst and Jeremy Gilbertson of the audio production company Tunewelders about their work; actor and playwright Clarinda Ross as well as actor Terry Burrell about Horizon Theatre's virtual production of "Love M"; and Alfred Uhry about what inspired him to become a writer.

Lois Reitzes interviews photographer Dawoud Bey and High Museum curator Sarah Kennel about the exhibition "Dawoud Bey: An American Project"; and University of Georgia librarian Toby Graham, author Ralph Eubanks and playwright Alfred Uhry about the 20th anniversary of the Georgia Writers Hall of Fame.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 68: Driving Miss Daisy (1989) Released 26 August 2020 For this episode, we watched Driving Miss Daisy, written by Alfred Uhry from his play, directed by Bruce Beresford and starring Jessica Tandy (won), Morgan Freeman (nominated) and Dan Aykroyd (nominated). It also won for its screenplay and its make-up. Beresford was not even nominated as Best Director – very rare for a Best Picture winner. Kim Basinger sticks up for Do the Right Thing. https://youtu.be/vbePj-sKV8w?t=367 Newness on Netflix. https://www.netflix.com/gb/title/80172958 https://www.wbshop.com/products/looney-tunes-speechless-print-honoring-mel-blanc-1 https://www.indiewire.com/2019/06/do-the-right-thing-spike-lee-30-anniversary-1202154208/ Next time we will be discussing Wings. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. James Murray, Jonquil Coy, Anna Elizabeth Rawles, Nick Hetherington, Michael Walker, Ms Rebecca K O’Dwyer, Ann Blake, Veryan Croggon, Tim Gowen, Richard Ewart, Kirsten Marie Oeveraas, Helle Rasmussen, Robert Orzalli, Olivia, Peter , Katy Espie, Joy Wilkinson, Kate Butler, Anna Joerschke, Ben Squires, Dave Kloc, Claire Creighton, Sally Grant, Sam Elliott, Annmarie Gray, Kelli Prime, Alex Frith, Lisa Gillespie, Alex Wilson, Anne Dellamaria, Michael Wilson, Simon James, Eloise Lowe, Judi Cox, Julie Dirksen, Michael Thomas, Della, Matheus Mocelin Carvalho, Rohan Newton, Jess McGinn, Elis Bebb, Anna Smith, Darren Williams, Catherine Murphy, Sian Thomas, Lucinda Baron von Parker, David Hanneford, Stuart Shepherd, Emmet Jackson, Emma Colvill, Eamonn Clarke, Anna Jackson, Martin Korshoj Petersen, Daina Aspin, Laura Lundy, Juan Ageitos, Sladjana Ivanis, Helen Cousins, Simon Ash, Kath , Johanna Commins, Flora, Drew Milloy, Jo B, Claire Carr, Elspeth Reay, Catherine Jewkes, Charlotte, Ruth, Henry Bushell, Zarah Daniel.

The tenth episode of our season on the awesome movie year of 1989 features the Best Picture Oscar winner, Driving Miss Daisy. Written by Alfred Uhry (based on his Pulitzer Prize-winning play), directed by Bruce Beresford and starring Morgan Freeman, Jessica Tandy and Dan Aykroyd, Driving Miss Daisy opened in limited release in December 1989 and went on to win four Oscars, including Best Picture. The post Driving Miss Daisy (1989 Best Picture) appeared first on Awesome Movie Year.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 68: Driving Miss Daisy (1989) Released 26 August 2020 For this episode, we watched Driving Miss Daisy, written by Alfred Uhry from his play, directed by Bruce Beresford and starring Jessica Tandy (won), Morgan Freeman (nominated) and Dan Aykroyd (nominated). It also won for its screenplay and its make-up. Beresford was not even nominated as Best Director – very rare for a Best Picture winner. Kim Basinger sticks up for Do the Right Thing. https://youtu.be/vbePj-sKV8w?t=367 Newness on Netflix. https://www.netflix.com/gb/title/80172958 https://www.wbshop.com/products/looney-tunes-speechless-print-honoring-mel-blanc-1 https://www.indiewire.com/2019/06/do-the-right-thing-spike-lee-30-anniversary-1202154208/ Next time we will be discussing Wings. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. James Murray, Jonquil Coy, Anna Elizabeth Rawles, Nick Hetherington, Michael Walker, Ms Rebecca K O'Dwyer, Ann Blake, Veryan Croggon, Tim Gowen, Richard Ewart, Kirsten Marie Oeveraas, Helle Rasmussen, Robert Orzalli, Olivia, Peter , Katy Espie, Joy Wilkinson, Kate Butler, Anna Joerschke, Ben Squires, Dave Kloc, Claire Creighton, Sally Grant, Sam Elliott, Annmarie Gray, Kelli Prime, Alex Frith, Lisa Gillespie, Alex Wilson, Anne Dellamaria, Michael Wilson, Simon James, Eloise Lowe, Judi Cox, Julie Dirksen, Michael Thomas, Della, Matheus Mocelin Carvalho, Rohan Newton, Jess McGinn, Elis Bebb, Anna Smith, Darren Williams, Catherine Murphy, Sian Thomas, Lucinda Baron von Parker, David Hanneford, Stuart Shepherd, Emmet Jackson, Emma Colvill, Eamonn Clarke, Anna Jackson, Martin Korshoj Petersen, Daina Aspin, Laura Lundy, Juan Ageitos, Sladjana Ivanis, Helen Cousins, Simon Ash, Kath , Johanna Commins, Flora, Drew Milloy, Jo B, Claire Carr, Elspeth Reay, Catherine Jewkes, Charlotte, Ruth, Henry Bushell, Zarah Daniel.

Alfred Uhry is a playwright and screenwriter. He has received an Academy Award, two Tony Awards and the 1988 Pulitzer Prize for dramatic writing for Driving Miss Daisy. Other works include Here's Where I Belong, The Robber Bridegroom, America's Sweetheart, The Last Night of Ballyhoo, Parade, Edgardo Mine, LoveMusik, Apples & Oranges, and Angel Reapers. He is a member of the Fellowship of Southern Writers.   There’s a bunch of mind-blowing moments in this podcast, including: How he kept writing after a couple of big ol’ Broadway disasters that would have sent most people to law school. Where he got the inspiration for Driving Miss Daisy, and the magic words he heard from his agent when she read it. Musicals and plays . . . and the different skills needed for both. His process of sitting down and writing, and how that has changed since he began. Writing what you know . . . the pros and the cons. This podcast is brought to you by Reproductions! They have been the leading headshot printer, nationwide, for 30 years. But that’s not all they do: Reproductions has a team dedicated to video services for demo reel editing, scene production when you need new footage, and musical theater filming as well for high-quality vocal performances with a professional accompianist. Their biggest difference is their turnaround time: videos are delivered within five days of shooting, and headshots as fast as the next day. So go ahead, place an order online at reproductions.com.   Keep up with me: @KenDavenportBway www.theproducersperspective.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniel Goldfarb is a producer and playwright. He made his Broadway debut with Martin Short: Fame Becomes Me and his off-Broadway credits include the plays Cradle and All; Sarah, Sarah; The Retributionists; Modern Orthodox; Adam Baum and the Jew Movie; and most recently the musical Piece of my Heart. On television, Daniel is currently a writer/producer on the upcoming season two of Amazon’s Emmy and Golden Globe winning The Marvelous Mrs. Maisel, and has pilots in development with Lionsgate and Zadan/Meron productions.  Previous TV includes Tyrant, Rogue, Four in the Morning, and The Electric Company.  I met Daniel Goldfarb back in 1997 when I company managed a workshop of Parade. Daniel was Alfred Uhry’s (who wrote the book) assistant, and I remember people saying . . . “That kid that is booking Alfred’s travel and getting his lunch? He’s going to be a major playwright someday.” We had a great time together on this podcast, reminiscing about our days on Parade and also talking about . . . NYU or Julliard . . . which program did he like better? 

Ilana interviewed JASON ROBERT BROWN live on the stage of City Center after the Encore Series Presentation of his song cycle "Songs for a New World" on the day his latest album "How We React and How We Recover" was released. In this intimate conversation Jason talks about being "adopted " by Hal Prince, his longtime collaboration with Daisy Prince, the joy and pain of winning Tony Awards for shows that had closed quickly and how he wrote the title song for his new album on the morning Donald Trump won the election and more.... Jason Robert Brown  is the ultimate multi-hyphenate – an equally skilled composer, lyricist, conductor, arranger, orchestrator, director and performer – best known for his dazzling scores to several of the most renowned musicals of his generation, including the generation-defining “The Last Five Years”, his debut song cycle “Songs for a New World”, and the seminal “Parade”, for which he won the 1999 Tony Award for Best Score. JASON ROBERT BROWN has been hailed as “one of Broadway’s smartest and most sophisticated songwriters since Stephen Sondheim” (Philadelphia Inquirer), and his “extraordinary, jubilant theater music” (Chicago Tribune) has been heard all over the world, whether in one of the hundreds of productions of his musicals every year or in his own incendiary live performances. Jason’s score for “The Bridges of Madison County,” a musical adapted with Marsha Norman from the bestselling novel, directed by Bartlett Sher and starring Kelli O’Hara and Steven Pasquale, received two Tony Awards (for Best Score and Orchestrations). “Honeymoon In Vegas,” based on Andrew Bergman’s film, opened on Broadway in 2015 following a triumphant production at Paper Mill Playhouse. His major musicals as composer and lyricist include: “13”, written with Robert Horn and Dan Elish, which began its life in Los Angeles in 2007 and opened on Broadway in 2008; “The Last Five Years”, which was cited as one of Time Magazine’s 10 Best of 2001 and won Drama Desk Awards for Best Music and Best Lyrics; “Parade,” written with Alfred Uhry and directed by Harold Prince, which premiered at Lincoln Center Theatre in 1998, and subsequently won both the Drama Desk and New York Drama Critics’ Circle Awards for Best New Musical, as well as garnering Jason the Tony Award for Original Score; and “Songs for a New World,” a theatrical song cycle directed by Daisy Prince, which played Off-Broadway in 1995, and has since been seen in hundreds of productions around the world. As a soloist or with his band The Caucasian Rhythm Kings, Jason has performed sold-out concerts around the world.  His newest collection, “How We React and How We Recover”, was released in June 2018 on Ghostlight Records. His previous solo album, “Wearing Someone Else’s Clothes”, was named one of Amazon.com’s best of 2005, and is available from Sh-K-Boom Records. For the new musical “Prince of Broadway,” a celebration of the career of Harold Prince, Jason was the musical supervisor and arranger.  Other recent New York credits as conductor and arranger include “Urban Cowboy the Musical” on Broadway; Oliver Goldstick’s play, “Dinah Was,” directed by David Petrarca, at the Gramercy Theatre and on national tour; and William Finn’s “A New Brain,” directed by Graciela Daniele, at Lincoln Center Theater. Jason has conducted and created arrangements and orchestrations for Liza Minnelli, John Pizzarelli, Tovah Feldshuh, and Laurie Beechman, among many others. Jason studied composition at the Eastman School of Music in Rochester, N.Y., with Samuel Adler, Christopher Rouse, and Joseph Schwantner.  He lives with his wife, composer Georgia Stitt, and their daughters in New York City.  Jason is a proud member of the Dramatists Guild and the American Federation of Musicians Local 802.  Visit him on the web at www.jasonrobertbrown.com.

“The presence of Alfred Uhry here and his collections in the Rose Library represent a convergence of our collecting strengths in the areas of modern literature, Southern history, and social justice,” said Rosemary M. Magee, director of the Rose Library. “We are delighted to welcome him back to Emory to explore his creative impulses and the importance of archives in mapping individual and shared stories.” “Atlanta is my home. It’s what I know, and what I feel about it,” he said. “Where you grew up, and what you observed then, is something you carry with you.” “Driving Miss Daisy” premiered onstage in 1987, and Uhry later adapted it into the 1989 film. Uhry has received a Pulitzer Prize and an Academy Award (both for “Driving Miss Daisy”) and several Tony Awards for his work – the only playwright to win all three awards. Two of his other plays, “The Last Night of Ballyhoo” (1996) and “Parade” (a 1998 musical about Leo Frank), along with “Daisy,” are unofficially referred to as his “Atlanta Trilogy” of plays because all are set in the Atlanta area.

Bob Wilcox and Gerry Kowarsky review CABARET, by Joe Masteroff, John Kander & Fred Ebb, at the Repertory Theatre of St. Louis, MY FAIR LADY, by Alan Jay Lerner & Frederick Loewe, at Stages St. Louis, OUR TOWN, by Thornton Wilder, at Insight Theatre Co., ENTERTAINING MR. SLOAN, by Joe Orton, at HotCity Theatre, THE PURPOSE PROJECT: THAO'S LIBRARY, by Elizabeth Van Meter, at Mustard Seed Theatre, EMERGENCY, by Daniel Beaty, at The Black Rep, PARADE, by Alfred Uhry and Jason Robert Brown, at R-S Theatrics, and THE LAST NIGHT OF BALLYHOO, by Alfred Uhry, at the Theatre Guild of Webster Groves.

Barbara Beckley and T.J. Dawson, two of Southern California’s leading theatre Producer/Artistic Directors join Sterling & Stroili for an insightful discussion about the world premiere musical of Mark Saltzman’s Falling for Make Believe (Music by Richard Rodgers; Lyrics by Lorenz Hart) which reveals the dark side of Hart’s troubled and secret life at Beckley’s Colony Theatre in Burbank, CA; and T.J. Dawson’s 3-D Theatricals production of the infrequently done Tony Award-winning musical drama Paradeat the historic Plummer Auditorium in Fullerton, California. With a hauntingly beautiful score by Robert Jason Brown and a book by Alfred Uhry based on the tragic and true story of the 1913 trial of a Brooklyn-born Jewish factory manager Leo Frank who was accused of raping and murdering a 13 year old employee, Parade recants Frank’s story through the eyes of those around him; his trial, sensationalized by the media; and the arousal of anti-Semitic tension in Atlanta and the state of Georgia. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Barbara Beckley and T.J. Dawson, two of Southern California’s leading theatre Producer/Artistic Directors join Sterling & Stroili for an insightful discussion about the world premiere musical of Mark Saltzman’s Falling for Make Believe (Music by Richard Rodgers; Lyrics by Lorenz Hart) which reveals the dark side of Hart’s troubled and secret life at Beckley’s Colony Theatre in Burbank, CA; and T.J. Dawson’s 3-D Theatricals production of the infrequently done Tony Award-winning musical drama Paradeat the historic Plummer Auditorium in Fullerton, California. With a hauntingly beautiful score by Robert Jason Brown and a book by Alfred Uhry based on the tragic and true story of the 1913 trial of a Brooklyn-born Jewish factory manager Leo Frank who was accused of raping and murdering a 13 year old employee, Parade recants Frank’s story through the eyes of those around him; his trial, sensationalized by the media; and the arousal of anti-Semitic tension in Atlanta and the state of Georgia. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Driving Miss Daisy was a perfect story choice for Richard D. Zanuck to produce. Sure, it was difficult to get made but for a film that only cost $7.5 million dollars to produce, it raked in over $100 million at the domestic box office, putting it in the top 10 of the year with the likes of Batman and Lethal Weapon 2. Topping that off, it led Zanuck, along with his wife, Lili Fini Zanuck, to win the Best Picture award at the Oscars. But this 1989 film, which deals with prejudice and friendship in the relationship between an old Jewish woman in the south and her African American driver, stands out for many people as a perfect example of what's wrong with the Oscars because it came out the same year as Spike Lee's Do the Right Thing, a film that deals with race relations in a much more intense and direct way, and what many feel should have won the Best Picture award. Regardless of your position on which is the better film or which should have won, Bruce Beresford's film Driving Miss Daisy, written by Alfred Uhry based on his Pulitzer prize-winning play, is a beautiful, simple, and sweet story of two people who are the most unlikely to develop a friendship, yet they do just that. And it's heartwarming. Join us — Pete Wright and Andy Nelson — on this week's episode of Rash Pixel's Movies We Like as we discuss the amazing performances — Morgan Freeman, Jessica Tandy, and Dan Aykroyd are all fantastic. We chat about what the film is saying about race and look at in context of the 25 years over which the story takes place. We look at the films it was up against at the Oscars that year (as well as those that weren't nominated). And we discuss the amazing or horrible Hans Zimmer music, depending on your taste for his 80s synthesized scores. It's a discussion that ranges all over the map as we talk about this wonderful film, the fourth in our Richard D. Zanuck series. We have a great time talking about it, and hope you have a great time listening to it. Listen in!

Driving Miss Daisy was a perfect story choice for Richard D. Zanuck to produce. Sure, it was difficult to get made but for a film that only cost $7.5 million dollars to produce, it raked in over $100 million at the domestic box office, putting it in the top 10 of the year with the likes of Batman and Lethal Weapon 2. Topping that off, it led Zanuck, along with his wife, Lili Fini Zanuck, to win the Best Picture award at the Oscars. But this 1989 film, which deals with prejudice and friendship in the relationship between an old Jewish woman in the south and her African American driver, stands out for many people as a perfect example of what's wrong with the Oscars because it came out the same year as Spike Lee's Do the Right Thing, a film that deals with race relations in a much more intense and direct way, and what many feel should have won the Best Picture award. Regardless of your position on which is the better film or which should have won, Bruce Beresford's film Driving Miss Daisy, written by Alfred Uhry based on his Pulitzer prize-winning play, is a beautiful, simple, and sweet story of two people who are the most unlikely to develop a friendship, yet they do just that. And it's heartwarming. Join us — Pete Wright and Andy Nelson — on this week's episode of Rash Pixel's Movies We Like as we discuss the amazing performances — Morgan Freeman, Jessica Tandy, and Dan Aykroyd are all fantastic. We chat about what the film is saying about race and look at in context of the 25 years over which the story takes place. We look at the films it was up against at the Oscars that year (as well as those that weren't nominated). And we discuss the amazing or horrible Hans Zimmer music, depending on your taste for his 80s synthesized scores. It's a discussion that ranges all over the map as we talk about this wonderful film, the fourth in our Richard D. Zanuck series. We have a great time talking about it, and hope you have a great time listening to it. Listen in!

Driving Miss Daisy was a perfect story choice for Richard D. Zanuck to produce. Sure, it was difficult to get made but for a film that only cost $7.5 million dollars to produce, it raked in over $100 million at the domestic box office, putting it in the top 10 of the year with the likes of Batman and Lethal Weapon 2. Topping that off, it led Zanuck, along with his wife, Lili Fini Zanuck, to win the Best Picture award at the Oscars.But this 1989 film, which deals with prejudice and friendship in the relationship between an old Jewish woman in the south and her African American driver, stands out for many people as a perfect example of what's wrong with the Oscars because it came out the same year as Spike Lee's Do the Right Thing, a film that deals with race relations in a much more intense and direct way, and what many feel should have won the Best Picture award.Regardless of your position on which is the better film or which should have won, Bruce Beresford's film Driving Miss Daisy, written by Alfred Uhry based on his Pulitzer prize-winning play, is a beautiful, simple, and sweet story of two people who are the most unlikely to develop a friendship, yet they do just that. And it's heartwarming.Join us — Pete Wright and Andy Nelson — on this week's episode of Rash Pixel's Movies We Like as we discuss the amazing performances — Morgan Freeman, Jessica Tandy, and Dan Aykroyd are all fantastic. We chat about what the film is saying about race and look at in context of the 25 years over which the story takes place. We look at the films it was up against at the Oscars that year (as well as those that weren't nominated). And we discuss the amazing or horrible Hans Zimmer music, depending on your taste for his 80s synthesized scores. It's a discussion that ranges all over the map as we talk about this wonderful film, the fourth in our Richard D. Zanuck series. We have a great time talking about it, and hope you have a great time listening to it. Listen in!

Driving Miss Daisy was a perfect story choice for Richard D. Zanuck to produce. Sure, it was difficult to get made but for a film that only cost $7.5 million dollars to produce, it raked in over $100 million at the domestic box office, putting it in the top 10 of the year with the likes of Batman and Lethal Weapon 2. Topping that off, it led Zanuck, along with his wife, Lili Fini Zanuck, to win the Best Picture award at the Oscars.But this 1989 film, which deals with prejudice and friendship in the relationship between an old Jewish woman in the south and her African American driver, stands out for many people as a perfect example of what's wrong with the Oscars because it came out the same year as Spike Lee's Do the Right Thing, a film that deals with race relations in a much more intense and direct way, and what many feel should have won the Best Picture award.Regardless of your position on which is the better film or which should have won, Bruce Beresford's film Driving Miss Daisy, written by Alfred Uhry based on his Pulitzer prize-winning play, is a beautiful, simple, and sweet story of two people who are the most unlikely to develop a friendship, yet they do just that. And it's heartwarming.Join us — Pete Wright and Andy Nelson — on this week's episode of Rash Pixel's Movies We Like as we discuss the amazing performances — Morgan Freeman, Jessica Tandy, and Dan Aykroyd are all fantastic. We chat about what the film is saying about race and look at in context of the 25 years over which the story takes place. We look at the films it was up against at the Oscars that year (as well as those that weren't nominated). And we discuss the amazing or horrible Hans Zimmer music, depending on your taste for his 80s synthesized scores. It's a discussion that ranges all over the map as we talk about this wonderful film, the fourth in our Richard D. Zanuck series. We have a great time talking about it, and hope you have a great time listening to it. Listen in!

Theater UCF has opened "The Last Night of Ballyhoo," Alfred Uhry's play about a family struggling with identity issues in upper-class Atlanta in December 1939. The director and actors talk about their roles in this episode of ArtBeat, hosted by Ann Kenda and edited by Matt Immerman.

Bob Wilcox and Gerry Kowarsky review (1) THE LAST NIGHT OF BALLYHOO, by Alfred Uhry, at the New Jewish Theatre, (2) THE ADVENTURES OF TOM SAWYER, by Laura Eason, at the Repertory Theatre of St. Louis, (3) MY THREE ANGELS, by Sam and Bella Spewack, at St. Louis Actors' Studio, (4) CHRISTMAS WITH THE RAT PACK: LIVE AT THE SANDS, Fox Theatre, (5) KRAPP'S LAST TAPE, by Samuel Beckett, at Black Mirror Theatre, (6) DR. SEUSS' HOW THE GRINCH STOLE CHRISTMAS, by Timothy Mason & Mel Marvin, at the Peabody Opera House, (7) JESUS HOPPED THE 'A' TRAIN, by Stephen Adly Guirgis, at R-S Theatrics, (8) WHAMMY! THE SEVEN SECRETS TO A SANE SELF, by Chuck Harper, at HotCity Theatre, and (9) HOT L BALTIMORE, by Lanford Wilson, at Webster Univ. Conservatory.

The panel of playwrights - Annie Baker, Rinne Groff, Karen Hartman and Alfred Uhry - talk about their writing process; the role of the dramaturg; writing adaptations; collaborating with directors; whether they have a specific actor in mind when they're writing; and how they see the role of the playwright in theatre today.

Playwright Alfred Uhry recalls the original production of "Driving Miss Daisy" in 1987 at Playwrights Horizons, lists the actresses he's had the opportunity to see play the title role - based directly on his own grandmother - and discusses the cast of the play's Broadway premiere. He also talks about his Atlanta upbringing and being the beneficiary of his mother's love of the stage; moving to New York after graduating from Brown University and his apprenticeship under the great Frank Loesser; the Broadway musical he regularly leaves out of his bio and resume, which featured a book by another novice, Terrence McNally; the good fortune that smiled on "The Robber Bridegroom", which featured Raul Julia, Kevin Kline and Barry Bostwick in successive New York incarnations; how the failure of his Al Capone musical "America's Sweetheart" led him to shift away from musicals towards playwriting with "Daisy"; drawing once again on his own family for "The Last Night of Ballyhoo"; collaborating with director Hal Prince and one living composer (Jason Robert Brown) and one deceased (Kurt Weill) for the musicals "Parade" and "LoveMusik"; and how his fact-based drama "Edgardo Mine" has now become "Divine Intervention". Original air date - October 13, 2010.

Playwright Alfred Uhry recalls the original production of "Driving Miss Daisy" in 1987 at Playwrights Horizons, lists the actresses he's had the opportunity to see play the title role - based directly on his own grandmother - and discusses the cast of the play's Broadway premiere. He also talks about his Atlanta upbringing and being the beneficiary of his mother's love of the stage; moving to New York after graduating from Brown University and his apprenticeship under the great Frank Loesser; the Broadway musical he regularly leaves out of his bio and resume, which featured a book by another novice, Terrence McNally; the good fortune that smiled on "The Robber Bridegroom", which featured Raul Julia, Kevin Kline and Barry Bostwick in successive New York incarnations; how the failure of his Al Capone musical "America's Sweetheart" led him to shift away from musicals towards playwriting with "Daisy"; drawing once again on his own family for "The Last Night of Ballyhoo"; collaborating with director Hal Prince and one living composer (Jason Robert Brown) and one deceased (Kurt Weill) for the musicals "Parade" and "LoveMusik"; and how his fact-based drama "Edgardo Mine" has now become "Divine Intervention". Original air date - October 13, 2010.

Playwright Alfred Uhry (1997 Tony Award winner for Best Play for “The Last Night of Ballyhoo”; 1999 Tony Award winner for Best Book of a Musical for “Parade”) recalls the original production of “Driving Miss Daisy” in 1987 at Playwrights Horizons, lists the actresses he's had the opportunity to see play the title role - based directly on his own grandmother - and discusses the cast of the play's Broadway premiere. He also talks about his Atlanta upbringing and being the beneficiary of his mother's love of the stage; moving to New York after graduating from Brown University and his apprenticeship under the great Frank Loesser; the Broadway musical he regularly leaves out of his bio and resume, which featured a book by another novice, Terrence McNally; the good fortune that smiled on “The Robber Bridegroom”, which featured Raul Julia, Kevin Kline and Barry Bostwick in successive New York incarnations; how the failure of his Al Capone musical “America's Sweetheart” led him to shift away from musicals towards playwriting with “Daisy”; drawing once again on his own family for “The Last Night of Ballyhoo”; collaborating with director Hal Prince and one living composer (Jason Robert Brown) and one deceased (Kurt Weill) for the musicals “Parade” and “LoveMusik”; and how his fact-based drama “Edgardo Mine” has now become “Divine Intervention”.

The panel - playwright Allan Knee ("Late Night Comic"), director Ron Lagomarsino ("Driving Miss Daisy"), director Lloyd Richards ("Fences"), casting director Meg Simon ("Fences"), playwright Alfred Uhry ("Driving Miss Daisy"), and playwright August Wilson ("Fences") - discuss directing styles, collaboration between playwright and director, developing and casting their current productions, and the emergence of casting directors for the stage.

The panel -- playwright Allan Knee (Late Night Comic), director Ron Lagomarsino (Driving Miss Daisy), Tony Award winning-director Lloyd Richards (for Fences), casting director Meg Simon (Fences), Tony Award winning-playwright Alfred Uhry (1999 for Parade and 1997 for his play The Last Night of Ballyhoo), and playwright August Wilson (Tony winner for Fences) -- discuss directing styles, collaboration between playwright and director, developing and casting their current productions, and the emergence of casting directors for the stage.

The panel of directors Walter Bobbie ("Chicago"), director/choreographer Wayne Cilento ("Dream"), Scott Elliott ("Present Laughter"), Ron Lagomarsino ("Last Night at Ballyhoo"), Gene Saks ("Barrymore"), and playwright Alfred Uhry ("Last Night at Ballyhoo") talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show.

The panel of directors Walter Bobbie (Chicago, Tony Award), Tony Award-winning choreographer Wayne Cilento (for The Who’s Tommy), Scott Elliott (Present Laughter), Ron Lagomarsino (Last Night at Ballyhoo), Gene Saks (Tony Award winner for Best Direction for I Love My Wife, Brighton Beach Memoirs and Biloxi Blues), and Tony Award winning-playwright Alfred Uhry (1999 for Parade and 1997 for his play The Last Night of Ballyhoo) talk about how they got started, developing their current productions, a show's relevance to contemporary audiences, determining the length of a play, and how directors maintain an ongoing show.