Podcasts about universit paris diderot

Today on Speaking Out of Place I am delighted to be in conversation with Azucena Castro and Malcom Ferdinand.  We start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” In our conversation we spend some time talking about how art, film, and poetry can manifest some of those frameworks, and we are delighted have Azucena take us into a deep discussion of this, and also to read two poems in Spanish and then in English translation and have Malcom gloss them for us. Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published  an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled  S'aimer la Terre: défaire  l'habiter colonial ( Seuil 2024).

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand's Decolonial Ecologies, Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us.Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry, Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP/Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism.Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024).www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

A ciento cincuenta años de su aparición, el Martín Fierro de José Hernández sigue provocando una atracción única en la cultura argentina. Su presencia se hace fuerte no solo en la crítica literaria o en las discusiones académicas, sino también en novelas, películas, canciones, medios de comunicación, redes sociales, actos escolares, refranes... En este libro, Matías Emiliano Casas explora los motivos del extraordinario poder de convocatoria del personaje. Los usos y las interpretaciones del texto han sido más determinantes que el propio texto, afectado por olvidos, recortes, tergiversaciones, continuaciones y reescrituras. Presidentes, funcionarios, militantes, agentes extranjeros, miembros de instituciones públicas y de organizaciones sociales pusieron a prueba una y otra vez el potencial de la obra y el personaje para propagar su ideario, muchas veces divergente. La historia de esas apropiaciones y desvíos es el eje de este estudio. Matías Emiliano Casas es doctor en Historia (Universidad Nacional de Tres de Febrero y Université Paris-Diderot), investigador del Conicet y docente en la UNTREF. Ha publicado Las metamorfosis del gaucho (Prometeo, 2017) y La tradición en disputa (Prohistoria, 2018). Actualmente coordina la Red de Estudios Históricos sobre Folclore y Tradiciones Culturales en América Latina Entrevista realizada por Pablo Martínez Gramuglia es doctor en Letras (Universidad de Buenos Aires) y Especialista en Ciencias Sociales (Universidad Nacional de Luján) Learn more about your ad choices. Visit megaphone.fm/adchoices

Suite de cette évocation sur l'état de nos démocraties avec Monique Chemillier-Gendreau, professeure émérite de droit public et de sciences politiques à l'Université Paris-Diderot. Elle est l'auteure de "Régression de la démocratie et déchaînement de la violence" paru aux éditions Textuel en 2019. Elle a une pratique du droit auprès des juridictions internationales et plaide notamment devant la Cour internationale de justice de l'ONU à La Haye. Photo: une jeune femme armée d'un bouquet de fleurs aux prises avec un policier anti-émeute à Minsk, capitale de la Biélorussie, le 11 août 2020. Lorsque les Biélorusses ont protesté, le 9 août de la même année, contre ce qu'ils ont appelé une élection frauduleuse, la police a sévèrement réprimé les manifestations. Au pouvoir depuis 1994, le président Alexandre Loukachenko s'est efforcé de mettre un terme aux protestations par de vagues promesses de réformes mêlées à des menaces, des convocations en justice et l'emprisonnement sélectif de militants de premier plan. (© Keystone/AP)

Interview de Jean-Christian Vinel, Maître de conférences à l'Université Paris-Diderot, historien des Etats-Unis et du travail, auteur de "La grève en exil?"

The Jewish Labor Committee's rescue of European Jews and labor leaders in World War II. Catherine Collomp is Emerita professor at Université de Paris (formerly Université Paris-Diderot), France. A specialist of American history, she has taught at Université Paris XII Créteil (1985-1998) and Université Paris-Diderot ( 1998- 2008) where she specialized in American social and political history, with a special interest in labor and immigration history. Currently involved in projects to study Jewish-American responses to fascism and Nazism, her book "Rescue, Relief and Resistance: The Jewish Labor Committee's Anti-Nazi operations, 1934-1945" was published in April 2021.

Episode 129: L'école de médecine de Kairouan dans l'histoire de la médecine arabe médiévale : repères historiographiques Dans ce podcast, qui prend la forme d'un retour historiographique, Dr. Meyssa Ben Saad présente l'école médicale de Kairouan, ses fondateurs, ses innovations et les traces qu'elle a laissé dans la longue histoire de la médecine. De la médecine arabe médiévale, l'histoire a surtout retenu des grands noms comme Rāzī (865-925) et Ibn Sīnā (980-1037), ou encore Abul Qāsim al-Zahrāwī (940-1013), représentant respectivement l'école dite de Bagdad, et celle de Cordoue (Al-Andalus). Mais un autre centre culturel avait prospéré au IX-Xe siècle dans une autre sphère de l'empire arabo-islamique, à Kairouan, alors capitale de l'Ifriqya et grand pôle de rayonnement scientifique et culturel du IXe siècle. Plusieurs médecins y ont exercé, notamment Isḥāq Ibn ‘Imrān (IX-Xe), et ses disciples Isḥāq Ibn Sulaymān (832-932), et Ibn al-Jazzār (898-980), dont les œuvres ont circulé et ont influencé autant le monde arabe que l'Europe latine, mais dont certaines se sont faites appropriées par leur traducteur latin, Constantin l'Africain (1020-1087). Meyssa BEN Saad est Docteur en Histoire des sciences spécialisée en Histoire de la zoologie arabe médiévale. Elle est chercheuse associé au Labo SPHère CNRS UMR 7219, Université Paris Diderot, et Coordinatrice du Pôle Recherche & Innovation à l'Université Mahmoud el Materi, Tunis. Cet épisode a été enregistré entre Oran et Tunis le 3 Juin 2021 et s'inscrit dans le cadre du cycle des conférences “Santé et humanités au Maghreb” de l'American Institute for Maghrib Studies (AIMS), organisé par le Centre d'Études Maghrébines en Algérie (CEMA) et le Centre d'Études Maghrébines à Tunis (CEMAT) en étroite collaboration avec Tangier American Legation Institute for Moroccan Studies (TALIM). Professeur Marouane Ben Miled, Enseignant-chercheur à l'Ecole nationale d'Ingénieurs de Tunis (ENIT), a modéré la conférence et le débat.   Montage : Hayet Lansari, Bibliothécaire / Chargée de la diffusion des activités scientifiques (CEMA). 

durée : 00:58:34 - Les Chemins de la philosophie - par : Adèle Van Reeth, Géraldine Mosna-Savoye - Aimé Césaire était multiple : penseur de la négritude, homme politique, historien, poète, homme de théâtre... Impertinent et courageux, il fut un héros de plume complexe, son image est-elle aujourd’hui trop lisse ? Quelle fut sa réflexion politique et historique sur l’esclavage colonial ? - réalisation : Laurence Malonda - invités : Silyane Larcher chargée de recherche au CNRS en science politique, Unité de Recherche Migrations et Société (URMIS), Université Paris-Diderot, auteure de « L’autre citoyen » (Armand Colin, 2014)

Danilo Lovisi nasceu em Juiz de Fora, Minas Gerais, Brasil, em 1991. É curador, mediador cultural e autor. Graduado em História da Arte pela École du Louvre, em Paris, e mestre em museologia pela mesma instituição. Possui igualmente uma graduação em Letras pela Université Paris Diderot. Desde 2018, é responsável pela programação cultural do Espace Culturel Gacha, antena francesa da Fondation Jean-Félicien Gacha (Camarões). Ele coordena os projetos artísticos, literários e culturais realizados na França e internacionalmente, com uma dinâmica de abertura às culturas para além da Europa, sobretudo africanas. [Danilo Lovisi was born in Juiz de Fora, Minas Gerais, Brazil, in 1991. He's a curator, cultural mediator and writer. He holds a a bachelor degree in Art History from the École du Louvre, in Paris, and a master degree in Museum Studies from the same institution. He also has a graduation in French from the Université Paris Diderot. Since 2018 he's responsible for the cultural program at the Espace Culturel Gacha, France based institution of the Fondation Jean-Félicien Gacha (Cameroon). He coordinates artistic, literary and cultural projects realized in France and abroad, with an open dynamics to cultures besides Europe, especially from the African continent] ///imagem selecionada|selected image: David Uzochukwu, "Pluton-ignite", 2019/// [entrevista realizada em 22 de dezembro de 2020|interview recorded on december 22nd, 2020] [link para YouTube: https://youtu.be/HX_3R1mglLQ]

Sixième entretien avec Jean-Christian Vinel, historien, maître de conférences à l’Université Paris-Diderot, rattaché à l’École des hautes études en sciences sociale (EHESS), sur les questions

Sixième entretien avec Jean-Christian Vinel, historien, maître de conférences à l’Université Paris-Diderot, rattaché à l’École des hautes études en sciences sociale (EHESS), sur les questions

Forms, Formats and the Circulation of Knowledge: British Printscape's Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King's College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape's Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King's College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape's Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King's College London. She tweets at @timetravelallie.

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Forms, Formats and the Circulation of Knowledge: British Printscape’s Innovations, 1688-1832 (Brill, 2020) explores the printscape – the mental mapping of knowledge in all its printed shapes – to chart the British networks of publishers, printers, copyright-holders, readers and authors. This transdisciplinary volume skilfully recovers innovations and practices in the book trade between 1688 and 1832. It investigates how print circulated information in a multitude of sizes and media, through an evolving framework of transactions. The authority of print is demonstrated by studies of prospectuses, blank forms, periodicals, pamphlets, globes, games and ephemera, uniquely gathered in eleven essays engaging in legal, economic, literary, and historical methodologies. The tight focus on material format reappraises a disorderly market accommodating a widening audience consumption. Louisiane Ferlier, Ph.D. (2012, Université Paris Diderot), is the Digital Resources Manager at Centre for the History of Science at the Royal Society. She has published articles on John Wallis, the Bodleian Library and cross-Atlantic circulation of books. Bénédicte Miyamoto, Ph.D. (2011, Université Paris Diderot), is Associate Professor of British History at Université Sorbonne Nouvelle – Paris 3. She has published on eighteenth-century drawing manuals, sales catalogues and art markets. Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Pas de stands de jeux, de ventes de crêpes ou encore de courses pour le Téléthon cette année. Aucun évènement n'a pu avoir lieu en physique à cause de la crise du Covid-19. Lorsqu'ils le pouvaient, les bénévoles ont donc dû se renouveler pour récolter des fonds. C’est le cas de Joséphine Zeiger de l’association BGA caritatif à l’Université Paris Diderot. Un reportage de Manon Blangis.

DeFi has been the big success story in crypto this year but what does the future of finance actually look like and how do we get there? Building a bridge between traditional and decentralized finance and seeking to unlock trillions of dollars in capital is AllianceBlock, an organization which is building the world’s first globally compliant, decentralized capital market. Backed by three of Europe’s most prestigious incubators: Station F, L39, and Kickstart Innovation in Zurich, AllianceBlock is led by a heavily experienced team of ex-JP Morgan, Barclays, BNP Paribas, and Goldman Sachs investment bankers and quants. Rachid Ajaja is co-founder and CEO of AllianceBlock. With a decade of experience in investment banking, Rachid worked as a Quantitative Analyst in leading investment banks Barclays and BNP Paribas. He has a degree in Computer Science and Signal Processing from IMT Atlantique, and a Master’s degree in Probability Theory, Stochastic Process, and Quantitative Finance from Université Paris Diderot. AllianceBlock is building the first globally compliant decentralized capital market. The AllianceBlock Protocol is a decentralised, blockchain-agnostic layer 2 that automates the process of converting any digital or crypto asset into a bankable product. Incubated by three of Europe’s most prestigious incubators: Station F, L39, and Kickstart Innovation in Zurich, and led by a heavily experienced team of ex-JP Morgan, Barclays, BNP Paribas, Goldman Sachs investment bankers, and quants, AllianceBlock is on the path to disrupt the $100 trillion securities market with its state-of-the-art and globally compliant decentralized capital market.

L’actualité de George Orwell Avec Philippe Jaworski, professeur émérite de Littérature américaine à l’Université Paris-Diderot, qui a édité une sélection d’oeuvres d’Orwell, dans la collection la Pléiade, chez Gallimard.

No episódio de hoje conversamos com Roberta Mazzilli. Ela é Psicóloga e Psicanalista. Mestre em Psicanálise e Pesquisas Interdisciplinares pela Université Paris Diderot. Especialista em Psicologia Hospitalar (Pediatria) pelo Instituto da Criança do Hospital das Clínicas da Faculdade de Medicina da USP. ⠀

Dans le cadre de nos émissions « Pourquoi tant d’histoires », retour sur l’art délicat de l’écriture de cette science. La revue Ecrire l’histoire (n°19) propose de réfléchir sur « la double dimension du rapport de l’historien aux langues, pensées à la fois comme outils et comme objets ». Cette science de l’histoire a de profondes racines en littérature. Chaque peuple, chaque civilisation revendique son récit de la création, son mythe fondateur comme départ de son histoire. L’histoire n’est-elle alors que littérature ? Peut-on réfléchir sur l’histoire de ce récit, sur la langue de ce récit ? Peut-on définir des concepts linguistiques qui déterminent l’histoire ? Le langage peut-il alors être un terrain d’investigation ? Mari-Gwenn Carichon reçoit Fabien Simon. L'invité: Fabien Simon est maître de conférences en histoire moderne (Université Paris-Diderot) spécialiste d’histoire des représentations et des savoirs. Il a travaillé sur les langues universelles avec un thèse de doctorat portant sur le thème suivant : Sortir de Babel. Une République des Langues en quête d’une « langue universelle » à la Renaissance et à l’Age classique ? Fabien Simon qui a coordonnée l’écriture du numéro 19 de la revue Ecrire l'histoire: L'historien et les langues, avec Paule Petitier et Claude Millet (novembre 2019, CNRS éditions, 284 pages, 25,00€)

durée : 00:11:02 - Les Enjeux internationaux - par : Julie Gacon - La presse colombienne se fait l'écho, chaque jour ou presque, de massacres commis par des trafiquants de drogue ou groupes armés, tels que le pays en avait connu dans les années 80 et malgré le processus de paix entamé en 2016 avec les FARC. Entretien avec la sociologue Olga Gonzalez. - réalisation : Vivien Demeyère - invités : Olga Gonzalez sociologue colombienne, chercheure associée à l’Université Paris Diderot

L'astrophysicien André Brahic, découvreur des anneaux de Neptune, vulgarisateur passionné et passionnant, s'est éteint le dimanche 15 mai 2016. Cette émission lui est dédiée. Émission spéciale en hommage au génial astrophysicien André Brahic, découvreur des anneaux de Neptune, formidable passeur de science, disparu le 15 mai 2016. André Brahic devait être notre invité aujourd’hui, nous nous réjouissions de l’entendre partager avec sa fougue et sa verve habituelle, les pistes de recherches astronomiques qu’il développait dans son dernier ouvrage Terres d’ailleurs, à la recherche de la vie dans l’univers... sauf que la vie justement, en a décidé autrement. Peut-être a-t il rejoint l’astéroïde 3488 baptisé de son nom en 1990 ?... C’est le meilleur que nous lui souhaitons...Et pour lui rendre hommage, nous avons eu envie de réentendre sa voix, son humour décapant et son enthousiasme communicatif à travers des extraits de trois émissions, trois entretiens qu’il nous avait accordés en 2011, 2012 et 2014... André Brahic était astrophysicien, professeur à l’Université Paris-Diderot et au Commissariat à l’Énergie atomique et aux Énergies alternatives. Découvreur des anneaux de Neptune, membre des équipes scientifiques des missions Cassini et Voyager, il était l'un des principaux acteurs mondiaux de l’étude du système solaire. Son dernier ouvrage Terres d'ailleurs, À la recherche de la vie dans l’Univers est paru chez Odile Jacob. → Une vidéo d'André Brahic ici.

Pierre-Édouard Deldique reçoit dans son émission «Idées» deux invitées : Aurélia Michel, historienne, maîtresse de conférences en histoire des Amériques noires et Aurélie Luneau, docteure en Histoire, productrice à France Culture. - Aurélia Michel, historienne, maîtresse de conférences en Histoire des Amériques noires à l’Université Paris-Diderot, auteure de l’essai historique : « Un monde en nègre et blanc, enquête historique sur l’ordre racial », publié au Seuil dans la Collection de poche Points.   - Aurélie Luneau, docteure en Histoire, productrice à France Culture, auteure de « L’appel du 18 juin », un livre publié chez Flammarion.

Pour cette dixième et dernière émission, Scanners se penche sur la question de l’imagerie scientifique avec Thierry Lefebvre, maître de conférence à l’Université Paris-Diderot et auteur de plusieurs ouvrages consacrés aux œuvres cinématographiques d’Étienne Jules-Marey, d’Eugène Doyen ou de Jean Comandon. Programme 01:13 – Reconfigurer le rapport à la maladie, de la clinique à l’endoscopie (Sylvain Blandy) 05:10 – La monstruosité lovecraftienne à l’heure digitale, dans The Thing et Prometheus (Corentin Lê) 10:53 – Science, cinéma, scanners : le corps de la machine et la machine du corps (Sylvain Blandy) 13:42 – Entretien avec Thierry Lefebvre, maître de conférence à l’Université Paris-Diderot. Ressources – Michel Foucault, Naissance de la clinique : une archéologie du regard médical, 1963 – Georges Didi-Huberman, L’invention de l’hystérie : Charcot et l’iconographie photographique de la Salpêtrière, 2008 – Howard Philips Lovecraft, Les Montagnes hallucinées, 1931 – Jean Epstein, Écrits sur le cinéma, Cinéma Club / Seghers, 1974 – Thierry Lefebvre, Jacques Malthête, Laurent Mannoni (dir.), Sur les pas de Marey, Science(s) et cinéma, Paris, L’Harmattan, 2004 – Thierry Lefebvre, La Chair et le Celluloïd : le cinéma chirurgical du docteur Doyen, Paris, Jean Doyen éditeur, 2004 – Béatrice de Pastre (dir.), Thierry Lefebvre (coll.), Filmer la science, comprendre la vie : le cinéma de Jean Comandon, Paris, CNC, 2012 – Edwin Catmull, A System for Computer Generated Movies, University of Utah, 1972, https://ohiostate.pressbooks.pub/app/uploads/sites/45/2017/09/catmull-movies.pdf Générique Mathieu Bonnafous : https://soundcloud.com/catartsis Une émission animée et réalisée par Corentin Lê.

durée : 00:59:59 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - En 2015, à l’occasion du centenaire de la découverte de la "théorie de la relativité", Michel Alberganti se proposait de donner des éléments pour la comprendre : "Science publique : peut-on comprendre la relativité d’Einstein ?" une émission diffusée pour la première fois le 25 décembre 2015. - réalisation : Virginie Mourthé - invités : Françoise Balibar professeur émérite (spécialité physique) de l’Université Paris Diderot, elle a dirigé au CNRS l’équipe chargée de la présentation et traduction annotée de 6 volumes d’écrits d’Einstein; Jean Eisenstaedt directeur de recherche à l'Observatoire de Paris; Marc Lachièze-Rey Directeur de recherche au CNRS en Astroparticule et Cosmologie

Jonas Schneiter est entouré pour cette émission de Michel Audétat, Ivan Radja, Stephan Davidshofer et de l'humoriste Blaise Bersinger. L'équipe parle de la Culture face au confinement, des insomnies de Trump et du tourisme. En deuxième partie d'émission, les beaux parleurs accueillent Laurent Cordonier, sociologue et chercheur à lʹUniversité de Lausanne et à l'Université Paris Diderot, qui a notamment étudié en détail les théories du complot. Carlos Henriquez nous le présente avec humour.

Laurent Cordonier est sociologue et chercheur à lʹUniversité de Lausanne et à l'Université Paris Diderot. Il a étudié en détail les théories du complot et nous explique pourquoi une partie de la population est plus que jamais persuadé que tout le monde leur ment. Son portrait est brossé avec humour par Carlos Henriquez.

Prof. Fabrice FLIPO, Université Paris Diderot, dans le cadre du Séminaire interfacultaire 2020 "Le numérique, l'impensé de l'environnement ?"

Prof. Fabrice FLIPO, Université Paris Diderot, dans le cadre du Séminaire interfacultaire 2020 "Le numérique, l'impensé de l'environnement ?"

Les invité-e-s: Aurélia Michel (maîtresse de conférences, Université Paris-Diderot), Florent Piton (doctorant et ATER, Université Paris-Diderot) et Clyde Plumauzille (Chargée de recherche au CNRS) Affiche par Fred Sochard Le thème : La Loi de Programmation Pluriannuelle sur la Recherche, en cours de rédaction La discussion : Ce qu’on connaît du projet de loi : pilotage et … Continue reading "94. Défendre le service public de l’enseignement et de la recherche, avec Aurélia Michel, Florent Piton et Clyde Plumauzille"

Vu sur Antiquité-monde ? Florence Dupont, l’invitée du magazine, professeure émérite à l’Université de Paris ( anciennement Université Paris-Diderot ) et directrice de programme au Collège International de philosophie est intervenue dans le cadre du cycle de conférences de l’IEAoLU sur le thème : « Une Antiquité-monde ? Pour une histoire polycentrée de l’Antiquité gréco-romaine ». Une émission de Michel Sourget […] Cet article provient de Radio AlterNantes FM

durée : 00:52:23 - Le Cours de l'histoire - par : Xavier Mauduit, Anaïs Kien - Quelles sont les images par lesquelles l’Occident a rencontré la Chine ? Retour sur une rencontre très visuelle, genèse de nombreux fantasmes. - réalisation : Thomas Jost, Peire Legras - invités : Michel Frizot historien de la photographie; Pierre-Emmanuel Roux historien, maître de conférences à l’Université Paris Diderot

Angélica Amâncio é uma moça de Três Corações que, aos 18, mudou-se para BH. É pós-doutora em Estudos Literários, Linguísticos e Tradutológicos em Francês, pela USP, e em Literatura de língua portuguesa, pela Université Sorbonne Nouvelle. É também doutora em Literatura Comparada pela UFMG, em cotutela com a Université Paris-Diderot. Em 2015, publicou seu primeiro livro de poemas, Adagio ma non troppo e outras canções sem palavras. Atualmente, ensina português e literatura na École Normale Supérieure, em Lyon, e na Université Sorbonne Nouvelle, em Paris.

durée : 00:58:28 - Cultures Monde - par : Florian Delorme, Mélanie Chalandon, Hélaine Lefrançois - L’Iran n’aura pas échappé à la vague de révoltes populaires qui secoue plusieurs pays, notamment au Moyen-Orient. Après l’Irak et le Liban, la République islamique se retrouve à son tour confrontée à une mobilisation massive, violemment réprimée par les forces de l’ordre. - réalisation : Vincent Abouchar, Benjamin Hû - invités : Clément Therme chercheur post doctorant au CERI à Sciences Po Paris, auteur de « L’Iran et ses rivaux : entre nation et révolution » (Passés Composés, 2020); Azadeh Kian Professeur de sociologie à l’Université Paris Diderot, directrice du CEDREF (Centre d’Enseignement, de Documentation et de Recherches pour les Etudes Féministes); Harold Thibault Journaliste au journal Le Monde, ancien correspondant à Shanghai.

Journée d'étude du 16 octobre 2015 : Transformer le corps masculin : armes, armures et objets personnels gravés dans l'Europe moderne 4ème partie : Objets gravés et représentation Bijoux masculins en Grande-Bretagne à l'époque moderne : corps, geste et genre par Ariane Fennetaux, Université Paris Diderot, Paris 7

durée : 01:59:23 - Les Matins du samedi - par : Caroline Broué, Stéphanie Villeneuve - Avec Rebecca Zlotowski, réalisatrice de la série "Les sauvages", diffusée à partir du 23 septembre sur Canal+ et Monique Chemillier-Gendreau, professeure émérite de droit public et de science politique à l’Université Paris-Diderot pour savoir "Comment faire une société juste et bonne ?" - réalisation : Jean-Christophe Francis - invités : Rebecca Zlotowski Scénariste et réalisatrice; Monique Chemillier Gendreau juriste, professeure émérite de droit public et de science politique à l’université Paris-Diderot, spécialiste de droit international et de la théorie de l’Etat

durée : 00:29:58 - L'Invité actu - par : Caroline Broué, Stéphanie Villeneuve - Comment faire une société juste et bonne ? avec Monique Chemillier-Gendreau, professeure émérite de droit public et de science politique à l’Université Paris-Diderot et autrice de “Régression de la démocratie et déchaînement de la violence” (Textuel, 2019) - réalisation : Jean-Christophe Francis - invités : Monique Chemillier Gendreau juriste, professeure émérite de droit public et de science politique à l’université Paris-Diderot, spécialiste de droit international et de la théorie de l’Etat

Née à Beyrouth et âgée de 7 ans lorsque la guerre du Liban éclate, Caroline Codsi était loin de se douter qu’elle deviendrait un jour une conférencière de renom sur la question de l’égalité des genres. Aujourd’hui, sa réputation de dirigeante passionnée et visionnaire n’est plus à faire. Diplômée de l’Université Paris-Diderot, HEC Montréal et McGill, elle cumule une carrière de 25 ans dans le monde des affaires pendant laquelle elle a occupé plusieurs postes à la haute direction. Croyant fermement à l’importance de redonner à la communauté, elle est aujourd’hui complètement investie au sein de La Gouvernance au féminin, l’organisme qu’elle a fondé 2010. Ne manquez pas cette Brave nous parler de son bouleversant parcours personnel et professionnel.

Víctor Gómez Pin (Barcelona, 1944) estudió Filosofía en la Universidad de la Sorbona, en París, donde obtuvo el grado de Doctor de Estado con una tesis sobre el orden aristotélico. Tras años de docencia en Francia, obtuvo una cátedra en la Universidad del País Vasco con un trabajo de investigación sobre las implicaciones filosóficas del cálculo diferencial. Fue fundador del International Ontology Congress, cuyas ediciones se han realizado bajo el patrocinio de la UNESCO. Es miembro numerario de Jakiunde (Academia de las Ciencias, de las Artes y de las Letras del País Vasco). Actualmente es catedrático emérito de Filolosofía de la Universidad Autónoma de Barcelona. Autor de múltiples artículos y más de treinta libros, con títulos como El reino de las leyes. Orden freudiano (1981), La tentación pitagórica: ambición filosófica y anclaje matemático (1998), Filosofía. Interrogaciones que a todos nos conciernen (2008) y Reducción y combate del animal humano (2014). Ha sido Visiting Professor, investigador y conferenciante en diferentes universidades, entre otras la Venice International University, la Universidad Federal de Río de Janeiro, la ENS de París, la Université Paris-Diderot, el Queen's College de la CUNY o la Universidad de Santiago. Ha obtenido los premios Anagrama de Ensayo (1989, por su obra Filosofía: el saber del esclavo) y Espasa de Ensayo (2006, por su libro Entre lobos y autómatas). En 2009 obtuvo el Premio Internacional del Istituto Veneto di Scienze, Lettere ed Arti. En 2015 fue investido doctor honoris causa por la Universidad del País Vasco.Más información de este acto

In this episode, Will Slauter, Associate Professor at Université Paris Diderot, discusses his new book, "Who Owns the News?: A History of Copyright," which is published by Stanford University Press. Slauter begins by explaining that the question, "Who owns the news?" has had different answers at different points in time. He describes the history of the news, beginning in 16th century England, and continuing through the present day, explaining how the it has taken different forms at different points in time. He reflects on the way that regulation, social technologies, and economics have shaped the news and concepts of ownership. He uses particular moments in the history of the news to illustrate those changes. And he argues that the history of the news can help us understand the history of copyright more richly and clearly. Slauter is on Twitter at @w758. See acast.com/privacy for privacy and opt-out information.

Nourrie par de nombreux clichés, la sexualité féminine est en passe depuis quelques mois à une nouvelle image, alimentée par les réseaux sociaux et ces groupes qui se battent pour leur visibilité. La défense de la sexualité féminine ne date pas d’hier, mais l’évolution des technologies leur a permis d’être beaucoup plus visibles. Mais alors, comment faisaient les femmes autrefois ? Comment s'établissaient les relations amoureuses et sexuelles ? Nous allons tenter d’en savoir un peu plus en levant le voile sur les us et coutumes de ces dames quelques milliers d'années plus tôt ! Pour en parler, Benjamin et Flore reçoivent : Virginie Girod, historienne, auteure et chroniqueuse spécialisée en histoire des femmes et de la sexualité. Elle enseigne notamment à l’Université Paris Diderot depuis quelques mois et apparaît régulièrement à la télévision aux côtés de Stéphane Bern dans Secrets d’Histoire. Il danse, fait de la photo, aime la poésie : c'est Thomas Bettinelli ! Il viendra nous présenter son dernier spectacle "Les Masculinités - La SCEP prend le mâle à la racine" qui démarrera en février 2019 à Paris.

May Alcott Nieriker is mostly remembered as a footnote in a famous family: the daughter of Bronson Alcott and the inspiration for Amy March in her sister Louisa May Alcott's Little Women. But Alcott Nieriker was a writer and an accomplished painter who studied in Paris and was described by John Ruskin as “the only artist worthy to copy Turner.” This episode emerges from the the conference “Recovering May Alcott Nieriker’s Life and Works,” which was held at the Université Paris Diderot on June 28, 2018. What work can be done through research, teaching, and even historical fiction to bring her to the fore? Here Azelina Flint (University of East Anglia) and her students Poppy Henson and Emelia Platt introduce listeners to May Alcott Nieriker and interview novelist Elise Hooper, author of The Other Alcott (2017), Marlowe Daly-Galeano (Lewis Clark State College), Lauren Hehmeyer (Texarkana College), and John Matteson (John Jay College, CUNY). This episode was created by Flint and produced by Chris Timms (Essex University) with post-production help from Mark Sussman.

Conférence par Elisa Sclaunick, docteur ès Lettres, Université Paris Diderot. Miró est souvent qualifié de « poète », son langage et son univers de « poétiques ». Cette abolition des frontières entre les arts visuels et la poésie habite nombre de textes critiques sur l’œuvre du maître catalan ; elle est au centre de cette conférence. La fréquentation des textes et des poètes laisse une trace dans l’œuvre, érige la poésie en horizon de la peinture et impose un idéal : vivre en poète, pendant la période surréaliste notamment. Miró est-il pour autant poète ? La lecture des écrits du peintre sur la toile ou dans ses marges (celles du titre inscrit sur le cartel, des carnets...) suggère qu'il s'agit moins d'une abolition des frontières que d'une collision entre les arts visuels et la poésie. Les poèmes sont des puits d'images. L'artiste ne cesse d'être plasticien, avide des mots des écrivains avec lesquels il fait régulièrement - et tout au long de sa vie - œuvre commune au sein du livre, cet espace de rencontre et de confrontation.

Emmanuelle Delanoë-Brun, Université Paris Diderot

Au Freegan Pony, on ne récupère pas que du mobilier. Tout ce que vous avez dans vos assiettes provient des invendus du marché de Rungis. Ce restaurant alternatif a vu le jour au mois de novembre 2015 dans un ancien local désaffecté de la Mairie de Paris, juste en dessous du périphérique, porte de la Villette. Il propose du vendredi au lundi soir, un repas anti-gaspi et végétarien pour seulement 6 euros. Depuis son ouverture en novembre, le restaurant affiche toujours complet.  Malheureusement, un avis d'expulsion est tombé, les pony angels doivent  quitter les lieux le 15 mai. Une pétition a tout de suite été lancée. Pour nous en parler nous recevons ce soir à la Matinale de 19h Gilia, membre du Freegan Pony qui espère, avec ses camarades, une convention d'occupation temporaire. " On essaye de faire le max, on fait un peu de tout, on a tous plein de casquettes dans cette équipe (...) Freegan, c'est un mode de vie plus qu'une définition."  En deuxième partie d'émission, c'est Justine de l'association TRAMAR qui nous rejoint pour nous parler du projet Kick'Art : la transformation d'une caravane en espace d'exposition itinérant. Cette vitrine d'art mobile sera destinée à aller à la rencontre de tous, hors des circuits habituels : dans l'espace public, dans des écoles, des centres sociaux, des hôpitaux, des entreprises, afin de valoriser le travail de jeunes artistes. L'objectif ? Encourager la création, offrir des lieux de valorisation des œuvres et proposer des lieux alternatifs provoquant la médiation avec le public.  "L'idée c'est d'amener l'art là où il n'y est pas forcément. "   Coté chronique, Loïc nous raconte son après-midi dans la manifestation qui a eu lieu aujourd'hui contre la  loi - El Khomri et l'utilisation du 49.3.  Michael, lui, revient nous parler des dernières actualités étudiantes de cette semaine : une Troc'Party à la Maison des initiatives étudiantes, une conférence sur le Brexit du Master des Affaires Européennes de la Sorbonne, un appel à projet à pour le festival Nanterre sur Scène, mais aussi une projection-débat "Lutter contre les société de contrôle" à l'Université Paris Diderot, un ciné-concert avec le film "La Belle et la Bête" de Jean Cocteau, de Mélo'dix et Dix de Choeur à L'Université de Nanterre, et une conférence sur la commémoration de l'abolition de l'esclavage à travers les danses et musiques d'Afrique de l'Association des Etudiants Africains de la Sorbonne (informations à venir ici).  ainsi qu'une conférence sur la commémoration de l'abolition de l'esclavage à travers les danses et musiques d'Afrique de l'Association des Etudiants Africains de la Sorbonne. Présentation : Alban Barthélémy / Réalisation : Nedjim Danimon Ngaba/ Co-interviews : Eléonore Genest & Erwan Duchateau/ Chronique : Michael Kalfon & Loïc Gazar / Coordination : Elsa Landard & Camille Regache / Web : Dounia Mahieddine  

As part of the August issue, the European Respiratory Journal presents the 56th in its series of podcasts, in which chief editor Marc Humbert discusses genetic aspects of familial pulmonary fibrosis with with Prof. Bruno Crestani, Université Paris Diderot, France.

« Formation des traducteurs juridiques : le français juridique, discipline passerelle entre le droit, le langage juridique et les méthodes de raisonnement en droit », par Eliane Damette, Université Paris Diderot.

Astrophysicien, Professeur à l’Université Paris Diderot, Laboratoire AstroParticule et Cosmologie (APC)

Giovanni OCCHIPINTI, Université Paris-Diderot