Podcasts about arbiters

Lots of Mythic Legions and Cosmic Lore to catch up on this week. We glean all the information we from the bios of the Reinforcements 3 figures and there's a Cosmic Legions story containing significant events which point to the future direction of things in Cosmerrium. Plus there's the usual chat , Legions Con speculation and a quick look at what else is happening in the world of action figure collecting. Support us! https://www.patreon.com/TheEuroLegionsPodcasthttps://linktr.ee/theeurolegionspodcastOur favourite retailer: https://figurenlager.de/collections/four-horsemen-studiosOur favourite custom parts: https://calvocustomcreations.com/00:00:00 Welcome to Episode 166: Passport Woes & Masters of the Universe00:12:38 Unpacking the Lore of the Barbarian 2 Figure00:17:15 Morgolyth's Magic & Skeleton Legion Builder 3 Lore00:19:53 Necronominus' Cavalry: The Skeleton Steed Bio00:22:46 Unveiling the Vile Bilge: Poxus's Rat Men00:28:26 The Mysterious Legions Lady & the Convocation of Bassylia00:31:21 The Unsung Heroes: Valiant Knight 2 Lore00:38:03 Brood Clouds & Reinforcements 3 Wave Overview00:42:49 Reading the Cosmic Legions: Breakout at Hvalkatar00:47:55 Arbiters, Hounds & Future Cosmic Legions Characters00:52:43 Gladiators, Roman Soldiers & Legions Con Teases00:58:45 GI Joe, Transformers & Final Thoughts on Collecting

For years, I've been developing my animated sci-fi/fantasy feature film, The Arbiters. And for the first time, it feels like the dominoes might finally be lining up.In this episode, I share where the project stands today—from attaching talent and exploring music partnerships to preparing an animatic for the American Film Market (AFM). I break down the realities of indie filmmaking, the "chicken-and-egg" challenge of financing, and the strategies my team and I are using to move the project forward.I also discuss a major creative breakthrough we recently had while designing one of the film's most important realms, why researching mythology unlocked the solution, and how visual storytelling continues to shape the evolution of the movie.Whether you're a filmmaker, artist, entrepreneur, or anyone pursuing a long-term dream, this episode is about staying patient, adapting your strategy, and recognizing when years of effort may finally be starting to compound.

Whether you're a podcaster working with an editor, a musician collaborating with producers, or a filmmaker managing a team across multiple countries, one question inevitably comes up: What's the best way to share media?I provide the most popular solutions available today—from traditional cloud storage platforms like Google Drive and Dropbox to cloud-native virtual drive systems like LucidLink and Suite Studios that are changing the way creative teams collaborate.I discuss the strengths and limitations of each option, when it makes sense to use them, and how different creative professionals can choose the right workflow based on their needs, budget, and team size.Topics Include: Cloud-native virtual drives vs traditional cloud storage LucidLink, Suite Studios, EditShare, Hedge PostLab Drive, and BeBop Google Drive, Dropbox, and OneDrive Managing large media files remotely Collaborating with editors, producers, and creative teams around the world Using Frame.io for feedback, approvals, and client reviews The workflow I personally use for my own projectsAs creative collaboration becomes increasingly global, understanding how to efficiently share, organize, and access media can save time, money, and countless headaches.What tools are you using to share media with your team? Let me know in the comments.

People love to complain about the declining quality of movies, music, books, and art. But what if we're asking the wrong question?The inspiration for this episode came from a post on Threads by @Tanviberwah: “Everybody wants to talk about declining quality of books and music and movies and etc etc. Nobody wants to talk about the economic conditions of writers and editors and designers and musicians and etc etc impacting cultural innovation.”That idea immediately resonated with me. We often celebrate innovation after it happens, but rarely examine the conditions that make innovation possible in the first place. As economic pressures increase and more people find themselves working multiple jobs just to get by, what happens to creativity, experimentation, and the freedom to take risks?I explore the relationship between economic stability, creativity, innovation, and play. From Hollywood and publishing to technology and entrepreneurship, I argue that many of society's greatest breakthroughs happen when people have the time and space to think, explore, fail, and discover—not when they're simply trying to survive.Whether you're an artist, entrepreneur, filmmaker, writer, or someone simply trying to do meaningful work, this episode examines what it really takes to create something new. Because innovation doesn't just require talent. It requires the conditions for creativity to thrive.

Whenever I'm trying to clarify a vision, solve a problem, define a goal, or communicate an idea, I've found one tool more effective than almost anything else: writing.Whether it's journaling, outlining a project, defining creative direction, or giving instructions to a team, the simple act of putting thoughts into words forces clarity. It reveals gaps in your thinking, exposes assumptions, and helps transform vague ideas into actionable plans.I discuss why writing is such a powerful tool for leaders, creatives, entrepreneurs, and anyone trying to communicate more effectively. I also explain why unclear communication often creates unnecessary confusion, how written instructions can improve collaboration, and why asking people to put their requests in writing can often lead to better outcomes.

A CREATIVE LIFE: THE JOURNEY OF PHIL SVITEK is a personal reflection on filmmaker, storyteller, and 360 Creative Coach Phil Svitek's two-decade journey through the world of storytelling. The film traces a path from Connecticut to Los Angeles, from student projects and indie filmmaking to podcasting, animation, coaching, and beyond.Blending archival footage, behind-the-scenes moments, interviews, and candid self-reflection, Phil revisits the people, experiences, successes, setbacks, and lessons that shaped both his creative career and personal growth. What emerges is not a chronology of accomplishments, but a meditation on perseverance, curiosity, and the evolving meaning of success.Whether you're an artist, entrepreneur, filmmaker, or simply someone navigating your own path, 20 Years of Creativity offers an honest look at what it takes to keep creating, keep growing, and keep showing up. It's a reminder that a creative life isn't defined by a single achievement—it's built one story, one risk, and one lesson at a time.

We often celebrate resilience — the ability to endure hardship and survive difficult situations. But lately, I've been wondering if adaptability might actually be the more important skill. In a recent conversation with my therapist, Charles McCaughan (http://charlesmccaughan.com), we explored adaptability versus resilience and why I increasingly view adaptability as “better” because it's a proactive mindset.I discuss: The difference between resilience and adaptability Why resilience is often reactive How adaptability creates more freedom and flexibility The entertainment industry as a “shaking tree” Lessons from the LA fires and climate realities Why modern life increasingly requires adaptability Travel, culture, and expanding perspective Why flexibility may matter more than stability The importance of anticipating change rather than merely surviving itI also explore how this applies not just to creative careers like filmmaking, music, and storytelling, but to life itself — especially in an era of technological shifts, climate uncertainty, and rapidly changing industries.For me, adaptability isn't about fear. It's about openness. It's about creating a life flexible enough to evolve alongside the world. And perhaps most importantly: resilience helps you survive change while adaptability helps you grow through it.

Too often, we treat inconveniences like emergencies — and it creates unnecessary stress, anxiety, and emotional chaos in our daily lives.I explore the important distinction between true emergencies and everyday inconveniences, inspired by a recent reflection from author and poet Cleo Wade.I discuss: Why our minds default to worst-case thinking How modern work culture treats everything like a crisis The difference between urgency and actual emergencies Why reframing challenges helps create clarity Real examples of emergencies from my life and work on The Arbiters How this mindset shift has helped me approach stress differently Why perspective is one of the most valuable tools we haveThere's a huge difference between: “We have a presentation tomorrow” and “People are in danger.” One is stressful. One is an emergency. Learning to distinguish between the two can completely change how we respond to challenges, solve problems, and show up for ourselves and others.If you've been overwhelmed, anxious, stressed, or constantly feeling like everything is on fire, I hope this episode helps reframe things in a healthier and more grounded way.

Sometimes, no matter how long you've worked with someone, you have to be willing to let a client go. I discuss the emotional, financial, and psychological realities of walking away from long-term creative relationships — especially when loyalty, familiarity, and stability are involved.I discuss: Why letting go of clients can feel so difficult The fear of losing steady income Loyalty and why it's often undervalued Recognizing when a relationship no longer fits Why some clients simply want a different direction The difference between systems-thinking and growth expectations How letting go can open the door to new opportunities Why announcing your availability matters The mindset freelancers and creatives need during transition periods Why perspective shifts can remove resentment from difficult decisionsThis episode is especially for freelancers, filmmakers, editors, podcasters, artists, entrepreneurs, and anyone navigating uncertainty in their creative or professional life.For further information, read my Substack about this topic:https://open.substack.com/pub/philsvitek/p/when-its-time-to-let-go-of-a-client?r=2u3u2g&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

This month in book club, Marisa Serafini (@serafinitv) and I dive into How to Solve Your Own Murder by Kristen Perrin, a bestselling mystery that blends small-town intrigue, family secrets, and a decades-spanning murder investigation.The story begins in 1965 when teenage Frances Adams receives a chilling prediction from a fortune teller: one day she will be murdered. Determined to uncover the truth, Frances spends her life investigating both her foretold death and the mysterious disappearance of her friend Emily Sparrow. Decades later, Frances is found murdered, and her great-niece Annie Adams inherits not only her estate but also the responsibility of solving the crime.As Annie follows a trail of journals, hidden clues, and long-buried secrets, she uncovers shocking revelations about her family, the town of Castle Knoll, and the complicated relationships that have shaped generations. What begins as a classic whodunit evolves into a story about obsession, envy, fate, identity, and the stories we tell ourselves about our lives.We discuss the novel's dual timelines, memorable cast of characters, red herrings, twists, and whether Frances' fate was truly written in the stars—or created by her own lifelong pursuit of the truth.We also share what we've been reading outside of book club lately.Upcoming Book Club Picks: Fight Club: A Novel - Chuck Palahniuk (June 2026) La Belle Sauvage (Book 1 of The Book of Dust) - Philip Pullman (July 2026) TBD (August 2026) Nervous Conditions - Tsitsi Dangarembga (September 2026) TBD (October 2026) Maus: A Survivor's Tale - Art Spiegelman (November 2026)

I reflect on several lessons that have been top of mind recently, including why it can be necessary to walk away from long-term clients, the difference between resilience and adaptability, and why so many things we call “emergencies” are really just inconveniences.I also share updates on The Arbiters, including the creative freedom we currently have during storyboarding and worldbuilding, the behind-the-scenes documentary I'm editing, and the joy of building a small collaborative creative team before larger production pressures arrive.Along the way, I discuss: Why loyalty is often undervalued How openness creates new opportunities Adaptability vs. resilience The importance of learning the craft deeply Mentorship and creative growth The Helsinki Bus Theory Why most “emergencies” aren't emergencies Creativity, innovation, and modern stress Thoughts on the 2026 World Cup Reflections on my upcoming 20-year high school reunion The creative process behind The ArbitersIf you're a freelancer, artist, filmmaker, entrepreneur, or simply someone navigating change, uncertainty, and growth, I hope this conversation gives you something meaningful to reflect on.

The “hard work” we fear is often far easier than we imagine once we actually begin. The real challenge isn't doing something difficult once — it's building the consistency to keep showing up over and over again.Whether it's filmmaking, fitness, writing, business, or any creative pursuit, long-term success comes from making one powerful decision: deciding who you are before the moment-to-moment excuses begin.I share: Why discipline matters more than motivation The mindset shift that eliminates thousands of decisions How consistency builds confidence Why professionals don't wait for inspiration The writing quote that completely changed how I view creativity Lessons I learned making Finding Love in Bogotá in Colombia How to push through the days when motivation disappearsIf you've been struggling to stay consistent, finish what you start, or build momentum toward your goals, this episode is for you.

Rodriguez-Solis v. Blanche, No. 24-1937 (4th Cir. May 21, 2026)right to counsel; continuance; prejudice; importance of immigration attorney  Matter of I-B-M-S-, 29 I&N Dec. 628 (BIA 2026)motion to change venue; webex hearing; off the record discussions; IJ bias; IJ as neural arbiter Matter of L-A-D-, 29 I&N Dec 634 (BIA 2026)Mexican mental health; schizophrenia; particularity; social distinction; series of suppositions and speculation for asylum Vasquez-Chavez v. Blanche, No. 25-1306 (1st Cir. May 22, 2026)fear of family; nexus; failure to corroborate; El Salvador United States v. Pimental, No. 24-1910 (1st Cir. May 20, 2026)crime of violence; carjacking in violation of Mass. Gen. Laws ch. 265, § 21A; assault; realistic probability testKurzban Kurzban Tetzeli and Pratt P.A.Immigration, serious injury, and business lawyers serving clients in Florida, California, and all over the world for over 40 years.eimmigration"Immigration law software you'll love to use."get.eimmigration.com/IRP Gonzales & Gonzales Immigration BondsP: (833) 409-9200immigrationbond.com Stafi"Remote staffing solutions for businesses of all sizes"Click me!Want to become a patron?Click here to check out our Patreon Page!CONTACT INFORMATION:Email: kgregg@kktplaw.comFacebook: @immigrationreviewInstagram: @immigrationreviewTwitter: @immreviewAbout your hostCase notesRecent criminal-immigration article (p.18)Featured in San Diego VoyagerSupport the show

I share a powerful conversation with Charles McCaughan centered around the art of changing your mind — why it feels so difficult, why we cling to beliefs even when they hurt us, and how much of our identity is shaped by conditioning, fear, and unconscious programming.Charles explores how thoughts are often mistaken for facts, why society places such a high value on “being right,” and how personal inquiry can become a path toward healing, growth, and greater self-awareness rather than punishment. Together, we discuss insecurity, ego, consciousness, emotional conditioning, therapy, and the surprising freedom that can come from honestly questioning long-held assumptions.This conversation touches on psychology, healing, emotional growth, self-awareness, and what it truly means to look inward honestly.Charles McCaughan specializes in muscle testing (applied kinesiology) and subconscious healing techniques designed to help uncover emotional stressors, limiting beliefs, and energetic imbalances held within the body. Learn more about Charles here: http://charlesmccaughan.comFor an additional ~10 minutes from this conversation, along with bonus content and behind-the-scenes material, you can join my Patreon page at http://patreon.com/philsvitek

President Cyril Ramaphosa has officially filed papers in the Western Cape High Court to review the S89 independent panel report into Phala Phala. From the papers, he seeks only a review not an interim interdict against the pending impeachment process. Bongiwe Zwane spoke to Political Analyst, Nkosikhulule Nyembezi..

We've touched on him before, but now it's time to talk about his legacy. Where has he been, anyway? The Library - Halo Lorecast is a JumperScape Audio production created by Austin Murphy. "Keep What You Steal" was composed by Jafet Meza. Connect with the audience and support us at jumperscape.com! Learn more about your ad choices. Visit megaphone.fm/adchoices

Too many people say they're “bad at hiring.” But more often than not, the real problem is that they're rushing the process, avoiding the work required to properly vet candidates, or failing to clearly define what they actually want in the first place.I discuss: Why vague expectations lead to bad hires The importance of interviews and trial projects How I find hidden creative talent around the world Why paying for test projects matters The real cost of employee turnover How taking more time upfront can save massive frustration laterWhether you're hiring editors, designers, filmmakers, freelancers, or creative collaborators, this episode explores practical ways to improve your hiring process and build stronger long-term working relationships.I also share some of the strategies I've personally used over the years to build a trusted network of collaborators across multiple creative industries.

If you share large creative projects through Google Drive, here's a simple trick that can save a lot of frustration: ZIP your files before uploading them.I explain why uploading folders directly to Google Drive can create messy downloads, broken organization, and multiple ZIP files — especially for larger projects like films, audio sessions, or editing projects.By zipping your main folder first, you can: Preserve your folder structure Keep everything organized Make downloads easier for collaborators Avoid messy file management issuesThis is a simple but powerful workflow tip for filmmakers, editors, sound designers, podcasters, and creative teams working remotely.

The way you write shapes how people perceive your competence, confidence, and clarity.And one of the biggest mistakes people make—especially on resumes, presentations, introductions, and professional communication—is relying on weak verbs.Words like “helped,” “assisted,” “supported,” or “worked on” often dilute your actual contributions and make you sound passive, uncertain, or unclear… even when you did meaningful work.I highlight why specificity matters and how stronger, clearer language helps people better understand your value, responsibilities, and capabilities.The goal isn't to sound impressive for the sake of it. It's to communicate clearly and accurately so people understand what you actually did and what you're capable of doing.

One of the biggest mistakes people make in creative collaboration is assuming their preferences are objective truths. They're not.I explain why subjective creative notes often create confusion, frustration, and inefficiency—especially when they're communicated as if there's only one “correct” way to do something.Whether it's filmmaking, animation, podcast editing, music, color grading, sound design, or any creative medium, most artistic decisions come down to preference, context, and intent. The problem isn't having a strong vision. The problem is failing to communicate that vision clearly.The more specific you are upfront, the smoother the collaboration becomes later.Because there are countless ways to execute creative work—and if people don't understand your taste, they can't properly deliver your vision.

Most people misunderstand networking. They think it's about working the room, collecting contacts, sending cold DMs, or trying to extract value from people as quickly as possible. But real networking isn't transactional—it's relational.I break down why the best form of networking is actually doing great work, being dependable, treating people well, and playing the long game. Over time, your reputation becomes your invisible resume.Because people remember: How you handled pressure Whether you communicated clearly If you solved problems or created them How you treated them when things got difficultThe truth is, lasting careers aren't built through shortcuts or surface-level tactics. They're built through trust, consistency, generosity, and genuine collaboration.If you want sustainable success, stop trying to network your way into opportunities and start becoming someone people genuinely want to work with again and again.

Everyone wants the appearance of success… but fewer people want to endure the process required to actually become great.I unpack the growing obsession with vanity metrics, inflated bios, fake expertise, and “razzle dazzle” culture—especially in the age of AI. From bought followers to overhyped personal brands, we're living in a time where perception is often prioritized over real skill, craftsmanship, and experience.But fake success is fragile.True mastery takes time, repetition, humility, failure, and a willingness to keep building even when no one is watching. Whether you're an artist, entrepreneur, filmmaker, musician, or creator of any kind, this episode is a reminder to focus on substance over spectacle.Stop chasing the appearance of achievement and instead start building actual ability.

What does it actually take to finance an indie animated feature?I break down where The Arbiters currently stands—over a third of the way storyboarded—and the real strategies we're using to push it forward. From grants and early-stage investors to the “chicken or egg” problem of attaching talent, this is an honest look at the process most people don't see.I also dive into unconventional approaches like brand alignment—not product placement—and why I'm choosing to focus resources on the film itself instead of chasing content for the sake of visibility.This is about momentum, resource allocation, and doing whatever it takes to keep the project moving.If you're a filmmaker or creator trying to fund something ambitious, this one's for you.

Podcasting has never been easier to start—and never harder to do well.I break down what's actually broken in modern podcasting: the obsession with starting a show without a strategy, bloated episodes with no clear value, and the rise of what I call “slopcasting”—content that exists just to exist.Too many creators are trying to copy shows like The Joe Rogan Experience and Call Her Daddy without understanding the infrastructure, teams, and years of iteration behind them. The result? A sea of unfocused, undifferentiated podcasts that don't respect the listener's time.This episode is both a critique and a blueprint—how to think like an editor, sharpen your ideas, and actually create something worth listening to.

What does it actually take to finance an indie animated feature?I break down where The Arbiters currently stands—over a third of the way storyboarded—and the real strategies we're using to push it forward. From grants and early-stage investors to the “chicken or egg” problem of attaching talent, this is an honest look at the process most people don't see.I also dive into unconventional approaches like brand alignment—not product placement—and why I'm choosing to focus resources on the film itself instead of chasing content for the sake of visibility.This is about momentum, resource allocation, and doing whatever it takes to keep the project moving.If you're a filmmaker or creator trying to fund something ambitious, this one's for you.

After attending a live event in Los Angeles with author and poet Cleo Wade—best known for Heart Talk and her latest release In A World of Sunrises—I walked away with four powerful insights that feel especially relevant right now.In a world dominated by algorithms, noise, and constant comparison, these ideas offer something different: clarity, grounding, and perspective.In this episode, I break down: Why books will always make you feel better than social media The truth behind “unconditional love” and where relationships differ How to reframe setbacks: inconvenience vs. catastrophe Why you should create a “nest,” not a bubbleThese aren't just abstract ideas—they're practical lenses you can apply immediately to your life, your relationships, and your creative journey.If you've been feeling overwhelmed, stuck in comparison, or just looking for a reset, this conversation might be exactly what you need.Would love to hear: which of these resonated most with you?

Are film festivals, awards, and industry platforms still supporting indie creators—or just reinforcing the system they claim to disrupt?In this episode, I break down a growing frustration many independent artists are experiencing: the gap between mission statements and reality. From the Webby Awards to major festivals like Sundance Film Festival and Cannes Film Festival, there's an increasing trend of spotlighting projects that already have backing from major players like Netflix, Disney, and Apple TV+—leaving true indie creators behind.I share personal experiences from submitting The Arbiters to a major animation festival, only to see opportunities meant for emerging talent go to established studios like Disney and Netflix.We also explore: Why blockbuster films like Top Gun: Maverick (starring Tom Cruise) appear at indie-focused festivals How “discoverability” has shifted into marketing strategy The hidden cost (time + money) indie creators pay to participate And what artists can actually do about itThis isn't about blaming creatives—it's about calling out systemic misalignment and advocating for change through thoughtful, constructive dialogue.If you're an indie creator navigating this space, this conversation is for you.

From August 5, 2022: A few weeks ago on Arbiters of Truth, our series on the online information system, we brought you a conversation with two emergency room doctors about their efforts to push back against members of their profession spreading falsehoods about the coronavirus. Today, we're going to take a look at another profession that's been struggling to counter lies and falsehoods within its ranks: the law. Recently, lawyers involved in efforts to overturn the 2020 election have faced professional discipline—like Rudy Giuliani, whose law license has been suspended temporarily in New York and D.C. while a New York ethics investigation remains ongoing.Quinta Jurecic sat down with Paul Rosenzweig a contributing editor at Lawfare and a board member with the 65 Project, an organization that seeks to hold accountable lawyers who worked to help Trump hold onto power in 2020—often by spreading lies. He's also spent many years working on issues related to legal ethics. So what avenues of discipline are available for lawyers who tell lies about elections? How does the legal discipline process work? And how effective can legal discipline be in reasserting the truth?To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

Is it true that no enlightened person works in corporate? And if so—is that causation or just correlation?In this episode, I dig into that question from multiple angles and ultimately argue that it's not a coincidence. There's something fundamentally at odds between corporate structures and the human spirit. From hierarchy and incentives to language and culture, the system often prioritizes outcomes that can feel disconnected from deeper purpose, alignment, and truth.I explore how even seemingly harmless ideas—like “business is a game”—can subtly shape behavior in ways that become toxic over time. What starts as strategy can quickly turn into detachment, where people lose sight of impact, meaning, and even themselves.Drawing inspiration from Plato's Allegory of the Cave, I also look at the role of those who do engage with corporate environments. Much like the person who leaves the cave and returns, enlightened individuals may consult, advise, or influence—but rarely stay embedded long-term.Finally, this episode is a call to action. If you've ever felt that sense of misalignment—those quiet internal contradictions—this is about what to do with that awareness. Not to withdraw, but to become a catalyst for change.

What does it actually take to fund an indie film?I break down the real tension behind making a movie like The Arbiters—balancing the business side (funding, development, pitching) with the creative side (storyboarding, building the film itself). Because the truth is, every dollar spent trying to raise money is a dollar not going directly into the art.I talk about the constant trade-offs: Do you invest more into development to secure funding? Or push forward creatively and prove the vision through execution? There’s no perfect answer—just a constant effort to “thread the needle.”Beyond that, I also reflect on how global events, shifting markets, and cash flow realities impact not just the budget, but the people behind the project. From rising costs to supporting a worldwide team, this is a candid look at the emotional, financial, and strategic weight of bringing an ambitious film to life.If you’re a filmmaker, freelancer, or creative entrepreneur, this is the side of the process people don’t often talk about—but absolutely should.

It feels like the world is on fire… and yet we’re still expected to show up, send emails, and carry on like everything is normal.I unpack the growing disconnect between what’s happening globally and how we’re expected to function day-to-day. From post-pandemic shifts to ongoing world stress, I explore how that pressure is quietly seeping into our personal and professional lives—often showing up as frustration, nitpicking, and misplaced tension.I also share a practical framework I use to process frustration and communicate issues more effectively—without coming off as complaining. Because the truth is, most people want to do good work, but broken systems and constant pressure are setting them up to fail.If you’ve been feeling overwhelmed, irritated, or just… off lately, this might help you understand why—and what to do about it.

Why do we make everything harder than it needs to be?I reflect on something I think we don’t talk about enough: our tendency to overcomplicate what is often painfully simple. That doesn’t mean the solution is easy. It means we often resist clear truths because they feel too direct, too unsatisfying, or too uncomfortable to accept.From conflict and communication to everyday frustration, I explore how people often demand more explanation, more complexity, and more justification when the honest answer may already be right in front of them. Simplicity isn’t ignorance. Sometimes it’s clarity. And maybe we need more of it if we actually want to solve problems rather than endlessly circle them.

In this stream-of-consciousness vlog, I open up about where things stand with The Arbiters—from funding, storyboarding, and cash flow challenges to the emotional weight of trying to build something ambitious while the wider world feels increasingly unstable. I talk about the tension between art and business, the reality of supporting a global creative team, and the constant balancing act of trying to move a project forward without burning out.Beyond the film itself, this episode explores bigger questions around work, loyalty, burnout, systems, simplicity, religion, stewardship, and the growing pressure many of us feel in everyday life. It’s a personal reflection on creativity, responsibility, and trying to stay grounded when everything feels heavy. If you’ve been feeling overwhelmed, conflicted, or like you’re carrying more than usual, this one may help you feel a little less alone.

Illegal Move Exercise: The audio will lead you through a series of moves from the beginning of a game. Somewhere in there, a player will make an illegal move but the game will continue anyway. Find the illegal move. To learn more about Don't Move Until You See It and get the free 5-day Conceptualizing Chess Series, head over to https://dontmoveuntilyousee.it/conceptualization PGN for today's exercise: Nf3 d5 2. g3 c5 3. Bg2 Nc6 4. d4 cxd4 5. Nxd4 e5 6. Nxc6 bxc6 7. Bxc6+ Bd7 8. Bxa8 Qxa8 9. 0-0 Nf6 10. b3 Be7 11. Bb2 0-0 * And the answer is... White's move 7. Bxc6+ is illegal because there is a pawn on d5, blocking the Bishop's path.

Mark Roberge breaks down the thinking behind Fan Flowy and how artists can stop letting new followers go cold. We talk about automated DMs, email capture, text messaging, fan funnels, and why direct engagement matters so much for independent artists trying to build real support.

Everyone wants to be the next big thing—whether that's the next Ryan Seacrest, Rachel Zoe, or whoever they admire—but very few people are willing to do what it actually takes to get there.In this episode, I break down the biggest misconception I see across creators, artists, and entrepreneurs: trying to skip the process and jump straight to the result.We look at what people miss when they idolize success—the years (often decades) of groundwork, skill-building, and experience that actually make that success possible. Because the truth is, the people we admire didn't start where they are now… they built their way there.I also dive into how tools like AI are reinforcing the illusion that we can bypass mastery, and why that mindset ultimately sets people up for failure. Tools can accelerate you—but only if you already understand the craft.If you're serious about your creative career, this is a reality check: success isn't about shortcuts—it's about building a foundation strong enough to sustain it.

Lately, I've been on a mission to call out hypocrisy and the kind of “accepted wisdom” that doesn't actually hold up under scrutiny.In this episode, I break down the disconnect between what we're told on a personal level—about money, success, and responsibility—and how those same rules don't seem to apply to corporations, institutions, or even the people giving the advice.From the illusion of “self-made” success, to the reality behind large-scale podcasts and content machines, to the overhyped promises of AI—I unpack where the narrative falls apart and why it matters more than we think.This isn't just about complaining. It's about learning to think critically, ask better questions, and stop blindly accepting the status quo—because that's how bad systems continue unchecked.At the same time, I talk about the importance of nuance, timing, and knowing when (and how) to push back—especially depending on where you are in your career.If you're a creator, entrepreneur, or just someone trying to navigate a world full of noise, this is a reminder: clarity starts with calling things what they are.

In this monthly creative update, I'm taking you behind the scenes of my journey as a filmmaker and 360 Creative Coach—sharing both the wins and the realities of building a 2D animated feature film, The Arbiters.Over the past month, I've been deep in developing a behind-the-scenes feature for the project, refining how we communicate a complex creative process, and continuing to push forward with storyboarding, concept art, and pitching. Along the way, I was reminded of something important: clarity isn't just about the work—it's about how well you can communicate the vision to others.I also talk about our first crew table read, how it's already improving collaboration with the animation team, and what it looks like to iterate on a script while actively building the film. On the business side, I break down the “chicken and egg” reality of attaching talent, studios, and financing—and why patience is one of the most underrated skills in any creative career.Outside of filmmaking, I share a personal lesson from fostering a dog and how the process of building connection, confidence, and consistency mirrors creative growth more than you might expect.If you're a filmmaker, artist, or anyone trying to build something meaningful, this episode is about embracing the long road, staying adaptable, and continuing to move forward—even when things don't align right away.

I had the chance to see Academy Award–winning director Chloe Zhao speak at Emerson College's Los Angeles campus, and her insights were some of the most thoughtful I've heard about filmmaking and creativity.In this episode, I break down the biggest lessons from her talk — including how losing two years of footage from her first film forced her to surrender and start something new, a decision that ultimately launched her career.We also explore her approach to working with non-actors, the paradox of authenticity in performance, and the somatic rituals she uses to help actors embody their characters before filming. Zhao also shared insights about casting child actors, the role of synchronicity in creative careers, and why artists must “live the question” rather than chase certainty.Whether you're a filmmaker, storyteller, or artist in any medium, these ideas touch on the deeper realities of creative work: embracing uncertainty, trusting intuition, and earning the privilege of an audience.I also reflect on how these lessons connect to my own work developing The Arbiters, where storyboards and animatics are helping transform a script into something people can actually see and feel.If you're pursuing a creative path, these takeaways from Chloe Zhao might change the way you think about failure, process, and artistic success.

When it comes to concept art, there are a lot of ways to do it. You can design by theme.You can isolate characters first.You can tackle environments in batches.You can refine one visual language until it's perfect before moving on. That might even be the “better” way.But for The Arbiters, we're doing something different.In this episode, I break down our concept art process — specifically why we're moving chronologically through the script, designing scenes in order rather than by category or aesthetic theme.For me, trying to design everything based purely on theme felt too abstract and overwhelming. I couldn't quite wrap my head around how to sustain that approach across the entire film.Going scene-by-scene is simpler. More tangible. More momentum-driven. Our goal right now isn't perfection.It's not final production-ready art.It's creating “close enough” versions of everything.Once we've concepted the full film — characters, props, environments — we can step back and review: 1) What's working? 2) What feels inconsistent? 3) What needs to evolve? 4) Where are we repeating ourselves visually?And then we refine.Two important notes: 1) This is our process for The Arbiters. It's not the only way. There's no universal pipeline. Every creative team has to choose what works for their brain, their workflow, and their bandwidth. 2) We're doing this after building a 100+ page movie bible — a deep world-building document covering history, governments, technology systems, currency, celebrations, power structures, and more. That foundation gives us clarity. We know the core. Now we're building the visuals that express it.This episode is about choosing simplicity over paralysis, momentum over perfection, and trusting that iteration beats overthinking.If you're developing your own project — animated, live-action, indie, big-budget — this might help you find a process that actually works for you.

Anjali Jameson, Chief Product Officer at Arbiter, says the hard part is not gathering data. It is getting action across patients, providers, and payers without breaking what already works.“Automating something that's broken is not going to necessarily give us better outcomes.”Arbiter is a care orchestration platform built for patients, providers, and payers together, not a single point solution. The operating spine ingests and makes actionable data across the patient journey, including provider directories, EMR integrations, claims, and financial and policy data from health plans, then connects it to highly personalized multi channel agentic outreach. You will hear why cross system context matters, how total cost of care stays in view while each stakeholder chases different leading metrics, and what it looks like to move from automation into optimization, like going from a call center scheduling flow to 60 percent conversion and pushing toward 95 percent conversion.Timeline00:40 Care orchestration platform, operating spine, data across the patient journey04:33 Misaligned incentives, prior authorizations, 12 to 14 hours a week09:42 Total cost of care, star metric, building for different metrics12:25 Long form personalized videos, transportation, education, medication management15:02 Prior authorization from three to six days to almost instantaneous22:07 COVID, provider messaging two, three X, AI responds fasterSubscribe and share it with someone who is building in health tech.

Tidepool was founded in 2013, part of the incredible era of DIY diabetes progress, and has since helped change how hundreds of thousands of people with diabetes see and use their data. I'm talking to CEO Brandon Artibter about how open-source innovation became FDA-cleared technology, and what's next.. including a new partnership with Oura Ring to study sleep, activity, and menstrual cycles, and continued work with Tidepool Loop. This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. Our previous episodes with Tidepool, including the announcment of bringing Loop to the FDA back in 2018! https://diabetes-connections.com/?s=tidepool Announcing Community Commericals! Learn how to get your message on the show here. Learn more about studies and research at Thrivable here Please visit our Sponsors & Partners - they help make the show possible! Omnipod - Simplify Life All about Dexcom  All about VIVI Cap to protect your insulin from extreme temperatures The best way to keep up with Stacey and the show is by signing up for our weekly newsletter: Sign up for our newsletter here Here's where to find us: Facebook (Group) Facebook (Page) Instagram Check out Stacey's books! Learn more about everything at our home page www.diabetes-connections.com 

In an industry that constantly tells creatives to keep “multiple irons in the fire,” Phil Svitek explains why he's choosing the opposite approach.Rather than bouncing between projects while waiting on studios or investors, Phil is fully committing to The Arbiters — continuing storyboards, refining concept designs, rewriting with intention, and self-funding progress so momentum never stalls.This isn't about stubbornness. It's about conviction, clarity, and showing tangible forward motion so when the right opportunity hits, the project is undeniable.If you're torn between chasing new ideas or doubling down on the one that won't leave you alone, this is a perspective on why going all in might be the stronger long-term play.

Phil Svitek checks in after a busy January in LA—sharing a big progress update on The Arbiters (storyboards through Act 1, concept design ramp-up, and how he's keeping momentum while conversations with studios/distributors evolve). He also recaps working Grammys week (Grammy House + the digital/YouTube clip operation), reflects on ideas from Open Socrates about seeing the best in people and using criticism productively, then fires off quick, practical tips: record clean podcast audio, check out MIFA's new online option, explore Cinando's modernized website, and don't screw up objective requirements on client work. He wraps with a blunt take on AI CEOs needing clearer problem-solving goals, plus a nostalgic love letter to The Mummy trilogy (and curiosity about a fourth film).

"I'm Not the Arbiter of Orthodoxy" Breaking down Elder Gilbert's interview with Peggy Fletcher Stack of the Salt Lake Tribune. Elder Gilbert answers the toughest questions on doctrine, polarization, and temple recommends. Is Orthodoxy Now "Controversial"? Doctrine, Culture War, and the New Apostle The media narrative around Elder Clarke Gilbert — and what he actually said. Same-Sex Marriage, Temple Recommends, and the Covenant Path Elder Gilbert's clear answers — without backing away from doctrine. Polarization in the Church — What Elder Gilbert Got Right Why your political identity cannot outrank your covenant identity. The Media vs. Orthodoxy Why defending doctrine is now labeled "doubling down." Is Following the Commandments "Conservative"? Elder Gilbert responds to critics calling him a doctrinal watchdog. Therapeutic Jesus vs. the Real Gospel Elder Gilbert on turning to Christ — not just affirmation, but transformation. Youngest Apostle Since Bednar — Why It Matters What Elder Gilbert's calling signals for the future of the Church. Temple Recommends & Same-Sex Marriage — The Question Everyone's Asking Is the Church "Doubling Down" on Orthodoxy? Or is it simply holding the line on eternal doctrine? Elder Gilbert, C.S. Lewis, and the danger of political primacy. Inside Elder Gilbert's revealing sit-down with Peggy Fletcher Stack. Cwic Media Website: http://www.cwicmedia.com

Last week, the world's elites gathered again in Davos, Switzerland, for the World Economic Forum (WEF). Of course, Klaus Schwab, WEF founder and long-standing chairman, opened the meeting. “The world faces critical challenges,” he proclaimed, in somber tones, and then went on to outline several “extremist” threats presently confronting our planet and its people. But have no fear, Mr. Schwab promised. “The future is shaped by us, and particularly shaped by us in this room.” Does anyone other than me hear the voice of George Orwell echoing through the Swiss Alps right now?

From September 9, 2021: Let's say you're a freedom-loving American fed up with Big Tech's effort to censor your posts. Where can you take your business? One option is Parler—the social media platform that became notorious for its use by the Capitol rioters. Another is Gettr—a new site started by former Trump aide Jason Miller.Unfortunately, both platforms have problems. They don't work very well. They might leak your personal data. They're full of spam. And they seem less than concerned about hosting some of the internet's worst illegal content. Can it be that some content moderation is necessary after all?Today, we're bringing you another episode of our Arbiters of Truth series on the online information ecosystem. Evelyn Douek and Quinta Jurecic spoke with David Thiel, the big data architect and chief technical officer of the Stanford Internet Observatory. With his colleagues at Stanford, David has put together reports on the inner workings of both Parler and Gettr. They talked about how these websites work (and don't), the strange contours of what both platforms are and aren't willing to moderate, and what we should expect from the odd world of “alt-tech.”To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

I saw the YouTube glow! This week, Tyler and Johnny are covering the murder of Dustin Wedhe. Plus: investigating the hum, we are obsessed with the Celebrity Traitors UK season 1, and courtship leads to weapons charges for one Illinois lover!Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyCheck out our new and improved apparel store with tons of new designs! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky stories to thatsspookypod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From November 29, 2023: Unless you've been living under a rock, you've probably heard a great deal over the last year about generative AI and how it's going to reshape various aspects of our society. That includes elections. With one year until the 2024 U.S. presidential election, we thought it would be a good time to step back and take a look at how generative AI might and might not make a difference when it comes to the political landscape. Luckily, Matt Perault and Scott Babwah Brennen of the UNC Center on Technology Policy have a new report out on just that subject, examining generative AI and political ads.On this episode of Arbiters of Truth, our series on the information ecosystem, Lawfare Senior Editor Quinta Jurecic and Lawfare's Fellow in Technology Policy and Law Eugenia Lostri sat down with Matt and Scott to talk through the potential risks and benefits of generative AI when it comes to political advertising. Which concerns are overstated, and which are worth closer attention as we move toward 2024? How should policymakers respond to new uses of this technology in the context of elections?To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.