Podcasts about Bollingen Prize

Though not yet the Dantesque hells that they are today, airports in 1954 were already places of union, separation, and general existential anxiety. This meditation comes from a serious and sphinx-like Winters at the height of his poetic development–though not yet at his own “terminal,” here he is a man who already has plenty to look back on. Happy reading.(Arthur) Yvor Winters was born in Chicago on October 17, 1900. While studying at the University of Chicago he was diagnosed with tuberculosis and decided to relocate to Santa Fe, New Mexico, for the sake of his health. His early poems, published in 1921 and 1922, were all written at a tuberculosis sanitarium. He enrolled at the University of Colorado in 1925, where he earned his bachelor's and master's degrees. In 1926, he married the poet and novelist Janet Lewis. He spent two years teaching at the University of Idaho in Moscow before entering Stanford University as a graduate student, receiving his PhD in 1934. From 1928 until his death, he was a member of Stanford's English department.Winters's books of poetry include The Early Poems of Yvor Winters, 1920–1928(Swallow Press, 1966); Collected Poems (1952; revised edition, 1960), winner of the Bollingen Prize; Poems (Gyroscope Press, 1940); Before Disaster (Tryon Pamphlets, 1934); The Proof (Coward-McCann, Inc., 1930); and The Immobile Wind (M. Wheeler, 1921). In Defense of Reason (Swallow Press, 1947), Winters's major critical work, is a collection of three earlier studies: The Anatomy of Nonsense (New Directions, 1943); Maule's Curse (New Directions, 1938); and Primitivism and Decadence (Arrow Editions, 1937).Winters was also a prolific and controversial critic who believed that a work of art should be “an act of moral judgement” and attacked such literary icons as T. S. Eliot and Henry James. The chair of the Stanford English department notoriously denounced Winters as a “disgrace to the department.”Winters's honors include a National Institute of Arts and Letters award as well as grants from the Guggenheim Foundation and the National Endowment for the Arts. He died on January 25, 1968, in Palo Alto, California.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Mark Strand was born on Canada's Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook Prize and the Bergin Prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.Strand was the author of numerous collections of poetry, including Collected Poems (Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize for Poetry; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives(Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).Strand also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005); The Golden Ecco Anthology (Ecco, 1994); The Best American Poetry 1991; and Another Republic: 17 European and South American Writers, co-edited with Charles Simic (HarperCollins, 1976).Strand's honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation.Strand served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City.Mark Strand died at eighty years old on November 29, 2014, in Brooklyn, New York.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Mark Strand was born on Canada's Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook Prize and the Bergin Prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.Strand was the author of numerous collections of poetry, including Collected Poems (Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize for Poetry; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives (Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).Strand also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005); The Golden Ecco Anthology (Ecco, 1994); The Best American Poetry 1991; and Another Republic: 17 European and South American Writers, co-edited with Charles Simic (HarperCollins, 1976).Strand's honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation.Strand served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City.Mark Strand died at eighty years old on November 29, 2014, in Brooklyn, New York.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem is a shape poem dedicated to chefs, but (surprise?) it might be about more than cooking.John Hollander, one of contemporary poetry's foremost poets, editors, and anthologists, grew up in New York City. He studied at Columbia University and Indiana University, and he was a Junior Fellow of the Society of Fellows of Harvard University. Hollander received numerous awards and fellowships, including the Levinson Prize, a MacArthur Foundation grant, and the poet laureateship of Connecticut. He served as a Chancellor of the Academy of American Poets, and he taught at Hunter College, Connecticut College, and Yale University, where he was the Sterling Professor emeritus of English.Over the course of an astonishing career, Hollander influenced generations of poets and thinkers with his critical work, his anthologies and his poetry. In the words of J.D. McClatchy, Hollander was “a formidable presence in American literary life.” Hollander's eminence as a scholar and critic was in some ways greater than his reputation as a poet. His groundbreaking introduction to form and prosody Rhyme's Reason (1981), as well as his work as an anthologist, has ensured him a place as one of the 20th-century's great, original literary critics. Hollander's critical writing is known for its extreme erudition and graceful touch. Hollander's poetry possesses many of the same qualities, though the wide range of allusion and technical virtuosity can make it seem “difficult” to a general readership.Hollander's first poetry collection, A Crackling of Thorns (1958) won the prestigious Yale Series of Younger Poets Awards, judged by W.H. Auden. And in fact James K. Robinson in the Southern Review found that Hollander's “early poetry resembles Auden's in its wit, its learned allusiveness, its prosodic mastery.” Hollander's technique continued to develop through later books like Visions from the Ramble (1965) and The Night Mirror (1971). Broader in range and scope than his previous work, Hollander's Tales Told of the Fathers (1975) and Spectral Emanations (1978) heralded his arrival as a major force in contemporary poetry. Reviewing Spectral Emanations for the New Republic, Harold Bloom reflected on his changing impressions of the poet's work over the first 20 years of his career: “I read [A Crackling of Thorns] … soon after I first met the poet, and was rather more impressed by the man than by the book. It has taken 20 years for the emotional complexity, spiritual anguish, and intellectual and moral power of the man to become the book. The enormous mastery of verse was there from the start, and is there still … But there seemed almost always to be more knowledge and insight within Hollander than the verse could accommodate.” Bloom found in Spectral Emanations “another poet as vital and accomplished as [A.R.] Ammons, [James] Merrill, [W.S.] Merwin, [John] Ashbery, James Wright, an immense augmentation to what is clearly a group of major poets.”Shortly after Spectral Emanations, Hollander published Blue Wine and Other Poems (1979), a volume which a number of critics have identified as an important milestone in Hollander's life and career. Reviewing the work for the New Leader, Phoebe Pettingell remarked, “I would guess from the evidence of Blue Wine that John Hollander is now at the crossroads of his own midlife journey, picking out a new direction to follow.” Hollander's new direction proved to be incredibly fruitful: his next books were unqualified successes. Powers of Thirteen (1983) won the Bollingen Prize from Yale University and In Time and Place (1986) was highly praised for its blend of verse and prose. In the Times Literary Supplement, Jay Parini believed “an elegiac tone dominates this book, which begins with a sequence of 34 poems in the In Memoriam stanza. These interconnecting lyrics are exquisite and moving, superior to almost anything else Hollander has ever written.” Parini described the book as “a landmark in contemporary poetry.” McClatchy held up In Time and Place as evidence that Hollander is “part conjurer and part philosopher, one of our language's true mythographers and one of its very best poets.”Hollander continued to publish challenging, technically stunning verse throughout the 1980s and '90s. His Selected Poetry (1993) was released simultaneously with Tesserae (1993); Figurehead and Other Poems (1999) came a few years later. “The work collected in [Tesserae and Other Poems and Selected Poetry] makes clear that John Hollander is a considerable poet,” New Republic reviewer Vernon Shetley remarked, “but it may leave readers wondering still, thirty-five years after his first book … exactly what kind of poet Hollander is.” Shetley recognized the sheer variety of Hollander's work, but also noted the peculiar absence of anything like a personality, “as if the poet had taken to heart, much more fully than its author, Eliot's dictum that poetry should embody ‘emotion which has its life in the poem and not in the history of the poet.'” Another frequent charge leveled against Hollander's work is that it is “philosophical verse.” Reviewing A Draft of Light (2008) for Jacket Magazine, Alex Lewis argued that instead of writing “philosophizing verse,” Hollander actually “borrows from philosophy a language and a way of thought. Hollander's poems are frequently meta-poems that create further meaning out of their own self-interrogations, out of their own reflexivity.” As always, the poems are underpinned by an enormous amount of learning and incredible technical expertise and require “a good deal of time and thought to unravel,” Lewis admitted. But the rewards are great: “the book deepens every time that I read it,” Lewis wrote, adding that Hollander's later years have given his work grandeur akin to Thomas Hardy and Wallace Stevens.Hollander's work as a critic and anthologist has been widely praised from the start. As editor, he has worked on volumes of poets as diverse as Ben Jonson and Dante Gabriel Rossetti; his anthologist's credentials are impeccable. He was widely praised for the expansive American Poetry: The Nineteenth Century (1994), two volumes of verse including ballads, sonnets, epic poetry, and even folk songs. Herbert Mitgang of the New York Times praised the range of poets and authors included in the anthology: “Mr. Hollander has a large vision at work in these highly original volumes of verse. Without passing critical judgment, he allows the reader to savor not only the geniuses but also the second-rank writers of the era.” Hollander also worked on the companion volume, American Poetry: The Twentieth Century (2000) with fellow poets and scholars Robert Hass, Carolyn Kizer, Nathaniel Mackey, and Marjorie Perloff.Hollander's prose and criticism has been read and absorbed by generations of readers and writers. Perhaps his most lasting work is Rhyme's Reason. In an interview with Paul Devlin of St. John's University, Hollander described the impetus behind the volume: “Thinking of my own students, and of how there was no such guide to the varieties of verse in English to which I could send them and that would help teach them to notice things about the examples presented—to see how the particular stanza or rhythmic scheme or whatever was being used by the particular words of the particular poem, for example—I got to work and with a speed which now alarms me produced a manuscript for the first edition of the book. I've never had more immediate fun writing a book.” Hollander's other works of criticism include The Work of Poetry (1993), The Poetry of Everyday Life (1997), and Poetry and Music (2003).Hollander died on August 17, 2013 in Branford, Connecticut.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Today's poem from Ezra Pound (a poet with his own colorful history of exile) is after the style of Li Po, featured last week.Ezra Pound was born in Hailey, Idaho, on October 30, 1885. He completed two years of college at the University of Pennsylvania and earned a degree from Hamilton College in 1905. After teaching at Wabash College for two years, he travelled abroad to Spain, Italy, and London, where, as the literary executor of the scholar Ernest Fenellosa, he became interested in Japanese and Chinese poetry. He married Dorothy Shakespear in 1914 and became London editor of the Little Review in 1917.In 1924, Pound moved to Italy. During this period of voluntary exile, Pound became involved in Fascist politics and did not return to the United States until 1945, when he was arrested on charges of treason for broadcasting Fascist propaganda by radio to the United States during World War II. In 1946, he was acquitted, but was declared mentally ill and committed to St. Elizabeths Hospital in Washington, D.C. During his confinement, the jury of the Bollingen Prize for Poetry (which included a number of the most eminent writers of the time), decided to overlook Pound's political career in the interest of recognizing his poetic achievements, and awarded him the prize for the Pisan Cantos (New Directions, 1948). After continuous appeals from writers won his release from the hospital in 1958, Pound returned to Italy and settled in Venice, where he died, a semi-recluse, on November 1, 1972.Ezra Pound is generally considered the poet most responsible for defining and promoting a Modernist aesthetic in poetry. In the early teens of the twentieth century, he opened a seminal exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as W. B. Yeats, Robert Frost, William Carlos Williams, Marianne Moore, H. D., James Joyce, Ernest Hemingway, and especially T. S. Eliot.Pound's own significant contributions to poetry begin with his promulgation of Imagism, a movement in poetry that derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and foregoing traditional rhyme and meter in order to, in Pound's words, “compose in the sequence of the musical phrase, not in the sequence of the metronome.” His later work, for nearly fifty years, focused on the encyclopedic epic poem he entitled The Cantos.-bio via American Academy of Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate's best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate's many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane's White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate's “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate's] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

“Europe calling! Pound speaking! Ezra Pound speaking!” came over the airwaves in more than 100 shortwave broadcasts from Rome, directed toward America during WWII. Ezra Pound was an American ex-pat, poet, and intellectual who was a major figure of the Modernist literary movement in early-to-mid 20th century -- and was also a fascist collaborator and anti-Semite arrested for treason against the United States for his radio broadcasts. See omnystudio.com/listener for privacy information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Kenneth Koch was born in Cincinnati, Ohio, on February 27, 1925. He studied at Harvard University, where he received his Bachelor of Arts degree, and attended Columbia University for his PhD. As a young poet, Koch was known for his association with the New York School of poetry. Originating at Harvard, where Koch met fellow students Frank O'Hara and John Ashbery, the New York School derived much of its inspiration from the works of action painters Jackson Pollock, Willem de Kooning, and Larry Rivers, whom the poets met in the 1950s after settling in New York City. The poetry of the New York School represented a shift away from the Confessional poets, a popular form of soul-baring poetry that the New York School found distasteful. Instead, their poems were cosmopolitan in spirit and displayed not only the influence of action painting, but of French Surrealism and European avant-gardism in general. In 1970 Ron Padgett and David Shapiro edited and published the first major collection of New York School poetry, An Anthology of New York Poets, which included seven poems by Koch.Koch's association with the New York School worked, in effect, as an apprenticeship. Many critics found Koch's early work obscure, such as Poems (1953), and the epic Ko, or A Season on Earth (1959), yet remarked upon his subsequent writing for its clarity, lyricism, and humor, such as in The Art of Love (1975), which was praised as a graceful, humorous book. His other collections of poetry include New Addresses (Alfred A. Knopf, 2000), winner of the Phi Beta Kappa Poetry Award and a finalist for the National Book Award; Straits (1998); One Train and On the Great Atlantic Rainway, Selected Poems 1950-1988 (both published in 1994), which together earned him the Bollingen Prize in 1995; Seasons of the Earth (1987); On the Edge (1986); Days and Nights (1982); The Burning Mystery of Anna in 1951 (1979); The Duplications (1977); The Pleasures of Peace(1969); When the Sun Tries to Go On (1969); Thank You (1962); and Seasons on Earth(1960).Koch's short plays, many of them produced off- and off-off-Broadway, are collected in The Gold Standard: A Book of Plays. He has also published Making Your Own Days: The Pleasures of Reading and Writing Poetry (Scribners, 1998); The Red Robins (1975), a novel; Hotel Lambosa and Other Stories (1993); and several books on teaching children to write poetry, including Wishes, Lies and Dreams and Rose, Where Did You Get That Red? Koch wrote the libretto for composer Marcello Panni's The Banquet, which premiered in Bremen in June 1998, and his collaborations with painters have been the subject of exhibitions at the Ipswich Museum in England and the De Nagy Gallery in New York. His numerous honors include the Rebekah Johnson Bobbitt National Prize for Poetry, awarded by the Library of Congress in 1996, as well as awards from the American Academy of Arts and Letters and the Fulbright, Guggenheim, and Ingram-Merrill foundations. In 1996 he was inducted as a member of the American Academy of Arts and Letters. Kenneth Koch lived in New York City, where he was professor of English at Columbia University. Koch died on July 6, 2002, from leukemia.From https://poets.org/poet/kenneth-koch. For more information about Kenneth Koch:“Kenneth Koch”: https://www.poetryfoundation.org/poets/kenneth-kochThe Collected Poems of Kenneth Koch: https://www.penguinrandomhouse.com/books/94568/the-collected-poems-of-kenneth-koch-by-kenneth-koch/“An Interview with Kenneth Koch”: https://writing.upenn.edu/~afilreis/88/koch.html

Amelia Martens is the author of four chapbooks and the full-length collection The Spoons in the Grass are There to Dig a Moat. Her work has appeared in The Indianapolis Review, Cream City Review, Diode, Southern Humanities Review, Plume, Southern Indiana Review, and many others. She serves as the Associate Literary Editor for Exit 7: A Journal of Literature and Art and she co-curates the Rivertown Reading Series in Paducah, Kentucky. Marianne Moore (1887-1972) was born near St. Louis, Missouri, raised in Carlisle, Pennsylvania, and she graduated from Bryn Mawr College. Early on, she worked as a schoolteacher and as an assistant at The New York Public Library. From 1925 to 1929, she was the editor of The Dial, an influential literary magazine. Her Collected Poems, published in 1951, won the Bollingen Prize, the National Book Award, and the Pulitzer Prize. Links: https://files.captivate.fm/library/eb120c7e-5463-485f-86af-1bc371e50ad1/Ameila-Martens-Poems-2.pdf (Read "The Apology" and "The Secret Lives of Cows") https://poets.org/poem/jelly-fish (Read "A Jelly-Fish") Amelia Martens https://ameliamartens.com/ (Amelia Martens' website) https://www.wkms.org/arts-culture/2018-01-03/something-from-nothing-amelia-martens-a-natural-born-poet (“Amelia Martens, a Natural Born Poet,” Something from Nothing podcast at WKMS )  http://www.theamericanjournalofpoetry.com/v7-martens.html (Four poems at The American Journal of Poetry) https://plumepoetry.com/author/martens-amelia/ (Two poems at Plume) http://diodepoetry.com/martens_amelia/ (Two poems at Diode) https://tinderboxpoetry.com/three-poems-2 (Three poems at Tenderbox) Marianne Moore https://www.poetryfoundation.org/poets/marianne-moore (Poems and bio at the Poetry Foundation's website ) https://poets.org/poet/marianne-moore (Poems and bio at Poets.org) https://lithub.com/in-praise-of-the-difficult-on-marianne-moore-defiant-poet-of-complexity/ (“In Praise of the Difficult: On Marianne Moore, Defiant Poet of Complexity” at LitHub) https://www.nypl.org/blog/2021/03/22/nypls-marianne-moore-writing-her-way-onto-the-shelves ("NYPL's Marianne Moore: Writing Her Way Onto the Shelves" at NYPL.org) https://www.youtube.com/watch?v=EHw-9EEMowU (Marianne Moore documentary from the Voices and Visions series (on YouTube)) Music is by https://freemusicarchive.org/music/Chad_Crouch/ (Chad Crouch). Mentioned in this episode: KnoxCountyLibrary.org Thank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org. https://the-beat.captivate.fm/rate (Rate & review on Podchaser)

Amelia Martens is the author of four chapbooks and the full-length collection The Spoons in the Grass are There to Dig a Moat. Her work has appeared in The Indianapolis Review, Cream City Review, Diode, Southern Humanities Review, Plume, Southern Indiana Review, and many others. She serves as the Associate Literary Editor for Exit 7: A Journal of Literature and Art and she co-curates the Rivertown Reading Series in Paducah, Kentucky. Marianne Moore (1887-1972) was born near St. Louis, Missouri, raised in Carlisle, Pennsylvania, and she graduated from Bryn Mawr College. Early on, she worked as a schoolteacher and as an assistant at The New York Public Library. From 1925 to 1929, she was the editor of The Dial, an influential literary magazine. Her Collected Poems, published in 1951, won the Bollingen Prize, the National Book Award, and the Pulitzer Prize. Links: https://files.captivate.fm/library/eb120c7e-5463-485f-86af-1bc371e50ad1/Ameila-Martens-Poems-2.pdf (Read "The Apology" and "The Secret Lives of Cows") https://poets.org/poem/jelly-fish (Read "A Jelly-Fish") Amelia Martens https://ameliamartens.com/ (Amelia Martens' website) https://www.wkms.org/arts-culture/2018-01-03/something-from-nothing-amelia-martens-a-natural-born-poet (“Amelia Martens, a Natural Born Poet,” Something from Nothing podcast at WKMS )  http://www.theamericanjournalofpoetry.com/v7-martens.html (Four poems at The American Journal of Poetry) https://plumepoetry.com/author/martens-amelia/ (Two poems at Plume) http://diodepoetry.com/martens_amelia/ (Two poems at Diode) https://tinderboxpoetry.com/three-poems-2 (Three poems at Tenderbox) Marianne Moore https://www.poetryfoundation.org/poets/marianne-moore (Poems and bio at the Poetry Foundation's website ) https://poets.org/poet/marianne-moore (Poems and bio at Poets.org) https://lithub.com/in-praise-of-the-difficult-on-marianne-moore-defiant-poet-of-complexity/ (“In Praise of the Difficult: On Marianne Moore, Defiant Poet of Complexity” at LitHub) https://www.nypl.org/blog/2021/03/22/nypls-marianne-moore-writing-her-way-onto-the-shelves ("NYPL's Marianne Moore: Writing Her Way Onto the Shelves" at NYPL.org) https://www.youtube.com/watch?v=EHw-9EEMowU (Marianne Moore documentary from the Voices and Visions series (on YouTube)) Music is by https://freemusicarchive.org/music/Chad_Crouch/ (Chad Crouch) Mentioned in this episode: KnoxCountyLibrary.org Thank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org. https://pods.knoxlib.org/rate (Rate & review on Podchaser)

Louise Elisabeth Glück (/ɡlɪk/, GLICK;[1][2] born April 22, 1943) is an American poet and essayist. She won the 2020 Nobel Prize in Literature, whose judges praised "her unmistakable poetic voice that with austere beauty makes individual existence universal".[3] Her other awards include the Pulitzer Prize, National Humanities Medal, National Book Award, National Book Critics Circle Award, and Bollingen Prize. From 2003 to 2004, she was Poet Laureate of the United States.Bio via Wikipedia See acast.com/privacy for privacy and opt-out information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Mark Strand was born on Canada's Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook prize and the Bergin prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.He was the author of numerous collections of poetry, including Collected Poems (Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives (Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).He also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005), The Golden Ecco Anthology (1994), The Best American Poetry 1991, and Another Republic: 17 European and South American Writers (with Charles Simic, 1976).His honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation. He served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City. He died at eighty years old on November 29, 2014, in Brooklyn, New York.From https://poets.org/poet/mark-strand. For more information about Mark Strand:“Mark Strand”: https://www.poetryfoundation.org/poets/mark-strand“The Coming of Light”: https://poets.org/poem/coming-light“Mark Strand, The Art of Poetry No. 77”: https://www.theparisreview.org/interviews/1070/the-art-of-poetry-no-77-mark-strand

Howard Nemerov (March 1, 1920 – July 5, 1991) was an American poet. He was twice Poet Laureate Consultant in Poetry to the Library of Congress, from 1963 to 1964 and again from 1988 to 1990.[1] For The Collected Poems of Howard Nemerov (1977), he won the National Book Award for Poetry,[2] Pulitzer Prize for Poetry,[3] and Bollingen Prize.Bio via Wikipedia See acast.com/privacy for privacy and opt-out information.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!On July 29, 1905, Stanley Kunitz was born in Worcester, Massachusetts. About his own work, Kunitz has said: “The poem comes in the form of a blessing—‘like rapture breaking on the mind,' as I tried to phrase it in my youth. Through the years I have found this gift of poetry to be life-sustaining, life-enhancing, and absolutely unpredictable. Does one live, therefore, for the sake of poetry? No, the reverse is true: poetry is for the sake of the life.”Kunitz published his first book of poetry, Intellectual Things, in 1930. Fourteen years later, he published his second book, Passport to War. His recent books include: The Collected Poems of Stanley Kunitz (W. W. Norton, 2000); Passing Through: The Later Poems, New and Selected (1995), which won the National Book Award; Next-to-Last Things: New Poems and Essays (1985); The Poems of Stanley Kunitz, 1928-1978, which won the Lenore Marshall Poetry Prize; The Testing-Tree (1971); and Selected Poems, 1928-1958, which won the Pulitzer Prize.His honors include the Bollingen Prize, a Ford Foundation grant, a Guggenheim Foundation fellowship, Harvard's Centennial Medal, the Levinson Prize, the Harriet Monroe Poetry Award, a senior fellowship from the National Endowment for the Arts, the National Medal of the Arts, and the Shelley Memorial Award. In 2000 he was named United States Poet Laureate. Kunitz was deeply committed to fostering community among artists, and was a founder of the Fine Arts Work Center in Provincetown, Massachusetts, and Poets House in New York City. Together with his wife, the painter Elise Asher, he split his time between New York City and Provincetown, Massachusetts. He died at the age of 100 on May 14, 2006.From https://poets.org/poet/stanley-kunitzFor more information about Stanley Kunitz:Previously on The Quarantine Tapes:Edward Hirsch on Kunitz, at 04:52: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-173-edward-hirsch“‘I Have Walked Through Many Lives': Listen to Stanley Kunitz read his poem ‘The Layers'”: https://lithub.com/i-have-walked-through-many-lives-listen-to-stanley-kunitz-read-his-poem-the-layers/“Stanley Kunitz, The Art of Poetry No. 29”: https://www.theparisreview.org/interviews/3185/the-art-of-poetry-no-29-stanley-kunitz“Poet Stanley Kunitz at 100”: https://www.npr.org/2005/07/29/4776898/poet-stanley-kunitz-at-100

Nathaniel Mackey in conversation with Fred Moten, celebrating the launch of his new poetry collection, "Double Trio," published by New Directions. This event was originally broadcast via Zoom and hosted by Josiah Luis Alderete. Nathaniel Mackey was born in Miami, Florida, in 1947. He is the author of several books of fiction of "exquisite rhythmic lyricism" (Bookforum), poetry, and criticism and has received many awards for his work, including the National Book Award in poetry for Splay Anthem, the Stephen Henderson Award from the African American Literature and Culture Society, the Bollingen Prize, and the Ruth Lilly Poetry Prize. Mackey is the Reynolds Price Professor of English at Duke University. Fred Moten is an American cultural theorist, poet, and scholar whose work explores critical studies, black studies, and performance studies. Moten is Professor of Performance Studies at New York University and Distinguished Professor Emeritus at University of California, Riverside and the University of Iowa. His scholarly texts include "The Undercommons: Fugitive Planning & Black Study" which was co-authored with Stefano Harney, "In the Break: The Aesthetics of the Black Radical Tradition," and "The Universal Machine" (Duke University Press, 2018). He has published numerous poetry collections, including The Little Edges, The Feel Trio, B Jenkins, and Hughson's Tavern. In 2020, Moten was awarded a for "[c]reating new conceptual spaces to accommodate emerging forms of Black aesthetics, cultural production, and social life." Sponsored by the City Lights Foundation.

Today's Quotation is care of Stanley Kunitz.Listen in!Subscribe to the Quarantine Tapes at quarantinetapes.com or search for the Quarantine Tapes on your favorite podcast app!On July 29, 1905, Stanley Kunitz was born in Worcester, Massachusetts. About his own work, Kunitz has said: “The poem comes in the form of a blessing—‘like rapture breaking on the mind,' as I tried to phrase it in my youth. Through the years I have found this gift of poetry to be life-sustaining, life-enhancing, and absolutely unpredictable. Does one live, therefore, for the sake of poetry? No, the reverse is true: poetry is for the sake of the life.”Kunitz published his first book of poetry, Intellectual Things, in 1930. Fourteen years later, he published his second book, Passport to War. His recent books include: The Collected Poems of Stanley Kunitz (W. W. Norton, 2000); Passing Through: The Later Poems, New and Selected (1995), which won the National Book Award; Next-to-Last Things: New Poems and Essays (1985); The Poems of Stanley Kunitz, 1928-1978, which won the Lenore Marshall Poetry Prize; The Testing-Tree (1971); and Selected Poems, 1928-1958, which won the Pulitzer Prize.His honors include the Bollingen Prize, a Ford Foundation grant, a Guggenheim Foundation fellowship, Harvard's Centennial Medal, the Levinson Prize, the Harriet Monroe Poetry Award, a senior fellowship from the National Endowment for the Arts, the National Medal of the Arts, and the Shelley Memorial Award. In 2000 he was named United States Poet Laureate. Kunitz was deeply committed to fostering community among artists, and was a founder of the Fine Arts Work Center in Provincetown, Massachusetts, and Poets House in New York City. Together with his wife, the painter Elise Asher, he split his time between New York City and Provincetown, Massachusetts. He died at the age of 100 on May 14, 2006.From https://poets.org/poet/stanley-kunitzFor more information about Stanley Kunitz:“‘I Have Walked Through Many Lives': Listen to Stanley Kunitz read his poem ‘The Layers'”: https://lithub.com/i-have-walked-through-many-lives-listen-to-stanley-kunitz-read-his-poem-the-layers/“Stanley Kunitz, The Art of Poetry No. 29”: https://www.theparisreview.org/interviews/3185/the-art-of-poetry-no-29-stanley-kunitz“Poet Stanley Kunitz at 100”: https://www.npr.org/2005/07/29/4776898/poet-stanley-kunitz-at-100

Howard Nemerov was Poet Laureate of the U.S .from 1963 -1964 and again from 1988-90.He was the recipient of the National Book Award, Pulitzer Prize, Bollingen Prize among other honors.

Howard Nemerov (February 29, 1920 – July 5, 1991) was an American poet. He was twice Poet Laureate Consultant in Poetry to the Library of Congress, from 1963 to 1964 and again from 1988 to 1990.[1] For The Collected Poems of Howard Nemerov (1977), he won the National Book Award for Poetry,[2] Pulitzer Prize for Poetry,[3] and Bollingen Prize.Nemerov was brother to photographer Diane Nemerov Arbus and father to art historian Alexander Nemerov, Professor of the History of Art and American Studies at Stanford University. Bio via Wikipedia See acast.com/privacy for privacy and opt-out information.

In this episode, we talk to Charles Bernstein, inventive poet, writer of libretti, translator, archivist, and, since 2003, a member of Penn's faculty. Bernstein is the Donald T. Regan Professor of English and Comparative Literature and co-director of PennSound. He retired from the Department of English at the end of the spring 2019 semester. In 2019, Bernstein was awarded the Bollingen Prize for American Poetry awarded by Yale University. The Bollingen Prize is awarded biennially by the Yale University Library to an American poet for the best book published during the previous two years or for lifetime achievement in poetry. Produced by Penn Arts & Sciences • Narrated by Lauren Thacker • Edited by Alex Schein • Music by Blue Dot Sessions • Allen Ginsberg "Howl" (Big Table Chicago Reading, 1959) and Robert Frost "Dust of Snow" (Readings at Columbia University, May 5, 1933) courtesy of PennSound: http://bit.ly/2VtVElp Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

In this episode, we talk to Charles Bernstein, inventive poet, writer of libretti, translator, archivist, and, since 2003, a member of Penn's faculty. Bernstein is the Donald T. Regan Professor of English and Comparative Literature and co-director of PennSound. He retired from the Department of English at the end of the spring 2019 semester. In 2019, Bernstein was awarded the Bollingen Prize for American Poetry awarded by Yale University. The Bollingen Prize is awarded biennially by the Yale University Library to an American poet for the best book published during the previous two years or for lifetime achievement in poetry. Produced by Penn Arts & Sciences • Narrated by Lauren Thacker • Edited by Alex Schein • Music by Blue Dot Sessions • Allen Ginsberg "Howl" (Big Table Chicago Reading, 1959) and Robert Frost "Dust of Snow" (Readings at Columbia University, May 5, 1933) courtesy of PennSound: http://bit.ly/2VtVElp Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

In this episode, we talk to Charles Bernstein, inventive poet, writer of libretti, translator, archivist, and, since 2003, a member of Penn's faculty. Bernstein is the Donald T. Regan Professor of English and Comparative Literature and co-director of PennSound. He retired from the Department of English at the end of the spring 2019 semester. In 2019, Bernstein was awarded the Bollingen Prize for American Poetry awarded by Yale University. The Bollingen Prize is awarded biennially by the Yale University Library to an American poet for the best book published during the previous two years or for lifetime achievement in poetry. Produced by Penn Arts & Sciences • Narrated by Lauren Thacker • Edited by Alex Schein • Music by Blue Dot Sessions • Allen Ginsberg "Howl" (Big Table Chicago Reading, 1959) and Robert Frost "Dust of Snow" (Readings at Columbia University, May 5, 1933) courtesy of PennSound: http://bit.ly/2VtVElp Subscribe to the OMNIA Podcast by Penn Arts & Sciences on iTunes (apple.co/2XVWCbC) and Stitcher (bit.ly/2Lf2G9h)

Award-winning American poet Susan Howe visited Harvard Divinity School on April 24 to speak about the binding together of freedom and law, spontaneity and habit, as occasions for awakening a reader to the exaltation of spirit in process. Crossing the guarded borders between image and word, individual and community, history and the present, poetry provides an opening to the transcendent order that chance makes possible. Susan Howe's collection of poems, That This, won the Bollingen Prize in 2011. In 2017 she received the Robert Frost award for distinguished lifetime achievement in American poetry. Learn more about Harvard Divinity School and its mission to illuminate, engage, and serve at http://hds.harvard.edu/.

The author e. e. cummings was short for Edward Estlin Cummings. He was born in Cambridge, 1894. He began writing poems as early as 1904 and studied Latin and Greek at the Cambridge Latin High School. He received his BA in 1915 and his MA in 1916, both from are you ready? Harvard University. His studies there introduced him to the poetry of avant-garde writers. During his lifetime, Cummings received a number of honors, including an Academy of American Poets Fellowship, two Guggenheim Fellowships, the Charles Eliot Norton Professorship at Harvard, the Bollingen Prize in Poetry in 1958, and a Ford Foundation grant. At the time of his death, September 3, 1962, he was the second most widely read poet in the United States, after Robert Frost. so, I am pretty sure you’ve heard it before. i carry your heart (i carry it in) it was first published in 1952 hope you enjoy. i carry your heart with m...

The Working Poet Radio Show's producer and poet Marci Calabretta Cancio-Bello sat down with legendary poet Gary Snyder to talk about American poetry, work, and translation. Gary Snyder has published numerous books of poetry and prose, including Danger on Peaks (Counterpoint Press, 2005)The Gary Snyder Reader (1952-1998) (1999); Mountains and Rivers Without End (1997); No Nature: New and Selected Poems (1993), which was a finalist for the National Book Award; The Practice of the Wild (1990); Left Out in the Rain, New Poems 1947-1985; Axe Handles (1983), for which he received an American Book Award; Turtle Island (1974), which won the Pulitzer Prize for poetry; Regarding Wave (1970); and Myths & Texts (1960). Snyder has received an American Academy of Arts and Letters award, the Bollingen Prize, a Guggenheim Foundation fellowship, the Bess Hokin Prize and the Levinson Prize from Poetry, the Robert Kirsch Lifetime Achievement Award from the Los Angeles Times, the Ruth Lilly Poetry Prize, and the Shelley Memorial Award. Snyder was elected a Chancellor of the Academy of American Poets in 2003. He was the recipient of the 2012 Wallace Stevens Award for lifetime achievement by the Academy of American Poets. He is a professor of English at the University of California, Davis.

Sep. 25, 2014. Charles Wright gives his inaugural reading as the 20th Poet Laureate Consultant to the Library of Congress. Speaker Biography: On June 12th, 2014, Librarian of Congress James H. Billington announced the appointment of Charles Wright as the Poet Laureate Consultant in Poetry. Charles Wright was born in Pickwick Dam, Tennessee on August 25, 1935. He is the author of 24 poetry collections, two books of essays, and three books of translation. His many honors include the Pulitzer Prize, the National Book Award, the National Book Critics Circle Award, the Bollingen Prize, the Ruth Lilly Prize from the Poetry Foundation, and the International Griffin Poetry Prize, as well as the 2008 Rebekah Johnson Bobbitt National Prize in Poetry from the Library of Congress. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6560

October 25th of this year marks the centennial of twentieth-century American poet John Berryman, whose works earned him a Pulitzer Prize, National Book Award, and the Bollingen Prize.  In this weeks Arts Feature, Barryman reads his poem "Whether There Is Sorrow in the Demons," as recorded by WFMT in March of 1958 at Loyola University of Chicago. The Hold Steady makes reference to Berryman in the song "Stuck Between Stations" (beginning with the song's second verse) from their 2006 record The Boys and Girls in America.

Poet, author, farmer, activist, and Buddhist scholar, Gary Snyder has published numerous collections of poetry and prose. A literature and anthropology major at Reed, Snyder was instrumental in the Beat Generation and San Francisco poetry movements of the’50s and ’60s. He studied linguistics and anthropology at Indiana University and East Asian languages at the University of California at Berkeley. From 1956 to 1968, he lived and studied in Kyoto, Japan. Snyder is an emeritus professor of the University of California at Davis. He has worked with a broad range of artists, scientists, environmentalists, and public policy specialists in dealing with the problems of nature and the wild in the global economy. His work has received the Pulitzer Prize, the Bollingen Prize for Poetry, the Ruth Lilly Poetry Prize, a Guggenheim Fellowship, and the International Award from the Buddhist Transmission Foundation. He is a member of the National Academy of Arts and Letters and once served on the California Arts Council. Snyder was a keynote speaker at the Watershed conference on literature and the environment in Washington, D.C., and was the subject of the documentary The Practice of the Wild. He lives on a mountain farmstead in the Northern Sierra of California.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Frank Bidart was educated at the University of California at Riverside and at Harvard University, where he was a student and friend of Robert Lowell and Elizabeth Bishop. His first volume of poetry, Golden State (1973), was selected by poet Richard Howard for the Braziller Poetry series. Bidart's early books are collected in In the Western Night: Collected Poems 1965-90 (1990). His recent volumes include Star Dust (Farrar, Straus and Giroux, 2005), Music Like Dirt (2002), and Desire (1997), which was nominated for a Pulitzer Prize, and was a finalist for both the National Book Award and the National Book Critic's Circle Award. He is also the co-editor of Robert Lowell's Collected Poems (2003). His honors include the Wallace Stevens Award, the Lila Wallace-Reader's Digest Foundation Writer's Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and The Paris Review's first Bernard F. Conners Prize for "The War of Vaslav Nijinsky" in 1981. In 2007, he received the Bollingen Prize in American Poetry. Bidart was elected a Chancellor of the Academy of American Poets in 2003. He lives in Cambridge, Massachusetts, where he has taught at Wellesley College since 1972.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Frank Bidart was educated at the University of California at Riverside and at Harvard University, where he was a student and friend of Robert Lowell and Elizabeth Bishop. His first volume of poetry, Golden State (1973), was selected by poet Richard Howard for the Braziller Poetry series. Bidart's early books are collected in In the Western Night: Collected Poems 1965-90 (1990). His recent volumes include Star Dust (Farrar, Straus and Giroux, 2005), Music Like Dirt (2002), and Desire (1997), which was nominated for a Pulitzer Prize, and was a finalist for both the National Book Award and the National Book Critic's Circle Award. He is also the co-editor of Robert Lowell's Collected Poems (2003). His honors include the Wallace Stevens Award, the Lila Wallace-Reader's Digest Foundation Writer's Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and The Paris Review's first Bernard F. Conners Prize for "The War of Vaslav Nijinsky" in 1981. In 2007, he received the Bollingen Prize in American Poetry. Bidart was elected a Chancellor of the Academy of American Poets in 2003. He lives in Cambridge, Massachusetts, where he has taught at Wellesley College since 1972.

Frank Bidart was educated at the University of California at Riverside and at Harvard University, where he was a student and friend of Robert Lowell and Elizabeth Bishop. His first volume of poetry, Golden State (1973), was selected by poet Richard Howard for the Braziller Poetry series. Bidart's early books are collected in In the Western Night: Collected Poems 1965-90 (1990). His recent volumes include Star Dust (Farrar, Straus and Giroux, 2005), Music Like Dirt (2002), and Desire (1997), which was nominated for a Pulitzer Prize, and was a finalist for both the National Book Award and the National Book Critic's Circle Award. He is also the co-editor of Robert Lowell's Collected Poems (2003). His honors include the Wallace Stevens Award, the Lila Wallace-Reader's Digest Foundation Writer's Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and The Paris Review's first Bernard F. Conners Prize for "The War of Vaslav Nijinsky" in 1981. In 2007, he received the Bollingen Prize in American Poetry. Bidart was elected a Chancellor of the Academy of American Poets in 2003. He lives in Cambridge, Massachusetts, where he has taught at Wellesley College since 1972.

If you experience any technical difficulties with this video or would like to make an accessibility-related request, please send a message to digicomm@uchicago.edu. Frank Bidart was educated at the University of California at Riverside and at Harvard University, where he was a student and friend of Robert Lowell and Elizabeth Bishop. His first volume of poetry, Golden State (1973), was selected by poet Richard Howard for the Braziller Poetry series. Bidart's early books are collected in In the Western Night: Collected Poems 1965-90 (1990). His recent volumes include Star Dust (Farrar, Straus and Giroux, 2005), Music Like Dirt (2002), and Desire (1997), which was nominated for a Pulitzer Prize, and was a finalist for both the National Book Award and the National Book Critic's Circle Award. He is also the co-editor of Robert Lowell's Collected Poems (2003). His honors include the Wallace Stevens Award, the Lila Wallace-Reader's Digest Foundation Writer's Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and The Paris Review's first Bernard F. Conners Prize for "The War of Vaslav Nijinsky" in 1981. In 2007, he received the Bollingen Prize in American Poetry. Bidart was elected a Chancellor of the Academy of American Poets in 2003. He lives in Cambridge, Massachusetts, where he has taught at Wellesley College since 1972.

Born in 1929 in New York, educated at Columbia, John Hollander is a poet and literary critic. He has written more than a dozen books of poetry, and seven books of criticism, including Rhyme's Reason of which Harold Bloom said: "[it is] on all questions of schemes, patterns, forms, meters, rhymes of poetry in English, the indispensible authority..." and why I was so keen to interview him. According to New York Times, Hollander stresses the importance of hearing poems out loud: "A good poem satisfies the ear. It creates a story or picture that grabs you, informs you and entertains you."    His honors include the Bollingen Prize, the Levinson Prize, and fellowships from the Guggenheim Foundation, the MacArthur Foundation, and the National Endowment for the Arts. A former Chancellor of the Academy of American Poets he is the current poet laureate of Connecticut, and has taught at many different universities, including Yale. We met recently at the Philadelphia Book Festival. I spend most of this interview relentlessly and unsuccessfully trying to badger him into identifying, comparing and describing the differences between great and bad poems. To name names. We do get to some of the great (Rosanna Warren, Shakespeare, Browning, Swinburne, Rossetti, for example) but he will not go anywhere near the bad. Toward the end, clearly tired from the day's activities and my uncalled for bullying, he reads a beautifully funny and thoughtful poem, based on a quote taken from Boswell's Life of Johnson, found in his collection, A draft of Light.