Podcasts about The Sewanee Review

Maureen Stanton joins Let's Talk Memoir for a conversation about her writing beginnings in fiction and using the scenic and immersive to move readers, falling in love with creative nonfiction, revisiting and recreating a love story, discovering the question behind her book, facing the blank page, bad first drafts, writing an illness narrative, placing an essay in Modern Love, authenticity on the page, the long winding path to publishing, not thinking your book will ever get published, working on multiple projects while querying, how love evolves, and her new memoir The Murmur of Everything Moving.   Also in this episode: -the fog of grief -killing our darlings -submitting to writing contests   Books mentioned in this episode: -Bird by Bird by Anne Lamott -Angela's Ashes by Frank McCourt -The Liar's Club by Mary Karr -This Boys Life by Tobias Wolff  -Argonauts by Maggie Nelson -Barbarian Days by William Finnegan   Maureen Stanton is the author of The Murmur of Everything Moving: A Memoir, winner of the Donald L. Jordan Prize for Literary Excellence; Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of the Maine Literary Award for memoir and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of the Massachusetts Book Award in nonfiction and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has been widely published, including in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review, Florida Review, River Teeth, The Sun and many others. Her essays have received the Iowa Review prize, The Sewanee Review prize, Pushcart Prizes, the American Literary Review award, and the Thomas J. Hruska award from Passages North. She's been awarded fellowships from the National Endowment for the Arts, the Maine Arts Commission, the MacDowell Colony, and the Virginia Center for Creative Arts. She teaches creative writing at the University of Massachusetts Lowell and lives in Maine.    Connect with Maureen: Website: https://www.maureenstantonwriter.com LinkTree: https://linktr.ee/maureenstanton41 Instagram: https://www.instagram.com/maureenstanton41 Threads: https://www.threads.com/@maureenstanton41 LinkedIn linkedin.com/in/maureen-stanton-6693ab11  Facebook: https://www.facebook.com/maureen.p.stanton Bluesky: https://bsky.app/profile/maureenstanton.bsky.social   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

Host Jason Blitman welcomes bestselling author Victoria "V.E." Schwab for a conversation about her remarkable milestone—her 25th book, Bury Our Bones in the Midnight Soil. They discuss the profound power of names, exploring how identity shapes both fantasy storytelling and LGBTQIA+ narratives, the impact of representation in literature, and the moment that nearly drove Schwab to walk away from writing altogether. Later, Melissa Febos joins Jason as our Guest Gay Reader, calling in from her treadmill desk, to share what she's been reading as well as more about her new memoir, The Dry Season. Victoria "V.E." Schwab is the #1 New York Times bestselling author of more than twenty books, including the acclaimed Shades universe, the Villains series, the City of Ghosts series, Gallant, The Invisible Life of Addie LaRue and The Fragile Threads of Power. When not haunting Paris streets or trudging up English hillsides, she lives in Edinburgh, Scotland, and is usually tucked in the corner of a coffee shop, dreaming up monsters.Melissa Febos is the nationally bestselling author of four books, including Girlhood—which won the National Book Critics Circle Award in Criticism, and Body Work: The Radical Power of Personal Narrative. She has been awarded prizes and fellowships from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, the British Library, the Black Mountain Institute, the Bogliasco Foundation, and others. Her work has appeared in The Paris Review, The New Yorker, The New York Times Magazine, The Best American Essays, Vogue, The Sewanee Review, New York Review of Books, and elsewhere. Febos is a full professor at the University of Iowa and lives in Iowa City with her wife, the poet Donika Kelly. BOOK CLUB!Sign up for the Gays Reading Book Club HERE for only $1July Book: Disappoint Me by Nicola Dinan SUBSTACK!https://gaysreading.substack.com/ MERCH!http://gaysreading.printful.me PARTNERSHIP!Use code READING to get 15% off your madeleine order! https://cornbread26.com/ WATCH!https://youtube.com/@gaysreading FOLLOW!Instagram: @gaysreading | @jasonblitmanBluesky: @gaysreading | @jasonblitmanCONTACT!hello@gaysreading.com

In this episode Lissa talks with author Rickey Fayne about deep philosophical questions inspired by his latest novel The Devil Three Times (Hachette Book Group, May 2025). Rickey Fayne is a fiction writer from rural West Tennessee whose work has appeared in American Short Fiction, Guernica, The Sewanee Review, and The Kenyon Review, among other magazines. He holds an MA in English from Northwestern University and an MFA in Fiction from the Michener Center for Writers at the University of Texas. His writing embodies his Black, Southern upbringing in order to reimagine and honor his ancestors' experiences. This episode was recorded at Magers & Quinn Booksellers in Minneapolis, MN. Visit www.BlackMarketReads.com   Our production team for this episode includes co-producers Lissa Jones and Edie French, technical director Paul Auguston, the voice Yo Derek, and our artist of inspiration Ta-coumba T. Aiken. We thank Blue Cross Blue Shield of Minnesota for supporting this series focusing on the intersection of health, race, and culture.

Maureen Stanton's new memoir, The Murmur of Everything Moving (Columbus State University 2025) opens when she was in her early twenties, working at a bar saving for a backpacking trip through Europe. She meets and falls for Steve, an electrician who at 27 is the father of three children going through a divorce. They are deeply in love, now back in Michigan close to Steve's children, when he's diagnosed with Stage 4 cancer that has metastasized throughout his body. In beautiful prose, Stanton describes the medical challenges, Steve's physical and psychological pain, and the heartache they face knowing that his time is limited while trying to defy the odds. This is a moving story of human fragility, resilience, and the different forms love can take. Maureen Stanton is also the author of Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of a Maine Literary Award and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of a Massachusetts Book Award and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has appeared in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review and elsewhere, and has been recognized with the Iowa Review prize, the Sewanee Review prize, and Pushcart Prizes. She's received fellowships from the National Endowment for the Arts, the Maine Arts Commission, and the MacDowell Colony. She teaches at the University of Massachusetts Lowell and lives in Maine. When she's not reading, writing, or teaching, she enjoys swimming (ponds, tidal rivers, lakes, and the ocean), foraging for wild mushrooms, baking, and haunting flea markets. www.maureenstantonwriter.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Maureen Stanton's new memoir, The Murmur of Everything Moving (Columbus State University 2025) opens when she was in her early twenties, working at a bar saving for a backpacking trip through Europe. She meets and falls for Steve, an electrician who at 27 is the father of three children going through a divorce. They are deeply in love, now back in Michigan close to Steve's children, when he's diagnosed with Stage 4 cancer that has metastasized throughout his body. In beautiful prose, Stanton describes the medical challenges, Steve's physical and psychological pain, and the heartache they face knowing that his time is limited while trying to defy the odds. This is a moving story of human fragility, resilience, and the different forms love can take. Maureen Stanton is also the author of Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of a Maine Literary Award and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of a Massachusetts Book Award and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has appeared in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review and elsewhere, and has been recognized with the Iowa Review prize, the Sewanee Review prize, and Pushcart Prizes. She's received fellowships from the National Endowment for the Arts, the Maine Arts Commission, and the MacDowell Colony. She teaches at the University of Massachusetts Lowell and lives in Maine. When she's not reading, writing, or teaching, she enjoys swimming (ponds, tidal rivers, lakes, and the ocean), foraging for wild mushrooms, baking, and haunting flea markets. www.maureenstantonwriter.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Maureen Stanton's new memoir, The Murmur of Everything Moving (Columbus State University 2025) opens when she was in her early twenties, working at a bar saving for a backpacking trip through Europe. She meets and falls for Steve, an electrician who at 27 is the father of three children going through a divorce. They are deeply in love, now back in Michigan close to Steve's children, when he's diagnosed with Stage 4 cancer that has metastasized throughout his body. In beautiful prose, Stanton describes the medical challenges, Steve's physical and psychological pain, and the heartache they face knowing that his time is limited while trying to defy the odds. This is a moving story of human fragility, resilience, and the different forms love can take. Maureen Stanton is also the author of Body Leaping Backward: Memoir of a Delinquent Girlhood, winner of a Maine Literary Award and a People Magazine "Best Books Pick"; and Killer Stuff and Tons of Money: An Insider's Look at the World of Flea Markets, Antiques, and Collecting, winner of a Massachusetts Book Award and a Parade Magazine "12 Great Summer Books" selection. Her nonfiction has appeared in The New York Times, Fourth Genre, Creative Nonfiction, Longreads, New England Review and elsewhere, and has been recognized with the Iowa Review prize, the Sewanee Review prize, and Pushcart Prizes. She's received fellowships from the National Endowment for the Arts, the Maine Arts Commission, and the MacDowell Colony. She teaches at the University of Massachusetts Lowell and lives in Maine. When she's not reading, writing, or teaching, she enjoys swimming (ponds, tidal rivers, lakes, and the ocean), foraging for wild mushrooms, baking, and haunting flea markets. www.maureenstantonwriter.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Notes and Links to Alexander Chee's Work          Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, and the essay collection How To Write An Autobiographical Novel, all from Mariner Books. A contributing editor at The New Republic and an editor at large at VQR, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and the 2016 and 2019 Best American Essays. He was guest-editor for The Best American Essays of 2022.    He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award, a NEA Fellowship, an MCCA Fellowship, the Randy Shilts Prize in gay nonfiction, the Paul Engle Prize, the Lambda Editor's Choice Prize, and residency fellowships from the MacDowell Colony, the VCCA, Leidig House, Civitella Ranieri and Amtrak.    He is a full professor of English and Creative Writing at Dartmouth College and lives in Vermont. Buy How To Write an Autobiographical Novel   Alexander's Website   Book Review for How To Write an Autobiographical Novel from The New York Times   At about 2:00, Alexander details his Amtrak residency, later written about in The New Yorker At about 6:00, Alexander outlines some interesting characters that he met during his Amtrak residency  At about 12:00, Alexander reflects on a book project inspired by an interesting encounter with a former detective and British and American sensibilities  At about 16:30, Pete shares his own Amtrak story, possible fodder for essays and short stories, as Alexander remarks on “immediate friendship”  At about 18:50, Alexander talks about upcoming novel and short story projects and the process of picking a title; he recounts how he arrived at his essay collection's title, through a Buzzfeed publication  At about 26:30, Alexander highlights Kirkus Review naming How to Write an Autobiographical Novel one  At about 27:35, Alexander gives background on his essay collection's cover photo At about 34:10, Alexander talks about the composition of the previous essay collection and his upcoming one, with regards to placement and focuses on his “rose garden”- “The Rosary”-essay's development At about 39:00, Alexander responds to Pete's questions about the order of the essays in the collections and any throughlines-Garnette Cadogan and Naomi Gibbs are shouted out At about 43:40, Alexander talks about a manuscript that he has been working At about 44:45, Pete is complimentary of Alexander's “The Rosary” essay, and Alexander tells a story of an interested and poignant conversation with   At about 48:00, Pete shouts  At about 49:00, Pete and Alexander talk about the essay collection's first piece, and Alexander talks about being “Alejandro from Oaxaca” for a short time-he references Yiyun Li's powerful essay, “To Speak is to Blunder” At about 55:10, Pete compliments Alexander's powerful advocacy work and asks him about perspective and time, and how Alexander looks back at the essays from the collection so many years later (for some of the essays) At about 1:02:00, In talking about modern protest and activist culture, mutual aid, etc., Alexander shouts out Sarah Thankam Mathews' powerful All This Could Be Different At about 1:04:30, Alexander discusses a dynamic class that he has mentored at Dartmouth At about 1:05:30, Alexander responds to Pete's questions about what fiction allows him to do with his writing At about 1:06:30, Alexander reflects on ideas of catharsis in his writing      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 282 with Emely Rumble, a licensed clinical social worker, school social worker, and seasoned biblio/psychotherapist who specializes in bibliotherapy, the use of literature and expressive writing to heal. Pub Day and episode air day are April 29 for her wonderful book, Bibliotherapy in The Bronx.

Adam Ross's second novel, Playworld, is one of the best-reviewed books of the year. A story “dipped in molten nostalgia and flecked with love and sadness,” according to The Washington Post, it was hailed immediately upon publication by The Los Angeles Times as “extraordinary” and by The New York Times as “a gorgeous cat's cradle of a book.” He is also the author of a previous novel, Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist, and the story collection Ladies and Gentlemen, which featured a story entitled “In the Basement,” a finalist for the BBC International Story Prize. Adam has been the Mary Ellen von der Heyden fellow in fiction at the American Academy in Berlin, and a Hodder Fellow for Fiction at Princeton University. His non-fiction has appeared in The New York Times Book Review, The Daily Beast, The Wall Street Journal, The Washington Post, and other publications. Since 2017, he has been the editor of The Sewanee Review, the oldest, continuously published literary quarterly in the United States. He joins us to discuss his remarkable new novel, and the collaborative aspects of his work as one of our most acclaimed editors and novelists. Learn more about Adam Ross and the topics discussed in the episode: Adam Ross' Instagram Adam Ross' Facebook U.S. Center for Safesport Anthony Quinn's One Man Tango Please support the sponsors who support our show: John Kasich's Heaven Help Us (now available for pre-order) Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Heaven Help Us by John Kasich Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

The Scopes Monkey trial opened a new chapter for the ongoing conversation about what should, and shouldn't, be taught in public schools. We're entering a new era in that journey because of Trump administration policies now. Plus, the local news for March 24, 2025, and a look at the Sewanee Review.  Credits: This is a production of Nashville Public RadioHost/producer: Nina CardonaEditor: Miriam KramerAdditional support: Mack Linebaugh, Tony Gonzalez, Rachel Iacovone, LaTonya Turner and the staff of WPLN and WNXP

Adam Ross is the author of Mr. Peanut, selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He's been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. His new novel is PLAYWORLD. On the show, Adam joins Barbara DeMarco-Barrett to talk about how the idea for PLAYWORLD became a book, why it took ten years to write, how being an actor influenced his writing, why he named his protagoinist Griffin Hurt, writing voiceover scenes, bringing his experiences as a kid into the story, his revision process, journaling, and so much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can find hundreds of past interviews on our website. Help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find to an album's worth of typewriter music like what you hear on the show. Look for the artist, Just My Type. Email the show at writersonwritingpodcast@gmail.com. We love to hear from our listeners! (Recorded on February 21, 2025) Host: Barbara DeMarco-BarrettHost: Marrie StoneMusic: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn't seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin's senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi's Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld: A Novel (Knopf, 2025) is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age's excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life. ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. Recommended Books: Edward P Jones, The Known World Ben Austin, Correction: Parole, Prison, and the Possibility of Change Melissa Febos, The Dry Season  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

“In the fall of 1980, when I was fourteen, a friend of my parents named Naomi Shah fell in love with me. She was thirty-six, a mother of two, and married to a wealthy man. Like so many things that happened to me that year, it didn't seem strange at the time.” Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show The Nuclear Family and the pressure of high school at New York's elite Boyd Prep—along with the increasingly compromising demands of his wrestling coach—he's teetering on the edge of collapse. Then comes Naomi Shah, twenty-two years Griffin's senior. Unwilling to lay his burdens on his shrink—whom he shares with his father, mother, and younger brother, Oren—Griffin soon finds himself in the back of Naomi's Mercedes sedan, again and again, confessing all to the one person who might do him the most harm. Less a bildungsroman than a story of miseducation, Playworld: A Novel (Knopf, 2025) is a novel of epic proportions, bursting with laughter and heartache. Adam Ross immerses us in the life of Griffin and his loving (yet disintegrating) family while seeming to evoke the entirety of Manhattan and the ethos of an era—with Jimmy Carter on his way out and a B-list celebrity named Ronald Reagan on his way in. Surrounded by adults who embody the age's excesses—and who seem to care little about what their children are up to—Griffin is left to himself to find the line between youth and maturity, dependence and love, acting and truly grappling with life. ADAM ROSS is the author of Mr. Peanut, which was selected as one of the best books of the year by The New York Times, The New Yorker, and The Economist. He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. He is editor of The Sewanee Review. Born and raised in New York City, he now lives in Nashville, Tennessee, with his two daughters. Recommended Books: Edward P Jones, The Known World Ben Austin, Correction: Parole, Prison, and the Possibility of Change Melissa Febos, The Dry Season  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In a new memoir out next week, the singer-songwriter Neko Case shares some painful childhood memories. In the studio with Anna Martin, Case is open and unapologetically angry as she describes being treated like “an unwanted child.” Both parents, she says, struggled with trauma and addiction. They often left her with no food and only her pets for company. Case also reads a Modern Love essay about the complex heartbreak that comes with being estranged from a parent with an addiction, and the joys of finding love and acceptance in the wake of that pain.Neko Case's memoir, “The Harder I Fight the More I Love You,” comes out Jan. 28.Caitlin McCormick's Modern Love essay, “My Mother, the Stranger,” can be found here. McCormick, who recently published a short fiction piece in The Sewanee Review, is working on a novel.Listener callout alert: For our upcoming Valentine's Day episode, the Modern Love team wants to hear about a moment when you knew you were falling for someone. Whether it happened all at once or as a gradual process, we want to learn about how it happened. Where were you? What did it feel like? What did you do next? (You can tell us about a current relationship, a past love or something happening to you right now.)The deadline is Feb. 5, 2025. The submission instructions are here.How to submit a Modern Love essay to The New York TimesHow to submit a Tiny Love Story Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Kanak Kapur reads her story “Prophecy,” from the January 13, 2025, issue of the magazine. Kapur teaches at Colgate University, where she is an Olive B. O'Connor fellow. Her short fiction has appeared in The Sewanee Review, The Rumpus, and elsewhere. She is working on her first novel. Learn about your ad choices: dovetail.prx.org/ad-choices

In this episode, Matt speaks with Lauren Elkin about her new novel, Scaffolding. They discuss Lacan, marriage, and why Paris is so damn literary, among other things. Lauren Elkin is a French and American writer and translator, most recently the author of the novel Scaffolding (FSG), a New York Times Editor's Choice which the Observer called both "erudite" and "horny." Previous books include Art Monsters: Unruly Bodies in Feminist Art, No. 91/92: Notes on a Parisian Commute, and Flâneuse: Women Walk the City, which was a finalist for the 2018 PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a  New York Times Editor's Choice and a Notable Books of 2017, a Radio 4 Book of the Week, and a best book of 2016 by the Guardian, the Financial Times, the New Statesman, and the Observer. Her writings on books, art, and culture have appeared in a variety of publications including the London Review of Books, the New York Times, Granta, Harper's, Le Monde, the Times Literary Supplement, Les Inrockuptibles, and Frieze, and her essay "This is the Beginning of Writing," published in the Sewanee Review, was awarded notable distinction in the Best American Essays of 2019, edited by Rebecca Solnit. Her website is: https://www.laurenelkin.com/ You can find her on BlueSky here: https://bsky.app/profile/laurenelkin.bsky.social The Spotify playlist she created for the novel is here: https://open.spotify.com/playlist/3saYDj2BSKyCFWGXsUhCTZ?si=f7a471a0e77e45bc   Contact Dave & Matt:  Email - concavityshow@gmail.com Instagram - https://www.instagram.com/concavityshow/ Twitter - https://twitter.com/ConcavityShow Patreon - https://www.patreon.com/concavityshow Threadless Merch Store - https://concavityshow.threadless.com/

In this episode, host Ellie Woodacre interviews Stephanie McCarter about her new book Women in Power: Classical Myths and Stories from the Amazons to Cleopatra (Penguin Books, 2024). As we discuss in the episode, this work brings together excerpts from Classical texts which discuss the life and rule of a variety of women, from mythical figures like the Amazons, to a range of ruling queens including well known figures like Zenobia, Boudicca and Cleopatra to those who aren't often discussed, like Salome Alexandra or Amanirenas. Guest Bio:Stephanie McCarter is professor of Classics at the University of the South in Sewanee, where she has taught since 2008. Her teaching and research interests include Latin poetry, translation theory and practice, gender and sexuality in classical antiquity, feminist reception of the classics, and Greek and Roman philosophy and ethics. McCarter's books include Horace between Freedom and Slavery (University of Wisconsin Press, 2015) as well as two works of translation, Horace's Epodes, Odes, and Carmen Saeculare (University of Oklahoma Press, 2020) and Ovid's Metamorphoses (Penguin Classics, 2022), which won the 2023 Harold Morton Landon Translation Award from the Academy of American Poets. She has penned numerous academic articles in journals such as Classical Journal, Eugesta, and American Journal of Philology, as well as essays, translations, reviews, and interviews in The Washington Post, The Sewanee Review, Literary Hub, Electric Literature, Lapham's Quarterly, Hyperallergic, The Brooklyn Rail, and elsewhere. 

Notes and Links to Shannon Sanders' Work      For Episode 245, Pete welcomes Shannon Sanders, and the two discuss, among other topics, her childhood love of books, Toni Morrison and her powerful and pivotal work, Shannon's writing for her job as a lawyer, rocking sneakers at a prize-winning, and salient themes and issues in her collection like generational differences, sacrifice, family bonds, motherhood, the title's connection to guests and hosts(esses), and racism and sexism and the ways in which they work on the characters' pasts and presents.      Shannon Sanders is the author of the linked short story collection Company, which won the 2024 Los Angeles Times Book Prize's Art Seidenbaum Award for First Fiction, was named a Publishers Weekly and Debutiful Best Book of 2023, and was shortlisted for the 2024 William Saroyan International Prize for Writing. Her short fiction has appeared in One Story, Sewanee Review, Virginia Quarterly Review, Electric Literature, and elsewhere, and received a PEN/Robert J. Dau Short Story Prize for Emerging Writers. She lives in Silver Spring with her husband and three sons.   Buy Company   Review of Company in Washington Post   Shannon Sanders' Website   At about 1:35, Pete shouts out Shannon's stellar Twitter presence  At about 3:00, Shannon charts her childhood reading journey, and how she became an active writer from high school on At about 5:40, Shannon talks about chill-inducing writing and writers, including Toni Morrison, Octavia Butler, Stephen King, and VC Andrews, with modern writers like Lisa Taddeo, Deesha Philyaw, Danielle Evans,  At about 9:15, Shannon responds to Pete's questions about representation in what she has read, and she shouts out Toni Morrison (including Jazz) and Octavia Butler, to whom she was introduced in Vicki Adamson's high school class At about 11:55, Shannon talks about the writing in her lawyerly life and how it informs her fiction At about 13:50, Shannon details the wonderful experience of winning her prize at the LA Times Book Festival and her unique footwear At about 16:10, Shannon talks about Company's genre and the links between stories At about 17:30, Shannon outlines the background and rationale for using a family tree at the beginning of the book At about 19:15, Pete highlights a Sebastian Maniscalco skit that has to do with the shift in the last few decades in having “company” at home, and Shannon explains her collection's stories' connections to the idea of hosts(esses) and guests At about 21:00, Pete gives background on “The Good, Good Men,” the collection's first story, and alludes to Antonya Nelson's “In the Land of Men” At about 23:30, Birds of paradise as a story and the birds themselves are discussed as Pete asks about debts and generational expectations for all women and for Black women At about 27:35, Shannon talks about a story where you uses second person, its inspirations in Jamaica Kincaid's legendary “Girl” and others, and birth order and generational differences At about 30:50, The two discuss the theme of sacrifice through a flashback story At about 34:35, Pete highlights a story based on flashback and incredible selflessness and the ways in which the collection felt “finished” At about 38:00, Ideas of “old money” and treasured memories and empathy are discussed  At about 39:15, Shannon talks about the story “Rioja” and traces the family's machinations and subtleties At about 41:35, “La Belle Hottentot” is discussed, including the sordid and tragic history, and how it is one of two stories that are different perspectives from the  At about 44:00, Opal, the family matriarch is analyzed through a pivotal story in the collection At about 47:45, Shannon responds to Pete's questions about maintaining continuity in her story collection At about 50:50, Shannon answers Pete's questions about how much she herself shows up in the collection's characters  At about 53:00, Pete quotes Ruth Madievsky about the ways in which different writers write and edit, and Shannon discusses her own style(s) At about 54:55, The two explore ghosts and their significance in the collection At about 56:00, Shannon gives interesting background on the character Lucy and her childhood friend and the storyline At about 57:30, a “literal” ghost story is probed At about 1:01:15, Shannon talks about exciting new projects and whether characters from Company will be expanded upon At about 1:02:50, Shannon gives contact info and info for buying her book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 246 with Ruben Reyes, Jr. He is the son of two Salvadoran immigrants, completed his MFA in fiction at the Iowa Writers' Workshop; and is a graduate of Harvard College. His writing has appeared in Audible Originals, The Boston Globe, The Washington Post, The Acentos Review, Strange Horizons, Poynter, and other publications. His debut story collection, There is a Rio Grande in Heaven, is out as of today, August 6, along with our wonderful conversation. Happy Pub Day, Ruben! Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Have you always wanted to write a book but didn't know where to start? Tune in for an inspiring discussion with Barbara Basbanes Richter on her French to English translation Mademoiselle de Malepeire by Fanny Reybaud, and her work DIYBook and In Ink Ghostwriting.Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio affiliate.  Barbara Basbanes Richter is an accomplished author, public speaker, French-to-English translator, podcast host of Writing for Immortality, and founder of DIYBook and In Ink Ghostwriting. Raised in a home steeped in books and greatly influenced by her father, an award-winning editor and National Book Award finalist, Barbara's upbringing richly nurtured her literary heritage and profoundly honed her critical thinking skills. Barbara's multifaceted career, marked by her roles as the Managing Editor for Literary Features Syndicate, columnist for Fine Books and Collections Magazine, and contributor to The Wall Street Journal, The New York Daily News, and The Sewanee Review,  has firmly established her as a prominent figure in both modern literature and entrepreneurship.  https://www.diybook.us https://www.ininkghostwriting.comFor more show information visit: www.MariannePestana.com#books #readinglist #mustread #write #writeabook #newbook #bookish #bookclub #bibliophile #bookworm #writer #kmet1490am #ghostwriter #ghostwritting 

Weekly Shoutout: Jim Clayton's latest album, LOOK OUT! -- Hi there, Today I am so excited to be arts calling author Merrill J. Gerber! About our guest: Merrill Joan Gerber has written thirty books, including The Kingdom of Brooklyn, winner of the Ribalow Award from Hadassah Magazine, and King of the World, winner of the Pushcart Editors' Book Award. Her fiction has been published in the New Yorker, the Sewanee Review, the Atlantic, Mademoiselle, and Redbook, and her essays in the American Scholar, Salmagundi, and Commentary. She has won an O. Henry Award, a Best American Essays award, and a Wallace Stegner fiction fellowship to Stanford University. She retired in 2020 after teaching writing at the California Institute of Technology for thirty-two years. Her literary archive is now at the Yale Beinecke Rare Book Library. Thanks for this wonderful conversation, Merrill! All the best! -- REVELATION AT THE FOOD BANK, now available from Sagging Meniscus Press! https://www.saggingmeniscus.com/catalog/revelation_at_the_food_bank/ ABOUT REVELATION AT THE FOOD BANK: These powerful essays share critical moments of a writer's life: scenes from sixty years of passionate married love; suicides faced and suicide contemplated; trauma at the DMV; a night lost searching for a harpsichord in the mountains of Florence, Italy; the tale of a beloved cousin whose plane is shot down by Japanese Zeros; and a precious friendship between two women writers derailed by the poisons of religion and politics. In the titular essay (included in Best American Essays 2023) a food bank, assuaging the pandemic's terrors with gifts of food and prayers, becomes a portal for intimate confidences entrusted to us by a voice of unspoiled authenticity and perennial vigor. NOTICES: “Often hilarious, deeply moving and warmly engaging, Merrill Joan Gerber's collection of memoirist essays is delightful reading. ‘I have a lot to say from my own mouth'—so Gerber confides in her readers with admirable candor and enviable chutzpah. There is much here that is unnervingly intimate—close-ups of a very long marriage, painful memories of a brother-in-law who was abusive to his family before taking his own life, the disappointments as well as the rewards of an intense friendship with a famous woman writer embittered by religion and politics—all of it narrated in Merrill Joan Gerber's distinctive voice.” —Joyce Carol Oates, author of Zero-Sum “Written from her deepest truths, these intimate essays can be heartbreaking, maybe because we see ourselves in each of them. But they are told with such humor, such delicacy, that we close the book sighing, Yes, this is life! And this is why Merrill Joan Gerber has been one of my favorites for decades.” —Judy Blume, author of Are You There God? It's Me, Margaret “Uncommonly candid, honest, emotionally precise; irresistibly scrappy, edgy, visceral. Sentence by sentence, one of the best collections of personal essays I've read in years.” —Robert Atwan, Series Editor, The Best American Essays " ‘Revelation at the Food Bank', the essay that anchors Merrill Joan Gerber's collection, gives voice to the widespread rage of the covid and post-covid era. If Gerber's anger is universal, her expression of it is wholly her own—brutally honest, transgressive and at times hilarious. The subsequent ten pieces, including a contentious exchange with Cynthia Ozick on the subject of Jewish identity, present in kaleidoscopic form the complexity of her art.” —Joan Givner, author of Playing Sarah Bernhardt “Merrill Gerber's new collection of essays adds up to a rich record of twentieth-century literary life, largely epistolary, in a period when epistles were epistles, not faxes, emails, texts or DMs. Closer to the present, she addresses the way we live now with a fine blend of pathos and wit, an exact intuition for the telling and well-timed detail, and all the freshness she must have had when she first picked up her stylus long ago.” —Madison Smartt Bell, author of The Witch of Matongé “Merrill Joan Gerber is one of those fortunate writers on whom nothing is lost. Every encounter, every venture into the world leaves deep traces, which she recreates for her readers in exquisitely wry and wise language. Revelation at the Food Bank is rooted in intimacies, and yet touches on universal experience.” —Lynne Sharon Schwartz, author of Truthtelling: Stories, Fables, Glimpses “There are books that can be put together only after the author has turned eighty. Revelation At The Food Bank is one of them. Merrill Gerber's language—hot, bright, bitter—as applied to marriage and the writing life is the work of one who has nothing to lose. Thus, her memoir is exciting, brutally honest, above all memorable.” —Vivian Gornick, author of Taking a Long Look: Essays on Culture, Literature, and Feminism in Our Time “Novelist Gerber (Beauty and the Breast) brings together intimate personal essays in this stirring compendium. The hilarious title essay weaves an account of how Gerber found unexpected community at a church's food pantry ('They give me gifts, they welcome me…. I'm a Jewish girl, but I've never known the rewards of religion. Is it too late?') with reflections on the small annoyances that accumulated over her 62-year marriage ('Why does he put so much cream cheese on his bagel?')…. Gerber is a witty and astute observer with a keen eye for detail…. Elevated by Gerber's wry voice and crystalline prose, this impresses.” —Publishers Weekly (starred review) -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE, AND I CAN'T THANK YOU ENOUGH FOR TAKING THE TIME TO LISTEN. Much love, j

On today's episode of The Lives of Writers, Emily Adrian interviews Justin Taylor.Justin Taylor's most recent book is the novel Reboot. He is also the author of the memoir Riding with the Ghost, the novel The Gospel of Anarchy, and two story collections: Everything Here Is the Best Thing Ever and Flings. His work has appeared in the New Yorker, Harper's, the Oxford American, and the Sewanee Review.Emily Adrian is the author of several novels and the forthcoming memoir Daughterhood. Her work has appeared in Granta, Joyland, EPOCH, Alta Journal, and Los Angeles Review of Books. ____________Full conversation topics include:-- growing up as a child actor--  always wanting to be a writer-- a father who read and read into his work-- editing a couple Donald Barthelme anthologies-- the leadup to his first few books-- the new novel REBOOT-- the role, limits, and manipulation of realism in his work-- inviting the supernatural-- the show within the novel-- a bottle chapter-- The Hungry Tiger-- Dawson's Creek-- Judy Blume moments for middle aged men-- writing a short story again____________Podcast theme music provided by Mike Nagel, author of Duplex and Culdesac. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton, author of Home Movies.

Mary Ann Taylor-Hall was born Oct. 17, 1937, in Chicago, but spent much of her childhood in Florida. She attended the University of Florida and earned a masters in English at Columbia University. She taught at Auburn University, Miami of Ohio and the University of Puerto Rico before coming to the University of Kentucky in 1977. She met and married her creative writing colleague, James Baker Hall, in 1982. Taylor-Hall's most famous novel is Come and Go, Molly Snow, is about a single mother and musician, and considered a Kentucky classic. She has also published a book of short stories and three volumes of poetry. Her poetry and short fiction have been published in the Paris Review, the Sewanee Review and the Kenyon Review.Her stories and poetry are inseparable from the rural landscape of Harrison County where she has found inspiration for nearly 5 decades.  On March 25 she will be one of the three living inductees honored and welcomed into the Carnegie Center's Kentucky Writers' Hall of Fame 2024.​"It seems to me that almost everybody in Kentucky has a background that is worth fiction: how they got here, why they stayed, what happened on the way," she said.  "I think that's one reason Kentucky is so rich in writers.  It's both the people who live here, and it's the landscape.  You drive down the roads, and you see history.  People want to write about their own history or their parents' history, or they know a story they've been told.  It's a storytelling place."

As the leaves turn and the air grows crisp, we're reminded that change is the only constant, a truth Chloe Benjamin knows all too well. This week on The Bookshop Podcast, join me for a profound journey with the author of The Anatomy of Dreams and The Immortalists as we navigate the intertwining paths of creativity and self-care. Chloe opens up about the alchemy of storytelling sparked in her youth and the vigilant balancing act between the fervor of art and the necessity of wellness, a dance many of us know too well. Her insights provide a map for writers and dreamers to chart a course through the tumultuous waters of a freelance career, steering clear of the siren call of commercialized self-care and wellness.Venture further into the heart of Chloe's work as we discuss the rich tapestry of The Immortalists. Chloe's dedication to authenticity breathes life into historical narratives, and her exploration of mind-body techniques presents a beacon of hope for those seeking solace from their internal storms. This episode is a testament to the transformative power of literature, allowing us to reflect on the threads of our own lives which mirror the characters we come to cherish.Completing our literary odyssey, we lift the veil on the often enigmatic world of publishing, offering solace and guidance to emerging writers navigating this labyrinth. Chloe's experience demystifies the journey from penning the first word to holding a published book in hand. Our conversation expands to celebrate the written word's power to heal, inspire, and transport us to realms unknown, with recommendations that will ignite readers' imaginations and perhaps even inspire a few to embrace the meditative quietude that has touched Chloe's life. So, settle in with your favorite feline companion and prepare to be whisked away by one of my favorite contemporary authors as we converse about life, health, and writing on this episode of The Bookshop Podcast.Chloe BenjaminThe Anatomy of Dreams, Chloe BenjaminThe Immortalists, Chloe Benjamin#22 – Chloe Benjamin The Sewanee ReviewVita Nostra, Marina & Sergey DyachenkoAssassin of Realty, Marina & Sergey DyachenkoBraiding Sweetgrass, Robin Wall KimmererLIN HealthThe Sparrow, Mary Doria-RussellFeedSpot 20 Best Bibliophile PodcastsSupport the showThe Bookshop PodcastMandy Jackson-BeverlySocial Media Links

Barbara Richter is an accomplished author, public speaker, French-to-English translator, and founder of DIYBook and In Ink Ghostwriting. Raised in a home steeped in books and greatly influenced by her father, an award-winning editor and National Book Award finalist, Barbara's upbringing richly nurtured her literary heritage and profoundly honed her critical thinking skills. Barbara's multifaceted career, marked by her roles as the Managing Editor for Literary Features Syndicate, columnist for Fine Books and Collections Magazine, and contributor to The Wall Street Journal, The New York Daily News, and The Sewanee Review, has firmly established her as a prominent figure in both modern literature and entrepreneurship. Building off her extensive writing expertise, Barbara launched DIYBook in 2023, a comprehensive solution designed to make book writing and publishing accessible and affordable for authors at all levels, from novices to seasoned professionals. The platform is a step-by-step process equipped with weekly email prompts catering to various categories such as trauma, military service, relationships, and more. This tailored approach simplifies writing and publishing by providing structured guidance, helping users overcome writer's block, lack of direction, and feeling overwhelmed. DIYBook's support system includes various tools and resources to enhance writing quality and efficiency, thereby making the publishing journey more approachable for anyone with a story to tell. Barbara is also the founder of In Ink Ghostwriting (2014), one of the premier ghostwriting firms in the NYC area with clients from around the world, which delivers an assortment of writing services. From business books to memoirs and novels, the firm caters to a diverse clientele, such as best-selling authors, NFL players, Fortune 500 CEOs, artists, musicians, doctors, entrepreneurs, and attorneys. This all-inclusive service range sets In Ink Ghostwriting apart, offering not just writing and publishing mastery but also essential design services with a skilled graphic design artist who can provide clients with the option to enhance the visual appeal of their books. Her foray into ghostwriting was spurred by her distinctive ability to encapsulate the voices and ideas of those with compelling stories but limited writing proficiency or time. Barbara holds a BA and MA in French Language and Literature from Smith College and Tufts University. She is a founding member of the Ticknor Society, a voting member of the National Book Critics Circle, and a member of the Grolier Club, the country's oldest bibliophilic association. Currently residing in Westchester, New York, with her family and beloved basset hounds, Barbara continues to enrich the landscape of literature and entrepreneurship, contributing significantly to the domains of storytelling and literary access. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Barbara Richter is an accomplished author, public speaker, French-to-English translator, and founder of DIYBook and In Ink Ghostwriting. Raised in a home steeped in books and greatly influenced by her father, an award-winning editor and National Book Award finalist, Barbara's upbringing richly nurtured her literary heritage and profoundly honed her critical thinking skills. Barbara's multifaceted career, marked by her roles as the Managing Editor for Literary Features Syndicate, columnist for Fine Books and Collections Magazine, and contributor to The Wall Street Journal, The New York Daily News, and The Sewanee Review, has firmly established her as a prominent figure in both modern literature and entrepreneurship. Building off her extensive writing expertise, Barbara launched DIYBook in 2023, a comprehensive solution designed to make book writing and publishing accessible and affordable for authors at all levels, from novices to seasoned professionals. The platform is a step-by-step process equipped with weekly email prompts catering to various categories such as trauma, military service, relationships, and more. This tailored approach simplifies writing and publishing by providing structured guidance, helping users overcome writer's block, lack of direction, and feeling overwhelmed. DIYBook's support system includes various tools and resources to enhance writing quality and efficiency, thereby making the publishing journey more approachable for anyone with a story to tell. Barbara is also the founder of In Ink Ghostwriting (2014), one of the premier ghostwriting firms in the NYC area with clients from around the world, which delivers an assortment of writing services. From business books to memoirs and novels, the firm caters to a diverse clientele, such as best-selling authors, NFL players, Fortune 500 CEOs, artists, musicians, doctors, entrepreneurs, and attorneys. This all-inclusive service range sets In Ink Ghostwriting apart, offering not just writing and publishing mastery but also essential design services with a skilled graphic design artist who can provide clients with the option to enhance the visual appeal of their books. Her foray into ghostwriting was spurred by her distinctive ability to encapsulate the voices and ideas of those with compelling stories but limited writing proficiency or time. Barbara holds a BA and MA in French Language and Literature from Smith College and Tufts University. She is a founding member of the Ticknor Society, a voting member of the National Book Critics Circle, and a member of the Grolier Club, the country's oldest bibliophilic association. Currently residing in Westchester, New York, with her family and beloved basset hounds, Barbara continues to enrich the landscape of literature and entrepreneurship, contributing significantly to the domains of storytelling and literary access. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In today's flashback, an outtake from Episode 507, my conversation with author Azareen Van Der Vliet Oloomi. This episode first aired on March 7, 2018. Azareen Van Der Vliet Oloomi is an American novelist and non-fiction writer. She is the author of Call Me Zebra, named a Best Book of the Year by over twenty publications and the winner of the 2019 PEN/Faulkner Award, the John Gardner Award, and long listed for the PEN/Open Book Award. Her other novels include Savage Tongues and Fra Keeler, for which she received a Whiting Writers' Award and a National Book Foundation "5 Under 35" award. She is the 2023-2024 Carl and Lily Pforzheimer Foundation Fiction Fellow at the Radcliffe Institute for Advanced Studies at Harvard University. A recipient of fellowships from Fulbright, the Aspen Institute, MacDowell, and Art Omi, her work has appeared in The Best American Short Stories (Ed. by Min Jin Lee and Heidi Pitlor), The Sewanee Review, The Yale Review, The New York Times, and The Paris Review among other places. In 2020, she founded Literatures of Annihilation, Exile & Resistance, a conversation series focused on the intersection of the arts and transformational migrations. Born in Los Angeles, she spent her childhood in Iran, the United Arab Emirates, and Spain, and speaks Farsi, Italian, and Spanish. She is the Dorothy G. Griffin College Professor of English at the University of Notre Dame. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Orley Allen Tate (November 19, 1899 – February 9, 1979) was a poet, critic, biographer, and novelist. Born and raised in Kentucky, he earned his BA from Vanderbilt University, where he was the only undergraduate to be admitted to the Fugitives, an informal group of Southern intellectuals that included John Crowe Ransom, Donald Davidson, Merrill Moore, and Robert Penn Warren. Tate is now remembered for his association with the Fugitives and Southern Agrarians, writers who critiqued modern industrial life by invoking romanticized versions of Southern history and culture. Tate's best-known poems, including “Ode to the Confederate Dead,” confronted the relationship between an idealized past and a present he believed was deficient in both faith and tradition. Despite his commitment to developing a distinctly Southern literature, Tate's many works frequently made use of classical referents and allusions; his early writing was profoundly influenced by French symbolism and the poetry and criticism of T.S. Eliot. During the 1940s and 1950s, Tate was an important figure in American letters as editor of the Sewanee Review and for his contributions to other midcentury journals such as the Kenyon Review. As a teacher, he influenced poets including Robert Lowell, John Berryman, and Theodore Roethke, and he was friends with Hart Crane, writing the introduction to Crane's White Buildings (1926). From 1951 until his retirement in 1968, Tate was a professor of English at the University of Minnesota.In the decades that he was most active, Tate's “influence was prodigious, his circle of acquaintances immense,” noted Jones in the Dictionary of Literary Biography. James Dickey could write that Tate was more than a “Southern writer.” Dickey went on, “[Tate's] situation has certain perhaps profound implications for every man in every place and every time. And they are more than implications; they are the basic questions, the possible solutions to the question of existence. How does each of us wish to live his only life?”Allen Tate won numerous honors and awards during his lifetime, including the Bollingen Prize and a National Medal for Literature. He was the consultant in poetry at the Library of Congress and president of the National Institute of Arts and Letters.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common's most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University. Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in The Nation, Ploughshares, Poetry, The Sewanee Review, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books. ­­Read Chris's poems “Closure?” and “The Yoke's on Us” in The Common here. Follow Chris on Twitter @cspaide and learn more about him at christopherspaide.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common's most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University. Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in The Nation, Ploughshares, Poetry, The Sewanee Review, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books. ­­Read Chris's poems “Closure?” and “The Yoke's on Us” in The Common here. Follow Chris on Twitter @cspaide and learn more about him at christopherspaide.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common's most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University. Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in The Nation, Ploughshares, Poetry, The Sewanee Review, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books. ­­Read Chris's poems “Closure?” and “The Yoke's on Us” in The Common here. Follow Chris on Twitter @cspaide and learn more about him at christopherspaide.com. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag. Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dante Di Stefano is the author of four poetry volumes including, most recently, the book-length poem, Midwhistle (University of Wisconsin Press, 2023). His other poetry collections are: Love Is a Stone Endlessly in Flight (Brighthorse Books, 2016); Ill Angels (Etruscan Press, 2019); and Lullaby with Incendiary Device, published in a three-in-one edition titled Generations (Etruscan Press, 2022), also featuring work by William Heyen and H.L. Hix. His poetry, essays, and reviews have appeared in Best American Poetry 2018, Prairie Schooner, The Sewanee Review, The Writer's Chronicle, and elsewhere. He has won the Auburn Witness Poetry Prize, the On Teaching Poem Prize, the Manchester Poetry Prize (UK), the Red Hen Press Poetry Award, the Thayer Fellowship in the Arts, the Ruth Stone Poetry Prize, and the Allen Ginsberg Poetry Award, as well as prizes from The Academy of American Poets, The Mississippi Review, The Crab Orchard Review, The Madison Review, and Stone Canoe. He co-edited the anthology Misrepresented People: Poetic Responses to Trump's America (NYQ Books, 2018). He holds a PhD in English Literature from Binghamton University. He teaches high school English in Endicott, NY and lives in Endwell New York with his wife, Christina, their daughter, Luciana, their son, Dante Jr., and their goldendoodle, Sunny. Find the book here: https://uwpress.wisc.edu/books/6174.htm As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem in which something is cooked. Next Week's Prompt: Write a poem in the form of a letter to a favorite poet that inclues a suggestion for them. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

George Calvert had a dream. He had grown up during the most exciting moments of Elizabeth I's reign, a time when England was transforming from a backwater to a legitimate Atlantic power. He wanted to found a colony in North America. After a catastrophic attempt in southern Newfoundland, Calvert negotiated a charter from Charles I for a new form of colony - a "proprietary colony," for which Calvert would be the "Lord Proprietor," in the northern reaches of the Chesapeake. It would be known as "Mary Land," and was the largest individual land grant in English North America. The most important provision in the charter, which conferred vast and personal powers on Calvert, was known as the "Bishop of Durham clause," and dated from English legal precedent of more than 600 years. The roots of American legal traditions are very old. Sadly for George, he would die even before his charter "passed through seal." Fortunately for us, his son Cecil would pick up the project and execute it wisely and effectively. Twitter: @TheHistoryOfTh2 Facebook: The History of the Americans Podcast Subscribe by email Selected references for this episode Matthew Page Andrews, The Founding of Maryland Wesley Frank Craven, The Southern Colonies in the Seventeenth Century 1607-1689 Bernard C. Steiner, "The Maryland Charter and Early Explorations of That Province," The Sewanee Review, April 1908. The Charter of Maryland Bishop of Durham Clause County of Avalon Dig Site George Calvert, 1st Baron Baltimore (Wikipedia)

**SPOILER WARNING** The Lame Shall Enter First New books you should read! Today the table is diving into a wonderful book by Flannery O'Connor; a short book, under 200 pages, that we think everyone should read at least once. We especially love recommending short books that won't break your schedule in half.   "The Lame Shall Enter First" is a short story by Flannery O'Connor. It appeared first in The Sewanee Review in 1962 and was published in 1965 in her short story collection Everything That Rises Must Converge. Atleast give it a shot!   

Hi Everyone, I'm thrilled to host fiction writer, Anna Caritj this month on "Let's Deconstruct a Story." The Sewanee Review has graciously taken down the paywall for Anna's story for the month of June so you can read the story all month for free! They have also offered readers/listeners of LDAS 10% off a subscription to The Sewanee Review with the code: SISTER. I am definitely going to take advantage of the offer, and hope you will too. We are so grateful to them! Before listening to our discussion, please read the story "Ugly Sister" here at The Sewanee Review. And then enjoy our discussion below on Spotify, Apple, Audible, or wherever you get your podcasts. In the coming months, I will be talking with Caroline Kim, George Singleton, Jason Ockerts, and Bonnie Jo Campbell, so make sure to sign up for the newsletter here if you would like to be notified about upcoming episodes. I'm always looking for new writers, so if you have any suggestions, or a book coming out, you can reach me at kfordon450@gmail.com. Thanks so much! Kelly PS: The audiobook edition of my short story collection I Have the Answer is out on Audible. I was thrilled to read four of the stories and the other nine are narrated by incredible voice actors. You can access the audiobook at the link above, but I also have a few free promo codes left. Feel free to email me if you are interested. Thanks!

Katy Didden is the author of Ore Choir: The Lava on Iceland (Tupelo Press, 2022), and The Glacier's Wake (Pleiades Press, 2013). Her poems, essays, and reviews appear in journals such as Public Books, Poetry Northwest, Ecotone, Diagram, The Kenyon Review, Image, 32 Poems, The Spoon River Poetry Review, The Sewanee Review, and Poetry, and her work has been featured on Verse Daily and Poetry Daily.  She has received fellowships and residencies from The Bread Loaf Writers' Conference, Sewanee Writers' Conference, the Vermont Studio Center, the Virginia Center for Creative Arts, the Ragdale Foundation, the Hambidge Center, the MacDowell Colony, and the Listhús Residency in Ólafsfjörður, Iceland. She was also a 2013-2014 Hodder Fellow at Princeton University. Collaborating with members of the Banff Research in Culture's Beyond Anthropocene Residency, she co-created Almanac for the Beyond (Tropic Editions, 2019). Katy is an Associate Professor of English and Creative Writing at Ball State University. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

EPISODE 1425: In this KEEN ON episode, Andrew talks to the author of THE RED ARROW, William Brewer, about a new literature of psychedelia as a mirror for our age of anxiety William Brewer's debut novel The Red Arrow was published by Knopf in 2022. His book of poems, I Know Your Kind, was a winner of the National Poetry Series. His work has appeared in The New Yorker, The Nation, A Public Space, The Sewanee Review, and The Best American Poetry series. Formerly a Stegner Fellow, he is currently a Jones Lecturer at Stanford University. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, Lori is interviewing Jinwoo Chong. They'll be talking about themes of loss and disconnection and how they relate to his book Flux. Jinwoo Chong is the author of the novel Flux, coming March 21, 2023 from Melville House. His work has appeared in The Southern Review, Chicago Quarterly Review, The Florida Review, CRAFT, and Salamander. He received the Oran Robert Perry Burke Award for Fiction from The Southern Review and a special mention in the 2022 Pushcart Prize anthology, as well as recognition from The Sewanee Review, Tin House and Zoetrope: All-Story. He received an MFA from Columbia University and is an editorial assistant at One Story. You can find him on his website or follow him on Twitter and Instagram.   In this episode Jinwoo Chong and Lori discuss: Immigration as synthesis. What it means to blend speculative fiction and neo-noir genres How the immigrant experience helped to shape his book.   Plus, his #1 tip for writers. For more info and show notes: diymfa.com/454

What a thrill it was to talk with Christopher Spaide about one of the great poems of this century, Terrance Hayes's "The Golden Shovel."This is a two-for-one Close Readings experience, since you can't talk about the Hayes poem without also discussing the Gwendolyn Brooks poem that his is "after," "We Real Cool."Christopher Spaide is a Junior Fellow at the Harvard Society of Fellows, where he focuses on poetry, ecopoetics, American literature, and Asian American literature. His academic writing on poetry (as well as music and comics) appears in American Literary History, The Cambridge Quarterly, College Literature, Contemporary Literature, ELH, The Wallace Stevens Journal, and several edited collections. His essays and reviews and his poems appear in The Boston Globe, Boston Review, Colorado Review, The New Yorker, Ploughshares, Poetry, Slate, The Sewanee Review, The Yale Review, and elsewhere. He has received fellowships and honors from Harvard University, the James Merrill House, and the Keasbey Foundation.As ever, if you're enjoying the podcast, please leave a rating and review, and make sure you're following us. Share Close Readings with a friend! And subscribe to the newsletter, where you'll get more thoughts from me and links to things that come up during the episodes.

This is the story of Lokelani Alabanza. In this sweet episode, we discuss:- What it was like growing up in a black household with her wide-ranging heritage: her Dad is half-Filipino, half-Mexican; her Step-Father is of Danish and Sicilian descent, and she was heavily influenced by her maternal grandmother.- How a trip to Denmark changed the course of her life and got her into the kitchen- The batch of ice cream she made that got a standing ovation from 250 people- Creating over 350 flavors of ice cream- The tears shed from eating her Magnolia ice cream- Constantly pushing herself to be comfortably uncomfortableToday, Lokelani creates beautiful flavors that spur the imagination while educating consumers about African American culinary history. She has been featured in Bon Appetit, Milk Street Radio, Wirecutter, Food52, CherryBombe Magazine, NPR, Oxford American, and The Sewanee Review. Lokelani is excited to share her view of the world through Saturated Ice Cream, her own brand of plant-based, hemp-derived CBD ice cream. Her first cookbook debuts in the Summer of 2023.Please enjoy this interview with the delightful founder, Lokelani Alabanza.

The poet Austin Robert Smith joins Microcollege for an examination of the current state of higher education and the role of poetry in a liberal arts education and otherwise. Austin Smith is a poet and formerly a Jones Lecturer at Stanford University. He grew up on a family dairy farm in northwestern Illinois before receiving a BA from the University of Wisconsin-Madison, an MA from the University of California-Davis, and an MFA from the University of Virginia. Austin's poems have appeared in The New Yorker, Poetry Magazine, Yale Review, Sewanee Review, Ploughshares, New England Review, Poetry East, ZYZZYVA, Pleiades, Virginia Quarterly Review, 32 Poems and Threepenny Review, amongst others. His most recent collection of poetry, Flyover Country, a celebration of the rural Midwest and small-town life, is available through Princeton University Press. Flyover Country, Available Now: Flyover CountrySubstack: Poem-a-DayLearn more about Thoreau College and the microcollege movement at https://thoreaucollege.org/Driftless Folk School: https://www.driftlessfolkschool.org/

'Girlhood' and the unending assaults that young women face. What is the story that we tell about ourselves? Is it our own or is it what someone else has told us? Award winning author Melissa Febos, gives us first hand insight into what happens when we learn to adopt stories about ourselves. A physical metamorphosis at the early age of eleven changed how the world around her perceived her. Melissa Febos is the author of four books, including the nationally bestselling essay collection, GIRLHOOD, which is a LAMBDA Literary Award finalist and won the National Book Critics Circle Award in criticism. GIRLHOOD was named a notable book of 2021 by NPR, Time, The Washington Post, and others. Her craft book, BODY WORK (2022), was also a national bestseller and an Indie Next Pick. Her essays have won prizes from Prairie Schooner, Story Quarterly, The Sewanee Review, and The Center for Women Writers at Salem College. She is a four-time MacDowell fellow.

Donika Kelly is the author of The Renunciations (Graywolf), winner of the Anisfield-Wolf book award in poetry, and Bestiary (Graywolf), the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award for Poetry and the Kate Tufts Discovery Award. Kelly's poetry has been a finalist for the National Book Critics Circle Award, the Publishing Triangle Awards, the Lambda Literary Awards, and longlisted for the National Book Award.  A Cave Canem graduate fellow and member of the collective Poets at the End of the World, she has also received a Lannan Residency Fellowship, and a summer workshop fellowship from the Fine Arts Work Center. She earned an MFA from the University of Texas at Austin and a PhD in English from Vanderbilt University. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. Donika lives in Iowa City with her wife, the nonfiction writer Melissa Febos, and is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing. donikakelly.com Twitter: @officialdonika “Self Portrait as a Body, a Sea” was originally published in the Sewanee Review, 2017.  Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is directed by poet and teacher Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Deerfield Public Library. Music for this second year of our series is the first movement, Schéhérazade, from Masques, Op. 34, by Karol Szymanowski, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission. Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.

Planning for retirement is essential. But what if your retirement planning is upended by events beyond your control? Imagine if one day you lost your job as an executive after almost thirty years at a multibillion-dollar company. How would you react? When it happened to my guest today, he decided to walk - more than twenty miles home. He shares the experience in his book The Long Walk Home: How I Lost My Job as a Corporate Remora Fish and Rediscovered My Life's Purpose. That day was a catalyst for a more fulfilling life and a return to what he truly wanted to do. Jim Kerr joins us from Pennsylvania. ________________________ Bio James Brian Kerr led global communications and public relations for Fortune 500 technology firms before leaving the corporate world in late 2021 to pursue his passion for writing and storytelling. He blogs on financial freedom, fatherhood, men's health and the pursuit of an authentic life at peaceableman.com. His articles have appeared in HumbleDollar, MarketWatch, Elephant Journal and elsewhere. His fiction and poetry have appeared in the Sewanee Review, Red River Review, The Poet, Short Story Town and other journals. The Long Walk Home (Blydyn Square Books) is his first published book. __________________________ For More on James Kerr The Long Walk Home: How I Lost My Job as a Corporate Remora Fish and Rediscovered My Life's Purpose Blog: PeaceableMan.com __________________________ Podcast Episodes You May Like Navigating An Unexpected Career Change – Maggie Craddock A Tapas Life – Andy Robin Are You Ready to Shift Gears?- Richard Haiduck With the Freedom to Retire, Where Will You Plant Your New Tree? – Don Ezra ____________________________ Wise Quotes On Having a Challenge List Instead of a Bucket List "That term bucket list is obviously is tongue in cheek, but it it's kind of dark. So I like a challenge list. I don't look at whatever number of years that I have ahead of me as walking toward the bucket. I'd rather I'll be challenging myself with new things. I think it's important to stay active, to continue to challenge ourselves both physically and mentally after we leave the full-time working  world. We don't want to atrophy - at least we don't want to atrophy early. The things that are important to me are on my list. And I got a long list. I love to write and I want to get some books and articles published. I have a new one out. That's my first one. So I'm excited about that. I've got a bunch of articles published. I want to get more articles out - and it's not about just getting pieces out there, but it's about really trying to inspire and move people. That's my mission in the second part of my life." On Repassioning Instead of Retiring  "I resist the word retirement. There are some people who love the word retirement. I don't. Retirement to me means you're stepping away from life in many ways and from work or purpose. And that's not really what I do. Repassion is the word that I use, because it's about really devoting myself to my passions. I've spent a lot of time getting my financial house in order so that I can focus on my passions." _________________________ About Retirement Wisdom A 20+ year retirement is a terrible thing to waste. How will you invest your time after you leave the world of full-time work? Working with an experienced coach and a proven process can help you explore new options, test opportunities and create a portfolio of rewarding activities and interests. Beware of quick fix solutions. Schedule a call to find how how the Designing Your Life process (developed by Bill Burnett & Dave Evans at Stanford) can help you unlock a new direction.  One and One and small group programs are available. Take the first step toward your new life today. ___________________________ About Your Host  Joe Casey is an executive coach who also helps people design their next life afte...

The third summer of conversations recorded at the Sewanee Writers' Conference (2021) opens with the brilliance of Katie Kitamura (Intimacies, A Separation), who talks to James about pushing back on expectations, writing things you don't think you can, having your best reader in your own house, and the ghosts of edits past. Plus, the also brilliant author (The Office of Historical Corrections) and The Sewanee Review Editor-at-Large Danielle Evans.      Sewanee Writers' Conference 2022 Applications due March 15!  Subscribe to The Sewanee Review.  Buy Katie and Danielle's books from independent booksellers.  Music courtesy of Bea Troxel.  Produced/ Mixed by Ryan Shea.  Insta: tkwithjs / Tw: @JamesScottTK / https://tkpod.com

On January 25th, 2022, the Lannan Center presented a reading and talk featuring poets Valzhyna Mort and Michael Prior. Moderated by Carolyn Forché.About Valzhyna Mort Valzhyna Mort is a poet and translator born in Minsk, Belarus. She is the author of three poetry collections, Factory of Tears (Copper Canyon Press 2008), Collected Body (Copper Canyon Press 2011) and, mostly recently, Music for the Dead and Resurrected (FSG, 2020). Mort is a recipient of fellowships from the Lannan Foundation, the Amy Clampitt residency, and the Civitella Raineri residency. Her work has been honored with the Bess Hokin Prize from Poetry and the Glenna Luschei Prairie Schooner Award. Her work has appeared in Best American Poetry, New Yorker, Poetry, Poetry Review, Poetry International, Prairie Schooner, Granta, Gulf Coast, White Review, and many more. With Ilya Kaminsky and Katie Farris, Mort co-edited Gossip and Metaphysics: Russian Modernist Poems and Prose. Mort teaches at Cornell University and writes in English and Belarusian. About Michael PriorMichael Prior is a writer and teacher born in Vancouver, Canada. He is the author of two books of poems: Burning Province (McClelland & Stewart/Penguin Random House, 2020), which won the Canada-Japan Literary Award and the BC & Yukon Book Prizes' Dorothy Livesay Poetry Prize, and Model Disciple (Véhicule Press, 2016). Prior is the recent recipient of fellowships from the New York Public Library's Cullman Center, the Jerome Foundation, and Hawthornden Literary Retreat. His poems have appeared in Poetry, The New Republic, Narrative Magazine, the Sewanee Review, PN Review, the Academy of American Poets' Poem-A-Day series, and elsewhere. He is an Assistant Professor of English and an ACM Mellon Faculty Fellow at Macalester College.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.

In which editor-at-large Sidik Fofana discusses MFA culture, slow writing, and teaching high school, as well as his stories “The Okiedoke” and “The Rent Manual,” which were originally published in the Sewanee Review.

Robert Schirmer's novel Barrow's Point won the Gival Press Novel Award and was a finalist for a Foreword INDIES Book Award. He's also published a collection of short stories titled Living with Strangers (NYU Press), winner of the Bobst Award for Emerging Writers. His stories have appeared in a wide range of literary journals such as Glimmer Train, The Sewanee Review, Epoch, New England Review, Fiction, Byliner, Confrontation, Joyland, and The Best of Witness. Over the years he's won an O. Henry Award, a Pushcart Prize, a Walter E. Dakin fellowship to the Sewanee Writers' Conference, and a fellowship from The Chesterfield Writer's Film Project. His screenplays have been optioned by Amblin Entertainment and Warner Brothers. He's also been a Visiting Writer at the Southwest Writers Series and at Stetson University as part of the Tim Sullivan Endowment for Writing.

The brilliant New York writer Sigrid Nunez‘s most recent novel is What Are You Going Through; her previous one, The Friend, (2018) won the National Book Award. She speaks with Tara Menon, of the Harvard English department, and author of a terrific article about Sigrid Nunez in the Sewanee Review. The conversation ranges widely andContinue reading "2.3 Because I Couldn’t Be a Dancer: Sigrid Nunez and Tara Menon (JP)"

In which, on our road to Confederation, we discuss he who was once known as 'French-Canada's National Bard'! Topics also include the situation in 1850s Canada, reflections on Confederation, and the Annexation Manifesto! Patrick translated some of the French poems here: https://historiacanadiana.wordpress.com/2021/06/28/translation-of-selected-octave-cremazie-poems/ --- Contact: historiacanadiana@gmail.com, Twitter (@CanLitHistory) & Facebook (https://www.facebook.com/CanLitHistory). --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); the recommended reading page (https://historiacanadiana.wordpress.com/books/) --- Further Reading: Condemine, Odette. Octave Crémazie, 1827-1879, National Library of Canada, 1979. http://parkscanadahistory.com/publications/cremazie-nelligan.pdf Crémazie, Octave. “Le vieux soldat canadien” (1855), Oeuvres complètes, Beauchemin & Valois, 1882, pp. 110-111. https://fr.wikisource.org/wiki/Œuvres_complètes_(Crémazie)/Le_vieux_soldat_canadien Crémazie, Octave. “Le drapeau de Carillon” (1858), Oeuvres complètes, Beauchemin & Valois, 1882, pp. 128-137. https://fr.wikisource.org/wiki/Œuvres_complètes_(Crémazie)/Le_drapeau_de_Carillon Fess, Gilbert M. “Octave Crémazie, a Late Defender of Romanticism.” The Sewanee Review, vol. 33, no. 1, 1925, pp. 73–80. JSTOR, www.jstor.org/stable/27533833. Hayne, David M. “Le Mouvement littéraire de Québec,” The Oxford Companion to Canadian Literature, Oxford University Press, 1997. McNairn, Jeffrey L. “Annexation Manifesto.” The Oxford Companion to Canadian History, Oxford University Press, 2004. Scholl, Dorothee. “French-Canadian Colonial Literature under the Union Jack.” History of Literature in Canada: English-Canadian and French-Canadian, edited by Reingard M. Nischik, Boydell & Brewer, Rochester, New York, 2008, pp. 88–110.

In this episode I read the short story "Revelation" by Flannery O'Connor which tells the tale of a self-satisfied woman who encounters a nasty shock forcing her to take stock of who she really is. "Revelation" was written during the last year of the author's life, a time she knew she was dying from her fourteen-year battle with lupus. The work was first published in the Spring 1964 issue of The Sewanee Review. The author was notified shortly before her death in August 1964 that her work won the O. Henry Award first prize for 1965, and the story was subsequently reprinted in Prize Stories 1965: The O. Henry Awards published that year. It was her third O'Henry Award first prize. O'Connor's Southern Gothic style of writing was an attempt to get through to the generally self-satisfied culture of the southern United States. O'Connor wrote in an essay that “The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.” This deaf & blind tendency to feel "right with the LORD", however, seems to be an ubiquitous trait of humanity - the very definition of the first deadly sin, pride. The tune referenced in "Revelation" is "You go to your church (and I'll go to mine)" written in 1931 by Philips H. Lord; recorded by Lulu Belle and Scotty in 1949, and by Bill Clifton & his Dixie Mountain Boys in 1959. The episode uses the Bill Clifton version. Here is the Bill Clifton recording of that tune: https://www.youtube.com/watch?v=MnXaub0tUHs The tune is originally a positive affirmation that all Christians are doing "the work of the Lord" and should get along in spiritual harmony with each other despite ecumenical differences. I think O'Connor probably uses the tune ironically to symbolize the separation that we create between our (sanctified) self and the (perdition bound) other. O'Connor also drew satirical comics and was from this visual medium that she probably gained her keen sense of observation that served her so well in writing. https://www.themarysue.com/flannery-oconnors-comics/

Melissa Febos is the author of the essay collection Girlhood (Bloomsbury). It is a national bestseller.   Her other books include the critically acclaimed memoir, Whip Smart (St. Martin’s Press 2010), and the essay collection, Abandon Me (Bloomsbury 2017), which was a LAMBDA Literary Award finalist, a Publishing Triangle Award finalist, an Indie Next Pick, and was widely named a Best Book of 2017. A craft book, Body Work, will be published by Catapult in March 2022. The inaugural winner of the Jeanne Córdova Nonfiction Award from LAMBDA Literary, her work has appeared in publications including The Paris Review, The Sun, The Kenyon Review, Tin House, Granta, The Believer, McSweeney’s, The New York Times Magazine, The Guardian, Elle, and Vogue. Her essays have won prizes from Prairie Schooner, Story Quarterly, The Sewanee Review, and The Center for Women Writers at Salem College. She is a four-time MacDowell fellow and has also received fellowships from the Bread Loaf Writer’s Conference, Virginia Center for Creative Arts, Vermont Studio Center, The Barbara Deming Memorial Foundation, The BAU Institute at The Camargo Foundation, The Ragdale Foundation, and The Lower Manhattan Cultural Council, which named her the 2018 recipient of the Sarah Verdone Writing Award. She co-curated the Mixer Reading and Music Series in Manhattan for ten years and served on the Board of Directors for VIDA: Women in Literary Arts for five. The recipient of an MFA from Sarah Lawrence College, she is an associate professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Life. Death. Etc. Support the show on Patreon Merch www.otherppl.com @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Melissa Febos is the author of the memoir Whip Smart and two essay collections: Abandon Me and Girlhood. The inaugural winner of the Jeanne Córdova Nonfiction Award from LAMBDA Literary and the recipient of fellowships from The MacDowell Colony, Bread Loaf, Lower Manhattan Cultural Council, The BAU Institute, Vermont Studio Center, The Barbara Deming Foundation, and others; her essays have recently appeared in The Paris Review, The Believer, McSweeney's Quarterly, Granta, Sewanee Review, Tin House, The Sun, and The New York Times. She is an associate professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. Find out more about Community Building Art Works at www.cbaw.org. --- Support this podcast: https://anchor.fm/cbaw/support

Who's the GOAT: Michael Jordan? LeBron James? Someone else? Why do we care? What does the intensity surrounding this question tell us about the dark side of sport—and ourselves? Tara K. Menon joins this episode to talk GOATs, Kobe Bryant, and the marriage of innocence and complexity that is being a sports fan. Tara K. Menon is a Professor of English at Harvard University, a writer and a critic. She wrote for The Paris Review about mourning her childhood idol Kobe Bryant. Her work has also appeared in The Los Angeles Review of Books, The Sewanee Review, Bookforum, and Public Books. Follow the Jacobin Sports Show on Twitter: @JacobinSports Email us: jacobinsports@gmail.com

This week is our first reading of Women, Race & Class by Angela Y. Davis.The full book is available online here:https://archive.org/details/WomenRaceClassAngelaDavisContent warnings for this episode as a whole:SlaveryPregnancyRapeDeathTortureRacismBloodAnd abuse related to multiple of the above topics. [Part 1 – This Week]1. THE LEGACY OF SLAVERY: STANDARDS FOR A NEW WOMANHOODFirst half – 01:32[Part 2]1. THE LEGACY OF SLAVERY: STANDARDS FOR A NEW WOMANHOOD (Second half)[Part 3]2. THE ANTI-SLAVERY MOVEMENT AND THE BIRTH OF WOMEN'S RIGHTS[Part 4 - 5]3. CLASS AND RACE IN THE EARLY WOMEN'S RIGHTS CAMPAIGN[Part 6]4. RACISM IN THE WOMAN SUFFRAGE MOVEMENT [Part 7]5. THE MEANING OF EMANCIPATION ACCORDING TO BLACK WOMEN [Part 8]6. EDUCATION AND LIBERATION: BLACK WOMEN'S PERSPECTIVE[Part 9]7. WOMAN SUFFRAGE AT THE TURN OF THE CENTURY: THE RISING INFLUENCE OF RACISM[Part 10]8. BLACK WOMEN AND THE CLUB MOVEMENT[Part 11]9. WORKING WOMEN, BLACK WOMEN AND THE HISTORY OF THE SUFFRAGE MOVEMENT[Part 12 - 13]10. COMMUNIST WOMEN[Part 14 - 15]11. RAPE, RACISM AND THE MYTH OF THE BLACK RAPIST [Part 16 - 17]12. RACISM, BIRTH CONTROL AND REPRODUCTIVE RIGHTS [Part 18-19]13. THE APPROACHING OBSOLESCENCE OF HOUSEWORK: A WORKING-CLASS PERSPECTIVEFootnotes:1) – 01:54Ulrich Bonnell Phillips, American Negro Slavery: A Survey of the Supply, Employment, and Control of Negro Labor as Determined by the Plantation Regime (New York and London: D. Appleton, 1918). See also Phillips' article “The Plantation as a Civilizing Factor,” Sewanee Review, XII (July, 1904), reprinted in Ulrich Bonnell Phillips, The Slave Economy of the Old South: Selected Essays in Economic and Social History, edited by Eugene D. Genovese (Baton Rouge: Louisiana State University Press, 1968). The following passage is included in this article:The conditions of our problem are as follows:1. A century or two ago the negroes were savages in the wilds of Africa. 2. Those who were brought to America, and their descendants, have acquired a certain amount of civilization, and are now in some degree fitted for life in modern civilized society. 3. This progress of the negroes has been in very large measure the result of their association with civilized white people. 4. An immense mass of the negroes is sure to remain for an indefinite period in the midst of a civilized white nation. The problem is, How can we best provide for their peaceful residence and their further progress in this nation of white men and how can we best guard against their lapsing back into barbarism? As a possible solution for a large part of the problem, I suggest the plantation system. (p. 83)2) – 02:41 Observations on the special predicament of Black women slaves can be found in numerous books, articles and anthologies authored and edited by Herbert Aptheker, including American Negro Slave Revolts (New York: International Publishers, 1970. First edition: 1948); To Be Free: Studies in American Negro History (New York: International Publishers, 1969. First edition: 1948); A Documentary History of the Negro People in the United States, Vol. 1 (New York: The Citadel Press, 1969. First edition: 1951). In February, 1948, Aptheker published an article entitled “The Negro Woman” in Masses and Mainstream, Vol. 11, No. 2.3) – 02:54Eugene D. Genovese, Roll, Jordan, Roll: The World the Slaves Made (New York: Pantheon Books,1974). 4) – 02:59John W. Blassingame, The Slave Community: Plantation Life in the Antebellum South(London and NewYork: Oxford University Press, 1972). 5) – 03:06Robert W. Fogel and Stanley Engerman, Time on the Cross: The Economics of Slavery in the Antebellum South, 2 volumes. (Boston: Little, Brown & Co., 1974.)6) – 03:12Herbert Gutman, The Black Family in Slavery and Freedom, 1750–1925 (New York: Pantheon Books, 1976) 7) – 03:23Stanley Elkins, Slavery: A Problem in American Institutional and Intellectual Life, third edition, revised (Chicago and London: University of Chicago Press, 1976)8) – 04:16See Daniel P. Moynihan, The Negro Family: The Case for National Action, Washington, D.C.: U.S.Department of Labor, 1965. Reprinted in Lee Rainwater and William L. Yancey, The Moynihan Report and the Politics of Controversy (Cambridge, Mass.: MIT Press, 1967).9) – 05:53See W. E. B. DuBois, “The Damnation of Women,” Chapter VII of Darkwater (New York: Harcourt, Brace and Howe, 1920).10) – 06:44Kenneth M. Stampp, The Peculiar Institution: Slavery in the Antebellum South (New York: VintageBooks, 1956), p. 343. 11) – 07:57Ibid., p. 31; p. 49; p. 50; p. 60. 12) – 08:55Mel Watkins and Jay David, editors, To Be a Black Woman: Portraits in Fact and Fiction (New York: William Morrow and Co., Inc., 1970), p. 16. Quoted from Benjamin A. Botkin, editor, Lay My Burden Down: A Folk History of Slavery (Chicago: University of Chicago Press, 1945).13) – 11:30Barbara Wertheimer, We Were There: The Story of Working Women in America (New York: Pantheon Books, 1977), p. 109. 14) – 13:21Ibid., p. 111. Quoted from Lewis Clarke, Narrative of the Sufferings of Lewis and Milton Clarke, Sons ofa Soldier of the Revolution (Boston: 1846), p. 127. 15) – 13:49Stampp, op. cit., p. 57.16) – 14:44Charles Ball, Slavery in the United States: A Narrative of the Life and Adventures of Charles Ball, a Black Man (Lewistown, Pa.: J. W. Shugert, 1836), pp. 150–151. Quoted in Gerda Lerner, editor, Black Women in White America: A Documentary History (New York: Pantheon Books, 1972), p. 48. 17) – 15:30Moses Grandy, Narrative of the Life of Moses Grandy: Late a Slave in the United States of America (Boston: 1844), p. 18. Quoted in E. Franklin Frazier, The Negro Family in the United States (Chicago: University of Chicago Press, 1969. First edition: 1939).18) – 16:19Ibid. 19) – 17:00Robert S. Starobin, Industrial Slavery in the Old South (London, Oxford, New York: Oxford University Press, 1970), pp. 165ff. 20) – 17:26Ibid., pp. 164–165 21) – 17:43Ibid., p. 165. 22) – 17:54Ibid., pp. 165–166.23) – 18:02“Iron works and mines also directed slave women and children to lug trams and to push lumps ofore into crushers and furnaces.” Ibid., p. 166. 24) – 18:32Karl Marx, Das Kapital, Kritik der politischen Ökonomie, Erster Band (Berlin, D.D.R.: Dietz Verlag, 1965), pp. 415–416: “In England werden gelegentlich statt der Pferde immer noch Weiber zum Ziehnusw. bei den Kanalbooten verwandt, weil die zur Produktion von Pferden und Maschinen erheischte Arbeit ein mathematisch gegebenes Quantum, die zur Erhaltung von Weibern der Surplus-populationdagegen unter aller Berechnung steht.” Translation: Capital, Vol. 1 (New York: International Publishers, 1968), p. 391. 25) – 18:53Starobin, op. cit., p. 166: “Slaveowners used women and children in several ways in order to increase the competitiveness of southern products. First, slave women and children cost less to capitalize and to maintain than prime males. John Ewing Calhoun, a South Carolina textile manufacturer, estimated that slave children cost two-thirds as much to maintain as adult slave cottonmillers. Another Carolinian estimated that the difference in cost between female and male slave labor was even greater than that between slave and free labor. Evidence from businesses using slave womenand children supports the conclusion that they could reduce labor costs substantially.”26) – 19:49Frederick Law Olmsted, A Journey in the Back Country (New York: 1860), pp. 14–15. Quoted in Stampp, op. cit., p. 34. 27) – 20:15Karl Marx, Grundrisse der Kritik der politischen Ökonomie (Berlin, D.D.R.: Dietz Verlag, 1953), p.266. “Die Arbeit ist das lebendige, gestaltende Feuer; die Vergänglichkeit der Dinge, ihre Zeitlichkeit,als ihre Formung durch die lebendige Zeit.”28) – 23:48Quoted in Robert Staples, editor, The Black Family: Essays and Studies (Belmont, Cal.: Wadsworth Publishing Company, Inc., 1971), p. 37. See also John Bracey, Jr., August Meier, Elliott Rudwick,editors, Black Matriarchy: Myth or Reality (Belmont, Cal.: Wadsworth Publishing Company, Inc., 1971),p. 140.29) – 24:30Bracey et al., op. cit., p. 81. Lee Rainwater's article “Crucible of Identity: The Negro Lower-Class Family” was originally published in Daedalus, Vol. XCV (Winter, 1966), pp. 172–216.30) – 25:05Ibid., p. 98. 31) – 25:31Ibid32) – 25:50Frazier, op. Cit.33) – 25:31Ibid., p. 102 34) – 26:50Gutman, op. Cit.35) – 27:45The first chapter of his book is entitled “Send Me Some of the Children's Hair,” a plea made by a slave husband in a letter to his wife from whom he had been forcibly separated by sale: “Send me some of the children's hair in a separate paper with their names on the paper.... The woman is not born that feels as near to me as you do. You feel this day like myself. Tell them they must remember they have a good father and one that cares for them and one that thinks about them every day.... Laura I do love you the same. My love to you never have failed. Laura, truly, I have got another wife, and I am very sorry, that I am. You feels and seems to me as much like my dear loving wife, as you ever did Laura.You know my treatment to a wife and you know how I am about my children. You know I am one man that do love my children.” (pp. 6–7) 36) – 28:16Ibid. See Chapters 3 and 4. 37) – 29:20Ibid., pp. 356–357. 38) – 30:31Elkins, op. cit., p. 130. 39) – 31:22Stampp, op. cit., p. 344.

Danielle Evans is the author of the story collections The Office of Historical Corrections and Before You Suffocate Your Own Fool Self. Her work has won awards and honors including the PEN American Robert W. Bingham Prize, the Hurston-Wright award for fiction, and the Paterson Prize for fiction. She is a 2011 National Book Foundation 5 under 35 honoree and a 2020 National Endowment for the Arts fellow. Her stories have appeared in magazines including The Paris Review, A Public Space, American Short Fiction, Callaloo, The Sewanee Review, and Phoebe, and have been anthologized in The Best American Short Stories 2008, 2010, 2017, and 2018, and in New Stories From The South. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mild spoilers in this generous, enlightening, complicated conversation with bestselling author Chloe Benjamin! We begin by talking about expectations and surprising inspiration during a global pandemic and how Chloe tries to let go of the “shoulds” and lead with compassion.  ** The Immortalists is a wonderfully ambitious novel about four siblings who learn the date of their deaths from a fortune teller and how each wrestles with this information. It tackles BIG questions and Chloe shares why she loves these high concept premises with intimate character work. (07:44) ** The fortune teller’s prophecy affects each of the characters differently and Chloe shares how she managed to wrap up each character’s story while still providing ambiguity and complexity that leaves the reader guessing in the best possible way. (14:50) ** We talk about the complicated women of The Immortalists, Clara and Varya, and Chloe tells us about her inspiration for these women and the challenges presented in writing them. You don’t want to miss hearing about how she took inspiration from a story about an immortal jellyfish! (18:49) ** We love discussing the unlikely bedfellows of magic and faith and all the different ways we search for things as a way to grapple with our humanity. Chloe reminds us that none of us have all the answers, many of us need coping mechanisms, and what form that takes is different for everyone. (25:05) ** Chloe blows our mind again as we discuss the beauty and freedom in uncertainty, in learning to surrender, in being open to letting things unfold, and in allowing space for intuition.  (29:04) ** Chloe’s #CoronaCorrespondence post for The Sewanee Review has us talking about the magic that happens when we let go of our expectations, but how hard her journey has been along the way. (32:10) ** The writer’s journey for Chloe brought her and professor Kiese Laymon together in college and the effects were profound. (40:45) ** We ask Chloe to share her biggest piece of advice to aspiring writers on the issue of getting published and the answer involves experimenting, playing and reading. (45:55) ** Chloe’s social media shows that she doesn’t take herself too seriously and we love that she loves literary fiction, but also the Real Housewives. The most important thing is to be authentic. (49:22) ** Chloe shares what she's loving right now and it includes one of our favorites: Brit Marling! (57:14) ** We can’t leave without discussing astrology. Chloe is our first Scorpio, but her rising sign is a Leo so Kate is immediately smitten! (62:43) Follow us on Instagram and Facebook @popfictionwomen and on Twitter @pop_women. To do a full deep dive, check out our website at www.popfictionwomen.com (http://www.popfictionwomen.com). Stay Complicated! We’ve launched a platform at patreon.com/popfictionwomen to keep making the podcast you love -- and to make it even better. For a one time contribution to support this episode, use venmo @carinn-jade. Thank you for your support and enjoy the show!! Support this podcast

David Rigsbee is the author of 21 books and chapbooks, including seven previous full-length collections of poems.  In addition to his poems, he has also published critical works on Carolyn Kizer and Joseph Brodsky, whom he also translated.  He has co-edited two anthologies, including Invited Guest:  An Anthology of Twentieth-Century Southern Poetry, a “notable book” selection of the American Library Association and the American Association of University Professors and featured on C-Span Booknotes.  His work has appeared in AGNI, The American Poetry Review, The Georgia Review, The Iowa Review, The New Yorker, The Iowa Review, The Ohio Review, Poetry, Prairie Schooner, The Sewanee Review, The Southern Review, and many others.  He has been the recipient of two creative writing fellowships from the National Endowment for the Arts, as well as an NEH summer fellowship to the American Academy in Rome. His other awards include The Fine Arts Work Center in Provincetown Fellowship, The Virginia Commission on the Arts literary fellowship, The Djerassi Foundation, and Jentel Foundation residencies, and an Award from the Academy of American Poets.  Winner of a 2012 Pushcart Prize, the Vachel Lindsay Poetry Award, and the Pound Prize, he was also the 2010 winner of the Sam Ragan Award for contribution to the arts in North Carolina. Rigsbee is currently contributing editor for The Cortland Review.Follow us on Facebook: https://www.facebook.com/ScintilliansRead the blog: https://offshoreexplorer.blogspot.com/Buy us a coffee: https://ko-fi.com/offshoreexplorerSupport us on Patreon: https://www.patreon.com/OffshoreexplorerLinks:https://www.poetryfoundation.org/poets/david-rigsbeehttps://blacklawrencepress.com/authors/david-rigsbee/https://rigsbeepoetryconsultations.com/index.html 

"The best stories are created when you surrender to uncertainty." This is a quote from Sanaë Lemoine's debut novel, The Margot Affair. While the context is a work of fiction, these words embody the fact of what it means to live, work, and create in this day and age. And if recent months have shown us anything, it is that uncertainty is in abundance. Though if you ask Sanaë, uncertainty is something that's part of the process in prose—and life. Born in Paris, raised between France and Australia, and currently based in New York City, Sanaë's global upbringing has given her plenty of stories to tell. Coupling this with her past professional experiences as a cookbook editor and writing consultant, her editorial prowess provided an ample runway for her to write The Margot Affair. The story follows Margot Louve, a Parisian teenager who exposes a family secret—shattering her world and simultaneously throwing her into another, more adult one in the process. This story is teeming with the complexities of family dynamics, relationships, and identity. Much like the evolution see within The Margot Affair, the world beyond the pages of this story also changed drastically within the seven years it took for Sanaë to complete the book. In this conversation, she expounds on what she's learned both personally and professionally during this transformational period, how she's kept a steady pace even in a world of digital distractions, and why she believes in daydreaming—even when the days themselves are uncertain. This episode also opens with a story contributed by Jennie Vite of The Sewanee Review.

Stephanie Danler is a novelist, memoirist, and screenwriter. She is the author of the international bestseller, Sweetbitter, and the creator and executive producer of the Sweetbitter TV series on Starz. The book and series were based on her own experience being swept up by the intoxication of the New York City restaurant scene in her twenties. Danler's work has appeared in the Sewanee Review, Vogue, The New York Times, and The Paris Review. Her new memoir, Stray, (https://amzn.to/361FOpf) is a powerful reflection on the relationships, addictions, moments of awakening, revelation, and connection that defined her earlier life and shaped the person, the partner, the mother, and the writer she would become.You can find Stephanie Danler at: Website : http://www.stephaniedanler.com/Instagram : https://www.instagram.com/smdanler/Check out our offerings & partners: LinkedIn Learning: Check out the free LinkedIn Learning courses and share them with your teams. Visit LinkedInLearning.com/GLP to explore dozens of free courses.

Chloe Benjamin is the author of The Immortalists, a New York Times bestseller. Chloe joins Eric and Annie (Human Kind Book Club) to chat on bringing research into her works, the tipping point of her second book's success, and answer Human Kind Book Club's burning questions after reading The Immortalists.Chloe's nonfiction piece on The Sewanee Review: https://thesewaneereview.com/articles/corona-correspondences-22

Nikky Finney, winner of The Sewanee Review's 2020 Aiken Taylor Award for Modern American Poetry, talks about her development as a poet and her earlier books, from her 1985 On Wings Made of Gauze to her 2011 National Book Award-winning collection, Head Off and Split. In part on...

What do children lose when they acquire language? Diane Thiel is the author of ten books of poetry and nonfiction, including Echolocations, Resistance Fantasies, and Winding Roads, among others. Thiel's work has appeared in many journals, including Poetry, The Hudson Review, and the Sewanee Review and is re-printed in over sixty major anthologies. Her awards include a PEN award, an NEA International Literature Award, the Robinson Jeffers Award, the Robert Frost Award, the Nicholas Roerich Award, and she was a Fulbright Scholar. Thiel received her undergraduate and graduate degrees from Brown University and is Professor of English and Associate Chair for Undergraduate Studies at the University of New Mexico. With her husband and four children, Thiel has traveled and lived in Europe, South America, Asia, and Australia, working on literary and environmental projects.    “The First Sea,” from Diane Thiel’s forthcoming poetry collection, first appeared in The Burden of the Beholder from The Press at Colorado College. 

In which Adam Ross, editor of the Sewanee Review, introduces the Sewanee Review Podcast for readers and storytellers.

[NOTE: this was recorded when the show was named "The Lunar Podcast." It is now "Dark Sky Twelve"] instagram @darkskytwelve twitter@darkskytwelve   Ben Loory is the author of Tales of Falling and Flying (Penguin, 2017) and Stories for Nighttime and Some for the Day (Penguin, 2011), as well as a picture book for children, The Baseball Player and the Walrus (Dial Books for Young Readers, 2015). His fables and tales have appeared in The New Yorker, Tin House, Electric Literature, and The Sewanee Review, been anthologized in The New Voices of Fantasy and Year's Best Weird Fiction, and been heard on This American Life and Selected Shorts. They have also been translated into many languages—including Arabic, Farsi, Japanese, and Indonesian—and adapted to short film, live theater, chamber music, and dance. Loory is a graduate of Harvard University and holds an MFA in Screenwriting from the American Film Institute. He lives in Los Angeles and teaches short story writing at the UCLA Extension Writers' Program. The Lunar Podcast will return in early 2020! 

Paulette Beete's poems, short stories, and personal essays have appeared in Crab Orchard Review, Always Crashing, and Beltway Poetry Quarterly, among other journals. Her chapbooks include Blues for a Pretty Girl and Voice Lessons. Her work also appears in the anthologies Full Moon on K Street: Poems About Washington, DC and Saints of Hysteria: A Half-Century of Collaborative American Poetry (with Danna Ephland). Her work has also been nominated for the Pushcart Prize and Best of the Net. She also blogs (occasionally) at thehomebeete.com and her manuscript "Falling Still" is currently in circulation. Find her on Twitter as @mouthflowers.Kathleen Hellen is the author of The Only Country Was the Color of My Skin (2018), the award-winning collection Umberto's Night, and two chapbooks, The Girl Who Loved Mothra and Pentimento. Nominated for the Pushcart and Best of the Net, and featured on Poetry Daily, her poems have been awarded the Thomas Merton poetry prize and prizes from the H.O.W. Journal and Washington Square Review. She has won grants from the Maryland State Arts Council and the Baltimore Office of Promotion & the Arts. Hellen's poems have appeared in American Letters & Commentary, Barrow Street, The Massachusetts Review, New Letters, North American Review, Poetry East, Prairie Schooner, Salamander, The Seattle Review, the The Sewanee Review, Southern Poetry Review, Spoon River Poetry Review, Witness, and elsewhere. For more on Kathleen visit https://www.kathleenhellen.comStephen Zerance is the author of Safe Danger (Indolent Books, 2018), which was nominated for Best Literature of the Year by POZ Magazine. His poems have appeared in West Branch, Prairie Schooner, Quarterly West, and Poet Lore, among other journals. He has also been featured on the websites of Lambda Literary and Split This Rock. Zerance received his MFA from American University, where he received the Myra Sklarew Award. He lives in Baltimore, Maryland. Find him on Twitter @stephnz. Instagram: stephenzeranceRead "Freddie Gray Breaks Free" and "Please Excuse This Poem" by Paulette Beete.Read "The Girl They Hired from Snow Country" by Kathleen Hellen.Read "Anne Sexton's Last Drink" and "Lindsay Lohan" by Stephen Zerance.Recorded On: Thursday, February 7, 2019

Paulette Beete's poems, short stories, and personal essays have appeared in Crab Orchard Review, Always Crashing, and Beltway Poetry Quarterly, among other journals. Her chapbooks include Blues for a Pretty Girl and Voice Lessons. Her work also appears in the anthologies Full Moon on K Street: Poems About Washington, DC and Saints of Hysteria: A Half-Century of Collaborative American Poetry (with Danna Ephland). Her work has also been nominated for the Pushcart Prize and Best of the Net. She also blogs (occasionally) at thehomebeete.com and her manuscript "Falling Still" is currently in circulation. Find her on Twitter as @mouthflowers.Kathleen Hellen is the author of The Only Country Was the Color of My Skin (2018), the award-winning collection Umberto's Night, and two chapbooks, The Girl Who Loved Mothra and Pentimento. Nominated for the Pushcart and Best of the Net, and featured on Poetry Daily, her poems have been awarded the Thomas Merton poetry prize and prizes from the H.O.W. Journal and Washington Square Review. She has won grants from the Maryland State Arts Council and the Baltimore Office of Promotion & the Arts. Hellen's poems have appeared in American Letters & Commentary, Barrow Street, The Massachusetts Review, New Letters, North American Review, Poetry East, Prairie Schooner, Salamander, The Seattle Review, the The Sewanee Review, Southern Poetry Review, Spoon River Poetry Review, Witness, and elsewhere. For more on Kathleen visit https://www.kathleenhellen.comStephen Zerance is the author of Safe Danger (Indolent Books, 2018), which was nominated for Best Literature of the Year by POZ Magazine. His poems have appeared in West Branch, Prairie Schooner, Quarterly West, and Poet Lore, among other journals. He has also been featured on the websites of Lambda Literary and Split This Rock. Zerance received his MFA from American University, where he received the Myra Sklarew Award. He lives in Baltimore, Maryland. Find him on Twitter @stephnz. Instagram: stephenzeranceRead "Freddie Gray Breaks Free" and "Please Excuse This Poem" by Paulette Beete.Read "The Girl They Hired from Snow Country" by Kathleen Hellen.Read "Anne Sexton's Last Drink" and "Lindsay Lohan" by Stephen Zerance.

This week we meet up with Nashville-based novelist, short story author and Brazilian jiu-jitsu grappler Adam Ross. Ross is the new editor of the Sewanee Review -- the University of the South’s journal is the oldest literary quarterly in continuous publication in the United States. Ross speaks to the push and pull between writerly tradition and innovation. He also recalls the grind of high school wrestling, and illuminates the creativity we express when we approach grappling with an artist’s mind. https://thesewaneereview.com/ https://www.nashvillescene.com/news/cover-story/article/21037490/flow-with-the-go-artista-brazilian-jiujitsu-is-a-window-into-the-future-of-nashville https://www.artistabjjnashville.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/artfightpodcast/message Support this podcast: https://anchor.fm/artfightpodcast/support

At the event "On the Frontiers of an Inner Life: Kathleen W. Tarr presents Thomas Merton's 1968 Journey to Alaska", author Kathleen W. Tarr discusses her newly released book, We Are All Poets Here (VP&D House). Part memoir, part biography, with Thomas Merton as the spiritual guide, the quest to seek an interior life amidst a chaotic, confused, fragmented world is explored. Trappist Thomas Merton (1915-1968) lived as a sequestered monastic for 27 years. However, he wrote over fifty books and hundreds of poems and articles on topics ranging from monastic spirituality to civil rights, nonviolence, and the nuclear arms race. Today, his 1948 autobiography, The Seven Storey Mountain, continues to influence millions of people all over the world. After his surprise sojourn to Alaska in 1968, Thomas Merton traveled to Thailand where he met his accidental and shocking death by electrocution. Author Kathleen WitkowskaTarr was born and raised in Pittsburgh. She came to Alaska in 1978 and lived in Yakutat, Sitka, and the Kenai Peninsula, and was Program Coordinator for UAA's MFA Graduate Creative Writing Program. She earned an MFA in Creative Writing from The University of Pittsburgh and has writings published in several anthologies and in Creative Nonfiction, the Sewanee Review, Alaska Airlines Magazine, the Anchorage Daily News, TriQuarterly, Sick Pilgrim, and Cirque. In 2016, she was named a William Shannon Fellow by the International Thomas Merton Society. Currently, she sits on the board of the Alaska Humanities Forum. All UAA Campus Bookstore events are free and

Adam Ross, editor of Sewanee Review, is the author of Mr. Peanut, a 2010 New York Times Notable Book, named one of the best books of the year by The New Yorker, The Philadel­phia Inquirer, The New Repub­lic, and The Econ­o­mist. Ladies and Gen­tle­men, his short story col­lec­tion, was included in Kirkus Reviews Best Books of 2011 and included “In the Base­ment,” a final­ist for the 2012 BBC Inter­na­tional Story Award. Ross was a 2013–2014 Hod­der Fel­low at Prince­ton Uni­ver­sity and the 2014 Mary Ellen von der Hey­den Fel­low in Fic­tion at The Amer­i­can Acad­emy in Berlin. Ross' non­fic­tion has also been pub­lished in The New York Times Book Review, The Daily Beast, The Nashville Scene, Tin House, and The Wall Street Jour­nal. His fic­tion has appeared in The Berlin Jour­nal, the Car­olina Quar­terly, and The Sun­day Times of Lon­don.

Roger D. Hodge is the editor of Oxford American. "My career isn't all that interesting insofar as I've been an editor. I'm much more interested in talking about writers and stories. That's the main thing: telling these stories, creating this platform, this context for the best possible storytelling." Thanks to TinyLetter and Random House for sponsoring this week's episode. Show notes: @RogerDHodge oxfordamerican.org [5:15] "Long Way Home" (Rosanne Cash • Oxford American • Nov 2013) [5:45] The River and The Thread (Rosanne Cash • Blue Note Records • 2014) [10:00] Sewanee Review [18:45] "Mean Season" (Adrian McKinty • Harper's • Sep 1997) [sub req'd] [26:00] "The Net Giveth, and the Net Taketh Away" (Suck • Dec 1995) [31:30] Longform Podcast #5: Paul Ford [37:00] "The Guantánamo 'Suicides'" (Scott Horton • Harper's • Mar 2010) [43:45] "Dear Charlie" (Joe Hagan • Oxford American • Nov 2013) [49:15] Southword Radio Series (Oxford American & National Public Radio) [53:45] "Carl the Raping Goat Saves Christmas" (Lucy Alibar • Oxford American • Nov 2013)