Podcast appearances and mentions of Charles Simic

Hi there, Today I am delighted to be arts calling humorist, poet, and essayist Kurt Luchs! (kurtluchs.com) About our guest: Kurt Luchs was born in Cheektowaga, New York, grew up in Wheaton, Illinois, and has lived and worked all over the United States, mostly in publishing and media. Currently he's based in Kalamazoo, Michigan. His first poetry publication came at age sixteen in the long-gone journal Epos, right next to a poem by Bukowski. He has also written comedy for television (Politically Incorrect with Bill Maher and the Late Late Show with Craig Kilborn) and radio (American Comedy Network), as well as contributing humor to the New Yorker, the Onion and McSweeney's Internet Tendency, among others. He is author of the poetry collections Death Row Row Row Your Boat (Sagging Meniscus, 2024), Falling in the Direction of Up (SM, 2021), and the humor collection It's Funny Until Someone Loses an Eye (Then It's Really Funny) (SM, 2017). His poetry chapbooks include One of These Things Is Not Like the Other (Finishing Line Press 2019), and The Sound of One Hand Slapping (SurVision Press 2022). He won a 2022 Pushcart Prize, a 2021 James Tate Poetry Prize, the 2021 Eyelands Book Award for Short Stories, and the 2019 Atlanta Review International Poetry Contest. He is a Contributing Editor of Exacting Clam. About TRIBUTARIES, now available from Sagging Meniscus Press! https://www.saggingmeniscus.com/catalog/tributaries In Tributaries, Kurt Luchs chooses twenty poems that hold vital meaning for him as a reader and writer—many, but not all, recognized as classics—and pays twofold tribute to them. First, he explores each poem with a deep-diving personal essay on how the poet works their magic upon us. Then he gives a tribute poem of his own, in response to, or inspired by, the poem under discussion. The result is a uniquely well-rounded, multidimensional way of honoring great poems, unlocking more of their treasures for both first-time and long-time lovers of poetry. Poets featured are Wallace Stevens, Robinson Jeffers, David Ignatow, Philip Larkin, D. H. Lawrence, Etheridge Knight, Wislawa Szymborska, Lucille Clifton, Gabriela Mistral, H. D., Jorge Luis Borges, Federico Garcia Lorca, Mary Oliver, Lewis Carroll, Kenneth Koch, Homer, Louise Glück, Robert Bly, Charles Simic and James Tate. Thanks for this amazing conversation, Kurt! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE. THANKS FOR LISTENING! Much love, j artscalling.com

"Einige Arten zu lieben" – Uwe Kullnick spricht mit Wiebke Meier (Übers.) über Charlotte Mew – Hörbahn on Stage(Lesung: Hördauer ca. 10 Minuten) (Gespräch: Hördauer ca. 60 Minuten)Charlotte Mew war eine der ungewöhnlichsten Schriftstellerinnen ihrer Zeit, wurde von Zeitgenossen hoch geschätzt – und dann vergessen. In England inzwischen wiederentdeckt, blieb sie hierzulande praktisch unbekannt. Dieser Band versammelt ihre eindrucksvollsten Erzählungen erstmals in deutscher Sprache. Sie reichen von surrealen Phantasien bis zu Geschichten von menschlichen Extremerfahrungen, erzählt in einem Ton, der zart und stark zugleich ist und gerade in dieser Mischung elektrisiert. Um die Liebe, ihre Schattierungen und ihre Gefährdungen geht es in diesen Erzählungen von Charlotte Mew, um Glaube und Tod, um das Ausgestoßensein aus der Gesellschaft und die Fragilität der menschlichen Existenz. Fast immer stehen weibliche Figuren im Mittelpunkt, und die Geschlechterrollen geraten ins Wanken. Diese Geschichte sind so auch ein Spiegel der zeitgenössischen Debatten über Machtstrukturen in Ehe und Familie und die sexuellen Freiheiten der Frau. Die Intensität des menschlichen Mitgefühls, das aus ihren Texten spricht, ist überall gepaart mit einer hellwachen Beobachtungsgabe. Mit Charlotte Mew ist eine große literarische Stimme wiederzuentdecken, die zwischen viktorianischem Zeitalter und literarischer Moderne steht und heute wieder direkt zu uns spricht.Charlotte Mew (1869–1928) wurde in London geboren, wo sie nach dem Tod ihres Vaters gemeinsam mit ihrer Mutter und einer Schwester in beschränkten Verhältnissen lebte – in Sichtweite des literarischen Establishments von Bloomsbury. Ihre hochgespannte Prosa und die ungewöhnliche, experimentelle Form ihrer Gedichte lassen sie wie aus der Zeit gefallen erscheinen. Ein Jahr nach dem Tod ihrer Schwester nahm sie sich, schon lange psychisch gefährdet, das Leben.Wiebke Meier übersetzt literarische Texte und Sachbücher aus dem Englischen und war Lehrbeauftragte im Studiengang Literarisches Übersetzen an der Ludwig-Maximilians- Universität München. 2017 erhielt sie den Paul Scheerbart-Preis der Heinrich Maria Ledig-Rowohlt-Stiftung für den Band "Picknick in der Nacht" von Charles Simic.⁠vielleicht mögen Sie auch diese Sendung⁠Kommen Sie doch auch einfach mal zu unseren Live-Aufzeichnungen nach Schwabing oder ins PixelModeration, Redaktion und Realisation Uwe Kullnick

W tym nagraniu zobaczą Państwo spotkanie, w którym KRYSTYNA DĄBROWSKA opowiadała o wybranych książkach poetyckich oraz własnych premierowych "Wierszach wybranych"! 10 INSPIRUJĄCYCH KSIĄŻEK POETYCKICHORAZSWOJE "WIERSZE WYBRANE"PRZEDSTAWIA KRYSTYNA DĄBROWSKANagradzana poetka i tłumaczka wierszy mówi o tych tomach innych twórców poezji ze świata, przetłumaczonych albo jeszcze nie przekładanych na polski, które od lat ją inspirują i pozostają ważne. Od Paula Celana, przez Elizabeth Bishop i Anne Carson, po Kim Moore oraz Jehudę Amichaja.Poznaj osobisty wybór poetki i dowiedz się, jak twórczość innych poetek i poetów przenika do jej wierszy.Książki wybrane przez Krystynę Dąbrowską:-"Owoce wojny" Jaryna Czornohuz-"Koniec sezonu pomarańczy" Jehuda Amichaj-"Sztuka opadania/The Art of Falling" Kim Moore-"Nox" Anne Carson-"Adrenalin" Ghayath Almadhoun-"Blues o śnieżnym poranku" Charles Simic-"Santarém" Elizabeth Bishop-"33 wiersze" Elizabeth Bishop-"Utwory wybrane" Paul Celan-"Literatura na świecie 5-6" Kawafis-"Czekając na barbarzyńców" Konstandinos Kawafis-"Księga niepokoju" Fernando Pessoa-"W obliczu wojny" Maksym Krywcow-"Obcy" Jaryna BurbanKRYSTYNA DĄBROWSKA – urodzona w 1979 roku. Poetka, eseistka, tłumaczka. Autorka książek poetyckich:Wiersze Wybrane (2025),Miasto z indu (2022),Ścieżki dźwiękowe (2018),Czas i przesłona (2014),Białe krzesła (2012)i Biuro podróży (2006).Laureatka Nagrody Kościelskich (2013), Nagrody im. Wisławy Szymborskiej (2013) i Nagrody Literackiej m. st. Warszawy (2019). Jej wiersze były tłumaczone na ponad dwadzieścia języków; za wiersz „Biuro podróży”/”Travel Agency” w przekładzie Antonii Lloyd-Jones otrzymała Pushcart Prize (2024).Książkowe wybory jej wierszy ukazały się po włosku, niemiecku, szwedzku, portugalsku i angielsku; książka w angielskim przekładzie, Tideline (Zephyr Press 2022), była nominowana do Derek Walcott Poetry Prize i National Translation Award in Poetry.Dąbrowska tłumaczyła m.in. poezję Louise Glück (Dziki irys, 2024; Zimowe przepisy naszej wspólnoty, 2022; Ararat, 2021), Nuali Ní Dhomhnaill (Cierń głogu, 2021), W. C. Williamsa, Thoma Gunna, Charlesa Simica i Kim Moore, a także listy Elizabeth Bishop i Roberta Lowella.O WIERSZASZ WYBRANYCHOto ktoś, kto chadza własnymi drogami i wiersze pisuje tylko wtedy, gdy odczuwa tego nieodpartą konieczność – pisał Jan Gondowicz. - Zadaniem tej poezji jest uwewnętrznianie. Tym się ono różni od kolekcjonowania wrażeń (czegoś na kształt „pocztówek” z podróży, podpatrzonych „scenek” bądź szkiców, jakie wykonują malarze), że stanowi narzędzie penetracji własnego życia duchowego, rozpoznania, kim się jest i dlaczego. Czytelnik może uczestniczyć w tym procesie i myśleć o tym swoje. A właściwie nie tylko myśleć, lecz i dzielić stany emocjonalne: zachwyt i grozę, uśmiech, czasem zawroty głowy. Oto, czemu nie sposób nazwać Krystyny Dąbrowskiej estetką. Za dużo wie, a jeszcze więcej domyśla się o naturze ludzkiej. A przy tym pozostaje lekka, pozornie oddana drobiazgom, wolna od patosu, jakim lubi się reklamować pesymizm. To wysoki kunszt.To retransmisja jednego z wielu wydarzeń, które odbywają się na scenach Big Book Cafe. Chcesz mieć dostęp do wszystkich i oglądać o dowolnej porze? Dołącz do Patronek i Patronów Fundacji "Kultura nie boli" i korzystaj ze wszystkiego, co robimy z miłości do czytania. Spróbuj! https://patronite.pl/bigbookcafe

Today's poem shows us a teacher wrestling with the notion of “graduation.” Happy reading.Bill Knott was born on February 17, 1940, in Carson City, Michigan. When he was seven years old, his mother died in childbirth, and his father passed away three years later. He grew up in an orphanage in Mooseheart, Illinois, and on an uncle's farm. In the late 1950s, he joined the U.S. Army and, after serving his full enlistment, was honorably discharged in 1960.In the early 1960s, Knott moved to Chicago, where he worked as a hospital orderly. There, he became involved in the poetry scene and worked with John Logan, Paul Carroll, Charles Simic, and other poets. He published his first book, The Naomi Poems, Book One: Corpse and Beans (Big Table, 1968), under the pseudonym Saint Geraurd in 1968. He also published Nights of Naomi (Barn Dream Press, 1971) and Auto-necrophilia (Big Table, 1971) under the same name.Knott went on to publish several poetry collections under his own name, including I Am Flying into Myself: Selected Poems, 1960–2014 (Farrar, Straus and Giroux, 2017), edited by Thomas Lux; Laugh at the End of the World: Collected Comic Poems 1969–1999 (BOA Editions, 2000); Becos (Random House, 1983); and Love Poems to Myself (Barn Dream Press, 1974). He also self-published many books and posted all of his poems online, where they could be read for free.Of his work, Lux writes, “As dense as some of his poems can be, they rarely defeat comprehensibility. Some are so lucid and straightforward, they are like a punch in the gut, or one's first great kiss…. His intense focus on every syllable, and the sound of every syllable in relation to nearby sounds, is so skilled that the poems often seem casual: Art hides art.”Knott taught at Emerson College for over twenty-five years. He received the Iowa Poetry Prize, a Guggenheim Fellowship, and two fellowships from the National Endowment for the Arts, among other honors and awards. He died on March 12, 2014, in Bay City, Michigan.-bio via Academy of American Poets This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

Cornelius Eady is a Professor of English and John C. Hodges Chair of Excellence at the University of Tennessee, Knoxville. From September 2021 to December 2022, he served as interim Director of Poets House in New York City. Eady published his first collection, Kartunes, in 1980. His second collection, Victims of the Latest Dance Craze (1985), was chosen as winner of the Academy of American Poets' Lamont Poetry Award by Louise Glück, Charles Simic, and Philip Booth. He has published eight other collections, including The Gathering of My Name (1991), nominated for the Pulitzer Prize; Brutal Imagination (2001), a National Book Award finalist; and Hardheaded Weather: New and Selected Poems (2008), nominated for an NAACP Image Award. In addition to his poetry, Eady has written musical theater productions, collaborating with jazz composer Diedre Murray. The two worked together on Running Man, a roots opera libretto that was named a finalist for the Pulitzer Prize in Drama, and Brutal Imagination, recipient of Newsday's Oppenheimer Award. Eady is also a musician, and he performs with the literary band Rough Magic and the Cornelius Eady Trio, which recently released the album Don't Get Dead: Pandemic Folk Songs. (June Appal Recording, 2021). Eady has published five mixed-media chapbooks with accompanying CDs, including Book of Hooks (Kattywompus Press, 2013), Singing While Black (Kattywompus Press, 2015) and All the American Poets Have Titled Their New Books The End (Kattywompus Press, (2018). With poet Toi Derricote, Eady founded Cave Canem, a beloved nonprofit organization that supports emerging Black poets via a summer retreat, regional workshops, prizes, events, and publication opportunities. In 2016, Eady and Derricote were honored with the National Book Foundation's Literarian Award for Outstanding Service to the American Literary Community on behalf of Cave Canem, and, in 2023, they won the Pegasus Award for service in the field of Poetry by the Poetry Foundation. Eady's other honors include the Prairie Schooner Strousse Award, a Lila Wallace-Reader's Digest Award, and grants from the National Endowment for the Arts, the Guggenheim Foundation, and the Rockefeller Foundation.Links:Bio and Poems at The Poetry FoundationBio and poems at Poets.org"Poet Cornelius Eady on exploring the everyday lives of Black people in America"--PBS News HourCornelius Eady Group website"Emmett Till's Glass Top Casket" at the Poetry Society of AmericaCave Canem

Notes and Links to Katya Apekina's Work      For Episode 248, Pete welcomes Katya Apekina, and the two discuss, among other topics, her language abilities and her extensive cross-cultural readings; motherhood, the loss of loved ones, and other catalysts for Mother Doll, and salient themes and issues in her collection like intergenerational traumas, women's agency, fatalism, guilt, and redemption.      Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Buy Mother Doll   “Katya Apekina's ‘Mother Doll' isn't your ordinary ghost story” in The Los Angeles Times   Katya's Website   At about 2:40, Katya talks about her early experiences in being bilingual and how her early language learning has affected her reading and writing and ways of seeing the world  At about 6:05, Katya talks about ways in which Russian writing manifests itself At about 8:00, Katya catalogs formative and informative writers and writing upon which she draws inspiration  At about 9:45, Katya details a Holden Caulfield-esque action she took in high school At about 10:45, The two discuss cool craft techniques of Chekhov At about 11:25, Katya outlines the beginnings of her formal writing life after pivoting from photography, including the power of Charles Simic and Roberto Bolaño  At about 14:45, Katya highlights contemporary writers who inspire and thrill her, including Sasha Vasilyuk and Ruth Madievsky, and Alexandra Tanner At about 17:35, Pete shares the wonderful reviews for the book, including Lauren Groff's At about 18:20, Katya shares seeds for the book, especially with regards to intergenerational traumas  At about 21:45, Katya recounts some plot summary and real-life inspirations and parallels  At about 22:50, Pete quotes the book's first line-a “banger”-and Katya gives background on the book's sequencing  At about 25:25, Pete sets some of the book's exposition and asks Katya about the “chorus” and her visual idea of this chorus At about 27:20, Irina is introduced and the two discuss her wanting to relieve her burdens, and Katya describes what Zhenia might see in Anton/Ben At about 30:10, Katya responds to Pete's questions about why Zhenia decides to help translate for Paul, the medium, regarding her great-grandmother At about 33:00, Katya expands upon Paul's reasons for getting into the medium space, as well as how some people are many “permeable” to messaging from beyond At about 35:10, Pete traces some early flashbacks from Irina and her early leanings towards revolution At about 36:15, Katya responds to Pete's asking about Hanna and other characters and their motivations and possible naivete At about 39:00, Pete and Katya discuss the changing and convoluted factions and connections that characterized the Russian Revolution, and the differing visions of change At about 41:50, Katya talks about how Zhenia thinks of her grandmother's death and funeral At about 43:30, Pete asks about parallels in the book, both on the micro and macro levels; Katya speaks about “iterations” of history At about 46:30, Pete alludes to “Eleven” by Sandra Cisneros in asking Katya to speak to the significance of the book's title At about 48:40, The two discuss fatalism as a common theme in Russian diasporic literature in general, and this book in particular At about 51:00, Katya talks about exciting upcoming projects At about 52:00, Katya gives contact info and social media information      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 249 with Jesse Katz, whose writing has appeared in The New York Times Magazine, New York Magazine, Rolling Stone, Details, Texas Monthly, Food & Wine, Men's Health, and many other publications. His work has been anthologized in Best American Magazine Writing and Best American Crime Writing; his latest book is the critically-acclaimed The Rent Collectors, about the reverberations of a tragic murder in LA's MacArthur Park area.    The episode airs later today, August 20.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Read by Charles Simic Production and Sound Design by Kevin Seaman

On this replay episode, I talk to the late Charles Simic about James Tate, Kansas surrealism, humor in poetry, and embracing the unconscious, plus I talk to Richard Blanco about the accidents that turn us into artists, the grind of editing, and the joys of finding new forms and challenges.

Amanda Holmes reads Charles Simic's “My Possessions.” Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Join the gals for the queer makeover you secretly knew straight cis guy poetry needed.Support Breaking Form!Review the show on Apple Podcasts here.Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books. The word  zhuzh  is part of Polari, an argot used in Britain since perhaps the 18th century, primarily among gay theatrical and circus performers. Given the lack of a clear origin, it is impossible to tell if the verb has priority over the noun or vice versa.Jai Rodriguez was the original Culture Vulture for Queer Eye for the Straight Guy. Follow him on Instagram @jairodriguez or check out his IMDB page here.Read Charles Wright's poem " Sitting at Night on the Front Porch." In 2015, Charles Wright gave an interview with the Yale News in which he said that writing is "very difficult now, because I've probably written all the things I could possibly have to say at least five times, in five different directions. I don't want to do it now." He also talks about it in this interview with Image.Read the poem of Charles Simic's that we discuss in the episode: "My Shoes." You can also read the poem Aaron references: "Fork."Read W.S. Merwin's poem "Language."

Sadly, since this interview was recorded, the Pulitzer Prize-winning poet Charles Simic has died at the age of 84. Note: This interview was broadcast on KUT-FM, an NPR station based in Austin, Texas. Kate Rosenberger is one of those rare people who collects independent book stores in San Francisco the way the rest of us collect antique door stops, or unusual African masks. Her most recent acquisition is Alley Cat Books, but she also owns Phoenix and Red Hill Books, and we met at Dog Eared Books, her fourth store, in the Mission district. When asked to discuss a piece of writing that's had a profound impact on her, Kate chose Charles Simic's poem Gray-Headed Schoolchildren. Born in Serbia, Simic came to the US as a teenager, but went on to write his poems in English, win the Pulitzer prize, and become the U.S. Poet Laureate. His poetry is often stark, perhaps reflecting his formative years, spent surviving World War II. Note: This interview is the sixth in a ThoughtCast series which examines a specific piece of writing — be it a poem, play, novel, short story, work of non-fiction or scrap of papyrus — that's had a significant influence on the interviewee, that's shaped and moved them. Prior interviewees include author Tom Perrotta, poetry critic Helen Vendler, and other independent bookstore owners - from Ireland! Click here to listen (11 minutes.)

Would you like to receive a daily, random quote by email from my Little Box of Quotes? https://constantine.name/lboq A long long time ago I began collecting inspirational quotes and aphorisms. I kept them on the first version of my web site, where they were displayed randomly. But as time went on, I realized I wanted them where I would see them. Eventually I copied the fledgeling collection onto 3×5 cards and put them in a small box. As I find new ones, I add cards. Today, there are more than 1,000 quotes and the collection continues to grow. Hello, I'm Craig Constantine

Would you like to receive a daily, random quote by email from my Little Box of Quotes?https://constantine.name/lboqA long long time ago I began collecting inspirational quotes and aphorisms. I kept them on the first version of my web site, where they were displayed randomly. But as time went on, I realized I wanted them where I would see them. Eventually I copied the fledgeling collection onto 3×5 cards and put them in a small box. As I find new ones, I add cards. Today, there are nearly 1,000 quotes and the collection continues to grow.My mission is creating better conversations to spread understanding and compassion. This podcast is a small part of what I do. Drop by https://constantine.name for my weekly email, podcasts, writing and more.

Guest host Jeff Alessandrelli talks with Arda Collins about feeling freer about writing after having kids, becoming a poet, hiding her prose, Charles Simic, working on documentaries, the Iowa workshop, her first collection IT IS DAYLIGHT (2009), her new collection STAR LAKE (2022), the years between the books, the links between the books, and more.Arda Collins is the author of Star Lake (2022) and It Is Daylight (2009), which was awarded the Yale Series of Younger Poets Prize. Her work has appeared in The New Yorker, The American Poetry Review, A Public Space, Colorado Review, jubilat, and elsewhere. She is a recipient of the Sarton Award in Poetry from the American Academy of Arts and Sciences.Jeff Alessandrelli is the director and co-editor of Fonograf Editions and its imprint, BUNNY.Find Autofocus Books at autofocuslit.com/books.Podcast theme: DJ Garlik & Bertholet's "Special Sause" used with permission from Bertholet.

Welcome to Forked Tongues: Conversations with Foreigners Living in France!Episode 15 of the journey but, once again, not your usual FT episode... This episode, dedicated to two of my favourite things: Paris and the movies, is a small FT homage to poet, Charles Simic, who died in January. In it, I read his piece: With Gene Tierney in Paris, taken from a book of film appreciation called O.K. You Mugs: Writers on Actors.With humour and poetry Simic describes his experience of being a young immigrant in Paris in the 1950s and falling in (complicated) love with Hollywood starlet, Gene Tierney.I hope you enjoy it!Thanks for listening,Derek Rawson

Former U.S. Poet Laureate Charles Simic shares poems from his accomplished career, at this 2007 Poetry Downtown event in Portland.

https://bluecedarpress.com/product/wh... https://amzn.to/3ZQtHXd David Romanda's Why Does She Always Talk About Her Husband? is minimalist poetry at its finest-quick, punchy, and deceptively spare. Romanda stands on the shoulders of modern greats, such as Raymond Carver, Charles Bukowski, and Charles Simic, adding his own offbeat, rebel playfulness, exploring topics such as love, loneliness, sickness, and joy. These are poems that beg to be read aloud and shared with others. Readers will recognize themselves in his clever observations and smile or even laugh out loud. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lisa-tomey/message

Don't shit next to me. Say yes, no, and you're welcome. Don't doubt the small ways you can change your life. Poetry from Charles Simic and music from New Order. Please enjoi!

What do we remember about childhood? And how do we write about it, without feeling trapped in the past? Ian McMillan talks to poet Don Paterson about music as a mnemonic tool, his youthful attraction to the art of origami, and the perils of confectionary. He talks to writer Sally Bayley about her sequence of books that capture the language fragments and stories from a childhood where facts were 'thin on the ground' - and about the part Shakespeare and his characters play in her latest book 'No Boys Play Here'. And Donovan McAbee, professor and poet, also joins Ian to explore the influence of childhood experiences on the work of Serbian-born poet Charles Simic - who became Poet Laureate of the US (writing in his fourth language), and died earlier this year. We also hear a poem from the BBC archive - Sylvia Plath's 'Purdah'.

How can we make peace with an ending? Can we make peace with them at all. In this episode of Words That Burn, we'll be taking a closer look at the poetry of the late Charles Simic. The episode will focus on his poem Car Graveyard, a wonderful showcase of all the talents he possessed as a poet. The poem looks at a pivotal moment in the youth of the poet, whilst simultaneously deconstructing the oft overlooked side of the American Dream. Throughout, we will be sure to point out the themes and techniques that earned Charles Simic his position as 15th Poet Laureate of the United States. His was a voice of the displaced and alienated; one which will be sorely missed.Some of my favourite Simic poems:Mummy's CursePrivate EyeCome WinterThe Friends of HeraclitusSubstackInstagramTwitterYoutubeThe music in this week's episode is Golden Hour by Jonas Kolberg Hosted on Acast. See acast.com/privacy for more information.

Some people talk to hear the sound of their voice. Acting as if, poetry from Charles Simic and music from Malo. Plz enjoi!

A slight departure from our regular format. On today's show, Connor and Jack remember the recently departed poet Charles Simic. They read some of his poems, reflect on them, discuss his life and legacy, and even give a shoutout to the Oak Park Public Library. Poems Connor and Jack read in this episode include: "Summer Morning" "Hotel Insomnia" "Watermelons" and "Back at the Chicken Shack." At the end of the episode, hear Simic read his poem "December 21." Check out episodes of Close Talking on YouTube: https://www.youtube.com/@cardboardboxproductionsinc Find us on Facebook at: facebook.com/closetalking 
Find us on Twitter at: twitter.com/closetalking
 Find us on Instagram: @closetalkingpoetry Find us on YouTube: www.youtube.com/@cardboardboxproductionsinc You can always send us an email with thoughts on this or any of our previous podcasts, as well as suggestions for future shows, at closetalkingpoetry@gmail.com.

Des de l'angl

Des de l'angl

Des de l'angl

Episode 108: It's like a best-of episode, but totally new! Pre-amps, typewriters, too many kitchen hacks, transformer talk, Jason reads the tubes wrong, and we even get a little artsy!  Some of the topics discussed this week:  2:53 Does Skip want to see your amps right now? See Skip at the January 14-15, 2023 Amigo Bay Area Guitar Show 4:59 A Tweed Pro with a variable inverse feedback control knob  5:45 Lee Jeffriess in the Fretboard Journal's 51st issue (link); check out Jeffriess and John Munnerlyn performing "Blues for Earl" 11:22 The December 31 TAVA Seattle meetup (thanks for organizing, @liquidnyo); YouTube's jgflyback shows off his tube-powered clock (shaky Instagram Live footage) 13:50 This week's sponsors: Grez Guitars has a new long-scale bass!; Amplified Parts (Hammond products are currently on sale!); Iztotope (use Fret10!); AND Stringjoy Strings. Plus...Josh Scott (JHS) is coming to TAVA, the TAVA El Pato-Tone Practice amp (Reverb link), and our Patreon page 20:56 The resonance of a fully loaded turret board; mounting components in a head vs. combo; goop 28:25 Microphonics in a tube amp (the good kind); David Lindley (support him via t-shirt sales here) 30:04 Why were so many power transformers changed in the '70s and '80s?; Spokane, Washington; Jason's favorite noodle place in Spokane, Washington (link); a very-modified Gibson Les Paul Junior with a cooling fan 36:03 Typewriter keyboards; '80s Scottish cop show, 'Taggart' 39:58 Should I change the transformer on my Bruce Zinky Fender Prosonic head? the effect of an output transformer on tone 45:46 What's the deal with the Fender Bantam bass amp?; the oven instead of the range; ham and bacon end pieces 50:39 Reincarnating a dead Peavey Deuce II; putting a Vox-style preamp circuit on an amp with 6L6s; cheese quesadilla hacks 54:06 Fixing the uneven distortion on my Dad's Gibson GA-9 56:53 Why isn't my 1967 Fender Twin Reverb as loud as my other Twin Reverb? 1:00:05 Arts & Humanities corner: The Albert Barnes collection of post-modern art, 'Art of the Steal,' (link); Skip goes to Harvard, again; RIP poet Charles Simic (read "Stub of a Red Pencil" here)   1:04:06 Chopped onion, chickpeas, and black beans sauteed in a pan 1:06:18 What would you do with my Bogen CHA-33 PA head? coffee-roasted carrots (link) 1:12:13 Changing the pre-amp tube (and speaker) in an Epiphone Model 101  1:19:47 What to do with this 1953 Revere T-100 reel-to-reel?  1:31:48 Skip likes the new Fretboard Journal (issue 51, link)  Recorded January 10, 2023.  Support us on Patreon.com for added content and the occasional surprise and don't forget to get a subscription to the Fretboard Journal (link). Digital subscriptions start at just $30. There's a giant index page with nearly all the former topics we've discussed in our first 107 episodes found here.  Submit your amp questions, recipes and life hacks to the podcast via podcast@fretboardjournal.com and don't forget to share the show with friends on social media. 

"We're animals, Amy. And some animals like to party. For me, God is a beer on the beach. Maybe that's fucked up, but at least it's honest." - Levi, Enlightened "Inside my empty bottle I was constructing a lighthouse while all others were making ships." - Charles Simic "Today wasn't anything spectacular and that's what I loved about it." Me, January 2, 2023LINKS:Watch "Enlightened" on HBO HERE.Charles Simic's Obituary.My website: www.robynoneil.comMY SHOP

Read by Terry Casburn Production and Sound Design by Kevin Seaman

Poet Charles Simic died Monday at 84. He was a prolific writer, winner of the Pulitzer Prize, and served as Poet Laureate of the United States. He often wrote, with both bite and humor, of the World War II era and his early years in Yugoslavia before coming to the U.S. as a teenager. In 2007, Simic discussed it in a conversation with the PBS NewsHour's Jeffrey Brown. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Read by Terry Casburn Production and Sound Design by Kevin Seaman

12.5.22 "Writing Kept Hidden" by Carolyn Forché 12.6.22 "Lost Glove" by Charles Simic 12.7.22 "Why My Mother's Teeth Remained in Cuba" by EJ Vega in Paper Dance: 55 Latino Poets 12.8.22 "Provincetown" by Afaa Michael Weaver 12.9.22 "Quartet" by Robert Hass 12.10.22 "sallie ledbetter: a mother's hymn" by Tyehimba Jess 12.11.22 "Saturday at the Border" by Hayden Carruth 12.12.22 from Kyrie by Ellen Bryant Voigt 12.13.22 "The Gate" by Marie Howe 12.14.22 XXXI from The Desert of Lop by Raoul Schrott

Amanda Holmes reads Vasko Popa's poem “Give Me Back My Rags,” translated from the Serbian by Charles Simic. Have a suggestion for a poem by a (dead) writer? Email us: podcast@theamericanscholar.org. If we select your entry, you'll win a copy of a poetry collection edited by David Lehman. This episode was produced by Stephanie Bastek and features the song “Canvasback” by Chad Crouch. Hosted on Acast. See acast.com/privacy for more information.

Notes:Fable shares a quote from poet Charles Simic. That quote is:- “He who cannot howl will not find his pack.”Here are some articles and videos that we found helpful in preparation for this conversation:- MasterClass Article “How to Find a Writing Group: 6 Benefits of Joining a Writing Group”- Reedsy Blog Article “15 of the Best Online Writing Communities for Aspiring Authors”- Lulu Blog Article “7 Online Writing Communities For Authors”TedTalk Mentioned: - My year of saying yes to everything | Shonda Rhimes Ted TalkMusic from: https://filmmusic.io ‘Friendly day' by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Everything is of interest. --- Support this podcast: https://anchor.fm/daisy726/support

Former U.S. Poet Laureate Charles Simic shares poems from his accomplished career, at this 2007 Poetry Downtown event in Portland.

A necessity. --- Support this podcast: https://anchor.fm/daisy726/support

“I write to annoy God, to make Death laugh. I write because I can't get it right. I write because I want every woman in the world to fall in love with me.” –Charles Simic, born on this day in 1938.

Subscribe Apple | Google | Spotify | Stitcher | iHeart   Support The Daily Gardener Buy Me A Coffee    Connect for FREE! The Friday Newsletter |  Daily Gardener Community   Historical Events National Public Gardens Week  This week marks the beginning of National Public Gardens Week (May 6-15). This celebration started in 2009 as part of the effort to bring attention to the country's public gardens. Go Public Gardens is an ongoing, evergreen Association initiative to drive the public to visit, value, and volunteer at public gardens in their area and when they travel. You can be part of the celebration by visiting a public garden this week. You can find gardens near you on the interactive Garden Map.   1781 Birth of Henri Cassini, French botanist and naturalist. Henri's second great grandfather was the famous Italian astronomer Giovanni Domenico Cassini; he discovered Jupiter's Great Red Spot and the Cassini division in Saturn's rings. Henri took a decidedly different path than his ancestors. He was the fifth generation of a family of star scholars, so Henri is often referred to as Cassini V. Henri became a lawyer, and like many professionals, botany was a hobby for Henri. His heart belonged to the sunflower family, and it is fitting that the genus Cassinia(the sunflower genus) was named in his honor by the botanist Robert Brown. Henri's work had staying power. Many of his sunflower descriptions and observations are still valid over two centuries later. Henri married his cousin and had no children. He died of cholera at 50, and he was the last of the Cassini name - and a punctuation mark on the wonderful Cassini legacy.   1807 On this day in 1807, Lewis and Clark returned a book they had borrowed from Benjamin Smith Barton. Before starting their incredible expedition, Meriwether Lewis visited Barton at his home. Meriwether left with Barton's copy of The History of Louisiana by Antoine le Page. Meriwether memorialized the gesture in the flyleaf of the book, writing: Dr. Benjamin Smith Barton was so obliging as to lend me this copy of Mons. Le Page's History of Louisiana in June 1803. It has been since conveyed by me to the Pacific ocean through the interior of North America on my late tour thither and is now returned to its proprietor by his friends and obedient servant, Meriwether Lewis. Philadelphia, May 9, 1807.   1860 Birth of James Matthew Barrie (books by this author), Scottish novelist, and playwright. James is best remembered as the creator and author of Peter Pan, and he drew inspiration from the real world's Kensington Gardens. In 1912, James commissioned Sir George Frampton to build a statue of Peter Pan in Kensington Gardens. It's been a favorite of visitors to the park ever since. Gardens and flowers were other sources of inspiration for James. The following are just a few samples of his garden inspired prose: There is almost nothing that has such a keen sense of fun as a fallen leaf. The unhappy Hook was as impotent as he was damp, and he fell forward like a cut flower. All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old, she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, ‘Oh, why can't you remain like this forever!' This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.   James also wrote, God gave us memories that we may have roses in December.   1921 Birth of Sophia Magdalena Scholl (books about this person), German student, and anti-Nazi activist. Sophia was part of the White Rose non-violent resistance group started by her brother Hans. The two were arrested and convicted of high treason after distributing anti-war leaflets at the University of Munich. Sophia was executed by guillotine. Her last words were, “long live freedom.” Since the 1970s, Sophia has been praised and remembered for her anti-Nazi resistance work. In 2021, Sophia was commemorated on a special sterling silver collector's coin issued on her 100th birthday. It was Sophie Scholl, leader of the White Rose Movement, who said, Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn't room for any other thought.   Grow That Garden Library™ Book Recommendation Patina Living by Steve Giannetti and Brooke Giannetti This book came out in 2019, and this is The heartwarming story of how the Giannetties live and entertain in the well-designed and lushly planted gardens of their farm in Ojai, California. If you're a longtime listener of the show, you know that I recommended Steve and Brooke's second book Patina Farmjust a few weeks ago. But this is actually their third book, and it's called Patina Living, and it came out in 2019. And as the publisher says, The heartwarming story of how the Giannetties live and entertain in the well-designed and lushly planted gardens of their farm in Ojai, California. So this book is truly dedicated to the gardens there on the property. Now, I thought I'd give you a complete overview of all the Giannetti books; I think they're all fantastic. Their first book came out in 2011 and was called Patina Style. Now that book was all about their interior design. The second book, the book that I just profiled a few weeks ago, is called Patina Farm. And that's talking about basically the entire property inside and out, including the gardens. And now, this third book, Patina Living, is all about the gardens. And then, of course, there's one called Patina Homes after this one. But this book, in particular, is the one that we're talking about today, and it is Patina Living, and they don't call it Patina Gardens, essentially, because there is so much life in these gardens. There are outdoor rooms. There are kitchen gardens. There are animals. There's just so much going on outdoors for the family, which is why they chose to call it Patina Living. Now I thought it would be fun to review this power couple of Brooke Giannetti and Steve Giannetti. Brooke is a California-based interior designer. She's got her shop, and she's a blogger. And so everything that she's putting together is just so artfully done. She's a natural stylist. And then you have Steve Giannetti. He's an architect, and he works on all kinds of projects. So there's the two of them together, and they work so well together. In the introduction to Patina Living, Brooke and Steve share this incredibly heart-wrenching story of when they had to leave Patina Farm back in 2017 - five years ago when one of the California wildfires was threatening their property. And so they had to load everything up quickly, and they were prepared to say goodbye to all of it. And so here is this little excerpt from what Brooke wrote. She said, As we hurried through the now-mature grounds of Patina Farm, we were reminded of the time we had installed the new plantings that would become our outdoor rooms.  Now, five years later, the gardens looked lush and lovely, softened by the pale pink haze of the fire; but they were also quiet and lifeless. Our donkeys, Buttercup, Daisy, Blossom, and Huckleberry, were not grazing the lower fields or sleeping under the pepper trees as they normally did. The protected garden and animal barn next to my office - where our miniature pygmy goats, sisters Thelma and Louise and their best friend, Dot, and our sheep, Linen, Paisley, and Cashmere, normally lounged and played - were silent and deserted. As we headed out to our packed cars, Steve asked me if there was anything else that I wanted to take with us. - looked around at the house -a house we had spent years thoughtfully designing-and realized that all I really needed to take, the soul of our house, was already securely resting in our cars.   Isn't that touching? Later on, in the introduction, Brooke sets out her goals for this book, Patina Living. And she writes As we've shared our journey to Patina Farm, many of our readers have shared their desire to move toward an organic, nature-centered life. Some of you just want to add more gardens to your property or figure out how to have a few chickens in your side yard, while others dream of creating your version of Patina Farm, with farmanimals and a potager to grow your own food. We are writing this book for all of you, to share why we decided to embrace this lifestyle and whatwe have learned along the way. We will also introduce you to some of the wonderful people in our life who have helped us navigate the winding road of farm life. One of the important nuggets of wisdom we have learned is that there is not just one way to live. The idea of this book is to explain what works (and hasn't worked) for us and why. By sharing our journey, we hope to demystify the homestead farm lifestyle. If we city folk can do it, SO can you!   What I love about Brooke and Steve - and what they've done here - is how authentic they are and how creative they are because they approach everything from the Giannetti angle on design and functionality. Again, it's got to work for them because this is a working farm. This is a homestead property. And so, while they want things to look beautiful, they're also pragmatists. I love that mix. Now, granted, up here in Minnesota, I'm never going to have the type of climate that they enjoy in Ojai, California. I'm never going to be able to grow rosemary and lavender year-round outdoors in my garden. But again, there is so much of what Steve and Brooke do here that can be translated into new solutions no matter where you live. So if you're looking for best practices, I think you cannot go wrong with any book by Steve and Brooke Gianetti. This book is 208 pages of gardens, gardens, gardens, outdoor living, all kinds of outbuildings, and spaces for animals -  and a gorgeous potager to boot - on a high-end homestead. You can get a copy of Patina Living by Steve Giannetti and Brooke Giannetti and support the show using the Amazon link in today's show notes for around $8.   Botanic Spark 1938 Birth of Charles Simic (books by this author), Serbian American poet and former co-poetry editor of the Paris Review. He taught English and creative writing for over three decades at the University of New Hampshire.  In 1990, Charles received the Pulitzer Prize for Poetry. In 2007 he was appointed the fifteenth Poet Laureate Consultant in Poetry to the Library of Congress. Charles is one of the most compelling modern poets writing today. He once wrote, Even when I'm stretched out in my coffin, they may find me tinkering with some poem.   Here's an excerpt from his poem called In The Traffic. What if I were to ditch my car And walk away without a glance back? While drivers honk their horns As I march toward the woods, Determined, once and for all, To swap this breed of lunatics For a more benign kind who dwell In trees, long-haired and naked. I'll let the sun be my guide As I roam the countryside, stopping to chat With a flower or a butterfly, Subsisting on edible plants, I find, Glad to share my meal with deer, Or find a bear licking my face As I wake up, asking where am I? Stuck in the traffic, Mister!   And here's his very brief poem called Watermelons: Green Buddhas On the fruit stand We eat the smile And spit out the teeth.   Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.  Henri Cassini, Meriwether Lewis, James Matthew Barrie, Sophie Scholl, Patina Living, Steve Giannetti, Brooke Giannetti, Charles Simic, Benjamin Smith Barton

Une médecine qui est au coeur de ma vie dans les dernières années. Un carrefour s'est présenté et je sens que c'est le moment de me laisser guider par mon maître, mon loup intérieur. Retrouver sa nature sauvage qui apporte liberté d'esprit. Laisser sa VOIX pour retrouver sa VOIE. Parce-que "celle qui ne sait pas hurler jamais ne trouvera sa bande" a dit Charles Simic. Je parle de la retraite Manada: https://www.gaiatotal.ca/manada Je parle de l'abonnement Gardien.ne de la Terre: https://www.gaiatotal.ca/devenir-gardienne-de-la-terre Quelle louve es-tu vraiment? Télécharge l'outil gratuit pour avoir des pistes sur ton chemin de vie: https://www.gaiatotal.ca/missioname Au plaisir d'avoir des commentaires sur cet épisode! Laisse-les sans gêne sur la plateforme de ton choix (Spotify, Apple podcast, Podcast addict, Castbox, etc.) Con amor, Gaïa

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Mark Strand was born on Canada's Prince Edward Island on April 11, 1934. He received a BA from Antioch College in Ohio in 1957 and attended Yale University, where he was awarded the Cook prize and the Bergin prize. After receiving his BFA degree in 1959, Strand spent a year studying at the University of Florence on a Fulbright fellowship. In 1962 he received his MA from the University of Iowa.He was the author of numerous collections of poetry, including Collected Poems (Alfred A. Knopf, 2014); Almost Invisible (Alfred A. Knopf, 2012); New Selected Poems (Alfred A. Knopf, 2007); Man and Camel (Alfred A. Knopf, 2006); Blizzard of One (Alfred A. Knopf, 1998), which won the Pulitzer Prize; Dark Harbor (Alfred A. Knopf, 1993); The Continuous Life (Alfred A. Knopf, 1990); Selected Poems (Atheneum, 1980); The Story of Our Lives (Atheneum, 1973); and Reasons for Moving (Atheneum, 1968).He also published two books of prose, several volumes of translation (of works by Rafael Alberti and Carlos Drummond de Andrade, among others), several monographs on contemporary artists, and three books for children. He has edited a number of volumes, including 100 Great Poems of the Twentieth Century (W. W. Norton, 2005), The Golden Ecco Anthology (1994), The Best American Poetry 1991, and Another Republic: 17 European and South American Writers (with Charles Simic, 1976).His honors included the Bollingen Prize, a Rockefeller Foundation award, three grants from the National Endowment for the Arts, a National Institute of Arts and Letters Award, the 2004 Wallace Stevens Award, the Academy of American Poets Fellowship in 1979, the 1974 Edgar Allen Poe Prize from the Academy of American Poets, as well as fellowships from the MacArthur Foundation and the Ingram Merrill Foundation. He served as poet laureate of the United States from 1990 to 1991 and as a Chancellor of the Academy of American Poets from 1995 to 2000. He taught English and comparative literature at Columbia University in New York City. He died at eighty years old on November 29, 2014, in Brooklyn, New York.From https://poets.org/poet/mark-strand. For more information about Mark Strand:“Mark Strand”: https://www.poetryfoundation.org/poets/mark-strand“The Coming of Light”: https://poets.org/poem/coming-light“Mark Strand, The Art of Poetry No. 77”: https://www.theparisreview.org/interviews/1070/the-art-of-poetry-no-77-mark-strand

Former U.S. Poet Laureate Charles Simic shares poems from his accomplished career, at this 2007 Poetry Downtown event in Portland.

Bianca Stone talking with the acclaimed Serbian American poet and former co-poetry editor of the Paris Review, about what life and in Covid, marital squabbles of crows, the dullness of growing up between his grandfather’s farm in rural Serbia, and the excitement of Belgrade; how nature and city works in his poems, and the wandering […]

In today's news: a health update, status of the Cormorants in Quinn's Pond, and a neo-surrealist poem by Charles Simic. “...downright frighening…to be reminded of one's own solitude...” Notes at www.jefferyoliver.com | 2019.10.24 © Sunset Grove Media

This episode features a conversation between Farnaz Fatemi and choreographer, dancer and writer, Raja Feather Kelly, about the intersection of poetry and his art and life. And another fabulous installment of Lisa Allen Ortiz's Prosetry, in which she examines the work of Charles Simic. More about Raja can be found on Instagram: @rajafeatherkelly, and at: http://thefeath3rtheory.com/

Steve interviews his colleague, Dr. Donovan McAbee, about what it means to believe in God in dialogue with the poetry of Charles Simic.See omnystudio.com/listener for privacy information.

On this week's program, I talk to Charles Simic about James Tate, Kansas surrealism, humor in poetry, and embracing the unconscious, plus I talk to Richard Blanco about the accidents that turn us into artists, the grind of editing, and the joys of finding new forms and challenges.   Be sure to check out the music of David Rego, whose songs “Rings Ring” and "Sapphire Showers" appear on this episode.