Podcasts about ctm festival

Kancheli is a Georgian producer and a resident DJ at Bassiani who has been crucial in shaping the country's club culture, going on to become one of the most popular DJs in his hometown Tbilisi, headlining many major festivals in Georgia and performing at the industry's most respected venues such as Berghain, Robert Johnson, Shelter, Dimensions and CTM Festival. Behind the decks, Kancheli is capable of conjuring up the kind of magic that can only come from a 10+ year residency at one of electronic music's finest institutions, with this exceptional mix another fine example of his intricate sonic sorcery and mind-controlling incantations. Follow: https://soundcloud.com/kancheli https://www.instagram.com/dj_kancheli/ https://www.facebook.com/djkancheli Monument x Carbon Carbon is a new music platform designed by and for fans of electronic music. Carbon's goal is to provide a more convenient platform to discover new and relevant content while improving revenues artists and labels can earn from streaming. Visit: urlr.me/mNtbwu

Aha, Laura www.deutschlandfunkkultur.de, Fazit

Biermann, Ulrich www.deutschlandfunk.de, Corso

This mix is a collage of bass experimentation and music that can flirt with what usually works in a club, 3h of music glued in 1h. Brazil-born, Berlin-based alys(alys)alys explores the (un)common ground between experimental, club, and soundcloud music; crafting a dynamic approach to her own productions and eclectic DJ sets. Since 2018, she has performed in venues and parties such as Berlin Atonal, CTM Festival, Venice Biennale, Herrensauna, as well as in some of the notorious Brazilian parties such as Mamba Negra. Tracklist: Process - Om Unit You're Magic - Celine Gillain Gerudo Fortress - Belia Winnewisser Capiuz - DRP H3@RT$ W3RE M3@NT T0 F7¥ - Childish Gambino when u feel the heat - blu-e Twenty Four Seven - Sylvere Bellydance - Xzavier Stone, DJ Plead, Phillip Jondo Blockhead - Ivy Lab Alternate Looking Glass - Tristan Arp WHATSMYNAME!? feat. £MONZO - Lamsi, Cyra Gwynth Like i Love You Break - AJAY 10,000 Lux - Traverse Vutha Mlilo - AkiidMusiq Caught - Wen & Parris Decrescent - Sound Stabs Skank (Famous Eno remix) - Brackles SUB EM TRANSE - Laza  DOT (feat. Benji) - Dialog Daily Affirmation - Aase Nielsen  Cordite - Mosca Ice Rink (DJ Vader Remix) - Wiley Bullet From A Gun (zzzplz Edit) - Skepta pink diamond - Charli XCX Antagonist - TMSV Hood By Air Theme - Kingdom Agua de Vidrio - Lechuga Zafiro Horloge du 3ème Âge (Soa420 Remix) - traverse DOTTIE SANI (SUMA NA BASI) - Gualtiero ZOOTED (feat. DJKillaSquid) - HiTech  Rzor (Feat. Sam Binga & MC DRS) - Addison Groove Flare - Fellow Deity (Unreleased) - Blawan slipping - Florence Sinclair

Limerick-based electronic duo 40hurtz and rapper Hazey Haze are gearing up to release one of the year's most anticipated projects, a Berghain-inspired record, this Thursday. Known for their experimental approach, the collaboration fuses the bass-heavy energy of Limerick's dubstep and grime scenes with the industrial, techno-infused sounds of Berlin's Berghain. Inspired by a surprise booking at Berlin's legendary Berghain, 40hurtz and rapper Hazey Haze dove into the studio to create a fresh batch of tracks, gearing up for their performance at the CTM Festival in February 2024. The result is an album that fuses 40hurtz's hard-edged, groove-laced UK-influenced production with Hazey Haze's gritty, hard-hitting lyricism. 40hurtz, known for his innovative and uncompromising production, has crafted a collection of tracks that push boundaries, delving into the darker, more atmospheric side of electronic music while preserving a distinctly Irish edge. Teaming up with Hazey Haze added the final touch, infusing the project with sharp, witty lyricism and a vernacular rooted in Irish culture. Together, they deliver a sound that is both bold and unmistakably tied to the Emerald Isle. 40hurtz said “A product of a crazy gig booking, and not wanting to bring old music to Berghain. Myself and Haze Locked ourselves away for a month and a half and crafted some songs worthy of the legendary venue. So, here is this bunch of bass heavy , distorted vocals , gritty imagery and hopefully danceable grooves!” We premiere “The Maze” over on our Soundcloud now. 40hurtz ------------------------- SC: @ck-66228354 IG: https://soundcloud.com/eoin-b Four Four Magazine 
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An Emotional Encyclopedia of War is a radio art project launched in the summer of 2022 that investigates the transformation that comes with war via the locus of emotional emergency. Trying to get a grip on the new emotional states she'd undergone, Anna Kravets still questions the imperceptibility of war experience. Having realized how discordant it is with the life beyond its borders, she tries to invent frameworks that would pass under the framing barriers of mass media coverage. In her auto-ethnographic radio piece, Anna describes her feelings of living during war, integrating them in a palette of experiences which belong to others, strangers, foreigners. Called out in a time of war, those experiences are featured in her piece together with her desperate attempts of reflection and composing sound in a post-invasion paralysis.   The project was born during SONIC FUTURE RESIDENCIES program of SEMI SILENT, made possible together with Q-O2 and ASCR in Brussels, and co-financed by AFCN. In 2023, it traveled to CTM festival as part of its Radio Lab with Deutschlandfunk Kultur (winner of the 2022 edition), ORF musikprotokoll im steirischer herbst festival, Ö1 Kunstradio, The Wire magazine, and Goethe Institut. A new iteration of Emergency Rehearsal took place during Sonic Narratives festival in Timișoara (Romania) in 2023, and the Week of Sound in Brussels and Charleroi in 2024.   An Emotional Encyclopedia of War was premiered (in German) in February 2024 at Deutschlandradio Klangkunst.   Photo: Udo Siegfriedt, 2023   Anna Kravets is a radio and performance artist, journalist and podcast producer. In her work, she uses direct and recorded speech, stages recorded interactions, makes sonic experiments with materials, spaces and soundscape, exploring the experience of the self with its limits and possibilities. Anna studied cultural studies in Kyiv and anthropology in Marseille. In 2017-2022, Anna presented the Art Of Work Talk Show on Radio Ukraine International and Cashmere Radio. In 2017-2018, Anna also produced and organized an experimental media platform called Radio International during the Kyiv Biennial and the Warsaw Under Construction Festival. Anna is based in Kyiv, Ukraine.   Voices, contributors, and participants: Aditi Srivastava, Alessandra Prado Soler, Alice Hui-Sheng Chang, Amin Behmanesh, Annu Koetter, Carmelo Ianuzzo, Caroline Profanter, Constanze Aka, Diana Duta, Dimitra Kousteridou, Erika Sirola, Golo Föllmer, Greg Kieser, Hanna Sauer, Joachim Glaude, Julia Eckhardt, Juliette Escudé, Kai-Uwe Reinhold, Laetitia Defendini, Mamoru Watanabe, Michel Ivor, Nir Jacob, Sabri Meddeb, Tanya Ringer, Virgile Loiseau, Wouter Hillaert, and Wynona Ringer. The voices were collected in different places from 2022 onward as part of Emergency Rehearsal series of performative interactions, that became a tool for mutual translation and acknowledgement of complicated experience.   Production: SEMI SILENT, Q-O2, ACSR, Deutschlandfunk Kultur, CTM Festival, Goethe-Institut, and ORF.

Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, finding her sound, getting signed to Skam Records and becoming a BBC 6 Music DJ with a prime-time Friday evening slot.Chapters00:00 - Introduction01:22 - BBC 6 Music04:05 - Becoming A Musician06:40 - Getting Signed To Skam10:11 - Equipment Used On Debut Album13:59 - Using Synth Pads16:19 - More Recent Projects18:19 - Creating Sample Packs For Spitfire20:11 - Working With The Kyma27:09 - Being Productive32:30 - Balancing Different ProjectsAfrodeutsche BiogAFRODEUTSCHE (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/German artist, composer, producer, and DJ based in Manchester, UK. Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019's most exciting artists, Afrodeutsche's spectacular debut album ‘Break Before Make' was released on the legendary Skam label in 2018, followed in 2019 with the debut release on Eclair Fifi's label River Rapid and a much praised remixes for artists as diverse as Marie Davidson (Ninja Tune), Joep Beving (Deutsche Grammophon) and Nathan Fake (Cambria Instruments).AFRODEUTSCHE has written and performed scores for films and documentaries including the BAFTA nominated ‘Kamali' about a young girl skateboarder in India, and a live re-score of renowned Earth documentary ‘Baraka' at The Royal Northern College of Music.The soundtrack for ‘Kamali' was released by SA Recordings in September 2020, alongside a sample library for Spitfire. The audio library illuminates much of Henrietta's writing process as a self-taught musician and composer. Inspired by her work with the Kyma sound design environment, it's a set of tools for composition based around colour. Her aim is to offer a new perspective and a sense of freedom for those delving into the library, no matter their level of experience.In the summer of 2022 she scored Bottega Veneta's SS2023 collection runway show, during Milan Fashion Week working, closely with head designer Matthieu Blazy throughout the process.In 2023 she premiered a new string ensemble commission for MIF at the prestigious new Factory International venue. Henrietta lent her own vocals and piano playing alongside a sting ensemble from the Manchester Camerata, arranged and conducted by Robert Ames.After years hosting a regular radio show ‘Black Forest' on the renowned NTS, AFRODEUTSCHE now leads BBC 6 Music's Friday night schedule with the Peoples Party, a peak time show that entrances listeners with her idiosyncratic combinations of crate dug party tunes from any point in the last 50 years, acid, rave, electro, breaks, footwork, ghetto tech and jacking house. In 2022 she has regularly presented BBC 6 Music live coverage of festivals at Glastonbury and Cardiff. At the end of the summer she curated the 6 Music stage for London festival ‘All Points East'. Her DJ style is a synthesis of Drexciyan and Underground Resistance-inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet. Forever evolving a fully live hardware show, AFRODEUTSCHE debuted it at the opening of CTM Festival at Berghain in February 2020, integrating classical piano and hardware along with visuals. https://linktr.ee/afrodeutscheCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Die Themen: Mega-Streik am Donnerstag; Bundestag erinnert an Opfer des Holocaust; Generaldebatte im Bundestag; Gesetzlicher Mindestlohn zeigt positive Wirkung; Anschlag auf Krankenhaus in Westjordanland; Verfassungsschutz beobachtet Ex-Chef Hans-Georg Maaßen; Boykott beim CTM Festival und Judith Rakers spricht zum letzten Mal die tagesschau Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee

Kröger, Jasminwww.deutschlandfunk.de, Corso

Das CTM-Festival feiert 25jähriges Jubiläum, steht diesmal unter dem Motto "sustain" und findet vom 26.01. – 04.02. statt. In der ersten "elektro beats"-Stunde stimmt Olaf Zimmermann musikalisch und mit vielen Information ein und begrüßt als Studiogast Jan Rohlf aus dem CTM-Kuratorenteam. In Stunde 2 laufen dann ausschließlich Vinylplatten und Musiken von Sofia Kourtesis, Kreidler, FSOL, Tom Thiel, Dapayk & Padberg, Robag Wruhme, Forest Swords, Marta De Pascalis, Suzanne Ciani und Surkid.

Die politische Lage ist weltlweit angesapnnt- das spiegelt sich auch in der Clubkultur wieder. Brothers From Different Mothers sagt ihre zehnjährige Jubiläumsparty in der Säule ab – ein Statement zu den "momentanen Ereignissen in Deutschland" und der Zensur, die Künstler wie Arabian Panther erfahren haben. Doch nicht nur dort, auch beim CTM Festival werden kritische Töne laut: Künstlerinnen wie Manuka Honey und Jyoty setzen ein Zeichen und sagen ihre Auftritte ab, unterstützt von der Initiative Strike Germany. Tauche mit uns ein in die Welt der verschobenen Rhythmen und den Kampf um Meinungsfreiheit. Bleib dran, wenn wir die Facetten der künstlerischen Freiheit und die Clubpolitik durchleuchten."

When Apple introduced the Vision Pro, everyone was completely hung up on the huge price tag. But is there a way we and the cultural spaces around us can benefit from such innovative, yet expensive products without having to actually own them ourselves? OttO Kent takes this question to Michail Stangl, who is most known for curating Boiler Room and the CTM Festival in Berlin. Plus: a new documentary about the “free party scene”, Coldplay releasing a sustainability report, a drug testing project in Berlin, no more auto correction for f*ck and our weekly recommendation – this week with rRoxymore calling in from. The Week is a production by Telekom Electronic Beats and ACB Stories.

Anastasia Kristensen's greatest gift is to weave an electrifying sonic thread through her DJ Sets. She gathers sounds from a vast array of styles, enthusiastically researches off-grid electronics and blends them together through an adventurous, if not infectious, mixing technique. Dance oriented Avantgarde - that is exactly her edge. Her BBC Radio 1 Essential Mix turned so many heads that it got nominated for the Best Essential Mix of 2022 and is a testament to her ability to select and synthesize.
To become the selector that she is today, Anastasia embraced non - conformity and fortitude throughout her life. Non - conformity, that means a musical curiosity that explores the less conventional places in electronic music, but it also means continuously aiming for her audience to let go on the dancefloor. At present she hosts regular all-nighters at Den Anden Side, a new underground venue in her hometown Copenhagen and holds a residency at Mainstream, the city's most reputable LGBTQ party. Both platforms stand for her versatility and community orientation and are key contributors to her experience of playing foggy high quality basements and festival stages dexterously and with devotion. I's a rare quality to perform with such an ease in these divergent ambiances. Even more so, to provide such an engaging variety of sounds there and to captivate the audiences in an instant. Whoever attends one of Kristensen's kaleidoscopic sets should be ready to get lost and experience the unpredictable. Having played the experimental UNSOUND Festival, and clubs like FOLD, BLITZ and Elysia in Basel, the Danish DJ convinced many knowledgeable crowds and gained praise for it. This is no different for her rare live performances - like the opening of the CTM Festival in 2018. To care for a community and to further build it up is of significant importance for the artist. Her 2020 efforts to curate the compilation “Rewire and Acquire” and bring 18 producers together in service of the organization “Equality Now”, show that she walks the talk intrepidly.
Being a producer, too, the energy of dance - oriented Avantgarde is detectable in her releases and remixes. Following the debut “Maxima” (2019) on the cutting edge outlet Houndstooth, the EP “Ascetic” on Warps sub- label Arcola exhibits a futuristic genre blend between electro, IDM and spooky techno. Houndstooth is also the home for her latest release “Volshebno” that captures mesmerizing dancefloor moments. Fittingly, “Volshebno” stands for “magic” in Anastasia's mother tongue, Russian. 2023 will be a continuation of her mission to represent musical curiosity and community, as Anastasia will host listening sessions in Copenhagen. Community Members will showcase music they love and tell the connected stories around them. Besides that, she will hold a residency at the highly reputable NTS Radio. By embodying authentic, tasteful curation and selection, by connecting individuals in communities they feel belonging to, Anastasia Kristensen will no doubt further transcend her inspiring artistic footprint into the electronic realm. Tracklist via -Spotify: http://bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/ Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer Keep up with SLAM: fanlink.to/Slam Keep up with Soma Records: fanlink.to/SomaRecords For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

Lush Lata's Wild City mix moves from thumping kicks-backed Sarod meanderings of 'Maharaj Trio and Nickodemus' to the booming hip-hop beat of 'Go Again' by A-STAR to cuts by Overomono, SBTRKT, Romare, Breaka and Fred Again alongside works by homegrown talents like Oceantied, Potter and Stain, while also slipping in Udit Narayan, Kavita Krishnamurthy, Swarnalatha and Karsh Kale. With 40 tracks in less than an hour, the New Delhi selector's mixing moves quickly just like her trajectory as an artist. Starting as a member of the femme collective Coven Code and a staple figure of boxout.fm, Lush Lata has built her work over an embrace for Bollywood and the grooves most Indian kids grow up around while connecting it to her deep love for hip-hop and bass. The individual voice recently led her to be featured at Berlin's CTM Festival this year with a talk, DJ-ing workshop and a performance at the Panorama Bar of the dance music's most iconic club The Berghain. "I am way more open to new sounds and musical experiences than before. Also, they love what's going on in India right now," says Lush Lata, recounting her time in Berlin which she also does by ending her mix with Shy FX and T-Power's 'Shake Ur Body (feat. D.I.)', a track that she describes as "the tune that took my night at Berghain to another level when I heard it on the dancefloor in DJ Voilet's set at CTM festival." For more information: https://www.thewildcity.com/mixes/20112-wild-city-222-lush-lata

Endlich können die Tore wieder ganz aufgemacht werden: Zum CTM, wie wir es kennen: Volles Programm an mehreren Veranstaltungen, keine Festivalteilung mehr und es darf auch wieder voll sein in den Veranstaltungsorten und den Clubs. Unter dem Titel “Portals” öffnet CTM 2023 dieses Mal die Tore zu anderen Realitäten und zu den Realitäten Anderer. Sound und Musik sind die Begleiter*innen, wenn wir durch diese Tore gehen. Ein Schwerpunkt liegt bei dieser 24. Festivalausgabe auf elektronischer Musik aus Südasien sowie auf Kollaborationen zwischen afrikanischen und deutschen Künstler*innen. Die Klangportale des CTM 2023 umfassen die ganze Bandbreite von psychotropen Reisen, intimer Melancholie, Kriegserfahrungen, Zeremonien der Trauer und Erneuerung bis hin zu ausgewachsenen Clubnächten.

Michail Stangl aka Opium Hum ist heute bei uns zu Gast. Aufgewachsen in der Sowjetunion und später in der Einöde Hessens, kam Michail anfänglich ohne Plan und der Musik wegen nach Berlin. Heute blickt er auf einen interessanten Werdegang zurück: Kurator und Executive Producer bei Boiler Room, Kurator beim CTM Festival, Veranstalter, DJ und noch vieles mehr. Ihr kennt ihn vielleicht auch als Moderator und Ansager aus den Boiler Room Videos. Über all diese Themen sprechen wir mit ihm in der Sendung. Musik findet ihr wie immer in der Spotify Playlist "tronic tunes" und wir freuen uns immer über euer Feedback! ❤️

Elsäßer, Fabianwww.deutschlandfunk.de, CorsoDirekter Link zur Audiodatei

Sechs Jahre nach "III" (2016) melden sich Moderat mit ihrem vierten Album "MORE D4TA" zurück und begeistern darauf wieder durch ihre unverkennbare Soundästhetik, für die sie weltweit gefeiert werden. Olaf Zimmermann begrüßt in der ersten "elektro beats"-Stunde exklusiv Gernot, Szary und Sascha, um mit ihnen gemeinsam das neue Werk vorzustellen. Es geht u.a. um den Kreativprozess im Studio, Textinspirationen, Geschichten zu den einzelnen Songs, Konzerte und vieles mehr. Stunde 2 stimmt dann mit Musik, zahlreichen Informationen und zwei Studiogästen auf das ctm-Festival 2022 ein, das vom 24. bis 29.05.2022 in diversen Clubs stattfindet.

Der Musiker, Sound-Kreateur und Komponist unzähliger Yello-Hits, Boris Blank, ist am 15. Januar 70 Jahre geworden. Das „elektro beats“-Special in der ersten Stunde ist ihm und seinem musikalischen Schaffen gewidmet. Solo und mit Dieter Meier war er häufig zu Gast von Olaf Zimmermann in den „elektro beats“. Parts aus Interviews sind Bestandteil dieses Specials und in denen geht es u.a. um frühe Klangexperimente und die Faszination für Geräusche, die Gründung von Yello und das Kennenlernen, eine spezielle Sample-Musik-App, Soloveröffentlichungen unter dem Titel „Electrified“ und das Geheimnis seiner mittlerweile 40jährigen kreativen „Ehe“ mit Dieter Meier. Stunde 2 stimmte dann auf den ersten Teil des diesjährigen ctm-Festivals ein, das vom 19. Januar 2022 bis 6. Februar 2022 läuft. Einer der Festivalchefs, Jan Rohlf, und der Musiker Phillip Sollman (Efdemin) informierten über das Programm, in dessen Fokus diesmal neben Konzerten auch Klanginstallationen stehen. Einer der Höhepunkte war sicherlich das „Modular Organ System“, eine performative Klang-/Soundinstallation von Phillip Sollman und Konrad Sprenger, in der Betonhalle des „Silent Green“.

Autor: Gammel, Marcus Sendung: Kompressor Hören bis: 19.01.2038 04:14

How does nature sound? With „Natur. Nach Humboldt“, the Berlin-Brandenburg Academy of Sciences and Humanities together with the Botanic Garden and Botanical Museum Berlin, CTM Festival, Deutschlandfunk Kultur and Die Junge Akademie has been realizing a 360-degree sound installation in the Main Tropical Greenhouse at the Botanic Garden Berlin from January 24 to February 2, 2020. Friederike Krippner, co-initiator of the project, talks to the artists Lucrecia Dalt and Maria Thereza Alves about nature, sound, greenhouses and plant names – and you can listen to a small audio sample. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/natur._nach_humboldt_eine_klanginstallation_im_botanischen_garten?nav_id=9265

How does nature sound? With „Natur. Nach Humboldt“, the Berlin-Brandenburg Academy of Sciences and Humanities together with the Botanic Garden and Botanical Museum Berlin, CTM Festival, Deutschlandfunk Kultur and Die Junge Akademie has been realizing a 360-degree sound installation in the Main Tropical Greenhouse at the Botanic Garden Berlin from January 24 to February 2, 2020. Friederike Krippner, co-initiator of the project, talks to the artists Lucrecia Dalt and Maria Thereza Alves about nature, sound, greenhouses and plant names – and you can listen to a small audio sample. Den Originalbeitrag und mehr finden Sie bitte hier: https://lisa.gerda-henkel-stiftung.de/natur._nach_humboldt_eine_klanginstallation_im_botanischen_garten?nav_id=9265

Hendrik van Boetzelaer is my guest in Episode 27. The swiss based artist is also formerly known as Opuswerk. He is known for his passion for warm and forward thinking music for the body regardless of the genre. 
His style is always forward thinking and finds adventurous ways of transporting the dancers beyond the boundaries of the club all the while challenging them. His musical consistency, brings him to play, in the best clubs and festivals from Concrete to Tresor or Mute, CTM Festival and Montreux Jazz or Paleo. 
In the first hour I recorded a mix for you with new material from the likes of VC-118A, Sterac, DJ Nobu, Dino Sabatini and more. Music is able to lift you into other dimensions, so come with me through this portal and immerse into the depths of my record collection. www.markussuckut.com

Autor: Müller, Tobi Sendung: Fazit Hören bis: 19.01.2038 04:14

Kok Siew-Wai is a vocalist, festival director, and video artist from Kuala Lumpur, Malaysia. For the past 10 years, Siew-Wai has been the organiser of KLEX, an independent Kuala Lumpur experimental film and music festival. As a musician, Siew-Wai frequently performs as a vocalist in the free improv scene in KL and she's performed and curated film programs all over the world. Siew-Wai is a fantastic performer who brings a really strong presence to group she plays with. I've been lucky to see her play many times on my trips to KL. I last saw Siew-Wai perform at KLEX 2019 as a trio with Burkhard Beins on percussion and Yuen-Chee Wai on guitar, and you can find a link to a video of that performance in the show notes. Siew-Wai went to university in Buffalo, New York, and by chance found herself studying with Tony Conrad. Buffalo's arts community and Conrad's teaching had a significant influence on Siew-Wai's work, so that's where we start our conversation. Quick reminder to share, rate, review, and subscribe if you're enjoying the show. Also to check out Sonic Vortex, which is a big compilation of noise and experimental music from South-East Asia released by the Mindblasting label. You can find one of my tracks on there, as well as a music by previous podcast guests ASU (USA), Indra Menus, and SIN. Final plug for the Pancawala split, which is one of my tracks along with DJ Miko, Coffee Faith, Dissonant, and BRRR. I also have a new Anquan release on the way, so I'll talk about that a bit more next week.Links for Kok Siew-WaiSiew-Wai's Wordpress site: https://koksiewwai.wordpress.com/Siew-Wai's performance with Burkhard Beins and Yuen Chee-Wai at KLEX 2019: https://www.youtube.com/watch?v=UCoKCIe2d68Kok Siew-Wai, Nadya Hatta, Cheryl Ong, Riska Farasonalia at Nusasonic 2018: https://www.youtube.com/watch?v=nzKJC0yvQEcKLEX festival official website: http://www.klexfilmfest.com/KLEX Facebook group: https://web.facebook.com/groups/klexfest/ Sonic Vortex Vol. 1 (compilation of South-East Asian noise and experimental music): https://mindblasting.wordpress.com/2020/01/25/sonic-vortex-volume-1/Pancawala split (Coffee Faith, Dissonant, BRRR., DJ Miko, Anquan): https://mindblasting.wordpress.com/2020/01/01/pancawala-split/Concrescence Records YouTube channel: https://www.youtube.com/channel/UCqKkFOv5-FOVTTbl0oojrfw

Nach einer gefühlten Ewigkeit sind wir wieder da! Linn hat aus New York genug Enthusiasmus für zwei mitgebracht und das ist auch gut so, Freerk kommt nämlich schlecht vorbereitet zur Aufnahme... Dafür sind die Tipps für den Januar diesmal aber so überzeugend, dass wir uns direkt nach dem Gespräch Tickets kaufen. Selbsthypnose erfolgreich! Mit: Tompkins Square Bagels, 20 Jahre Rimini Protokoll, Universität der Künste Kollisionen, Tanztage Berlin, ganz viel Transmediale und CTM Festival, Burns Supper und ein wenig Grüne Woche und Berlin Fashion Week.

S Ruston honed her craft in Bristol, before shifting to her current home of Berlin. She currently divides her time between the decks and studio, with releases on Houndstooth and her own label One4Ho. She's also carved a rep for pumping, powerful sets at femme forward sex-positive queer parties such as Lecken, Pornceptual, TrashEra, and WHOLE - United Queer Festival. For the broadcast, we share a blinder two hour excerpt from her performance as part of Lecken for CTM Festival Berlin. Trinity Carbon - Buzz Feelin' [Art-E-Fax] Overmono - The Mabe [Poly Kicks] ROSH - Winona’s Love (Stranger Things Mix) [Rosh] IKE RELEASE - Geospatial [Mister Saturday Night] Laksa - Madu’s Break [Ilian Tape] Stanley Schmidt - Shifting Modernism [Vienna] James Shinra - Pinwheel [Analogical Force] Danny Daze & DeFeKt - Negative Pressure [Omnidisc] Renart - Terreur sur la Ville [Cracki] Solid Blake - Masha [Monkeytown] Aquarian - Ten Years (Leather jacket Mix) [Forth] Voicedrone - Amen Godess [??] Skee Mask - 50 Euro to Break Boost [Ilian Tape] Chontane - Nedelia [THEM] Justin Cudmore - Are You Ready (Gunnar Haslam Bass and Superstructure) [Bunker NY] Sciahari - The Dream is True [Ilian Tape] Nightwave - Psychic Tonic (Jerome Hill Remix) [Dext] Born in Flamez - Talking to the White Noise (Quest?onmark Remix) [Infinite Machine] Hector Oaks - Together We Stand [Bassiani] Mor Elian - Russian Wave Group [Fever AM] Martyn - Voids Two [Ostgut Ton] Mella Dee - Deep Soul (Endian Remix) [Dext] AQXDM - Aegis [Bedouin] Avatism - XX (AQXDM Remix) [Vakant] Tzusing - Shame [Bedouin] Akkord - RCVR [Houndstooth] Abyss X - Allegory [Different Circles] Hodge & Peder - Inside the Rain [Peder Mannerfelt] Pic by Kasia Zacharko

Few nicknames in dance music have been as rightfully earned as DJ Storm's "First Lady of Drum & Bass." It all began in early 90s London, when she discovered the weird and wonderful world of UK rave. By the end of the decade, Storm and her friend Kemistry had become the quiet force behind Goldie’s Metalheadz empire. As part of the 2018 CTM Festival in Berlin, she sat down for an inspiring conversation about the joys of the mix and the trials and tribulations of maintaining a DJing career.

Over the past decade Equiknoxx has become one of the most innovative production crews in Kingston, Jamaica. After working with some of the biggest names in dancehall – Aidonia, Beenie Man, T.O.K – Equiknoxx crash landed in the global arena with Bird Sound Power in 2016, a collection of 21st century riddims. In this public talk as part of the 2018 CTM Festival in Berlin, its members spoke with refreshing honesty about the politics of dancehall and how Jamaica seems to always twist things in unexpected wa

** Introduction Song: Moor Mother - Deadbeat Protest ** This week, we have a special episode of the FuseBox Radio Broadcast with DJ Fusion & Ausar Ra Black Hawk which features audio from an mini-interview we had during Moogfest 2017 with musician, MC, activist and more, Moor Mother about her background, music, Black Woman Rage, Afrofuturism, creativity and more. Moor Mother's mini-biography via the official Moogfest Website: "Camae Ayewa (Moor Mother) is a national and international touring musician and has performed at numerous festivals, colleges and universities sharing the stage with King Britt, Islam Chipsy, Claudia Rankine, and Bell Hooks and opening on tour for Screaming Females. A soundscape artist with work featured at Samek Art Museum, Metropolitan Museum of Art Chicago, ICA Philadelphia and Everson Museum of Art, Camae is also a vocalist in punk band The Mighty Paradocs and free jazz group Irreversible Entanglements. Camae is co-founder and organizer of Rockers! Philly, a 10-year long running event series and festival focused on marginalized musicians and artists spanning multiple genres of music. As Moor Mother she released her debut album "Fetish Bones" on Don Giovanni records that was named 3rd best album of the year by The Wire Magazine, number 1 by Jazz Right Now and appeared on numerous end of the year list from Pitchfork, Noisy, Rolling Stone, and Spin Magazine. Moor Mother was named by Rolling Stone as one of the 10 artists to watch in 2016 and named Bandcamp’s 2016 artist of the year. Camae also released her first book of poetry called Fetish Bones in Winter 2016 on The AfroFuturist Affair small press. As a member of Black Quantum Futurism Collective (BQF), she has been a part of two literary works and several zines, and has been featured in exhibitions at the Schomburg Center, Rebuild Foundation Temple Contemporary at Tyler School of Art, and more. Camae Ayewa is a 2016 Leeway Transformation Award and Blade of Grass 2016 Fellow, has been an in artist in residency at West Philadelphia Neighborhood Time Exchange and WORM! Rotterdam residency, and will be featured with Black Quantum Futurism at Transmediale Festival in Berlin 2017. Moor Mother has appeared in the Quietus, the Fader, Vice and others. Moor Mother’s upcoming schedule includes Berhaign, Safe as Milk Festival, CTM Festival, MoogFest, and Donau Festival." ** Closing Song: Moor Mother - DIY Time Machine ** For more information about Moogfest, go to: http://www.Moogfest.com http://www.facebook.com/Moogfest http://www.twitter.com/Moogfest http://www.instagram.com/Moogfest For more information about Moor Mother, go to: http://www.MoorMother.com Feel free to check out some recent episodes of the syndicated FuseBox Radio Broadcast over at our official blog, BlackRadioIsBack.com - most of the shows are clean/radio friendly.

Milo - Grimecore ────────────────────────────────── Milo aka milo schlimmfingr is curating the monthly mixes on bassmusik.ch. He develops conceptual dj sets mostly under different aliases. «Grimecore» was a set played on February 2017 for an experimental & noise night (w/ Fezaya, Purpura and Musikgesellschaft) at the collective-run clubspace at Wasserwerkstr.89a in Zurich. «Grimecore» is based on a deep research about queer identities and the role of LGBT music producers and the collective form of releasing music. Some of the featured artist in this set are dealing with postcolonial topics, questioning roles of identity and the economical, neoliberal and technological influences on our society. You can hear an assemblage of spoken word pieces, bullet shots, scarps of weird noise, industrial and vaporous sonics. A fictional drift into a dystopian future. photo credits: «The Great Disappointment», Performance by NON Collective at CTM Festival 2017. Shot by Ude Siegfriedt ────────────────────────────────── April-Mix 2017 for www.bassmusik.ch For more quality mixes just visit our page @bassmusikmix is an multimedia project that tries to catch the spirit of bass music in and around switzerland. the basic idea is to build a close relationship with all the artists in order to push the local scene. furthermore, the current development is documented and released in the form of a monthly mix. switzerland might be a “terra nullius” on the digital and physical music landscape. But many small circles of individuals constantly make their own personal contribution for a sustainable and wide-ranged bass driven music. there is a lot of talented musicians to be heard and of which you can be inspired. Big up to all contributors and listeners. thank you for your support. ♥ ────────────────────────────────── TRACKLIST: 01. Wolfgang Tillmans - Make It Up As You Go Along (Salem Remix) 02. GIL - Onset (Imbaas Remix) [Danse Noire] 03. WWWings - Aetheral (ft. Chino Amobi) [Self-released] 04. Mya Gomez - Ex Narcisst [NON Collective] 05. N-Prolenta - Sizz [Halcyon Veil] 06. Bonaventure - Riposte [Co-Op Compilation] 07. Caretango - Moro [NON Collective] 08. Kai Whiston - Threads & Strings [TAR] 09. Jasmine Infiniti - Hapocalypse [Club Chai Vol. 1 Compilation] 10. WWWings - Exodus ft. Jeremiah Jae [TAR] 11. Kamixlo - Paleta [Codes] 12. SHALT - The Treatment (Ziúr Remix) [Astral Plane Recordings] 13. M.E.S.H. - Methy Imbiß [PAN] 14. Soda Plains - In Tongues [Self-released] 15. Yves Tumor - The Feeling When You Walk Away [PAN]

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A giant of the avant-garde shows us how to listen.

A giant of the avant-garde shows us how to listen.

The electronic artist and industry vet talks Blondie, aliens and African tribes.

The electronic artist and industry vet talks Blondie, aliens and African tribes.