POPULARITY
3 episodes with Donald P Bellisario
3 episodes with Donald P Bellisario
3 episodes with Donald P Bellisario
5 episodes with Donald P Bellisario
2 episodes with Donald P Bellisario
3 episodes with Donald P Bellisario
2 episodes with Donald P Bellisario
3 episodes with Donald P Bellisario
2 episodes with Donald P Bellisario
Another filmmaker retrospect allows me to sum up former Marine-turned-marketing exec-turned hit TV producer Donald P. Bellisario. From writing on the staff of Black Sheep Squadron and the original Battlestar Galactica to creating the Magnum P.I., Quantum Leap and NCIS saga, what are some other deep cuts he was responsible for? Along the way, I also get to play some inspiring screenwriting tips-and-tricks he gives in his Television Academy interviews! MUSIC USED: "NCIS Theme Remix" by Ministry MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/ SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222 Discord: https://discord.com/channels/796154005914779678/796154006358851586 #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass
Take a leap with us back to 1989, as we join Sam Beckett try to get home with the help of his hologram best friend, Al Calavicci. Quantum Leap, created by Donald P. Bellisario, starring Scott Bakula and Dean Stockwell. --- Support this podcast: https://podcasters.spotify.com/pod/show/thegenxfiles/support
Settle down with your one-eyed dog and grab a drink at the Raffles Hotel bar as we discuss two adventure tv series from 1982: Donald P. Bellisario's TALES OF THE GOLD MONKEY and BRING ‘EM BACK ALIVE, based on real-life big game trapper Frank Buck. WARNING: CLOSE ALL TRANSOM WINDOWS BEFORE LISTENING TO THIS PODCAST!!!
Donald P. Bellisario is one bad mutha. He created Magnum PI, JAG, and NCIS. He also gave us Airwolf, which was loosely based on Shakespeare's Merchant of Venice*. We're gonna hold our breathe and take a deep dive on this fella's career. However, y commitment o you is that I will also discuss the musical stylings of one Telly Savalas, my time on the set of JAG, dogs & cops, the (almost) death of Thomas Magnum, super helicopters, and Quantum Leap references during improv shows. *That was a joke.
NCIS la série originelle, elle-même dérivée de JAG à l'époque de Donald P. Bellisario, est actuellement en cours de sa 20e saison. Elle a donné naissance à quatre spin-offs, NCIS : Los Angeles (depuis 2009 avec une saison 14), NCIS : Nouvelle-Orléans (2014 à 2021), NCIS : Hawai'i(depuis 2021, le titre ayant passé de Hawaii à Hawai'i pour rendre hommage à la langue locale) et très prochainement en 2023 NCIS : Sydney. On va s'attarder sur NCIS : Hawai'i dont la saison 1 vient de sortir sur Salto. Direction l'île de Hawaii à Pearl Harbour évidemment, avec Jane Tennant, une agente fédérale qui n'a peur de rien et qui a mené de front carrière et vie de famille. https://youtu.be/LluQHGxXGdw L'une des premières particularités commence, vous l'aurez compris, avec son héroïne. C'est la première fois dans la franchise NCIS qu'une femme est la meneuse d'une équipe. Et Vanessa Lachey n'est pas à sous-estimer. Oui, elle présente Love is Blind, la télé-réalité, mais elle a clairement d'autres chats à fouetter dans NCIS Hawaii. Et la dynamique change quand c'est une femme cheffe d'équipe. Quant à sa team, elle est assez classique, un bleussaille local de l'île qui n'y avait pas mis les pieds depuis quelques temps, une rebelle qui n'a cure des règles, un geek, et un bras droit sans grand charisme. Par ailleurs, ce spin-off de NCIS est celui qui a le plus fait de crossovers avec les autres équipes. Le procédural reste le fondement de cette série de network et même si peu de véritables surprises existent, le format divertissement remplit sa part du contrat. Le décor de Hawai'i pourrait plaire à plus d'un·e puisque même si les indigènes ne peuvent pas éviter les white saviors, la culture est un minimum représentée. [bs_show url="ncis-hawaii"] Bref, si l'envie vous prenait de commencer un nouveau procédural, n'hésitez pas à donner une chance à NCIS Hawai'i qui est disponible sur Salto.
Oh Boy hosts Nathanial Bowden and Brian Martin leave no stone unturned examining a past interview with Quantum Leap creator Donald Bellisario
In this episode: One More Thing Before You Go Over the Teacup with Michael and Diane this is a fantastic Sunday we hope you're having a wonderful day. You know as you know these conversations are casual on Sundays we figures of time to reflect timing to be grateful and a time to have a little fun. this morning we're going to talk about something near and dear to our hearts because it reminded us on Friday night that we missed our favorite date night guilty pleasure making homemade pasta and watching Magnum P.I. Well somebody at CBS decided to cancel this popular show and we want to talk about that today get it off our chest and tell you how you can have an opportunity to possibly save this brilliant piece of adventure drama comedy Hawaiian O'hana Let me give you some quick background Original Magnum P.I. ran from 1980 to 1988 created by did Donald P Bellisario and Glen A Larson, Starring Tom Selleck as Thomas Magnum, John Hillerman as Higgins, Roger Mosley as TC, Larry Menetti as Rick. The log line for the original Magnum P.I. was “the adventures of a HAWAIIN based private investigator The Magnum P.I. reboot ran from 2018 to 2022 76 episodes was created by Eric Guggenheim and Peter M lenkov. This Magnum reboot stars Jay Hernandez as Magnum, Perdita Weeks as Higgins (which is a nice new twist), Zachary Knighten as Rick, Stephen Hill the helicopter flying TC. The log line for Magnum P.I. the reboot is “An ex-Navy Seal that returns from Afghanistan and uses his military skills to become a private investigator in Hawaii They brought in some familiar faees from the Hawaii Five-0 series that ran from including Amy Hill plays Kumu, the beachside food truck, and another favorite Tim Kang who plays Detective Gordon Kastumoto. Of course, a whole cast and crew that have created a brilliant Adventure each week with some familiar faces in a rotating cast of stars we've all grown to love. To help save this brilliant show visit https://www.change.org/p/save-magnum-pi-for-a-season-5?recruiter=292902173&utm_source=share_petition&utm_medium=sms&utm_campaign=psf_combo_share_initial&recruited_by_id=4511f1e0-f609-11e4-a53d-b3c70824e435&share_bandit_exp=initial-33320679-en-US (Change.org) or follow the Twitter feed for Saving Magnum P.I. https://twitter.com/savemagnumpi (https://twitter.com/savemagnumpi) More info https://beforeyougopodcast.com (https://beforeyougopodcast.com) This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy
Tread Perilously's Total Request Live 5 continues with an episode of the 1980s Magnum P.I. called "The Ugliest Dog In Hawaii." When mobsters pose as animal control officials to get their mitts on Sir Algernon Farnsworth, the adopted dog of one of Higgins's friends down at the club, Magnum is called in to investigate the incident and protect the pooch from any harm. Why an old mobster wants the dog is anyone's guess? But after a second attempt to heist the canine, Magnum teams up with an actual animal control representative to learn the truth. Will Magnum also need to call in his friends to save his life? Justin and Erik are immediately thrilled to see Michael V. Gazzo -- Frank Pentangeli from The Godfather Part II -- make an appearance. Justin introduces his new "Mustache Theory." The naming conventions of Donald P. Bellisario get called into question. Justin tries to discern the actual premise of Magnum. Erik attempts to imagine the timeline in which Tom Selleck plays Indiana Jones. Marc Harmon turns out to be the most vain actor working today. Burt Reynolds proves to be stunningly important. Justin discovers that Motorhead is eternal and Erik learns the secret identity of Magnum's unseen Robin Masters.
The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers. Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Dan and Nayan give their feedback on the Duck Tales reboot(available on Disney+). Dan pitches "Black Lightning"(available on Netflix) and doesn't hurt himself at all. Dan's recommended watch order for "Black Lightning" is Episodes 1 & 2 of Season 1. --- Send in a voice message: https://anchor.fm/watchokplease/message
In this episode we go to a Donald P. Bellisario reliable classic!! this week we are talking Airwolf, including all of our usual features Geeky Guys faves, Did you know? & “PPCC” positive, positive, constructive criticism.
We try to understand German time travel in our feedback on the show "Dark"(available on Netflix), give up, and move on to Canadian time travel in the show "Travelers" (available on Netflix) all while trying to avoid the wrath of Donald P. Bellisario and/or America Ferrara. The recommended watch order for Travelers is episodes 1 & 2 of season 1. --- Send in a voice message: https://anchor.fm/watchokplease/message
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In First to Fall: Elijah Lovejoy and the Fight for a Free Press in the Age of Slavery (Pegasus Books, 2021), Ken Ellingwood takes readers back to the first true test of the First Amendment's guarantees of free speech and a free press through the story of abolitionist newspaper editor Elijah Lovejoy. The story unfolds during the 1830s, a period known for legal efforts to silence the abolitionist movement by states across the South and violent mobs who picked up that charge when the government could not. Lovejoy pushed back against both of those forces and ultimately succumbed to them, becoming a martyr for the abolitionist movement and a wakeup call about how essential a free press was to a free country and a thriving democracy in America. Lovejoy's story is worth revisiting now at time when attacks against journalists are again on the rise and the press is considered by some to be the "enemy of the people." Ellingwood does a wonderful job of capturing it in this book and bringing this important time in American history to light. Ken Ellingwood is an award-winning journalist, Ken Ellingwood has been posted in the San Diego, Mexico City, Jerusalem, and Atlanta bureaus of the Los Angeles Times. He is the author of the critically acclaimed (and prescient) work of investigative journalism Hard Line: Life and Death on the U.S.-Mexico Border. He currently lives in Abu Dhabi. Jenna Spinelle is an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
Bill Zimmerman, an instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Happy Valley Hustle podcast, returns to the show to discuss his experience with a year of remote learning and how he hopes education will look different as schools fully come back in person this fall. He talks about how he managed — or sometimes didn't manage — Zoom fatigue for his students and for himself and how the time in remote learning might strengthen the desire for in-person connections inside and outside the classroom. Bill is an eternal optimist, and that sentiment really comes through in this conversation. We also talk about running and how it helps focus our minds that are constantly distracted by our inboxes and social media notifications. Links to cool stuff: Our first episode with Bill Happy Valley Hustle podcast Bill on Twitter Episode 199 https://media.blubrry.com/highered/highered.social/episodes/HES-0199.mp3 Subscribe on Apple Podcasts Subscribe on Google Play Subscribe on Spotify Subscribe on Stitcher
The future of local news and the connection between local news and democracy are two of the hottest topics in philanthropy, education, and media these days. Nikki Usher addresses both head-on in her new book, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press, 2021). In the book and in this conversation, Usher recasts the challenges facing journalism in terms of place, power, and inequality. She questions longstanding beliefs about the relationship between local news and civic engagement and separates observed behavior from myths about American democracy and the media's role within it. Drawing on more than a decade of field research in newsrooms across the United States, Usher illuminates how news organizations strategize about the future and offers ideas for how they can meet community information needs in an inclusive, equitable way. Nikki Usher is an associate professor in the College of Media at the University of Illinois . Jenna Spinelle is a journalism instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
The future of local news and the connection between local news and democracy are two of the hottest topics in philanthropy, education, and media these days. Nikki Usher addresses both head-on in her new book, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press, 2021). In the book and in this conversation, Usher recasts the challenges facing journalism in terms of place, power, and inequality. She questions longstanding beliefs about the relationship between local news and civic engagement and separates observed behavior from myths about American democracy and the media's role within it. Drawing on more than a decade of field research in newsrooms across the United States, Usher illuminates how news organizations strategize about the future and offers ideas for how they can meet community information needs in an inclusive, equitable way. Nikki Usher is an associate professor in the College of Media at the University of Illinois . Jenna Spinelle is a journalism instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
The future of local news and the connection between local news and democracy are two of the hottest topics in philanthropy, education, and media these days. Nikki Usher addresses both head-on in her new book, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press, 2021). In the book and in this conversation, Usher recasts the challenges facing journalism in terms of place, power, and inequality. She questions longstanding beliefs about the relationship between local news and civic engagement and separates observed behavior from myths about American democracy and the media's role within it. Drawing on more than a decade of field research in newsrooms across the United States, Usher illuminates how news organizations strategize about the future and offers ideas for how they can meet community information needs in an inclusive, equitable way. Nikki Usher is an associate professor in the College of Media at the University of Illinois . Jenna Spinelle is a journalism instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism
The future of local news and the connection between local news and democracy are two of the hottest topics in philanthropy, education, and media these days. Nikki Usher addresses both head-on in her new book, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press, 2021). In the book and in this conversation, Usher recasts the challenges facing journalism in terms of place, power, and inequality. She questions longstanding beliefs about the relationship between local news and civic engagement and separates observed behavior from myths about American democracy and the media's role within it. Drawing on more than a decade of field research in newsrooms across the United States, Usher illuminates how news organizations strategize about the future and offers ideas for how they can meet community information needs in an inclusive, equitable way. Nikki Usher is an associate professor in the College of Media at the University of Illinois . Jenna Spinelle is a journalism instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The future of local news and the connection between local news and democracy are two of the hottest topics in philanthropy, education, and media these days. Nikki Usher addresses both head-on in her new book, News for the Rich, White, and Blue: How Place and Power Distort American Journalism (Columbia University Press, 2021). In the book and in this conversation, Usher recasts the challenges facing journalism in terms of place, power, and inequality. She questions longstanding beliefs about the relationship between local news and civic engagement and separates observed behavior from myths about American democracy and the media's role within it. Drawing on more than a decade of field research in newsrooms across the United States, Usher illuminates how news organizations strategize about the future and offers ideas for how they can meet community information needs in an inclusive, equitable way. Nikki Usher is an associate professor in the College of Media at the University of Illinois . Jenna Spinelle is a journalism instructor in the Donald P. Bellisario College of Communications at Penn State and host of the Democracy Works podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
« Menace »: Judas And The Black Messiah - Le Passager N°4 - The Blob C’est le temps des luttes ! La lutte des afro-américains, et du leader charismatique des Black Panthers, pris au piège d’une terrible machination. Dans « Judas And The Black Messiah », récompensé par deux Oscars, deux idéalismes s’opposent. La survie est la lutte qui anime nos héros de « Le Passager N°4 », spationautes en départ de mission, qui se retrouvent avec un boulet aux pieds. Devant l’urgence et la conscience de leur trépas, ils vont devoir prendre les décisions les plus justes. Une intelligence rare, que l’on ne retrouve pas dans « The Blob », ou une bande d’adolescents en rut se retrouve aux prises d’une étrange créature. Attention, dégueu assuré ! Pour nous accompagner, une lectrice venue prêter ses yeux sur les pellicules rassemblées, Salomé, du podcast Des Lettres À L’image ! Bonne écoute :) Invitée : Salomé du podcast Des Lettres À L’image Temporalité de l’épisode : 00:00 Intro 00:06:34 JUDAS AND THE BLACK MESSIAH de Shaka King, avec Lakeith Stanfield, Daniel Kaluuya, Jesse Plemmons… 00:36:18 LE PASSAGER N°4 (Stowaway) de Joe Penna, avec Anna Kendrick, Toni Colette, Daniel Dae-kim… 01:13:23 LE BLOB (The Blob, 1988) de Chuck Russell, avec Shawnee Smith, Kevin Dillon, Jeffrey DeMunn… 01:41:26 Les Recos: Malcolm & Marie de Sam Levinson La Mariée Était En Noir (1968) de François Truffaut Code Quantum (Quantum Leap, 1989), série de Donald P. Bellisario Outland (1981) de Peter Hyams Aurora, autrice-compositrice-interprète norvégienne Gook (2017) de Justin Chon Homunculus (2003) manga en 15 tômes de Hideo Yamamoto édité chez Tonkam Homunculus (2021) de Takashi Shimizu 02:09:22 Bonus Episodes cités : CLAAC 33 Artic CLAAC Malcolm & Marie CLAAC Michel Ange Crédits : Émission animée par Thomas Bondon, Thierry de Pinsun, Eléonore Tain, Jess Lordi, Yassa Harbane, et Marwan Foudil. Montage : Thomas Bondon Générique original : Kostia R. Yordanoff (tous droits réservés) . Illustration : Eléonore Tain Logo dessiné par Jade Latour Retrouvez aussi Certains l’aiment à chaud sur : Facebook : @claacpodcast Instagram : @claacpodcast Twitter: @CLAACpodcast Ausha Itunes / Apple Podcast Podcast addict Spotify Deezer lepodcast.fr Google Podcast Podcloud Amazon Music Youtube Tumult
Walter Middlebrook is the Foster Professor of Practice in the Donald P. Bellisario College of Communications at The Pennsylvania State University. Middlebrook has worked in editing roles at the Minneapolis Star, the St. Paul Pioneer Press and Dispatch, Newsday, New York Newsday, The New York Times, USA Today and The Detroit News.At The Detroit News, he supervised an award-winning investigations team, while producing weekly entertainment and opinion stand-alone sections. Before that, he managed the newspaper’s award-winning department that included the metro desk, state house, and Washington, D.C., bureaus.Middlebrook has earned a Lifetime Achievement Award from the Detroit chapter of the Society of Professional Journalists. He also has earned a Distinguished Alumni Award from Boston University and the Spirit of Diversity Award from Wayne State University.He is a native of Memphis, Tennessee, and an Eagle Scout. I am delighted to have Walter Middlebrook as a guest on this episode of the podcast, and I am sure that you will enjoy listening to the story of his career as a journalist.
In this episode Mark talks about one of his favourite TV shows: the American science-fiction television series "Quantum Leap", created by Donald P. Bellisario. Set in the near future, the series stars Scott Bakula as Dr. Sam Beckett, a physicist who theorised that it may be possible to time travel within one's own lifetime, who decides to test his theory by stepping into the "Quantum Leap accelerator" and who subsequently vanishes and continuously finds himself leaping through space and time by temporarily swapping his consciousness in place of other peoples' to correct what are believed to have been historical mistakes in the past. However, Dr. Sam Beckett ultimately finds himself trapped in the past, looking into the eyes mirror-images that are not his own, "and driven by an unknown force to change history for the better". Dr. Sam Beckett is guided on his journey through time and space by Admiral Al Calavicci (played by Dean Stockwell), an observer of Project Quantum Leap from Sam's own time, who appears in the form of a hologram that only Sam can see and hear. And as every episode's intro, narrated by co-executive producer Deborah Pratt, explains: "...Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong, and hoping each time that his next leap... will be the leap home" - however, the question still remains as to whether and when Dr. Beckett will ever return home. The series ran for five seasons, from March 25, 1989 through to May 5, 1993 - and is often sighted as one of greatest TV series ever made. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message
The Nittany Lions may be reeling at 0-3, but there's always a lot to celebrate here in Happy Valley. The guys take a break from the doom and gloom of football talk to welcome in Pearl Gluck and Curt Chandler, faculty in Penn State's Donald P. Bellisario College of Communications, to learn about the Centre Film Festival, happening this weekend (Nov. 13-15), and the fun and challenge around adapting it into a virtual event for 2020. Tickets are available to stream over 50 films of all genres on-demand all weekend with live Q&As and other events throughout. Afterward, there's some discussion and predictions for Penn State's trip to Nebraska, and everything kicks off with Mike the Mailman's gambling picks for this weekend.HOSTED BY: Brandon Noble, Mike Herr, Kevin Horne, Chris BuchignaniGUESTS: Pearl Gluck, Curt Chandler (Centre Film Festival)
This week, we have another return guest - Dean Marie Hardin from the Donald P. Bellisario College of Communications at Penn State University! Dean Hardin originally joined us on our 4th episode in April of 2020 and MUCH has changed since then. Join us as we discuss seeing the future of academia through a cloudy crystal ball and making your mark on zoom without smoking or falling asleep. As always, laughter is encouraged and reality is discussed on the Pandemic Professors! --- Send in a voice message: https://anchor.fm/pandemic-profs/message
In this week’s special edition episode of The Daily Collegian’s Friendly Neighborhood Podcast, co-hosts Jared Smith and Alexis Yoder are joined by Gary Abdullah, the assistant dean for diversity and inclusion at the Donald P. Bellisario College of Communications. Abdullah talks about the Black Lives Matter movement, why diversity work is important and what people of color can get out of an institution like Penn State.
Long time listeners will know that we are big fans of the work of American producer, screenwriter, show-runner and ubiquitous figure in television for over 40 years Donald P. Bellisario. With a body of work that includes Kojak, Battlestar Galactica, Quincy ME and creating iconic franchises including Magnum PI, Tales of the Gold Monkey, Airwolf, Quantum Leap, JAG and NCIS amongst many others, it is an honour to welcome Mr Donald P Bellisario for a chat with Mike about his career. Find the regular show HERE Feedback appreciated at chinstrokervspunter@gmail.com and hang with us on facebook Check out the other PODSYNDICATE SHOWS
Airwolf is an action military drama television series that ran from January 22, 1984 until August 7, 1987. The program centers on a high-technology military helicopter, code named Airwolf, and its crew as they undertake various exotic missions, many involving espionage, with a Cold War theme. The show was created by Donald P. Bellisario and was produced over four seasons. The first three seasons' main cast consisted of Jan-Michael Vincent, Ernest Borgnine, and Alex Cord, with Jean Bruce Scott added as a regular in Seasons two and three. The show originally aired on CBS and after the original series was cancelled, a fourth season, with an entirely new cast and on a much smaller budget, was filmed in Canada for the USA Network. The show's distinctive musical score, which was originally orchestral, but shifted to more synthesizer-based arrangements early in the second season, was composed and mainly conducted by Sylvester Levay. Udi Harpaz conducted the scores for many later second- and third-season episodes.
Après « la belle sueur » de son live sensible à Nova, ce musicien de pop androgyne nous transmute dans un remake de Code Quantum.« Plaine brûlée, noyée, on te détourne de l'essentiel / Jamais j'irai à ton encontre, à ton insu / Fini, j'oublie tes alentours, ton goût du miel / Tu es lentement tuée / et cette voie est sans issue. » Sur sa chanson Essentielle tirée d'un second album intitulé Tempéraments (2019), Malik Djoudi n'évoquerait-il notre bonne vieille Terre, maltraitée de longue date ? « Vieillie, enlaidie à coups de foudres de bulldozers, tu as riposté / Mais ce n'est pas dans ta nature. » Quand on lui demande quelle est son humeur, d'instinct, vis-à-vis du futur, la réponse est nette : « Sceptique. »Mais son tempérament se « désiste des eaux troubles », comme l'affirme ce quadra poitevin récemment installé à Paris, qui vient de publier en vinyle le remix de ses propres chansons par Yuksek, Chloé, Léonie Pernet et Myd. Ainsi, lors de son live à Nova, lorsque ce protégé d'Etienne Daho se lance dans une reprise au ralenti, murmurée, du hit mammaire de l'été 1987, Boys boys boys (summertime love) de l'Italienne Sabrina, on comprend mieux ce fantasme énoncé à bord de notre arche : changer de peau, de pays, d'âge ou de classe sociale tous les jours, être un chien errant d'Albanie ou un roi paré « à foutre la merde », comme dans la série spatio-temporelle idéale des années 90, Code Quantum. Alors pourquoi pas une insouciante bimbo de piscine ? Oh bravo.Pour voir le mini-concert de Malik au rez-de-chaussée de Nova, c'est là.Visuel © Code Quantum, de Donald P. Bellisario (1989-1993). See acast.com/privacy for privacy and opt-out information.
DEAN MARIE HARDIN OF THE BELLISARIO COLLEGE SITS DOWN WITH DONALD P. BELLISARIO TO DISCUSS HIS PROCESS OF WRITING SCRIPTS AND HIS FAVORITE METHODS, THE ADVICE HE WOULD GIVE TO YOUNG WRITERS, AND HIS LATEST WWII-THEMED PROJECT ENTITLED "SPITFIRE".
Bob Morgan is taking lessons learned from decades of entrepreneurship to now generate content that educates and inspires with his company Talaria Media and nonprofit Pivotal Moments. He's also the Penn State Donald P. Bellisario College of Communications' innovator-in-residence, but you don't have to be on campus to hear his advice on devloping mental wellness, making powerful content and working for yourself.▶️ MAKE your podcasting dreams happen with hosting from Buzzsprout.Make sure you always Hear The Hustle: Web: https://www.billzhustle.com/podcast/ Facebook: https://www.facebook.com/HappyValleyHustle/ Twitter: https://twitter.com/billzhustle Instagram: https://www.instagram.com/billzhustle/ LinkedIn: https://www.linkedin.com/in/billfzimmerman/ Sponsor: Tailgater Taters, “The Original Blue & White Chip”Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.
Quantum Leap is an American science-fiction television series created by Donald P. Bellisario, that originally aired on NBC for five seasons, from March 25, 1989 through May 5, 1993. It starred Scott Bakula as Dr. Sam Beckett, a physicist who leaps through spacetime during an experiment in time travel, by temporarily taking the place of other people to correct historical mistakes. Dean Stockwell co-stars as Admiral Al Calavicci, Sam's womanizing, cigar-smoking companion and best friend, who appears to him as a hologram. The series features a mix of humor, drama, romance, social commentary, and science fiction. The show was ranked number 19 on TV Guide's "Top Cult Shows Ever" in 2007.
Les années 1980 ont été riches en nouveautés du côté des séries télévisées ! Supercopter faisait d'ailleurs partie de ces nombreuses séries qui ont fait le bonheur des petits comme des plus grands. Diffusée en France à partir de 1985, celle-ci a été imaginée par Donald P. Bellisario, le créateur de Magnum, Code Quantum ou encore NCIS : Enquêtes spéciales. Et saviez-vous que Jan-Michael Vincent alias Springfellow Hawke, était l'acteur le mieux payé de l'époque avec 200,000 dollars par épisode ? Pour l'occasion, Alain Carrazé vous révèle tous les petits secrets du programme phare des années 80 !
Der Vietnam-Veteran und Ex-Testpilot Huckleberry Hawke ist im Besitz des geheimen Hightech Kampfhubschraubers "Airwolf" und ist als inoffizieller Mitarbeiter für den CIA ... ähm ... "Die Firma" tätig. Die Serie von Donald P. Bellisario lief von 1984 bis 1986 und hatte 80 Folgen in vier Staffeln. Und dann sprechen wir noch über die traurige Karriere des Jan-Michael Vincent. Sprecher: Sebastian Thies und Dominik Cenia Musik: Go Go 60s von Dave Depper (CC-Lizenz)
The 15th annual Penn State Powwow is scheduled for April 6-7. John Sanchez, an associate professor in the Donald P. Bellisario College of Communications and coordinator of the event, joins host Jerome Taylor.
Steve Kraycik, director of student television, joins host Jerome Taylor to discuss “Centre County Report,” an award-winning newscast produced by students from the Donald P. Bellisario College of Communications.
Senior Brandon Pelter joins host Jerome Taylor to discuss all things CommRadio. Pelter is a student general manager for the internet-based radio station housed in the Donald P. Bellisario College of Communications.
Katie O'Toole is a gifted storyteller with a lot of tips for helping you connect with subjects and uncover compelling content. A public broadcasting veteran, she's now educating students on podcasting in Penn State's Donald P. Bellisario College of Communications. Plus, as president of the Centre County Historical Society, she's telling the region's colorful history on the "Dead Centre" podcast. Make sure you always Hear The Hustle: Web: http://bit.ly/HVHustle Facebook: https://www.facebook.com/HappyValleyHustle/ Twitter: https://twitter.com/billzhustle Instagram: https://www.instagram.com/billzhustle/ LinkedIn: https://www.linkedin.com/in/billfzimmerman/ Books and music by past "Hustle" guests are available at https://www.amazon.com/shop/happyvalleyhustle▶️ MAKE your podcasting dreams happen with hosting from Buzzsprout.
Dix-septième épisode du CDF. Penchés sur leurs pintes, les deux piliers du comptoir y voient des tubes à essais et des béchers. Ils se demandent quelle place ont les scientifiques dans la science-fiction ? Héros réaliste de "Seul sur Mars", super-héros à la Samantha Carter de Stargate SG1, génie sans moral comme Antman… Si vous aimez cet épisode, abonnez-vous à la chaîne, partagez, mettez des pouces verts et que la Force soit avec vous ! Merci et Bonnes Fêtes ! Pour vous abonner : http://lc.cx/ZHWc Retrouvez-nous sur : http://lecomptoirdufutur.com/ Et suivez-nous sur twitter @lecomptoirdufutur Et sur Facebook https://www.facebook.com/lecomptoirdu... Nos références par ordre de citation : Lucy (Film) - Luc Besson - 2014 Seul sur Mars (Film) - Ridley Scott - 2015 Darkman (film) - Sam Raimi – 1990 Buckaroo Banzaï (Film) - W.D. Richter - 1984 Stargate SG1 (Série) - Brad Wright et Jonathan Glassner - 1997 Stargate (Film) - Roland Emmerich – 1994 La Faune de l'Espace (Roman) - A. E. van Vogt - 1950 Fondation (Roman) - Isaac Asimov - 1942 Robocop (Film) - Paul Verhoeven - 1987 V pour Vendetta (Bande-dessinée) - Alan Moore et David Lloyd - 1982 Universal Soldier (Film) - Roland Emmerich - 1992 Code Quantum (Série) - Donald P. Bellisario - 1989 Terminator 2 : Le Jugement dernier (film) - James Cameron - 1991 On a marché sur la Lune (BD) – Hergé - 1950
Dix-septième épisode du CDF. Penchés sur leurs pintes, les deux piliers du comptoir y voient des tubes à essais et des béchers. Ils se demandent quelle place ont les scientifiques dans la science-fiction ? Héros réaliste de "Seul sur Mars", super-héros à la Samantha Carter de Stargate SG1, génie sans moral comme Antman… Si vous aimez cet épisode, abonnez-vous à la chaîne, partagez, mettez des pouces verts et que la Force soit avec vous ! Merci et Bonnes Fêtes ! Pour vous abonner : http://lc.cx/ZHWc Retrouvez-nous sur : http://lecomptoirdufutur.com/ Et suivez-nous sur twitter @lecomptoirdufutur Et sur Facebook https://www.facebook.com/lecomptoirdu... Nos références par ordre de citation : Lucy (Film) - Luc Besson - 2014 Seul sur Mars (Film) - Ridley Scott - 2015 Darkman (film) - Sam Raimi – 1990 Buckaroo Banzaï (Film) - W.D. Richter - 1984 Stargate SG1 (Série) - Brad Wright et Jonathan Glassner - 1997 Stargate (Film) - Roland Emmerich – 1994 La Faune de l'Espace (Roman) - A. E. van Vogt - 1950 Fondation (Roman) - Isaac Asimov - 1942 Robocop (Film) - Paul Verhoeven - 1987 V pour Vendetta (Bande-dessinée) - Alan Moore et David Lloyd - 1982 Universal Soldier (Film) - Roland Emmerich - 1992 Code Quantum (Série) - Donald P. Bellisario - 1989 Terminator 2 : Le Jugement dernier (film) - James Cameron - 1991 On a marché sur la Lune (BD) – Hergé - 1950
Please join us as we start a three part series on journalism during the Civil War. In our first episode, our guest Dr. Ford Risley talks to us about the state of the press in the north, from abolition to jailing journalists. Dr. Risley is a professor of communications and associate dean of the Donald P. Bellisario College of Communications at Penn State University. He is the author or editor of three books, including Civil War Journalism and Abolition and the Press: The Moral Struggle Against Slavery. His latest book, “Dear Courier”: The Newspaper Correspondence of Editor Melvin Dwinell," will be published in 2018.
Alumna Marielena Balouris discusses Donald P. Bellisario's transformative $30 million gift with Dean Marie Hardin.
Hey, folks... This week we're doing things a little differently. Which is to say we're doing a completely different kind show. But don't panic. The Worst Adults I Know isn't going anywhere anytime soon. We were just curious if we could pull off the fancast format (and turn TV watching into work!)... So this week we're diving into Donald P. Bellisario's late-80s, early-90s time travel body swap series Quantum Leap! Beginning with the two-parter that started it all back in 1989! Did we pull it off? Let us know! If there's enough positive feedback, this might just become our next podcast venture! Our intro music in this episode was "Where's My Jetpack?" by Computer Music All-Stars. You can find more by Computer Music All-Stars over at cmallstars.com. Our outro music is Herman Hupfeld's "As Time Goes By" as performed by Dooley Wilson. See you next leap!
Un point sur la carrière de Thugger après la sortie de Slime Season 3, nouvelle mixtape et laboratoire d'un album attendu depuis belle lurette. Nicolas Pellion et Aurélien Chapuis se demandent si le rappeur d’Atlanta peut devenir Drake.Animé par Mehdi Maizi (@MehdiMouse) avec Aurélien Chapuis (@lecaptainnemo) et Nicolas Pellion (@PureBakingSoda), RÉFÉRENCES CITÉES DANS L'ÉMISSIONYoung Thug, 300 Entertainment, Fetty Wap, Slime Season 1 (Young Thug, 2015), Slime Season 2 (Young Thug, 2015), London On Da Track, Future, I'm Up (Young Thug, 2016), Rich Gang: Tha Tour Pt. 1 (Birdman, Young Thug, Rich Homie Quan, 2014), Barter 6 (Young Thug, 2016), 1017 Thug (Young Thug, 2013), I Came From Nothing (Young Thug, 2011), Kendrick Lamar, Evol (Future, 2016), Popcaan, Be EL Be, The Life of Pablo (Kendrick Lamar, 2016), Def Jam, Rick Rubin, Sammy Davis Jr., Danny Glover, Flaked (Will Arnett et Mark Chappell, 2016), 11.22.53 (Bridget Carpenter, 2016), James Franco, Code Quantum (Quantom Leap - Donald P. Bellisario, 1989), Stephen KingCOUPS DE COEURAurélien Chapuis : Flaked, la série de Will Arnett et Mark Chappell sur Netflix (2016) http://www.allocine.fr/series/ficheserie_gen_cserie=18765.htmlNicolas Pellion : 11.22.53, la série de Bridget Carpenter (2016) http://www.allocine.fr/series/ficheserie_gen_cserie=18160.htmlSlime Season 3 (Young Thug, 2016), Jamie XX, Lil Wayne, PLAYLIST DE L'ÉMISSIONhttps://www.youtube.com/playlist?list=PLGt4caHD8Xaug7Ssh27RckB3zpsE-TWh6RETROUVEZ NOFUN SUR LES INTERNETS :@nofunshowwww.facebook.com/NoFunShow www.twitter.com/NoFunShow www.dailymotion.com/nofunshow www.youtube.com/channel/UCOQc7plmG6-MlPq7-CD3T7A www.mixcloud.com/NoFunShow/ www.deezer.com/show/13867 www.stitcher.com/podcast/nofun/CRÉDITS :Enregistré le 30 mars 2016 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Jules Krot. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. See acast.com/privacy for privacy and opt-out information.
On this Bonus Episode of the Quantum Leap Podcast, we analyze Quantum Leap: Lee Harvey Oswald, the season five opener that found Sam Beckett Leaping into the eponymous assassin! This is also a Barren Space crossover event, as Albie welcomes 11.22.63: An Event Podcast hosts Skipper Martin and Christopher DeFilippis, and Thinking Outside The Long Box host Juan Muro. We start off our group discussion with spoiler-free first impressions, and then hand the reigns over to Skipper and Christopher as they dive deep into this game-changing episode of Quantum Leap. We also have interviews with veteran actor Elya Baskin, who played Major Yuri Kosenko in the episode, and colorist Bryan McMahan, who worked behind the scenes on Quantum Leap during seasons 3-5. If you enjoy this special episode, you can here more of Skipper and Christopher on the 11.22.63 Podcast, where they talk about 11.22.63, the Hulu event miniseries, and the Stephen King novel on which it's based. Oh boy! RUNDOWN 00:00:01: Intro 00:00:09: Quantum Leap: Lee Harvey Oswald Promo 00:01:04: Welcome 00:01:30: Enter Albie and Juan! 00:03:15: Bonus Episode? What Gives? 00:04:25: Spoiler-Free Discussion of Quantum Leap LHO 00:15:28: Spoiler Discussion Begins 00:26:17: Mad Props to Albie and Juan 00:29:00: Is That A Violin? 00:29:33: And Then There Were Two: What Skip and Chris Really Think About the Lee Harvey Oswald Episode 00:42:24: Donald P. Bellisario on Writing (and Meeting) Lee Harvey Oswald 00:46:58: Lee Harvey Oswald: Morals, Meanings and Messages 00:56:22: Expectations for Hulu's 11.22.63 Series Adaptation 01:01:50: 11.22.63 Podcast Interviews to Come 01:06:20: Elya Baskin Interview 01:46:40: Bryan McMahan Interview 03:04:24: More 11.22.63 Interviews to Come 03:06:11: Contact Us! 03:08:00: Barren Space Plug 03:09:18: Where to Find Skipper 03:10:32: Where to Find Chris 03:11:44: Wrap Up 03:12:46: Credits Let us know what you think… Leave us a voicemail by calling (707)847-6682 and send in your thoughts, theories and feedback, send MP3s & email to quantumleappodcast@gmail.com. Also join us on Facebook.com/QuantumLeapPodcast and Twitter.com/QuantumLeapPod and www.patreon.com/QuantumLeapPodcast. You can help out the show by shopping at Amazon using our affiliate link… https://quantumleappodcast.com/Amazon
On this Bonus Episode of the 11.22.63 Podcast, we analyze Quantum Leap: Lee Harvey Oswald, the season five opener that found Sam Beckett Leaping into the eponymous assassin! This is also a Barren Space crossover event, as Skipper Martin and Christopher DeFilippis welcome Quantum Leap Podcast host Albie Burdge and Thinking Outside The Long Box host Juan Muro. We start off with spoiler-free first impressions, and then dive deep into this game-changing episode of Quantum Leap. We also have interviews with veteran actor Elya Baskin, who played Major Yuri Kosenko in the episode, and colorist Bryan McMahan, who worked behind the scenes on Quantum Leap during seasons 3-5. Oh boy! SHOW RUNDOWN 00:00:01: Intro 00:00:09: Quantum Leap: Lee Harvey Oswald Promo 00:01:04: Welcome 00:01:30: Enter Albie and Juan! 00:03:15: Bonus Episode? What Gives? 00:04:25: Spoiler-Free Discussion of Quantum Leap LHO 00:15:28: Spoiler Discussion Begins 00:26:17: Mad Props to Albie and Juan 00:29:00: Is That A Violin? 00:29:33: And Then There Were Two: What Skip and Chris Really Think About the Lee Harvey Oswald Episode 00:42:24: Donald P. Bellisario on Writing (and Meeting) Lee Harvey Oswald 00:46:58: Lee Harvey Oswald: Morals, Meanings and Messages 00:56:22: Expectations for Hulu’s 11.22.63 Series Adaptation 01:01:50: 11.22.63 Podcast Interviews to Come 01:06:20: Elya Baskin Interview 01:46:40: Bryan McMahan Interview 03:04:24: More 11.22.63 Interviews to Come 03:06:11: Contact Us! 03:08:00: Barren Space Plug 03:09:18: Where to Find Skipper 03:10:32: Where to Find Chris 03:11:44: Wrap Up 03:12:46: Credits Let us know what you think! Leave us a voicemail at (707)847-6682. E-mail thoughts, theories, feedback and MP3s to 112263podcast@gmail.com. Follow us on Facebook, Twitter and Instagram. :D
Tripping the Couture Fantastic with Jean-Pierre Dorléac By Christopher DeFilippis He imaginatively dressed up Lorne Greene in TV's Battlestar Galactica and artfully dressed down Brooke Shields in the cult classic film The Blue Lagoon. But Quantum Leap fans will best remember costume designer Jean-Pierre Dorléac for giving their favorite show its most iconic image, and for giving their favorite hologram his flamboyant style. In our post Mad Men, nostalgia-driven media culture, it's hard to remember a time when costumes weren't so much wistful distractions to be blogged about as they were tools to transport viewers into another time and place. And when it comes to embodying eras gone by, Don Draper ain't got nothing on Sam Beckett. And that's thanks to Dorléac. In his series-long tenure as costume designer for Quantum Leap, Dorléac had one of the most important jobs on show. When Sam Leapt into a new time and place, his first clue as to who and where he was was often his outfit. It was a crucial, visual shorthand for both the character and the viewers—one that required Dorléac to reliably recreate four decades worth of fashions. He rose to the challenge brilliantly; whether tracking a dropper named Clapper as noirish Nick Allen in “Play it Again, Seymour,” fighting sexism as a stylishly-dressed Samantha Stormer in “What Price Gloria” or romancing on the high seas as wealthy playboy Philip Dumont in “Sea Bride,” Sam convincingly inhabited any era a story required. And Dorléac made it look so natural and effortless that he was nominated for four Emmys for his work on Quantum Leap (including for the aforementioned “Sea Bride”). In fact, his QL period costuming was so effective that it is now studied in university classes. But not only did Dorléac have to faithfully recreate the past. He also had to give viewers a glimpse of the future. And his fashion choices have given Quantum Leap its signature genre style. The designer's futuristic flourishes take front and center in the show's very first scenes. Al's neon star lapel pin and matching shoe appliques are prominently featured in the tease for “Genesis,” as are Tina's LED high heels and earrings. And while we're still grinning over this retro-future chic, Dorléac hits us with Quantum Leap's most iconic image: Sam, in his clean, white Fermi suit, arms outstretched, being buffeted by quantum energy in the Accelerator Chamber as he prepares for his first Leap. Fashion, both real and imagined, was critical to the success of Quantum Leap. And fashion would remain the show's primary tool to differentiate the past from the future, embodied mainly by Al. Al's flamboyant fashion choices were a brilliant counterpoint to Sam's historic mien. And while the metallic fabrics, funky cuts and garish hues may have started out as a visual gimmick to make the hologram an anachronistic standout in Sam's pedestrian surroundings, they evolved into an abiding character statement for Al. For a man who spent five years in filthy black rags as a POW, Al's colorful clothes proclaim that he remains unbroken, and that he's full of joy and lust and a zest for life. Quantum Leap wasn't the first time Dorléac recreated historical fashions for show creator Donald P. Bellisario. They started working together on Bellisario's 1930's era series Tales of the Gold Monkey. And Dorléac lent his futuristic vision to a parade of genre shows through the 1970s and 80s: Buck Rodgers in the 25th Century, Automan, The Greatest American Hero, Max Headroom, Knight Rider and the aforementioned Battlestar Galactica, for which he won his first Emmy. And his impressive roster of film work includes another time travel classic, Somewhere in Time, starring the late Christopher Reeve. Dorléac has chronicled his storied career in his new memoir, The Naked Truth: An Irreverent Chronicle of Delirious Escapades. In it, the costume designer relates never-before-told, behind-the-scenes stories about working in theater, couture,
Donald P. Bellisario A prolific writer, producer and director, Donald P. Bellisario has been crafting words and stories for a variety of readers and audiences for more than 30 years, and did so long before he gained notoriety as a creator/producer of groundbreaking television series such as “Magnum, P.I.”, “Quantum Leap” and “NCIS”. In 1961, armed with a degree in journalism from Penn State University, he began his writing career at the Centre Daily Times for four years before becoming a copywriter for a small advertising agency in Lancaster, Penn. He later moved to Dallas to take a prestigious copywriting position at the famous Bloom Agency. After eight years at Bloom, Bellisario had risen to the level of senior vice president, head of film production, creative director, and member of the board of directors. Yet, at the age of 42, he was still eager to gamble on a new career. Moving to Hollywood, he became a story editor on the 1976-78 series “Baa Baa Black Sheep,” with Robert Conrad. After just five episodes, he was promoted to producer, a position he held for one year. He then became supervising producer of “Battlestar Galactica” and, subsequently, began to develop his own series. Bellisario is best known for his creations “Magnum, P.I.,” “Quantum Leap,” “JAG,” and “NCIS.” Running from 1980-88, “Magnum, P.I.” starred Tom Selleck. Among other honors, Bellisario's work on the series won him an Edgar Allen Poe writing award. “Quantum Leap,” the 1989-1993 science fiction drama starring Scott Bakula, garnered four Emmy Award nominations for Outstanding Drama Series. Running for ten seasons, from 1995-2005, “JAG” starred David James Elliott. Running from 2003 to the present, “NCIS” is currently in its eleventh season. Bellisario's other “created by” credits include “Tales of the Gold Monkey” with Stephen Collins; “Airwolf” with Jan-Michael Vincent; “Tequila and Bonetti” with Jack Scalia; and “First Monday” with James Garner and Joe Mantegna. He served as executive producer for all eight series, and also in that same capacity on Paramount's 1995 detective telefilm “Crowfoot.” For the big screen, Bellisario wrote, produced and directed the 1987 feature film “Last Rites,” starring Tom Berenger. Bellisario also received the 2001 Producer of the Year award from the Caucus for Producers, Writers and Directors. In addition to industry awards, Bellisario has been the recipient of numerous other awards including the Distinguished Alumni Award from Penn State University; Marine Corps Scholarship Fund Globe and Anchor Award 2002; Red Cross Spirit Award; an Honorary Doctorate of Arts from Washington-Jefferson University; and a star on the Hollywood Walk of Fame. Born in Cokeburg, Pennsylvania, Bellisario served four years in the U.S. Marine Corps. Bellisario and his wife Vivienne live in Montecito, CA and Sydney, Australia.
Quantum Leap! We discuss Sputnik's favorite show of the late 80s starring Scott Bakula as Sam Beckett, Dean Stockwell as Al Calavicci and created by Donald P. Bellisario. Also, jack-booted thugs in WI, Mailbag and more!
Airwolf is an American television series that ran from 1984 until 1987. The program centers on a high-tech military helicopter, code named Airwolf, and its crew as they undertake various missions, many involving espionage, with a Cold War theme. The show was created by Donald P. Bellisario. The first three seasons star Jan-Michael Vincent, Ernest Borgnine, Alex Cord, and (from the second season onwards) Jean Bruce Scott. After the original series was cancelled, a fourth season, with an entirely new cast and on a much smaller budget, was filmed in Canada for the USA Network.
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