Podcast appearances and mentions of doug church

Our guest Warren Spector is the creative producer behind vastly influential games like Ultima Underworld, System Shock, Deus Ex and many others. Now working on (working title) Argos, he joins us to talk about the birth of the immersive sim, having amazing mentors and ways to start a game, this week!The conversation dives deep into Warren's career, discussing his design philosophy around player agency and choice, the history behind some of the most influential immersive sim games, and his experiences working at companies like Origin Systems, Ion Storm, and Disney. Warren shares behind-the-scenes stories about the development of Deus Ex, his transition from tabletop gaming to video games, and his collaborations with industry legends like Doug Church and John Romero. The episode also touches on Warren's current work with OtherSide Entertainment and his ambitious, upcoming project, Argos.Timestamped Highlights:[00:01:00] Warren discusses his design philosophy: player choice and agency.[00:02:30] Alex recalls working with Warren at Junction Point on Epic Mickey.[00:03:50] Aaron shares a humorous story about flubbing an interview with Warren during his early career.[00:10:00] Warren talks about his early work with TSR and Steve Jackson Games in the tabletop space.[00:12:00] Working on System Shock and the role of Looking Glass Studios.[00:18:00] Warren's transition from tabletop to video games and his early days at Origin Systems.[00:20:00] The creative process behind Deus Ex and Warren's work with Ion Storm.[00:24:00] Story of how John Romero offered Warren creative freedom at Ion Storm to make Deus Ex.[00:31:00] Warren shares his love for board games and his extensive library of books and car magazines.[00:39:00] Growing up in New York and his passion for film, leading to his career shift.[00:46:00] Warren's first exposure to Dungeons & Dragons in 1978, which profoundly influenced his game design philosophy.[00:53:00] His critique of games that lack meaningful player choice and why he strives to offer alternative solutions in his games.[01:00:00] A sneak peek into his new project at OtherSide Entertainment, Argos, though much remains under wraps.[01:05:00] Discussion about working with Disney and the creative challenges of designing Epic Mickey.[01:09:00] Alex and Warren reflect on their experiences working within Disney and the corporate dynamics.This episode is packed with gems on game design, industry insights, and entertaining stories from one of gaming's most celebrated designers.Thank you for listening to our podcast all about videogames and the amazing people who bring them to life!Hosted by Alexander Seropian and Aaron MarroquinFind us at www.thefourthcurtain.comCome join the conversation at https://discord.gg/KWeGE4xHfeVideos available at https://www.youtube.com/@thefourthcurtainFollow us on twitter: @fourthcurtainEdited and mastered at https://noise-floor.comFeaturing the music track Liberation by 505

Episode 1886: Our article of the day is Doug Church.

Doug Church recently became a Legendary Lawyer at the Indiana Bar Foundation. An incredible honor with intensive qualifications for nominees, including a mandatory 50 years of practicing law. Doug takes us back in time and discusses what he's seen in law in the past five decades and offers the knowledge he's learned along the way. Key moments:50 years of practicing law: a journey into the past (1:58)Experiences on the Conner Prairie Board of Directors (22:22)What Douglas Church wants to see changed in the legal profession (31:07) MEMORABLE QUOTES“You need to take time for yourself, number one, because the law is a jealous mistress and you can find yourself working twelve, fourteen hours a day….It's important to try to make sure you don't let yourself become a slave to your practice.”“I've always operated under the theory that you got to be somewhere. So some people choose to be somewhere by sitting in their easy chair or watching TV, some people sit and read a book, I chose to just spend my time being involved with organizations that were advancing some cause that I felt strongly about.”“My dad always told me as a young person: ‘If you set out to make money you're going to be disappointed because there will never be enough.' You can set out to do a good job at whatever it is you're doing and money will follow, because people will appreciate your good work, whatever that may be. And I believe that that is true.” CONNECT WITH DOUG CHURCHDoug is the Senior Partner of Hamilton County based Church Church Hittle + Antrim law firm which was founded in 1880.  He has been actively involved with the Hamilton County, Indiana State and American Bar Association serving in various leadership positions.  He served as the Noblesville City attorney from 1987-1995 and the Town of Fishers attorney from 1980- 2014.  Doug was instrumental in the development of the Hamilton County Leadership Academy serving as a Faculty Member and Dean (1992) and as Board President (1996-98).  He has also been actively involved with Conner Prairie as the Chairperson, 1999-2001 and Member, Board of Trustees, 1997, 2003.  He currently serves as an Emeritus Member of the Museum Board of Trustees.  Doug has also served on a number of other Hamilton County organizations' Boards of Directors.  Doug is an avid swimmer and promoter of the sport. Church Church Hittle + Antrim: www.cchalaw.com KEEP READING“A Hamilton County community champion: Legendary Lawyer Douglas Church” Marilyn Odendahl; The Indiana Lawyer (28 Oct. 2020)https://www.theindianalawyer.com/articles/a-hamilton-county-community-champion-legendary-lawyer-douglas-church“I'm Billing Time” Music Parodyhttps://www.youtube.com/watch?v=FFVtkpsWCn4Conner Prairie: A living history museum in unincorporated south-central Hamilton County, Indianahttps://www.connerprairie.org/Civics Education program “We the People: The Citizen and the Constitution” from the Indiana Bar Foundationhttps://inbf.org/Educational-Programs/We-The-People“Importance of Jury Trials” Informational Sheets to share and educate; The National Judicial College2 Page Info Sheet: https://www.judges.org/wp-content/uploads/2020/03/Why-Jury-Trials-are-Important-to-a-Democratic-Society.pdfPresentation Slides: https://www.judges.org/wp-content/uploads/2020/03/Importance-of-Jury-Trials.pdf“Jury Trials Aren't What They Used to Be” Randall T. Shepard; Indiana Law Review, Vol. 38:859 (p. 859-866)https://mckinneylaw.iu.edu/ilr/pdf/vol38p859.pdf Have comments, questions, or concerns? Contact us at feedback@1958lawyer.com

A review of Blue Gate Theatre's production of "Doug Church's Salute to the Stars." Plus additional tips on finding great Midwestern Entertainment at economical prices.

Welcome to Dev Game Club, where this week we complete our series playing Chrono Trigger. We discuss the handful of remaininig quests in "The Fated Hour" and defeating Lavos (as an afterthought) before turning to our takeaways and feedback. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Finish the game! Podcast breakdown: 0:48 Chrono Trigger 1:27:22 Break 1:28:05 Feedback Issues covered: reforestation with Robo, being aware that certain characters have to be in your party, Robo's world sprite, seeing Robo on the world map, being able to have player theories, not deploying Robo as a player verb, Robo's theory, a Gaia hypothesis, the double-edged sword of optional content, time travel wish fulfillment, having trouble saving Lara, a moment by a campfire, Robo's evolution, Lucca's mini robot and the progeneration of the robots, collecting the highest power loot, hunting the moon stone, Tim discovers there's an in-game map, the Sun Keep boss and randomly selecting, hitting the right flame, having a different tactic to deal with the boss, clearly telegraphing the Sun Stone, the mayor whose kids hate him, the consequences of your actions, Sins of the Father visited on the sons, how you open up a game, open worlds vs Chrono Trigger, the stifling linearity of the early game of FFXIII, losing narrative cohesion, telegraphing important decision, how your game's goals close off other opportunities, replayability vs feeling the impact of player choice, doing everything the designers want you to do, freeing Cyrus's ghost, hating on Crono, Prometheus and Robo and Atropos, pouring one out for Toma, the court scene, bursting through the stained glass, the many endings, the developer ending, the bridge ending to Chrono Cross, the Dream Devourer and Lavos and Schala, the advent of New Game+, the various final weapons, Tim's water level theory, fighting science fiction elements, supporting the party as being important, supporting party experimentation, limited party combat vs full party combat, deepening characters, subverting the tropes, letting the hero die, strong female characters, a world structure that works, not worrying too much about paradox, The Three Wise Men and Magi vs Magus, Magus's lieutenants' names, the strengths and weaknesses of the combat, splitting Chrono Trigger into two games, tragedy vs comedy, goals for translations, the richness of this game and being able to investigate it over and over, squinting and seeing Frog as the hero of the game, silent protagonists in JRPGs, a story of a killed game, the strength of this game's New Game+, systemic games and story generation. Games, people, and influences mentioned or discussed: James Lovelock (obliquely), Rio Bravo (obliquely), Final Fantasy XIII, The Witcher 3, GTA III, Wasteland 2, Alpha Protocol, LMNO, Steven Spielberg, David Cage, Doug Church, Randy Smith, Breath of the Wild, Final Fantasy IX, Pinocchio, Boss Fight Books, Michael Williams, Akira Toriyama, Hironobu Sakaguchi, Chrono Cross, Silent Hill 2, Fallout, Persona 5, Kingdom Hearts, Earthbound, Mass Effect, BioWare, KotOR 2, irreverentQ/Nolan Filter, Warren Linam-Church, Patrick Holleman, Shakespeare, Ted Woolsey, Tom Slattery, Rick Butler, James Roberts, Charlie and the Chocolate Factory (obliquely), John Webb, Final Fantasy VII, Breath of Fire 3, Walker Farrell, NieR: Automata, Zimmy Finger, Civilization, Dwarf Fortress, The2ndQuest, Johnny "Pockets" Grattan, Marc LeBlanc, Ron Gilbert, X-COM, World of Warcraft, Metal Gear Solid 4, Kirk Hamilton, Aaron Evers. Link: The 1UP article about LMNO appears lost to time, but here's a contemporaneous Kotaku article reporting on that article Reverse Design: Chrono Trigger Dwarf Fortress The Hamlet of Tyranny Errata: Brett referred to Tom Slattery as "Shepherd." We regret the error. Next time: Another WoW Checkin Twitch: brettdouville, instagram:timlongojr, @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

This episode is on an upcoming ETA event with Michael Cullipher and Doug Church. The episode features interview clips and musical numbers by each. --- Support this podcast: https://anchor.fm/walkingontheboulevard/support

Welcome to Dev Game Club, where we in this episode we are lucky enough to enjoy an interview with Lulu LaMer, who started out her career at Looking Glass as QA on Thief, and went on to be a producer, including on some of the Tomb Raider games at Crystal Dynamics. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:00:39 Interview 1:10:24 Break 1:10:48 Next time Issues covered: a quick list of the uses of a degree in French, quitting your job and bleaching your hair and tossing your business casual, early introduction to games, getting away from games and coming back, QA as an engineering discipline and player advocacy, buying into the development philosophy, becoming QA, level designer differences and tester differences, pairing designers and testers, moving to full play-throughs with specific builds, being a sympathetic tester/regulatory capture, naming a play style for forum users, too much intimacy with forum users, influencing the game's economy, the benefits of Looking Glass on a résumé, the help of data-driven design, inheritance and object model, a lot of territory to cover, trying to get outside the level, Randy's voice acting, ignoring a player who's being a dick, transitioning to associate producer, lack of communication at LG, going on press tour, having unsympathetic press, going to the pub, having a company abruptly close, the role of a producer, having a core of people to work on Thief: Deadly Shadows, taking an engine and trying to make it work for their sort of game, using Unreal to make levels, lacking shared understandings, needing to create a culture, lacking direction and mentorship, the abstraction of being a producer, avoiding micromanagement, quitting to become a midwife, "you don't deliver the baby, the mom delivers the baby!", coming back into the fold better prepared for the job, feeling you had been terrible at the job, the last game she played as a Tomb Raider, the sense of being in a place, additive vs subtractive rendering and tools, moving from a story game to a more systemic game, having trouble communicating the ideas, Uncharted taking a big leap forward, distilling down Tomb Raider's essence, remaking vs remastering, preferring the updated levels, a schedule all of out of whack, playing through the levels and streamlining, distillation of memory and emotion, building to alpha and then moving to agile, triage, ranking what needs to be fixed, compromise and choices, ending pressure, guidance for players, Daydream the "product area," augmented reality project, Immersive Arts, augmented reality, spaces and games and reading and space. Games, people, and influences mentioned or discussed: Looking Glass Studios, Thief (series), System Shock 2, Flight Unlimited, ION Storm, Crystal Dynamics, Tomb Raider: Legend, Tomb Raider: Anniversary, 2K Games, Spec Ops: The Line, Borderlands, Bioshock: Infinite, Borderlands 2, Funomena, Robin Hunicke, Daydream Studios, Google, Randy Smith, Pong, Vic 20, NES, Bethesda Studios, Dorian Hart, LucasArts, Greg LoPiccolo, Marc (Mahk) LeBlanc, Harmonix, PC Gamer, Kieron Gillen, Eidos, Telltale Games, Jon Chey, Irrational Australia, Warren Spector, Emil Pagliarulo, Terri Brosius, Doug Church, Freedom Force, Chris Carollo, Tom Leonard, Deus Ex, Unreal, Tim Sweeney, Epic, Game Developer's Conference, Tomb Raider, Soul Reaver, Uncharted, Richard LeMarchand, Naughty Dog, Jason Botta, Ratchet and Clank, Project Snowblind, Nate Wells, Nate Schaumberg, Kyle Mannerberg, Google Pixel, Playground, Iron Man, Kindle, GTA III, GTA Vice City, Resident Evil VII, Thief (2014). Next time: GTA III, the first several missions @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

Welcome to Dev Game Club, where we in this episode we are lucky enough to enjoy an interview with Greg LoPiccolo, project lead on Thief, and Randy Smith, who was a level designer on the title. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:40       Interview 1:00:08  Break 1:00:50  Feedback Issues covered: World Series, how Randy got his start, psychology and programming as substrate for game design, "Suck it down" and toxic masculinity, cold-calling, the attraction of LG games, how Greg got in, the origins of Thief, competition, seeking limited but rich interaction, being weak, controlling the world from observation, AI with sense perceptions, the success of Thief, working counter to the prevailing winds, writing documentation to think about the space, commodities of space: loud/quiet and light/dark, tools support or lack thereof for those spaces, carving shapes, spaces that are hard to read, the level Escape, experimentation to find how to make a level, inventing sound propagation, dynamic lights impacting game play, player reading the lighting of a space, optimization, pulling back on combat in Thief II, "winging it and doing our best to survive," having nothing until you had everything, "like digging the Chunnel," polygon limitations, how do you build a cathedral with that?, the Emil vs Randy systems of building, designers having to be artists at the same time, putting the systems first, systemically reading space rather than tagging it, leading the team without having the tech yet, directing the narrative, writing lots of narrative to provide background and use it sparingly, people making their own stories, high quality voice acting, the bear pits, dialog as part of the game play loop, witty characters poking through, having to learn how to build a GANTT chart, repossessing the plants, the role of a leader, deep backstory, starting from a 1-4 page document, making up cool ideas and running with them, not being aware you couldn't do a thing, the trend of risk aversion in the industry, the indie spirit, an attempt to be more commercial, object hierarchy of inheritance, being in a submarine in the cold war, debugging console, the fundamental trick of game design: player brain and designer brain, starting testing much earlier, empathy as a design skill, overcoming doubt when innovating, saying yes to everything -> saying no to everything -> it's hard but we can do it, what the guests are doing next, having taste in game design and finding that audience, feeling like a musician vs being a musician, a touching father/daughter story. Games, people, and influences mentioned or discussed: Looking Glass Studios, Thief (series), ION Storm, Electronic Arts, Steven Spielberg, Edge Magazine, Tiger Style, Spider: The Secret of Bryce Manor, Spider: Rite of the Shrouded Moon, Sega Genesis, Bimini Run, Nuvision Entertainment, System Shock, Flight Unlimited, Harmonix, Frequency, Rock Band VR, Tribe, Waking Mars, Nate Blaisdell, MYST, Tim Schafer, Eric Brosius, Rex Bradford, Activision, Tim Ries, Doug Church, Dan Schmidt, Ned Lerner, Terra Nova, Terri Brosius, 2001: A Space Odyssey (obliquely), DOOM (1993), Paul Neurath, Metal Gear Solid, Ultima Underworld, id Software, Tim Stellmach, DromEd, Unreal, Emil Pagliarulo, Bethesda Game Studios, Marc LeBlanc, Stephen Russell, Ken Levine, Tom Leonard, Red Dead Redemption 2, Game Developer's Conference, Kevin Brown, Halo: Combat Evolved, Far Cry 5, Andrew Kirmse, Star Wars: Starfighter. Next time: Another interview! @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

Welcome to Dev Game Club, where we now begin our series about 1998's Thief; as usual, we start by setting the game in its time before diving into a few of its systems and technology requirements. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Through Cragscleft Prison Podcast breakdown: 0:41 Thief 53:13 Break 53:45 Feedback Issues covered: reflecting on 1998, first-person shooter games of the time, having different first-person goals, differing pacing, original design goals, high enemy lethality and comparative weakness of the protagonist, methodical style of play, punishing the player for an action approach, getting sucked into the demo, niche and sales, sticking to a core fantasy vs going to a more action-oriented design, an aesthetic that spreads to other places, going in a different direction with tone, establishing a different fantasy setting, painterly cutscenes, functional lore, quality of the voice acting, the light meter, audio surface changes, lack of direct information about the AI, technology considerations, dynamic lighting, dynamic and attenuated audio, not cheating for the AI, setting an expectation for future games in the genre (particularly with shooting out lights), doing a job at Lord Bafford's Manor, setting the stage for the game, introducing the mission, having alternate routes, picking pockets, level and experiential density, clear level direction (moving up), dynamic goals, turning off transparency and ledges, following the dotted line or not, movement weight, making trade-offs of immediacy vs groundedness, weapon roles, progression and weapon roles working against one another, extending character through weapon choices, making more interesting choices from your systems (including weapons). Games, people, and influences mentioned or discussed: Starcraft, Ocarina of Time, Metal Gear Solid, Unreal, Rainbox Six, Final Fantasy Tactics, Resident Evil 2, Tomb Raider 3, Rogue Squadron, Grim Fandango, Half-Life, Baldur's Gate, Spyro the Dragon, Battlezone, Descent: Freespace, Star Wars: Starfighter, Kotaku Splitscreen, Half-Life 2, Fallout 2, Pokemon Red/Blue/Yellow, Quake, Epic Games, id Software, Duke Nukem, Heretic, Eidos Interactive, Die by the Sword, Treyarch, Trespasser, Daron Stinnett, System Shock 2, Looking Glass, Hitman, Splinter Cell, Dishonored, Ultima Underworld, Origin, Flight Unlimited, System Shock, Terra Nova, Strike Force Alpha Centauri, Ken Levine, Doug Church, Harvey Smith, Randy Smith, Mark LeBlanc, Warren Spector, Paul Neurath, Underworld Ascendant, Emil Pagliarulo, Lulu LaMer, Crystal Dynamics, Tim Stellmach, Terry and Eric Brosius, Greg LoPiccolo, Stephen Russell, Arx Fatalis, Arkane Studios, Raf Colantonio, Gothic Chocobo, Mark Brown, Morrowind, Skyrim, The Witcher 3, Batman, Dead Space, Rômulo Santos, Monster Hunter (series), Andrew from Cincinnati, Deus Ex, Doom, Halo, Uncharted, Star Wars: Republic Commando. Next time: Through The Sword Links: Is the reboot of Lara Croft more feminist? 10 things (women were doing in Video games in the) 1990's (2:45-4:28) Why Nathan Drake doesn't need a compass. Following the little dotted line @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

Hello, and welcome to a special bonus episode of Dev Game Club, where we talk about the most recent Tomb Raider release, Shadow of the Tomb Raider, talking a little bit about where the reboots came from and the thinking that went into them as well as some of the structural differences between the two. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Some of the first few hours Podcast breakdown: 0:45 Shadow of the Tomb Raider 42:18 Break 42:50 Feedback Issues covered: considering the original reboot, discussing the Crystal Dynamics era generally, updating for the modern era, avoiding predictability, exploring character rather than superheroics, reconsidering the world structure, adding side activities for the player, tonal shift, survival action rather than survival horror, not seeing how the character will turn into the original Lara Croft, voice acting, changing set pieces, paying off on minimal player interaction with bigger set pieces, the flood sequence, having moments in the original and the reboot where you're hunting around for what to do, the resourceful explorer, solitude, marrying modern sensibilities and expectations to older game feelings, connectivity constraining globe-trotting, choosing the difficulty, not missing the telegraphing/mark-up, considering how the puzzles might be different, re-using combat AI to create play opportunities, finding repeatable systemic features that enrich a space, leveraging mechanics that you don't need to teach the player, relishing modern design, starkness of the difference between them, Sega Saturn technical concerns, soundtrack differences, resolution differences, lock and key dependencies, the condensing of the original in the remake, a bit about Kingdom Hearts, some insight on the philosophy of TR: Anniversary, capturing the flavor of the original, gruesome deaths, taking ourselves less seriously, real-time raytracing, the uncanny valley, making things more expensive, letting go, whether you even notice, slow adoption by developers, enjoying the smoke and mirrors and the demands of limitations, the run-on costs of even a simple addition, mixing settings and increasing the uncanny valley. Games, people, and influences mentioned or discussed: Eidos Montreal, Crystal Dynamics, Noah Hughes, Soul Reaver, CORE Design, Jason Botta, Brandon Fernandez, Toby Gard, Darryl Gallagher, Uncharted (series), Skyrim, The Descent, Indiana Jones, Metal Gear Solid 4, Assassin's Creed, DF Retro, Edwin Crump, PlayStation, Sega Saturn, (Allison By Proxy -- sorry to forget your name), irreverentQ, Game Maker's Toolkit, Super Metroid, Dagur Danielsson, Kingdom Hearts, Half-Life, Ratchet & Clank, Doug Church, Valve, William Rance, Conan O'Brien, Chris Tiemeßen, Xbox/Xbox 360, Republic Commando, Tim Ramsay, Metal Gear Solid, Nintendo. Links: DF Retro on Tomb Raider Boss Keys on Super Metroid Brett on Kingdom Hearts Next time: Possibly Thief? Possibly an interview? Keep posted at @devgameclub. @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

Welcome to Dev Game Club, where we are beginning a new series on 1992's immersive sim classic Ultima Underworld. As usual, we situate the game in time a bit and in the Ultima series as a whole, before delving into the first few hours of the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Level 1 Podcast breakdown: 0:40    Underworld 54:54  Break 55:22  Feedback Issues covered: Brett gets hooked, first person game and a lot of clicking, getting over the initial hump, taking a long time to finish a game, 72-hour game benders, epilepsy and flashing, firsts of their kind year, seeing the walls of the design, branching out with the Ultima series, Ultima Worlds of Adventure, adding simulation to the point of view, not being alone in the first-person space, vector wireframe rendering in the first Ultima dungeons, feeling the presence of the developer, exploration of controls, limited verbs in FPSes, free look, overdesigned mouse interface, not reading the manual, coming full circle to analog controls in the modern day, fine-tuning movement, "this will never catch on," clarity in input, instinct was right but implementation was wrong, poll rates, mechanical mice vs optical mice, Trish the Bard, 80s looking character portrait, innovating on taking a thing from world and dragging into the inventory, the Trello of inventory systems, adding too many things to a bag, UX nightmare, convergence game with systems coming together, top-down design vs bottom-up design, RPG differences between player skill and character skill, gesture-based combat, idea to implementation, fewer barriers to implementation, lack of level designers, taking more risks because of lower costs, dark side of games, using a key in a door, verbs and similarity to adventure games, where the three hours went for Brett, fearing dropping something that you'll need later, traipsing all over, jumping difficulty, factions as an underpinning of the underground society, lack of quest log/journal, does dialogue hint at actions you can take, clarity of the rules, fading fortunes of SSI, playing MGS vs remembering MGS, coloring what follows a good moment, CGI cutscenes painting in the player's impressions of fidelity, the legacy of Lara Croft's portrayal, avoiding blind spots through diverse representation in your development team, preferring Twin Snakes. Games, people, and influences mentioned or discussed: The Chronicles of Narnia, Wolfenstein 3D, DOOM, Origin Systems, EA, Ultima (series), Richard Garriott/Lord British, Wizardry, Dungeon Master, Gold Box, Eye of the Beholder, The Bard's Tale, Dark Corners of the Earth, Elder Scrolls (series), Looking Glass Studios, Warren Spector, Doug Church, System Shock, Marc MAHK LeBlanc, Tim Stellmach, Deus Ex, Harvey Smith, Randy Smith, Prey, Dishonoured (series), Paul Neurath, Underworld Ascendant, Dune II, Warcraft, Ultima VII, Indiana Jones and the Fate of Atlantis, Hal Barwood, Ecco the Dolphin, Super Mario Kart, Mortal Kombat, Night Trap, Alone in the Dark, Resident Evil, Flashback, Another World/Out of this World, Martian Dreams, Savage Empire, Quake, Wing Commander, Space Rogue, id Software, Stonekeep, Final Fantasy (series), Dragon Warrior/Dragon Quest (series), Ogre, Quake, DOOM 2, Terminator, Planescape: Torment, SoundBlaster, Fallout 2, Elder Scrolls: Arena, SSI, Thief, Kupo1256, Christian Schuster, Metal Gear Solid (series), Fallout 3, Todd Howard, Jonah Lobe, Silent Hill 2, Final Fantasy VII/IX, Travis Grasser, Symphony of the Night, Tomb Raider (2013), Rise of the Tomb Raider, Jason Schreier, Kirk Hamilton, Michael, Final Fantasy XV, Christianne Meister, Skyrim, Jeff Buttaccio, GameCube, MGS: Twin Snakes, Shigeru Miyamoto. Next time: Levels 2 and 3 @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

Welcome to Dev Game Club, where we are are just finishing our series on 1998's Japanese stealth classic Metal Gear Solid. We talk about the end of the game and some narrative choices there that we like and then discuss our pillars for the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: To the end! Podcast breakdown: 0:41 End of MGS 1:00:48 Break 1:01:22 Pillars and feedback Issues covered: 100 episodes, Tim moving out, extravagant endings in the series, intercutting action scenes, turning codecs into cutscenes later, economic storytelling through codecs and audio diaries, conversational audio diaries, utilizing VO in interesting ways, Brett's new keyboard, the interesting dynamics of the Vulcan Raven battle, cat and mouse, Brett forgets the word "claymore," multiple ways of defeating Raven, using the AI's rules against them, boss/level design/camera synergy, Brett skips a cutscene and has to redo the battle, backtracking and stretching time, cool alloys, keeping a balance between being cool and usability, camera shot of Revolver noticing that Solid is outside the room (sort of a double reversal on the player), hanging out in the cold or hot rooms, Master Miller and throwing Naomi under the bus and yet still being Liquid, Tim recants his feeling that there should be a MGSVI, small universe problem, Chewbacca effect, Naomi and Gray Fox, the Ocelot effect, Ocelot and Liquid reunited, Liquid monologuing outside of Rex, going toe-to-toe with Rex, RoboCop vs ED 209, forcing you to be bold, Liquid as the boss who never dies, Gray Fox confessing his sins, hand-to-hand fighting with Liquid on top of Rex and the uncertain fate of Meryl, the reveal about FoxDie, cloning and the relationship between multiple characters, Dolly the cloned sheep, being the soldier of the century, James Bond themes, Snake Eater, The Man Who Saved The World, two more monkeys jumping on the bed, differences in the endings, jeep battle, low turn rate, tracers, having a third big battle, end-game balance for normal difficulty, Jim Harrison (the politician behind it all), Meryl and Snake riding off into the sunset on their snowmobile, wrapping up themes of love blooming on the battlefield, different endings, juxtaposing the scientific/techy stuff with the philosophical talk, Hal and Dave (joking at the end), post-credits sequence and the Iditarod, writing yourself into corners and cliffhangers, retconning to fit story stuff together, comic book writing and story structure for serialization, commitment to narrative and cinematic presentation, in-engine cutscenes, hardware-acceleration on the PS1, bilinear filtering, best B movies, letting your freak flag fly, all of ones loves and fears being in a game, being generous as an artist, committing to stealth gameplay, high lethality, voice acting, fictional context, experimentation with mechanics, bringing you back through the evolution of mechanics, adding mechanics from a competing or more recent game into a remake, upsetting the balance, new game plus mechanics, new game plus plus and a tuxedo, immersive sims. Games, people, and influences mentioned or discussed: System Shock 2, Metal Gear (series), James Bond, Star Trek, Ron Gilbert, Star Wars, RoboCop, Halloween (Michael Myers), Spy Who Loved Me, The Last Samurai, 2001: A Space Odyssey, George Lucas, Indiana Jones (series), Empires Strikes Back, Final Fantasy VII, Voodoo hardware, Anachronox, Thief, Death Stranding, Guillermo del Toro, Silent Hills, Silent Hill 2, P.T., LeraAtwater, Michael Baker, Silicon Knights, Shigeru Miyamoto, Denis Dyack, Ben "from Iowa" Zaugg, Christian, Travis, Michael, Ultima Underworld: The Stygian Abyss, Looking Glass, Origin Systems, Warren Spector, Doug Church, Ultima VII, Good Old Games, Prey, The Elder Scrolls: Arena. Next time: Ultima Underworld Level 1 @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

That week, the Dev Game Club podcast welcomes special guest Ken Levine, founder of Irrational Games and designer/writer of System Shock 2! Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 0:33     Intro 1:50      Early days of SS2 and Irrational 31:33    Break 1 31:57    SS2 World-building, design, future 1:17:16   Break 2 1:17:29  Quick note about next episode Issues covered: "Shock" prototype, Looking Glass relationship and Ken's early career there, Irrational Games beginning, business structure, imagining your audience and what you'd like to make, fingering .plan files, emergence and immersion, simulation, persistent world, personal ownership of experience, engine strengths and weaknesses, making fish stew, the benefits of constraints and happy accidents, polish, sense of place, naturalism in a science fiction setting, making the most of minimalism, turning a weakness into a strength, economical design, race track design/nooks and crannies, lack of time for level review, "spreading the butter thinner over the bread," elevator as storage chest, balancing, player skill vs. character skill, the "genius of the novice," story influences and groundedness, leaning on the audio space, writing towards the voices you have, bringing everything you have to the party, single-player squad shooters, letting people figure things out, crunchier design, the pendulum of accessibility, dealing with player frustration as a resource, what next Games, people, and influences mentioned or discussed: Paul Neurath, Looking Glass, Jon Chey, Rob Fermier, Apocalypse Now, Dark Engine, Thief, EA, Origin, Se7en, Doug Church, The Magnificent Seven, Star Trek: Voyager, Hideo Kojima, Eric Brosius, Dorian Hart, Insomniac Games, Naughty Dog, Star Wars, System Shock 1, John Carmack, Ultima Underworld, Choplifter, Defender, Asteroids, Space Invaders, Might and Magic series, Doom, Warren Spector, Bethesda Game Studios, Quake, Todd Howard, Fallout 3, Skyrim, The Division, Republic Commando, GTA series, Starfighter, Terra Nova, Roberta Williams, Alien/Aliens, Kemal Amarasingham, Stephen Russell, Terry Brosius, Courtnee Draper, Sean Vanaman/Jake Rodkin, Firewatch/Campo Santo, Bioshock, Freedom Force, SWAT 4, Tribes Ascend, The Lost, Firaxis Games, Minecraft, Dark Souls, Don't Starve, Fallout 4, Left 4 Dead, Battlezone, Austin Grossman. Next time: Hitman 2: Beginning through level 4 @IGLevine, @brett_douville, @timlongojr, and @devgameclub DevGameClub@gmail.com

This week, the Dev Game Club podcast welcomes special guest Ken Levine, founder of Irrational Games and designer/writer of System Shock 2! Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown:0:33      Intro1:50      Early days of SS2 and Irrational31:33    Break 131:57    SS2 World-building, design, future1:17:16 Break 21:17:29 Quick note about next episode Issues covered: "Shock" prototype, Looking Glass relationship and Ken's early career there, Irrational Games beginning, business structure, imagining your audience and what you'd like to make, fingering .plan files, emergence and immersion, simulation, persistent world, personal ownership of experience, engine strengths and weaknesses, making fish stew, the benefits of constraints and happy accidents, polish, sense of place, naturalism in a science fiction setting, making the most of minimalism, turning a weakness into a strength, economical design, race track design/nooks and crannies, lack of time for level review, "spreading the butter thinner over the bread," elevator as storage chest, balancing, player skill vs. character skill, the "genius of the novice," story influences and groundedness, leaning on the audio space, writing towards the voices you have, bringing everything you have to the party, single-player squad shooters, letting people figure things out, crunchier design, the pendulum of accessibility, dealing with player frustration as a resource, what next Games, people, and influences mentioned or discussed: Paul Neurath, Looking Glass, Jon Chey, Rob Fermier, Apocalypse Now, Dark Engine, Thief, EA, Origin, Se7en, Doug Church, The Magnificent Seven, Star Trek: Voyager, Hideo Kojima, Eric Brosius, Dorian Hart, Insomniac Games, Naughty Dog, Star Wars, System Shock 1, John Carmack, Ultima Underworld, Choplifter, Defender, Asteroids, Space Invaders, Might and Magic series, Doom, Warren Spector, Bethesda Game Studios, Quake, Todd Howard, Fallout 3, Skyrim, The Division, Republic Commando, GTA series, Starfighter, Terra Nova, Roberta Williams, Alien/Aliens, Kemal Amarasingham, Stephen Russell, Terry Brosius, Courtnee Draper, Sean Vanaman/Jake Rodkin, Firewatch/Campo Santo, Bioshock, Freedom Force, SWAT 4, Tribes Ascend, The Lost, Firaxis Games, Minecraft, Dark Souls, Don't Starve, Fallout 4, Left 4 Dead, Battlezone, Austin Grossman. Next time:Hitman 2: Beginning through level 4 @IGLevine, @brett_douville, @timlongojr, and @devgameclubDevGameClub@gmail.com

In this inaugural beta edition of Dev Game Club, we talk about the relevance of System Shock 2, its precedents and antecedents, and cover the first couple of hours of the game. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Show notes: DGC Ep 1 Sections played: Opening area, tutorial, character customization area, von Braun Med/Sci and Crew Quarters. Podcast breakdown:0:00:33 - Reason behind 'cast0:02:27 - History of hosts0:05:00 - Expected 'cast layout0:07:55 - History of System Shock 20:29:05 - Break 10:29:25 - Talk about beginning parts of SS2 in depth1:24:14 - Break 21:24:34 - What we're playing, plans for next episode Brett & Tim Common History: Star Wars Starfighter, Star Wars Jedi Starfighter, Star Wars Republic Commando. Brett History: Fallout 3, Skyrim, Fallout 4 Tim History: X-Wing v TIE Fighter, Mysteries of the Sith, Indiana Jones and the Infernal Machine, Tomb Raider 2013, Halo 5. Games, people, and influences mentioned or discussed: System Shock 1, Ultima Underworld, Ultima series, Doug Church, Warren Spector, Ken Levine, Thief, Starfighter games, Republic Commando, Tomb Raider 2013, BGS games, Naaughty Dog, Insomniac Games, Jonathan Chey, Freedom Force 1&2, Paul Neurath, Other Side Games, Junction Point Studios, Epic Mickey 2, Marc LeBlanc, Randy Smith, Harvey Smith, Dishonoured, Arkane Studios, Quake, Doom, Bioshock, Half-Life, Enemy Territory, Team Fortress Classic, Fallout, Baldur's Gate, Halo 5, Alien, Star Wars, Star Trek, Blade Runner, Mad Max, Mass Effect series, Oxenfree. One interview in which Doug Church talks about eliminating conversations: http://gillen.cream.org/wordpress_html/676/doug-church/ What we're playing: Brett discusses the similarities and differences in the beginning Firewatch, Tim talks about Metal Gear Solid V, Witcher 3, and his ten year journey on Call of Cthulhu: Dark Corners of the Earth To play next: R&D through the end of Hydroponics B/C. @brett_douville, @timlongojr, and @devgameclubDevGameClub@gmail.com

The usual Games Dammit crew has been re-assembled for full Podcast Voltron goodness. This week, we let Frank and Jeremy regale us with their PAX East highlight (hint, it's food), and we talk about stuff like Doug Church going to Valve, the rumored NGP price point, the power of Metacritic, and the Nintendo 3DS tether girls. Games-wise, we talk up Fallen Frontier, Batman Arkham City, Thor, Captain America, X-Men Destiny, and Prey 2. Also, the whole time, Jeremy plays Pilotwings Resort for review. Enjoy!

The usual Games Dammit crew has been re-assembled for full Podcast Voltron goodness. This week, we let Frank and Jeremy regale us with their PAX East highlight (hint, it's food), and we talk about stuff like Doug Church going to Valve, the rumored NGP price point, the power of Metacritic, and the Nintendo 3DS tether girls. Games-wise, we talk up Fallen Frontier, Batman Arkham City, Thor, Captain America, X-Men Destiny, and Prey 2. Also, the whole time, Jeremy plays Pilotwings Resort for review. Enjoy!

Redakce: 3DS na vlastní oči (0:00 - 14:23) Událost týdne: Hry a zemětřesení v Japonsku (14:23 - 25:33) Novinky: Hacker Geohot má problém, Doug Church jde k Valve, EA brání svého popletu, Oznámení Prey 2 (25:33 - 41:20) Hra týdne: Motorstorm: Apocalypse (41:20 - 53:46) Retro: Battle Isle 4: Incubation (53:46 - 1:02:18) Dotazy a soutěž o PC verzi Assassin's Creed: Brotherhood + tričko s motivem hry (1:02:18 - KONEC!)

Redakce: 3DS na vlastní oči (0:00 - 14:23) Událost týdne: Hry a zemětřesení v Japonsku (14:23 - 25:33) Novinky: Hacker Geohot má problém, Doug Church jde k Valve, EA brání svého popletu, Oznámení Prey 2 (25:33 - 41:20) Hra týdne: Motorstorm: Apocalypse (41:20 - 53:46) Retro: Battle Isle 4: Incubation (53:46 - 1:02:18) Dotazy a soutěž o PC verzi Assassin's Creed: Brotherhood + tričko s motivem hry (1:02:18 - KONEC!)

Redakce: 3DS na vlastní oči (0:00 - 14:23) Událost týdne: Hry a zemětřesení v Japonsku (14:23 - 25:33) Novinky: Hacker Geohot má problém, Doug Church jde k Valve, EA brání svého popletu, Oznámení Prey 2 (25:33 - 41:20) Hra týdne: Motorstorm: Apocalypse (41:20 - 53:46) Retro: Battle Isle 4: Incubation (53:46 - 1:02:18) Dotazy a soutěž o PC verzi Assassin's Creed: Brotherhood + tričko s motivem hry (1:02:18 - KONEC!)