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4 episodes with early modern literature
5 episodes with early modern literature
2 episodes with early modern literature
3 episodes with early modern literature
3 episodes with early modern literature
2 episodes with early modern literature
3 episodes with early modern literature
3 episodes with early modern literature
2 episodes with early modern literature
Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton's range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger's Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth's witches may be substantially his work.WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordLucy Munro Professor of Shakespeare and Early Modern Literature at Kings College LondonAnd Michelle O'Callaghan Professor of Early Modern Literature at the University of ReadingProducer: Simon TillotsonReading list:Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton's Tragedies' by John StachniewskiMark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)Michelle O'Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)In Our Time is a BBC Studios Audio Production
Generally speaking, a common conception of U.S. race relations in the mid-twentieth century runs like this: segregation was racist and bad, the doctrine of "separate but equal" masked genuine inequality, and the racial integration brought about by the famous Supreme Court decision in Brown v. Board of Education was a long-awaited triumph. But is the story as neat as that? What did writers - and in particular Black women writers - think about segregation in the 1930s-1950s? Did they view racial integration as a path to the promised land? Or as yet another false and incomplete promise? How did their writings reflect a resistance to conventional liberal wisdom - and how might their narrative models speak to today's world? In this episode, Jacke talks to author Eve Dunbar about her book Monstrous Work and Radical Satisfaction: Black Women Writing Under Segregation. PLUS Deni Kasa (The Politics of Grace in Early Modern Literature) stops by to discuss his choice for the last book he will ever read. Additional listening: 617 Politics and Grace in Early Modern Literature (with Deni Kasa) | Mike Recommends... James Baldwin! | My Last Book with Carlos Allende 358 The Profound Wisdom of Black Life and Literature (with Farah Jasmine Griffin) | Charles Dickens's Gospel (with Scott Carter) 485 Reading Pleasures - Everyday Black Living in Early America (with Tara A. Bynum) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Historian Alice Hunt discusses with Ivan six things which should be better known. Alice Hunt is Professor of Early Modern Literature and History at the University of Southampton. She is the author of The Drama of Coronation (Cambridge University Press) and has previously written about the Tudors and James I, and often appears in the media to discuss monarchy. Her new book is Republic: Britain's Revolutionary Decade 1649-60, which is available at https://uk.bookshop.org/p/books/republic-britain-s-revolutionary-decade-1649-1660-alice-hunt/7688859. She lives in Winchester. The Republic. The fact that we once were a republic, that it was called and known as a republic, and what this republic was actually like should all be better known. Richard Cromwell. Eldest surviving son of Oliver Cromwell who succeeded his father as Lord Protector. Samuel Hartlib. Polish entrepreneur who moved to England and flourished in the creative, reforming energy of the 1650s. An inveterate communicator and intelligencer, he knew everyone who was anyone at the time and had a finger in every pie. He feverishly promoted ideas to the new republican government that were way ahead of their time: paper money, a national bank, a health service, state schools, the return of the Jews. The Compleat Angler by Izaak Walton. This beautiful, sweet, quiet book about fishing was a huge bestseller in the 1650s. Forde Abbey, Dorset. I absolutely loved discovering Forde Abbey during the research for this book. This former Cistercian monastery, nestled in the valley of the River Axe, completely transformed my thinking about who the puritan, republican men were who governed England at this time. The Experimental Philosophy Club. This is the name of the society of young, curious, committed scientists who met in Oxford during the 1650s to share ideas and plan experiments. This podcast is powered by ZenCast.fm
This episode of Talking History centres on the life and legacy of Oliver Cromwell and the massacres in Ireland. Featuring Prof John Morrill, emeritus professor of British and Irish history at the University of Cambridge, Prof Ronald Hutton, Professor of History at the University of Bristol, Prof Micheál Ó Siochrú, Head of the School of Histories and Humanities, Trinity College Dublin, and Alice Hunt, Professor of Early Modern Literature and History at the University of Southampton. Hosted by Patrick Geoghegan.
Associate Professor Timothy Harrison finished high school and ventured off to build his career as a model until he decided to pivot to a scholarly pathway and fulfill his dream as a novelist. Now as an author and co-author of multiple books, Professor Harrison finds joy in teaching, reading, and thinking about various English literature in the 16th to 17th century. Tune in to listen to his view on why Humanities matter, and his unusual career journey to becoming a University of Chicago professor.
Early modern poets - John Milton, Edmund Spenser, Aemilia Lawyer, Abraham Cowley - lived in a world where theological questions were as hotly contested as political struggles over issues like empire, gender, civil war, and poetic authority. In this episode, Jacke talks to Deni Kasa (The Politics of Grace in Early Modern Literature) about the ways poets used the theological concept of grace to reimagine their political communities. PLUS Mike Palindrome tells Jacke about his admiration for James Baldwin and his works. AND Carlos Allende (Coffee, Shopping, Murder, Love) tells Jacke about his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices
Full Transcript Tamman's Article 19 podcast speaks with author of “There Plant Eyes”, Dr. M Leona Godin. Host Kristen Witucki, chats with Leona about the personal and cultural history of blindness and they discuss her book "There Plant Eyes". This book delves into scientific, historical, religious, and cultural phenomena that have led to the ocularcentrism of our world. “There Plant Eyes" was the subject of one of our internal book talks which we also shared here on the podcast and led to our episode on Echolocation. Dr. M. Leona Godin is a writer, performer, speaker, and editor with a PhD from NYU in Early Modern Literature. Her nonfiction debut is There Plant Eyes: A Personal and Cultural History of Blindness (Pantheon Books, 2021), which The New Yorker called a “thought-provoking mixture of criticism, memoir, and advocacy.” In addition to her extensive and impressive creative pursuits, she has spent many years teaching literature and humanities courses at NYU, and she has given lectures on art, accessibility, technology, and disability!
Going on a trip ? get ready to get uncomfortable, pack grease to treat your sore bum, and laudanum for the inevitable travel sickness - and perhaps you might also be in need of an anti-strangulation collar to ward off those potential murderers? We're delving into the perils of travelling in the past. Back in the 1700s there was no such thing as a relaxing weekend break, travelling could be a fraught and even deadly undertaking. Such was the danger, making a will before you set off seemed reasonable.Emily Stevenson, Lecturer in Renaissance and Early Modern Literature at the University of York, is researching women travellers as far back as the 1550s. Some set out on religious pilgrimages, others on trade missions, smoothing the way for their husband's wheeler-dealing. It's a picture of heroines and hardship.Alun Withey, lecturer in History at the University of Exeter is opening the suitcases of the time, what did travellers take with them and why ? How have the accoutrements of travel changed or remained the same over the last 400 years?Art Historian Rebecca Savage from the University of Birmingham, looks at the artistic legacy of travel poster designers from before the second world war. Many were artists in their own right and many were women. Their iconic images of country picnics and modernist landscapes evoke a sense of rural Britain lost in time.And as we move from the era of the railway to the car, Social Historian Tim Cole from the University of Bristol takes us on a journey inspired by paternalistic travel guides and maps given out freely as part of the 1951 Festival of Britain. How relevant are they now, how much of what they describe is lost in the past or still with us?Producer: Julian Siddle
My guest today is Nandini Das, a Professor of Early Modern Literature & Culture at Exeter College at Oxford University, and author of the book “Courting India” which is an account of England's first ambassador to the Mughal court, Sir Thomas Roe, who was tasked with building a relationship with the emperor Jahangir in order to build English trade with India. It's a fascinating book because it takes everything you thought you knew about the historic relationship between the two countries and completely turns it on its head. The English are poor and humble supplicants, whilst the Indian court is wealthy, powerful and very much in charge of directing the shape & direction of the relationship. In today's episode, we talk about this first British embassy to India, how successful (or not) it really was, how it sowed the seeds for the British empire in India & beyond, and we touch upon the current relationship between the two countries, as well as hearing Nandini's favourite books & reading recommendations. Her favourite book that I've never heard of: “Coryat's Crudities” by Thomas Coryat (1611) Her favourite book of the last 12 months: “Leo Africanus Discovers Comedy: Theatre and Poetry Across the Mediterranean” by Nathalie Zemon Davis (2021) The book that she would take to a desert island: “The Principal Navigations, Voyages and Discoveries of the English Nation” by Richard Hakluyt (1589) The book that changed her mind: “Three Ways To Be Alien” by Sanjay Subrahmanyam (2011) Buy her book: https://amzn.eu/d/hAMRkg7 Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading!
In today's episode we are joined by Carson Brakke to discuss how early modern concepts and anxieties about hospitality and cannibalism influenced early modern literature and drama, most explicitly in Shakespeare's Titus Andronicus. Carson breaks down the early modern concept of hospitality and shares the cultural debates and dilemmas that centered around it and its inherent dangers. Join us as she guides us through the cognitive dissonance surrounding cannibalism for early modern Europeans, who simultaneously used it to other non-Europeans while possibly participating in cannibalism themselves! We also explore how readers and theatre-makers today can use this knowledge to interpret scenes of hospitality and cannibalism in Shakespeare and other early modern works. Content warning: cannibalism is discussed throughout this episode. Please listen with care. Our guest: Carson Brakke is a PhD candidate at the University of Illinois at Urbana Champaign, and is writing her dissertation on representations of hospitality in early modern English literature. In addition to hospitality, her research interests include domesticity, food studies, and women's writing. To break up the solitary work of dissertating, Carson uses her TikTok platform to talk about early modern literature and the PhD experience. You can find her @glutenbergbible, where she's always looking to chat with more people about research, academia, and the weird and surprising sides of early modern English literature! Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Brakke, Carson. “The Dangers of Hospitality in Shakespeare: The Hostess in The Rape of Lucrece and The Winter's Tale.” Journal of the Wooden O, vol. 21, 3 June 2022, pp. 1–12, https://omeka.li.suu.edu/ojs/index.php/woodeno/article/view/265. Shahani, Gitanjali G. Tasting Difference: Food Race and Cultural Encounters in Early Modern Literature. Cornell University Press, 2021.
This is a discussion on boys companies, who popped in and out of the public consciousness in the late 16th and early 17th centuries. Dr Harry R. McCarthy has written about boys companies in the period, as well as their recreation today, so was an excellent guest to chat about the trends of the boys company world. Dr Harry R. McCarthy is Lecturer in Early Modern Literature at Exeter, and has published Boy Actors in Early Modern England and Performing Early Modern Drama Beyond Shakespeare: Edward's Boys with Cambridge University Press. His research centres on early modern theatre, the body in performance, and premodern childhood. He is particularly interested in boy actors on the early modern stage (the topic of his first two books) and is currently developing a project on the intersecting concepts of whiteness and childhood in the early modern period and its literature. Our patrons received this episode in April 2023 - approx. 6 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.
In this episode, Chris is joined by writer and comedian Monica Heisey where they cover Monica's journey as a writer, the power of humor, gender, feminism, and the challenges of living in modern society. Monica was born in Toronto and moved to London in 2010 to study Early Modern Literature. Monica began her writing career in media, contributing to the Guardian, The New Yorker, The New York Times and Playboy. From 2015 to 2017 she was Editor-at-Large at Broadly, VICE magazine's women's website. Her first book, ‘I Can't Believe It's Not Better', a collection of essays, short stories, awas published in 2015, and Lena Dunham said of it that it's the “only humor book she ever wants to own.” 2015 was also the year of her first television job, sketch comedy series Baroness von Sketch Show. Since then she has worked on television projects including Netflix's Schitt's Creek, Workin' Moms and BBC's The Cleaner, and Everything I Know About Love. Monica's writing offers a unique blend of humor and social commentary and her debut novel, Really Good, Actually, was published around the world in January 2023, and is currently in development for television. She is working on a second novel.
Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom. Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom. Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom. Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices
Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom. Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices
Several scholarly fields investigate the reuse of source texts, most relevantly adaptation studies and fanfiction studies. The limitation of these two fields is that adaptation studies focuses narrowly on retelling, usually in the form of film adaptations, but is not as well equipped to treat other uses of source material like prequels, sequels and spinoffs. On the other hand, fanfiction studies has the broad reach adaptation studies lacks but is generally interested in "underground" production rather than material that goes through the official publication process and thus enters the literary canon. Canon Fanfiction: Reading, Writing, and Teaching with Adaptations of Premodern and Early Modern Literature (Medieval Institute Publications, 2023) sits in the gap between these fields, discussing published novels and their contribution to the scholarly engagement with their pre- and early modern source material as well as applying that creative framework to the teaching of literature in the college classroom. Christine Schott, MFA, PhD, is associate professor of English at Erskine College where she teaches medieval and world literatures and creative writing. Becky Straple-Sovers is a medievalist and freelance editor who earned her Ph.D. in English at Western Michigan University in 2021. Her research interests include bodies, movement, gender, and sexuality in literature, as well as poetry of the First World War and the public humanities. She can be found on Twitter @restraple. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
Today we think of fairies on the stage and in stories as often cute, ultra-feminine and unthreatening. But in Early Modern literature, fairies were supernatural often gender-fluid beings - just think of Ariel in The Tempest.In this special episode of Not Just the Tudors for Pride Month, Professor Suzannah Lipscomb finds out more from Dr. Ezra Horbury, lecturer in Renaissance literature at the University of York.This episode was produced by Rob Weinberg.Discover the past on History Hit with ad-free original podcasts and documentaries released weekly presented by world renowned historians including Dan Snow, Suzannah Lipscomb, Lucy Worsley, Matt Lewis, Tristan Hughes and more. Get 50% off your first 3 months with code TUDORS. Download the app on your smart TV or in the app store or sign up here >You can take part in our listener survey here.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here. Hosted on Acast. See acast.com/privacy for more information.
In this episode of the podcast Will speaks to Nandini Das, a Fellow of Exeter College, Oxford and a Professor of Early Modern Literature and Culture at Oxford, to discuss her recently published book Courting India: England, Mughal India and the Origins of Empire. They discuss how the book came to be written, how England was seen at the Mughal Court, the differences in religious tolerance between the Mughal Court and that of James I, how the first English ambassador Thomas Roe came to bond with the Mughal Emperor Jahangir over alcohol and the lasting legacy of Roe's time in India. Hosted on Acast. See acast.com/privacy for more information.
Today, we're shining a light on the clandestine machinations of high-ranking spy Jane Whorwood, who worked for King Charles I during the English Civil War. Her story is one of mystery, intrigue, coded letters, codenames, ambiguous and strained relations, high stakes, high drama and personal disappointment. Joining us to steer us through her life and legacy is our special guest contributor Nadine Akkerman, who is Professor of Early Modern Literature and Culture at Leiden University in the Netherlands. To read more about Jane Whorwood's life, go to www.english-heritage.org.uk/visit/places/carisbrooke-castle/history/jane-whorwood
The relationship between England and India is a deep and complex one. In this episode the academic and author of Courting India, Nandini Das, takes us back to a significant moment at the very beginning of this relationship. She tells us all about Sir Thomas Roe, the courtier who led the first English embassy to India. Roe's mission was an exciting and a daunting one. Stories about the riches of India had long been exchanged in England and, when he stepped ashore in Surat in 1615, he was able to see the might of the great Mughal Empire for himself. In contrast, England was regarded by many as an island of little consequence. But, as Das explains, there was one figure that Roe was desperate to impress. This was the richest man in the world, the fourth Mughal emperor, Jahangir. In early 1616, after arriving in Ajmer, he would get his chance. Nandini Das is professor of Early Modern Literature and Culture in the English faculty at the University of Oxford. Brought up in India, she was educated at the Jadavpur University in Kolkata, before moving to England for further study. Her book, Courting India: England, Mughal India and the Origins of Empire is out this week. For more, as ever, visit our website: tttpodcast.com. Show notes Scene One: 10 January 1616, Mughal imperial court (durbar), Ajmer. The first meeting between Roe and the emperor, Jahangir. Scene Two: 24 May 1616, imperial private audience chambers, Ajmer. Roe desperately clings on to his English identity and has a problem with a runaway Englishman who wants to enter Mughal service. Scene Three: 18 December 1616. In the Mughal imperial procession (lashkar) across Rajasthan, following the emperor Jahangir. Roe Memento: A miniature portrait, belonging to Thomas Roe. People/Social Presenter: Peter Moore Guest: Nandini Das Production: Maria Nolan Podcast partner: Ace Cultural Tours Theme music: ‘Love Token' from the album ‘This Is Us' By Slava and Leonard Grigoryan Follow us on Twitter: @tttpodcast_ See where 1616 fits on our Timeline
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry
Today's guest is Jessica Rosenberg, who is the author of a new book titled Botanical Poetics: Early Modern Plant Books and the Husbandry of Print (U Pennsylvania Press, 2022). An Assistant Professor of English at the University of Miami, Professor Rosenberg has contributed book chapters to Shakespeare and Hospitality and Ecological Approaches to Early Modern Literature and published articles on “The Poetics of Practical Address” in Philological Quarterly and “The Point of the Couplet” in ELH: English Literary History. Botanical Poetics, a wide-ranging study of print culture around poetry between the years 1568 and 1583, investigates the intersection of literary history and horticultural practice. The book includes new interpretations of Shakespeare's sonnets and Romeo and Juliet, as well as George Gascoigne's A Hundred Sundry Flowers and Isabella Whitney's A Sweet Nosegay. Botanical Poetics offers a variety of fresh concepts for the study of early modern poetry such as “the ecology of small forms” and “slippery poetics.” Not least of all, this book explores what it meant to “read like a pig” in the 1570s. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
The legend of Mélusine emerges in French literature of the late fourteenth and early fifteenth centuries in the texts of Jean d'Arras and Coudrette. A beautiful young woman, the progeny of the union between a king and a fairy, is condemned to spend every Saturday with her body below the waist transformed into the tail of serpent. She agrees to marry only on the condition that her husband should never seek to see her on that day every week. Shahidha Bari explores the emergence of the hybrid mermaid-woman, her historical significance and the legacy of the medieval myth of Mélusine. Olivia Colquitt is an AHRC funded doctoral candidate at the University of Liverpool whose research focuses upon the socio-cultural significance of the late Middle English translations of the French prose romance Mélusine and its verse counterpart, Le Roman de Parthenay. Hetta Howes is Senior Lecturer in Medieval and Early Modern Literature at City, University of London and is a BBC/AHRC New Generation Thinker. She is the author of Transformative Waters in Medieval Literature. Lydia Zeldenrust is an Associate Lecturer in Medieval Literature, where she currently holds a Leverhulme Early Career Fellowship. She is the author of The Melusine Romance in Medieval Europe. The Royal Opera House is staging a version of Rusalka opening February 21st 2023. This folk-tale is a Slavic version of the water sprite figure seen in the Melusine story. This production will be broadcast as an episode of Opera on 3 on Radio 3 later in spring. Producer: Ruth Watts
A mysterious spy who wrote about the most captivatingly infamous intellectual of the time, Christopher Marlowe is among the most accomplished and enigmatic of the Elizabethan playwrights. Joining us today is Dr. Robert Sawyer, professor in the department of literature and language at East Tennessee State University. Professor Sawyer's is the author of Shakespeare Between the World Wars, and Marlowe and Shakespeare: The Critical Rivalry. Recommended Reading:Doctor Faustus Additional Readings:A play is best learned when watched, you can find out the Review on Shakespeare's Globe's Doctor Faustus or go to a theater with a friend.This podcast is sponsored by Riverside, the most efficient platform for video recording and editing for podcasters.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Następny odcinek podcastu #2historykow1mikrofon pt. "Nowe oblicze lynchu czy walki uciśnionych? Kultura unieważniania" jest dostępny online. Temat przewodni już od dawna chodził nam po głowie. Bez problemu możemy wskazać historyczne podobieństwa i różnice. Być może ostatnia dyskusja nad wypowiedzią noblistki, Olgi Tokarczuk była tą iskrą, której nam brakowało. Zastanawialiśmy się nad rolą nas, ludzi uniwersytetu, czy nasza wiedza i doświadczenie w kontekście "kultury unieważniania" odgrywają jakąś rolę, czy możemy wskazać na alternatywne podejścia, które tworząc przestrzeń krytycznego obrachunku nie prowadzą do „wymazywania”? Z pewnością jest to zadanie, które stoi przed światem akademickim. W odcinku wspomnieliśmy także o lekturach mijającego tygodnia. Było też o (a jakże!)... cukrze, oczywiście w ujęciu historycznym:)) I jeszcze słowa podziękowania za zainteresowanie naszym podcastem. Tylko dzisiaj na jednym z portali (soundcloude) słuchało nas ponad 400 osób (a dzień jeszcze się nie zakończył). Jak zwykle czekamy na wszelkie uwagi i komentarze... Ramówka: - Rozgrzewka:)) - Nowinki / starowinki - 5:00 - Lektury - 21:27 - Temat przewodni - 46:09 Pełny tekst opisu zamieściliśmy na stronie internetowej naszego projektu: http://2historykow1mikrofon.pl/nowe-oblicza-lynchu-czy-walki-ucisnionych-kultura-uniewazniania/ Wymienione w czasie audycji publikacje i materiały: - Pomnik trzech kultur, https://kudowa.pl/portfolio/pomnik-trzech-kultur/ (ostatni dostęp: 25.07.2022) - Vespa, https://www.lego.com/pl-pl/product/vespa-40517 (ostatni dostęp: 25.07.2022) - Flocel Sabate, The Death Penalty in Late-Medieval Catalonia Evidence and Significations, Routledge, 2020 - Enlistment. Lists in Medieval and Early Modern Literature, ed. by Eva von Contzen and James Simpson, The Ohio State University Press, 2022 - Rzymskie Wakacje (1953), https://www.cda.pl/video/674395731 (ostatni dostęp: 25.07.2022) - Mein Italien. Ein Bildband von Gina Lollobrigida. Mit einer Einführung von Alberto Moravia, Berlin 1978, https://www.zvab.com/erstausgabe/Italien-Bildband-Gina-Lollobrigida-Einführung-Alberto/30011681876/bd (ostatni dostęp: 25.07.2022) - Gabriele Lesser, Ein Volk von Judenrettern? "Jüdische Allgemeine", 23.07.2022, https://www.juedische-allgemeine.de/juedische-welt/ein-volk-von-judenrettern/ (ostatni dostęp: 25.07.2022) - Paweł Smoleński, Babcię zamordowaną w Polsce wyssał z palca, mówił o "polskich obozach koncentracyjnych". Ja'ir Lapid, nowy premier Izraela, "Gazeta Wyborcza", 23.07.2022, https://wyborcza.pl/magazyn/7,124059,28698527,babcie-zamordowana-w-polsce-wyssal-z-palca-mowil-o-polskich.html (ostatni dostęp: 25.07.2022) - Jack Goody, Kradzież historii, Warszawa 2009, https://ksiegarnia.pwn.pl/Kradziez-historii,68454581,p.html (ostatni dostęp: 25.07.2022) #2historyków1mikrofon Krzysztof Ruchniewicz Blog: www.krzysztofruchniewicz.eu Facebook: Instagram: www.instagram.com/ruchpho/ Twitter: twitter.com/krzyruch YouTube: www.youtube.com/channel/UCT23Rwyk…iew_as=subscriber Przemysław Wiszewski Blog: www.przemysławwiszewski.pl Facebook: www.facebook.com/przemyslaw.wiszewski Instagram: www.instagram.com/przewisz/ Twitter: twitter.com/wiszewski YuoTube: www.youtube.com/channel/UCuq6q08E…iew_as=subscriber Do nagrania intro i outro wykorzystaliśmy utwór RogerThat'a pt. „Retro 70s Metal” (licencja nr JAM-WEB-2020-0010041).
In a programme first broadcast in 2021, Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare's Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare's work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King's College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson
Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare's Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare's work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King's College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson
Welcome to episode sixty of New Creation Conversations. It's a privilege in today's conversation to be joined by Dr. Amy Kenny. Amy has a PhD from the University of Sussex in Early Modern Literature and Culture. From 2009-2012, she was Research Coordinator at Shakespeare's Globe in London, where she was the chief dramaturge for 15 productions, and taught courses on theatrical practice and Shakespearean drama. Currently she is a lecturer on Shakespeare at the University of California Riverside. Amy is also a disabled scholar who has written frequently about her experiences in publications like Teen Vogue, The Mighty, The Audacity, and Sojourners. Amy is a scribe for Freedom Road institute for Leadership and Justice; she serves on the mayor's Diversity, Equity, and Inclusion Taskforce in California; coordinates support for people experiencing homelessness in her neighborhood; and is currently co-launching Jubilee Homes OC, a permanent supportive housing initiative in her local community. Amy has a new book, being released from Brazos Press in May, entitled My Body is Not a Prayer Request: Disability Justice in the Church. In it, Amy not only reflects on her own journey, but she also argues that much of the church has forgotten that we worship a disabled Lord whose wounds survived resurrection. Therefore, it is time for the church to start treating disabled people as full members of the body of Christ who have much more to offer than a miraculous cure narrative and to learn from their unique embodied experiences. She prophetically reflects on her experiences inside the church to expose unintentional ableism and cast a new vision for Christian communities to engage in disability justice.I had a chance to read a pre-publication edition of the book, and even though I have been involved for several years in churches working intentionally to make space for people with various disabilities, I still found much in Amy's book challenging and unsettling, not in a bad way, but in a way that is helping me to imagine my own church as a more inclusive community. It is beautifully written – as one would expect from a Shakespeare scholar – and it is also richly theological and pragmatically helpful. I'm excited and grateful to get to bring this conversation to you.
"Delight in disorder" was celebrated in a poem by Robert Herrick (1591-1674) and the long hair, flamboyant dress and embrace of earrings that made up Cavalier style has continued to exert influence as a gender fluid look. Lauren Working's essay considers examples ranging from Van Dyck portraits and plays by Aphra Behn to the advertising for the exhibition called Fashioning Masculinities which runs at the Victoria and Albert museum this spring. Fashioning Masculinities: The Art of Menswear is at the V&A from March 19th 2022. Radio 3 broadcast a series of Essays from New Generation Thinkers exploring Masculinities which you can find on BBC Sounds https://www.bbc.co.uk/programmes/m00061jm Lauren Working is a Lecturer in Early Modern Literature at the University of York and a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn academic research into radio. You can hear her discussing The Botanical Past in a Free Thinking discussion https://www.bbc.co.uk/programmes/m000wlgv
"Delight in disorder" was celebrated in a poem by Robert Herrick (1591-1674) and the long hair, flamboyant dress and embrace of earrings that made up Cavalier style has continued to exert influence as a gender fluid look. Lauren Working's essay considers examples ranging from Van Dyck portraits and plays by Aphra Behn to the advertising for the exhibition called Fashioning Masculinities which runs at the Victoria and Albert museum this spring. Fashioning Masculinities: The Art of Menswear is at the V&A from March 19th 2022. Radio 3 broadcast a series of Essays from New Generation Thinkers exploring Masculinities which you can find on BBC Sounds https://www.bbc.co.uk/programmes/m00061jm Lauren Working is a Lecturer in Early Modern Literature at the University of York and a New Generation Thinker on the scheme run by BBC Radio 3 and the Arts and Humanities Research Council to turn academic research into radio. You can hear her discussing The Botanical Past in a Free Thinking discussion https://www.bbc.co.uk/programmes/m000wlgv Producer: Luke Mulhall Image: Anthony van Dyck Lord John Stuart and his Brother, Lord Bernard Stuart (about 1638) Oil on canvas The National Gallery, London. Bought, 1988 © The National Gallery, London.
The legend of Mélusine emerges in French literature of the late fourteenth and early fifteenth centuries in the texts of Jean d'Arras and Coudrette. A beautiful young woman, the progeny of the union between a king and a fairy, is condemned to spend every Saturday with her body below the waist transformed into the tail of serpent. She agrees to marry only on the condition that her husband should never seek to see her on that day every week. Shahidha Bari explores the emergence of the hybrid mermaid-woman, her historical significance and the legacy of the medieval myth of Mélusine. Olivia Colquitt is an AHRC funded doctoral candidate at the University of Liverpool whose research focuses upon the socio-cultural significance of the late Middle English translations of the French prose romance Mélusine and its verse counterpart, Le Roman de Parthenay. Hetta Howes is Senior Lecturer in Medieval and Early Modern Literature at City, University of London and is a BBC/AHRC New Generation Thinker. She is the author of Transformative Waters in Medieval Literature. Lydia Zeldenrust is an Associate Lecturer in Medieval Literature, where she currently holds a Leverhulme Early Career Fellowship. She is the author of The Melusine Romance in Medieval Europe. Producer: Ruth Watts
Also available on YouTube at: https://www.youtube.com/c/SpeakingofShakespeare.[See SEGMENTS below] Thomas Dabbs speaks with Roze Hentschell of Colorado State University about her recent book: 'St Paul's Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices'.LINKS:The Virtual St Pauls Cathedral Project: https://vpcathedral.chass.ncsu.edu.The Virtual Pauls Cross Project: https://vpcp.chass.ncsu.edu.SEGMENTS:00:00:00 - Intro00:02:20 - St Paul's Precinct in the Early Modern Period00:09:52 - Virtual St Paul's Project00:16:22 - Relationships between pulpits, stages, and bookshops00:17:09 - Going low with sermons and secular writing00:19:38 - Non-discreet space within and without00:22:33 - Going low with commercial aspects of the Cathedral00:25:15 - Shopping bookshops, public responses, anxiety00:30:55 - Masculinity and vice, in place out of place00:39:00 - Shakespeare, more vice, and St Paul's00:43:37 - Roze's book, Virtual St Paul's, spawning more research00:45:14 - Cloth and tapestry00:50:15 - Roze's work in administration: disciplinary boundaries00:59:58 - Roze, motherhood, exercise, good habits01:00:05 - The Mexican connection, educational background01:02:12 - Return to the cathedral and changing spaces01:05:00 - Paul's Cross churchyard, bones and bookshops01:11:35 - Roze's future work, grounds for further research01:17:30 - Closing remarks, Old St Paul's and Culture
Episode Notes We're back! This week we're speaking with self-proclaimed 'sweary Prof', Dr Tracey Hill. Tracey is currently professor of Early Modern Literature and Culture at Bath Spa University. In this episode we find out why the emblem of Envy always had her tits out while eating a human heart, why Early Modern pageants were a major fire hazard, and what on earth a whiffler is. We also learn about the role of rhinos in civic pageantry, what hippos have to do with anything (they don't), and why the Lord Mayor's show is considered to be an 'acoustic assault'. You can find out about Tracey's big AHRC project here: https://www.bathspa.ac.uk/projects/civic-london/ and follow her on Twitter @TraceLarkhall
Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare's Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare's work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King's College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson
Melvyn Bragg and guests discuss the collection of poems published in 1609 by Thomas Thorpe: Shakespeare's Sonnets, “never before imprinted”. Yet, while some of Shakespeare's other poems and many of his plays were often reprinted in his lifetime, the Sonnets were not a publishing success. They had to make their own way, outside the main canon of Shakespeare's work: wonderful, troubling, patchy, inspiring and baffling, and they have appealed in different ways to different times. Most are addressed to a man, something often overlooked and occasionally concealed; one early and notorious edition even changed some of the pronouns. With: Hannah Crawforth Senior Lecturer in Early Modern Literature at King's College London Don Paterson Poet and Professor of Poetry at the University of St Andrews And Emma Smith Professor of Shakespeare Studies at Hertford College, Oxford Producer: Simon Tillotson
In Elizabethan England on the corner of Friday Street and Bread Street was a fine dining and drinking establishment called the Mermaid Tavern. The building itself burned down in the Great Fire of London in 1666, but the legend of this storied tavern lives on through the records of people like Ben Jonson and 17th century travel writer Thomas Coryat, who wrote about the Mermaid Tavern in the early 1600s, when Shakespeare was in his late 40s to early 50s, describing it as the meeting place of Fraternity of Sireniacal Gentlemen, a drinking club that met on the first Friday of the month and is thought to have included famous members, most with very close ties to Shakespeare. Men like Ben Jonson, John Fletcher, and Francis Beaumont, were thought to have been members and there are a few scholars who think that William Shakespeare might have been among the members of this club as well. Our guest this week, Michelle O’Callaghan, is a historical researcher into the history of English taverns, and the author of the article Patrons of the Mermaid Tavern. She joins us today to share the story of the Mermaid Tavern, what we can know about the Fraternity of Gentlemen who met there, and what her research concludes about whether Shakespeare might have attended. Michelle O’Callaghan is a Professor of Early Modern Literature and currently Head of the Department of English Literature at the University of Reading. She has published extensively on early modern literature and culture, from the Inns of Court and tavern societies to women’s engagement in literary cultures. Her major books are The ‘shepheards nation’: Jacobean Spenserians and early Stuart political culture, 1612-1625 (Oxford, 2000), The English Wits: Literature and Sociability in Early Modern England (Cambridge, 2007), Thomas Middleton, Renaissance Dramatist (Edinburgh, 2009), and, most recently, Crafting Poetry Anthologies in Renaissance England: Early Modern Cultures of Recreation, which was published by Cambridge University Press in December, 2020.
Nandini Das, Professor of Early Modern Literature and Culture at Oxford, brings us stories and personal experiences of rain and the way it informs and combines with different cultures across the globe. Each of the five essays takes a particular sense and location as focus, beginning with Nandini's native India and the sound of rainfall. She recalls the deafening, thundering rains of the monsoon season in Kolkata, and the language that captured its power. She recalls how the inherited myths and stories of India have always been informed by the uneasy balance of the country's rain and searing heat. And she recounts the musical dramas in which raags are used to call the rains and Bengali nursery rhymes carry its sound, 'brishti porey tupur tapur' (pitter patter falls the rain).
Today, we think of Shakespeare’s Sonnets as a triumph. We read them, puzzle over them, and recite them. We compare our significant others to summers’ days, beweep our outcast states, and never admit impediments to the marriage of true minds. But it might surprise you to learn that in the past, the Sonnets didn’t have quite the same great reputation. We asked Roehampton University professor Jane Kingsley-Smith back to Shakespeare Unlimited for a second episode about the Sonnets’ tortuous history. The author of The Afterlife of Shakespeare’s Sonnets, Kingsley-Smith tells us about periods in the 1600s and 1700s when some readers thought the sonnets were inauthentic, or immoral, or just that they had too many puns. Finally, we pay a visit to the 1800s, when writers like William Wordsworth and Oscar Wilde salvaged the poems’ good name. Jane Kingsley-Smith is interviewed by Barbara Bogaev. Dr. Jane Kingsley-Smith is Deputy Head of the Department of English & Creative Writing at Roehampton University in London. She edited Love's Labor's Lost for the Norton Shakespeare Series Third Edition, and The Duchess of Malfi for Penguin in 2015. She is the author of Shakespeare's Drama of Exile, published by Palgrave in 2003, and Cupid in Early Modern Literature and Culture, published by Cambridge University Press in 2010. Her latest book, published in 2019 by Cambridge is The Afterlife of Shakespeare’s Sonnets. From the Shakespeare Unlimited podcast series. Published April 14, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Return to the Verses,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical helped from Evan Marquart at Voice Trax West in Studio City, California, and Dom Boucher at The Sound Company in London.
Did Shakespeare intend to publish his sonnets? For whom were they written? What do they reveal about their author? We talk to Dr. Jane Kingsley-Smith about her newest book, The Afterlife of Shakespeare's Sonnets, published by Cambridge University Press in 2019. The book is a social history of the sonnets’ reception, starting with a glowing 1598 review that it's likely practically no one ever read and travelling through over 400 years of readers adoring and abhorring Shakespeare’s 152 complicated poems. Dr. Jane Kingsley-Smith edited Love's Labor's Lost for the Norton Shakespeare Third Edition, and The Duchess of Malfi for Penguin in 2015. She is the author of Shakespeare's Drama in Exile (Palgrave, 2003), and Cupid in Early Modern Literature and Culture (Cambridge University Press, 2010). Kingsley-Smith is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published January 21, 2020. © Folger Shakespeare Library. All rights reserved. This podcast episode, "To Thee I Send This Written Embassage,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. We had technical help from Evan Marquardt at Voice Trax West in Studio City, California, and Gareth Wood at The Sound Company in London.
Helen Pluckrose, one of the three authors of the Grievance Studies and editor-in-chief of Aero magazine, sits with Bridget to discuss the much richer role for women in history than the lenses by which we’re viewing them today, the contradictions in feminism and social justice activism, the argument against post-modernism, and the inherent problems with intersectionality. Helen talks about her own journey from a care assistant in hospitals, to getting a Masters in Early Modern Literature with a focus on religious writing by and about women, her conversion from a Christian to an atheist, and how she met James Lindsay and became involved in the Grievance Studies. It’s a fascinating conversation covering complex topics with a true master of critical theory. Helen helps breakdown the fundamental contradictions within intersectionality and offers Bridget a way to formulate a compassionate and rational response to the intersectional argument. Full transcript available here: WiW50-HelenPluckrose-Transcript
When James VI of Scotland became James I of England, he did so as the son of Mary Queen of Scots, and brought with him a tumultous history and risk for civil war. In an example of the King’s extraordinary gift at diplomacy and unification, he also brought into England his ability to stabilize conflict and unite warring parties around his position as King. At 39 years old, when William Shakespeare was at the height of his career as a playwright in London, the new King would officially patronize Shakespeare’s company, and include the bard, the Burbages, and The Lord Chamberlain’s Men in his campaign to win the heart of England and unify the three nations. Here to help us explore the story of what it was like for William Shakespeare when Elizabeth died and King James came to the throne, as well as the religious reformations that defined the cultures of these nations, and divided the Scottish Kirk from the Church of England ideologically, is our special guest Dr. James Loxley. James Loxley is Professor of Early Modern Literature in the department of English Literature at Edinburgh. He has written widely on renaissance poetry and drama, with a particular focus on Ben Jonson and Andrew Marvell, and on the literature, politics and culture of the civil war period. His current research focuses on a collaborative project digitally mapping Edinburgh's literary cityscape, and a cultural history of the relations between England and Scotland in the early seventeenth century. We are delighted to have him visit with us today to share with us the moment in Shakespeare’s life when he found himself finally under the official patronage of the English monarchy.
Our lecture this week is presented by the Boston University Pardee School of Global Studies, the Center for the Study of Europe, and the Department of English. Our speaker is Pascale Drouet, Professor of English and Early Modern Literature at the University of Poitiers, France. Professor Drouet's lecture is titled “Madness in Jacobean England: The Asylum and the Playhouse.” Discussions and lectures by the best and brightest thinkers from Boston University
Matthew Sweet and a panel of experts stand-up for their emotion of choice in a debate about the most pertinent emotion for understanding Britain today. Is it Joy? Anger? Anxiety? Schadenfruede or shame? The panel express their feelings and an audience vote at the 2019 Free Thinking Festival at Sage Gateshead has the final say. Kehinde Andrews is Professor of Black Studies at Birmingham City University. His books include Back to Black: Retelling Black Radicalism for the 21st Century and Resisting Racism: Race, Inequality and the Black Supplementary School Movement. Denise Mina’s crime novels include The Long Drop, The DI Alex Morrow series, the Paddy Meehan series which were filmed by BBC TV, The Garnetthill series, and graphic novels. She has been inducted into the Crime Writer’s Association Hall of Fame. Tiffany Watt Smith is the author of The Book of Human Emotions and Schadenfreude: The Joy of Another’s Misfortune and was one of the BBC Radio 3 New Generation Thinkers in 2014. A bout of chicken pox prevented her from promoting her ideas about schadenfraude so her husband, the writer Michael Hughes took her place in this debate. Jen Harvie is Professor of Contemporary Theatre and Performance at Queen Mary University of London, the author with Paul Allain of The Routledge Companion to Theatre and Performance and with Professor Dan Rebellato (Royal Holloway, University of London), she co-edits Palgrave Macmillan’s large series of small books Theatre & Hetta Howes is a Lecturer in English at City University in Medieval and Early Modern Literature and is a BBC Radio 3/AHRC New Generation Thinker You can find short films by Tiffany and others at https://www.bbc.com/ideas/playlists/the-story-of-human-emotions Producer: Debbie Kilbride
Juliet Uzor tells us about winning this year's Great British Sewing Bee.What is the best way to care for a parent with dementia? We hear from Sarah Mitchell whose mother Wendy was diagnosed with early onset dementia at the age of 58. Sarah tells us how they've adapted their lives and relationship.A new Amnesty International report has found what it calls 'a shocking level' of unreported and acquitted rapes across the Nordic countries. Why? Jacqui Hunt the Director of Equality Now's European office and Helle Jacobsen a senior Advisor and Researcher at Amnesty Denmark, discuss.What makes the adolescent brain different and why is it that an easy child can become a challenging teenager? Sarah-Jayne Blackmore a Professor in Cognitive Neuroscience at University College London helps us understand.Why is ‘Shame' the emotion of now? Hetta Howes a lecturer in Medieval and Early Modern Literature at City University London, and Tiffany Watt-Smith a cultural historian discuss.Laura Lattimore and Rashida Hardy tell us about having severe hair loss and why wearing a wig is important to them. The poet Helen Mort on her first novel Black Car Burning about rock climbing, trust and polyamory.Presented by Jane Garvey Produced by Rabeka Nurmahomed Edited by Jane ThurlowInterviewed guest: Juliet Uzor Interviewed guest: Sarah Mitchell Interviewed guest: Jacqui Hunt Interviewed guest: Helle Jacobsen Interviewed guest: Sarah-Jayne Blackmore Interviewed guest: Hetta Howes Interviewed guest: Tiffany Watt-Smith Interviewed guest: Laura Lattimore Interviewed guest: Rashida Hardy Interviewed guest: Helen Mort
Hair can be intensely personal and equally political. It can be a sign of confidence or beauty, rebellion or activism. But what about wigs? Why do some women choose to wear them and how significant can they be? Throughout this week we'll explore what wigs mean to a range of different women. First: Wearing a wig during cancer. Approximately 65% of individuals undergoing chemotherapy will experience hair loss as a result. Alex Petropoulos and Angelina Hall both lost their hair this way and turned to wigs. Azmina Verjee works for the Macmillan Cancer Information Centre. The subject of this year's BBC Radio 3 Free Thinking Festival at Sage Gateshead is Emotion. One of their debates aims to decide ‘What is the emotion of now?' The academic Hetta Howes argues that shame is the prevailing emotion of our time. We'll be examining the relationship women have with shame in more detail with Hetta, a lecturer in Medieval and Early Modern Literature at City University, London, and with the cultural historian Tiffany Watt-Smith, author of ‘The Book of Human Emotions'.Anne Acheson was a sculptor who changed medical history by combining her knowledge of art and anatomy. During the Great War, many soldiers suffered limb injuries which were treated with splints. However, Portadown-born Anne created an alternative method - using plaster of Paris. As the Millennium Court Arts Centre in Portadown plans a historic exhibition of Acheson's work we discuss her importance as a sculptor and inventor with Rosamund Lily West, Research Curator at the Royal Society of Sculptors, Jackie Barker, director of Millennium Court Arts Centre, and Virginia Ironside, Anne's great-niece.Presenter: Jane Garvey Producer: Helen Fitzhenry
When William Shakespeare was writing The Tempest was he considering the light bouncing off the walls of his playhouse? When he directed Feste to be fond of singing in Twelfth Night, did Shakespeare know the people in the back would be able to hear him? We don’t often think about Shakespeare’s plays in context of where they were originally performed, but this week our guest Sarah Dustagheer has written an entire book exploring that very question. Turns out, many of Shakespeare’s lines were written for the location where they were first to be performed. Sarah is a Senior Lecturer in Early Modern Literature at The University of Kent, and author of her latest book, Shakespeare’s Playhouses: Repertory and Theatre Space at the Globe and the Blackfriars, 1599-1613
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen's University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Why did creative writers in early modern England write so forcefully about the relationship between aesthetics and morality? How did they imagine creative work to reflect religious categories and moral expectations? In his new book, Sinister Aesthetics: The Appeal of Evil in Early Modern Literature (Palgrave, 2017), Joel Elliot Slotkin, a professor of English at Towson University, explores how Spenser, Sidney, Shakespeare and Milton considered the appeal of evil, and why their writing moralized about aesthetics only to create characters or contexts in which that moral purpose seemed to be undermined. In this ground-breaking study, Slotkin explains how these writers created a “sinister aesthetics,” in which to test their readers, and to persuade their readers that the fall of humanity into sin had aesthetic as well as moral and noetic consequences. Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016). Learn more about your ad choices. Visit megaphone.fm/adchoices
Four centuries after Shakespeare's death, young scholars share new evaluations of his work - in a series of essays recorded in front of an audience in Shakespeare's old classroom at the Guildhall in Stratford-upon-Avon. 2.James Loxley on Undiscovered Countries: Shakespeare and the NationAt a time when relationships between the UK and the rest of Europe, and between the UK's own constituent nations, looks more unsettled than for many years, James Loxley explores what light Shakespeares plays might throw on tricky questions of national identity and the political debates that can grow up around them.James starts by considering Henry V, for which Shakespeare is often depicted as a celebrant of untroubled Englishness, giong on to explain that during Shakespeare's most creative period, the very name and nature of the country was in dispute, with the concept of "Great Britain" becoming a prospect for the first time.And he concludes by wondering how Shakespeare's plays can help us understand our own national questions today.James Loxley is Professor of Early Modern Literature in the University of EdinburghBBC Radio 3 is marking the 400th anniversary of the death of Shakespeare with a season celebrating the four centuries of music and performance that his plays and sonnets have inspired. Producer: Beaty Rubens.
Professor James Loxley, Professor of Early Modern Literature, delivers his inaugural lecture entitled, "Ben Jonson’s Road North"In July 1618, the poet and playwright Ben Jonson embarked on an enterprise that had been at least a year in the planning - an epic walk all the way from London to Edinburgh.In this lecture, Professor Loxley will look at what his companion’s account can tell us about the motivations and meanings of Jonson’s long walk to the north, and offer some reflections on what this new information on the journey can tell us about the culture and politics of the Stuart kingdoms in the decades after the union of the crowns.Recorded on 25 February 2014 at the University of Edinburgh's Old College.
Melvyn Bragg and guests discuss the Metaphysical poets, a diffuse group of 17th century writers including John Donne, Andrew Marvell and George Herbert. Mourning the death of a good friend in 1631, the poet Thomas Carew declared: “The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee; the lazy seeds Of servile imitation thrown away, And fresh invention planted.”The gardener in question was a poet, John Donne, and from his fresh invention blossomed a group of 17th century writers called the metaphysical poets. Concerned with sex and death, with science and empire, the metaphysical poets challenged the conventions of Elizabethan poetry with drama and with wit. And they showed that English, like Italian and French, was capable of true poetry.Unashamedly modern, they were saluted by another great modernist, T.S. Eliot, who admired their genius for imagery, the freshness of their language and the drama of their poetic character. But what do we mean by metaphysical poetry, how did it reflect an age of drama and discovery and do poets as different as John Donne, Andrew Marvell and George Herbert really belong together in the canon of English literature? With Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Julie Sanders, Professor of English Literature and Drama at the University of Nottingham; and Tom Cain, Professor of Early Modern Literature at the University of Newcastle upon Tyne
Melvyn Bragg and guests discuss the Metaphysical poets, a diffuse group of 17th century writers including John Donne, Andrew Marvell and George Herbert. Mourning the death of a good friend in 1631, the poet Thomas Carew declared: “The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee; the lazy seeds Of servile imitation thrown away, And fresh invention planted.”The gardener in question was a poet, John Donne, and from his fresh invention blossomed a group of 17th century writers called the metaphysical poets. Concerned with sex and death, with science and empire, the metaphysical poets challenged the conventions of Elizabethan poetry with drama and with wit. And they showed that English, like Italian and French, was capable of true poetry.Unashamedly modern, they were saluted by another great modernist, T.S. Eliot, who admired their genius for imagery, the freshness of their language and the drama of their poetic character. But what do we mean by metaphysical poetry, how did it reflect an age of drama and discovery and do poets as different as John Donne, Andrew Marvell and George Herbert really belong together in the canon of English literature? With Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Julie Sanders, Professor of English Literature and Drama at the University of Nottingham; and Tom Cain, Professor of Early Modern Literature at the University of Newcastle upon Tyne
Melvyn Bragg and guests discuss the Metaphysical poets, a diffuse group of 17th century writers including John Donne, Andrew Marvell and George Herbert. Mourning the death of a good friend in 1631, the poet Thomas Carew declared: “The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee; the lazy seeds Of servile imitation thrown away, And fresh invention planted.”The gardener in question was a poet, John Donne, and from his fresh invention blossomed a group of 17th century writers called the metaphysical poets. Concerned with sex and death, with science and empire, the metaphysical poets challenged the conventions of Elizabethan poetry with drama and with wit. And they showed that English, like Italian and French, was capable of true poetry.Unashamedly modern, they were saluted by another great modernist, T.S. Eliot, who admired their genius for imagery, the freshness of their language and the drama of their poetic character. But what do we mean by metaphysical poetry, how did it reflect an age of drama and discovery and do poets as different as John Donne, Andrew Marvell and George Herbert really belong together in the canon of English literature? With Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Julie Sanders, Professor of English Literature and Drama at the University of Nottingham; and Tom Cain, Professor of Early Modern Literature at the University of Newcastle upon Tyne
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