Podcasts about end titles

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods. --Main Theme from "Bigfoot" (1970) --Richard Podolor --The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith --Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter --Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York --Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr. --High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps --Suite from "Snowbeast" (1977) --Robert Prince --What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough --Main Title from "Return to Boggy Creek" (1977) --Darrell Deck --Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians --My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends --Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends --Suite from "Night of the Demon" (1980) --Dennis McCarthy --Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker --Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?) --Main & End Titles from "Demon Warp" (1988) --Dan Slider Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Welcome to Episode 39. There is absolutely no proof of conspiracy. The Movie: The Parallax View from director Alan J. Pakula. Intro Song by Greg Bennett. Title Art by Devious.Pixel. Additional Audio: "End Titles" Podcast produced and edited by Andrew Owsley. The Internet: Twitter Facebook Lock Stock and Two Smoking Controllers Podcast Blake's Story "They Come This Night" action.themoviepodcast@gmail.com The End --- Support this podcast: https://podcasters.spotify.com/pod/show/actionthemoviepodcast/support

Welcome to Episode 35. We have a cenobite dog, a skin suit filled with a demon, and a story across time for you. The Movie: Hellraiser: Bloodline from director Kevin Yagher. Intro Song by Greg Bennett. Title Art by Devious.Pixel. Additional Audio: "I am pain" Scene from the movie. "End Titles" from the Official Movie Soundtrack. Podcast produced and edited by Andrew Owsley. The Internet: Twitter Facebook Lock Stock and Two Smoking Controllers Podcast Blake's Story "They Come This Night" action.themoviepodcast@gmail.com The End --- Support this podcast: https://podcasters.spotify.com/pod/show/actionthemoviepodcast/support

Welcome to Episode 28. We have dragon hawks, scantily clad people in need of saving, and a masked hero that does all the work for you. The Movie: Fire and Ice from Director Ralph Bakshi. Intro Song by Greg Bennett. Title Art by Devious.Pixel. Additional Audio: "Spoils of War - On the Run" "End Titles" Both these tracks and more can be found on the Fire and Ice OST. Podcast produced and edited by Andrew Owsley. The Internet: Twitter Facebook Lock Stock and Two Smoking Controllers Podcast Blake's Story "They Come This Night" action.themoviepodcast@gmail.com The End --- Support this podcast: https://podcasters.spotify.com/pod/show/actionthemoviepodcast/support

Greetings! Another April Fools Day is upon us and I chose a bunch of music that has humor, both topically and/or structurally at it's core with Phase Two focused on music directly from or influenced by cartoons, both classic and more recent.  In addition, this particular theme gives me another excuse to play Komar & Melamid/Dave Soldier's masterpiece, "The Most Unwanted Music" which makes me laugh out loud every time I hear it. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter: https://twitter.com/envpusher1    4-1-23 PTE Playlist:  "What's So Funny?"   lontanofaune - Rascali Klepitoire / John Oswald - CLASSICS from the Rascali Klepitoire - PFONY (2020) https://johnoswald.bandcamp.com/album/classics-from-the-rascali-klepitoire   John Somebody (complete, 1980-82) - Scott Johnson (R.I.P.) - John Somebody - Tzadik (2004) https://scottjohnsoncomposer.com/compositions/johnsomebody.html    Magoo In Hi-Fi - composer: Dennis Faron / Mr. Magoo: Jim Backus / Waldo: Daws Butler - Magoo In Hi-Fi - RCA Victor (1957)   Captain's Log/Space Madness - Ren & Stimpy - composers: Tom Armbruster, Chris Reccardi, Jim Smith - You Eediot! - Nickelodeon/Sony Wonder (1993) https://vgmdb.net/album/69958    The Jetson's (End Titles) - featuring Doc Severinsen on trumpet - composer: Hoyt Curtin - Cartoon Classics & Wacky Sounds by Hannah-Barbera - Rhino/Cartoon Network (2001) https://www.latimes.com/archives/la-xpm-2000-dec-11-me-64056-story.html    Road Runner - accordian: Guy Klucevsek / composer: John Zorn - Manhattan Cascade - CRI Emergency/New World Records (1992) https://www.newworldrecords.org/products/guy-klucevsek-manhattan-cascade    There They Go Go - Carl Stalling - The Carl Stalling Project: Music form Warner Bros. Cartoons 1936-1958 - Warner Bros. (1990) https://www.awn.com/mag/issue2.1/articles/goldmark2.1.html   Powerhouse - Raymond Scott - Reckless Nights & Turkish Twilights: The Music of Raymond Scott - Columbia (1992) https://www.raymondscott.net/    Dragalong Droopy - Scott Bradley - Tex Avery Cartoons - Milan (1993) https://www.tomandjerryonline.com/bradley.cfm    Magic Toenail - Brak / composers: Pete Smith, Eddie Horst - Brak Presents: The Brak Album - starring Brak - Rhino/Cartoon Network (2000) https://vgmdb.net/album/96600     Sounds to Forget (excerpt)(1963) / This Thing Called Key (1956) / Arcane Presents Lulu (1956) - Hugh Le Caine - Compositions/Demonstrations 1946-1974) - JWD (1999) https://hughlecaine.com/en/compositions.html    The Most Unwanted Song - Komar & Melamid / Dave Soldier - The People's Choice Music - NeedleJuice Records (2019) https://needlejuice.bandcamp.com/album/the-peoples-choice-music    Slush - Bonzo Dog Band - Let's Make Up and Be Friendly - United Artists (1972) http://www.bonzodog.org/bonzos/friendly.htm   

Ian Failes from befores & afters asks Perception's Doug Appleton and Seiji Anderson about their main on end titles crafted for 'Moon Knight.'

In this episode, we look at the soundtrack of the 1996 movie of Jane Austen's Emma by Rachel Portman. We listen to how the clarinet is Emma's voice and how the instrumentation, time signature, and major vs minor are often used to change mood or characters. We also pay to attention to how her emotional journey and theme changes throughout as well as the comedy and matchmaking theme. Finally, we compare the songs performed by Emma and Jane and how the words convey meaning to Frank Churchill's attentions. Music included in podcast: "Main Titles" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Emma: Piano Suite" - music by Rachel Portman, 2022 "End Titles" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Celery Root" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Emma Insults Miss Bates" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Emma Writes her Diary" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Mr. Knightley Returns" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Proposal" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Emma Tells Harriet about Mr. Elton" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "The Picnic" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Emma dreams of Frank Churchill" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Sewing and Archery" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Harriet's Portrait" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Three German Dances, K. 605: No. 3 in C, Trio "Die Schlittenfahrt" - Mozart in the Morning, music by Wolfgang Amadeus Mozart, performed by Academy of St. Martin in the Fields & Sir Neville Marriner, 1992 "Mr. Elton's Rejection" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "The Coles' Party" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Mrs. Elton's Visit" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Main Title and First Victim" - Jaws (The Collector's Edition Soundtrack), music by John Williams, 1975 "Gypsies" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Tolomeo, Re Di Egitto HWV 25: Silent Worship (adapted by Arthur Somervell from "Non lo diro col labbro")" - Silent Worship: The Timeless Music by Handel, music by George Frederic Handel, performed by David Hobson, 2006 "The Beggar's Opera: Act 1 No 14, Air 6: Virgins are like the fair flowers" - Gay: The Beggar's Opera, music by John Gay, performed by The Broadside Band, Jeremy Barlow, Bronwen Mills & Charles Daniels, 1991 "The Dance" - Emma: Music from the Miramax Motion Picture, music by Rachel Portman, 1996 "Mr. Beveridge's Magot" - English Country Dances from Playford's Dancing Master, performed by The Broadside Band, 2009 "World of Soundtracks" - music by Edith Mudge, graphics by Lindsey Bergsma

Ian Failes from befores & afters asks Perception's Doug Appleton and Seiji Anderson about their main on end titles crafted for 'Moon Knight.'

Lee returns to finish off his look at the music from the films of Amicus Productions. The material covered here comes from their peak and rapid decline. While the films may have started to lower in quality by the mid-1970s, it can be argued that the scores and soundtracks were still top notch. Listen in, and Lee believes you'll agree with him. --Toccata & Fugue in D Minor from "Tales from the Crypt" (1972) --Johann Sebastian Bach; adapted by Douglas Gamley --Night on Bald Mountain and excerpt from Pictures at an Exhibition II: Gnomus from "Asylum" (1972) --Modest Mussorgsky; adapted by Douglas Gamley --Main Title and Suite from "The Vault of Horror" (1973) --Douglas Gamley --Suite from "And Now the Screaming Starts!" (1973) --Douglas Gamley --Suite from "From Beyond the Grave" (1974) --Douglas Gamley --Main Title from "Madhouse" (1974) --Douglas Gamley --When Day is Done from "Madhouse" (1974)  --Vincent Price; music by Robert Katcher; lyrics by Buddy De Sylva --Main Title from "The Beast Must Die" (1974) --Douglas Gamley --Main Title and End Titles from "The Land that Time Forgot" (1975) --Douglas Gamley --Suite from "At the Earth's Core" (1976) --Mike Vickers --Suite from "The People that Time Forgot" (1977) --John Scott Opening and closing music: Magic and Ecstasy from "Exorcist II: The Heretic" by Ennio Morricone, and The Shadow of the Killer from "Death Rage" by Guido & Maurizio De Angelis.

A mix for a farewell. And in the end, the love you take is iqual to the love you make. So much thanks Vangelis to put an incredible landscape of feelings and dreams in my life. The real sense of … VOODOO LOPEZ: END TITLES Read More » The post VOODOO LOPEZ: END TITLES first appeared on Deep House Radio | Dogglounge Deep House Radio.

Journey back through Springtime lore as Sean and Matt play all the greatest musical hits! Tracklist: 00:00 - Letter to Santa (w. Andy) [#90] 12:50 - Bruce Spruce [#22] 18:46 - Darkness on the Edge of Town (w. Jon) [#29B] 28:35 - The First Freestyles (ft. Mike H.) [#30] 39:25 - Blues Cruise (ft. Fish) [#32] 46:44 - End Titles (ft. Matt M.) [#33] 56:33 - You're a Wizard, Harry [#38] 1:01:32 - Thank You, Girl (ft. Mike H.) [#60] 1:08:00 - Tending to the Oat Fields (w. Andy) [#63] 1:21:02 - Pink Cadillac (w. Andy) [#69] Western Stars Suite (ft. Mike H.) [#70]:  1:24:14 - Stones  1:28:37 - Sleepy Joe's Cafe  1:32:56 - Chasin' Wild Horses  1:37:20 - Drive Fast (The Stuntman) 1:46:10 - 2020 Freestyle (ft. Mike H.) [#80] 2:02:07 - The Silo [#91]

Segundo y último programa dedicado a la figura de Tom Cruise, en el que nos encontraremos con músicos como Williams, Grusin, Goldenthal o Newton Howard. Los scores son los siguientes: SUITE JOHN WILLIAMS: Nacido el 4 de julio (Theme) – Un horizonte muy lejano (The Land Race) – Minority Report (Everybody runs/A New Beginning) – La guerra de los mundos (The Ferry Scene); La tapadera (Main Title) – Entrevista con el vampiro (Abduction and Absolution); Misión: Imposible (Main Theme/The Train) - Collateral (Race to Annie); Valkiria (They’ll Remember You) – Oblivion (Fearful Odds); Al filo del mañana (End Titles) – La Momia (Main Theme). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Segundo y último programa dedicado a la figura de Tom Cruise, en el que nos encontraremos con músicos como Williams, Grusin, Goldenthal o Newton Howard. Los scores son los siguientes: SUITE JOHN WILLIAMS: Nacido el 4 de julio (Theme) – Un horizonte muy lejano (The Land Race) – Minority Report (Everybody runs/A New Beginning) – La guerra de los mundos (The Ferry Scene); La tapadera (Main Title) – Entrevista con el vampiro (Abduction and Absolution); Misión: Imposible (Main Theme/The Train) - Collateral (Race to Annie); Valkiria (They’ll Remember You) – Oblivion (Fearful Odds); Al filo del mañana (End Titles) – La Momia (Main Theme). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Novelista, productor, guionista, director, genio. Un autor sin igual: Michel Crichton. Las películas y sus músicas son un buen modelo de la evolución de las bandas sonoras desde los años 70, y en concreto en ellas nos encontramos con artistas de la talla de Goldsmith, Morricone, Williams, Mancina y Goldenthal, en los largometrajes: Coma (Jefferson Institute / Love Theme) – El primer gran asalto al tren (End Titles); Runaway (Main Titles) – Parque Jurásico (End Titles) – El mundo perdido (The Hunt); Acoso (Serene Family) – Congo (Amy’s Nightmare / Bail out / Gates of Zinj); Twister (God’s Finger) – Esfera (The Gift / End Credits); El guerrero nº 13 (Valhalla/Viking Victory); Timeline (Prepare for Battle/Victory for Us). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

Novelista, productor, guionista, director, genio. Un autor sin igual: Michel Crichton. Las películas y sus músicas son un buen modelo de la evolución de las bandas sonoras desde los años 70, y en concreto en ellas nos encontramos con artistas de la talla de Goldsmith, Morricone, Williams, Mancina y Goldenthal, en los largometrajes: Coma (Jefferson Institute / Love Theme) – El primer gran asalto al tren (End Titles); Runaway (Main Titles) – Parque Jurásico (End Titles) – El mundo perdido (The Hunt); Acoso (Serene Family) – Congo (Amy’s Nightmare / Bail out / Gates of Zinj); Twister (God’s Finger) – Esfera (The Gift / End Credits); El guerrero nº 13 (Valhalla/Viking Victory); Timeline (Prepare for Battle/Victory for Us). Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.

The ending tune of every iCRAGorama episode, composed by Harry Couvin.

The ending tune of every iCRAGorama episode, composed by Harry Couvin.

Intro - The Alan Smithee Opening Richard Wagner - Tristan Und Isolde, Prelude Claude Debussy - Reverie Erik Satie - Gymnopédie No. 1 Richard Wagner - Tristan Und Isolde, Liebestod Popul Vuh - Aguirre I (L'acrime Di Rei) Claude Debussy - Nocturnes III, Sirenes Edvard Grieg - Solveig's Song (From Peer Gynt Op. 23) Ben Salisbury and Geoff Barrow - Ava Johann Johannsson - Melodia (III) Flying Lotus - Tronix Cavern of Anti-Matter - In Fabric (Variation 3) Cavern of Anti-Matter - In Fabric (Variation 1) Cavern of Anti-Matter - In Fabric (Variation 2) Scott Walker - Vox Lux Opening Credits Mica Levi - Vanity Mica Levi - Children John Barry - Main Title from High Road To China John Barry - Flight Into Space John Barry - Space Lazer Battle John Barry - Moonraker Theme (Instrumental) Johann Johannsson - Desert Music Radiohead - Daydreaming Vangelis - Le Singe Bleu Miles Davis - Nuit Sur Les Champs-Élysées (Take 3 - Generique) Gerry Mulligan - Night Lights (1963 Version) Bohren and Der Club of Gore - Untitled (From Midnight Radio) Bohren and Der Club of Gore - Untitled (From Midnight Radio) Gerry Mulligan - Tell Me When Gerry Mulligan - Prelude In E Minor Gerry Mulligan - Festival Minor Alice Coltrane - Galaxy In Satchidananda Alice Coltrane - Galaxy In Turiya John Barry - The Pyramid John Barry - The Attic John Barry - Raid On Chang's Camp, Finale and End Titles Shirley Bassey - Goldfinger Theme Tchaikovsky - Liturgy Of St. John Chrysostom, Op. 41, Hymn Of The Cherubim Sigur Rós - Svefn-g-englar John Roberts - Can Thought Exist Without The Body Boards Of Canada - Tears From The Compound Eye Boards Of Canada - Everything You Do Is A Balloon Boards Of Canada - Kid For Today Boards Of Canada - In A Beautiful Place Out In The Country The Future Sound Of London - Yage 2019 Amorphous Androgynous - Swab Matthew Herbert - Alone Matthew Herbert - Consequences Gustavo Santaolalla - Only Love Can Conquer Hate Bobby Krlic - The House That Hårga Built Bobby Krlic - Fire Temple Colin Stetson - Reborn Nancy Sinatra and Lee Hazlewood - Some Velvet Morning Nancy Sinatra and Lee Hazlewood - Summer Wine Sonic Youth - Massage The History Still Corners - The Trip Paul Giovanni - Willow's Song (Theatrical Version) Charlie May - Vorab Global Communication - 12:18 Art Of Noise - Moments In Love Klimek - For Steven Spielberg and Azza El-Hassan Christopher Franke - Sheridan's Dream, Sunrise Christopher Franke - White Light, Echoes From The Past, Dying Station, Delenn's Sunrise Christopher Franke - End Title Shirley Bassey - Moonraker Theme Claude Debussy - Suite Bergamasque, Claire de Lune, No. 3

Five Favorites with Zach Moore.   Star Trek III: The Search For Spock continued the story of the Genesis planet and revealed the ultimate fate of Spock, who nobly sacrificed himself to save his crew mates at the end of the last film. One great success from the previous film was its score, composed by James Horner. When Leonard Nimoy came on board to helm the film, he wanted to go a different direction, utilizing his friend Leonard Rosenman, but the studio won the day, and Honorer returned, and, according to some, surpassed his previous Trek accomplishment. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Zach Moore of Standard Orbit to talk about his five favorite tracks from the score to Star Trek III: The Search For Spock, composed by James Horner. We also discuss why this is his favorite Trek film, and, as always, we have a few tangents along the way. Chapters Intro (00:00:00)  Welcome to Melodic Treks (00:00:57)  Whys is This Your Favorite Star Trek Movie? (00:02:27)  Zach Moore's Top 5 Tracks From the Film  (00:07:29)  "The Mind Meld" (00:11:51)  "A Fighting Chance to Live" (00:18:09)  "End Titles" (00:24:58)  "Bird of Prey Decloaks" (00:34:24)  "Stealing the Enterprise" (00:41:47)  Closing (00:57:41)   Host Brandon-Shea Mutala   Guest Zach Moore   Production  Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Chris Tribuzio (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

Porpoise Crispy Podcast
Volume #7 Episode #24 New York CityCurated by John December 28, 2018          Last week was so last year Antimatter Tropical Fuck Storm A Laughing Death in Meatspace The Butcher Xetas The Redeemer Ersatz Living  Anwar Sadat Ersatz Living        Third Uncle Bauhaus The Sky's Gone Out Johnson Grass Farm Cary Swinney Martha         Chicken Squawk M.D.C. Smoke Signals     V1nc3nt Com3 on Down 3ra1n1ac Hissing Prigs in Static Couture     Z.N.S. Einstürzende Neubauten Halber Mensch    Festivus Multicult Position Release    I'm Guilty Eddy Current Suppression Ring So Many Things      Aspirin Kid The Nation of Ulysses 13-Point Program to Destroy America                  This week is so next year  “Kevin Small Talk” was the in between song comedy gold “End Titles” by Alexandre Desplat was the music I yapped over   The pCrispy is only an hour of music so I know you’ve got time to enjoy to these bad asses of the Internets:  The Westerino Show Funkytown Bayerclan Squirreling Podcast Secretly Timid    

Anne Chmelewsky is a composer and writer for screen and stage. She has writing music for Mark Weeden's feature film Only People (2018), Sofian Khan's Do We Belong (The Atlantic Selects 2018) and An Act of Worship, (Field of Vision 2017), as well as the Emmy & Golden Globes nominated Derek (dir. Ricky Gervais, Netflix / C4). One of Anne Chmelewsky's most recent projects has been for the feature film, WHERE HANDS TOUCH, which debuted at the Toronto Film Festival in September 2018 and is directed by Amma Asante.The film is set in 1944, where a 15-year-old girl, daughter of a white German mother and a black African father, meets a member of the Hitler Youth. They become bound by the realization of the horrors being committed around them. In this episode, Anne Chmelewsky talks about how she captured the two most important ideas of the film within her score: identity and love; not only writing individual themes for each but composing a delicate yet powerful interaction between the two. She also reveals how some efficient use of left-over time in a string recording session ended up helping to get her hired onto this important feature film project.ANNOTATED TRACKS AND SEGMENTS02:03- "View from the Street"03:57 - "Where Hands Touch"06:23 - "Hidden"08:06 - "End Titles"12:15 - "We're All Cowards"13:35 - "We Have to Survive"18:10 - "Together"OTHER TRACKS00:03 - "Prologue - Journey to Berlin"SOUNDTRACKThe original soundtrack was release on September 28, 2018 by Varese Sarabande Records. The score is available on Amazon.com , itunes, and streaming on Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by Anne Chmelewsky at her official site http://annechmelewsky.com/ or follow her on twitter @Anne_C_skyABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

Paracinema Harry Gregson-Williams - The Meg Soundtrack (WaterTower Music,2018) - "Prehistoric Species" Chris Ridenhour, Christopher George Cano - Sharknado 5 Soundtrack (BMG, 2017) - "Shark Cave" John Williams - Jaws Soundtrack (MCA Records, 1992) - "End Titles"

主播打分： 蜉蝣（“不散”创始人之一；《请以你的名字呼唤我》等5期嘉宾；公众号“不散”）：7.5分； “影像太舒服，注意到了除对称外更多用到画面层次，小章节叙事体清晰有节奏。要是有小柴犬就满分！” （蜉蝣的其它打分：《环太平洋：雷霆再起》5分；《狂暴巨兽》4.5分；《起跑线》4分） 雷普利（凤凰电影前编辑；《湮灭》等25期嘉宾）：6.5分； “本片的政治隐喻不仅说不通，而且他一如既往的人文性表达也在退化。” （雷普利的其它打分：《请以你的名字呼唤我》7分；《湮灭》6.5分；《起跑线》6分） 波米：6分； “从任何方面讲，本片都是维斯·安德森的《玉子》。” 《犬之岛》(Isle of Dogs)平均分：约6.7分 本期节目流程与目录： 开场曲：(Alexandre Desplat)； 第18秒-第6分钟：影片信息介绍（无剧透）； 第6分钟-第8分半：三位主播为影片打分并阐述理由（无剧透）； 第8分半-第22分半：嘉宾“雷普利”和“蜉蝣”首先谈《犬之岛》“亮点”，波米谈“问题”（涉及剧透）： 1、蜉蝣认为本片的画面一如既往的精致；很多细节都会让狗党欲罢不能； 2、雷普利觉得本片视觉元素的运用非常好，“和风”与自己的视觉概念融合的很出色； 3、波米谈“问题”时对日本文化与本片主题的关联性存疑；而本片的叙事和节奏也都有较大问题； 第22分半-48分半：交换意见，雷普利和蜉蝣谈影片不足，波米谈优点（涉及剧透）： 1、蜉蝣认为本片的大团圆结局堪称败笔；男主角与“点点”情感铺垫方面略显不足； 2、雷普利认为本片的政治隐喻从各方面来讲都很失败，对于“忠犬”的呈现也比较刻板； 3、波米认为本片的部分细节非常可爱，也谈到了导演在片中放置的“两种政治体制”的对比； 48分半-尾声：外延话题（涉及剧透）：导演韦斯·安德森生平所有长片回溯；蜉蝣最爱《天才一族》；雷普利最喜欢《狐狸爸爸》；波米认为《青春年少》是其生涯最佳； 尾声曲目：(Alexandre Desplat)。 影片《犬之岛》重要信息： 本片北美分级：PG-13级； 本期节目重点提及的电影片单： 《情定日落桥》（1979） 《瓶装火箭》（1996） 《青春年少》（1998） 《天才一族》（2001） 《迷失东京》（2003） 《水中生活》（2004） 《穿越大吉岭》（2007） 《骑士酒店》（短片，2007） 《了不起的狐狸爸爸》（2009） 《让子弹飞》（2010） 《月升王国》（2012） 《布达佩斯大饭店》（2014） 《玉子》（2017） 《帕丁顿熊2》（2017）

Main Titles with Mike Schindler.     Main Titles are an interesting and important part of a film's score. Generally the first thing that you see during the cinematic experience, they are designed to audibly paint a landscape, provide an emotional anchor for the viewer, and to provide expectations for what they are about to see. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Mike Schindler, host of Trek FM's Stage Nine, to discuss Main Titles. We talk about their purpose in the film, how they differ from End Titles, and weather or not Jerry Goldsmith is better than John Williams. (He is.) (Or is he?) Chapters Intro (00:00:00)  Welcome, Mike (00:01:00)  "Main Title" (from Star Trek, composed by M. Giacchino) (00:10:10)  "Overture" (from Star Trek VI: The Undiscovered Country, composed by C. Eidelman) (00:14:30)  "Main Title" (from Star Trek: The Motion Picture, composed by J. Goldsmith) (00:18:45)  Closing (00:20:10)   Hosts Brandon-Shea Mutala   GuestsMike Schindler   Production Brandon-Shea Mutala (Editor) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

The Fantastic Voyage score with Brandi Jackola. Many composers will have periods in their careers where a sound or an instrument becomes extremely influential, and they will adapt and modify that inspiration for several film scores in a row. One composer, however, seems to have had a style stick with him for a longer period than average. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Brandi Jackola to discuss two scores by Leonard Rosenman: his Emmy award winning score for the 1976 mini-series Sybil, and the strange and moody score to the 1966 science fiction film Fantastic Voyage, and how that score seems to be mirrored in his Academy Award nominated score for Star Trek IV: The Voyage Home. Chapters Opening (00:00:00)  Welcome, Brandi! (A Hefty Tangent) (00:00:59)  "Main Titles" (from Sybil) (00:19:34)  "End Titles" (from Sybil) (00:25:04)  "Group Leaves" (from Fantastic Voyage) (00:42:15)  "Get the Laser" (from Fantastic Voyage) (00:45:10)  "Optic Nerve" (from Fantastic Voyage) (00:48:36)  "Whale Fugue" (from Star Trek IV: The Voyage Home) (00:50:36)  "Main Title"  (from Fantastic Voyage) (00:58:37)  Host Brandon-Shea Mutala Guest Brandi Jackola Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art) Brandon-Shea Mutala (Patreon Manager)

En 1975, a pesar de los tremendos problemas de producción y rodaje, "Tiburón" ganadora de 3 Oscars (Sonido, Montaje y Música) fue todo un taquillazo, el primer blockbuster de la historia. La primera película en superar la barrera de los 100 millones de dólares y se convirtió en un fenómeno de la cultura popular en todo el mundo. "Tiburón" cambió el cine para siempre, por la genialidad de un joven director de 26 años y por la sorprendente banda sonora de uno de los más grandes compositores de la historia de la música de cine. Ambos consiguieron que a la generación de los 70 y 80 les diera pánico entrar en el agua. Dos icónicas notas que todo el mundo recuerda, fáciles de tararear y asociar a Tiburón. En su sencillez reside su grandeza. Y en su maravillosa creatividad en la composición y orquestación. La primera vez que Spielberg escuchó en el piano de Williams esas dos notas, que ya forman parte de la historia del cine y su música, pensó que se trataba de una broma. Cuando lo repitió una y otra vez, dándose cuenta de la intención que tenían y que podían incrementar el tempo a su antojo, Spielberg supo que Williams había dado con la idea de toda la película y del tema de Tiburón. Posteriormente llegó a afirmar que "la mitad del éxito de esta película se debía a la música". Este tema principal, conductor de la partitura, es recibido al instante por el público y podemos escuchar nuestros corazones martilleando en nuestro pecho. Junto a las dos notas bajas que componen el tema principal, también se escuchan un trío de trompas -tres notas ascendentes- anunciando la majestuosa presencia y la fuerza predominante del Tiburón, utilizándose en la película casi tanto como el motivo de dos-nota Dum-Dum... De alguna forma John Williams juega con el subconsciente del espectador nos adelanta con su música la presencia o no del Tiburón, incluso juega con la aparición sorpresa en algún momento del filme. Musicalmente hace una especie de tocata y fuga contrapuntisticamente de la aventura y misterio mezclada con el espíritu marinero de Quint (un "hornpipe" marinero de Nueva Inglaterra que acompaña a la salida del Orca), seguido de la fanfarria "Korngold-esca" y de los sucesivos ataques del tiburón que se van acelerando en tempo y ritmo, dramatismo y frenesí en un obstinato del motivo del Tiburón. De la esperanza y el optimismo de los cazadores se pasa al drama y la impotencia de la muerte simbolizada por la fuerza sinfónica del gran blanco. Desgarradora, desoladora y frenética en sus últimos acordes. Ya no es un juego de caza. Ya es la muerte sin remisión. Y a la muerte del Tiburón, Spielberg sugiere al técnico de sonido que introduzca al final del corte "Blown To Bits" del score de Williams la muerte de todos sus demonios fílmicos hasta la fecha, el camión despeñándose de "El Diablo sobre ruedas" ("The Duel") y ese premonitorio rugido de dinosaurio de serie B que sin saberlo simboliza lo que está por llegar en el futuro ("Jurassic Park"). Una obsesión de Spielberg de su infancia convertida en realidad. Aunque había ordenado quitar del guión de Carl Gothieb toda conexión de la novela de Peter Benchley con Moby Dick, Spielberg no consiguió los derechos y la autorización de Gregory Peck para rodar una secuencia del caza tiburones Quint (Robert Shaw) viendo en un cine Moby Dick y partiéndose de risa cuando muere el capitán Ahab ahogado, enredado en las cuerdas de los arpones clavados en el lomo de la ballena blanca. Esta y muchas otras anécdotas las contamos en este completo y exhaustivo análisis de la película y de su música, gracias a nuestro equipo de colaboradores en sus diferentes secciones: "El Acomodador" con Alí Trujillo, "Conexión Berlín" con Celia Martínez, "Cuaderno de cine" con Fernando Alonso Barahona, "Dirigido por" con César Bardes, "Al límite" con Fran Beltrán, "Grandes esperanzas" con Alma López, "Repartiendo Zapatilla" con los Hermanos Jimenez, "El Rincón del Coleccionista" y "Bonus Track" con el gran Miguel Casares (autor de las cabeceras y del montaje de este mega Tiburón, se merece un Oscar como la gran Verna Fields), y quien les habla, suscribe estas líneas y orquesta toda esta locura, vuestro servidor Juan Ramón López. Además en este Programa número 4 de Cinemasmusic hemos ido más allá haciendo un 2x1. Es decir, dos podcast en uno, con la inclusión al final del mismo de un especial titulado "Carnada de Tiburón" con nuestros amigos de Carne de Videoclub, los hermanos David e Isaac Gómez. Dos de las personas que mejor conocen, viven y sienten el universo de JAWS. Esas "mandíbulas" que aquí titularon "Tiburón" y marcó a toda una generación formando parte de nuestras vidas como una película mítica, una obra maestra del cine. Esperamos que os guste este sentido homenaje y completa masterclass de más de 6 horas a dos maestros Spielberg-Williams y a una gran película. Como decía Brody "vamos a necesitar un barco más grande" y por si acaso "salgan todos del agua". Tracklist Música de John Williams (Duración corte) - Localización minutaje 1. Main Title and First Victim (3:30) - 7:05 -. Trailer español - 10:30 -. "El Acomodador" con Alí Trujillo - 32:38 2. The Empty Raft (1:23) - 42:24 -. "Conexión Berlín" con Celia Martínez - 43:40 3. The Pier Incident (2:22) - 53:28 -. "Cuaderno de cine" por Fernando Alonso Barahona - 55:45 -. Moby Dick - Philip Sainton - 1:04:54 4. The Shark Cage Fuge (2:00) - 1:15:32 -. "Dirigido por" con César Bardes - 1:17:29 5. Shark Attack (1:18) - 1:29:36 -. "Al límite" con Fran Beltrán - 1:30:50 6. Ben Gardner's Boat (3:31) - 1:34:40 -. "El Rincón del Coleccionista" con Miguel Casares - 1:38:05 -. Main title (Alternate) de Jaws ed. Intrada - 1:43:38 -. "Bonus Track" con Miguel Casares - 1:44:29 -. John Williams conducts Medley (Oscars 2002) - 1:46:30 Casablanca, Citizen Kane, 20th Century Fox Fanfare, Star Wars, The Sea Hawk, Spellbound, Titanic, Psycho, Jaws, The Pink Panther, Exodus, Out of Africa, Doctor Zhivago, Bridge on the River Kwai, Patton, Rocky, The Magnificent Seven, The Natural, Cinema Paradiso, The Godfather, ET, Gone With the Wind. 7. Montage (1:31) - 1:55:17 8. Father and Son (3:43) - 2:08:50 -. "Grandes Esperanzas" con Alma López - 2:12:30 -. Eiffel 65 - Blue (Da Ba Dee) - 2:20:44 -. Happy Birthday, Maggie (Point Of No Return) - Hans Zimmer - 2:27:18 9. Into The Stuary (2:51) - 2:38:21 10. Out To Sea (2:58) - 2:50:17 -. Steven Spielberg and John Williams talks about Jaws - 2:53:17 11. Man Against Beast (5:34) - 2:56:00 12. Quint's Tale (2:41) - 3:07:14 -. Quint y su discurso sobre el U.S.S. Indianápolis 3:09:54 13. Brody Panics (1:10) - 3:13:40 14. Barrel Off Starboard (1:31) - 3:19:10 15. The Great Shark Chase (3:28) - 3:25:41 -. John Williams winning Oscar Best Original Score from Jaws (1975) 3:29:04 16. Three Barrells Under (2:05) - 3:30:49 17. Between Attacks (2:06) - 3:29:57 -. "Repartiendo Zapatilla" con los Hermanos Jiménez - 3:42:04 18. The Shark Approaches (2:41) - 3:52:59 19. Blown To Bits (3:03) - 4:05:37 20. End Titles (1:52) - 4:12:26 -. "Carnada de Tiburón" con David e Isaac Gómez de Carne de Videoclub - 4:15:04 -. John Williams conducts Theme From Jaws (Boston Pops) - (3:05) - 5:59:54 -. De Guella and The Green Leaves of Summer - Dimitri Tiomkin (2:06) - 4:09:13

Comparing Film Scores. When fans of Star Trek are asked what their favorite films are, an overwhelming majority will give you an odd numbered entry. These are the stories that seem to resonate the most with fans, except for one. The tenth Star Trek film, and the fourth in The Next Generation series of movies, generally doesn't make the list. The plot has many holes, and there are several story cliches that make this one of the weaker entries in the franchise. However, when looking beyond the story, how do fans feel some of the other elements of the film hold up? In this episode of Melodic Treks, host Brandon-Shea Mutala discovered in a recent Facebook exchange that most people feel that the score to Star Trek: First Contact is considered by many to be the best of The Next Generation film scores. In an effort to plead his case that Star Trek: Nemesis is in fact the superior, he invited Erik Woods of Cinematic Sound Radio to put their top five tracks from each of these movies head to head. Chapters Intro (00:00:00)  Contest Reminder and Feedback (00:01:22)  "Ooby Dooby" (performed by Roy Orbison) (00:05:39)  Erik Woods, Cinematic Sounds, and Sound Cast Stereo (00:06:33)  The Concept (00:15:17)  Initial Impressions on the Films (00:17:06)  "Red Alert" (from Star Trek: First Contact, composed by J. Goldsmith) (00:23:09)  "The Mirror" (from Star Trek: Nemesis, composed by J. Goldsmith) (00:26:36)  "Welcome Aboard" (from Star Trek: First Contact, composed by J. Goldsmith) (00:32:53)  "Ideals" (from Star Trek: Nemesis, composed by J. Goldsmith) (00:36:10)  "Magic Carpet Ride" (performed by Steppenwolf) (00:41:32)  "Flight of the Phoenix" (from Star Trek: First Contact, composed by J. Goldsmith) (00:42:02)  "The Scorpion" (from Star Trek: Nemesis, composed by J. Goldsmith) (00:48:20)  "First Contact" (from Star Trek: First Contact, composed by J. Goldsmith) (00:54:03)  "Remus" (from Star Trek: Nemesis, composed by J. Goldsmith) (00:58:24)  A Detour Through Indiana (01:00:58)  "End Titles" (from Star Trek: First Contact, composed by J. Goldsmith) (01:06:52)  "Battle Stations" (from Star Trek: Nemesis, composed by J. Goldsmith) (01:10:53)  Host Brandon-Shea Mutala Guest Erik Woods Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Bobby Tucker (Associate Producer) Ken Tripp (Associate Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

Here's a mix of some little known tunes by well known artists   1 20th Century Fox Fanfare 2 Shangri La by The Kinks 3 Nineteen Hundred Eighty Five by Paul McCartney & Wings 4 New Morning by The Grease Band 5 Wonderin' by Neil Young 6 Ballad of a Well Known Gun by Elton John 7 Thundercrack by Bruce Springsteen & the E Street Band 8 Wigwam by Bob Dylan 9 Fountain of Sorrow by Jackson Browne 10 Bottle of Red Wine by Eric Clapton 11 Memo from Turner by The Rolling Stones w Ry Cooder 12 Space Song from The Reluctant Astronaut 13 Childhood's End by Pink Floyd 14 End Titles

Matt Manning performs "End Titles," an original piece. Sean and Matt process the election results through the lens of Bruce.

Melodic Connections: Avery Brooks and Kevin Conroy. Have you ever played Six Degrees of Kevin Bacon? It's a now-classic game based on the idea that any two people on Earth are just six or fewer acquaintance links apart. While Kevin Bacon has become the game's bundled playing piece, it works with other people too … even in the 24th century. In this episode of Melodic Treks, host Brandon-Shea Mutala casts galactic distances aside to put a Star Trek twist on Six Degrees. We challenged the members of The Babel Conference, Trek.fm's listeners' group on Facebook, to come up with the name of an actor to connect to Avery Brooks. The winning choice, submitted by listener Davis Grayson, was Kevin Conroy. These two actors have been in many films and television productions, so we decided to use only movies whose scores were composed by Star Trek composers. Listen on to trace a path from Brooks to Conroy. Chapters Intro (00:00:00) "Suspicions" (from Dynasty "Suspicions," composed by D. McCarthy) (00:03:12) "Haven/Harpies/Gifts" (from Star Trek: The Next Generation "Haven," composed by D. McCarthy) (00:04:56) "Happy Ending" (from Roots: The Next Generations, composed by G. Fried) (00:06:46) "Thicker Fog/Witches" (from Star Trek "Catspaw," composed by G. Fried) (00:07:57) "Suite from The Leap Home" (from Quantum Leap "The Leap Home," composed by V.R. Bunch) (00:09:47) "Pathogen Bomb" (from Star Trek: Enterprise "The Augments," composed by V.R. Bunch) (00:11:35) "End Titles" (from Air Force One, composed by J. Goldsmith) (00:13:33) "Main Titles" (from Star Trek: Voyager, composed by J. Goldsmith) (00:15:29) "End Titles (from Apollo 13, composed by J. Horner) (00:17:35) "Stealing the Enterprise" (from Star Trek III: The Search for Spock, composed by J. Horner) (00:19:32) "Farewell" (from Star Trek: Deep Space Nine "What You Leave Behind," composed by D. McCarthy) (00:22:35) "Revelation/Poloiusized" (from Star Trek: Deep Space Nine "Duet," composed by D. McCarthy) (00:24:28) Host Brandon-Shea Mutala Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Norman C. Lao (Executive Producer) Charlynn Schmiedt (Executive Producer) Richard Marquez (Production Manager) Will Nguyen (Content Manager)

Episode 1 -- 8/1/13 Oz: The Great and Powerful - Main Titles (Danny Elfman) Monsters University - Main Titles (Randy Newman) Legend - Main Titles (Tangerine Dream) Drive - Main Titles ("Nightcall" by Kavinsky) Lethal Weapon 2 - End Titles ("Cheer Down" by George Harrison) Leland, the Singing Film Critic, hosts a podcast which showcases music from a wide variety of films. visit: www.SingingFilmCritic.com Like on Facebook: www.facebook.com/singingfilmcritic Follow on Twitter: @_Leland_ E-mail: Leland@SingingFilmCritic.com

Spacemusic presents: Global Feed - the BIG end of the year podcast with the best electronic and ambient music available - we look back at 2008 and decide what to play on today's show. The Best Of..... and more. It might be the term to use, though this show is like you've never heard before! New Mixes. New sounds. New tracks. Almost in a Trance-state we will have a lift-off for quickchats with artists from Europe and the USA: meet 'I Awake', 'Off the Sky' and David Helpling / Jon jenkins. Recorded and edited on New Year's Eve. This Spacemusic show has a duration of over 3 hours...Yesss. We hope it will reach you in full effect. Drop us your feedback via our Gmail account, spacemusic.nl@gmail.com Happy New Year to all fans of the Spacemusic podcast, muchos lovos! START (00:00) - Spacemusic ::: Global Feed ::: (01:27) - Lift-off! (Music by Vangelis - Chariots of Firenbsp;) (04:35) - The Eagle has landed (05:37) - David Helpling #38; Jon Jenkins - The Knowing (LIVE) (14:25) - Near the Parenthesis - Nidae (18:54) - Lukas Termena RMX - Timbaland ft. One Republic, Apologize (22:11) - Planet Boelex ft. Lisa's Antenna - Fill me Up (27:45) - Das Kraftfuttermischwerk - Ankommen (31:31) - Env(itre) - The upper clouds in the water (35:16) - Sleepy Town Manufacture - Fortnight (39:06) - Listeners Audio Comments (41:23) - Robert Douglas - October Sun (43:40) - Michael Fyrek - a Dream I never had (50:23) - Ulrich Schnauss - Blumenthal (55:40) - Ulrich Schnauss - Nothing happens in June (1:01:20) - Fireworks Alarm! (1:03:33) - Sleepy Town Manufacture - Not a big deal (1:06:46) - Kenji Kawai - Gray Lady (Ash) (1:11:19) - David Helpling - Worlds (1:15:07) - Craig Padilla - Wandering Thought (1:18:54) - Rudy Adrian - Pathway (1:20:59) - I Awake - Inferno (1:23:58) - Quickchat: I Awake from Sweden (1:34:55) - I Awake - Magicians and Fairies (PROMO) (1:40:26) - Logic System - Person to Person (1:44:22) - Binarysoundworx - Glacier (1:51:54) - Intelligentsia - End of Civilization (1:56:12) - Time will tell.... Countdown 2009... Thank You for Your Support! (2:00:03) - Happy New Year !!! (HUVA Network plays: Moontown and Overload) (2:07:15) - Listeners Audio Comment (Music bed by Lukas Termena) (2:13:21) - Quickchat: Off the Sky from the USA (2:31:18) - Off the Sky - Virtigo (ft. Sineweaver) (2:36:31) - Quickchat: David Helpling #38; Jon Jenkins from San Diego USA (2:58:21) - Listeners Audio Comment (2:58:53) - Logic System - Orient Express (1982) (3:02:40) - End Titles... (Klaus Doldinger plays Skyscape from the album Constellation) (3:05:00) - Happy New Year 2009 !!! END BACKGROUND INFORMATION I Awake from Sweden - links and info - http://spineworld.com http://playdo.com http://myspace.com/iawake http://lucidmusic.se === Special attention for Kenji Kawai: the Avalon Soundtrack is on the playlist again. After receiving so many e-mails since last sho (City 13) we thought it was a great idea to include the album again. Go to Amazon for buying it, it's good, very good! Avalon - The Movie - http://en.wikipedia.org/wiki/Avalon_(Japanese_film) Buy it from Amazon: http://www.amazon.com/Avalon-Original-Soundtrack-Kenji-Kawai/dp/B00005HR7J === Off the Sky - links and info - Personal installation concept projects via http://phonograffiti.org Tips by Jason Corder: Morgan Packard - airships fill the sky (anticipate records) So Percussion - amid the noise Colleen - Colleen et les Boites agrave; Musique === Treasure LIVE performances by David Helpling / Jon Jenkins in San Diego (August 2008). Released on CD and available via Deepexile.com Order the 'Beyond Words' album now. There's 1,000 pieces available. Hurry! === Logic System - links and info - Logic System is a musical project of Hideki Matsutake. Hideki started as an assistant for Isao Tomita n the 70's and is well-known as the sequencer programmer and modular synthesizer operator for the...

Spacemusic presents: Global Feed - the BIG end of the year podcast with the best electronic and ambient music available - we look back at 2008 and decide what to play on today's show. The Best Of..... and more. It might be the term to use, though this show is like you've never heard before! New Mixes. New sounds. New tracks. Almost in a Trance-state we will have a lift-off for quickchats with artists from Europe and the USA: meet 'I Awake', 'Off the Sky' and David Helpling / Jon jenkins. Recorded and edited on New Year's Eve. This Spacemusic show has a duration of over 3 hours...Yesss. We hope it will reach you in full effect. Drop us your feedback via our Gmail account, spacemusic.nl@gmail.com Happy New Year to all fans of the Spacemusic podcast, muchos lovos! START (00:00) - Spacemusic ::: Global Feed ::: (01:27) - Lift-off! (Music by Vangelis - Chariots of Firenbsp;) (04:35) - The Eagle has landed (05:37) - David Helpling #38; Jon Jenkins - The Knowing (LIVE) (14:25) - Near the Parenthesis - Nidae (18:54) - Lukas Termena RMX - Timbaland ft. One Republic, Apologize (22:11) - Planet Boelex ft. Lisa's Antenna - Fill me Up (27:45) - Das Kraftfuttermischwerk - Ankommen (31:31) - Env(itre) - The upper clouds in the water (35:16) - Sleepy Town Manufacture - Fortnight (39:06) - Listeners Audio Comments (41:23) - Robert Douglas - October Sun (43:40) - Michael Fyrek - a Dream I never had (50:23) - Ulrich Schnauss - Blumenthal (55:40) - Ulrich Schnauss - Nothing happens in June (1:01:20) - Fireworks Alarm! (1:03:33) - Sleepy Town Manufacture - Not a big deal (1:06:46) - Kenji Kawai - Gray Lady (Ash) (1:11:19) - David Helpling - Worlds (1:15:07) - Craig Padilla - Wandering Thought (1:18:54) - Rudy Adrian - Pathway (1:20:59) - I Awake - Inferno (1:23:58) - Quickchat: I Awake from Sweden (1:34:55) - I Awake - Magicians and Fairies (PROMO) (1:40:26) - Logic System - Person to Person (1:44:22) - Binarysoundworx - Glacier (1:51:54) - Intelligentsia - End of Civilization (1:56:12) - Time will tell.... Countdown 2009... Thank You for Your Support! (2:00:03) - Happy New Year !!! (HUVA Network plays: Moontown and Overload) (2:07:15) - Listeners Audio Comment (Music bed by Lukas Termena) (2:13:21) - Quickchat: Off the Sky from the USA (2:31:18) - Off the Sky - Virtigo (ft. Sineweaver) (2:36:31) - Quickchat: David Helpling #38; Jon Jenkins from San Diego USA (2:58:21) - Listeners Audio Comment (2:58:53) - Logic System - Orient Express (1982) (3:02:40) - End Titles... (Klaus Doldinger plays Skyscape from the album Constellation) (3:05:00) - Happy New Year 2009 !!! END BACKGROUND INFORMATION I Awake from Sweden - links and info - http://spineworld.com http://playdo.com http://myspace.com/iawake http://lucidmusic.se === Special attention for Kenji Kawai: the Avalon Soundtrack is on the playlist again. After receiving so many e-mails since last sho (City 13) we thought it was a great idea to include the album again. Go to Amazon for buying it, it's good, very good! Avalon - The Movie - http://en.wikipedia.org/wiki/Avalon_(Japanese_film) Buy it from Amazon: http://www.amazon.com/Avalon-Original-Soundtrack-Kenji-Kawai/dp/B00005HR7J === Off the Sky - links and info - Personal installation concept projects via http://phonograffiti.org Tips by Jason Corder: Morgan Packard - airships fill the sky (anticipate records) So Percussion - amid the noise Colleen - Colleen et les Boites agrave; Musique === Treasure LIVE performances by David Helpling / Jon Jenkins in San Diego (August 2008). Released on CD and available via Deepexile.com Order the 'Beyond Words' album now. There's 1,000 pieces available. Hurry! === Logic System - links and info - Logic System is a musical project of Hideki Matsutake. Hideki started as an assistant for Isao Tomita n the 70's and is well-known as the sequencer programmer and modular synthesizer operator for the...