Podcasts about mutilated

A Taste of Evil (1971), Snowbeast (1977), This House Possessed (1981) We're back on the small screen for our fourth dive into the world of made-for-TV horror—which should tell you something: we love these things. Maybe it's nostalgia from growing up in an era when you couldn't stream whatever you wanted, whenever you wanted. Or maybe it's because some of these films were just plain good—tight, creepy little stories that managed to leave a mark. This time around, we're not talking about the crown jewels of the genre, but rather three solid, middle-of-the-pack entries: well-made, weirdly memorable, and wildly watchable. You've got disturbed minds, ski lodge mayhem, and a haunted house that's a little too into you. If the stories don't grab you, the casts just might. Films mentioned in this episode: 1941 (1979), Abominable (2006), Alien (1979), Amityville Horror (1979), Asylum (1972), Beetlejuice (1988), Beyond the Door (1974), Blazing Saddles (1974), Butcher Baker, Nightmare Maker (1981), City of the Dead (1960), City Slickers (1991), The Curse of Frankenstein (1957), Don't be Afraid of the Dark (1973), Dark Night of the Scarecrow (1981), Devil Dog: Hound of Hell (1978), The Devil's Daughter (1973), Double Indemnity (1944), Drag Me to Hell (2009), Duel (1971), Frankenstein: The True Story (1973), Halloween (1978), House by the Cemetery (1981), House that Wouldn't Die (1970), Horror of Dracula (1958), I, Desire (1982), The Dirty Dozen (1967), Jaws (1975), A Nightmare on Elm Street (1984), Night of the Creeps (1986), The Night Stalker (1972), The Night Walker (1964), Pat Garrett & Billy the Kid (1973), Planes, Trains, and Automobiles (1987), Psycho (1960), Re-Animator (1985), Salem's Lot (1979), Satan's School for Girls (1973), Scream of Fear (1961), Shriek of the Mutilated (1974), Snowbeast (1977), Strange and Deadly Occurrence (1974), Suspiria (1977), A Taste of Evil (1971), Three Stooges Meet Hercules (1962), This House of Possessed (1981), The Tingler (1959), Trilogy of Terror (1975), Videodrome (1983)

Den rafflande upplösningen av Mörk Borg!... Mild contentvarning för typisk dödsmetal-gore!

In the darkest jungles of Colombia, a vengeful one-legged spirit lures the unfaithful into darkness — and none who hear her cries ever return.Download The FREE PDF For This Episode's WORD SEARCH Puzzle: https://weirddarkness.com/LaPatasolaGet the Darkness Syndicate version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: You might think you'd be able to outrun a vampire that only had one leg – but you'd be mistaken if you come across Columbia's hateful La Patasola. (One-Legged Female Vampire) *** Eight women were mysteriously murdered in Jennings, Louisiana from 2005-2009 and as the investigation progressed, the small town's dark secrets began to unravel. (The Jeff Davis 8) *** In 1924, five prospectors abandoned their site in a panic after what they described as a horrible, terrifying night-long battle against some strange, violent Sasquatch-like creatures, barely making it out alive. (The Mountain Devils of Ape Canyon) *** When Father Rocco Facchini was given his first parish as a young priest in Chicago, he was excited and anxious to spread the gospel to anyone who would listen in the Windy City. Unfortunately, the church he was sent to was haunted – and that was only the beginning of his tragic story. (Muldoon)CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Lead-In00:01:06.145 = Show Open00:30:00.781 = The Mountain Devils of Ape Canyon00:17:39.098 = The One-Legged Female Vampire00:22:00.268 = The Jeff Davis 800:31:40.883 = Muldoon00:38:42.763 = Show Close SOURCES AND RESOURCES FROM THE EPISODE…“One-Legged Female Vampire” by A. Sutherland for Ancient Pages: http://bit.ly/2lsgq9b“The Mountain Devils of Ape Canyon” by Garth Haslam for Anomaly Info: http://bit.ly/2ljOKU3“The Jeff Davis 8” by Tim Ott for Biography.com: http://bit.ly/2mSE9Q7BOOK: “Murder in the Bayou – Who Killed The Women Known As The Jeff Davis 8” by Ethan Brown: https://amzn.to/3DcD6yE“Muldoon” from Chicago Hauntings: (link no longer available)=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: July 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/LaPatasolaTAGS: La Patasola, Colombian folklore, haunted forests, jungle monsters, vampire legends, one-legged ghost, Latin American mythology, supernatural creatures, terrifying folklore, creepy legends, Patasola myth, paranormal Colombia, shapeshifting spirits, horror stories, urban legends, jungle vampire, ghostly revenge, dark folklore, haunted jungles, folklore monsters

Vi får finbesök av Mattias och David från rollspelskollektivet Sura Sppstötningar, som bjuder på dödsmetaltunga GothCon-äventyret Tomb of the Mutilated! Poddens största metalheads Axel, Anneli och särskilt Henk stortrivs såklart! Extra långt avsnitt på grund av extra många metalanekdoter och dylikt nörderi, så värm upp nackmusklerna och häng med!

You can find our broad collection of content on Youtube and Spotify and explore our library of sermons and teachings. Simply go out the website and search "Living Hope Bible Church SA" If you would like to visit us, our services begin at 10:30 am every Sunday at the following address:NG Kerk Zwaanswyk, Tokai Rd, Kirstenhof, Cape Town, 7945

The case of the long island killer  (also known as the Glgo beach murders) is one of the most well known cases of modern times. The long island killer's reign lasted many years and has only recently had a break with a man ,  Rex Heuermann being arrested. Join me where we delve into this recent case and break down how this man got away with his crimes for years. Em x

In April 1977, a family discovered the remains of 15 ponies, all of which had broken bones and were mutilated by unknown assailants. Over the decades, other animals, including sheep, have been mysteriously mutilated in Dartmoor. Some researchers believe extraterrestrials or non-human intelligent creatures are responsible. Also, UFO researcher Stan Gordon reported in his 2022 book, CREEPY CRYPTIDS, of a strange encounter a man and woman had in western Pennsylvania in 2014 with a giant spider. Fearing the giant spider might prove dangerous, the man clubbed the critter with a hefty piece of lumber in an effort to kill it, but the enlarged arachnid instead disappeared into thin air. Finally, a new segment of “Cornfield of Pure Idiocy” is presented.Links/Sources:UFOs – Legendary DartmoorKILLERS on the MOORCREEPY CRYPTIDS by Stan Gordon: https://amzn.to/3FyINv3Support Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn

In April 1977, a family discovered the remains of 15 ponies, all of which had broken bones and were mutilated by unknown assailants. Over the decades, other animals, including sheep, have been mysteriously mutilated in Dartmoor. Some researchers believe extraterrestrials or non-human intelligent creatures are responsible. Also, UFO researcher Stan Gordon reported in his 2022 book, CREEPY CRYPTIDS, of a strange encounter a man and woman had in western Pennsylvania in 2014 with a giant spider. Fearing the giant spider might prove dangerous, the man clubbed the critter with a hefty piece of lumber in an effort to kill it, but the enlarged arachnid instead disappeared into thin air. Finally, a new segment of “Cornfield of Pure Idiocy” is presented.Links/Sources:UFOs – Legendary DartmoorKILLERS on the MOORCREEPY CRYPTIDS by Stan Gordon: https://amzn.to/3FyINv3Support Extraterrestrial Reality/Quirk Zone on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/Extraterrestrial_Reality⁠⁠⁠⁠⁠⁠Check out my YouTube channel:⁠⁠⁠⁠⁠Quirk Zone - YouTube⁠⁠⁠⁠⁠Extraterrestrial Reality Book Recommendations:Link to ROSWELL: THE ULTIMATE COLD CASE: CLOSED: https://amzn.to/3O2loSILink to COMMUNION by Whitley Strieber: https://amzn.to/3xuPGqiLink to THE THREAT by David M. Jacobs: https://amzn.to/3Lk52njLink to TOP SECRET/MAJIC by Stanton Friedman: https://amzn.to/3xvidfvLink to NEED TO KNOW by Timothy Good:  https://amzn.to/3BNftfTLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 1:  https://amzn.to/3xxJvlvLink to UFOS AND THE NATIONAL SECURITY STATE, VOLUME 2: https://amzn.to/3UhdQ1lLink to THE ALLAGASH ABDUCTIONS: https://amzn.to/3qNkLSgUFO CRASH RETRIEVALS by Leonard Stringfield: https://amzn.to/3RGEZKsFLYING SAUCERS FROM OUTER SPACE by Major Donald Keyhoe: https://amzn.to/3S7WkxvCAPTURED: THE BETTY AND BARNEY HILL UFO EXPERIENCE by Stanton Friedman and Kathleen Marden: https://amzn.to/3tKNVXn

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Join me for an important discussion with Jonathan Otto. To learn more about Red Light Therapy visit http://myredlight.com and use promo code SETH to save an additional 10% Forbidden Health book (free): https://jiii.io/qfmz3b To learn more about investing in gold & silver visit - http://goldwithseth.com, or call 626-654-1906 For high quality storable foods and seeds, visit http://heavensharvest.com and use promo code SETH to save 15% on your order. Kimchi One from Brightcore – Improve your health, improve your life. 25% Off with code: MANINAMERICA at https://mybrightcore.com/maninamerica Or dial (888) 575-6488 for up to 50% OFF and Free Shipping – ONLY when you call!See omnystudio.com/listener for privacy information.

Garza sits down in-person with Chris Barnes. Vocalist for the death metal band SIX FEET UNDER. https://instagram.com/chrisbarnes6FUSPONSORS:Garza Podcast Coffee - https://conceptcafes.com/product/garzapodcastcoffee/43CHAPTERS:00:00 - Live & Sleep Death Metal04:28 - First Podcast After Going to the Show05:15 - Grateful08:22 - How Chris' Mom Inspired Him to Play Metal11:18 - The Alligator People, B Horror Movies12:39 - Losing Family Members19:21 - Chris' Upbringing in Buffalo, NY, Moving to FL26:03 - Buffalo Memorial Auditorium, Meeting Paul Stanley29:05 - Meeting Bob Rusay & Paul Mazurkiewicz30:06 - When Chris Started Smoking Weed32:09 - Ultraman, Godzilla34:40 - Gojira, Grammys, Rock Hall of Fame37:54 - Starting Bands Pre-Cannibal Corpse, Airband Competitions43:46 - Joining Leviathan, Chris' Favorite Band49:09 - Starting Cannibal Corpse 50:45 - Writing Lyrics on Weed, Vocal Approach 55:52 - Eaten Back to Life Artwork, Vince Locke58:29 - Butchered at Birth Artwork 1:00:37 - New Album, Killing for Revenge, Album Cover1:03:40 - Tomb of the Mutilated, Tension Within the Band 1:12:50 - Starting Six Feet Under, Leaving Cannibal Corpse 1:23:00 - Being in 2 Successful Death Metal Bands 1:27:29 - Beef w/ Corpsegrinder, Embracing the Hate 1:34:12 - Using Cannabis to Write Music1:38:19 - Cameo Videos1:40:22 - Talking Crap1:47:58 - Having Few Friends1:52:50 - Getting Sober, Smuggling Cannabis 1:56:05 - Ace Ventura Cameo2:02:38 - Being a Movie Fanatic2:07:24 - Reading Books on Tour, Sleeping Next to Bandmates2:09:31 - Writing New Album, Killing for Revenge2:12:11 - Working w/ Jack Owen Through the Years2:14:50 - Psycroptic2:16:34 - Internet Hate vs Real Life Impact

Eindelijk: Dood & Verderf kiest en bespreekt aan de hand van alleskunner (waaronder documentairemaker) Mike Redman de beste docu's die gemaakt zijn over metal. We draaien de muziek, diepen de verhalen uit én verklappen wanneer Mikes langverwachte eigen metal-docu, Metaal, uitkomt. En ja, we proberen ook uit waar Judas Priest van verdacht werd. Don't do it! Wat is nóg fascinerender dan naar metal luisteren? Ernaar kijken natuurlijk. Er is namelijk weinig mooier, tenenkrommender, bizarder, teleurstellender, lelijker, hilarischer, gruwelijker en ongeloofwaardiger dan de verhalen achter metal en zijn muzikanten. En documentaires zijn de ideale toegangspoort daartoe. Daarom in deze editie van Dood & Verderf: Mike Redman, Rotterdams grootste multitalent (check dit dan, of deze), waaronder als documaker. Mike legt momenteel samen met Jason Köhnen de laatste hand aan de documentaire Metaal. Hierin belicht hij de Nederlandse extreme-metal-scene tussen 1985 en ‘95. Speciaal voor Dood & Verderf koos hij zijn favoriete docu's over metal, variërend van de tranentrekker over Jason Becker tot de teloorgang van de maatschappij in Amerika. Vond je dit tof? Abonneer je dan op de nieuwsbrief of de podcast. En ben je al fan? Geef dan een vijf-sterren-rating aan de show op je favoriete podcastplatform, zodat zoveel mogelijke andere mensen de show ook kunnen vinden. Playlist Megadeth - In my darkest hour (So far, so good…so what!, 1988) The Decline of Western Civilization Part II: The Metal Years (1988) - IMDb “Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.” Bad Brains - The Regulator (Bad Brains, 1982) Bad Brains: A Band in DC (2012) - IMDb “Bad Brains are one of the most important and influential American bands still working today. They melded punk and reggae into an innovative style that has yet to be copied. Their impact and influence can be heard in groups like Beastie Boys, No Doubt, Nirvana, Jane's Addiction and countless more. Despite the troubles of an eccentric front man they have stayed together for 30 years without ever reaching the level of success so many think they deserve. Using rare archival footage and original comic illustrations the film re-constructs Bad Brains' rich and complicated history.” Jason Becker - Temple of the absurd (Perpetual Burn, 1988) Jason Becker: Not Dead Yet (2012) - IMDb “When doctors diagnosed 19-year-old rock star Jason Becker with Lou Gehrig's Disease, they said he would never make music again. 22 years later, without the ability to move or to speak, Jason is alive and making music with his eyes.” Judas Priest - Better by you, better than me (Stained Class, 1978) Dream Deceivers (1992) - IMDb “Two young men attempt suicide, one dies, the other survives disfigured. Their parents sue heavy metal band Judas Priest, alleging their music influenced the act. The documentary covers the unprecedented trial against the band.” Iron Maiden: The number of the beast (The number of the beast, 1982) Iron Maiden: Flight 666 (2009) - IMDb “A chronological account of the heavy metal band Iron Maiden's 2008 world tour through India, Australia, Japan, USA, Canada, Mexico and South America in a jet piloted by the band's front man, Bruce Dickinson. Features interviews with the musicians, their road crew and fans.” Alice Cooper - Ballad Of Dwight Fry (1971) Super Duper Alice Cooper (2014) - IMDb “Super Duper Alice Cooper is the twisted tale of a teenage Dr Jekyll whose rock n roll Mr Hyde almost kills him. It is the story of Vincent Furnier, preacher's son, who struck fear into the hearts of parents as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as front man for a group of Phoenix freaks in the 60s to the hazy decadence of celebrity in the 70s to his triumphant comeback as 80s glam metal godfather, we will watch as Alice and Vincent battle for each others' souls. The is the first ever 'doc opera' - a dizzying blend of documentary archive footage, animation and rock opera that will cement forever the legend of Alice Cooper.” Cannibal Corpse - Hammer smashed face (Tomb of the Mutilated, 1992) Cannibal Corpse: Centuries of Torment (Video 2008) - IMDb “Spanning the entire career of death metal's biggest and most controversial band.” De reservelijst The Story of Anvil (2008) - IMDb “A documentary that chronicles the two fifty-something founding members of the Canadian heavy metal band Anvil on their last stab at fame.” Bonus: Mike met the man, the legend Lips! Paradise Lost: The Child Murders at Robin Hood Hills (1996) - IMDb “A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.” Biography: KISStory (TV Special 2021) - IMDb “Follows the band's five decades in the business as founders Paul Stanley and Gene Simmons reflect on their career.”

What did it take to achieve the impossible? What was the moment that changed everything? And what advice does Brittany have for those facing their own surgical regrets?The road to restoration is never easy—but for Brittany, it was nearly impossible. In this gripping part 2, Dr. Rady Rahban unravels the next chapter of Brittany's harrowing plastic surgery nightmare, one that left her with devastating complications, shattered confidence, and a seemingly insurmountable battle ahead. After a botched Smart Lipo procedure left her with fibrosis, scarring, and a mutilated abdomen, Brittany spent years searching for answers—only to be told by multiple surgeons that her case was hopeless. But hope found her in the form of Dr. Rahban, who embarked on an ambitious, high-risk journey to rebuild what had been lost. From grueling rounds of fat transfers to a final, transformative tummy tuck, Brittany's story is one of perseverance, trust, and surgical precision. Now, after years of emotional and physical suffering, she finally has the confidence to live without limits.  This is an episode you won't want to miss!  Listen now to hear the raw, emotional conclusion to Brittany's story. Follow & share to help others avoid life-altering mistakes in plastic surgery.

When it comes to deciding on titles, no killer yeti movie has ever gone quite as hard as 1974's SHRIEK OF THE MUTILATED. Come on, that's bad ass, though the badassery more or less starts and ends at the title, leaving little imagination left for the actual movie it precedes. What follows is a lot of bad acting, a little bit of plot involving college students tracking down a yeti with their professor, and a final scene with more outdated racial stereotypes than you've seen all year (hopefully). This one is pure 70s schlock with a surprisingly famous song about popcorn tossed in for good measure. What else would you expect from us at this point? Learn more about your ad choices. Visit megaphone.fm/adchoices

For spooky month, Jonathan and Ryan do some live game playing on the podcast of two games, Retro Realms: Halloween, and The Rocky Horror Show Video Game. Ryan gives a few ideas of videogames involving the undead and the Godzilla universe of monsters, and Ryan informs us of the evolving world of swears. The pair also discuss the game Clock Tower Remastered and talk a little bit about "Shadows of the Darned: Hecka Remastered" and give an update on their progress of Legend of Zelda: Echoes of Wisdom. And finally, Ryan's not totally sold on Among Us, but he has so many stories about the game that he runs out the remaining space on the SD card.Show Notes:0:00:00 - Sound Test Technique0:01:29 - For the Viewers0:01:58 - Retro Realms: Halloween0:06:25 - The Retro Realms Crossover Series?0:07:10 - Press This Button to Go to the Nightmare Realm0:08:36 - You Just Killed an Innocent Nurse for No Reason0:09:17 - A Cat Searching Mission0:09:39 - Ryan's Videogame Idea: Zombies vs. Skeletons0:11:32 - Michael Myers: The Pacifist Run0:12:56 - The Rocky Horror Show Videogame0:13:26 - Everybody Has Classic Looks0:14:06 - "Talking to My Boy About Videogames" is Politically Neutral0:15:03 - What's Going On in Rocky Horror?0:16:19 - Ryan is a Poor YouTuber0:17:48 - How Does Retro Realms Compare to RHSVG?0:21:06 - Why Would You Throw Boxes at Skeletons?0:22:22 - I'm Gonna Say the S-M Word...0:23:16 - Remember Jim Henson's Dinosaurs?0:24:31 - Why Do You Have So Many Games?0:25:44 - Clock Tower Rewind Review0:26:48 - What Do You Mean, "Mutilated?"0:27:44 - Jonathan, Terrible Dad™0:28:58 - Michael is the Most Responsible Kid0:30:00 - The Music is the Creepy Part0:30:25 - Clock Tower Review for Real This Time0:31:02 - The Legend of Zelda: Echoes of Wisdom Update0:33:02 - Ryan's Challenge to Listeners: Make a Godzilla Game0:35:15 - Shadows of the Darned: Hecka Remastered0:35:56 - Ryan's Library of Swears0:37:02 - More Shadows of the Darned0:39:24 - Imposters Everywhere Support the show here!www.patreon.com/ttwav

Four decades on, and Fangoria is still one of the leading voices of horror culture.  But in it's heyday in the 1980s, it was the gold standard. It wouldn't be an overstatement to say that Fangoria was the most important part of horror culture at that time.  On this episode of Discover the Horror, we take a trip through Fango's history and discuss how it shaped out love of the genre, as well as speculating on how it shaped the genre as a whole.   Movies mentioned in this episode: Accion Mutante (1993), Bad Taste (1987), The Beyond (1981), Brain Dead (1992), Conan the Barbarian (1982), Creature from the Black Lagoon (1954), The Fly (1986), Geek Maggot Bingo (1983), Godzilla (1954), I Drink Your Blood (1971), Intruder (1989), I Spit on Your Grave (1978), Motel Hell (1980), Puppet Master III (1991), Q (1982), Shriek of the Mutilated (1974), Star Wars (1977), Texas Chain Saw Massacre (1974), Videodrome (1982), Zombie (1979)

This week we learn about roller derby, Lisa Marie Presley and spOoOoky things for Halloween.

In Today's episode we cover a story that a farmer posted on a farming forum that concerns some mental looking mutilated animal bodies. We also have a ghosty story, and Im sure theres other bits I forgot too. Tune in, find out. Support the pod:www.patreon.com/monsterfuzzCheck out our merch:https://monster-fuzz.creator-spring.comEverything else!www.linktr.ee/monsterfuzz

Albinism is an inherited condition that affects the production of melanin. People born with the condition have fair skin, hair and eyes. Superstitions about the body parts of people with albinism have led to violent attacks. In 2008 Tanzania appeared to be the epicentre of these superstitions and attacks. Anyone living with albinism there lived in fear. The BBC's former Tanzania correspondent Vicky Ntetema's reporting on the brutality of the attacks - maiming and beheadings - brought global attention to what was happening there.Over the past 16 years, attacks in Tanzania have reduced significantly but the recent increase in violence against people with albinism in Madagascar suggest the problem has not gone away. In today's episode Africa, Daily's Alan Kasujja speaks to journalist Raissa Ioussef in the capital Antananarivo and to Ikwonponsa Ero, the Managing Director of the African Albinism Network.

Today's poem is Try to Praise the Mutilated World by Adam Zagajewski, translated by Clare CavanaghThe Slowdown is your daily poetry ritual. In this episode, Major writes… “One of the great paradoxes in life is the presence of human suffering on the planet amidst prosperity. No religion can explain this other than point to some large cosmic plan. Sometimes it's tough bearing witness and walking in a world where one feels debilitated, and silence around other people's suffering feels like gaslighting.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

Website: https://saltmustflow.comOTHER PLATFORMSRumble: https://rumble.com/c/SaltyCrackerYouTube: https://www.youtube.com/@SaltyCrackerTwitter/X: https://x.com/SaltyCracker9Locals: https://saltycracker.locals.com/SUPPORT SALTYWebsite: https://saltmustflow.com/support/SubscribeStar: https://www.subscribestar.com/salty-crackerCash App: https://cash.app/$saltmustflowMerchandise: https://saltmustflow.com/shop/Mrs. Salty's Channel: https://www.youtube.com/channel/UChnZMOno3rthe1LHvcxufdwMusic by: https://incompetech.com/ Crinoline Dreams In Your Arms--Disclaimer-- These are the opinions and ramblings of a foul-mouthed lunatic. They are for entertainment purposes only and are probably wrong. You listen at your own risk.

Steve & Izzy continue Squatchtember, where they celebrate movies about everybody's favorite cryptid, as they are joined by Lewis Falkenrath to discuss 1974's "Shriek of the Mutilated" starring ... ... ... basically just people who were in this movie!!! How effective is a bread knife? Did "The Shining" rip off this movie as well? How are twists effectively executed? What does Jin Sung taste like?!? Let's find out!!! So kick back, grab a few brews, prance around menacingly, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

Witchcraft has long been practiced throughout Uganda. It's a country where the ancient and the modern meet, with many in rural areas continuing the mystical beliefs of their ancestors, while in cities there's rapid economic development. But from this cultural clash a gruesome phenomenon is growing, and Uganda's children are paying the price. Children are disappearing, victims of human sacrifice, at the hands of so-called 'witch doctors'. It's estimated at least two children go missing each week, often kidnapped for so-called ritualistic sacrifice. Advocates say, the spike has been attributed to poverty, poor policing of witch doctors - and up to 80 per cent of the population seeking health advice from traditional healers. Warning: Distressing content

To watch the podcast on YouTube: http://bit.ly/ChillingEntertainmentYT Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/HorrorHillPodcast If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: https://bit.ly/HorrorHillPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Part 2 is on Patreon where you can access our discord community, bonus podcasts, documentaries, Boys Club and our music show Church of Chill. https://www.patreon.com/churchofchill **NEW**Church of Chill hoodies, shirts, and stickers available on Etsy. https://www.churchofchill.etsy.com

Police in Ridgefield, Connecticut found an 83-year-old man dead in his bedroom on August 1. Police were called to Marc Uricchio's home by his son, Steven Uricchio. An affidavit said Steven Uricchio told an officer he murdered his father “really, really badly.” Marc Uricchio had been mutilated and some of his organs removed from his body. Law&Crime's Angenette Levy talks with News 12 Connecticut reporter Marissa Alter about the case and Steven Uricchio's first court appearance in this episode of Crime Fix — a daily show covering the biggest stories in crime.PLEASE SUPPORT THE SHOW: Download the FREE Upside App at https://upside.app.link/lctakeover to get an extra 25 cents back for every gallon on your first tank of gas.Host:Angenette Levy https://twitter.com/Angenette5Guest: Melissa Alter https://x.com/MarissaAlter/CRIME FIX PRODUCTION:Head of Social Media, YouTube - Bobby SzokeSocial Media Management - Vanessa BeinVideo Editing - Daniel CamachoGuest Booking - Alyssa Fisher & Diane KayeSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@LawandCrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods. --Main Theme from "Bigfoot" (1970) --Richard Podolor --The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith --Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter --Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York --Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr. --High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps --Suite from "Snowbeast" (1977) --Robert Prince --What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough --Main Title from "Return to Boggy Creek" (1977) --Darrell Deck --Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians --My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends --Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends --Suite from "Night of the Demon" (1980) --Dennis McCarthy --Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker --Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?) --Main & End Titles from "Demon Warp" (1988) --Dan Slider Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

SIX FEET UNDER guitarist Jack Owen joins us this week on The Loaded Radio Podcast to discus theband's new album "Killing For Revenge" plus much more From the opening moments of "Know-Nothing Ingrate," which kicks off "Killing for Revenge", it's immediately clear that SIX FEET UNDER focused their energies into something that's as brutal, lyrically visceral and musically dazzling as one would hope for from the ground-breaking Tampa-bred death metal lineup on their 14th studio album. "Killing for Revenge", a gnarly beast of a record that's not for the faint-hearted, dishes up nightmare-inducing imagery courtesy of frontman Chris Barnes via the vocalist's trademark guttural vocals. Both the album title and darkly detailed red-hued album cover by artist Vince Locke are perfect containers for the brutality within. "Killing for Revenge" marks the second album that Barnes and guitarist Jack Owen (both ex-CANNIBAL CORPSE) have created together since reuniting for 2020's "Nightmares of the Decomposed", an album one critic praised an "often slow-ish and doomy yet crushing death metal" which offered an "uncompromising show of strength." Owen also produced "Killing for Revenge", with Barnes as production assistant. SIX FEET UNDER was initially formed as a side project for Barnes during his final years with the band that he co-founded, CANNIBAL CORPSE. It became the frontman's sole focus in 1995, coinciding with the release of their debut, "Haunted". Only Barnes remains from the original SFU band, but the quality has remained remarkably consistent. The current lineup of Barnes, guitarists Owen and Ray Suhy, bassist Jeff Hughell, and drummer Marco Pitruzzella make for a devastating unit. Jack Owen: A Shredding Force in Death Metal But let's get into Jack himself. Jack Owen, a name synonymous with brutal riffs and pummeling grooves, has carved a legendary path through the world of death metal. Born in December 1967 in Akron, New York, Owen's musical journey began with a love for blues and country, influenced by his father's guitar playing. This diverse background would later add unexpected depth to his ferocious metal creations. CANNIBAL CORPSE and Early Success (1988-2004): Owen's foray into extreme metal began in 1988 when he co-founded the band that would define his early career: CANNIBAL CORPSE. Alongside vocalist Chris Barnes, Owen became a driving force behind the band's signature sound, characterized by technical proficiency, unrelenting aggression, and lyrics that reveled in the macabre. Albums like "Tomb of the Mutilated" and "Butchered At Birth" cemented CANNIBAL CORPSE's status as death metal pioneers, and Owen's shredding guitar work became a hallmark of the genre. DEICIDE, SIX FEET UNDER and Beyond (2004-Present): In 2004, Owen left CANNIBAL CORPSE to pursue other musical endeavors. These endeavors would turn out to be DEICIDE, replacing the Hoffman brothers, where he remained a member of the brutal band until 2016. The following year, he joined his former CORPSE bandmate Chris Barnes in SIX FEET UNDER where he not only remains, but also plays such a massive part of in the way of production, writing and performing. The reunion proved fruitful, with Owen's songwriting partnership with Barnes breathing new life into SIX FEET UNDER. They've released a string of critically acclaimed albums together, including their latest effort "Killing for Revenge" which showcases Owen's relentless ferocity remains undiminished. Beyond Death Metal: Despite his association with death metal, Owen's musical tastes are eclectic. He has expressed admiration for blues and country legends, and even filled in for a short period with the band ADRIFT, showcasing his versatility as a guitarist. A Legacy of Brutal Brilliance: Jack Owen's impact on death metal is undeniable. His innovative riffs, technical prowess, and songwriting skills have influenced countless musicians. During this episode of The Loaded Radio Podcast, Jack sits down with Loaded Radio's Scott Penfold and discusses everything from the latest SIX FEET UNDER album, the history and evolution of death metal, his love for animals, his relationship with Barnes, the early days of CANNIBAL CORPSE and also whether he believes that a tour featuring both bands will ever happen.

Overcoming Despair When We See Mutilated Bodies | Jummah Khutbah by Dr. Omar SuleimanBecome a supporter of this podcast: https://www.spreaker.com/podcast/learn-about-islam--5484193/support.

I have talked to Chris a few times and I believe I was his first American radio interview back in the day. He wears a sandwich board sign that says kid's cannot consent to puberty blockers. He has been all over the globe at his own expense and has become one of the most recognized faces in the fight against gender ideology and the surgical and chemical mutilation of kids. I asked Chris about why he chose this particular approach and the challenges and harm he has faced because of what he is doing. We also talked about the positive changes happening around the world in countries that are coming out of the spell of this satanic scheme.What does God's Word say? Genesis 1:27 27 So God created mankind in his own image,    in the image of God he created them;    male and female he created them.Matthew 18:6 Causing to Stumble6 “If anyone causes one of these little ones—those who believe in me—to stumble, it would be better for them to have a large millstone hung around their neck and to be drowned in the depths of the sea.Ephesians 6:11 ESV Put on the whole armor of God, that you may be able to stand against the schemes of the devil.Episode 1,555 Links:Donate to help Billboard Chris!Come and see me and Chris speak with Riley Gaines! 4Patriots https://4Patriots.com/Todd Stay connected when the power goes out and get free shipping on orders over $97.    Alan's Soaps https://alanssoaps.com/TODD Use coupon code ‘TODD' to save an additional 10% off the bundle price.  Bioptimizers https://bioptimizers.com/todd Use promo code TODD for 10% of your order and get up to 2 travel size bottles of Magnesium Breakthrough free.      Bonefrog   https://bonefrogcoffee.com/todd Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.  Bulwark Capital  Bulwark Capital Management (bulwarkcapitalmgmt.com) Call 866-779-RISK or visit online to get their FREE Common Cents Investing Guide. GreenHaven Interactive Digital Marketing https://greenhaveninteractive.com Your Worldclass Website Will Get Found on Google!  Liver Health https://GetLiverHelp.com/Todd Order today and get your FREE bottle of Nano Powered Omega3 and free bonus gift. Native Path Krill https://nativepathkrill.com/todd For a limited time get Native Path Antarctic Krill Oil for as little as $23 per bottle.  

On this spanking new episode Johnny hosts the guys from the Death Metal Band "Mutilated By Zombies". They were one of the featured bands in the Tim Connery movie "Death To Metal".  They talk about their start many years ago, their most current release, "Scenes From The Afterlife", and their upcoming and side projects. Also can you believe none of them have ever seen the movie Purple Rain?!

John Adkison describes himself as a mutilated man & wants the practice of male circumcision on children to be outlawed. Is the circumcision of boys a terrible practice? Let us know at timetotalkaustralia@outlook.com Sites suggested by John: https://www.darboninstitute.org https://www.foreskinrevolution.com/   https://norm.org/ https://circumcisionharm.org/

My coverage of the IBM System/360 continues! In this episode we look at US v IBM, and the fallout that surrounded the release of the System/360. By 1969 IBM already had a history of antitrust litigation. What was IBM doing to upset the Department of Justice, and how does it tie in to the larger story of clone computers?   Selected Sources:   http://www.cptech.org/at/ibm/ibm1956cd.html - 1956 Consent Decree   https://supreme.justia.com/cases/federal/us/298/131/ - 1936 Consent Decree   https://archive.org/details/foldedspindledmu00fish/page/n5/mode/2up - Folded, Spindled, and Mutilated

Bigfoot (1970), Creature from Black Lake (1976), and Abominable (2006). Tales of a mysterious, giant beast that wanders the wooded areas of the U.S., has never really proven to exist, but even to this day, is believed by many to really be out there, still hidden from mankind. Starting with Bigfoot in 1970, our furry giant became the subject of many movies and documentaries, and even on TV shows, such as The Six Million Dollar Man and even his own Saturday morning series, Bigfoot and Wildboy (1977). All this did was increase the interests in the subject matter, even if it didn't make any new believers. It's a subject that is still being used today with more modern day films taking on this sub-genre, in many different variations and strange interpretations. So join us as we discuss three different styles of the Bigfoot genre and see if you believe in Sasquatch!  Films mentioned in this episode: Abominable (2006), Abominable Snowman (1957), Amityville Bigfoot (2024), Amityville II: The Possession (1982), The Amityville Horror (1979), Bigfoot (1970), Bigfoot vs Megalodon (2021), Bigfoot vs Zombies (2016), Bug (2006), The Cannonball Run (1981), Close Encounters of the Third Kind (1977), Creature from Black Lake (1976), Day of the Animals (1977), E.T. the Extra-Terrestrial (1982), The Fog (1980), Halloween (1978), House of 1000 Corpses (2003), Invasion of the Animal People (1959), King Kong (1933), Legend of Boggy Creek (1972), Legend of Boggy Creek II (1983), Man Beast (1956), The Manitou (1978), Men in Black 3 (2012), Mountaintop Motel Massacre (1983), Night of Bloody Horror (1969), Night of the Demon (1980), No Country for Old Men (2007), Old Boy (2007). The Passion of the Christ (2004), Return of the Living Dead (1984), Rear Window (1954), Sasquatch: The Legend of Bigfoot (1976), Shriek of the Mutilated (1974), Star Wars (1977), The St. Tammany Miracle (1994), Terror in the Midnight Sun (1959), The Thing (1982), Town that Dreaded Sundown (1976), Toy Story (1995), Werewolf vs the Yeti (1975), Willow Creek (2013)  

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CA woman mutilated by former boyfriend with an ice pick, Maine mass shooting details https://linktr.ee/risencrime Learn more about your ad choices. Visit podcastchoices.com/adchoices

Try NMN (Anti-aging & NAD+): (Buy Two Get One FREE 48HR Promo) https://blackforestsupplements.com/LT ————————————— Protect your investments with And We Know http://andweknow.com/gold Or call 720-605-3900, Tell them “LT” sent you. ————————————————————— *At SEA with LT Aug. 11-18, 2024 - https://www.inspirationtravel.com/LTA *Our AWK Website: https://www.andweknow.com/ ➜ AWK Shirts and gifts: https://shop.andweknow.com/ *BOWLING BROS: Sons Bowling channel: https://www.youtube.com/@Bowling_Bros/videos ————————————————— Remnant Revolution Tour https://remnantrevolutiontour.com/ Ring of Fire Scotty https://t.me/ScottyMar10/1082 Hamas explained Closest I've seen that explains it well and accurately https://t.me/PepeDeluxed/49756 Stocks https://t.me/PepeDeluxed/49756 Video of the truck driving around Harvard showing names and faces of “antisemitic” student https://t.me/BrainStom_Joe/103 Trump Statement - Are they Planning an Attack Within Our Country? https://t.me/candlesinthenight/63464 Presidential Olympics https://t.me/candlesinthenight/63497 Trump Statement - Children Can be Taken From Parents from Other States to California to be Mutilated! Those Involved will Be Charged with Kidnapping, Child Abuse & Sex Trafficking! https://t.me/candlesinthenight/63489 Fox supports TRUMP coming back? https://t.me/realKarliBonne/201088 Letitia “Peekaboo” James: I believe this President is an embarrassment to all that we stand for! https://t.me/realKarliBonne/201247 —————————— *DONATIONS SITE: https://bit.ly/2Lgdrh5 *Mail your gift to: And We Know 30650 Rancho California Rd STE D406-123 (or D406-126) Temecula, CA 92591 ➜ AWK Shirts and gifts: https://shop.andweknow.com/ ➜ And We Know Challenge Coins & Patriot Pins https://andweknow.com/ThePatriotPin/ ➜ Audio Bible https://www.biblegateway.com/audio/mclean/kjv/1John.3.16 Connect with us in the following ways: + DISCORD Fellows: https://discord.gg/kMt8R2FC4z

Eavesdroppin' hosts Geordie & Michelle conclude part two of the aliens double-whammy with a mini-dive into the Peruvian alien corpses that were recently found, along with mutilated livestock conspiracies… When two alien corpses in tiny caskets were presented to the Mexican Congress, the world was quick to call BS. Are the bodies really 30% non-human? Were they actually found in algae mines? Are they pieced-together human mummies? Or are they just cake? Take a listen! Geordie then talks about a spate of cow mutilations that occurred in East Texas in early 2023 and why they're so peculiar. No scuffle marks! Clean-cut incisions! No traces of blood! Weird lights in the sky! She then joins the dots between historical cow mutilations across the world, from America to Australia, and asks, could it be aliens? Or something closer to home? Plus the story of the Kelly Hopkinsville Aliens Encounter – hoax or real? You decide! So pop on your headphones, grab a brown lemonade and join Geordie & Michelle for all this, plus chitchat about Adam Buxton's podcast, exoplanets, aliens and more, only on Eavesdroppin' podcast. And remember, wherever you are, whatever you do, just keep Eavesdroppin'!*Disclaimer: We don't claim to have any factual info about anything ever and our opinions are just opinions not fact, sooorrrryyy! Don't sue us!Please rate, review, share and subscribe in all the usual places – we love it when you do!Support us at Patreon

Jesse Starcher, Robert Cooper and Mark Radulich present their Cannibal Corpse Chaos Horrific 2023 Album Review as part of the MHOD Jukebox!Chaos Horrific is the sixteenth studio album by American death metal band Cannibal Corpse, released on September 22, 2023, by Metal Blade.Cannibal Corpse is an American death metal band formed in Buffalo, New York, in 1988, now based out of Tampa, Florida. The band has released fifteen studio albums, two box sets, four video albums, and two live albums. The band has had little radio or television exposure throughout its existence, although a cult following began to build with the releases of their early albums, including Butchered at Birth (1991) and Tomb of the Mutilated (1992). As of 2015, they achieved worldwide sales of two million units for combined sales of all their albums. In April 2021, Cannibal Corpse received their best "first week" sales of all-time and first Top 10 on the Billboard Top Album Sales Chart as Violence Unimagined entered at No. 6 with 14,000 copies sold.We also discuss Consequence.net's Moshing: The Art and Consequences of One of the Most Celebrated Concert Dance Forms.All of that plus video reviews of RED FANG - "Prehistoric Dog", Sick Of It All - Step Down and Crowbar - Bleeding From Every Hole.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

Our Podcast has EVOLVED! From monkeys... last week. Into Large Man Beasts! Be prepared to step into the weirdest 70s films you may have ever seen. With TROG (1970) about a half man half beast found in cave that was recently thawed out. A scientist woman played by the famous Joan Crawford wants to reintegrate this beast back into society. But TROG MAD! We review this wild movie and the next one. SHRIEK OF THE MUTILATED (1974). A movie that is considered one of the top 100 worst movies ever made! But is it?? About a Yeti that is being hunted down by a Professor and his students. Only they all start dying. What is behind all of this. Will they survive the beast!? Both movies are sure to blow your friggin minds this week. We had a blast talking about them. JOIN US! Episode Link ► https://www.longlivethevoid.com/episodes/ep343 LinkTree ► https://linktr.ee/btvcast Time Stamps HORRORSHOTS - 13:57 New Segment Happy Monday - 15:07 TROG (1970) Spoiler Free Review - 16:32 TROG - Trivia & Spoilers Discussion - 34:14 Shriek of the Mutilated (1974) Spoiler Free Review - 48:03 Shriek of the Mutilated - Trivia & Spoilers - 1:01:41 End of Podcast Talk - 1:34:58 So grab your 70s outfits and be sure to grab a Toaster. Oh and please for the love of podcasts don't forget to bring your Dollie as we travel Beyond The Void!

“Mr. Henshaw… white meat or dark?” That depends if you're serving chicken or pork. What else could it be? Join your faithful Grue Crew – Doc Rotten, Bill Mulligan, Chad […]

SCARED TO DEATH IS EXPLICIT IN EVERY WAY. PLEASE TAKE CARE WHILE LISTENING. Dan and Lynze  have a BIG episode for you today for the 200th episode! Happy Independence Day! Hope our American listeners get to celebrate the 4th of July! Dan will be telling three stories today - Lynze will have another two - you can play a drinking game along to this one if you want. We'll chat a little at the end like we do on our Patreon bonus episodes - have a little cake and reflect on the Scared to Death journey. Dan's first of three will be about The Doll of Shadows from the Warren's Occult Museum. Doll lore and supposed encounter story with this creepy, creepy doll. Then a quick one about the Blood Town Forest, aka the Blood Forest, a patch of haunted woods just outside of the little town of Lancaster, Massachusetts. Some locals looked into the legends and ended up scaring the Hell out of themselves. Lastly, we'll look into another story associated with Ed and Lorraine Warren - Southern California's Moffitt Family haunting. Possible demonic activity surrounding the Moffitt Family where many people seemed to have witnessed a lot of hard to rationally explain occurrences.  Then Lynze will share her usual two tales. Her first is about a haunted house with a dark, true crime connection. Then her last tale will have you just who or what might be crawling into your bed at night! New Merch:  In honor of hitting 200 episodes, we're doing 20% off sale on all S2D merch from now through the- 9th Head to badmagicmerch.comStandup: If you want to see a very different side of Dan than you see here and possibly see Lynze in the crowd... well you will have to wait until this fall with the exception of two local shows in Spokane! But get your tickets now and give yourself something to look forward to! He will be all over the US so be sure go to dancummins.tv for ticket links to shows.Thank you for continuing to send in your stories, Creeps and Peepers!**Please keep doing so. Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcastPlease rate, review, and subscribe anywhere you listen. Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IGWatch this episode: https://youtu.be/U3IlTNu9jzoWebsite: https://scaredtodeathpodcast.com/Facebook: https://www.facebook.com/scaredtodeathpodcast/](https://www.facebook.com/scaredtodeathpodcast/)Instagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Video/Audio by Bad Magic ProductionsAdditional music production by Jeffrey MontoyaAdditional music production by Zach CohenVarious free audio provided byhttp://freesound.orgOpening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened.  Our life you may not steal, though we may feel SCARED TO DEATH."

By sam sax

June 5, 2023The Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness.Watch it live!Watch HERE"Biden's Crop Circle"We're in debt up to our eyeballs in this country and the DC clowns won't stop spending. Is Jamie Foxx really paralyzed and blind? Crop Circles remain a mystery, but there are some theories that make more sense than others. Biden has one, btw. Mutilated cows are NOT called "mutes". What about that metal "monolith" that appeared in Utah a couple years ago? Thank you for supporting the Mojo 5-0 platform! We stand for the Constitution and individual responsibility. We especially love 1A & 2A. Join us and help take our country back!Purchase official merch: https://www.mojo50.com/shopAll things in one place:https://linktr.ee/realbradstaggshttps://linktr.ee/realronphillipsWATCH The Daily Mojo LIVE 7-9a CT: Website: https://TheDailyMojo.comSpreely.tv: https://spreely.tv/mojo/ Or just LISTEN: https://thedailymojo.com Our affiliate partners:For REAL Healthcare Professionals:GetWellMojo.com American Pride Roasters Coffee:https://americanprideroasters.com/My Pillow Promo Code: Mojo50https://www.mypillow.com/radiospecialsCustom Laser EngravingMoJo Laser ProsEmergency Food Supply & Tools:My Patriot Supply

Episode 475 is brought to you by... Pickup Music: https://pickupmusic.co/60cyclehum Stringjoy: https://stringjoy.com/partner/60cyclehum/ Use code: HUM to save 10% Big Ear Pedals: https://www.bigearpedals.com/ Chase Bliss Audio: https://www.chaseblissaudio.com/ Support this channel: https://www.patreon.com/60CycleHumcast Want to send us mail? 60 Cycle Hum #615 9450 Mira Mesa Blvd. San Diego, CA 92126 Is this a good episode?  03:13 1965 Jaguar 28:00 Gibson The Paul 37:10 Another band update from Ryan! It's a safety disaster! Also, we talk about how many pedalboards Ryan needs and we open some mail! 51:25 Eaglecaster This week's song was from Red Eye Bloom and is called "Savor" ***************************** 60CH on Patreon: https://www.patreon.com/60CycleHumcast Buy Something with our affiliate links: Buy a Shirt - https://teespring.com/stores/60-cycle-hum Sweetwater: https://imp.i114863.net/rMb1D zZounds: https://www.zzounds.com/a--3980929 Thomann: https://www.thomannmusic.com/thlpg_1a2l8gl9bs.html?offid=1&affid=405 Amazon: https://amzn.to/2PaUKKO Perfect Circuit: https://bit.ly/3YQG309 Ebay: https://ebay.to/2UlIN6z Reverb: https://reverb.grsm.io/60cyclehum6164 Cool Patch Cables: https://www.tourgeardesigns.com/discount/60cyclehum +++++++++++++++++++++ Social Media Stuff: Facebook: https://www.facebook.com/groups/60cyclehum/ Discord: https://discord.gg/nNue5mPvZX Instagram and Twitter @60cyclehum TikTok: https://www.tiktok.com/@60cyclehum? Hire us for Demos and other marketing opportunities   https://60cyclehumcast.com/marketing-packages/ #60cyclehum #guitar #guitars #shameflute

Mutilated faces, vicious stranglings, high octane prisoner transfers, and one angry mob's cold feet. Lizzie finds new ways to burn stuff down, zones in on another boy toy, and can't get the snakes off of herself. Plus, we get to meet a pioneer of investigative journalism: Nellie Bly. Welcome to Part Four of The Lizzie Halliday Odyssey. All Five Parts of this Muriel's Murders epic is available now. Our main source is the book “Killing Time in the Catskills” by Kevin Owen,  The very best way to support Muriel's Murders and unlock exclusive episodes is to sign up at www.patreon.com/murielsmurders For $5 a month (or more if you chose) you directly help us make this show and ensure that it flourishes. Plus, you get Patreon-only episodes!  The other amazing way to support Muriel's Murders is to share our show with those in your life that you think would enjoy it by texting it to them, telling them about it or posting about Muriel's Murders online.  Muriel's Murders is researched, written and hosted by Muriel Montgomery. It is recorded, edited and co-hosted by Nick Casalini. This podcast is produced entirely by Nick+Muriel. For more info please visit www.murielsmurders.com/about-nick-muriel Find us on social media - our DMs are open! IG: https://www.instagram.com/murielsmurders/ Twitter: https://twitter.com/murielsmurders YouTube: https://youtube.com/@murielsmurders TikTok: https://www.tiktok.com/@murielsmurders Tumblr:https://www.tumblr.com/murielsmurders Hit us up! murielsmurders@gmail.com 3 min voicemails: 213-222-6621 Our music is by Mario Casalini. Check out his new EP “Goat Cheese” if you're looking for some banging new music in your life: https://casalinibeats.bandcamp.com/album/goat-cheese-part-one Find him on IG: https://www.instagram.com/casalinibeats/ For more information please visit: www.murielsmurders.com Thank you so much for listening. -N+M --- Support this podcast: https://podcasters.spotify.com/pod/show/nickandmuriel/support

The Wounded Blue with Lt. Randy Sutton – They faced unspeakable horrors. Mutilated children, murder victims, and cruelty beyond belief were part of their world. What wasn't a part of their world was talking about how to deal emotionally, psychologically, and spiritually with the pain they witnessed and felt. It led to the suicide of Giovanni's brother and changed...

Get another inside scoop of what it's like to work in Hollywood as Michael Jamin sits down and talks with Eric Fogel, a DreamWorks animator.Show NotesEric Fogel Website: https://www.eric-fogel.com/Eric Fogel Wikipedia: https://en.wikipedia.org/wiki/Eric_FogelIMDB: https://www.imdb.com/name/nm0283888/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptEric Fogel (00:00):You gotta have, you know, there's, there are a couple of key ingredients, right? You, you gotta have the passion, right. For it, for the craft. You have to have the ability mm-hmm. to have, to have the skills. Michael Jamin (00:14):But you didn't have the ability when you started. Right?Eric Fogel (00:18):I had some ability.Michael Jamin (00:19):Some ability. AndEric Fogel (00:20):I kind of, yeah. I mean, a lot of it is you, you have to immerse yourself and you have to just make things. And you have to learn as you make things. You can't, you know, you can watch YouTube videos all day long, but you gotta like, just get in it.Michael Jamin (00:35):You're listening to Screenwriters Need to hear this with Michael Jamin.Michael Jamin (00:43):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. This is the podcast that it's not just for screenwriters. Cuz I, I have a special guest today. This is my friend and once collaborator Eric Fogel. And he, we were, we were debating like, how do I, how do I introduce him? Cuz he does so much. He's a writer, he's a director, he's an animator. He's now a dreamworks. And Eric Fogel's now gonna tell us is how, how, how all this works. He's gonna explain to me, Eric Fogel, thank you so much for being on the show. Say hi. Hello.Eric Fogel (01:13):Hello. Hello. Hello.Michael Jamin (01:15):You're not an actor though. That's the one thing you, that's the one credit you don't get.Eric Fogel (01:19):I do a little voice acting.Michael Jamin (01:20):Do you do, doEric Fogel (01:21):You know I've done, yeah, I, yeah, I I actually got my SAG card. Yeah.Michael Jamin (01:25):ReallyEric Fogel (01:27):Little, little.Michael Jamin (01:28):So, so for everyone's listening, so Eric and I worked together years ago on a show called Glen Martin dds, which he cr co-created. And on that show, he was the he was one of the, he directed with me, directed the animation. He was in charge of all the designs, all the character designs. And then he had the misfortune of having to fly back and forth from Los Angeles to Toronto, like every week to oversee the animation focal. How did that, how, how did that all come about? How did, how did you sell that show? How did it come about that show?Eric Fogel (02:01):Man so yeah, I think I was, I was in town. I was, you know, I was living in New York at the time, and so I, I was I, I did a trip out here to, to LA to do like, around the meetings. And I was, I was in my I was up in my manager's office and the, the owner of the company, Gotham sh just kind of walked by and she goes, oh, yeah, he should meet Scoop,Michael Jamin (02:31):Right?Eric Fogel (02:31):And I'm like, what the fuck is a scoop? Can I say ? Is that all right?Michael Jamin (02:37):We all, we're all thinking of it.Eric Fogel (02:38):Yeah. Yeah. What's, what's a Scoop scoop?Eric Fogel (02:43):That was my, so that was my introduction. So yeah, we, we set up a meeting, I met with Scoop in LA on that same trip, I think it was my last meeting. And they had a scriptMichael Jamin (02:55):Just a, so Scoop was a, the nickname of one of the executive producers, or Michael Eisner's company.Eric Fogel (02:59):Scoop is a human. Yeah. He was, I guess running development for Michael Eisner's company, which was Tornante. Yeah, right. And they had, they had a script. They had like a version of a pilot that was written by Alex Berger. Right, right. And you know, it was still pretty rough at that time. It needed, needed some love. And, you know, there was no, there were no designs. You know, there was nothing there. But couple weeks later I met, I g I met with Michael Eisner in New York, and we sat down, we started talking about this project, and he had seen some stuff on my reel, and he saw some, some stop motion that I did, you know, I created Celebrity Death Match. So I think he was aware of, of that. But I, I did this other show called Star Val with a studio called Cup of Coffee in Toronto.Michael Jamin (03:51):I didn't realize that was Cuppa, but Wait, hold on. Was that, was, was what Network was surveillance onEric Fogel (03:56):EMichael Jamin (03:57):E. So I wanna, I wanna slow this down. Yeah. I wanna interrupt you for a second. So celebrity Death Match was like a huge hit. I was on MTV for a couple seasons, right? Yeah. And it was a stop motion animation, and you were in charge, and you create, created that with custom and you were in charge of the a It was a big, it was like a big deal for like, I don't know, 10 minutes, but it was .Eric Fogel (04:17):Yeah, no, we, we, we, we ran for Yeah. A couple years and, you know, close to a hundred episodes a lot.Michael Jamin (04:23):So, all right. But then, okay, so back it up and how, cuz you have a very unusual career because you kind of, you've carved a career for yourself that doesn't really, it doesn't even exist really. You know, not many people who do what you've done. Like, how, how did you start when you were a kid? Did you wanna, what did you wanna be?Eric Fogel (04:41):I, I knew I wanted to be in the film business in some way. I think, you know, when I was, you know, I was always drawing like little comic books when I was a kid. And these, these comic books were basically storyboards.Michael Jamin (04:54):Right. Eric is really good, talented artist. So that, I should mention that Illustra Illustrate. I don't know what you would call yourself. You're good though. Go on. You're okay.Eric Fogel (05:03):But by the time I was like, you know, in, in high school, I, I sort of learned that there was like, you could actually go to school to learn how to make films. Yeah. You know, like, there was such a thing. And, and I became aware of, you know, Y u and that, that sort of became my, you know, the thing that was driving me. I even before that, I started taking some film while I was still in high school. I took a couple film classes at, at school of Visual Arts, just taking college level classes there while, you know, still still a kid in high school and starting to like, figure out how to make, make films and, you know, put stuff together. And then I gotMichael Jamin (05:42):Live, it wasn't stop motion, it wasn't animation, it was just film.Eric Fogel (05:45):It was live action. I was still, I was also experimenting, you know, I got, I got a super eight camera, so I was trying, I was trying some stop motion. I was doing like, hand drawn animation. I was just trying everything I want. I was just absorbing everything. Yeah. You know? And yeah. And then got accepted to NYU and inMichael Jamin (06:05):The film program.Eric Fogel (06:06):Film program. Okay. 19. Yeah. Graduated class of 91.Michael Jamin (06:13):91.Eric Fogel (06:13):And, you know, I was pretty prolific there. Like they, I think they only required you to make, to finish like one film. And I ended up making four, finishing four films. Two were live action and two were animated. Right. And one of the animated films was this really violent like a post-apocalyptic thing. It was called The Mutilated. I've heard ofMichael Jamin (06:39):It. Ok.Eric Fogel (06:40):That, yeah, there's actually a,Michael Jamin (06:42):Well, look, you gotta sell. Okay.Eric Fogel (06:44):Yeah. There's a mu later.Michael Jamin (06:46):That's from, and that was from a college?Eric Fogel (06:48):Yeah, this was my college. This was my college film. Mutilate. But the, so this film got got licensed to like a, an animated like a film festivalMichael Jamin (07:02):Called, well, you, wait, you submitted it to a film festival. What doEric Fogel (07:04):They They saw it, they saw it in the Y U Circuit. Okay. Cause premiered there. And then they reached out to me and they said, we wanna a license Mutilators to be, it was a Spike and Mike spike and Mike's Festival of Animation.Michael Jamin (07:19):Right.Eric Fogel (07:20):AndMichael Jamin (07:21):So they paid you forEric Fogel (07:22):It? They, they wrote me a check, and that was the first time, you know, someone was like, paying me to, to make a thing.Michael Jamin (07:30):And then what happened?Eric Fogel (07:31):So I said, all right, that, that worked well. I want to keep doing that. So I just kept making, making like little short films. And I, I licensed a couple more to, to those guys, to the Spike and Mike Festival. And they would do this thing where they would, they would option the film, but they would also give you like com like a little money to, to finish the film. Which was, which was pretty, you know, it's not a, not a great deal. But it was, at that timeMichael Jamin (07:59):It was, these were like shorts, right?Eric Fogel (08:01):Yeah. Yeah. Just shorts. But, you know, you would send them, like, you could send them like a pencil test, and then they, they'd say like, here's a couple grand to finish it. And then, then they would like show it in their, their circuit.Michael Jamin (08:15):So, all right. So then, but you're okay, you're selling some stuff. It's got after college, you're not making a fortune. Yeah. You're, but you also have like a day job.Eric Fogel (08:24):I was I was hired. So I started working in a, in a small animation studio in New York, Uhhuh at that time. And I was learning, you know, just learning stuff. So one of the one of the directors at that studio he, he had a little problem with substance, substance abuse problem. Interesting. I'm not gonna mention any, any names, but he would, he would spend a lot of time just sleeping, sleeping it off. Yeah. And I, and he and I would, I would be animating his shots. And that's how I learned a lot of, a lot of stop motion. It was, it was like a stop motion studio. And I learned a lot. SoMichael Jamin (09:01):You, so you're right. So this is before computer animation, really. You're just kind of you're drawing, you're basically cell by frame By frame.Eric Fogel (09:07):Yeah. Yeah. And just using like a big old Mitchell 35 millimeter camera, just frame one frame at a time.Michael Jamin (09:14):And then, okay, so you did that for a little bit, then what happened?Eric Fogel (09:17):So at, so at the same time, I'm still making these little short films eventually.Michael Jamin (09:23):What was the point of making these short films, though? They're not adding slide actionEric Fogel (09:26):To get a reel together. So, so you to have like a sample sample of your, your stuff. Right. So eventually this real end ends up on the desk at the president of MTV Animation.Michael Jamin (09:40):How, how did it wind up there?Eric Fogel (09:42):I don't know.Michael Jamin (09:44):, but this is a good point. Like, cuz you're just putting your work out there. Yeah. And it's gonna, and it's good. So it's making the rounds, right?Eric Fogel (09:51):Yeah. It's, well, it's, it's, it's making the rounds. I don't know if it's good, but PE people are, there's no, but if itMichael Jamin (09:58):Wasn't good, they wouldn't pass it along. I mean, that's the truth.Eric Fogel (10:01):Yeah. Well, it, it was something, you know, at that time, M T V was, you know, animation was brand new and they, they were looking, you know, they were just looking for weird shit. Yeah. You know, and they saw, they, you know, they probably saw this, this spike in Mike festival and, and you know, like liquid television was becoming a thing. Right, right. And so they were hungry for stuff and, you know, just weird stuff. Right. And I, you know, I had some weird stuff on my reel.Michael Jamin (10:27):Yeah, you did. Well, yeah. And so, okay, so then what happened?Eric Fogel (10:31):So they, so M T v made, made me a deal to option this mutilated.Michael Jamin (10:37):Okay. AndEric Fogel (10:37):The plan was to have the, the Mutilators character appear within the Beavis and Butthead show. Mm-Hmm. . And, and it would be like, it was gonna be like this thing that they were gonna watch on tv and it was gonna be this cool thing that they liked. Right. Kind of fit, fit with their, their thing. Yeah. And then something, something tragic happened there were, there were some kids out west somewhere who burned their family's trailer down. And they said they, they learned how to, like, about fire from Beavis and Butthead.Michael Jamin (11:15):Oh, I, I At least it wasn't mutilated.Eric Fogel (11:18):No, no. But this created this whole wave, like this backlash. And all of a sudden MTV got scared and they said, oh, you know, we got, we can't, we have to be careful. And Mutilators was like violent. Yeah. Even though it was, it was sci-fi it was fantasy violence. It wasn't real. Yeah. But they were, they were just, they got cold feet. So I went to this meeting knowing that they were gonna shit can Mutilators and, and I had already set up like a little studio in my, in my house at, on Long Island, and I was like in production on this thing. So I was, I was nervous. Yeah. So I go to this meeting and, and Mike Judge is actually there. Mike Judge, the creator of Beavis and Butthead, he's, he's in this meeting and they're like, Eric, you know, we we're not, we can't go forward with Mutilators, but we, we like you, do you have anything else?(12:08):And I, I had this storyboard. I actually brought it to that meeting. And this, it was for this other thing that I had come up with about this guy with like a giant head and, and an alien that lived inside of this head. And it was like, about the symbiotic relationship Yeah. Between a guy, a guy, and an alien. And my judge, I just, I'll never forget this. He was kind of like hanging back and he was looking at my drawings and he was just laughing. Yeah. And these other two MTV execs were like, oh, Mike, Mike likes it. We should buy this. And they did and,Michael Jamin (12:44):And Muo was that,Eric Fogel (12:45):That was called the Head. Right. And that was it was part of like, it was called MTV's Oddities.Michael Jamin (12:51):Uhhuh .Eric Fogel (12:51):And that was, I was like 24 or 25. And that was the first show that I ran as a creator.Michael Jamin (12:58):But this is the kind of, this speaks to which is so important. It's like you were making this stuff because you were making it, and you were, it wasn't like, it wasn't even like, you weren't trying to sell that you were just making, you had, you have to have stuff to have.Eric Fogel (13:09):I had an idea.Michael Jamin (13:10):Right. And you worked on it. You didn't wait to get paid on it. You worked on it.Eric Fogel (13:14):Yeah.Michael Jamin (13:15):Right. And so, and you were, you were right. Did you have a small staff on that show?Eric Fogel (13:20):Yeah, we had, you know, we had a full staffMichael Jamin (13:23):On that and now was at Outta New York.Eric Fogel (13:26):We, we did, we ran the, the show out of, yeah. Out of MTV Animation in Midtown Manhattan. Wow. You know, set up shop there. I wrote, and I wrote an and show around that show with a, I had a, a writing partner at that time. And yeah, we wrote all the episodes and it was, it was wonderful because it was like, it's not like now, like, it was like, they were hands off, like creatively. They were like, yeah, great. It's great. Just do it. Do it. Do what you want. Do what you want.Michael Jamin (13:57):Interesting. That's so interesting. Wow. And then, and then at what point was this? Is there, what point did you make a leap to LA? Or, or am I missing something in between?Eric Fogel (14:05):Yeah, so I, you know, I stuck it out. So after the head, I did Celebrity Death Match.Michael Jamin (14:10):Right. That was outta New York.Eric Fogel (14:11):And then, you know, I continued working at small studios in New York. MTV animation closed, like shortly after nine 11, they shuttered. And, you know, business in New York kind of started to dry up after nine 11.Michael Jamin (14:27):There wasn't, there was never even a lot of business in New York. But I didn't even, you know,Eric Fogel (14:30):You No, but there was, yeah, there was, you know, m there was M T V and then there was some small commercial studios there. And I continued working at some of those smaller studios. You know, and we, all our family was there, so Right. We were sort of resisting the, the, the big move to, to la And then finally in 2008 when Glen Martin happened, and we made the move.Michael Jamin (14:54):Right. With your whole family. Yes. And then you flew back to tra that was the tragic part. If you had only stayed in New York, , your flight would've been soEric Fogel (15:02):Much. Yeah. I was like, honey, here's, here's our house kids. There's, there's your rooms. I gotta go. You guys figure it out.Michael Jamin (15:11):Enjoy the sunshine.Eric Fogel (15:13):My, my wife's still, she, you know, she, she's still pissed at me. We, no, we love each other, but No, it was, it was a tough move. We didn't know anybody here in la. Right. You know, it was a big, it was a big, big adjustment. And yeah, it was bit a shock.Michael Jamin (15:29):What does she think of it now? Is she happy you're here or No,Eric Fogel (15:31):I think, yeah, we've, we've made our peace with it. You know, we still miss our family. Our families are still all back east. Yeah. but we, we feel like it was a good thing for our family, you know, for our kids.Michael Jamin (15:44):Oh, you think so? You think they're, they're probably getting ready for college now. Your kids?Eric Fogel (15:48):Oh, they're almost done.Michael Jamin (15:50):They're almost done withEric Fogel (15:50):Cops. Well, one is, yeah. One our oldest is out. He's already graduated. And our, we have twin girls and they're graduating this this year.Michael Jamin (15:57):Oh God. We'll talk about that one. I know. Wonder what that's gonna happen. What happened there? Okay, so then, and then, alright. We did Glen Martin. And the thing about that is, so my partner and I were siber, we write these episodes. We come into your office and say, this is, this is the crazy that the craziest job you ever No, probably not. Cuz we would give you an assignment, like, this is the, what does this character look like in your head? Then you'd sketch a design and then we'd maybe give you notes or not. And then you'd run off. Then you'd fly to Toronto and they started a animated this thing. And you had to oversee every time there was a problem, we'd yell at you . And, and then you'd have to fixEric Fogel (16:33):It. Then I go yell at them and you'dMichael Jamin (16:35):Yell at them. And there was, yeah. There was always problems. It's always you know, because it's a, it's such a long process to, it took, you know, nine months to animate that show.Eric Fogel (16:43):That that show. I mean, there will never be another show like that. Right.Michael Jamin (16:49):Why do you feel that way?Eric Fogel (16:50):It was, I mean, just the concept was super ambitious, right? Yeah. You got, you got a family, you know, traveling from, from town to town every episode. Yeah. So every single episode you have to build a brand new world for this family to play in. Yeah. Right. That's a huge amount to build. And you have to build it all from scratchMichael Jamin (17:16):There. And there was a lot, we also did a lot of CGI on. We, not a lot. Some, you know, not,Eric Fogel (17:21):Not a lot.Michael Jamin (17:22):The mouses, the mouses, and also sometimes the backgrounds. Right. We would doEric Fogel (17:26):We would do some green screen. We'd do green screen. But, but a lot of those, I mean, most of those sets were, were Yeah. Physical, practical, physical models.Michael Jamin (17:36):I have all, I still have my dolls, just so you know. They're all here.Eric Fogel (17:40):Oh, hey, wait, IMichael Jamin (17:41):Got one. You have more. I remember when you had, you had your dolls. I was like, how do I get a hand? How do I get my hand on someone? Focals Dolls Eric Fogel (17:48):There.Michael Jamin (17:49):How Steal your dog. Which one's that? What's, oh, wait, but is that, was that from Glen? What was he, what was that?Eric Fogel (17:54):That hok? Honk Hawks The Clown. The Killer Clown. That'sMichael Jamin (17:57):Oh, we see What episode was that?Eric Fogel (17:59):I don't know. Sunshine. Fun, fun, fun. Bill Hawks.Michael Jamin (18:02):The Killer Clown did. There's so much about that show. I don't even remember.Eric Fogel (18:04):Remember who did The Voice?Michael Jamin (18:07):Who?Eric Fogel (18:08):Ty Burrell.Michael Jamin (18:09):That was Ty. Dude. We can you imagine We directed some amazing, amazing, remember we did, we directed Brian Cranston. Yep. When he was coming off break, he was doing BreakingEric Fogel (18:19):Bad. Still doing it. Yeah. Yeah.Michael Jamin (18:21):And he loved it. He's like, this is great.Eric Fogel (18:24):. He was amazing. We almost, we almost had a spinoffMichael Jamin (18:28):With him. Yes. Hi. That's him over here. Yeah. That'sEric Fogel (18:32):Drake Stone.Michael Jamin (18:34):That was a bummer. That didn't happen.Eric Fogel (18:36):Yep.Michael Jamin (18:36):Yep. Oh, well,Eric Fogel (18:38):But the cat, yeah. I, I mean we should talk about some of the other day players on that show because I meanMichael Jamin (18:45):Yeah, we, I mean it was amazing. The cat, we Every,Eric Fogel (18:48):Every day. Mel Brooks.Michael Jamin (18:50):Mel Brooks. Right.Eric Fogel (18:51):Billy Idol.Michael Jamin (18:53):Billy Idol. I don't remember Billy Idol.Eric Fogel (18:55):. He did a, he did the Christmas episode and he sang a song. He sang aMichael Jamin (18:59):Oh, right. Maybe it wasn't there. That I remember we had friend Drescher. Yeah. Remember were you there thatEric Fogel (19:04):Day? Yep.Michael Jamin (19:05):And we couldn't get her Remember? So, so Erica, we direct together, we'd whispered each other and it's not quite right. How did we get her to do, you know? And then I remember we finally walked up to her cuz she wasn't, the character wasn't quite white. And I was said, listen, can you do the nanny? She's like, oh sure. And then the then she started basically doing the nanny.Eric Fogel (19:23):You want the nanny,Michael Jamin (19:25):You want the nanny. You kind of, youEric Fogel (19:26):Want it, youMichael Jamin (19:27):Don't wanna ask. You wanna, you don't really wanna ask. You wanna get them there. Yeah. You know, I don't wanna insult her, but she was like, delight French. She was so sweet.Eric Fogel (19:35):Alison Jenny, she was great. She an Alexander.Michael Jamin (19:38):Yep.Eric Fogel (19:39):George Decay.Michael Jamin (19:40):Decay.Eric Fogel (19:42):My God. Fergie.Michael Jamin (19:44):Yep. Yep.Eric Fogel (19:47):I meanMichael Jamin (19:47):So much. Mc Hammer, we remember we had Mc HammerEric Fogel (19:50):Pen. GilletteMichael Jamin (19:51):Pen Gillette. I forgot. She's the what? A Oh my God.Eric Fogel (19:54):Was Jean Simmons.Michael Jamin (19:57):. Jean Simmons. Yeah. I remember that. . That was a day. And then, okay, so then once, once Glen Martin went down. Yeah. What happened to you then?Eric Fogel (20:08):? I don't know. What happened. So, you know, it was, that was a sort of a tricky time because I, I, I had to kind of reinvent myself. Did.Michael Jamin (20:20):Right.Eric Fogel (20:20):I was here in town. We did that show. That show was ama you know, it was an amazing experience, but nobody fucking saw it.Michael Jamin (20:29):Right,Eric Fogel (20:29):Right.Michael Jamin (20:30):And no one understood what you did on it either, because you create, you, you, you kind of invented a, you were a necessary incredibly important cog. But who, how do you describe, you know, how do you describe it to people? I, cause I'm even asking you, well, you were, you were one of the executive producers, but I'm almost like, well, what was your ion job? I mean, what, that was your job title, but it'd be, it'd be hard for me to describe what you did. Cause you did so much.Eric Fogel (20:53):Yeah. I mean, I guess on that show I was, I was more of a directing showrunner.Michael Jamin (20:58):Is that what you would call it?Eric Fogel (20:59):If you Yeah. Because, you know, I feel like there are some categories, right, with show like showrunners. So there are writing showrunners, which I consider like you and cber were like the writing showrunners. And I was on that show. More of a, the directing maybeMichael Jamin (21:14):Actually May in King of the Hill. I think they would call it a supervising director. Is that what you wereEric Fogel (21:18):Maybe. I mean, I don'tMichael Jamin (21:21):Supervise all the directors,Eric Fogel (21:22):Basically. It's different. Yeah. I guess there's, they're different credits.Michael Jamin (21:26):Yeah. I re Yeah, it was hard. It was a hard, there was so much for you to oversee. It was crazy.Eric Fogel (21:34):Yeah. And it's, I mean, and, and I love that. Like, that's, for me, that's what I do. It's soup to nuts, just mm-hmm. every, every piece of the production, I just, I I like to have a hand in holiday.Michael Jamin (21:50):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (22:14):So how did you reinvent yourself? Like what does that mean really?Eric Fogel (22:17):So I was here in town and after Glenn Martin, you know, there were, we had a, there were a couple things, but a couple things fell through. We were gonna do, there was another show mm-hmm. that I, I was developing with to, and it was this was weird. But we, this we, we developed this show alongside BoJack. Right. So it was like Scoop was working on, on BoJack. And then we had this other project and we, we actually sold this other project to a network. We had like, like an a, an agree, like an accepted offer. And it looked like it was going forward until the head of the studio just decided, eh, didn't wanna do animation.Michael Jamin (23:01):Yeah.Eric Fogel (23:02):That happened. So that, that got killed. And so I had to find some, some work. I ended up directing a show at Nickelodeon and it was a CG show. Mm-Hmm. . So I wanted to, it was, it was more of a kids show. Right. And it was, you know, I wanted to have the experience of, of directing cg. Okay. So I did that for a few years and it's, you know, that, and then it, you, you sort of, there you, there's stepping stones andMichael Jamin (23:31):That's just a big learning curve though.Eric Fogel (23:34):There's, there is a learning curve for sure. And it was important to me to, to have,Michael Jamin (23:39):Because you didn't learn, you didn't study that in college. What did you know about it?Eric Fogel (23:41):They didn't have, they didn't have computer animation there. Right. So you just have to, the best way to, to learn is to just be immersed in it. Right. Just on the Jobb training. So I, I did, I got that experience and that, that experience led me to, to Dreamworks.Michael Jamin (24:00):Right. And how, and you've been at Dreamworks for six years. And what do you do, what are you doing at Dreamworks? Basically do, are you, do you have a studio deal with Dreamworks? Is that what it'sMichael Jamin (24:08):Overall deal or something?Eric Fogel (24:09):They, I'm under contract. So right now it's kind of show to show.Michael Jamin (24:15):Alright. So you have a contract and they, they put you on whatever show they have going.Eric Fogel (24:19):Yeah, but they also were nice enough to keep me around. So they sort of put me on an overall deal. Cuz there was like a gap between shows. So that, that was very nice of them. Yeah. Keep me,Michael Jamin (24:31):They don't wanna lose you.Eric Fogel (24:32):I guess. They like me enough to keep me.Michael Jamin (24:34):It's so interesting cause I just had one of my previous guys, I may, I dunno if you know 'em, you probably don't. But John Abel and Glen Glen, they do all the kung They're the writers, the kung fu pander writers. They do a lot of dreamwork stuff.Eric Fogel (24:45):Yeah. Guys.Michael Jamin (24:46):Oh, you do, do you work with them?Eric Fogel (24:48):I haven't, but I'm familiar with them.Michael Jamin (24:50):So what exactly are you doing at Dreamworks then? We, as from jumping from show to show?Eric Fogel (24:55):Yeah. So they hired me initially, this is now almost six years to the day I started doing a show called Archibald's, next Big Thing. Mm-Hmm. , which was created by Mr. Tony Hale.Michael Jamin (25:10):Oh, he created, I know he's in it. I didn't know he created it.Eric Fogel (25:12):Created and voiced and was an, was an exec producer.Michael Jamin (25:18):And, and it's What network is that? Nickelodeon.Eric Fogel (25:21):That was so we started on Netflix. Okay. So we produced here at Dreamworks, we premiered on Netflix season one. And then season two we were on PeacockMichael Jamin (25:34):And Oh, is that, is there, is there a season three in the works or what?Eric Fogel (25:37):No, no. So the thing to know about animation these days is they don't order a a lot of episodes. It's, you know, the, it's, they've, especially on these streaming platforms.Michael Jamin (25:48):Oh, well that's the way it is for a live actually. Yeah. So what are you doing, se like 13 or something?Eric Fogel (25:53):We did two. So for Archibald we did two seasons and it was it was like 50. It ended up being like 50 half hours or fif 50. It's actually a hundred, a hundred episode. There are 11 minute episodes. So we did 111 minute episodes.Michael Jamin (26:08):That's actually, and are you, what are you, are you running the show? Are you running it? AreEric Fogel (26:11):You So I so that on that show, I was, I was exec producing, I was a writer and I was, I was basically doing a little of everything. Same, same thing. Directing, writing, overseeing every aspect of it.Michael Jamin (26:25):But it's not like every writer, there's a writing staff on that show. Right.Eric Fogel (26:29):We, we had, we had a, a staff and we had a couple head writers who, and they, those guys were great. I love those guys. They had never run, run a show before.Michael Jamin (26:39):Uhhuh .Eric Fogel (26:40):So I felt like I could be helpful there, you know, just in the writer's room and, and just, it just sort of organically evolved to where, you know, I didn't expect to be so involved in, in the writing process on that show. It just, it just turned out like, it just was a natural,Michael Jamin (26:57):That's the whole thing. You have a very unusual career path in career because cuz you do so many things.Eric Fogel (27:04):Yeah. I mean, I don't, there's no rules for this. I'm just making thisMichael Jamin (27:07):Up. Yeah. There's no rule. So, I mean, it's quite impressive because like, if I, I don't know what, what would, what, how would you advise? You must have kids come into you, Hey, how do I, how do I get to do what you do? Like what do you tell them?Eric Fogel (27:23):I mean you gotta have, you know, there's, there are a couple of key ingredients, right? You, you gotta have the passion,Michael Jamin (27:31):Right.Eric Fogel (27:32):For it, for the craft. You have to have the ability mm-hmm. have to have the skills. Michael Jamin (27:39):But you didn't have the ability when you started. Right.Eric Fogel (27:42):I had some ability. SomeMichael Jamin (27:44):Ability.Eric Fogel (27:44):And I kinda, yeah. I mean a lot of it is you have to immerse yourself and you have to just make things and you have to learn as you make things. You can't, you know, you can watch YouTube videos all day long, but you gotta like just get in it. And now it's one, you know, we have, the technology has changed so much. It's made it so much easier. Mm-Hmm. to make things. NowMichael Jamin (28:08):With those like those animation program, I mean, do you do anything like that on the side for yourself? Like what? Or, or, I mean, you know, at home for anyone? IEric Fogel (28:17):Don't have time for that. No. I these days. Yeah. I mean, I, I'm, you know, this, this job keeps, keeps me. ButMichael Jamin (28:24):Let's say you had a side project that you just wanted to get off the ground. Yeah. You just pitched the idea.Eric Fogel (28:29):I could, yeah. I mean, I have put things together and I've made, yeah. I've been able to make little animations you know, for projects, original projects that I've pitched. And I'll, I'll put together a whole presentation. I'll do all the visuals. I'll edit it and, and put together Yeah. Like little proof of concepts, right? That yeah. That stuff is, yeah. I love doingMichael Jamin (28:49):That. And that's on your own, but that's on your own time.Eric Fogel (28:51):That is on my own time. YourMichael Jamin (28:53):Own with, with some program you have.Eric Fogel (28:55):Yep.Michael Jamin (28:56):What's, what kind of program is this? What, what is it?Eric Fogel (28:58):I mean, I, you can, you can animate with Photoshop now. Oh. So that's, you know, that's, that's a thing. I, I use Sony movie Maker, which is this archaic system. I, I just, I'm really comfortable with it and I, I can use that to, to build projects and I can even animate on that thing.Michael Jamin (29:16):Are you doing any stop motion anymore?Eric Fogel (29:18):I haven't done stop motion in a long time.Michael Jamin (29:20):Because why the market part?Eric Fogel (29:24):You know, it's, it's just the, the right project hasn't really surfaced. And you know, I've, I've, I've pitched Project stop motion is a hard one to sell. People are afraid of it.Michael Jamin (29:36):Is it the look that's the, that's the criticism I get. They go that, here's the thing. Every, so I've been, I post a lot on social media and people will say, oh, I used to watch Glen Martin. And the, the phrase that comes back is that show is a fever dream. I was like, what's a fever dream? But everyone describes it as a fever dream. And what thatEric Fogel (29:55):Mean? Like, creepy. IMichael Jamin (29:56):Think it means like, like you were, they were in like, it felt like they were in an opium den, den era.Eric Fogel (30:03):. What it felt like for me.Michael Jamin (30:05):What's that?Eric Fogel (30:06):It's what it felt like for me Felt likeMichael Jamin (30:07):To, I mean, but it's like I, I, I don't know. There's something about like, I always like that format. Cause I always like this old bank and resting,Eric Fogel (30:17):Right. Bank ranking and backMichael Jamin (30:18):And best. Yeah. I always thought,Eric Fogel (30:20):Yeah. I mean, some people have got, I love, I've always loved the, the look of stop motion and you know, it's, there's something super charming and not just like, endearing about the, like the handcrafted aspect aspect of it. Right. Right. It's so cool. ButMichael Jamin (30:35):Don't feel that way. I guessEric Fogel (30:36):It's al it's always been the kind of like the redheaded stepchild of animation though, you know? Yeah. Always on. Always on the, on the fringes. And now, you know, it's hard enough to sell a show, any show. Right. Uhhuh . But it's in ama in the, in the animation industry, it feels like they're, they're only looking for, for CG animation these days. And there's just,Michael Jamin (30:56):Is that right? I mean, what, explain the different types of animation, because obviously there's, there's like, yeah. CG, like Shrek or somethingEric Fogel (31:03):Mm-Hmm.Michael Jamin (31:03): and then go on there actually different levels in terms of, you know, expense. What, how does that work?Eric Fogel (31:11):I mean, there, you know, there, so there there's like traditional hand drawn animation. But even that is all done mostly in computer these days. So there, there's no more like, hand painted cells. Right. But the actual movement, a lot of that stuff can still be done, done by hand.Michael Jamin (31:29):Uhhuh,Eric Fogel (31:29):. And then, you know, you got stop motion, you got cg and there, there are worlds in between where, you know, stylistically they, they're, they're doing a lot of thing, you know, design wise, they're kind of blending the, all the techniques.Michael Jamin (31:44):But it must be in terms of like, when they tell you what the budget of the show is, that greatly determines how good it's gonna look in the, how the, you know, the animation.Eric Fogel (31:52):Right. It can, you know, so right now I'm working on Megamind, the, the sequel to the, to the 2010 film Megamind. Right. And that's gonna air later this year. And I can't say a lot about it cuz they haven't announced a lot about it. Right. But the quality the quality of the animation, the technology has improved so much. Mm-Hmm. that even, even on a, a smaller tier budget, you can still, the quality of the animations really it's really improved.Michael Jamin (32:31):Right. So, so when you sell a show or when they bring you on a show, are you asking these questions or it's like, ah, someone else, you know, in terms of like, how much money do we get to spend on?Eric Fogel (32:42):Well they, yeah. They tell me and then I have to figure out how to make the show.Michael Jamin (32:47):Right. They tell you. Right. And so where will you cut corners or something.Eric Fogel (32:52):Yeah. So, so that's where it gets challenging. And, and you have to become very, you know, creative and, and and problem solving to, to be able to deliver. Right. The show the show you want and the show that they want with within these, you know, what, what can sometimes be a very small sandbox.Michael Jamin (33:10):Yeah.Eric Fogel (33:10):You know,Michael Jamin (33:11):And then so what, so what are you, you know, what are your ambitions or future ambitions or, you know, what, what excites you coming up or whatEric Fogel (33:20):You know, I would, I'd love to expand the Sandbox and be able to make a, make a leap into directing a feature would be really exciting. Oh really? Yeah.Michael Jamin (33:31):At at Dreamworks or, or any place really.Eric Fogel (33:34):Yeah. I mean I love it here. So I I would for sure love to direct a feature here. Right. But that, that would, you know, that would be a, a dream to, to be able to do that someday and, and to be able to, you know, spend three years, you know, focusing on, on like 90 minutes of content as opposed to, you know, hundreds of minutes of, of content to be able to like microfocus on that.Michael Jamin (34:00):It's so interesting cuz for me it's kind of other way around. Like, I, I, you know, I have to, I don't know. Cuz you get to every, every week you get, all right, here's something new. I have to live with something. But you're saying you, because you really wanna make the qual, you really want to spend time to make sure every frame is right.Eric Fogel (34:17):I would love, yeah, that would be, that would be a dream. Because in TV animation, you know, it's, it's like there's always this, this schedule. You're a slave to the schedule.Michael Jamin (34:29):Right.Eric Fogel (34:29):And you, you know. And soMichael Jamin (34:31):Are you, are you in the Glendale campus of Dreamwork? Is that where you are? Yeah. Are you there right now? Yeah, this is, this is really your,Eric Fogel (34:38):This is my office.Michael Jamin (34:39):This is your real office over at Dreamworks. People fa Okay. So you're okay. I don't even know if they with Covid if you're working from home or not.Eric Fogel (34:47):I still, yeah, I'm here a couple days a week.Michael Jamin (34:50):Uhhuh Eric Fogel (34:50):These days.Michael Jamin (34:52):And, and cuz this is your show. So you, well, are you working with writers? You know, how are you, how, how involved are you right now with Theri? Is there a writer's room or whatEric Fogel (35:00):Where, so the writing is, is wrapped on this show, but we were really fortunate because we got the two guys Brent Simons and Alan Schoolcraft, who wrote the original Megamind mm-hmm. were brought, were brought in as, as eps to, to basically help Showrun and, and run the writer's room. So having those guys was, was a gift, you know, cuz they, they kind of, they invented Megamind. So,Michael Jamin (35:30):And this is all on the Dreamworks campus? The writer's?Eric Fogel (35:32):Yeah. We did the writing here. A lot of the, a lot of the, the create a lot of art on this show is done not in Toronto. It's a lot of it's done in Vancouver.Michael Jamin (35:42):Oh, are you, are you ma are you making the trip up there? DoEric Fogel (35:46):You have to? I've been up there. I've been up there a couple of times. But we are, luckily, yeah, now that we've got, you know, zoom, it's, you know, I can do a lot of this right here. A lot of the work I can do right here.Michael Jamin (35:58):See, that's so wait, so, so they are, these subcontract, subcontracting out a lot of the animation at Dreamworks. I I kind of, it was under the impression they did it all themselves.Eric Fogel (36:07):They have always had partner studios, even like on the early features they, they were partnering with, with studios. So there's always been this sort of hybrid model on this particular show. Almost all of the, the, the art, the art side of it is, is outsourced on, on this show. Michael Jamin (36:29):Interesting. And then, and so they're actually, okay, so the animation houses are there. I mean, basically if you're an, so if you're an animator, it's interesting, there's different levels of animation, animators. This is all, and I've worked, I've worked in animation for many years. I still don't understand how it works. But but like, I remember like when we worked I worked at it wasn't Bento Box, it was whoever was doing King the Hill, Fort Bento. But Oh,Eric Fogel (36:56):I know who you're talking about.Michael Jamin (36:57):Yeah. I was, I'm forgetting, I'm blanking now. But they, the animators would've to come take tests. You would apply for a job of animator. Yeah. They'd give you a test, draw this frame or whatever, you know, is that how it still works there? Maybe stickEric Fogel (37:11):Computer. Yeah, I mean there's always, you know, it's like anything else, right? You have to audition, right. Or things. And yeah, there are, there are definitely, there's a big kinda leap in terms of skill levelsMichael Jamin (37:26):OfEric Fogel (37:26):Artists. Right. Because so much of art is like subjective.Michael Jamin (37:31):Yeah. It's so, it's so interesting. That's this career. But, and what about, I don't know, live action? Any interest getting back into doing more or? No,Eric Fogel (37:40):I would love to do some, some live action at some point. I, I've got like a horror movie that I would love to try to do one day. And you know, I, I'm, I'm such a huge like, horror sci-fi nut.Michael Jamin (37:55):Right. Are you, and are you pitching other shows as well? Or, or, you know, is how does it work in Dreamworks? So like, we have an idea, we have to show you're hired Fogal. I mean, is that what it is? Basically?Eric Fogel (38:06):They have, yeah. I mean they have a, an in-house development process. And when you're, when you're here, they, you know, there's like a, you have, there's a first look deal. So you, you, if you have an idea, you're sort of obligated to first.Michael Jamin (38:21):Right.Eric Fogel (38:23):And you know, the, so the industry's a little different right now cuz there's, they're not, you know, there aren't, there aren't a lot of shows being sold or bought right now , because it'sMichael Jamin (38:35):No kidding. Is that and is that the way, I didn't know if that's the way it is for animation as well.Eric Fogel (38:40):It is. So, you know, I'm very, very happy to be working on Megamind right now. .Michael Jamin (38:46):Yeah, right.Eric Fogel (38:47):This will keep me employed, you know, for the next year or so. But it's like, you know, it's like anything else. We, we work job to job and there's never any guarantee Nope. That you're gonna get hired again. You just, you know, it's all kind of on good faith.Michael Jamin (39:02):Are you working with the actors too? Directing actors as well?Eric Fogel (39:05):I'm directing all the voice actors on this show.Michael Jamin (39:08):You're the only director. Yeah. And, and then you're also supervising the animation, the, theEric Fogel (39:14):All of it. Yeah, allMichael Jamin (39:15):Of that. Yep. Good for you, man. Carved out quite a little career for yourself.Eric Fogel (39:20):It's fun.Michael Jamin (39:21):Yeah,Eric Fogel (39:21):It's fun. Keeps me busy. But I, I do love it. I do.Michael Jamin (39:25):Do you have any other advice for anybody to, you know, what's, you know, trying to break inEric Fogel (39:31):Other, I mean,Michael Jamin (39:32):Make more,Eric Fogel (39:33):You know, it's, you have to, I, it's a long time ago someone told me like, the recipe for, for a successful whatever show movie, whatever, you know, you find that, that thing that, that you love. You put, you put your, all your heart into that thing. And then, you know, you take what everyone else loves and, and it's kind of like where these two things come together that, that's kind of like your sweet spot, right? That's, that's your hit, that's your success. And so you gotta, you know, you gotta like focus in on what that thing is and, and put everything you have into it.Michael Jamin (40:08):I'm surprised they're not talking about bringing celebrity death mat back. That's gotta be next.Eric Fogel (40:13):There have been a few conversations over the years and there, there have been a couple of attempts to bring it back and we, we did. Yeah. I mean, it's, it's not dead, but ,Michael Jamin (40:27):Do they reach out to you or are you actively trying to sell that?Eric Fogel (40:30):I have. So I guess it's Viacom or Yeah, m t v. They, they own the rights to the show, but we, we have an agreement to, you know, if, if they want to bring it back, I'm, I'm attached to it. Right. And we've had, we've had some attempts and for whatever, well we, we did, we did get close. And then yes the studio that had made an offer, they went away. Michael Jamin (41:00):They went awayEric Fogel (41:01):As, as these things do. I'll, I'll tell you offline more about it, .Michael Jamin (41:05):Alright. Like, when we put the animation, the, the ama the animation studio that made Glen Martin, we put 'em outta business .Eric Fogel (41:12):They, they didn't stay in business long after that. . And it's Yeah. Funny because they, I, I don't know if they, at the time I, I'm not sure if they realized how, what, what a unique opportunity that show was for them.Michael Jamin (41:26):What do you mean by that?Eric Fogel (41:28):The, you know, I, again, like these shows, these stop,Michael Jamin (41:32):Like they, how many stop motion series have there been? Right, right. You know, they're few and far between. Right. That was the Yeah, that's another thing. There's only, they're one of the few people that actually could do it. And I don't, I don't even know what they were doing beforehand. It's Right. So when they went out of business, like there was like, what else are you gonna do? You know, they wanted be like, people aren't lining up. Yeah. Stop for stop motion shows. Right? There's only a handful. Yeah. Yeah. That's the, yeah. Anyway. Is there any way, is there, do you wanna promote anything? Do you want people to follow you anywhere? Is there anything we can do to help you help grow your brand? Eric Fogel. Violent . You can find me. I'm on you can find me on Twitter. Death Match Guy, I think is my, my oh really?(42:19):Twitter handle. I'm verified there. What? Oh. But not on Instagram, just Twitter. I do a little Instagram. I'm not a huge social media person. Yeah. Well, we'll get you there for some weird reason. Yeah. Cause you're, cuz we're the same age. Anyway. All right, dude, I wanna thank you so much. Yeah. I, you've exposed me. I've learned something. Learned something about you and your craft. Yeah, because I, I even remember when we got hired, they said, yeah, we got this guy on, on Glen Martin. We have this guy Eric Fogel. I was like, what does he do? No one can explain it because we do everything. He's the guy. He's the glue, basically. That's what he he's the glue. Yeah. That's, that's it. Yeah. I'm the glue. Yeah. All right, man. Thank you so much. Thank you so much for, for joining me e. Excellent. that's it everyone. More good stuff next week. Go check out what Eric Fogel's up to. And he's a great guy. Thank you again so much for doing this, man. Don't go anywhere. All right, everyone, until next week.Phil Hudson (43:18):This has been an episode of Screenwriters. Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing, leaving a review and sharing this podcast with someone who needs to hear today's subject. For free daily screenwriting tips, follow Michael on Instagram, Facebook, and TikTok at @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok at @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until max time, keep riding.

Stacey Abrams, the failed politician, joins MSNBC to basically say that in order to bring down inflation, you need to abort children. Why is the Left so focused on abortion and the killing of babies? House Speaker Nancy Pelosi was also on MSNBC trying to steer the conversation away from inflation as the midterm elections come closer. Why is the Left so afraid of the midterms? Brian Kilmeade, author and Fox News host, joins the podcast to discuss his latest book, "The President and the Freedom Fighter: Abraham Lincoln, Frederick Douglass, and Their Battle to Save America's Soul," and how important the midterm elections are for the future of America. Dylan Mulvaney, a trans activist, was invited to interview President Biden, who believes in gender-affirming care for trans kids. Why is this administration obsessed with trans kids? While Biden was pushing the trans agenda from the White House, there was another interview released on MSNBC in which he seemed to have lost his train of thought when asked about running in 2024. Is Biden mentally fit to run in 2024? Today's Sponsors: They come with a sturdy, yet comfortable, extra wide waistband, and the fly design doesn't pinch your business. Undertac is durable, ultra-light, fade resistant and shrink resistant. Here's the best part, they're almost 30% less than the competition. http://GETUNDERTAC.COM 20% OFF SITEWIDE with the offer code CHAD20. Satisfaction guaranteed or your money back! Text CHAD to 989898. Birch Gold will send you a free info kit on protecting your savings with GOLD in a tax-sheltered account. These are great people with almost 20 years' experience converting IRA's and 401k's into precious metals IRA's. Don't allow the Left to devalue your savings. Text CHAD to 989898 and claim your free, no obligation info kit from Birch Gold. Again, you can own physical gold and silver in a TAX-SHELTERED retirement account, and Birch Gold will help you do it.  Go to http://PREPAREWITHCHAD.COM and you'll SAVE 250 DOLLARS on a THREE-MONTH Emergency Food Kit from My Patriot Supply. This kit gives you breakfasts, lunches, dinners, drinks, and snacks – enough for one person for three months. The food stays fresh for up to 25 years. But you'll probably need it sooner than that. No matter when you need it, it will be ready to eat. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been almost a year since Katie Janness and her dog died brutally inside Atlanta's Piedmont Park. The person who stabbed Jannes more than 50 times, and slit the throat of the dog, is still at large.  Family and friends have unveiled a forever memorial bench to honor  Katie Janness. As far as the investigation, Atlanta Police say it's ongoing.   Joining Nancy Grace Today: Dale Carson - High Profile Attorney (Jacksonville), Former FBI Agent, Former Police Officer, Author: "Arrest-Proof Yourself, DaleCarsonLaw.com  Caryn Stark - NYC Psychologist, CarynStark.com, Twitter: @carynpsych, Facebook: "Caryn Stark"  Dr. Kendall Crowns – Chief Medical Examiner Tarrant County (Ft Worth), Lecturer: University of Texas and Texas A&M, Affiliated Faculty: University of Texas Medical Branch Sheryl McCollum - Forensic Expert, Founder: Cold Case Investigative Research Institute in Atlanta, GA, ColdCaseCrimes.org, @ColdCaseTips   Alexis Tereszcuk - CrimeOnline.com Investigative Reporter, Writer/Fact Checker, Lead Stories dot Com, Twitter: @swimmie2009   See omnystudio.com/listener for privacy information.