Podcast appearances and mentions of Thelma Schoonmaker

This is a re-upload for Spotify of a conversation originally held in November of 2023. Hit Factory wishes to extend our deepest gratitude and reverence to the National Music Publishers' Association - tireless defenders of intellectual property, guardians of taste, and brave crusaders against independent podcasts that allegedly included a brief clip of copyrighted music within a previous version of this episode.  Journalist and writer Séamus Malekafzali returns to the program for a lengthy conversation about Martin Scorsese's 1995 crime epic 'Casino'. Initially viewed by critics and audiences as a retread of Scorsese's masterful crime saga 'Goodfellas', the film has since been reevaluated as a masterpiece in its own right - one enriched by the director's late period films and preoccupations.We discuss the film's dizzying construction, effectively evoking the glitz and glam of the Vegas strip through extended montages and voiceover (an effect masterfully rendered by Scorsese's deft hands as a director, a firecracker script with co-writer Nicholas Pileggi, and the brilliant editing of longtime Scorsese collaborator Thelma Schoonmaker). Then, we examine the brilliant, career-defining performance of Sharon Stone as Ginger McKenna. It's a role that deserves every possible accolade, and strikes a note that no one but Stone could conceivably achieve. Finally, we discuss the film as capitalist allegory, and how Scorsese thoughtfully weaves commentary on the corporate centralization of the American economy and its steady collapsing of the middle class.We also offer some thoughts on Scorsese's latest, 'Killers of the Flower Moon', and the evolution of the director's views on capitalism, corruption, and consequence. Follow Séamus on Twitter.Read Séamus's Substack on Middle East politics.Read & Listen to Burnt Nitrate, Séamus's explorations of lesser-known and lesser-discussed films.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

After our brief detour via The Hustler, this week we're talking about Martin Scorsese's The Color of Money. This movie introduces a young Tom Cruise into the Fast Eddie saga and Paul Newman reprises his role as Eddie Felson. We talk about why this movie works so well as a legacy sequel — plus some other legacy sequels that get it right — and the great tricks Marty and Thelma Schoonmaker employ to make pool exciting to watch.As a little extra note, Let's Party with Marty will be on hiatus until mid-September while we focus our attentions on our sister show, Let's Jaws for a Minute. We'll be back for more Marty madness in a few months time ...

We don't exactly keep rock-solid statistics for this sort of thing, but to the best of our recollection, this episode of Cinebuds sets a new land-speed record for sheer number of movies mentioned in a single episode. Given the topic, that shouldn't come as a surprise.In addition to being a Cinebud, Dori Zori is 88Nine's morning host and — this next one is an unofficial title — queen of the station's International Women's Day programming. She got that particular tradition started a decade ago, putting her passion for female, femme and female-identifying artists on the air for all to hear.So you know we weren't going to let March pass by without a Cinebuds episode devoted to impactful women in the movie industry. Dori and Kpolly name drop more than 30 films during their chat, in addition to giving general co-signs to the work of Marlene Dietrich and Katharine Hepburn. They also point out a few individuals who may not be quite as well-known to movie lovers, like film editor Thelma Schoonmaker, who has worked alongside director Martin Scorsese for more than five decades.We did our best to collect all the movies they mentioned and sort them in the lists below. Take a look at your options and host your own screening this March and all year round.Women's History Month moviesStarring roles9 to 5, starring Dolly Parton, Lily Tomlin and Jane FondaCoffy, starring Pam Grier (showing at the Oriental Theatre from March 20-22)Stormy Weather, starring Lena HorneGaslight, starring Ingrid BergmanA League of Their Own, starring Geena DavisPrivate Benjamin, starring Goldie HawnStar Wars: Episode IV – A New Hope, starring Carrie FisherDirector's cutThe Future, directed by Miranda JulyKajillionaire, directed by Miranda JulyMe and You and Everyone We Know, directed by (and starring) Miranda JulyCertain Women, directed by Kelly ReichardtFirst Cow, directed by Kelly ReichardtYou Were Never Really Here, directed by Lynne RamsayLemon, directed by Janicza BravoZola, directed by Janicza BravoThe Hurt Locker, directed by Kathryn BigelowThe Fire Inside, directed by Rachel MorrisonBehind the scenesThe Departed, edited by Thelma Schoonmaker (showing at the Oriental Theatre on March 25)Black Panther, cinematography by Rachel MorrisonFruitvale Station, cinematography by Rachel MorrisonDope, cinematography by Rachel Morrison

Jackie and Greg step in the boxing ring for Martin Scorsese's RAGING BULL from 1980. Topics of discussion include Robert De Niro's transformation for the role of Jake LaMotta, Thelma Schoonmaker's prodigious editing, what it has to say about the nature of violence, and why it's Scorsese's greatest film. #53 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#129 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Retrouvez la PEAKILIST ICIDemande de partenariat : peakcinemalepodcast@gmail.comSoutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs C'est l'histoire d'un mec un poil trop ambitieux qui profite du système capitaliste à son maximum pour vivre à pleine balle le Rêve Américain en arnaquant des gens avec des titres en bourse surcoté. Un égomaniaque parti de rien devenu accro à l'argent et au pouvoir et qui va chuter lamentablement. Cette histoire c'est avant tout l'histoire vraie de Jordan Belfort adaptée en film dans Le Loup de Wall Street. Un film qui fait encore débat aujourd'hui puisque un nombre inconséquent de blaireaux ultra libéraux le prennent comme si c'était la règle à suivre et un objectif de vie alors que si on regarde bien, on est en face d'un film à charge extrêmement bien foutu Il est en 53ème Position du TOP de Marvin mais où va-t-il arriver dans la Peaklist ? Produit par Red Granit Pictures, Martin Scorsese et Leonardo Dicaprio avec un budget de 100 Millions de dollars. Réalisé par Martin Scorsese épaulé à la photo par Rodrigo Prieto qui mettra en lumière par la suite Silence, The Irishman et Killers of the flower moon. Le script est écrit par Terence Winter, scénariste connu pour avoir bossé sur la série Les Sopranos, basé sur les mémoires de Jordan Belfort publié en 2007 sur son expérience absolument effroyable dans l'univers des traders de Wall Street. Montage encore et toujours par la grande Thelma Schoonmaker. Soutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Abonnez vous sur Peakgaming pour les streams jeu vidéo Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtubeChroniqueur.e.es : Marvin MONTES, Wonder VESPER, Emmanuel.le PEUDON, Mathieu BONTEMPS et présenté par Luc LE GONIDECHost : Luc LE GONIDECMusique Jean Baptise BLAIS Direction Artistique : Guillaume BrindonMontage et mixage son : Luc LE GONIDEC Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Thelma Schoonmaker has, for over five decades, been Martin Scorsese's cutting room collaborator. Having edited his first feature film in 1967, she has worked on every Scorsese movie since Raging Bull, including Goodfellas, Casino, The Departed, Wolf Of Wall Street, right up to his most recent features The Irishman and Killers Of The Flower Moon. As the widow of the legendary British filmmaker Michael Powell, she has also played a key role in the restoration of classic Powell and Pressburger films including The Red Shoes, Black Narcissus and A Matter Of Life And Death. Thelma Schoonmaker has won three Academy Awards, more than any other film editor. Thelma tells John Wilson how enrolling on a six week film making course as a young graduate in New York led to her meeting and helping Martin Scorsese edit a short film he was making. He then asked her to edit his 1967 feature film debut, Who's That Knocking at My Door and their partnership began in earnest. She recalls how she and Scorsese were part of the editing team on Michael Wadleigh's music festival documentary, Woodstock for which she received her first an Oscar nomination for Best Film Editing - the first documentary ever to be nominated in that category. Thelma reveals the process of working with Scorsese in the cutting room and how, through him, she met her late husband Michael Powell, whose films with Emeric Pressburger, both she and Scorsese had so admired from childhood.Producer: Edwina PitmanArchive and music used: The Red Shoes, Powell & Pressburger, 1948 Who's That Knocking at My Door, Martin Scorsese, 1967 I Can't Explain, The Who, Live at Woodstock, 1969 See Me. Feel Me, The Who, Live at Woodstock, 1969 Star Spangled Banner, Jimi Hendrix, Live at Woodstock, 1969 Raging Bull, Martin Scorsese, 1980 Cutting Edge: The Magic of Movie-editing, BBC4, 30 August 2005 Passion: Music for The Last Temptation of Christ, Peter Gabriel Sunshine of Your Love, Cream Intermezzo from Cavalleria Rusticana, Pietro Mascagni Love Is Strange, Mickey & Sylvia Layla, Derek & The Dominos A Matter of Life and Death, Powell & Pressburger, 1946 Michael and Martin, BBC Radio 4, 30 June 2005

This is the first of at least 2 episodes about Martin Scorcese's 1990 masterpiece 'Goodfellas'.  Let's be honest: it'll probably take three episodes to cover all the genius onscreen in this epitome of the perfect film. In this episode, I explore the film's roots in Nick Pileggi's classic non-fiction book 'Wiseguy', and the early involvement of vital creative participants in the film like producer Irwin Winkler, actors Robert DeNiro, Ray Liotta, Joe Pesci, Paul Sorvino, and Lorraine Bracco, and production team members like Micheal Ballhaus and Thelma Schoonmaker. In Episode 2, we'll get into the film itself, covering the iconic scenes, the score, the film's reception and legacy, and more.

We've finally arrived at Raging Bull, a strong contender for Martin Scorsese's best film and a first time watch for one of your co-hosts! We discuss the incredible performances, Thelma Schoonmaker's impeccable editing, and the brilliant way Scorsese incorporates religious imagery into this boxing movie that isn't really about boxing.

In this episode, host Dr Pasquale Iannone looks back at some highlights from the 77th Edinburgh International Film Festival. Pasquale talks to writer-director Jack King about his film The Ceremony, the film that won EIFF's inaugural Sir Sean Connery Prize for Excellence in Feature Filmmaking. He also speaks to BAFTA-winning writer-director Daisy-May Hudson about her film Lollipop.Pasquale offers some thoughts on two of EIFF's In Conversation events, the first featuring Gaspar Noé, the innovative, boundary-pushing director of Irreversible (2002) and Enter the Void (2009), the other featuring Oscar-winning film editor Thelma Schoonmaker, best known for her long collaboration with director Martin Scorsese on films such as Raging Bull (1980), Goodfellas (1990) and, most recently, Killers of the Flower Moon (2023)

Director Martin Scorsese, editor Thelma Schoonmaker, director of photography Michael Ballhaus, actor and producer Griffin Dunne, and producer Amy Robinson

In this episode, host Dr Pasquale Iannone previews the 77th Edinburgh International Film Festival in the company of Director Paul Ridd and Producer Emma Boa.Paul and Emma discuss their vision for EIFF and its position in the wider Film Festival landscape as well as the advantages of staging the event in August.Other topics covered include the choices of opening and closing night films, the Midnight Madness and Experimental strands as well as the new prizes named after Sean Connery and Thelma Schoonmaker.The 77th Edinburgh International Film Festival runs from 15th - 21st August 2024 in various venues across the city. For more information, please see their website edfilmfest.org.

It's not every day you talk to Martin Scorsese's editor AND the wife of Michael Powell, Thelma Schoonmaker. But Emily and I did as part of the release of the new documentary Made in England: The Movies of Powell and Pressburger. Schoonmaker and director David Hinton sat down with us to discuss what makes Powell and Pressburger iconic directors, Thelma's work with Scorsese, and more! (This might be the highlight of our year.) Made in England is in theaters now! This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller Jonathan Watkins McF Rachel Clark Shawn Goodreau A Button Called Smalls Chris McKay Debbi Lynne J Jeffrey Kayla Ewing Nicholas Montano Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Brittany Brock Cat Cooper Daniel Tafoya David Baxter Diana Madden Emily Edwards Harry Holland Lucy Soles Nick Weerts Paul Rosa Tammy Sara Folger

“Made In England: The Films Of Powell And Pressburger” had its world premiere at the Berlin International Film Festival earlier this year, where it received rave reviews for delving into the films and careers of two of the greatest storytellers the medium as ever known: Michael Powell and Emeric Pressburger. From “Black Narcissus” to “The Red Shoes,” to “A Matter of Life and Death,” to “The Tales of Hoffmann,” their collaboration inspired a generation and is still revered for their daring artistry to this day. Director David Hinton and Executive Producer Thelma Schoonmaker (and Powell's widow wife) were both kind enough to spend a few minutes answering questions about the documentary, which is now playing at Quad Cinema in New York City and will open in Los Angeles at the Landmark's Nuart Theater on July 26th with a national rollout to occur afterward. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Martin Scorsese and his long time editor Thelma Schoonmaker have delivered another marvelous piece of film history with their new documentary, "Made in England: The Films of Powell and Pressburger." Schoonmaker analyzes the impact of one of the most important cinematic partnerships of all time, and shares stories of how her late husband Michael Powell advised Scorsese on several of his early films. Learn more about your ad choices. Visit megaphone.fm/adchoices

Als Thelma Schoonmaker 1980 als Cutterin und Editorin von Martin Scorsese begann, war sie als Frau in der Branche eine absolute Ausnahme. Heute ist sie 84, eine Legende – und unser Gast. Wir schauen in ihre Doku "Made in England – The Films of Powell & Pressburger".**********Ihr hört in dieser Folge von "Eine Stunde Film":00:02:12 - Filmreview "Made in England - The Films of Powell & Pressburger" (Kino / Mubi)00:09:34 - Interview Thelma Schoonmaker (Editorin von Martin Scorsese, Produzentin "Made in England")00:18:38 - Serienreview "Eric" (Netflix)00:23:50 - Serienreview "Wo wir sind, ist oben" (ARD Mediathek)00:31:36 - Serienreview "Wir Weltmeister" (ARD Mediathek)**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

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No Greta?! No Margot?! Is Lily Gladstone in the right category? Will Bradley Cooper ever win an Oscar? Thelma Schoonmaker makes history, "Oppenheimer" grabs 13, and an arthouse film gets major love. Alex and Nick (and Alex's dad!) present a special uncut episode of their reactions to the 2024 Oscar nominations.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

Thelma Schoonmaker is arguably the world's most famous film editor, winning three Oscars in her 40-year career. Ever since Raging Bull, she has worked on all of Martin Scorsese's major feature films like Goodfellas, Gangs of New York and Killers of the Flower Moon. She tells Francine Stock some secrets of the cutting room and about the other director in her life, her late husband Michael Powell, himself a major influence on Martin Scorsese.

This is a film Roger Ebert would have loved. He loved Martin Scorsese and this film, "Killers of the Flower Moon" is just another notch on the belt. This is a western epic that deals with history in the United States. What I loved about the film is the screenplay itself. It was written so well. You have all kinds of situations that are happening at the same time and it intensifies throughout the whole film and not only does it affect the main characters, it affects society around them which would ultimately have a dominio effect all the way to the White House. I'm not kidding. My wife Fabi joins me on this epsiode because she has always wanted to see the film ever since the trailer we saw at the "Oppenheimer" screening. She's a history buff and the trailer got her hooked. This film at three hours and 26 minutes, it keeps us very engaged with a dramatic screenplay where it's really hard to stay behind these characters especially with the motives that they have which is primarily greed and it can turn your world upside down. It shows us a world where two are pretending to be nice. There's so much hate and animosity, it's great how normal the film is portraying it. We all know it's not right and goes deep as to how messed up this film gets. The cinematography is great, Scorsese once again knows choose his shots well especially going to into western territory and Thelma Schoonmaker is an editing queen who knows how to keep a scene on its toes. We didn't really stay in one shot obviously but she cuts from one certain angle to another that really navigates the story to graciously move forward. This film is a force to be reckon with, definitely awards are awaiting for Scorsese and crew. Everyone plays their roles so good, it's like a satisfying jigsaw puzzle once it's completed. It's easy for me to say that not one role is wasted, not one actor underplayed their role. To see DeNiro and DiCaprio act alongside and against each other is honestly something of a "once in a lifetime" sight and you'll exactly what I mean when youd see it. Even when it goes over the top, it's still a sight to see. I think this is one of the few three hour plus films of recent that can really be consistently entertaining and it's just how the story is told and how the stakes and schemes get higher. It can only go so high until in comes crashing down and man, it crashes down very hard and unforgiving.Four out of four.#killersoftheflowermoon #martinscorsese #killersoftheflowermoonreview

On this week's episode of Editors on Editing, Glenn is joined by Thelma Schoonmaker. Thelma is truly a legend in the film community.  Her credits span many of the most celebrated films of the last 50 years. Some of those projects include, Woodstock for which she was nominated for the Oscar. Raging Bull for which she won the BAFTA, Eddy and Oscar.  Goodfellas for which she was nominated for the Eddy and Oscar and won the BAFTA. Casino for which she was nominated for the Eddy. Gangs Of New York, for which she was nominated for the BAFTA and Oscar and won the Eddy.  The Aviator, for which she was nominated for the BAFTA and won the Eddy and Oscar. The Departed, for which she was nominated for the BAFTA and won the Eddy and Oscar. Hugo, for which she was nominated for the BAFTA, Eddy and Oscar. The Wolf of Wall Street, for which she was nominated for the BAFTA, and the Eddy. And the Irishman, for which she was nominated for the BAFTA, Eddie, and Oscar. She is also tied for the most nominations and wins in the editing category of the Academy Awards. Now she has crafted Scorsese's newest masterpiece, Killers of the Flower Moon.   Thanks again to ACE for partnering with us on this podcast, check out their website for more. Want to see more interviews from Glenn? Check out "Editors on Editing" here. The Art of the Frame podcast is available on Apple Podcasts, Spotify, Google Podcasts, Anchor and many more platforms. If you like the podcast, make sure to subscribe so you don't miss future episodes and, please leave a review so more people can find our show! --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthecut/support

Journalist and writer Séamus Malekafzali returns to the program for a lengthy conversation about Martin Scorsese's 1995 crime epic 'Casino'. Initially viewed by critics and audiences as a retread of Scorsese's masterful crime saga 'Goodfellas', the film has since been reevaluated as a masterpiece in its own right - one enriched by the director's late period films and preoccupations.We discuss the film's dizzying construction, effectively evoking the glitz and glam of the Vegas strip through extended montages and voiceover (an effect masterfully rendered by Scorsese's deft hands as a director, a firecracker script with co-writer Nicholas Pileggi, and the brilliant editing of longtime Scorsese collaborator Thelma Schoonmaker). Then, we examine the brilliant, career-defining performance of Sharon Stone as Ginger McKenna. It's a role that deserves every possible accolade, and strikes a note that no one but Stone could conceivably achieve. Finally, we discuss the film as capitalist allegory, and how Scorsese thoughtfully weaves commentary on the corporate centralization of the American economy and its steady collapsing of the middle class.We also offer some thoughts on Scorsese's latest, 'Killers of the Flower Moon', and the evolution of the director's views on capitalism, corruption, and consequence.  Follow Séamus on Twitter.Read Séamus's Substack on Middle East politics.Read & Listen to Burnt Nitrate, Séamus's explorations of lesser-known and lesser-discussed films.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Today on Art of the Cut, it's my pleasure to speak with legendary editor Thelma Schoonmaker, ACE, about working with her legendary director, Martin Scorsese, about their latest film, “Killers of the Flower Moon.” Thelma's filmography includes editing eight Oscar Best Picture nominated films.  She was nominated for her first Oscar for Best editing for “Woodstock” in 1971. Her co-editor on that film was Martin Scorsese, actually.  She won an ACE Eddie, a BAFTA and an Oscar for editing "Raging Bull." She won a BAFTA and was nominated for an Oscar and an ACE Eddie for “Goodfellas.” Nominated for an ACE Eddie for “Casino.” Won an ACE Eddie and was nominated for a BAFTA and an Oscar for “Gangs of New York.” Nominated for a BAFTA and won an ACE Eddie and an Oscar for “The Aviator.” Nominated for a BAFTA and won an ACE Eddie and the Oscar for “The Departed.” Nominated for an ACE Eddie, a BAFTA and an Oscar for “Hugo.” Nominated for an ACE Eddie and a BAFTA for “Wolf of Wall Street.”  Nominated for an ACE Eddie a BAFTA and an Oscar for “The Irishman.”  And was awarded a career achievement award by the American Cinema Editors. 

A Matter Of Life And Death. The Red Shoes. Black Narcissus. The Tales Of Hoffmann. The Small Back Room. The Life And Death Of Colonel Blimp. I Know Where I'm Going. We could just fill this blurb box by simply listing the films of Michael Powell & Emeric Pressburger, the filmmaking duo who might just be British cinema's greatest double act, but we won't. Instead, we'll tell you that their work is currently being celebrated in an amazing nationwide BFI retrospective called Cinema Unbound (check it out and book tickets for screenings and events etc. at bfi.org.uk), and that put us in the mood to put together a special in their honour. And what's truly special about it is the interview that John Nugent conducted with Thelma Schoonmaker, the legendary editor of Martin Scorsese's films, and who was married to Powell until his death 1990 (in fact, Scorsese introduced her to Powell); and Kevin Macdonald, the Scottish film director who is Emeric Pressburger's grandson. On the other side of that wonderful, warm interview, Chris Hewitt invites P&P superfans Ian Freer, Nick de Semlyen and the aforementioned John Nugent into the podbooth to wax lyrical about their favourite Powell & Pressburger moments, movies and more. It's a belter. Enjoy.

On this episode of The Snub Club, the crew discusses 1976's Taxi Driver. Directed by Martin Scorsese and starring Robert De Niro, Taxi Driver was nominated for four Academy Awards but never found glory. In this episode, Danny, Sarah, and Caleb discuss meditations on violence, politics of disgust, and Thelma Schoonmaker.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Here It Comes by Tracktribe

In this episode, Ashley, Matt & Ryan dive into a (spoiler) review of the new Martin Scorsese epic, Killers of the Flower Moon. It's about the life, death, love and murder on Osage Nation land in 1920s Oklahoma. 

With DiCaprio and De Niro in fine gurning form and Thelma Schoonmaker on the edit, the gang's back together for Martin Scorsese's brand new film. But is it worth the 3hr26m runtime?ReferencesKillers of the Flower Moon: Oil, Money, Murder and the Birth of the FBI by David Grann (the book the film is based on)Interview with Leonardo DiCaprio and Lily Gladstone for CritqalMartin Scorsese's companion films list on LetterboxdFilms and TV shows about indigenous communities we recommended:Dances with Wolves (1990) dir. by Kevin Costner Smoke Signals (1998) dir. by Chris EyreReservation Dogs (2021-2023) created by Sterlin Harjo and Taika WaititiCall Me Human (2020) dir. by Kim O'BomsawinFor more, read Corinne Rice's ‘8 Essential Films of the Native American Experience'-----------If you love what we do, please like, subscribe and leave a review!Produced and edited by Lily AustinMusic and sound by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

An absolute PINCH-ME moment! To celebrate the 4k re-release of Michael Powell's Peeping Tom, Mike sits down with Oscar-winning film editor, Scorsese collaborator and Michael Powell's widow, Thelma Schoonmaker, to discuss her thoughts on the film and on her career to date. 

It's always a great day when a new Martin Scorsese film drops, but we're especially excited by this one because we're joined by 1st Assistant and VFX editor to Thelma Schoonmaker (and returning guest) Red Charyszyn!The Osage “Reign of Terror” is a shameful chapter in American history and one that gets a retelling by Scorsese and Apple TV, but how does perspective affect the retelling and who's story is this to tell?As always you can send us your thoughts at onlymoviepodcast@gmail.com or hit us up on Twitter or InstagramYou can catch our episodes early and ad free over on Nebula. And if you sign up with the link below, it really helps out the pod!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, certified film royalty is in the studio! Mark and Simon sit down with Martin Scorsese's legendary film editor, Thelma Schoonmaker, who is here to discuss restoring her late husband director Michael Powell's equally legendary body of work as part of the iconic filmmaking duo Powell and Pressburger. She also talks about her own work with Scorsese. A must listen! Mark reviews the restoration of the Powell and Pressburger classic ‘Peeping Tom', a psychological horror about a filmmaker who murders women and records their dying moments; ‘Typist Artist Pirate King', director Carol Morley's warm and sympathetic fictionalised portrait of the late “avant-garde and misunderstood” artist Audrey Amiss; ‘Cat Person', a darkly comic psychological thriller about a college student who goes on an awkward date with an older man who may be a murderer, based on Kristen Roupenian's viral New Yorker short story of the same name; and ‘Five Nights at Freddy's, a supernatural horror inspired by the indie video game of the same name, which sees a troubled security guard menaced by creepy, animatronic, funhouse animals. Plus, the duo takes us through the Box Office Top 10 and the film events worth catching in this week's What's On. Time Codes (relevant only for the Vanguard - who are ad-free!): 10:38 Typist Artist Pirate King Review 22:27 Box Office Top Ten 35:45 Thelma Schoonmaker Interview 53:32 Laughter Lift 58:06 Cat Person Review 01:04:56 Five Nights At Freddy's Review 01:10:17 What's On You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee! A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts To advertise on this show contact: podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Essa é a segunda vez que Martin Scorsese aparece aqui no #SQLVS. A primeira foi com "O Irlandês", no longínquo episódio 27. Aliás, longa mesmo é a carreira do diretor nova-iorquino de 80 anos que, desde os anos 60, já dirigiu 26 longas-metragens, 17 documentários e uma porção de curtas, clipes, comerciais e por aí vai. Sem falar nas entrevistas deveras polêmicas! (::Entrando em "Assassinos da Lua das Flores", temos uma produção de 200 milhões de dólares da Apple baseada no livro biográfico de mesmo nome escrito ao longo de 10 anos pelo jornalista David Grann. No fundo, é uma história de true crime que conta como na década de 1920 os índios osage, enriquecidos pelo dinheiro do petróleo descoberto em suas terras no sul dos Estados Unidos, começaram a ser assassinados por norte-americanos brancos que queriam se apossar de suas terras e fortunas.::O roteiro é assinado pelo próprio Scorsese juntamente com o veteraníssimo Eric Roth, que roteirizou clássicos contemporâneos como "Forest Gump", "O Informante", "Benjamin Button" e a parte 1 de "Duna". E é bacana lembrar que o diretor gosta de trabalhar com a patota dele, incluindo a montadora Thelma Schoonmaker e o diretor de fotografia mexicano Rodrigo Pietro. ::No elenco, enfim o Scorsa conseguiu reunir seus musos Robert De Niro e Leonardo DiCaprio! Eles se juntam a nomes importantes como a espetacular Lily Gladstone, Jesse Plemons, Scoth Shepherd, Brendan Fraser, John Lithgow, entre outros.::Coloque seu fone, aumente o volume e Senta que lá vem Spoiler!

Recorded in 2004 for the DVD release of the film. Watch the film on Paramount+

Counselor! Jack, Justin and Corey continue Villains Month with Martin Scorsese's masterfully campy remake, CAPE FEAR (1991)! The three talk differences between the book and original film, Hitchcock references, Robert De Niro's muscles, Thelma Schoonmaker's editing, movie swaps with Steven Spielberg, working out to Bernard Herrmann, Nick Nolte's resemblance to Corey's dad, hypothetical Tarantino scenarios, the triple meaning of Problem Child, and the book of Job.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodTwitter (X): twitter.com/cinemapossessedEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Jen Dean is a NY-based commercial editor and mother with a sharp eye, a quick wit and a love for Texan psych rock. After studying under Stan Brakhage she got her start at Lost Planet as Hank Corwin's assistant, eventually moving on to cut her own award-winning projects from fashion to comedy to docu style and everything in between. She's an editor's editor and has been in this edit world for long enough to be known and respected by anyone and everyone who's also been around long enough to know anything.  When I began this podcast and the accompanying instagram I reposted an image of Thelma Schoonmaker on the IG and multiple people, including former guest Kimmy Dubé, quickly responded that the woman Thelma was with was also a legend herself, Jen Dean. So I swiftly got Jen's contact and tried and failed to land an interview for many months and then the conversation drifted away; so Jen was my white whale for this season and I couldn't close it out without her. And I'm so glad she was finally able to make time for me because we had a great chat.  For more information and supplemental video clips visit cuttingclass.fm Connect with us on IG @cuttingclassediting Questions, Comments, Criticism: cuttingclassediting@gmail.com Cutting Class is produced, hosted & edited by John McSwain --- Support this podcast: https://podcasters.spotify.com/pod/show/cuttingclass/support

This week James tells the amazing story behind the rise of women editors in cinema and we take a closer look at three of the best: Verna Fields (Jaws), Thelma Schoonmaker (Raging Bull) and Anne V. Coates (Out of Sight).References'The Celluloid Ceiling' - stats on behind-the-scenes women in 2022's top grossing films'Edited By' - an excellent source on women film editors'"Mother Cutter": Verna Fields Mentors a New Generation of Film Directors in the 1970s''Precise Feeling: The Editing of Thelma Schoonmaker'Editing rules from Anne V. CoatesCriterion on the history of women editorsThe bar scene from Out of SightWhy Tarantino wanted a female editor-----------If you love what we do, please like, subscribe and leave a review!Produced and edited by Lily AustinMusic and sound by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us

This week we're back to take a closer look at an award-winning adventure through French history from Martin Scorsese; featuring automatons, mysterious pasts, 3D hijinks, and fair bit of cinemagic. All aboard our discussion of Hugo! Listen on YouTube: https://youtu.be/Rg2UURvwFqU --- TIME CODES: 00:00 - INTRO 03:54 - BASIC FACTS 07:40 - THE CLOCKWORK 56:29 - WHAT WE WATCHED --- FILM INFORMATION: Hugo (2011) “When wily and resourceful Hugo discovers a secret left by his father, he unlocks a mystery and embarks on a quest that will transform those around him and lead to a safe and loving place he can call home.” Directed by Martin Scorsese with additional direction by Christopher Surgent. Written by John Logan and Brian Selznick, edited by Thelma Schoonmaker, cinematography by Robert Richardson, score composed by Howard Shore. Starring Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloë Grace Moretz, Ray Winstone, Emily Mortimer, Christopher Lee, Helen McCrory… Read more on Hugo's official webpage: http://www.HugoMovie.com/ Find where to stream Hugo on JustWatch: https://www.justwatch.com/us/movie/hugo --- OUR LINKS: Host Webpage: https://podcasters.spotify.com/pod/show/recentlylogged Letterboxd HQ: https://boxd.it/30uy1 YouTube: https://youtube.com/@recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com --- EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert “Robbie” Grawey Hosts - Micah and Robert “Robbie” Grawey Songs used in this episode - Jesse's Carnival Waltz by The Great North Sound Society, Anchors Aweigh by Charles Zimmerman, Nemesis by ALBIS, Parisian Cafe by Aaron Kenny, No.9 Esther's Waltz by Esther Abrami Editor - Robert “Robbie” Grawey Episode art designer - Robert “Robbie” Grawey Episode Description - Robert “Robbie” Grawey --- Support this podcast: https://podcasters.spotify.com/pod/show/recentlylogged/support

Three hours of Marty. All the movies, all the collaborators, all the stories. Stray topics include 4K set-ups, praise for "New York, New York," a shared obsession with “Casino,” Joe Pesci, Thelma Schoonmaker, Alex's favorite movie opening, and so much more. In the middle of the episode, Alex and Nick argue about the biggest movie disagreement they've ever had.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

In this episode Myles Dungan speaks to 3 time Academy award winner for editing, Thelma Schoonmaker

Qué mejor forma de empezar que con un buen libro en la mano, escrito por el presidente de la Academia de las artes y las ciencias cinematográfica, Fernando Méndez Leite, Fracaso sentimental en la calle 50' una novela de ficción con historias y anécdotas basadas en la experiencia de vida que coinciden en el tiempo con la del autor. Y autor y actor es Emilio Gutiérrez Caba que nos presenta su Memorias de cine, un trabajo con el que, de alguna manera, salda cuentas con su profesión, rememorando los mejores y también peores momentos de su carrera, una aportación a la bibliografía del séptimo arte español muy interesante. Rodando Páginas, del libro a las pantallas, es el espacio de encuentro del mundo editorial y audiovisual, que tiene lugar en el Salón de Actos de la Biblioteca Pública Eugenio Trías en este Parque del Retiro. Hasta el día ocho se celebra este evento en su sexta edición, de ello hablamos con Mario Madueño, organizador y presidente de la Asociación Madrileña Audiovisual y Lidia Mosquera, del comité de selección, directora, guionista y jefa de comunicación en Movistar+. Muchas son las películas que llegan a las salas destacamos las más interesantes: Mitología, leyendas, profecías, también bulling, acoso escolar y resentimiento, mucho resentimiento. Una mezcla disparatada a la que hay que unir un cierto toque de humor negro. Todo esto y más es. Y todos arderán de David Hebrero, con él y con uno de sus protagonistas Rubén Ochandiano charlamos de esta película de terror castizo que llega directamente a Filmin. Rocío Mesa directora y productora estrena su primera película de ficción, Secaderos y se acerca hasta la feria del libro para comentarnos esta historia con la que homenajea su tierra y nos lleva hasta los secaderos de Granada, para ello utiliza a dos personajes Vera, una niña de ciudad que pasa el verano en el pueblo y Nieves, una adolescente que vive en el pueblo todo el año. Hablamos del caso Padilla, el documental de Pavel Giroud, que saca a luz por primera vez, el archivo clasificado con la dura y feroz autocrítica del poeta cubano Heberto Padilla y expone la persecución del gobierno cubano a los intelectuales más críticos. Rebel es el primer largometraje dirigido por Adil El Arbi y Bilall Fallah donde nos ofrecen un demoledor relato, la terrible historia de dos hermanos radicalizados por el Estado Islámico y de una madre que hará lo que sea para no perder a sus hijos. Como dios Manda es otra de las cintas que llega a las salas, la ópera prima de Paz Jiménez protagonizada por Leo Harlen, Una película que nos habla de la libertad, que derriba prejuicios, Els Encantans es una película muy interesante con participación de radiotelevisión española de la directora Elena Trapé y protagonizada por Laia Costa y finalizamos con un clásico, Toro Salvaje, que regresa a las salas en una copia restaurada en 4k aprobada y supervisada por Martin Scorsese y su montadora habitual Thelma Schoonmaker, una oportunidad para volver a ver a Robert De Niro enfundarse los guantes del boxeador Jake LaMotta. Todo esto además de las colaboraciones de nuestros colaboradores Elio Castro, Pedro Calvo, Ángeles González Sinde y Ana Vega Toscano. Escuchar audio

In this episode we discuss two Academy Award favorites from 1980, Raging Bull and The Elephant Man and discuss Thelma Schoonmaker's first Academy Award win for Best Editing. We talk about her immense contribution to the film industry, to Martin Scorsese's films over his career, and the signature look and style of a Scorsese film and how those feelings can be attributed to Schoonmaker's editing prowess. -- Instagram: https://www.instagram.com/thanktheacademypodcast Twitter: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

En este episodio conversamos sobre la película del año 1988, “The Last Temptation of Christ” del director Martin Scorsese, protagonizada por Willem Dafoe, Harvey Keitel y Barbara Hershey.

Recorded in 2005 for the DVD release of the film. Watch the film on HBO Max here.

This week on Remainders we begin Cage Fest with the 1999 underrated gem, Bringing Out the Dead. Directed by Martin Scorsese with a screenplay by Paul Schrader (Taxi Driver, Raging Bull), the Dead follows Frank Pierce, an insanely burnt out emergency paramedic working the night shift in 1990s New York City. As the stress and unpredictability of the job start to wear him down, Frank begins to see the ghosts of the people he could not save. Like a drug, Frank does what he can to maintain the high of saving lives but to extremes he can't control. A hidden masterpiece in both Scorsese's and Cage's filmography, we check out where it stands in both their careers. Don't make me take off my glasses.Other topics include Best Picture Oscar nominees, continued praise for late-stage Tom Cruise, the Tom Sizemore school of acting, artistic inspiration, Darren's photography retrospective, The Strokes, The Webstirs, new music picks, and Warren Zevon's rising appreciation and recognition.  Songs of the WeekCrimson Wave by TacocatVenus by TelevisionEvery Remainders Song of the Week hereWebsiteFacebookInstagramYouTubeTwitter

Recorded in 1990 for the Criterion Collection LaserDisc release. Watch the film on Amazon Prime here.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 222: Goodfellas Released 15 June 2022 For this episode, we watched and talked over Martin Scorsese's crime classic Goodfellas, based on the book Wise Guys by Nicholas Pileggi, who wrote the screenplay with Scorsese. Thelma Schoonmaker handled the editing, the cinematography was by Michael Ballhaus and the cast includes Ray Liotta, Robert de Niro, Joe Pesci, Lorraine Bracco and Paul Sorvino. It cost $25m and made about $47m at the box office. It was nominated for seven Academy Awards including Best Picture and Best Director and Joe Pesci won Best Supporting Actor. It has a 96% rating on Rotten Tomatoes. BEST PICK – the book is out now from all the usual places, including… From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month. Thanks go to all of the following lovely people who have already done that. Alex Frith, Alex Wilson, Alison Sandy, Amanda Grey, Andrew Jex, Andrew Straw, Ann Blake, Anna Barker, Anna Coombs, Anna Elizabeth Rawles, Anna Jackson, Anna Joerschke, Anne Dellamaria, Annmarie Gray, Anthea Murray, Ben Squires, Carlos Cajilig, Caroline Moyes Matheou, Cathal McGuire, Catherine Jewkes, Chamois Chui, Charlotte, Charlotte M, Conrad Uno, Craig Boutlis, Daina Aspin, Dave Kloc, David Fraser, David Gillespie, Della, Drew Milloy, Drogo Danderfluff, Elis Bebb, Elizabeth McClees, Esther de Lange, Evelyne Oechslin, Fiona, Flora, frieMo, Gavin Brown, Helen Cousins, Helle Rasmussen, Henry Bushell, Ian C Lau, Imma Chippendale, Jane Coulson, Jess McGinn, Joel Aarons, Jonquil Coy, Joy Wilkinson, Judi Cox, Julie Dirksen, Kate Butler, Kath, Katie Hammonds, Katy Espie, Kurt Scillitoe, Lawson Howling, Lewis Owen, Linda Lengle, Lisa Gillespie, Lucinda Baron von Parker, Mary Traynor, Matheus Mocelin Carvalho, Matt Price, Michael Walker, Michael Wilson, Mike Evans, Pat O'Shea, Peter, Rebecca O'Dwyer, Richard Ewart, Robert Heath, Robert Orzalli, Sally Grant, Sam Elliott, Sharon Colley, Simon Ash, Sladjana Ivanis, Tim Gowen, Tom Stockton, Wayne Wilcox, Zarah Daniel.

Welcome! Today Deborah is joined by Lynne Payne.Lynne is the Director of ROTTEN PARK ROAD PRODUCTIONS and ROTTEN PARK ROAD MANAGEMENT. She is a creative producer, actor and agent.She is the producer of HAPPY LITTLE BUNNIES and HOW NOT TO WORK AND CLAIM BENEFITS.Round the table today you will find:Lynne herself;Alanis Morissette;Thelma Schoonmaker;Alexa Canady;Dolly Parton;Patsy Stone;Denise RichardsWith a focus on Tammy and the T-RexChing Shih

Follow the envelope. Get Visual ID Suspect. Make Arrest. Alex and Nick record their first watch-along commentary by diving deep into Martin Scorsese's “The Departed.” Recorded live in one take, the guys discuss the movie's rewatchability, fun flaws in the film, fleeting Boston accents, T9 cell phones, a frenzied Leo, a whiny Damon, a batshit Jack, and why Thelma Schoonmaker is the clear hero of the movie. Watch the film along with us! Follow @WAYW_Podcast on Twitter and Instagram.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com

Join Scott, Paul and Charlie this week for some Oscar winning Scorcese action. The Departed (2006) The Departed is a 2006 American crime-thriller film and remake of the 2002 Hong Kong crime thriller Infernal Affairs. The Departed was directed by Martin Scorsese, written by William Monahan, produced by Graham King, Brad Pitt, and Brad Grey, and stars Leonardo DiCaprio, Matt Damon, Jack Nicholson, Mark Wahlberg, Martin Sheen, and Alec Baldwin. The film was nominated for five Academy Awards at the 79th Academy Awards of which it won four; Best Picture for Graham King, Best Director for Martin Scorsese, Best Adapted Screenplay for William Monahan and Best Film Editing for Thelma Schoonmaker. It was the first Best Director win for Scorsese. Mark Wahlberg was also nominated for Best Supporting Actor (he lost to Alan Arkin for Little Miss Sunshine) In Boston, Massachusetts, notorious Irish Mob boss Francis "Frank" Costello (Jack Nicholson) takes neighbourhood boy Colin Sullivan (Matt Damon) under his wing, and grooms him to be his informant within the Massachusetts State Police. Colin rises through the rank and file to get himself placed on an investigation unit that is working to bring down Costello. Meanwhile, William "Billy" Costigan, Jr. (Leonardo DiCaprio) is seeking to become a cop, despite the fact that he comes from a family that has a very disreputable past and numerous ties to organized crime. His interviewers eventually decide, when Billy refuses to be intimidated out of dropping out of the academy, to arrange for him to go to prison on a trumped-up assault charge, giving him a criminal record and street cred so that he can infiltrate Costello's crew. When both sides of the law realize the situation, both Colin and Billy attempt to discover the other mole's true identity before being found out.     "When I was your age they would say we can become cops, or criminals. Today, what I'm saying to you is this: when you're facing a loaded gun, what's the difference?" This and previous episodes can be found on; Apple Podcasts Podchaser Stitcher Spreaker Player FM Acast IHeartRadio Libsyn Podcast Party Follow us on Twitter @StinkingPause email: thestinkingpause@gmail.com Thanks for listening Scott, Paul and Charlie

Director Martin Scorsese, actors Ray Liotta, Lorraine Bracco, Paul Sorvino, and Frank Vincent, co-screenwriter Nicholas Pileggi, producers Irwin Winkler and Barbara De Fina, director of photography Michael Ballhaus and editor Thelma Schoonmaker

Marty continues his working relationship with the "Most Important Person to Make Film," Roger Corman, in this early 70's outlaw film. Barbara Hershey and David Carradine star, but Thelma Schoonmaker is nowhere to be seen?

The Grouches travel back to Woodstock, thanks to the legendary documentary assembled by editors like Scorsese and Thelma Schoonmaker.