Podcasts about Antoine Doinel

After a week off for The Chicago Critics Film Festival, Erik Childress and Peter Sobczynski return to get you up to date on the latest in physical media world. They include one of the great musicals and a landmark in 60s cinema. Disney upgrades one of their animated hits before its live-action counterpart hits theater. See the film Robert Zemeckis made in-between shooting Cast Away. There is plenty of sleaze thanks to Pete Walker and Wings Hauser and a reunion of Robert DeNiro and Meryl Streep. There is disaster sci-fi and upgrades for two of the all-time great horror films, one of them you may still have never gotten around to seeing. 1:53 - Criterion (The Umbrellas of Cherbourg 4K, In the Heat of the Night 4K, Room 666/999) 16:25 - Disney (Lilo and Stitch 4K) 19:49 - Fun City (Falling in Love) 24:09 - Shout Factory (What Lies Beneath 4K) 30:36 - MVD (Tunnel Vision) 36:52 - Kino (Crack in the World, Pete Walker Crime Collection, Vice Squad)  58:18 - Arrow (The Andromeda Strain 4K) 1:06:39 - Lionsgate (May) 1:16:22 - Ignite (Re-Animator 4K) 1:33:02 - New TV & Theatrical Titles On Blu-ray (Dune Prophecy 4K, Landman: Season One, The Seed of the Sacred Fig, Captain America: Brave New World, Mickey 17, Black Bag, Better Man, The End, Bridget Jones: Mad About the Boy) 1:35:38 - New Blu-ray Announcements  CLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST. CHECK OUT THE LATEST FROM CRITERION BELOW Adventures of Antoine Doinel, The (4K) All We Imagine as Light Anora (4K) Barry Lyndon (4K) Basquiat (4K) Big Heat, The (4K) Brazil (4K) Carnal Knowledge (4K) Chungking Express (4K) How To Get Ahead In Advertising (4K) In the Heat of the Night (4K) Jean de Florette / Manon of the Spring: Two Films by Claude Berri Killer of Sheep (4K) Midnight Mishima: A Life In Four Chapters (4K) Prince of Broadway Room 666 / Room 999 Some Like It Hot (4K) Sorcerer (4K) Thelonious Monk Straight, No Chaser Thirty Two Short Films About Glenn Gould (4K) Three Musketeers, The / The Four Musketeers (4K) Ugetsu (4K) Umbrellas of Cherbourg, The (4K) Wind Will Carry Us, The Withnail and I (4K) Wiz, The (4K) You Can Count On Me (4K)

¡Llegó la primavera! Y para celebrarlo, desde El Claquetazo os traemos un clásico fundamental: ‘Los 400 golpes’, la ópera prima de François Truffaut que cambió para siempre el rumbo del cine moderno. Y hoy, para esta ocasión tan especial, nos acompaña Guillermo Pastor, profundo conocedor de la nouvelle vague y de los entresijos de la industria cinematográfica. Hablar de ‘Los 400 golpes’ es adentrarse en una obra que respira autenticidad y rebeldía. Nos hemos propuesto explorar con vosotros cada matiz de este retrato inolvidable de la infancia perdida y el anhelo de libertad. La historia nos sitúa en el París de finales de los 50, donde seguimos los pasos de Antoine Doinel, un adolescente que navega a la deriva entre la incomprensión familiar, las restricciones escolares y su propio deseo de escapar hacia algo más grande. Con una mirada sincera y profundamente humana, Truffaut nos ofrece un relato lleno de ternura y dolor, donde la ciudad es a la vez un refugio y una cárcel. ¿Puede el ansia de libertad sobrevivir en un mundo que no sabe escuchar? ¿Hasta qué punto la inocencia puede resistir frente a la indiferencia adulta? ‘Los 400 golpes’ nos invita a pensar sobre la juventud, la soledad y la eterna búsqueda de un lugar en el mundo. ¡Venga, hablemos de cine! 🎬🎬🎬🎬 Música utilizada en el episodio: https://www.youtube.com/watch?v=-JQCdGVt3s8&list=PL5sg7iBaGpy6dh5ftQQSSsgf2exe3d0YS https://www.youtube.com/watch?v=EArSUVarCWg&list=PL5sg7iBaGpy6dh5ftQQSSsgf2exe3d0YS&index=4 https://www.youtube.com/watch?v=RxSJq6sEdro&list=PL5sg7iBaGpy6dh5ftQQSSsgf2exe3d0YS&index=2 https://www.youtube.com/watch?v=VkrYqknp7k8&list=PL5sg7iBaGpy6dh5ftQQSSsgf2exe3d0YS&index=3 https://www.youtube.com/watch?v=4-8nBPNWBTU&list=PL5sg7iBaGpy6dh5ftQQSSsgf2exe3d0YS&index=5 Contacta con nosotros: elclaquetazo.podcast@gmail.com Otras plataformas donde también puedes encontrarnos: Instagram: https://www.instagram.com/el.claquetazo/ Twitter: https://twitter.com/ElClaquetazo_ YouTube: https://www.youtube.com/channel/UCNSPBhgnR3f3JMBDxRHV5cg ****************************************************************************** Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which of the following is one of the five pillars of Islam? Question 2: What organisation is based in the Lubjlyanka building? Question 3: Who won the 2016 Academy Award for Best Supporting Actor for playing the role of Juan in Moonlight? Question 4: The language 'North Levantine Arabic' belongs to which language family? Question 5: Which actor played the role of Antoine Doinel in The 400 Blows? Question 6: The language 'Thai' belongs to which language family? Question 7: In Ancient Greek mythology, which food of the gods was said to give humans immortality? Question 8: Who won the 2010 Academy Award for Best Leading Actor for playing the role of King George VI in The King's Speech? Question 9: Robert Redford uses a homemade bat called Wonderboy in which baseball movie? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Neste episódio, acompanhamos ao longo de duas décadas François Truffaut e o seu alter-ego, Antoine Doinel, encarnado por Jean-Pierre Léaud. Muito antes das experiências temporais de Richard Linklater, e de intrincados universos cinematográficos, Truffaut e Léaud ofereceram-nos vários estudos de uma personagem ao longo de diferentes etapas da sua vida, revolucionando a forma de fazer cinema pelo caminho. Mais episódios em universosparalelos.net.

durée : 00:08:40 - Le Masque et la Plume - par : Jérôme Garcin - Entre mensonges et débrouille, "Les 400 coups" raconte la vie du jeune Antoine Doinel, adolescent fougueux et fugueur. Projeté au Festival de Cannes en 1959, il est au menu du "Masque et la Plume" en juin lors de sa sortie en salles.

Paris is the birthplace of Cinema culture and one of the most filmed cities in the world. On this episode of Lost in Frenchlation we talk about the history of films shot in Paris and the directors who love to shoot the city of light. Juliette Dubois​​ is a cinema historian who gives intricate guided tours of Paris based on the films that have been set there. Her company is Ciné-Balade, and has been operating since 2011. She recently came out with her first cinema guide book "Paris ciné-balades: 15 parcours fléchés pour les amoureux du 7e art" or "Paris cinema walks: 15 signposted routes for lovers of the 7th art"  Juliette talks with ARBL Murray and Manon Kerjean about the history of French cinema, the history of film shot in Paris, and the different cinematic movements in Paris throughout the last century-and-a-half. Juliette also gives us a comprehensive "must-see" list of Parisian cinema in the episode.  To Book a Tour with Juliette Dubois​​ for to Ciné-Balade.com Notes from this Episode: Must Know Directors Alice Guy, the prolific and under known first female director. (Be Natural: The Untold Story of Alice Guy-Blache/ A documentary by Jodie Foster) Agnes Varda made films in the 50's, 60's, and 70's she was part of but still distinct from the New Wave movement. Must-See Agnes Varda Films: Faces Places, Cleo from 5-7  François Truffaut Part of the French New Wave. Made his most well-known film about his boyhood in the 9th arrondissement of Paris. Must-See Films: 400 Blows with actor Antoine Doinel.  Cédric Klapisch Contemporary. A man who loves to film Paris.  Must-See Films: Encore Paris Films Featuring the METRO Le Samouraï: 1967 Directed by Jean-Pierre Melville, with actor    Alain Delon Fear Over the City (French: Peur sur la ville) 1975 Directed by Henri Verneuil and starring Jean-Paul Belmondo DIVA: 1981 Directed by Jean-Jacques Beineix Subway: 1985 Directed by Luc Besson and starring Isabelle Adjani and Christopher Lambert.  Pickpocket: 1959 Directed by Robert Bresson. It stars Martin LaSalle, Les Passagers de la nuit: 2021 Directed by Mikhaël Hers.   

Some film shoots (like the one for Apocalypse Now) seem to last 12 years, but here's a movie with a production schedule that was DELIBERATELY that long. Although gimmick aside, Boyhood is Richard Linklater's lauded attempt to show the slow growth of a fractured family, with the focus on Ellar Coltrane going from 6 to 18. Linklater's daughter Lorelei plays Coltrane's older sister and their divorced parents are Ethan Hawke & Patricia Arquette. The adults are terrific---Arquette won an Oscar for her work as the put-upon mom who keeps finding romance with bad men---but the kids just aren't the actors that she and Hawke are. In any case, it's fascinating to see this arc in a family's life and the (mostly white) people they meet along the way. Our impressions of the exploits of the Evans clan down in Texas is the 609th chat on the Have You Ever Seen podcast channel, so snap some pictures and see what we thought of Boyhood. Well, Actually: Jean-Pierre Leaud repeatedly played "Antoine Doinel" in Francois Truffaut movies. Also, Mason Senior becomes an "insurance actuary", not an "insurance actuarial". Go bowling with your kids, take them camping and then take them out for Sparkplug Coffee. Or have it sent to your house. And also use our "HYES" promo code to save 20%. The website is "sparkplug.coffee/hyes". You can email us at "haveyoueverseenpodcast@gmail.com". Send us some of your movie thoughts on Twi-X (@moviefiend51 and @bevellisellis) or to Bev on Threads (also @bevellisellis). Check out our show on YouTube. The address in your browser is @hyesellis (or click "Have You Ever Seen" into the YouTube search bar) and don't forget to subscribe to us. Like the show, leave a comment. And also rate and review our 'cast in your app.

Memento #287. Per cortesia de Fran

Memento #287. Per cortesia de Fran

Pour ce nouvel épisode, nous accueillons Pierre Oberkampf, compositeur et sound designer très prolifique côté courts métrages. Nous lui devons notamment toute l'identité sonore du césarisé “L'heure de l'ours” d'Agnès Patron. Avec nous, il évoque son rapport aux bandes originales et nous raconte son goût pour les compositions risquées voire improvisées, de celles de Jon Brion pour Gondry et Paul Thomas Anderson à la batterie d'Antonio Sanchez pour le Birdman d'Iñárritu. Il égraine aussi quelques uns de ses courts métrages préférés (Nuvole Mani de l'italien Simone Massi, J'entends ton cri de l'argentin Pablo Lamar). Mais surtout, il nous emmène vers des chemins buissonniers de cinéma où l'enfance est toujours présente avec ce qu'elle comporte de jeux, d'aventures (Mud, Moonrise Kingdom) et de violence (There Will be blood, Morse…) Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 4'44 Des enfants de cinéma : Antoine Doinel dans Les 400 coups (F. Truffaut, 1959); Eli et Oskar dans Morse (T. Alfredson, 2009); Ellis et Neckbone dans Mud (J. Nichols, 2012); Sam et Susie dans Moonrise Kingdom (W. Anderson, 2012) - 4'44 Une atmosphère : celle de Bright Star (J. Campion, 2009) - 9'14 Une violence au cinéma : celle de There Will be blood (P.T Anderson, 2007) II. CIRCONSTANCES & CONDITIONS DE VISIONNAGE - 18'43 Des courts métrages marquants : Nuvole, Mani (S. Massi, 2009); J'entends ton cri (Pablo Lamar, 2010) - 18'43 Des bandes originales pour sauter de son fauteuil : celle de Jon Brion pour Eternal Sunshine of the spotless mind (M. Gondry, 2004); celle d'Antonio Sanchez pour Birdman (A. Iñárritu) - 26'15 III. MEMOIRE & SOMMEIL - 31'52 Un film que Pierre aurait aimé rêver : Eternal Sunshine of the spotless mind (M. Gondry, 2004) CARTE BLANCHE - 36'31 There Will be blood (P.T Anderson, 2007) TRANSMISSION - 45'55 Une bande originale improvisée à faire connaître : celle de Alex Zhang Hungtai pour Godland (H. Palmason, 2022) Un film à transmettre aux adolescents : Two Lovers (J. Gray, 2008) - 49'57 REFUGES - 54'12 Les filmographies d'Aki Kaurismaki et de Wes Anderson EXTRAITSL'heure de l'ours, Pierre OberkampfLes derniers feux, Pt. 1, Pierre OberkampfTheme, Jon Brion (from Eternal Sunshine of the spotless mind), Hollywood records, incTheme from Godland, Alex Zhang Hungtai (Jour2fête) CRÉDITSPatreons : un grand merci à Paul, Corentin, Irène, Dominique, Bernard et Clara pour leur soutien !Musique : Gabriel Rénier, Pierre OberkampfGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément Coucoureux

E allora anch'io L'immagine e la clip sono tratte dal film "Baisers volés" (regia François Truffaut, con Jean-Pierre Léaud-produzione Les Films du Carrosse, Les Productions Artistes Associés-1968 all rights reserved)

Join our DISCORD►https://discord.gg/v64NGAGSupport us on PATREON► https://www.patreon.com/CultPoptureWelcome to our new monthly show! On Meeting of the Elders, we'll be looking back at your thoughts on recent episodes, following up on any missed observations, or otherwise shooting the shit in a casual fashion. For Meeting #5, we reflect on ANTOINE DOINEL, the Self Indulgent Trivia quiz and THE KARATE KID and listen to some of YOUR thoughts.Become a Cult Elder and hear your thoughts on pod over at https://Patreon.com/CultPoptureCheck out our rankings on Letterboxd:Cult Popture► https://letterboxd.com/CultPopture/Richard► https://letterboxd.com/rmpm/AJ► https://letterboxd.com/AJinHD/JOIN LITTLE EMPIRE PODCAST PALS HERE►https://www.facebook.com/groups/LittleEmpirePals/DONATE TO OUR PATREON ► https://Patreon.com/CultPoptureCHECK OUT OUR MERCH► https://teespring.com/stores/cult-poptureLIKE US ON FACEBOOK ► goo.gl/9EFEIaFOLLOW US ON TWITTER ► goo.gl/tuixnWSUBSCRIBE TO US ON YOUTUBE ► goo.gl/ITdEhKEMAIL US AT ► cultpopturemedia@gmail.comFOLLOW US ON INSTAGRAM ► goo.gl/1rrpH7VISIT THE WEBSITE ► www.cultpopture.com Hosted on Acast. See acast.com/privacy for more information.

Join our DISCORD►https://discord.gg/v64NGAGSupport us on PATREON► https://www.patreon.com/CultPoptureHe is just like me frCheck out AJ's short film project One Dollar Genre at https://linktr.ee/OneDollarGenre !Check out our rankings on Letterboxd:Cult Popture► https://letterboxd.com/CultPopture/Richard► https://letterboxd.com/rmpm/AJ► https://letterboxd.com/alexodus/DONATE TO OUR PATREON ► https://Patreon.com/CultPoptureCHECK OUT OUR MERCH► https://teespring.com/stores/cult-poptureLIKE US ON FACEBOOK ► goo.gl/9EFEIaFOLLOW US ON TWITTER ► goo.gl/tuixnWSUBSCRIBE TO US ON YOUTUBE ► goo.gl/ITdEhKEMAIL US AT ► cultpopturemedia@gmail.comFOLLOW US ON INSTAGRAM ► goo.gl/1rrpH7VISIT THE WEBSITE ► www.cultpopture.com Hosted on Acast. See acast.com/privacy for more information.

"Here lies poor Antoine Doinel, unjustly punished by Sourpuss for a pinup fallen from the sky..."For the final episode of our “Teenage Riot” theme, The Movie Newbie is revisiting one of the defining texts in 20th century cinema… Francois Truffaut's timeless coming-of-age tale THE 400 BLOWS. Studied in every Intro to Film Class, this 1959 masterpiece of the French New Wave distils the excitement and loneliness of the disobedient child unlike any other. Based on Truffaut's own rebellious and tragic childhood, the story follows a young Parisian by the name of Antoine Doinel as he skips school, steals from his parents, and eventually runs away from his parents. It's a timeless classic — and one that we uniformly loved on the podcast — so we were thrilled to meet in the studio to pick apart the acting, music, cinematography and more. *** JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of various projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music under the alias Rei.do.Nada, video content for YouTube and some occasional writing on his website. Twitter: https://twitter.com/jabealsuhaimiInstagram: https://instagram.com/__jabriel__Website/Newsletter: www.jabrielalsuhaimi.com RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting. Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta. Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/hoothoot1992 ★ Support this podcast on Patreon ★

We take a look at the Antoine Doinel cycle of five films made about the same character over a twenty year period by director François Truffaut and actor Jean-Pierre Léaud. We're then joined by Truffaut scholar Annette Insdorf for some detail on the iconic French New Wave filmmaker and her insights into these particular films.

Una película que habla sobre la comprensión el la vida infantil. El Benny trata de explicar lo bella que es la película, habla sobre la impactante muestra de la realidad de ese momento. El joven Antoine Doinel es un niño que vive con una presión constante por parte de un profesor y de los problemas maritales de sus padres. Tras no cumplir con una de las actividades escolares, y ante el miedo de más reprimendas, decide escapar de su casa con ayuda de su amigo René.

Rachel and Conrado take on one of the big classics, The 400 Blows is one of the movies responsible for kick-starting the French New Wave, featuring Jean-Pierre Leaud as troubled kid Antoine Doinel, and based largely on director François Truffaut's own childhood experiences, the movie has influenced practically every coming-of-age movie that's come since. Follow us on itunes and leave you ratings and reviews: https://podcasts.apple.com/us/podcast/the-criterion-project/id1479953904 Follow us on anchor https://anchor.fm/criterionproject Follow our twitter at https://twitter.com/criterionpod Rachel's Patreon: https://www.patreon.com/hallmarkies Follow Rachel's blog at rachelsreviews.net Follow Rachel on twitter twitter.com/rachel_reviews Listen to Rachel's Reviews on Itunes: https://itunes.apple.com/us/podcast/rachels-reviews/id1278536301?mt=2 Listen to Hallmarkies Podcast at https://podcasts.apple.com/us/podcast/hallmarkies-podcast/id129672828 Check out Conrado's webseries WORMHOLES on youtube https://www.youtube.com/channel/UC51Tg9gR5mXxEeaansRUYRw Follow Conrado's blog cocohitsny.wordpress.com/ Follow Conrado on Letterboxd https://letterboxd.com/cofalco21/ Listen to Conrado's other podcasts like Foreign Invader and Movie Marriage: https://podcasts.apple.com/us/podcast/foreign-invader/id1552560225 Our intro is written by Michael Lloret: https://www.michael-lloret.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support

durée : 00:04:58 - L'ami.e du vendredi - Aujourd'hui, l'ami toujours s'appelle Antoine, un écolier malin et turbulent, avec une drôle de voix d'adulte gouailleur. Il fait souvent l'école buissonnière avec son pote René dans les rues de Paris. Et puis un jour, parce qu'il n'a pas d'excuse, il balance un mensonge qui tue.

durée : 00:58:45 - Les Chemins de la philosophie - par : Adèle Van Reeth - De 1959 à 1979, au travers de cinq films, François Truffaut filme le personnage d'Antoine Doinel (incarné par Jean-Pierre Léaud) de ses 14 ans jusqu'à la trentaine. Il rencontre des femmes, il aime, il vieillit... Serait-il le double cinématographique de Truffaut ? - invités : Arnaud Guigue philosophe, spécialiste de François Truffaut

Dans ce nouvel épisode nous fêtons les 3 ans d'existence de Cinéphiles de notre temps et nous n'accueillons pas un mais 15 invité·es. Pour nos trois ans, nous sommes allés à la rencontre de jeunes cinéphiles âgés de 15 à 22 ans qui font partie de l'Autre ciné-club de la cinémathèque française, pour leur demander quel était leur film refuge.Chloé, Eglantine, Felix, Elias, Charlotte, Antonin, Keyvan, Nathan, Vlad, Louise, Marine, Quentin, Clara, Violette et Julie ont joué le jeu de nos entretiens et nous ont révélé un pan de leur cinéphilie à travers la description de leur film-refuge - en revenant sur ce que voulait dire « refuge » pour eux. De La La Land à la filmographie de Jacques Tati, en passant par la saga Doinel et au film d'horreur Tokyo Fist, nos jeunes cinéphiles on traversé tout un pan du cinéma français et international avec beaucoup de passion et de sensibilité. Pour une meilleure compréhension de l'épisode, nous avons rassemblé leur témoignages en 5 grandes thématiques et les avons fait discuter autour de ces thèmes par groupe de 3.Cet épisode a été réalisé avec l'aide précieuse d'Elodie Imbeau et de toute l'équipe du service pédagogique de la Cinémathèque Française. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. COMEDIES - 2'43Louise - film refuge : La famille Tenenbaum (Wes Anderson, 2001)Marine - refuges : Le fabuleux destin d'Amélie Poulain (JP Jeunet, 2001) et Louis de FunèsQuentin - refuges : La La Land (D Chazelle, 2016) et les comédies musicales II. ENFANCES - 18'48Chloé - Refuge : les films de Jacques TatiEglantine - Refuge : Les demoiselles de Rochefort (J Demy, 1967)Félix - Refuge : Hitchcock, Truffaut et plus particulièrement la saga Antoine Doinel III. GRAND SPECTACLE - 33'20Elias - Refuge : Ponyo sur la falaise (H Miyazaki, 2008)Charlotte - Refuge : La La Land (D Chazelle, 2016)Antonin - Refuge : Tokyo Fist (S Tsukamoto, 1995) IV. FILMS-SAGAS - 44'58Nathan - Refuge : la saga Harry PotterKeyvan - Refuge : la saga Pirates des CaraïbesVlad - Refuge : Mad Max 2 : le défi (G. Miller, 1981) V. REFUGES LIÉS AU CONTEXTE DE DECOUVERTE - 55'35Violette - Refuge : L'éternité et un jour (T Angelopoulos, 1998)Julie - Refuge : La saga Antoine Doinel et particulièrement L'amour en fuite (F Truffaut, 1979)Clara - Refuge : Le monde de Charlie (S Chbosky, 2012) REMERCIEMENTSMusique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément CoucoureuxRemerciements spéciaux : Elodie Imbeau et les clubbers de L'Autre Cinéclub de la Cinémathèque Française

Cine-Lit heads across the decades and the English Channel to take a deep dive into a five film series from one of the greats of world Cinema. Francois Truffaut's The Adventures of Antoine Doinel is a remarkable series that spans 20 years from the legendary The 400 Blows (1959) through Anotine & Colette (1962), Stolen Kisses (1968), Bed And Board (1970) before wrapping up with 1979's Love On The Run. Adam and Darrell are joined by multidisciplinary artist and photographer Camille Relet to talk all things Antoine.-Become a Cine-Lit Subscriber - https://www.patreon.com/cinelitPatreon Subscriber Link - https://open.acast.com/public/patreon/fanSubscribe/6485274-Check out the Cine-Lit website for additional content and further reading: https://cinelitpodcast.wordpress.com/Edited by Steve Woodward at https://podcastingeditor.com/ Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

L'équipe de Tales From The Click accompagnée de ses invités vous fait vivre leurs anecdotes autour d'un film culte à voir ou à revoir. Un podcast de We Love Cinema à retrouver un jeudi sur deux.Dans cet épisode, Jean-Baptiste Toussaint, Guillaume Brouzes et Aurélien Chapuis reçoivent Pauline Clément pour parler des Quatre Cents Coups, premier film de François Truffaut et début de la saga sur Antoine Doinel, interprété par Jean-Pierre Léaud, qui sera complétée par trois autres films du réalisateur de la Nouvelle Vague.Retrouvez l'équipe sur Twitter : Tales From The ClickGuillaume BrouzesAurélien ChapuisEt notre invitée Pauline Clément.Retrouvez We Love TFTC sur : We Love CinemaApple PodcastSpotify DeezerGoogle PodcastYouTubeAcastEn RSSRetrouvez les références de ce podcast sur WeLoveCinema.fr We Love TFTC est un podcast de We Love Cinema proposé et enregistré par Goom le 29 septembre 2021. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Rocco Boschetti e Mattia Civitarese, attraverso la rubrica cinematografica La Gavetta, conversano, nel loro stile informale, sul lungometraggio “I 400 colpi” di François Truffaut, interpretato tra gli altri da Jean-Pierre Léaud e Albert Rémy. Il film è un inno alla libertà dell'infanzia, in parte autobiografico, che disegna e descrive le vicende di un bambino, nel quartiere in cui il regista è nato. Antoine Doinel è un bambino che vive con la giovane madre e il patrigno. Ha poca voglia di studiare e si diverte ad andare al cinema, a marinare la scuola, a compiere piccoli furti, oppresso da una famiglia che pensa troppo a se stessa e lo relega a buttare via la spazzatura o ad andare a comprare il latte, lasciando ai compagni di scuola il compito di accompagnarlo all'adolescenza. Il riformatorio diventerà il trampolino per il tuffo nel mare della vita

This week we have a little truffle of a Truffaut film, romantic comedy-drama STOLEN KISSES. Third in Truffaut’s series of films about Antoine Doinel, this film concerns the misadventures of Antoine in his early 20s as he tries to figure out work and love, largely failing at both. With a cast of delightful side characters and involving the strange goings-on at a Paris detective agency, Stolen Kisses feels like something of a mix between Peter Seller’s Pink Panther films and The Graduate. A perfect cinematic treat to go with the beautiful spring weather we’re having in Texas. Subscribe in iTunes, Android, or Spotify. Follow us on Facebook and Instagram. Visit our site: shutupwatchthis.wordpress.com Send your feedback to shutupwatchthis@gmail.com Please consider leaving a review or a star rating on iTunes, so other folks can find us. © 2021 Ashley Carr & Dave Wilson

Ces dernières années (en plus d’avoir élevé un chat d’une beauté folle), Nora Hamzawi a écrit beaucoup de choses : des spectacles, des chroniques sur France Inter, dans Quotidien (TMC) ainsi que dans Grazia et écrit deux bouquins (le dernier en date s’appelle 35 ans dont 15 avant Internet).Il y a quelques années, elle s’est aussi lancée dans le cinéma. Après un premier grand rôle dans Double Vie d’Olivier Assayas, elle a plus récemment joué le  personnage principal du film Eleonore, écrit et réalisé par son frère Amro Hamzawi.Entre deux tests PCR, on s’est posées à deux mètres l’une de l’autre pour parler de :son nouveau spectacle, qu’elle avait commencé à jouer avant la pandémiesa période de galère en début de carrière, avant qu’elle ne prenne les choses en main en se demandant ce qu’ellevoulait vraimentson personnage sur scène : à quel point lui ressemble-t-il et comment l’a-t-elle construit ?l’écrit, où elle s’autorise davantage le premier degré et la mélancoliece qu’elle imaginait de la vie d’adulte quand elle était enfantsa passion pour les fleursson envie d’être la patiente préférée de sa psyPublic Imaginaire, un spectacle qu’elle a écrit pendant le premier confinement et joué seule dans une studio en direct sur France Interses débuts dans le cinéma et de sa rencontre avec Olivier Assayasla pub McDonald dans laquelle elle a joué en l’an jadisVous pouvez soutenir Les Gens Qui Doutent via Patreon.A propos de Nora HamzawiSon site | Facebook | Instagram | TwitterLes dates de son nouveau spectacleSon premier spectacle, dispo sur MyCanalSon premier bouquin 30 ans (10 en thérapie) sorti chez MazarineSon second bouquin 35 ans (dont 15 avant Internet), sorti aussi chez MazarineSon spectacle Public Imaginaire diffusé sur France InterRéférencesL’émission On Ne Demande Qu’à En RireL'humoriste Thomas VDBL'humoriste Ricky GervaisL'humoriste Louis CKL'humoriste Sarah SilvermanL'humoriste Ali WongLarry David et sa série Curb Your Enthusiasm La série Seinfeld La chaine télé Canal Jimmy (avec la série Dream On)Sa chronique Oh Oh Nora dans le Before du Grand JournalLe film Eleonore écrit par son frère Amro Hamzawi, dans lequel elle joue le personnage principalLe film Les Quatre Cents Coups avec Antoine DoinelLe film La BoumL'Antivirus de Benoît Forgeard, le premier court-métrage dans lequel elle jouéDouble Vie d’Olivier Assayas, son premier tournage "important"L’acteur Vincent Macaigne, avec qui elle joue dans Double VieLe réalisateur Jacques Doillon avec qui elle a tourné il y a quelques moisA propos de ce podcastS'abonner via iTunes, PocketCasts, Spotify, Youtube ou n'importe quelle application de podcasts (RSS)Soutenir Les Gens Qui Doutent via PatreonMe suivre sur Instagram, Youtube, Twitter, FacebookMon nouveau podcast Imagine Ça Parle De Ça, où j'invente ce dont parlent des livres, juste sur base de leur titreEt pour venir me voir en spectacle, c'est ici Pour soutenir le podcast via PatreonSoutenez ce podcast http://supporter.acast.com/lesgensquidoutent. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Comedian and Podcaster Lorcan Mullan joins us to discuss the French New Wave classic The 400 Blows starring Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. The film was directed by former critic and ‘Gravedigger of Cinema' François Truffaut who directed the film in 1959 after he was banned from Cannes festival for his overly harsh reviews of current French cinema and as a reaction was encouraged to put his theory of the auteur into practice. The result was a sensation which was not only an international success but also set the tone and ushered in the arrival of the French New Wave, which would change world cinema. The film tells the story of Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behaviour, a wonderful coming of age story which still resonates today. All this and more on Adjust Your Tracking! Follow us on: Twitter: @adjustyrtrack & Instagram: @betterfeelingfilms

Mon invité n’est pas stricto sensu un acteur du « Brand Content ». Mais l’art, la manière, et la philosophie avec lesquels il a permis au groupe MK2 de se diversifier ces 10 dernières années inspireront marques, médias et créateurs de contenus. Il n’a jamais été autant le moment de chercher à s’élever l’âme. C’est ce que je tente dans cet entretien avec Elisha Karmitz, Directeur Général du distributeur, producteur et exploitant de films MK2. Plutôt que de nourrir frénétiquement sa psyché d’images stroboscopiques ("1984" de Georges Orwell n’est pas loin), pourquoi ne pas ralentir un peu et s’émerveiller par exemple devant les allitérations inspirantes d’Antoine Doinel (les films de François Truffaut disponible chez Netflix, c'est MK2...)? Remplacer la nauséeuse « vente de temps de cerveau disponible » par la quête de sens. Avec l'ambition d'aider ses congénères à mieux décoder les flux d'infos dont ils sont bombardés à chaque instant. Très bon moyen de "résister à la destruction du monde", devise de Marin Karmitz (le créateur de MK2)reprise par ses deux fils Nathanaël et Elisha aujourd'hui aux commandes du groupe. Elisha ramène les programmes musicaux dans les salles obscures, offre avec ses équipes des expériences magiques aux fans du 7e art avec ses « cinéma Paradiso ». Plus récemment avec le « MK2 Institute », il téléporte les grands oraux du Collège de France au siècle de lumières 3.0 qui peuvent aussi médiatiser de nouveaux modes de pensée positivistes. Donnant corps au triptyque Sélection/Altérité/transmission, coeur de la promesse éditoriale du groupe MK2.

We noted in the previous episode that Andrei Tarkovsky, the director of the film we had watched for that week, named Robert Bresson as one of the two filmmakers whose views he had any interest in. It only seemed natural for us then to watch his quietly intense and uniquely suspenseful drama, A MAN ESCAPED (1956). We discuss car issues, Jean-Luc Godard, the value of Letterboxd, Film Twitter idiots, minimalism, genre filmmaking, and Antoine Doinel as an old man. Covered a lot of ground.

In an episode that acts as an introduction to one of the most exciting and influential periods of cinematic history, Welcome To The Party Pal hosts Mitch Lucas and Michael Shields explore the French New Wave, an art film movement which emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. In that respect, the French New Wave is often considered one of the most influential movements in the history of cinema. To fully expound upon this incredibly influential period of filmmaking, Mitch and Michael focus their sights on two of the era’s most celebrated films, François Truffaut’s The 400 Blows and Jean-Luc Godard’s Breathless. The 400 Blows (in French: Les Quatre Cents Coups) is a 1959 drama, and the directorial debut of François Truffaut, centering on Antoine Doinel, a misunderstood adolescent in Paris who struggles with his parents and teachers due to his rebellious behavior. Breathless (in French: À Bout de Souffle; "out of breath") is a 1960 French crime and drama film written and directed by Jean-Luc Godard about a wandering criminal (Jean-Paul Belmondo) and his American girlfriend (Jean Seberg). This episode is not one to miss as it shines a light on a bold, and revolutionary movement in filmmaking that forever changed the aesthetic and possibilities of cinema, and inspired some of today’s most gifted directors and storytellers. See acast.com/privacy for privacy and opt-out information.

This week, #ShoolsOutFOREVER month concludes! Tauri Jay and Lex Michael join Antoine Doinel as he bucks authority and sticks it to the man in François Truffaut's 1959 semi-autobiographical film debut THE 400 BLOWS! The guys discuss the emergence of the French New Wave and examine how the struggles of Truffaut's surrogate character bring to mind experiences from their own childhoods!   Follow us on Twitter:@MissingOutCast@thelexmichael@TauriJayMusic Credits:"Who Likes to Party" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

Über Hässlichkeit, Grenzen und Lebenszyklen. In dieser Episode sprechen wir über zwei cineastische Grenzüberschreitungen. Wir freuen uns über Ali Abbasis Mut zum filmischen Scheitern, klauen mit Antoine Doinel Schreibmaschinen und kriegen feuchte Augen am Meer.

Una noche al raso bajo los cielos de París, ese París que tantos autores han retratado, René Clair, Godard, Rivette, Chabrol, Garrel, Vigo, Rohmer, Varda...Y Truffaut en su primer largometraje, dedicado a su mentor André Bazin que murió durante los días que se rodaba. Los 400 golpes de Antoine Doinel, el niño desertor de mirada huidiza y lector de Balzac. Jean Pierre Léaud es Antoine, y Antoine es Truffaut, el chaval en fuga del colegio, de la familia, del reformatorio. Corre sin mirar atrás en uno de los finales más bellos de la historia del invento de los Lumière. Truffaut y sus coetáneos de la Nueva Ola francesa reinventaban el cine a finales de los años 50. Doinel finge la muerte de su madre. Huye de los problemas conyugales. Que duro es dormir en el pasillo de casa, con una madre que lo ignora, un padrastro que le abofetea Esa noche va a dormir en la calle, como un vagabundo, se lavará la cara en una fuente, desayunará con tragos largos de leche robada. La adolescencia, el desconsuelo y la rabia de un niño al que no han sabido querer. Un aula lúgubre en la escuela con pupitres de madera y maestro con regla y borrador arrojadizo. Antoine hace novillos con su amigo René, se sienten libres en sus aventuras de infancia, van al cine, a la feria, cometen fechorías. Reflejo de la propia infancia del autor, el escritor Marcel Moussy le ayudó a organizar el guion, a suavizar un poco la melancolía, a convertir su confesión en cine eterno. Doinel mira a la cámara, el fatalismo de un crío que pasa la noche en el calabozo de una comisaría nos mira cara a cara. La verdad del cine de Truffaut, la frescura, el realismo. El plano inicial de los barrios de París, la Torre Eiffel filmada desde abajo, la fotografía sobria y elegante de Henri Decaë ilumina los espacios de forma naturalista. Con ese travelling final de un pequeño que huye de los golpes, de las patadas, de los castigos, sin resuello, como los personajes de Al final de la escapada de Godard. Se confunden las notas de la partitura de Jean Constantin con las pisadas sobre la arena, al fondo el mar, el objetivo se acerca a su abandono, y la imagen se congela. Raúl Gallego Esta noche giramos y giramos en la atracción de feria detrás de la gran evasión... José Miguel Moreno, Gervi Navío, Zacarías Cotán y Raúl Gallego.

durée : 00:29:29 - Personnages en personne - par : Charles Dantzig - Sous la conduite et le regard de François Truffaut, Jean-Pierre Léaud a joué le personnage d’Antoine Doinel, de 1959 à 1978, en cinq films. Comment, d’un simple démarquage de la vie du cinéaste, l’acteur a-t-il créé un personnage autonome ? - réalisation : Clotilde Pivin - invités : Vincent Amiel professeur en histoire et esthétique du cinéma à l'université de Caen, rédacteur à la revue Esprit et à Positif

durée : 00:29:29 - Personnages en personne - par : Charles Dantzig - Sous la conduite et le regard de François Truffaut, Jean-Pierre Léaud a joué le personnage d’Antoine Doinel, de 1959 à 1978, en cinq films. Comment, d’un simple démarquage de la vie du cinéaste, l’acteur a-t-il créé un personnage autonome ? - réalisation : Clotilde Pivin - invités : Vincent Amiel professeur en histoire et esthétique du cinéma à l'université de Caen, rédacteur à la revue Esprit et à Positif

País Francia Dirección François Truffaut Guion Marcel Moussy, François Truffaut Música Jean Constantin Fotografía Henri Decae (B&W) Reparto Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Guy Decomble, Georges Flamant, Patrick Auffay, Jeanne Moreau Sinopsis Con sólo catorce años, Antoine Doinel se ve obligado no sólo a ser testigo de los problemas conyugales de sus padres, sino también a soportar las exigencias de un severo profesor. Un día, asustado porque no ha cumplido un castigo impuesto por el maestro, decide hacer novillos con su amigo René. Inesperadamente, ve a su madre en compañía de otro hombre; la culpa y el miedo lo arrastran a una serie de mentiras que poco a poco van calando en su ánimo. Deseando dejar atrás todos sus problemas, sueña con conocer el mar y traza con René un plan para escaparse.

durée : 00:58:43 - Les Chemins de la philosophie - par : Adèle Van Reeth, Géraldine Mosna-Savoye - De 1959 à 1979, au travers de cinq films, François Truffaut filme le personnage d'Antoine Doinel (incarné par Jean-Pierre Léaud) de ses 14 ans jusqu'à la trentaine. Il rencontre des femmes, il aime, il vieillit... Serait-il le double cinématographique de Truffaut ? - réalisation : Thomas Beau - invités : Arnaud Guigue philosophe, spécialiste de François Truffaut

In our 163rd episode we're talking spine #185 in the Criterion Collection: THE ADVENTURES OF ANTOINE DOINEL collection (part 2): Francois Truffaut's BED AND BOARD (1970) and LOVE ON THE RUN (1979). First RJ talks about Dave Chapelle and STREETWALKIN', and Jarrett talks about SUBURBIA (1983) and BACK TO SCHOOL (1986). Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

In our 162nd episode we're talking spine #185 in the Criterion Collection: THE ADVENTURES OF ANTOINE DOINEL collection (part 1): Francois Truffaut's ANTOINE & COLETTE (1962) and STOLEN KISSES (1968). First RJ and Jarrett talk about William Friedkin's CRUISING, then Jarrett talks a bit about VICE SQUAD and LEAVE NO TRACE. Podcast's intro song 'Here Come the Creeps' by Ugly Cry Club. You can check out her blossoming body of work here: uglycryclub.bandcamp.com/releases Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps We've got a Patreon too, if you are so inclined: patreon.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, Google Play, and Stitcher!

Yssmar y Edgar conversan sobre realizadores que logran una segunda obra cumpliendo con la promesa de la primera y aquellos que no. En este capítulo se hace mención a Medicine for Melancholy de Barry Jenkins, Jean Pierre Leaud (actor que interpreta a Antoine Doinel), Guy and Madeline on a Park Bench de Damien Chazzelle, entre otras. --- Send in a voice message: https://anchor.fm/alfinaldelapantalla/message

After their surreal and existential trip through experimental film Tom & Chris find themselves back in familiar territory, revisiting the life of precocious Antoine Doinel as he grows into an adult finding love, loss and everything in between.

"Do you speak English, Antoine?" Hosts Serg Beret and Patrick Raissi head back into the Criterion Collection for our Criterion of the Month with the sequel to the French New Wave film “The 400 Blows,” “Stolen Kisses.” Listen as we discuss Antoine Doinel’s life as a private detective, slapstick humor and the beauty of François Truffaut’s direction. Follow Serg Beret @ sergberet on Instagram & Twitter Follow Patrick Raissi @ pachathegreat on Instagram & Tumblr. @ HumaneRamblings on Twitter Film A Week Podcast is protected by Fair Use as it is a non-profit review show. Any copyrighted material is that of their respective owners and only used as promotion of their work. Royalty-Free Music from Incompetech.com "Hustle" by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

Jean-Pierre Léaud's familiar face graces the cover of the new March/April issue of Film Comment, waiting out his final days in Albert Serra's new film The Death of Louis XIV. As Yonca Talu observes in her feature on the film, "The film relies heavily on Jean-Pierre Léaud's vulnerable acting. Famous for his vibrant, unrestrained body language as the enfant terrible of the French New Wave, the legendary actor exists in a state of complete paralysis here, dependent on others to meet his basic needs." In some ways, she continues, the film serves as a symbolic conclusion to the Antoine Doinel cycle—Jean-Pierre Léaud's mere presence adds a layer of film-historical context to the film that might not otherwise be there. This week's episode of the Film Comment podcast explores the nuances of legacy, persona, and presence when it comes to acting. As with Léaud, we watch actors with enduring careers mature onscreen, developing their crafts and playing off of already formed associations that viewers might have with their earlier work. The panel—Shonni Enelow, English professor at Fordham and author of Method Acting and Its Discontents; Nick Pinkerton of the New York Film Critics Circle; Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center; and Violet Lucca, Film Comment Digital Producer—muses on the shifting modes of expression and physicality of performers like Elizabeth Taylor, Marlon Brando, Gerard Depardieu, and Sissy Spacek.

Hosted by Andrew Quinn and Darren Mooney and this week with special guest Phil Bagnell, The 250 is a fortnightly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them. This time, François Truffaut's Les Quatre Cents Coups. The feature-length début of François Truffaut is credited as one of the defining films of the French new wave. Young student Antoine Doinel finds himself on the cusp of his teenage years, balancing a fragile home life with the demands of his education in Paris during the late fifties. At time of recording, it was ranked the 198th best movie of all time on the Internet Movie Database.

O episódio número 44 do PFC traz mais um convidado especial para falar de um dos filmes seminais do movimento francês conhecido por Nouvelle Vague. Os podcasters Alexandre e Fred recebem o músico e cinéfilo catarinense Bruno Kohl para debater o primeiro longa-metragem dirigido por François Truffaut e intitulado no Brasil de “Os Incompreendidos” (Les Quatre Cents Coup, 1959). Este filme auto-biográfico lançou a carreira de Jean-Pierre Léaud, ator que ficaria famoso interpretando o alter ego do diretor – o personagem Antoine Doinel – em mais quatro filmes dirigidos por ele. O longa foi indicado ao Oscar de melhor roteiro e também à Palma de Ouro em Cannes, onde faturou o prêmio de melhor direção para o ex-crítico e estreante na direção, François Truffaut.

The even further Adventures of Antoine Doinel find him married and restless.

Truffaut (and star Jen-Pierre Leaud) tell the continuing (and more comedic) story of Antoine Doinel, last seen running to the sea in The 400 Blows, now older but not quite wiser.

The Criterion Collection, the last vestige of truly collectible DVD and Blu-Ray movies in existence. These are well produced, fancy pants editions of important and interesting films for the discerning film lover. We continue our journey through Jim's collection of movies with... Week 25: Bed and Board/Love On The Run Spine Number: 187/188 Director: Francois Truffaut Genre: French New Wave Undertaking a series of films that transpires over a long period of time is a daunting task. Last year, "Boyhood" stood as the biggest achievement in this arena, although it was far from the first and far from unique in approach. Setting aside the Harry Potter Movies, and the Up Series of documentaries, Francois Truffaut undertook a similar endeavor over 40 years ago with his Antoine Doinel series, which followed a semi-autobiographical character from his troubled childhood, through his troubled adolescence, into his troubled young adulthood, and his... well, at this point, I think you get it, the kid is troubled. This week we churn out a double feature to finish the Doinel cycle and see how this kid with no guide navigates life on his own. Next Week: Spine number 190: Throne of Blood (Akira Kurosawa's telling of MacBeth) Also, check this out. The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows! Right now check it out at www.thelifemasters.podbean.com. You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters. http://fantasymovieleague.com/ Looks like Summer Movie League has officially become Fantasy Movie League. It looks quite fun. Here's how it works. You have an 8 screen theater. Every week you pick movies and have a budget/salary cap you have to stay under. Then you compete against other theaters in your league. It's fantasy football for movie people. Our league is Film Thugs 2015 and the password is Porterhouse. And remember, you can be a part of the show any time you wild like. How's that? All you have to do is call or e-mail us. If you live in the US, or any place that makes calling the US easy, just dial 512-666-RANT and leave us a voicemail. We will read the Google Voice transcript and play your message. It's both funny AND informative. If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer. E-mail us at thefilmthugs@gmail.com and we will read/play whatever you send us, or you can e-mail thugquestions@gmail.com to be part of  an upcoming "Ask the Film Thugs" show, where we answer questions on any subject without having heard them first. Also, we are on twitter @thefilmthugs and on Facebook and Vine. You can also click on one of our sponsor links below and THEY will pay us. That's right. You won't have to pay a PENNY extra, and Amazon/Onnit/Teefury will give us a little taste. Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists. Thanks for listening, and until next week... Jim out.

The Criterion Collection, the last vestige of truly collectible DVD and Blu-Ray movies in existence. These are well produced, fancy pants editions of important and interesting films for the discerning film lover. We continue our journey through Jim's collection of movies with... Week 24: Stolen Kisses Spine Number: 186 Director: Francois Truffaut Genre: French New Wave Decades before Richard Linklater's boyhood Francois Truffaut took a similar approach to his autobiography. While not as rigorously scheduled, his Antoine Doinel series definitely set the stage for such an ambitious project. Spanning several years, using the same actor to play the same character at different points in his life, Truffaut created a truly unique and enduring autobiographical experience. We rejoin Antoine years after the events of the 400 Blows. Having just been dishonorably discharged from the Army, the young man must figure out how to make his way in life. It's definitely a story many of us can relate to on some level. Although we did skip Antoine and Colette, we shall revisit that at a future date, so don't worry. Also, we discuss this in a way that is accessible even if you haven't seen the movie. Look, we know not many people have seen or hear of this movie, so we went very free form with our discussion as we assumed not many people would be listening. So, just enjoy the conversation. In two weeks: Spine number 187/188: Bed and Board/Love on the Run Also, check this out. The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows! Right now check it out at www.thelifemasters.podbean.com. You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters. http://fantasymovieleague.com/ Looks like Summer Movie League has officially become Fantasy Movie League. It looks quite fun. Here's how it works. You have an 8 screen theater. Every week you pick movies and have a budget/salary cap you have to stay under. Then you compete against other theaters in your league. It's fantasy football for movie people. Our league is Film Thugs 2015 and the password is Porterhouse. And remember, you can be a part of the show any time you wild like. How's that? All you have to do is call or e-mail us. If you live in the US, or any place that makes calling the US easy, just dial 512-666-RANT and leave us a voicemail. We will read the Google Voice transcript and play your message. It's both funny AND informative. If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer. E-mail us at thefilmthugs@gmail.com and we will read/play whatever you send us, or you can e-mail thugquestions@gmail.com to be part of  an upcoming "Ask the Film Thugs" show, where we answer questions on any subject without having heard them first. Also, we are on twitter @thefilmthugs and on Facebook and Vine. You can also click on one of our sponsor links below and THEY will pay us. That's right. You won't have to pay a PENNY extra, and Amazon/Onnit/Teefury will give us a little taste. Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists. Thanks for listening, and until next week... Jim out.

The Criterion Collection, the last vestige of truly collectible DVD and Blu-Ray movies in existence. These are well produced, fancy pants editions of important and interesting films for the discerning film lover. We continue our journey through Jim's collection of movies with... Week 4: The 400 Blows Spine Number: 5 Director: Francois Truffaut Genre: French New Wave Some movies change the world. At least... they change the world of film. Francois Truffaut was a respected and feared film critic in France when he decided to take a shot at making a movie. What he produced, in his first attempt at a feature was one of the most revolutionary pieces of film making ever produced. It was a personal, emotionally raw, and thoroughly engrossing portrait of child with no map, no guideposts, and no mooring trying to find himself. The 400 Blows was one of the foundation films of the French New Wave movement and has gone on to be one of the most influential and respected films of all time. So... join us as we discuss the beginnings of the Antoine Doinel series with the landmark "The 400 Blows." Next week: Spine Number 8: John Woo's "The Killer" Also, check this out. http://fantasymovieleague.com/ Looks like Summer Movie League has officially become Fantasy Movie League. It looks quite fun. Here's how it works. You have an 8 screen theater. Every week you pick movies and have a budget/salary cap you have to stay under. Then you compete against other theaters in your league. It's fantasy football for movie people. Our league is Film Thugs 2015 and the password is Porterhouse. And remember, you can be a part of the show any time you wild like. How's that? All you have to do is call or e-mail us. If you live in the US, or any place that makes calling the US easy, just dial 512-666-RANT and leave us a voicemail. We will read the Google Voice transcript and play your message. It's both funny AND informative. If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer. E-mail us at thefilmthugs@gmail.com and we will read/play whatever you send us, or you can e-mail thugquestions@gmail.com to be part of  an upcoming "Ask the Film Thugs" show, where we answer questions on any subject without having heard them first. Also, we are on twitter @thefilmthugs and on Facebook and Vine. You can also click on one of our sponsor links below and THEY will pay us. That's right. You won't have to pay a PENNY extra, and Amazon/Onnit/Teefury will give us a little taste. Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists. Thanks for listening, and until next week... Jim out

durée : 01:29:19 - Les Grandes Traversées - Documentaire. Rendez-vous au collège Henri Bergson, à Paris où des élèves de 4e ont vu "Les Quatre Cents Coups". Quel regard ces adolescents ont-ils sur ce film ? Sur son héros, Antoine Doinel ? Qu'est-ce qui a changé entre son époque et la leur ?