Podcasts about director edgar wright

Director George Miller discusses his new film, Furiosa: A Mad Max Saga, with fellow Director Edgar Wright in a Q&A at the DGA theater in Los Angeles. In the conversation, he discusses utilizing Unreal Engine in his storyboarding process, utilizing a mixture of authentic locations and digital effects to achieve his vision, and the evolution of the series leading up to this installment. The prequel to Mad Mad: Fury Road tells the origin story of Furiosa, who was snatched from her idyllic birthhome at a young age and enslaved by the warlord Dementus. But when Dementus encounters opposing warlord Immortan Joe, Furiosa strattles the line of freedom and fury as the two tyrants clash for dominance over the wasteland. See photos and a summary of this event below: https://dga.org/Events/2024/July2024/Furiosa_QnA_0524

Director Edgar Wright said James Bond films are an exception to movie franchises that crank out installments.

Writer/Director Edgar Wright discusses movies from his favorite cinematic year (1999) with Josh Olson and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Edgar Wright followed his work on the TV series Spaced with his 2004 “Zom-Rom-Com” movie, which would retroactively become the first installment of the Three Flavours Cornetto Trilogy. Reuniting Spaced stars Simon Pegg and Nick Frost as two slacker housemates faces with a zombie apocalypse, the film was cult hit and launched the careers of international Wright, Pegg, Frost. As Legends of Halloween shambles along, we're heading to the Winchester to have a nice cold pint and wait for all of this to blow over while we watch Shaun of the Dead.    For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Police officer Nicholas Angel is known to be the best across London. His seniors, who are jealous of his achievements, transfer him to a remote village where he encounters various challenges.   Director - Edgar Wright.    Want to join 'The Green Room' and be an exclusive member of Midnight Double Feature, giving you access to MEMBERS ONLY content? Details below! Remember to RATE AND REVIEW us on iTunes! Check us out: Website: midnightdoublefeature.com Membership: patreon.com/midnightdoublefeature Facebook: The After Party (MidnightDoubleFeature) Instagram: @midnightdoublefeature Twitter: @mdfpod Youtube: Midnight Double Feature

Director Edgar Wright & director of photography Bill Pope

Director Edgar Wright discusses his new film, Last Night in Soho, with fellow director Phil Lord in a Q&A at the DGA theater in Los Angeles. The film follows an aspiring fashion designer who encounters an ambitious singer when she mysteriously travels to the 1960s, but their façade of glamour soon cracks into something much darker. Please note spoilers are included. See photos and a summary of this event below: https://www.dga.org/Events/2021/December2021/LastNightSoho_QnA_1023.aspx

Director Edgar Wright offers up a tantalizing psychological thriller that's loads of fun. Last Night in Soho is the film, and the Movie Morlock and his guest, Shannon from whatshannonwatched were keen to dissect the movie.   Last Night in Soho. is filled with eye-popping visuals and clever call-backs to various British films of the 60s, and it's wide-screen cinematography is best appreciated on the big screen. It's still out in theaters, and Shannon and the Morlock hope you can venture out to see it.   This podcast discussion contains mild spoilers, but it's been edited down to omit any large plot reveals. 

Nick and Foxx are back for their second episode this week as they get away from the major blockbuster releases and to a film like Last Night in Soho. This film is from Director Edgar Wright and features an aspiring fashion designer that is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something darker. Wright uses all of his tricks, creating great lighting, tone setting and smooth transitions between Thomasin McKenzie and Anya-Taylor Joy. Giving off who-done-it vibes, this film does feature a few red herrings that you can see through, but does have a satisfying ending. It can be a slow burn at times, but overall this movie is worth checking out. NICK: 82 FOXX: 70 TNT: The Book of Boba Fest Trailer, True Story Trailer, Henry Cavill News & More

Dan is joined by filmmaker Edgar Wright (Shaun of The Dead, Hot Fuzz) to talk about his 2017 Academy-Award winning film Baby Driver, including the unforgettable opening scene car chase. Edgar discusses how music plays such an integral part of Baby Driver (and all of his movies), and how he began developing the idea for Baby Driver over 2 decades ago. He also describes his personal directing style and how he deals with the pressure he puts on himself while filming. Finally, Edgar takes us behind the scenes of his new psychological horror movie, Last Night In Soho.Hear new episodes of That Scene first on Amazon Music.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director Edgar Wright is back with his new film Last Night in Soho and he made sure to mix things up quite a bit from the films we have come to love him for the most. This thriller/ horror/drama flick is sure to keep you on the edge of your seat after Wright takes his time introducing you to his vison of London of the 60's and today. The big question here is if the critics and audiences all think this new tonal chance suits Wright's style? What's Streaming Matt - Inside Job, The French Dispatch Blaine - Creepshow, 50 States of Fright, The Girl in the Woods Who should and shouldn't see Last Night as Soho (https://www.imdb.com/title/tt9639470/?ref_=nm_flmg_act_7) Rotten Tomato Score Predictions Spoilers Review for Last Night at Soho Rotten Tomatoes Score Reveal and Reactions Send off Songs Join in and listen to the Critically Aroused send-off song playlist on Spotiy (https://open.spotify.com/playlist/24jYcGOPMTB0Qhj3s5wPNe?si=-TEISBDzQVSC2zhhjCs48Q) Stephen Wilson Jr. - Year to Be Young 1994 Luke De-Sciscio - The Blankets Of Ether Ian Mansick - Horses Are Faster Next weeks podcast will be... One Night in Soho! in theatres Instagram @CriticallyAroused (https://www.instagram.com/criticallyaroused/) Twitter @arousedmedia (https://twitter.com/ArousedMedia) Facebook @CriticallyAroused (https://www.facebook.com/CriticallyAroused/) Credits Our beautiful podcast logo come via Aubrey Troutman http://aubreytroutmancreative.com/ Our intro and outro music comes from https://ketsamusic.com/

Welcome to the Creative Control Movie Podcast! If you are a fan of film, you have come to the right place!Check out our YouTube channel  - Creative Control - for the video version.Here is our review LAST NIGHT IN SOHO; the new movie from Writer and Director Edgar Wright.We give our scores  before the SPOILERS kick in at the 22 minute mark. You are safe until then. The team for this movie review is Kenan, Sacha, Neil, Amrita and Alex!Let us know your thoughts in the comments! Check out our other movie podcast - Zedos Gang Movie Podcast! - where we discuss all the latest movie news - available on YouTube and all major podcast platforms. Follow us: @KenanTalksFilm@Sachman3@theNeilCoppin@quirkyturquoise@alex_doman@ZedosGang

Director Edgar Wright returns with his latest film, LAST NIGHT IN SOHO.Support this show http://supporter.acast.com/reelspoilers. See acast.com/privacy for privacy and opt-out information.

In this episode of So I Married A Horror Fan we look at the latest release from acclaimed Director Edgar Wright, the stylish Horror/Thriller Last Night In Soho. This was one of our most anticipated films of the year. Does it live up to the hype or was it a disappointment? We talk about our collective fandom for Edgar Wright and his filmography. We dive deep into the films messaging, the plot and ultimately THAT ending. We talk about whether it was mismarketed and how we feel it plays to different audiences The first part of the episode is our initial spoiler free thoughts and then the second half we really get into it. Timestamps for episode info below. *please be warned this episode contains trigger topics warnings given at the start of the spoiler section* 00:00 - 00:30: Intro 00:31 - 14.41: Spoiler free 14:42-1:35:48 - Spoiler talk Find us on social media: Twitter: SIMAHFPOD Instagram: soimarriedahorrorfan Tumblr: soimarriedahorrorfan

The latest film from director Edgar Wright is about an aspiring fashion designer who is mysteriously able to enter 1960s London. Wright tells Write On: "[I started] having daydreams about being a kind of cultural time traveler, about how great it would be to go back to that decade. But then the more I would have these dreams, the more it would start to nag at me that that was a problem. Was nostalgia itself a retreat? Was it a failure to deal with the present day?"    Co-Writer Krysty Wilson-Cairns details the collaborative process between her and Wright: "We both worked together in the room. I think the first draft took us about six weeks. There was a lot of writing, throwing things back and forth, sharing your deep dark secrets - the terrible things that have been said to us over the years and the things that have stung and distilling them into the characters, and then every so often stretching our legs around Soho. It was a very wonderful and holistic process."   Don't forget to subscribe to the Write On Podcast on iTunes!   Now available on Google Podcasts!  

Director Edgar Wright and Writer Krysty Wilson-Cairns joins the show to discuss designing the narrative of their new film Last Night In Soho. They dive into the process of shooting many of the film's effects practically, choosing era-specific music for the soundtrack, Krysty's unmade pitch for a Portal adaptation, Anya Taylor-Joy's terrific talent and more. Stick around for our review of Last Night in Soho later in the show, alongside our reviews for Scott Cooper's Antlers, and Army of Thieves from producer Zack Snyder. We also discuss Dune getting a sequel, and Disney Pixar's Lightyear trailer starring Chris Evans. ReelBlend PremiumSign up for an extra episode a week, a bi-weekly newsletter from Sean, and ad-free episodes at cinemablend.com/reelblendpremium.ReelBlend on YouTubeBe sure to subscribe to ReelBlend on YouTube (YouTube.com/ReelBlendPodcast) for full episodes of the show in video form. Follow The ShowReelBlend - @ReelBlendSean - @Sean_OConnell Jake - @JakesTakesKevin - @KevinMcCarthyTVGabe - @gabeKovacsReelBlend MerchWe have all kinds of fun merch for dedicated Blenders to flaunt their fandom with pride. (cinemablend.com/shop)Timestamps (approx. only)00:07:01 - Weekly Poll00:12:54 - Edgar Wright & Krysty Wilson-Cairns Interview00:44:28 - Dune Part 2 Confirmed00:54:08 - Pixar's Lightyear Trailer01:00:04 - Antlers Review01:07:55 - Army of Thieves Review01:12:40 - Last Night in Soho Review01:24:27 - Our Favorite Final Girls01:42:05 - OutroSupport this podcast at — https://redcircle.com/reelblend/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The leads and director of the new thriller 'Last Night In Soho' join The Backstage Experience! Dave & David go backstage with the cast and director of the time-bending thriller to discuss Edgar Wright's style, Anya Taylor-Joy's stardom, Thomasin Mckenzie's rise, Halloween movies, time travel, and more! Last Night In Soho is available in theaters! *Featured in the episode* Director Edgar Wright (06:17) Thomasin McKenzie (11:07) Anya Taylor-Joy (15:55)

Ed Sheeran talks about his latest album, Equals, and how marriage and fatherhood shifted his perspective on what's really important to him. Alexisonfire's Wade MacNeil discusses his new solo project, Dooms Children, and how it examines his personal battles with mental health and addiction. Artist and filmmaker Dana Claxton, the most recent winner of the Scotiabank Photography Award, tells us how her art brings Indigenous beauty forward to tackle ugly stereotypes. Director Edgar Wright discusses his time-travelling psychological thriller, Last Night in Soho, about a fashion designer who discovers she can transport herself into the London of the swinging sixties.

On the August 20, 2021 episode of /Film Daily, /Film senior writer Ben Pearson presents an interview with Sparks about their first movie musical, Annette. Opening Banter:  In The News: Sparks on the Evolution of ‘Annette', Ceding Control, Their Next Project(s), and More [Interview]   Also mentioned:  'Annette' Ending Explained: A Closer Look at That Final Scene Marion Cotillard on the “Dark Side” of Her ‘Annette' Character and More [Interview] ‘Annette' Actor Simon Helberg on Serving Director Leos Carax's “Meticulous Vision” [Interview] ‘The Sparks Brothers' Director Edgar Wright on Playing With What a Music Documentary Can Be ‘The Sparks Brothers' Review: A Delightful, Cheeky Portrait of an Eccentric, Eclectic Pop Duo [Sundance 2021]   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

Director Edgar Wright joins us to talk about his brand new film, The Sparks Brothers, in UK cinemas now.  How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band's favorite band.

#152: Edgar Wright Special. Mark is back live at the BFI Southbank with director Edgar Wright talking about his documentary The Sparks Brothers and his body of work including Shaun of the Dead and Hot Fuzz See acast.com/privacy for privacy and opt-out information.

Director of photography Jake Polonsky was a fan of the band Sparks for several years, a love he developed after seeing the band perform at a music festival. Jake had frequently worked with director Edgar Wright, shooting commercials and music videos in the early 2000's, and then as the second unit DP on Wright's movie, The World's End. Both Jake and Wright shared a love of music, and in 2018 he saw Wright had posted a photo of himself with Sparks. He congratulated Wright on finally meeting the band. Wright let Jake know he was going to make a documentary on Sparks and asked if he would be the cinematographer. The Sparks Brothers documentary combines interviews, live and archival concert footage and collage-style animation in an eclectic style that reflects the aesthetic of Ron and Russell Mael, the Sparks Brothers themselves. In spite of putting out 25 albums over the past 50 years, Sparks has remained under the radar for most of the public. The brothers had some success at the beginning of their careers, mainly in the UK, writing and creating an unusual sound admired and imitated by many other bands. Sparks continues to reinvent themselves and has never stopped touring, building an incredibly devoted fan base. Both Jake and Wright knew that all the interviews for the documentary needed to have a certain look and visual continuity. They settled on a photograph from the cover of the 1976 Sparks album, Big Beat. The photo was taken in black and white with a large format camera, so Jake decided to shoot all of the interviews in black and white, using several large format Red Monstro cameras. Everyone would wear black so that each interview had a consistent look, no matter where it was shot, and each interviewee spoke directly to the lens, using an Eyedirect teleprompter. When Jake heard Wright was getting ready to make The World's End in 2013 with DP Bill Pope, he was eager to work on his first feature film, and asked if Wright needed anyone to shoot second unit. Wright was happy to give Jake the opportunity. Jake saw that even with a comedy such as The World's End, Wright found it important to have even the smallest scenes exactly right for comedic timing. Jake went on to work on several other UK based television shows, such as the Black Mirror episode, The National Anthem, and the interactive Black Mirror special, Bandersnatch. The executive producers of the Showtime series Billions noticed Jake's work on Black Mirror, and he became the cinematographer for 27 episodes of the show, as well as directing one. Jake was able to learn from many different directors on Billions, and loved working with actors Damien Lewis and Paul Giamatti. He thinks that as a DP, it's much more stimulating to work with a director you like and respect. It becomes easy to deliver what they want to achieve because you know it's going to be great. Find Jake Polonsky: http://jakepolonsky.com/ Instagram: @jakepolonsky You can see The Sparks Brothers in theaters and streaming on VOD. https://www.focusfeatures.com/the-sparks-brothers/ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep132/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com YouTube: https://www.youtube.com/c/TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Two very different movies are on offer this week.Director Edgar Wright is back with documentary The Sparks Brothers - on “your favourite band's favourite band”.And Netflix has released Fear Street: Part One - 1994, the first in an ambitious horror trilogy releasing weekly.Flicks editor Steve Newall joined Francesca Rudkin to discuss the movies.LISTEN ABOVE

Director Edgar Wright on his delightful documentary, "The Sparks Brothers." Also, writer Lauren Hough reflects on her various identities including her youth in the Children of God cult. And journalist Jason Schreier exposes the volatility of the video game industry.

The joke about Sparks — if you've even heard of them — is that it's the best British band to come out of America. That confusion is why Edgar Wright, the director of “Baby Driver” and “Shaun of the Dead,” wanted to make his first documentary about the group, headed by brothers Ron and Russell Mael. Quite simply, Wright was tired of explaining who the band was and why he loves them. His documentary, called “The Sparks Brothers,” premiered at this year's Sundance Film Festival. John Horn talked with Wright after its January premiere about his personal connection to the band, how he connected with the brother, the editing process of the documentary and more. The film is in theaters now. With guest host John Horn Guest:  Edgar Wright, director of the new documentary “The Sparks Brothers;” he tweets @edgarwright

Daniel and Alonso end the show (for now, at least) with a bang -- director Edgar Wright joins us to talk about his first documentary, THE SPARKS BROTHERS (in theaters June 18), and the many cinematic and musical inspirations that guided his way. For old times' sake, follow us @filmandmoviepod on social media and leave us a five-star review at Apple Podcasts or wherever you get your episodes.Follow Edgar on Twitter @edgarwrightEdgar recommends THE FILTH AND THE FURY https://www.amazon.com/gp/video/detail/B00DICNA3G/?tag=alonsoduralde-20Join Bramble Jam Plus for commercial-free episodes and some upcoming A Film and A Hallmark Movie pairings: https://bjn.supercast.tech/

Sparks are the brothers Ron and Russell Mael, a legendary duo from Los Angeles. Over the last 50 years, they've released 25 albums. They've collaborated with Giorgio Moroder and Franz Ferdinand, and they've influenced bands like Joy Division, Faith No More, Björk, and countless others. Director Edgar Wright, whose films include Shaun of the Dead, Hot Fuzz, Baby Driver, and Scott Pilgrim vs the World, has made a documentary about the band called The Sparks Brothers. It premiered at Sundance, and comes out in theaters on Friday, June 18th. In this episode, Ron and Russell break down their hit, “This Town Ain't Big Enough for Both of Us," which came out in 1974, and changed their careers forever. To learn more, visit songexploder.net/sparks Radiotopia's annual fundraiser is going on right now! To support Song Exploder and the mission of independent, creative story-telling through creator-owned shows, please donate at radiotopia.fm/donate.

Crowded House linchpin Neil Finn Zooms in from New Zealand to talk about the state of the band and to celebrate their first album in ten years, Dreamers Are Waiting. Also, director Edgar Wright (Scott Pilgrim, Baby Driver, Shaun Of The Dead) joins Ron & Russel Mael of Sparks to talk about Wright's fan-tastic new documentary, The Sparks Brothers, and Record Store Day co-founder Carrie Colliton returns with the RSD News. Sponsored as always by Dogfish Head Craft Brewery, and Tito's Handmade Vodka. Please rate, review, and subscribe to our show wherever you get podcasts. For up to the minute RSD News go to RecordStoreDay.com. And remember Unique Downloads are how you show us you care!

Director Edgar Wright returns along with Ron Mael and Russell Mael of the band Sparks to talk to Scott all about their new documentary The Sparks Brothers. Then, cameraman Jack Furz returns to spread the word about a stolen car that belongs to the vigilante known as the Nite Wolf. Plus, notorious wimp Buck Tango stops by to make an announcement.

Fred Hampton's cathartic words “I am a revolutionary” became a rallying call in 1969. As chairman of the Illinois chapter of the Black Panther Party, Hampton demanded all power to the people and inspired a growing movement of solidarity, prompting the FBI to consider him a threat and to plant informant William O'Neal to infiltrate the party. JUDAS AND THE BLACK MESSIAH not only recounts Hampton's legacy and the FBI's conspiring but also gives equal footing to the man who became infamous for his betrayal—highlighting the systems of inequality and oppression that fed both of their roles.Director: Shaka King Producer: Ryan Coogler, Charles D. King, Shaka King FOLLOW USFollow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube

Sparks is your favorite band's favorite band, and soon to be yours too. Whether or not you're aware of it, Sparks likely had a hand in something you're fond of. This is a band that has been in the background of almost every art form across the last 50 years. Growing up in the '60s, Los Angeles brothers Ron and Russell got by on a heavy diet of popcorn matinees and pop music until the spotlight of school talent shows illuminated their way on a musical journey that has so far spawned 25 studio albums.Director: Edgar WrightFOLLOW USFollow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube

Alright. You listen to the episode. You click follow. You send us money (thank you money). Tell your friends. Have a nice cold pint and wait for Trump's rage, as well as his hair, to all blow over. But what if they don't know what the episode is about? Right. You listen to the episode. It's about TJ and Trevor in a new segment analyzing the work of director Edgar Wright, famous for his work with Simon Pegg in the "Cornetto trilogy", Scott Pilgrim vs. The World, and Baby Driver. You click follow. You send us money (thank you). Tell your friends. Have a nice cold pint and wait for Trump's rage, as well as his hair, to all blow over. But what if they can't find us on social? Okay, fine. You listen to the episode. It's about TJ and Trevor in a new segment analyzing the work of director Edgar Wright, famous for his work with Simon Pegg in the "Cornetto trilogy", Scott Pilgrim vs. The World, and Baby Driver. You click follow. You find us @redteampod on IG and Twitter, or email us at redteampod@gmail.com. You send us money ($$). Tell your friends. Have a nice cold pint and wait for Trump's rage, as well as his hair, to all blow over.

In our 100th episode, Edgar Wright takes us on a musical journey through some of his favorite cinematic needle drops.Show Notes:Movies Referenced In This EpisodeBeyond The Valley Of The Dolls (1970)Baby Driver (2017)*Reservoir Dogs (1992)Vanishing Point (1971)*2001: A Space Odyssey (1968)Deja Vu (2006)Man On Fire (2004)The Bourne Supremacy (2004)The Bourne Ultimatum (2007)Alien (1979)The Mexican (2001)Gremlins (1984)*American Graffiti (1973)Star Wars (1977)Jaws (1975)The Exorcist (1973)Halloween (1978)The Amityville Horror (1979)*Dawn of the Dead (1978)Deep Red (1976)Suspiria (1977)Shaun of the Dead (2004)Monty Python And The Holy Grail (1975)*An American Werewolf In London (1981)The Long Goodbye (1973)The Evil Dead (1983)Face-Off (1997)The Wizard Of Oz (1939)Mandy (2018)The Hallow (2015)The Nun (2018)Mulholland Drive (2001)*Christine (1983)Blue Collar (1978)*Ferris Bueller’s Day Off (1986)*Mauvais Sang (1986)Frances Ha (2012)Lovers On The Bridge (1991)Holy Motors (2012)Annette (TBD)*Goodfellas (1990)Mean Streets (1973)Alice Doesn’t Live Here Anymore (1974)Raging Bull (1980)*Mad Max: Fury Road (2015)Mad Max (1980)Babe (1995)(1973)Happy Feet (2006)Dr. Strangelove (1964)Band of Outsiders (1964)Blow-Up (1966)Bonnie And Clyde (1967)The Graduate (1967)Harold and Maude (1971)A Clockwork Orange (1971)Electra Glide In Blue (1973)The Warriors (1979)The Wanderers (1979)The Shining (1980)Trading Places (1983)Breathless (1983)Blood Simple (1984)Ghostbusters (1984)Back to the Future (1985)Pee-wee’s Big Adventure (1985)Blue Velvet (1986)Manhunter (1986)Something Wild (1986)Do The Right Thing (1989)Wild At Heart (1990)Miller’s Crossing (1990)Silence of the Lambs (1991)Dazed and Confused (1993)Pulp Fiction (1994)Chungking Express (1994)Bottle Rocket (1996)Trainspotting (1996)Romeo + Juliet (1996)Grosse Point Blank (1997)Boogie Nights (1997)Rushmore (1998)Buffalo ‘66 (1998)Beau Travail (1999)The Matrix (1999)Sexy Beast (2000)The Royal Tenenbaums (2001)Ocean’s Eleven (2001)Zodiac (2007)Hard Boiled (1992)Bad Lieutenant (1992)Natural Born Killers (1994)Jackie Brown (1997)Last Night In Soho (TBD)Casino (1995)The Departed (2006)Shine A Light (2008)The Age of Innocence (1993)20 Feet From Stardom (2013) Other Notable ItemsWalter HillRoger EbertRuss Meyer“Neat Neat Neat” song by The Damned (1977)Bill PopeAlex NorthEnnio MorriconeTony ScottJerry GoldsmithRidley Scott“Bell Bottoms” song by The Jon Spencer Blues Explosion (1994)“Also Sprach Zarathustra” by Richard Strauss (1896)“The Blue Danube” by Johann Strauss II (1867)György LigetiStanley KubrickGeorge LucasWalter MirchRobert AltmanRon HowardPaul Le MatMackenzie Phillips“All Summer Long” song by The Beach Boys (1964)Happy Days TV series (1974-1984)Scott BaioSuzi QuatroHarrison Ford“Tubular Bells” song by Mike OldfieldLalo SchifrinWilliam FriedkinThe Twilight Zone TV series (1959-1964)The Halloween score by John Carpenter (1978)George A. RomeroDawn of the Dead score by Goblin (1978)Dario ArgentoSimon PeggDawn of the Dead The Unreleased Incidental Music (2004)De Wolfe Music"The Gonk" song by Herbert Chappell (1965)“Cosmogony”  by Paul Lemel (1972)The Egyptian Theatre in HollywoodTFH Guru John LandisDavid Naughton“Blue Moon” song by Elvis Presley (1956)“Blue Moon” song by Bob Dylan (1970)“Blue Moon” song by Sam Cooke (1959)“Blue Moon” song by The Marcels (1961)“Moondance” song by Van Morrison (1970)“Bad Moon Rising” song by Creedence Clearwater Revival (1969)Jenny Agutter“The Long Goodbye” song by Clydie King (1973)John Woo“Over The Rainbow” song by Judy Garland (1939)“Christmas (Baby Please Come Home)” song by Darlene Love (1963)“Do You Hear What I Hear” by Johnny Mathis (1969)Nicolas Cage“Mandy” song by Barry Manilow (1974)The Vista Theatre in HollywoodCorin HardyThe Panos Cosmatos podcast episode“We Belong Together” song by Robert & Johnny (1958)“Little Bitty Pretty One” song by Thurston Harris (1957)Keith Gordon“Harlem Nocturne” song by The Viscounts (1959)“Bad To The Bone” song by George Thorogood and the Destroyers“I Feel Good” song by James Brown (1964)The Christine soundtrack (1983)Impressions of An American Werewolf In London soundtrack by Meco (1981)John Hughes“Oh Yeah” by Yello (1985)“Twist And Shout” song by“Love Missile F1-11” song by Sigue Sigue Sputnik (1983)The Ferris Bueller’s Day Off soundtrack (1986)SparksKraftwerk“The Race” song by Yello (1988)Jeffrey JonesLeos Carax“Modern Love” song by David Bowie (1983)Denis LavantJuliette BinocheAdam DriverMarion CotillardMartin Scorsese“Be My Baby” song by The Ronettes (1963)“Tell Me” by The Rolling Stones (1964)T. RexMott The Hoople“Rags To Riches” song by Tony Bennett (1953)“Layla” song by Derek and the Dominoes (1970)“Atlantis” song by Donovan (1969)“My Way” song by Sid Vicious (1978)“Jump Into The Fire” by Harry Nilsson (1971)“What Is Life” song by George Harrison (1971)“Monkey Man” song by The Rolling Stones (1969)George MillerBen CarsonAnsel ElgortJim McBrideQuentin TarantinoThe Strokes“Stuck In The Middle With You” song by Stealers Wheel (1972)“Little Green Bag” song by the George Baker Selection (1971)Michael Madsen“Gimme Shelter” by the Rolling Stones (1969)Mary ClaytonMick JaggerThis list is also available on Letterboxd.

After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail. Director - Edgar Wright. Remember to rate and review us on iTunes! Facebook: Midnight Double Feature AND The After Party Instagram: @midnightdoublefeature Youtube: Midnight Double Feature Twitter: @mdfpod Email: midnightdoublefeature@gmail.com  

MK3D Live! with director Edgar Wright revealing his cinematic guilty pleasure and actress Lesley Manville talking about her new movie 'Ordinary Love'Want to come to a recording of a Mark Kermode Live in 3D show at the BFI Southbank in London?You can book tickets to next month’s MK3D here:https://whatson.bfi.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=9FD162DC-3C10-43AB-ADCC-31364C1822AE&BOparam::WScontent::loadArticle::context_id=9F31E26A-0485-48B9-B9CB-4BA957BE7942If it says it's sold out - don’t despair, there are often returns so check again nearer the time.Follow Mark @KermodeMoviewww.markkermode.co.ukKermode On Film is produced by HLA Agency and Hidden FlackProducers Hedda Archbold, Nick Freand Jones and Tom Whalley See acast.com/privacy for privacy and opt-out information.

Hosts Rebecca Ruiz and Josh Wodarz decide to delve into the world of comic book movies and their soundtracks; well, specifically Scott Pilgrim vs. The World and its soundtrack. The comic book that the Scott Pilgrim movie is based on was heavily rooted in Toronto, Canada's indie rock scene in the early-to-mid 2000:s. When it came to the soundtrack, those influences are exactly where Director Edgar Wright headed. So, crack open the beer of choice for this film (Miller High Life Tallboys) and listen to Josh and Becca talk about the slugdy garage rock and slick indie-pop of Scott Pilgrim vs. The World. Show notes and links: Tara Strong Does Bubbles Voice (youtu.be) Scott Pilgrim vs. the World: Black Sheep - FULL music video (youtube.com) Music References | Scott Pilgrim Wiki (wikia.com) Music from Scott Pilgrim vs. the World (musicfromfilm.com)

Director Edgar Wright is known for parodying cinematic tropes, as seen in 2004’s zombie horror mash-up Shaun of the Dead. His latest movie, Baby Driver, became the surprise summer blockbuster of 2017. In this talk at the Red Bull Music Academy Los Angeles Festival, presented by composer Brian Reitzell, Wright dives deep into his use of music in film.

Writer/director Edgar Wright joins sound designer Julian Slater in conversation about their remarkable five film collaboration, starting with Shawn of the Dead and continuing through their most recent film, Baby Driver. In this episode you’ll learn why Wright records sound on location scouts, dissect the sonic components of the infamous “Tequila” shoot-out scene from Baby Driver, and hear why Julian Slater feels Dolby Atmos was designed for the film. In this series of six episodes, we focus on the long-time collaboration of some of the leading directors and their sound supervisors working today. These remarkable directors talk about the importance of sound to the films, and how they work with sound design and music.

Dan and Patrick discuss their long summer absence. Then, they explore Baby Driver, a stylish fast-car movie from Edgar Wright with a motif of "musical realism" and a strong undercurrent of desire and freedom. [Image cropped from an image courtesy Baby Driver press kit.]

Director Edgar Wright discusses his new film, Baby Driver, with fellow Director Christopher Nolan. The film tells the story of a young getaway driver named Baby who meets the girl of his dream. Hoping to leave his criminal life behind, he is coerced into one last getaway job. But when things go awry, all of his skills will be put to the test if he has any hope of survival.

Director Edgar Wright goes full on style over substance in his latest getaway driver centered film, Baby Driver. Centered around Baby (Ansel Elgort), a wheelman for Doc (Kevin Spacey) who is a criminal kingpin of sorts. Working to pay off a debt to Doc, Baby works with some shady characters and looks good while doing it. A film that is driven by its soundtrack and audio design is a unique entry into the Edgar Wright's collection of films. While the style is a large part of the premise here, does Wright and the cast deliver a solid story that leads you wanting more? Check out the review to find out. Cast: Ansel Elgort Kevin Spacey Jon Hamm Jamie Foxx Jon Bernthal Lily James Eiza Gonzalez Budget: $34 MillionThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5939723/advertisement

Director Edgar Wright goes full on style over substance in his latest getaway driver centered film, Baby Driver. Centered around Baby (Ansel Elgort), a wheelman for Doc (Kevin Spacey) who is a criminal kingpin of sorts. Working to pay off a debt to Doc, Baby works with some shady characters and looks good while doing it. A film that is driven by its soundtrack and audio design is a unique entry into the Edgar Wright's collection of films. While the style is a large part of the premise here, does Wright and the cast deliver a solid story that leads you wanting more? Check out the review to find out. Cast:Ansel ElgortKevin SpaceyJon HammJamie FoxxJon BernthalLily JamesEiza Gonzalez Budget: $34 Million

"Baby Driver" Director Edgar Wright by Chris O'Falt

Albert and Jiaming don't hide the fact that they are big fans of Director Edgar Wright, so what did they think of "Baby Driver?" Did it live up to their expectations, especially when comparing it to Wright's other movies? 

Should Bill Maher have known better than to say the N word on TV? Are we showing enough respect in our online communications? Do you feel bad for Tiger Woods? Co-Host of Humble and Fred Humble Howard Co-Hosts along with Comedian KJ Preston plus Director Edgar Wright, Lawyer Ari Goldkind and Jeff Abraham from Promescent.

Action movie cliches abound in the affectionate tribute to 90's popular cinema "Hot Fuzz", from the team who brought you "Shaun of the Dead."  Director Edgar Wright and his co-writer Simon Pegg are behind this daft, violent and tight-as-a-drum thriller that begins as a comedy about a fish out of water policeman who relocates from London to a podunk English village. By the third act, the film blows up into an absurd opera of bullets and mayhem.  "Hot Fuzz" is hilarious.  The film contains visionary direction and energetic editing that hooks you from the beginning.  Simon Pegg is the policeman (Nick Angel) who is transferred for being too good a cop.  He kept overshadowing his colleagues and now works in Sandford, where his only friend is a genial fellow officer named Danny.  Together they share a mutual appreciation for the film "Point Break."  When some unseemly events begin to take place in Sandford, Nick finds there is more than meets the eye to this little hamlet.  Phil and Andrew are joined in the discussion by Chris, who has requested this film for review.  The three gents wax nostalgic for classic 80's action movies and chat about the comedic value of "Hot Fuzz."  How did it stack up?  Listen and find out! You can download the podcast here by right-clicking on the hypertext link and choosing "save as", or you can use the convenient player located below:If you cannot see the audio controls, listen/download the audio file here

Welcome to Dark Discussions podcast. Your place for the discussion of horror film, fiction, and all that's fantastic. Dark Discussions Podcast Network introduces Antidote for the Commonplace Podcast. The World’s End is in theaters and it’s the perfect time to take a stroll down memory lane with our favorite Brits. Director Edgar Wright takes center stage as we discuss our favorite moments from Shaun of the Dead and Hot Fuzz (the first two films in the “Cornetto Trilogy”) as well as Scott Pilgrim vs. The World. Come back next week for our take on The World’s End! *Cornetto Trilogy poster artwork by Tom Berry. WWW.DARKDISCUSSIONS.COM

Director Edgar Wright confesses he originally pitched "Shaun of the Dead" as Mike Leigh's "Love is Sweet," but with zombies. Mike Leigh's take? "Well it certainly had zombies."

The World’s End is in theaters and it’s the perfect time to take a stroll down memory lane with our favorite Brits. Director Edgar Wright takes center stage as we discuss our favorite moments from Shaun of the Dead and Hot Fuzz (the first two films in the “Cornetto Trilogy”) as well as Scott Pilgrim … Continue reading →