Podcast appearances and mentions of Princeton Architectural Press

Rerun: La Ronde, the USA's first revolving restaurant, opened on 21st November, 1961, at the Ala Moana Center in Honolulu. On the menu in the 298ft-tall tower was shrimp cocktail, mahi-mahi, and ‘the Queen of beefdom'. It had a predecessor, though, in perhaps an unlikely city: post-war Dortmund, Germany.  In this episode, Arion, Rebecca and Olly trace the origins of rotating restaurants back to Ancient Rome (of course); recall Elvis Presley's role in furthering the popularity of high-rise revolving dining at the Space Needle; and consider the particular appeal of ‘high attractions in low rise cities'...  Further Reading: • ‘A Moveable Feast: A Brief History of the Revolving Restaurant' (Duck Pie, 2014): https://duckpie.com/2014/05/02/a-moveable-feast-a-brief-history-of-the-revolving-restaurant/ • ‘Revolving Architecture: A History of Buildings That Rotate, Swivel, and Pivot - By Chad Randl' (Princeton Architectural Press, 2008): https://www.google.co.uk/books/edition/Revolving_Architecture/H8gAaZj2e-AC?q=sky+view&gbpv=1#f=false • ‘Top of Waikiki Revolving Restaurant View' (Life Is Amazing, 2017): https://www.youtube.com/watch?v=yYOUofNjFU4 ‘Why am I hearing a rerun?' Each Thursday and Friday we repeat stories from our archive of 800+ episodes, so we can maintain the quality of our independent podcast and bring you fresh, free content every Monday-Wednesday…  … But

Books: Glimcher, Mildred, ed. Adventures in Art: 40 Years at Pace. Milan: Leonardo International, 2001. http://nevelson.org/adventures-in-art Goldwater, Robert. What is Modern Art? The Museum of Modern Art, New York, 1969. http://nevelson.org/what-is-modern-art Goodrich, Lloyd and John I.H. Baur. American Art of Our Century. New York: Frederick A. Praeger Publishing; Whitney Museum of American Art, 1961. http://nevelson.org/american-art-of-our-century Grosenick, Uta, ed. Women Artists: In the 20th and 21st Century. Cologne: Taschen, 2003, pp. 141, 142; 2005, pp. 232-237. http://nevelson.org/women-artists-20th-21st-century Guerrero, Pedro E. Pedro E. Guerrero: A Photographer's Journey. Princeton Architectural Press, New York, 2007. http://nevelson.org/photographers-journey Hammacher, A.M. The Evolution of Modern Sculpture. New York: Harry N. Abrams, Inc. http://nevelson.org/evolution-of-modern-sculpture Hammacher, A.M. Modern Sculpture: Tradition and Innovation. New York: Harry N. Abrams Inc., 1988. http://nevelson.org/modern-sculpture-tradition-innovation Hedlund, Ann Lane. Gloria F. Ross & Modern Tapestry. New Haven, CT: Yale University Press, 2010. http://nevelson.org/gloria-ross-modern-tapestry Hyman, Paula E. and Deborah Dash Moore, ed. Jewish Women in America: An Historical Encyclopedia, Volume II, M-Z. New York and London: Routledge, 1997. http://nevelson.org/jewish-women-in-america Janis, Harriet and Blesh, Rudi. Collage: Personalities, Concepts, Techniques. Philadelphia, Pennsylvania: Chilton Co., 1962. http://nevelson.org/collage-personalities-concepts-techniques Kramer, Hilton. Revenge of the Philistines: Art and Culture 1972 – 1984. Free Press, 1985. http://nevelson.org/revenge-of-the-philistines Lipman, Jean. Nevelson's World. Hudson Hills Press, NY, 1983. http://nevelson.org/nevelsons-world Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. Princeton Architectural Press, New York, NY, 2010. http://nevelson.org/large-scale-fabricating-sculpture Lisle, Laurie. Louise Nevelson: A Passionate Life. New York: Summit Books, 1990. http://nevelson.org/a-passionate-life MacKown, Diana. Dawns + Dusks. New York: Charles Scribner's Sons, 1976. http://nevelson.org/dawns-and-dusks Marshall, Richard. 50 New York Artists. Chronicle Books, 1986. http://nevelson.org/50-new-york-artists Matsumoto, Michiko. Portraits: Women Artists. Tokyo: Kawade Shobo Shinsha, 1995. http://nevelson.org/portraits-women-artists Miller, Dorothy C., ed. Sixteen Americans. New York: The Museum of Modern Art, 1959. http://nevelson.org/sixteen-americans Nevelson, Louise and Edith Sitwell. Nevelson: Façade—Twelve Original Serigraphs in Homage to Edith Sitwell. New York: The Pace Gallery and Harry N. Abrams, Inc., 1966. http://nevelson.org/facade Nevelson: Recent Wood Sculpture. New York: The Pace Gallery, 1969. http://nevelson.org/recent-wood-sculpture Bryan-Wilson, Julia. Louise Nevelson's Sculpture: Drag, Color, Join, Face. Yale University Press, 2023. https://yalebooks.yale.edu/book/9780300222633/louise-nevelsons-sculpture/ Wilson, Laurie. Louise Nevelson: Light and Shadow. Thames & Hudson, 2016. http://thamesandhudson.com/books/louise-nevelson-light-and-shadow Articles and Essays: "Louise Nevelson Sculptures, Bio, Ideas." TheArtStory. https://www.theartstory.org/artist/nevelson-louise/ "A New Louise Nevelson Biography Picks Apart the Artist's Contradictions." Hyperallergic. https://hyperallergic.com/ "Louise Nevelson: Inventing Herself as a Modern Artist." MoMA. https://www.moma.org/magazine/articles/187 "Sculpture in the Expanded Field: Louise Nevelson." Art Journal. https://www.artjournal.com/sculpture-expanded-field-louise-nevelson/ "Louise Nevelson's Monumental Work." Smithsonian American Art Museum. https://americanart.si.edu/exhibitions/nevelson "Louise Nevelson's Public Art." Art in America. https://www.artnews.com/art-in-america/features/louise-nevelson-public-art-1234597218/ "Louise Nevelson: Dark Light." The Guardian. https://www.theguardian.com/artanddesign/2017/jun/10/louise-nevelson-sculpture "The Essential Louise Nevelson." Sculpture Magazine. https://sculpturemagazine.art/the-essential-louise-nevelson/ "Louise Nevelson's Legacy." ArtForum. https://www.artforum.com/print/202104/louise-nevelson-s-legacy-85253 Wson: The Woman in Black." Tate. https://www.tate.org.uk/art/artists/louise-nevelson-1691Episode Notes Websties Louise Nevelson Foundation https://www.louisenevelsonfoundation.org Nevelson.org http://nevelson.org TheArtStory: Louise Nevelson https://www.theartstory.org/artist/nevelson-louise/ MoMA: Louise Nevelson https://www.moma.org/artists/4248 Smithsonian American Art Museum https://americanart.si.edu/artist/louise-nevelson-3541 Tate: Louise Nevelson https://www.tate.org.uk/art/artists/louise-nevelson-1691 Guggenheim: Louise Nevelson https://www.guggenheim.org/artwork/artist/louise-nevelson Whitney Museum of American Art https://whitney.org/artists/939 The Pace Gallery: Louise Nevelson https://www.pacegallery.com/artists/louise-nevelson/ The Guardian: Louise Nevelson https://www.theguardian.com/artanddesign/2017/jun/10/louise-nevelson-sculpture ArtForum: Louise Nevelson's Legacy https://www.artforum.com/print/202104/louise-nevelson-s-legacy-85253 Sculpture Magazine: The Essential Louise Nevelson https://sculpturemagazine.art/the-essential-louise-nevelson/ Hyperallergic: A New Louise Nevelson Biography https://hyperallergic.com/ Yale University Press: Louise Nevelson's Sculpture https://yalebooks.yale.edu/book/9780300222633/louise-nevelsons-sculpture/ Art in America: Louise Nevelson's Public Art https://www.artnews.com/art-in-america/features/louise-nevelson-public-art-1234597218/ The Great Women Artists Podcast https://podcasts.apple.com/us/podcast/the-great-women-artists/id1436644141 The Sculptor's Funeral: Louise Nevelson https://thesculptorsfuneral.com/podcast-episodes/louise-nevelson ArtUK: Louise Nevelson https://www.artuk.org/discover/stories/art-matters-podcast-louise-nevelson ArtNet: Louise Nevelson https://www.artnet.com/artists/louise-nevelson/ National Museum of Women in the Arts https://nmwa.org/art/artists/louise-nevelson/ 4o Find out more at https://three-minute-modernist.pinecast.co

Architect and theorist Jimenez Lai was born in Taiwan, grew up in Canada, and lives in Los Angeles. He holds the Robert Gwathmey chair at Cooper Union, and is the director of architecture agency Bureau Spectacular. Before establishing Bureau Spectacular, Lai lived in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Lai's first book, Citizens of No Place: An Architectural Graphic Novel, was published by Princeton Architectural Press with a grant from the Graham Foundation. Lai has won various awards, including the Architectural League Prize for Young Architects, the Debut Award at the Lisbon Triennale, and the Designer of the Future at Art Basel. Lai represented Taiwan at the 14th Venice Architecture Biennale. Lai's work is in the permanent collection of MoMA, SFMOMA, Art Institute of Chicago, and LACMA.Jimenez Lai's Instagram (look at his great hair!) https://www.instagram.com/0super/Bureau Spectacular https://bureau-spectacular.net/Wikipedia https://en.wikipedia.org/wiki/Jimenez_Lai This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

This week on The Curatorial Blonde we have Allison Glenn. Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials, and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit.  Previous roles include Co-Curator of Counterpublic Triennial 2023; Senior Curator at New York's Public Art Fund, where she proposed and developed Fred Eversley: Parabolic Light (2023) and Edra Soto Graft (2024) for Doris C. Freedman Plaza; Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges 120-acre campus through a series of new commissions, touring group exhibitions, and long-term loans. She also realized site-specific architectural interventions, such as Joanna Keane Lopez, A dance of us (un baile de nosotros), (2020), as part of State of the Art 2020 at The Momentary. She acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. A Curatorial Fellowship with the City of Chicago's Department of Cultural Affairs and Special Events, culminated with In the beginning, sometimes I left messages in the street (2016), a citywide billboard and performance exhibition. As Program Manager at University of Chicago's Arts Incubator, she worked with a team led by Theaster Gates to develop the emergent space, where she curated exhibitions and commissioned performances such as Amun: The Unseen Legends (2014), a new performance from Terry Adkin's Lone Wolf Recital Corps, that included Kamau Patton. Glenn has been a visiting critic, lecturer, and guest speaker at a number of universities, including The University of Tulsa, University of Pennsylvania, School of the Art Institute of Chicago, Louisiana State University, and Pacific Northwest College of Art. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, The Neubauer Collegium, Counterpublic Triennial, Prospect New Orleans Triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, ART21 Magazine, Pelican Bomb, Ruckus Journal, and Newcity, amongst others. She has curated notable public commissions, group exhibitions, and site specific artist projects by many artists, including Mendi + Keith Obadike, Matthew Angelo Harrison, Maya Stovall, Rashid Johnson, Basel Abbas + Ruanne Abou-Rahme, Lonnie Holley, Ronny Quevedo, Edra Soto, Terry Adkins, Kamau Patton,Shinique Smith, Torkwase Dyson, George Sanchez-Calderon, Hank Willis Thomas, Odili Donald Odita, Martine Syms, Derrick Adams, Lisa Alvarado, Sarah Braman, Spencer Finch, Jessica Stockholder, Joanna Keane-Lopez, Genevieve Gaignard and others. Her 2021 exhibition Promise, Witness, Remembrance was name one of the Best Art Exhibitions of 2021 by The New York Times. Glenn is a member of Madison Square Park Conservancy's Public Art Consortium Collaboration Committee and sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit.

The Windowless HomeJoin Mark as he sits down with Scott Specht, the founding partner of Specht Novak, who brings over 30 years of experience in designing and managing institutional, commercial, and residential projects. Before establishing Specht Novak (formerly Specht Architects), Scott honed his skills as a senior designer at Studio Daniel Libeskind, where he contributed to the winning New York World Trade Center master planning proposal. In this episode, Scott delves into the significance of experimental projects in architecture and how they have influenced his practice. He shares insights from his latest venture, the Next American House—a groundbreaking windowless house design that uses internal courtyards for natural illumination. Scott explains the innovative concept behind this project and its potential as a prototype for future developments. He also emphasizes the importance of documenting and promoting experimental projects to gain recognition and enhance business growth.Scott's independent design work has been showcased in prominent exhibitions, including two SoHo gallery shows, Yale University, the Van Alen Institute, the Municipal Art Society of New York, The University of Texas at Austin, and the Lower Manhattan Cultural Council. Additionally, he has shared his expertise as a featured TEDx speaker and co-authored the book "Coffee Lids" for Princeton Architectural Press.This week at EntreArchitect Podcast, The Windowless Home with Scott Speight.Connect with Scott online at Specht Novak, and find him on LinkedIn.Please visit Our Platform SponsorsAs an architect or firm owner, you might find yourself swamped with drawings that take up most of your day, leaving you with little time to manage your business. MGS Global Group can lighten your load by handling all your drafting and rendering needs! Visit MGSGlobalGroup.com and book your free consultation today.ARCAT.com is much more than a product catalog, with CAD, BIM, and specifications created in collaboration with manufacturers. ARCAT.com also offers LEED data, continuing education resources, newsletters, and the Detailed podcast. Visit ARCAT.com to learn more.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.Mentioned in this episode:ArchIT

Bob Eckstein, award-winning writer, illustrator cartoonist, educator, speaking about his newest book, "Footnotes From the Most Fascinating Museums: Stories and Memorable Moments from People Who Love Museums," issued by Princeton Architectural Press. www.bobeckstein.com/ www.papress.com/

Episode Notes Drew, J. (2008). "Social Media: Genealogy, Culture, Politics." Edited by Jose van Dijck and Thomas Poell. Sage Publications. Drew, J. (2012). "Making Waves: The Cultural Impact of Media Technology." Edited by José van Dijck, Thomas Poell, and Martijn de Waal. Amsterdam University Press. Drew, J. (2013). "The Popular Music Studies Reader." Edited by Andy Bennett, Barry Shank, and Jason Toynbee. Routledge. Drew, J., & Wills, D. (2008). "Media Interventions." Polity Press. Drew, J. (2016). "A Counter-Hegemonic Approach to Media Studies: The Critical Media Lab." Communication, Culture & Critique, 9(1), 156-170. Drew, J. (2010). "Digital Media: An Introduction." Oxford University Press. Drew, J. (2018). "Media Activism in the Digital Age." Routledge. Drew, J., & Gigi, A. (2015). "50 Years of Recuperation of the Situationist International." Princeton Architectural Press. Drew, J., & Dunbar-Hester, C. (2019). "Beyond the Media Fix: Resisting the Attention Economy." Polity Press. Drew, J. (2005). "We Are Everywhere: The Irresistible Rise of Global Anticapitalism." Verso Books. Find out more at https://three-minute-modernist.pinecast.co

Ep.192 Allison Glenn is a New York-based curator and writer focusing on the intersection of art and public space, through public art and special projects, biennials and major new commissions by a wide range of contemporary artists. She is a Visiting Curator in the Department of Film Studies at the University of Tulsa, organizing the Sovereign Futures convening, and Artistic Director of The Shepherd, a three-and-a-half-acre arts campus part of the newly christened Little Village cultural district in Detroit. Previous roles include Co-Curator of Counterpublic Triennial 2023, Guest Curator at the Speed Art Museum, and Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art. In this role, Glenn shaped how outdoor sculpture activates and engages Crystal Bridges' 120-acre campus through a series of new commissions, touring group exhibitions, and long term loans. She has also acted as the Curatorial Associate + Publications Manager for Prospect New Orleans' international art triennial Prospect.4: The Lotus in Spite of the Swamp. Her writing has been featured in catalogues published by The Los Angeles County Museum of Art, Counterpublic Triennial, Prospect New Orleans triennial, Princeton Architectural Press, Crystal Bridges Museum of American Art, Scottsdale Museum of Contemporary Art, Kemper Museum, Studio Museum in Harlem, and she has contributed to Artforum, ART PAPERS, Brooklyn Rail, Hyperallergic, and ART21 Magazine, amongst others. Glenn sits on the Board of Directors for ARCAthens, a curatorial and artist residency program based in Athens, Greece, New Orleans, LA and The Bronx, New York. She received dual Master's degrees from the School of the Art Institute of Chicago in Modern Art History, Theory and Criticism and Arts Administration and Policy, and a Bachelor of Fine Art Photography with a co-major in Urban Studies from Wayne State University in Detroit. Photograph by Grace Roselli Allison Glenn https://www.allisonglenn.com/ Artnet https://news.artnet.com/art-world/valuations-allison-glenn-2395989 NYTimes https://www.nytimes.com/2023/05/09/arts/design/counterpublic-st-louis-public-art.html ARTnews https://www.artnews.com/art-news/artists/qa-david-adjaye-on-his-first-permanent-sculpture-1234670283/ e-flux https://www.e-flux.com/criticism/537239/counterpublic-2023 NPR https://www.stlpr.org/arts/2023-03-07/massive-public-art-exhibition-will-highlight-historical-injustices-in-st-louis The Architects Newsletter https://www.archpaper.com/2022/04/david-adjayes-first-permanent-public-artwork-among-art-and-architectural-commissions-for-2023-counterpublic-triennial-in-st-louis/ Artnet https://news.artnet.com/art-world/counterpublic-2023-2106157 ARTnews https://www.artnews.com/list/art-news/artists/shaping-art-2022-deciders-1234612406/naomi-beckwith/ NYTimes https://www.nytimes.com/2021/12/07/arts/design/best-art-2021.html Observer https://observer.com/power-series/2021-arts-power-50/ Artforum https://www.artforum.com/features/huey-copeland-and-allison-glenn-on-promise-witness-remembrance-249992/ SAIC https://www.saic.edu/news/alum-allison-glenn-and-the-power-of-listening NYTimes https://www.nytimes.com/2021/03/11/arts/design/speed-museum-breonna-taylor-curator.html Art Newspaper https://www.theartnewspaper.com/2021/02/25/speed-art-museum-will-reflect-on-the-death-of-breonna-taylor-in-an-exhibition Surface https://www.surfacemag.com/articles/breonna-taylor-exhibition-speed-art-museum-other-news/#taylor Culture Type https://www.culturetype.com/2021/02/22/the-week-in-black-art-february-22-28-2021-cameron-shaw-named-executive-director-of-california-african-american-museum-aperture-names-seven-new-trustees/ Artnet https://news.artnet.com/art-world/louisville-speed-art-museum-breonna-taylor-1945823 Observer https://observer.com/2021/02/breonna-taylor-speed-art-museum-louisville/ 88.9 WEKU https://www.weku.org/post/new-speed-exhibition-honor-life-legacy-breonna-taylor#stream/0

The Season 8 Premiere of Meet the Creatives with Michael Beirut, Partner at Pentagram. Michael Bierut studied graphic design at the University of Cincinnati's College of Design, Architecture, Art and Planning, graduating summa cum laude in 1980. He worked for ten years at Vignelli Associates before joining Pentagram as a partner in 1990. His clients at Pentagram have included The New York Times, Saks Fifth Avenue, The Robin Hood Foundation, MIT Media Lab, Mastercard, Bobby Flay Bold Foods, Princeton University, the New York Jets, the Brooklyn Academy of Music, and Playwrights Horizons. As a volunteer to Hillary Clinton's communications team, he designed the H logo that was ubiquitous throughout her 2016 presidential campaign. Bierut served as president of the New York Chapter of the American Institute of Graphic Arts (AIGA) from 1988 to 1990 and is president emeritus of AIGA National. He also serves on the boards of the Architectural League of New York and the Library of America. Bierut was elected to the Alliance Graphique Internationale in 1989, to the Art Directors Club Hall of Fame in 2003, and was awarded the profession's highest honor, the AIGA Medal, in 2006. He was winner in the Design Mind category at the 2008 Cooper-Hewitt National Design Awards. In 2016, he was the Henry Wolf Resident in Graphic Design at the American Academy in Rome. Bierut is a senior critic in graphic design at the Yale School of Art and a lecturer in the practice of design and management at the Yale School of Management. He is a cofounder of the website Design Observer and is the co-editor of the five-volume series Looking Closer: Critical Writings on Graphic Design published by Allworth Press. Michael's book 79 Short Essays on Design was published in 2007 by Princeton Architectural Press. A monograph on his work, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry and (every once in a while) change the world was published in 2015 by Harper Collins. His collection of new essays, Now You See It, was published in fall 2017.

Edwin Land unveiled the world's first instant camera to the Optical Society of America on 21st February, 1947. Snapping a quick black-and-white selfie, Land astonished onlookers as the image emerged within 60 seconds. Despite its initial high price and complex development process, Polaroid cameras became a sensation, selling out on their first day of release in 1948.  In this episode, Arion, Rebecca and Olly explain how Land's inspiration came during a family vacation; consider why Steve Jobs and other Silicon Valley entrepreneurs have looked to Land for inspiration ever since; and recall Polaroid's disastrous pivot into ‘instant movies', Polavision, in 1977… Further Reading: • ‘Inside the company that gave the world instant photography' (FT, 2017): https://www.ft.com/content/d76d5f44-5088-11e7-bfb8-997009366969 • ‘Instant - The Story of Polaroid, By Christopher Bonanos' (Princeton Architectural Press, 2012): https://www.google.co.uk/books/edition/Instant/VgyuGmMZ7iIC?hl=en&gbpv=1&dq=Instant:+A+Cultural+History+of+Polaroid+by+Christopher+Bonanos&printsec=frontcover • ‘Apple & Polaroid's Intertwined Legacy' (In An Instant, 2020): https://www.youtube.com/watch?v=aOzdMkMMpR0 Love the show? Join

This week on ‘The Write Question,' host Lauren Korn speaks with cartoonist Navied Mahdavian, author of the graphic memoir, ‘This Country: Searching for Home in (Very) Rural America' (Princeton Architectural Press).

This week on ‘The Write Question,' host Lauren Korn speaks with cartoonist Navied Mahdavian, author of the graphic memoir, ‘This Country: Searching for Home in (Very) Rural America' (Princeton Architectural Press).

Hey everyone. I hope you are ready for the long weekend with friends and family. Maybe catch up on sleep? I know I'm totally ready to sleep some more if I can. In the meantime, I've got you covered with this week's episode as I talk with Ashley Hairston Doughty. Ashley, currently an Associate Professor at the University of Nevada, Las Vegas, is a visual storyteller, explaining personal experiences through verbal and visual language. Ashley's research on BIPOC design pedagogy was published in the award-winning Black, Brown + Latinx Graphic Design Educators by Princeton Architectural Press in 2021. She holds a BFA from Washington University in St. Louis and an MFA from the School of the Art Institute of Chicago. We had a quick chat about how moving around the US has impacted Ashley's work, what is visual communications, and how motherhood has affected and influenced her current project. As always, stay safe and healthy, and I hope you enjoy this.Links Mentioned:Ashley's WebsiteAshley's InstagramAshley's BlogWomen's Studio WorkshopFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

In past episodes, we've spoken about pet loss. However, this time our discussion is a little different. We'll be looking at the grief experienced by familiar cultural figures and the bond that they had with their pets. Yes, we'll also be talking about the grief that's felt when our gentle, loyal companions are no longer in our lives.Our guest today, Sara Bader, has experienced profound grief over losing her 13-year-old cat. And she, too, searched and looked for answers from others that could help guide her through. Sara is an editor, writer, researcher, and author. She has worked as an editor for Princeton Architectural Press as a senior editor for Phaidon. The Book of Pet Love and Loss is her latest work. Here's what (or who) we talk about:A cute introduction of who Snowflake, Sara's late cat, was. How pets are intertwined with our lives.Sara's way of dealing with her loss is through the writings of others. Continuing the bond with another pet (or person) even after their passing.  Is getting another pet a distraction from the loss of the pet that you're mourning?The intricacies one can see in Sara's new book. How similar is the loss of a pet to a loss of a friend or family member?And much more! Connect with Sara Bader!Email: omesha.edwards@simonandschuster.com The Book of Pet Love and Loss - https://www.simonandschuster.com/books/The-Book-of-Pet-Love-and-Loss/Sara-Bader/9781982134310  www.quotenik.comYou don't have to grieve alone, as a coach I can help support you.Connect with me: Website: https://www.understandinggrief.com LinkedIn: https://www.understandinggrief.com

THE INTERVIEW:After 100 books on design, Steven Heller has given us a coming-of-age memoir. The award-winning designer, writer, and former senior art director at the New York Times has included 100 color photographs in Growing Up Underground: A Memoir of Counterculture New York, a 224-page visually inspired tour of the center of New York City's 1960s and '70s youth culture.Steven Heller's memoir is not simply a chronological trek through the hills and valleys of his comparatively "normal" life, but rather a tale of growing up, whereby with luck and circumstance, he found himself in curious and remarkable places at critical times during the 1960s and '70s in New York City. Heller's delightful account of his life between the ages of 16 and 26 depicts his ambitious journey from the very beginning of his illustrious career as a graphic designer, cartoonist, and writer. Follow his path as he moves from stints at the New York Review of Sex, to Screw, and the New York Free Press, on to the East Village Other, Grove Press, and Interview until becoming the youngest art director (and occasional illustrator) for the New York Times Op-Ed page at the of age 23.Having followed his work for years, JC Gabel was glad to sit down and talk with him about his start.THE READING: Heller reads from his Growing Up Underground. Music by Cluster. 

Edith Young is an artist, designer, and writer from New York. Princeton Architectural Press published her first book, Color Scheme: An Irreverent History of Art and Pop Culture Through Color Palettes, in 2021.  This is the final podcast episode of... The post Episode #229: Edith Young appeared first on PolicyViz.

Edith Young is an artist, designer, and writer from New York. Princeton Architectural Press published her first book, Color Scheme: An Irreverent History of Art and Pop Culture Through Color Palettes, in 2021. This is the final podcast episode of 2022! I hope you have a wonderful, safe, and healthy holiday season. I look forward to good things coming in 2023! Episode Notes Edith's work: www.edith.nycEdith's palette prints: www.edithyoung.com Book: Color Scheme: An Irreverent History of Art and Pop Culture Through Color PalettesPolicyViz blog post on color Related Episodes Episode #203: Alli TorbanEpisode #226: Abby Covert iTunes Spotify Stitcher TuneIn Google Podcasts PolicyViz Newsletter YouTube Sponsor Partnerhero: to waive set up fees, go to http://partnerhero.com/policyviz and mention “PolicyViz” during onboarding! New Ways to Support the Show! With more than 200 guests and eight seasons of episodes, the PolicyViz Podcast is one of the longest-running data visualization podcasts around. You can support the show by downloading and listening, following the work of my guests,

When Andrea Pons and her family were faced with deportation, she knew hiring an immigration lawyer was more than they could afford. To raise funds, she decided she would self-publish a cookbook of her grandmother's recipes, despite having no previous experience in the world of food. Andrea titled her book Mamacita: Celebrating Life as a Mexican Immigrant in America. Not only did the book find an audience, but Andrea's story caught the attention of editors at Princeton Architectural Press, who officially published Mamacita this past fall. Andrea joins host Kerry Diamond to talk about coming to America from Mexico as a 10-year-old, the tight bonds that unite her family, her grandmother who inspired the book, and the most treasured recipes in Mamacita. Thank you to Käserei Champignon, the maker of Grand Noir cheese, and to Hedley & Bennett for supporting today's show. Radio Cherry Bombe is recorded at Newsstand Studios at Rockefeller Center in New York City. Our theme song is by the band Tralala. Snag a copy of Cherry Bombe magazine's new issue, Heart & Hospitality here!Subscribe to our newsletter and check out past episodes and transcripts here!More on Andrea: Instagram, Website, Mamacita, Titita's orange bundt cake recipe

La Ronde, the USA's first revolving restaurant, opened on 21st November, 1961, at the Ala Moana Center in Honolulu. On the menu in the 298ft-tall tower was shrimp cocktail, mahi-mahi, and ‘the Queen of beefdom'. It had a predecessor, though, in perhaps an unlikely city: post-war Dortmund, Germany.  In this episode, Arion, Rebecca and Olly trace the origins of rotating restaurants back to Ancient Rome (of course); recall Elvis Presley's role in furthering the popularity of high-rise revolving dining at the Space Needle; and consider the particular appeal of ‘high attractions in low rise cities'...  But wait! There's more! To unlock another FIVE MINUTES of this episode, join

We're doing a book give away. All you need to do is leave us a review on Apple Podcast, share what you learned from listening to Kellys' chat with me, then take a screenshot of your review, and email us at curiousstory21@gmail.com. From this pool we will randomly select two winners, for Black, Brown, Latinx Design Educators. Please don't just say I like this book, we need you to share more in your review. And this is a great book.In Part 1 of our two part episode, Building New Forms of Knowledge, I chat with Kelly Walters. A designer, curator, writer and educator, she is currently a Professor at Parsons the New School in New York City, where she teaches Graphic Design, and Visual Culture. Walters takes a deep dive, sharing her critical voice on the intersection of visual culture, design and race, plus a look at her curatorial practice.SponsorsPoster House Museum, the only museum devoted entirely to preserving Posters. Add in middle of EpisodeFind more on Curious Story LabWebsite: Curiousstorylab.comTwitter: @curiousstorylabInstagram: @curiousstorylabEmail me: curiousstory21@gmail.comCredits:Creator & Host: Michele Y. WashingtonProducer: Alicia Ajayi @aliciaoajayiEditor: Angelina BrunoSound Engineer + Music: Joanna SamuelsFollow us on Spotify or Apple Podcast or wherever you listen to your favorite podcastCredits::For our more on Kelly Walters: Bright Polka DotBlackExperienceinDesign.comInstagram: Bright Polk DotBlack Visual CulturalTwitter: @brightpolkadotBooks:Black, Brown, Latinx Design Educators: Conversations on Design and Race, (Princeton Architectural Press, 2021)Black Experience in Design: Identity, Expression + Reflection, Co-Editor(Allsworth Press, 2022)Exhibitions: Cast of Colored Stars, Parsons the New School, January 24 -March 01, 2022 Writings:Open Dialogue: Artists + Designers of Afro-Caribbean DescentOn Breaking Down Power Structures, Navigating Tokenism + Building Community in Design Education, Co-Authored with Anoushka Khandwala

Mid-century Industrial designer Russel Wright and his wife, Mary, built a unique home they called Dragon Rock at Manitoga - it is situated on forested woodlands, at the edge of an abandoned quarry in Garrison - a hamlet in New York's Hudson Valley. Dragon Rock at Manitoga is part of the Historic Artists' Homes and Studios program of the National Trust for Historic Preservation and Princeton Architectural Press has recently released a beautiful coffee table book about the home and landscape and the people who made it and lived there.“Russel and Mary Wright: Dragon Rock at Manitoga” is by Jennifer Golub - published by Princeton Architectural Press.

Pat welcomes photographer and author Lisa S. Johnson back to the show to discuss her awesome new book "Immortal Axes: Guitars That Rock."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Madison authors, topics, book event and publishers.Stu Levitan deviates a bit from that concept today with his guest Lisa S. Johnson because she's got a new book out which you might want to know about for your holiday gift-giving or gift-asking needs. The book is Immortal Axes, Guitars That Rock, an absolutely gorgeous coffee table photography book focusing on some of the most important guitars in modern music – guitars played on seminal recordings and at historic events – and even some concerts in Madison — by the likes of Les Paul, Jimi Hendrix, Jimmy Page, Duane Allman, B.B. King, John Lennon, Paul McCartney, George Harrison, Phil Lesh, Johnny Cash and more, 157 guitarists in all, 350 pages of high-end photographs and insightful short essays, plus a Forward by Peter Frampton and an afterward by Suzi Quatro. The book is published by the good people at Princeton Architectural Press.Lisa S Johnson followed a somewhat circuitous route to becoming one of the pre-eminent photographers in a very rarified field.She traveled solo around Europe and South Africa for seven months as she was turning 21, went back home to Canada and got a hotel job in the icy and isolated North West Territories. Then two years at an exclusive private club in Edmonton before transferring to Florida where she put herself through college studying photography. Naturally, she ended up with a job at a private photo lab with the necessary security clearance to handle material for NASA and various defense contractors. Then a decade with the Eastman Kodak company before the corporate world started to get her down.After injuring her neck, she took up Kundalini yoga, and took to it so well she quit her job at Kodak and opened up two yoga studios in Las Vegas, where she continues to live. All the while, though, she was continuing with her photographic pursuits, but now, thanks indirectly to her father's interest in a 1917 Gibson mandolin, with a new focus– guitars. The lure of the modern lyre was so great she sold her studios to concentrate on a guitar project, and in 2013 published her first book, 108 Rock Star Guitars – the number itself a nod to various spiritual aspects of yoga. This new book expands the area of interest to include guitars notable for their custodian's contributions to country, jazz and blues.Lisa S. Johnson's website is immortalaxes.com, her twitter handle is lsjrockphotos. It's a pleasure to welcome to Madison BookBeat, Lisa S Johnson.

Back in 2013, photographer Lisa S. Johnson released 108 Rock Star Guitars, and it was a unique book. She photographed some of the most hallowed guitars in history from the likes of Jimmy Page, Jeff Beck, and Keith Richards. But, she went a step further, often zooming in on a worn fretboard, or flipping the guitar over to see sweat stains on the back of the body. By focusing on each guitar as a piece of art, it gave us a deeper appreciation for both the instrument, and the artist who played it. Now, Johnson is back with another one, Immortal Axes, Guitars That Rock, and she's captured some great ones, among them, the guitar Jimi Hendrix played at Woodstock, Duane Allman's Les Paul, Kurt Cobain's smashed but repaired Strat, even John Lennon's acoustic that he played during his “Bed In For Peace.” The 388, full color, hardback book is out from Princeton Architectural Press and would make a great gift for any guitar enthusiast. We talked how Johnson tracked down many of these guitars, including one of her idols, Joan Jett. Plus, we talk Peter Frampton, who wrote the foreword, and Suzi Quatro, who penned the Afterword, and how the two are related.

This episode is supported by Brizo • Monograph • Miele • Graphisoft Jimenez Lai was born in Taiwan, came of age in Canada, and lives in Los Angeles. He works at Bureau Spectacular. Previously, Lai lived in a desert shelter at Taliesin and resided in a shipping container at Atelier Van Lieshout on the piers of Rotterdam. Lai's work focuses on the relationship between storytelling and architecture. His first book, Citizens of No Place, a graphic novel, was published by Princeton Architectural Press. Draft II of this book has been archived at the New Museum. Bureau Spectacular was a past participant of the Chicago Architecture Biennial in 2015 and 2017. Lai has won various awards, including the Architectural League Prize for Young Architects and Debut Award at the Lisbon Triennale, and the 2017 Designer of the Future Award at Art Basel. In 2014, Lai represented Taiwan at the 14th Venice Architecture Biennale. In 2015, Lai organized the Treatise exhibition and publication series at the Graham Foundation. Lai has taught at various universities around the world, including Cornell, National University of Singapore, University of Southern California, UCLA, and Columbia University.  Lai's work has been collected by MoMA, SFMOMA, Art Institute of Chicago, and LACMA.    Bureau Spectacular imagines other worlds and engages design through telling stories. Beautiful stories about character development, relationships, curiosities, and attitudes; absurd stories about impossible realities that invite enticing possibilities. The stories conflate design, representation, theory, criticism, history, and taste into cartoon pages. These cartoon narratives swerve into the physical world through architectural installations, designed objects, interiors, and architecture.   SUBSCRIBE  • Apple Podcasts  • YouTube  • Spotify CONNECT  • Website: www.secondstudiopod.com • Instagram • Facebook • Twitter  • Call or text questions to 213-222-6950 SUPPORT Leave a review :) EPISODE CATEGORIES  •  Interviews: Interviews with industry leaders.  •  Design Companion: Informative talks for clients.   •  After Hours (AH): Casual conversations about everyday life.  •  Design Reviews: Reviews of creative projects and buildings.  •  Fellow Designer: Tips for designers.

Rick Joy is the founder and principal of Studio Rick Joy.He is considered an important contributor to the ongoing global discourse on conceptual and sustainable architecture. His work expressed innovation and exactitude in modernism and reflects a unique sense of place.Honors include receiving the American Academy of Arts and Letters Award in Architecture 2002 and in 2004 winning a prestigious National Design Award from the Smithsonian Institute/Cooper-Hewitt Museum.In 2015, Rick was vested into the American Institute of Architects' College of Fellows and the Royal Institute of British Architects RIBA International College of Fellows.He was inducted into the Interior Design Hall of Fame in a Javits Center event in 2019.The studio's first monograph, Desert Works, was released by Princeton Architectural Press in 2002 and the second, Studio Joy Works, was released in 2018.He is also the co-owner of CLL Concept Lighting Lab with his partner Claudia Kappl Joy. CLL provides full-service lighting design for all SRJ projects in addition to outside firms.Originally from Maine, he studied music and was a classical percussionist and rock/blues drummer until the age of 28 when he moved to Tucson to study Architecture. See acast.com/privacy for privacy and opt-out information.

Today we celebrate an old poet who loved gardens, We'll also learn about an inventor and architect who created a large machine to help move established trees during the establishment of Prospect Park. We hear a delightful excerpt about a purée of spring vegetables. We Grow That Garden Library™ with a beautiful set of Paper Flower Cards - a little stationery set for the gardener today. And then, we’ll wrap things up with a British philosopher, mathematician, and author who won the 1950 Nobel Prize for literature. He spent a great deal of time studying happiness, and no surprise - he found it in a garden.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Curated News Gardening 101: Solomon’s Seal | Gardenista | Marie Viljoen   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group.   Important Events May 18, 1048 Today is the birthday of the Persian mathematician, astronomer, and poet Omar Khayyam (“Ky-yem”). In 1859, the British writer Edward FitzGerald translated and published Omar’s signature work, The Rubáiyát (“Rue-By-yat”). In The Rubáiyát, Omar wrote some beautiful garden verses: I sometimes think that never blooms so red The rose that grows where some once buried Caesar bled And that every hyacinth the garden grows dropped in her lap from Some once lovely head. Today in Iran, tourists can visit the beautiful mausoleum of Omar Khayyam and the surrounding gardens. And gardeners in zones 4-9 can grow a pretty pink damask rose named Rosa 'Omar Khayyam.' Over on the Missouri Botanical Garden website, they report that, “'Omar Khayyam' ... is reputed to have grown on the tomb of Omar Khayyam in Persia, [and] was brought to England by William Simpson, an Illustrated London News artist, and in 1893 was planted on the grave of Edward Fitzgerald, who translated the Rubaiyat of Omar Khayyam into English. According to the Modern Roses 12 database of the American Rose Society, it was registered in 1894. It is a small, dense shrub with grayish-green, downy foliage and numerous prickles. Its clear pink, double flowers are 2 in. wide with a small center eye and 26 to 40 petals. Blooming once per season in late spring to early summer, the flowers are moderately fragrant and in groups of 3 to 4. 'Omar Khayyam' grows 2 to 3 ft. tall and wide.”   May 18, 1839 Today is the birthday of the American civil engineer, landscape architect, inventor, and plantsman John Yapp Culyer. John was commissioned to work on parks in major cities across America - like Chicago and Pittsburgh. He was the Chief Landscape Engineer of Brooklyn’s Prospect Park, which opened to the public in 1867. During his time at Prospect Park, John invented a machine to help relocate large trees. His impressive tree-movers (he had two of them built) moved established trees and placed large specimen trees from nurseries. In February 1870, the Brooklyn Eagle reported that John’s tree-moving machines had relocated 600 trees - a feat in scope that had never been attempted. To aid with pruning old-growth forest trees, John invented the extension ladder. John’s ladders would stand on a platform and extend over fifty feet in the air. The New York Historical Society shares photos of John’s workers on these ladders, and the images are breathtaking - the danger of working on those ladders is so obviously apparent.   Unearthed Words “Beef consommé or purée of spring vegetables," she read aloud. "I suppose I'll have the consommé." "You'd choose weak broth over spring vegetables?" "I've never had much of an appetite." "No, just listen: the cook sends for a basket of ripe vegetables from the kitchen gardens- leeks, carrots, young potatoes, vegetable marrow, tomatoes- and simmers them with fresh herbs. When it's all soft, she purées the mixture until it's like silk and finishes it with heavy cream. It's brought to the table in an earthenware dish and ladled over croutons fried in butter. You can taste the entire garden in every spoonful.” ― Lisa Kleypas, a best-selling American author of historical and contemporary romance novels, Devil's Daughter Grow That Garden Library Paper Flowers Cards and Envelopes: The Art of Mary Delany by Princeton Architectural Press   “Each exquisite paper flower in this elegant collection blooms with extraordinary detail and color. Eighteenth-century British artist Mary Delany created each piece by cutting and layering tiny pieces of paper on black ink backgrounds. The fine shading and depth are as intricately detailed as a botanical illustration and scientifically accurate as well. Printed on thick, textured paper, the set features sunflowers, rhododendron, cornflower, water lilies, and more. Perfect for any occasion that warrants beauty and sophistication.” You can get a set of Stationery featuring The Art of Mary Delany by Princeton Architectural Press  and support the show using the Amazon Link in today's Show Notes for around $15   Today’s Botanic Spark Reviving the little botanic spark in your heart May 18, 1872 Today is the birthday of the British philosopher, mathematician, pacifist, and author Bertrand Russell. Bertrand won the Nobel Prize for Literature in 1950 for his work called A History of Western Philosophy (1945). One of Bertrand’s first works was about happiness and how to find it. He wrote, “Anything you're good at contributes to happiness.” Bertrand also wrote: “I've made an odd discovery. Every time I talk to a savant I feel quite sure that happiness is no longer a possibility. Yet when I talk with my gardener, I'm convinced of the opposite.” And “The happiest person I have ever known is my gardener, who each day wages war to protect vegetables and flowers from rabbits.” As for the cure for anxiety, Bertrand once told this story, “I knew a parson who frightened his congregation terribly by telling them that the second coming was very imminent indeed, but they were much consoled when they found that he was planting trees in his garden.” When it came to the natural world, Bertrand recognized the limits of the earth’s natural resources, and he liked to say, "It's co-existence or no existence." It was Bertrand’s study of happiness that led him to recognize the power of hope. He wrote, "Man needs, for his happiness, not only the enjoyment of this or that but hope and enterprise and change." Bertrand hoped that humankind would get smarter about the natural world and our planet. He wrote, “The world is full of magical things patiently waiting for our wits to grow sharper.”   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

Unencumbered Voices in Curated Spaces: Inspired by the life & work of Sir Frank Bowling - a three-part summer podcast series, investigating freedom of expression today and throughout art history.This first episode in a special series of conversations from Shade, supported by Hauser & Wirth, is with Silas Munro—LA-based critic, writer and partner of graphic design studio Polymode.Silas Munro’s past collaborations include the City of LA Mayor’s Office, Cooper Hewitt Smithsonian Design Museum, Mark Bradford at the Venice Biennale, and MoMA. Munro’s writing appears in the book, ‘W. E. B. Du Bois’s Data Portraits: Visualizing Black America’ published by Princeton Architectural Press. He has been a visiting critic at MICA, RISD, and Yale. Munro is Founding Faculty and Chair Emeritus at Vermont College of Fine Arts. Founded in 2014, Polymode is a studio that leads the edge of contemporary graphic design through poetic research, learning experiences, and making cool shit for clients in the cultural sphere, innovative businesses, and community-based organizations.‘Frank Bowling. London / New York’ is on view Hauser & Wirth New York, 22nd Street from 5 May and Hauser & Wirth London from 21 May 2021. Shade Podcast is produced and hosted by Lou MensahEditing and sound design by CA DavisMusic by Brian JacksonSeries supported by Hauser & Wirth See acast.com/privacy for privacy and opt-out information.

This episode is Part 2 of my conversation with Phil Sanders, author of Prints and Their Makers, a new book out from Princeton Architectural Press about artists and master printers and the processes that bring them together. If you haven't heard Part 1, it precedes this episode in your feed so I encourage you to catch up before listening to this installment of The Print Cast. If you are all caught up, then today is a treat for you because we're about to embark on a lengthy Let's Get Technical segment regarding relief printing, and other logistical things related to print publishing. Since it is rare that I have a guest like Phil, I wanted to indulge a bit over how to approach making a relief or block print, and he offers up some really helpful tips regarding printing, prepping, and even some creative ideas that might help you transcend your current working process. At the end Phil tells us about where you can find his new book, and I encourage you to go out and pick up a copy. Find your local art book dealer and see if they have it, or feel free to order direct from my guest Phil Sanders. He even offers some collector editions which include hand pulled prints to go with this hefty addition to your print book collection.

Witnessing Stages of Human Culture is my story about global citizens who traditionally have always expressed themselves through the tenets and platforms of culture especially within the precincts of Prehistory, Stone Age, Ancient History, Classical Antiquity, Post classical history, Middle Ages, Modern history, and or Contemporary history.Metaphorically speaking my story is analysed through my lens as an Author, Student of Film, Media Arts Specialist, License Cultural Practitioner and Publisher My cognition was activated when I focus my lens and framed an extreme close-up on the Neolithic Age a number of things happened. iMovie and Devgro Media Arts ServicesPresent A Production In Association With iMovie WITNESSING STAGES OF CULTURE © 2021 PODCAST ISBN 978-976-96579-7-7WORKS CITED"Oldest tool use and meat-eating revealed | Natural History Museum". 18 August 2010. Archived from the original on 18 August 2010.Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. ... The term contemporary history has been in use at least since the early 19th century.Gittens,William Anderson Author, Cinematographer Dip.Com., Arts. B.A. Media Arts Specialists’ License Cultural Practitioner, Publisher,CEO Devgro Media Arts Services®2015,Editor in Chief of Devgro Media Arts Services Publishing®2015Grafton, Anthony; Rosenberg, Daniel (2010), Cartographies of Time: A History of the Timeline, Princeton Architectural Press, p. 272, ISBN 978-1-56898-763-7https://en.wikipedia.org/wiki/List_of_time_periods https://blog.bricsys.com/who-invented-the-wheel-a-brief-history/https://en.wikibooks.org/wiki/Wikijunior:How_Things_Work/Wheelhttps://en.wikipedia.org/wiki/Ancient_historyhttps://en.wikipedia.org/wiki/Classical_antiquity#:~:text=Classical%20antiquity%20(also%20the%20classical,as%20the%20Greco%2DRoman%20world.https://en.wikipedia.org/wiki/Neolithichttps://en.wikipedia.org/wiki/Neolithic_Revolution#:~:text=Their%20diet%20was%20well%2Dbalanced,by%20the%20hunter%2Dgatherer%20lifestyle.https://en.wikipedia.org/wiki/Post-classical_history#:~:text=Post%2Dclassical%20history%20(also%20called,Ages%2C%20which%20is%20roughly%20synonymous.&text=Gunpowder%20was%20developed%20in%20China%20during%20the%20post%2Dclassical%20era.https://en.wikipedia.org/wiki/Stone_Age#:~:text=The%20Stone%20Age%20was%20a,with%20the%20advent%20of%20metalworking. https://en.wikipedia.org/wiki/Timelinehttps://study.com/academy/lesson/neolithic-age-definition-characteristics-time-period.htmlhttps://wwnorton.com/college/english/nawest/content/overview/middle.htm#:~:text=During%20the%20Middle%20Ages%2C%20classical,emerge%20during%20the%20Middle%20Ages.https://www.britannica.com/event/Neolithichttps://www.communicationtheory.org/framing/ https://www.history.com/topics/pre-history/neolithic-revolutionhttps://www.livescience.com/21478-what-is-culture-definition-of-culture.htmlhttps://www.physicsclassroom.com/class/newtlaws/Lesson-4/Newton-s-Third-Law#:~:text=Formally%20stated%2C%20Newton's%20third%20law,force%20on%20the%20second%20object.https://www.quora.com/What-is-the-difference-between-timeframe-and-timelineOne of the remarkable achievements of the Neolithic Period was the ...www.toppr.com › ask › question › one-of-the-remarkableFirst Edition © 2021 All rights reserved.No part of this publication may be reproduced, stored in re-trieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without tSupport the show (http://www.buzzsprout.com/429292)

Bob Eckstein of NY & Lake Ariel, PA, author, cartoonist, illustrator & educator, speaking about the year 2020 and creating cartoons during a pandemic, about new year's resolutions, about his new book, "All's Fair in Love & War: The Ultimate Cartoon Book by the World's Greatest Cartoonists" issued by Princeton Architectural Press--www.papress.com/ To sign up for Bob's free newsletter: eckstein@pipeline.com www.bobeckstein.com/

三年前 Futura 问世九十载，我们谈论了这款传奇字体和它的设计师，以及世人如何运用这款字体。今天，我们将向大家介绍一部谈论这款传奇字体的著作和它的中译本《千万别用 Futura》，以及两位嘉宾——俞佳颖和厉致谦——如何翻译这本书。 参考链接 字谈字畅 045：九十年前的未来字 Douglas Thomas, Ellen Lupton (Foreword). Never Use Futura. Princeton Architectural Press, 2017 道格拉斯·托马斯著；厉致谦、俞佳颖译．《千万别用 Futura：百年传奇字体的前世今生》．上海人民美术出版社，2020 “How a typeface helped launch Apollo”，Douglas Thomas 在 TED 的演讲 阿波罗计划（Apollo program），NASA 主持的载人登月项目 Futura，Paul Renner 于 1927 年设计的几何无衬线字体， Bauer Type Foundry 出品 Lyon，Kai Bernau 设计的衬线体家族，Commercial Type 出品 Futura Now，基于 Futura 复刻的字体家族，Steve Matteson、Terrance Weinzierl、Juan Villanueva 设计，Monotype 出品 嘉宾 俞佳颖（Ellen）：《千万别用 Futura》联合译者，常年游走于品牌营销和设计师之间的朦胧地带 厉致谦：以设计为原点的多领域的研究和实践者；3type 联合创始人，The Type 撰稿人，上海活字项目发起人；《千万别用 Futura》联合译者 特别来客 道格拉斯·托马斯（Douglas Thomas）：美国设计师、历史学家、作家，杨百翰大学平面设计系助理教授；《千万别用 Futura》（Never Use Futura）作者 主播 Eric：字体排印研究者，译者，The Type 编辑 蒸鱼：设计师，The Type 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com​。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com​。 The Type 会员计划已上线，成为我们的会员，即可享受月刊通讯、礼品赠送、活动优惠以及购物折扣等权益。

Elements of Floral Style  Christin Geall   Cultivated... Christin Geall is a Canadian floral designer, writer, gardener, photographer, and author of the book Cultivated: Elements of Floral Style (Princeton Architectural Press, 2020). Trained in horticulture at the Royal Botanic Gardens, Kew, she completed a BA in Environmental Studies & Anthropology and a MFA in Writing before becoming a gardening columnist for Gardenista, a professor, and designer... Full Show Notes Interview Links: WEBSHOP INSTAGRAM BOOK   Let's stay connected @vivalafloralive Thank You for Listening!  Don't forget to leave us a review, we truly appreciate your feedback and support!!!    ~Anahit    Thanks Our Sponsors & Supporters 411 Floral Floral Success Institute    Viva La Flora Designs  

Burning Questions with Jason Griffiths explores the topic of climate change and how engineered lumber can help architects and designers achieve a more sustainable world. Our guest, Jason Griffiths received his Master’s in Architecture with distinction from the Bartlett School of Architecture, UK, in 1994 and began a career that mixed practice with teaching and competition work. After his first competition win, he was invited to teach with Sir Peter Cook on the Bartlett’s M. Arch. and Dip 9 Unit with Professor David Greene. During the 90s he built a portfolio of competition prizes and teaching positions in London and Oxford. He co-directed graduate studies at the University of Westminster and was senior lecturer at Oxford Brookes University. In 2003 he moved to North America and taught at the Tech de Monterrey, University of Texas at Austin, Iowa State University and Arizona State University. He has also held visiting positions at ESTAM in Madrid, the AA Visiting School in Chengdu, Sharda University in Delhi and Nirma University in Ahmedabad and from 2017-19 was professor of summer immersion at The School of Architecture at Taliesin in Wisconsin. Griffiths has lectured widely throughout Europe, Asia and North America. Griffiths’ teaching career is paralleled with architectural competition work winning prizes in eleven competitions including first prize in both the AA FAB 2009, Temple of Laughter, Millennium Café competitions. Other competition prizes include Future Visions of Kyoto, Aomori Housing, Shinkenchiku Residential Design (three times) and the Oklahoma Memorial. In 2018 he established PLAIN Design-Build to integrate engineered lumber construction with design-build pedagogy at the University of Nebraska in Lincoln. He is responsible for the first three CLT buildings within Great Plains region with projects for The Baxa Fellowship Residence, the South Sioux City Orchard Facility and the Santee Sioux Child Resource Center. Other projects include Emerge at the Bauman Tree Farm in Eugene, Oregon, and Mazo in Wisconsin along with recent projects in Delhi and Ahmedabad. His work with PLAIN has been recognized by 2017 WoodWorks/ Wood Products Council Wood Design Award, the 2019 and 2020 ACSA Design-Build Awards. Griffiths also received a 2017 USDA Forest Service Wood Innovations grant and 2020 Nebraska Environmental Trust grant. Griffiths’ book Manifest Destiny – A Guide to the Essential Indifference of American Housing” Published by the Architectural Association Press explores a visual anthropology of the North American suburbs. Following its publication Mr. Griffiths received the Deutsches Architekturmuseum (DAM) book award (Typology) at the Frankfurt Book Fair and was included as one of the ten entries in “2011 year in review: Best in architecture” by Los Angeles Times architecture critic Christopher Hawthorne. Other publications include chapters in recent issues of 306090 through Princeton Architectural Press, Volume Magazine, Mas Context and regular contributions to UnCube. He has also been published in AA Files, Architecture, JA, JAE and the Sunday Times. Griffiths’ professional practice is based on a multidisciplinary approach to architecture working through buildings, competitions, public art, writing and photography. Built work includes The Lowest House and the Duerinckx Residence along with public art and furniture installations for the City of Tempe. He has exhibited work in London and North America including the solo exhibition Not What We Bought at Project Row Houses in Houston.

Ayden LeRoux is an interdisciplinary artist, writer, critic, and educator whose work explores embodiment, eroticism, and illness, in order to complicate narratives about gender, sexuality, and family structures. Her essays, fiction, and translation have been published in Guernica, Catapult, Electric Lit, Los Angeles Review of Books, Cosmonauts Avenue, Palimpsest, edibleManhattan, and Alchemy, among others. She is the Assistant Director of Odyssey Works, a collaborative performance group, and the author of Odyssey Works: Transformative Experiences for an Audience of One (co-written with Abraham Burickson, Princeton Architectural Press, 2016) and Isolation and Amazement (Samsara Press, 2013). Their work has been features in The New York Times, ArtInfo, Newsweek, BOMB, Hyperallergic, the Marina Abramovic Institute, Vulture, NPR's Studio 360, Fast Company, and San Francisco Magazine. She teaches Disability and Popular Culture at UCSD.

In this very unusual back-to-school season here in the US, we’re joined this week by Julie Cerny a gardener, an outdoor enthusiast, and educator. Her new book, The Little Gardener: Helping Children Connect with the Natural World (out now from Princeton Architectural Press) provides some unusual and inspirational guidance for parents, grandparents, caregivers, and educators who want to help children explore the natural world through gardening. Part how-to, part teaching tool, and part inspiration, The Little Gardener shows gardeners of all ages how to envision and build their garden together by making the process an adventure to be treasured, with much to learn along the way. Cultivating Place now has a donate button! We thank you so much for listening over the years and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, Google Play and Stitcher. To read more and for many more photos please visit www.cultivatingplace.com.

Abraham Burickson Episode 3 Show NotesOur conversation was taped on May 29, 2020.In this episode, I speak Abraham Burickson the co-founder and artistic director of Odyssey Works. An organization that designs immersive experiences for an audience of one that’s interdisciplinary, and poised on the boundary between art and life.In our conversation, we discuss the challenges of crafting and executing Odysseys, the power of performance art, and the future of individualized immersive experiences in the age of zoom. Trained as an architect of buildings, Abraham translates his experience into being an architect of experiences. He discusses his time working with the Whirling Dervishes in New York and Turkey, Odysseys past and present, and their transcendental effects on the participant.About Abraham: Abraham Burickson is the co-founder and Artistic Director of Odyssey Works, an interdisciplinary performance group that makes bespoke performances for one-person audiences. Trained in architecture at Cornell University, Burickson’s work spans writing, design, performance, and sound art. For more than a decade with Odyssey Works, he has continually sought to push the boundaries of interdisciplinarity and participatory art, working in collaboration with poets, actors, sound artists, composers, psychologists, designers, architects, filmmakers, and more in an attempt to develop an artistic process that is as rigorous in its craft as it is devoted to the continual re-evaluation of traditional form. Since 2002, the group has produced work in New York, San Francisco, Austin, Ithaca, and Seattle. In 2009 he started the Odyssey Lab, a series of intensive interdisciplinary retreats devoted to the study of basic questions in art. He is the winner of the 2018 Mary Sawyers Baker Prize, and his work has been profiled in the New York Times, Vulture, FastCompany, KALW, ArtInfo, the Stanford Storytelling Project, the SF Bay Guardian, SF Weekly, ARTE television, Metro NY, The Alcalde, and elsewhere. He has lectured at such places as the Brooklyn Museum, Cornell University, Fordham University, The GoGame, and Southern Exposure Gallery. In 2010, Charlie, a collection of his poems, was published on Codhill Press. His book, co-written with Ayden LeRoux, Odyssey Works:Transformative Experiences for an Audience of One, was published by Princeton Architectural Press in 2016.About Odyssey Works:Imagine waking up to find yourself immersed in a performance that is all about you. Since 2001, Odyssey Works has been creating immersive, durational experiences for an audience of one. Our team is made up of artists in dozens of disciplines who study the life of one individual and use whatever means necessary to create intimate, meaningful performances that last days, weeks, or months, and occur not on a stage but interwoven with the life of our audience of one. The experiences are transformative; most of our participants change jobs, move, make new commitments to loved ones shortly after their Odysseys.Odyssey Works Website: http://www.odysseyworks.org/Odyssey Works: Transformative Experiences for an Audience of One publication page: http://www.odysseyworks.org/publicationsMusic credit: Maurice Ravel's String Quartet in F major - II. Assez vif, très rythmé produced by the Isabella Stuart Gardener Museum (issued under a Creative Commons License).

Tippet Rise was created in the spirit of celebrating life on the land. It welcomes the people who cultivate the soil, the good stewards, the people who love the land.Additional texts from _Cosmology Brought Down to Earth_ by Peter Halstead. Halstead, Peter and Cathy. _Tippet Rise Art Center_. New York, Princeton Architectural Press, 2018.Engineered by Jim Ruberto and Monte NicklesProduced, Narrated, and Music by Zachary Patten

Music is not about notes. Sculpture is not about shapes. Land is not only about dirt. They’re metaphors that operate just over the horizon, just out of sight, on the tips of our tongues, not entirely visible. Based on the essay _The Synergies of Tippet Rise_ by Peter Halstead. Halstead, Peter and Cathy. Tippet Rise Art Center. New York, Princeton Architectural Press, 2018.Mixing Engineers: Jim Ruberto and Monte NicklesPhoto: The synergy of sky, sculpture, land, and light. By Erik Petersen. Producer and Narrator: Zachary Patten

ABSTRACT Global Citizens’ idiosyncratic intellect of power often has greater influence on behaviour than the amount of power one actually possesses. Presumably power may be determined in part by global citizens’ style of information processing. Especially since the power of black and white and colour is culture because they are of philosophical interest which are predicated on the theory every Action there is always an equal Reaction. For example Shortly after photography’s monochromatic inception in the early 1800s, enthusiasts began experimenting with color photography. Although the response is verbalized yet it is also ventilated through the theoretical abstract Colour.It should be noted that there is a view that Colour can cultivate thoughtful philosophical issues, concerning the nature both of natural reality and of the mind is the power of black and white and colour a footprint in cultureWilliam Anderson GittensAuthor, Dip., Com., Arts. B.A. Media Arts Specialists’ License Cultural Practitioner, Publisher, CEO Devgro Media Arts ServicesISBN978-1-64871-328-6"Now You See It and Other Essays on Design." Princeton Architectural Press. New York. November 7,1996.https://photography-on-the.net/forum/showthread.php?t=1072106http://neiloseman.com/understanding-colour-temperature/Ball,2004.Foss,2009 • Category: Casey's Cornerhttps://www.tandfonline.com/doi/abs/10.1080/10508406.1991.9671973Chigbu,2013). "Visual Rhetoric: An Introduction for Students of Visual Communication". AIGA - Colorada. Retrieved March 31,2014). "Attraction and Persuasion in Advertising - A Beginner's Guide to Visual Rhetoric". LinkedIn. Archived from the original on 2016-12-30.Hill,2017.https://www.poemhunter.com/poem/all-the-world-s-a-stage/https://www.lightsfilmschool.com/https://theconversation.com/explainer-mise-en-scene-27281https://www.howstuffworks.com/about-author.htm#chandlerhttps://www.worldatlas.com/articles/what-are-the-differences-between-heritage-culture-and-tradition.htmlGittens,2018). "The Average Film Director Salary Per Movie". Career Trend. Leaf Group. Retrieved February 28,2019.Pascal Kamina (2002). Film Copyright in the European Union. Cambridge University Press. p. 153. ISBN 978-1-139-43338-9.https://en.wikipedia.org/wiki/Film_directorhttps://en.wikipedia.org/wiki/Paradoxhttps://en.wikipedia.org/wiki/Clich%C3%A9#cite_note-2Short Story Library Thick skin and writing,2019.https://blogs.lse.ac.uk/businessreview/2018/05/14/what-power-does-to-you-the-psychological-consequences-of-power/https://courses.lumenlearning.com/boundless-sociology/chapter/culture-and-adaptation/https://www.etymonline.com/word/culturehttps://www.livescience.com/21478-what-is-culture-definition-of-culture.htmlhttps://en.wikipedia.org/wiki/Black_and_whiteRobertson,Arts. B.A. Media Arts Specialists’ License Cultural Practitioner,Arts. B.A. Media Arts Specialists’ License Cultural Practitioner,Author,Barbara (December 27,Barthes (1977). Image,Billboard Books,Bruce. Boston: Bedford Books of St. Martin's Press. 1990. pp. 22. ISBN 9780312003487. OCLC 21325600.Roland.,CEOhttps://en.wikipedia.org/wiki/Visual_rhetorichttps://plato.stanford.edu/entries/color/https://towardsdatascience.com/to-every-action-theres-not-always-an-opposed-equalhttp://www.photographyvox.com/a/color-vs-black-and-white-photography/http://www2.vobs.at/ball-online/Topics/COLOURS/Project_colours.htmhttps://twp.duke.edu/sites/twp.duke.edu/files/file-attachments/photography.original.pdfGittens.William Anderson,CEO Devgro Media Arts Services ISBN978-1-64570-044-9htSupport the show (http://www.buzzsprout.com/429292)

This week hosts Afra and Izzy nerd out about Edward Norton’s 2019 film “Motherless Brooklyn” with our special first-time guest, DK-an architect based in New York. The neo-noir film touches on a lot of topics we love to talk about: the fight for racial equality in the U.S., the urban plan3ning history of NYC, housing rights in the past and at present. The movie may not be the most famous one coming out of the last award season, but it’s a lovingly crafted story with a lot of ambition and heart. Please find it and watch it if possible. In this episode, you will hear about:Why noir films have a gender problem, and how Motherless Brooklyn approaches thatJane Jacobs vs. Robert Moses, death and life of great American cities What happened to Penn Station?Housing rights then and now (this sounds like a one-semester course, oops)What’s lost in China’s frenzy of housing development/urbanization? Is Edward Norton living by his principles? A rhetorical question.The impossible choice between Ed Norton and Brad Pitt, both at the height of their beauty. (Afra and Izzy disagree.)Links：https://www.amazon.com/Power-Broker-Robert-Moses-Fall/dp/0394720245DK: Book RecommendationsStemen, Sara. Projects and Their Consequences. Princeton Architectural Press, 2019.Miles, Mike E., et al. Real Estate Development: Principles and Process. Urban Land Institute, 2015.Koolhaas, Rem. Delirious New York. 1980.JACOBS, JANE. DEATH AND LIFE OF GREAT AMERICAN CITIES. THE BODLEY HEAD LTD, 2020.Find Loud Murmurs in the iTunes podcast store, Google Play, Spotify, and wherever you listen to podcasts (e.g. Pocket Casts, Overcast)! Please subscribe, enjoy, and feel free to drop us a note and leave us a review. RSS feed: https://feeds.buzzsprout.com/258327.rss Itunes: https://apple.co/2VAVf0Z Google play: goo.gl/KjRYPN Spotify: https://spoti.fi/2IWNuRB Pocket Cast: http://pca.st/nLid Overcast: https://bit.ly/2SL7MNJ Please consider supporting us on Patreon: https://www.patreon.com/loudmurmurs. Support the show (https://www.patreon.com/loudmurmurs)

So many people have reached out to express how the CP podcast is more important to them than ever. So even as this global crisis continues, so too Women’s History month on Cultivating Place continues. This week with Christin Geall, writer, floral designer, flower farmer, home gardener and author of Cultivated: The Elements of Floral Design, out this week from Princeton Architectural Press. There has never been a better time to be a gardener. Take Care of yourself and your communities, wash your hands, and keep gardening. Together – even distant – we grow. Listen in and share! Cultivating Place now has a donate button! We thank you so much for listening over the years and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, Google Play and Stitcher. To read more and for many more photos please visit www.cultivatingplace.com.

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his...

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harold Holzer has written a biography of one of America’s greatest public artists of the nineteenth and early twentieth century, Daniel Chester French.  In Monument Man: The Life and Art of Daniel Chester French (Princeton Architectural Press, 2019), Holzer chronicles the career of French, who became best known for his sculpture of Abraham Lincoln for the Lincoln Memorial in Washington, D.C.  French was born in 1850 and became one of the most sought after sculptors of portraits and thematic sculptures in America.  Holzer reveals French’s methods of creation and execution of his sculptural commissions, which included many notable works before the famous Lincoln Memorial.  Yet, the Lincoln Memorial and its place in the American imagination are a central feature of this book.  Holzer reveals how the statue had different political meanings to different audiences from the moment of it dedication. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Eckstein, Best-selling Author, Illustrator, Cartoonist & Snowman Expert, speaking about his new book, "The Ultimate Cartoon Book of Book Cartoons," published by Princeton Architectural Press, in anticipation of the Hawley Public Library's Annual Booklover's Bash on Saturday, April 13, 2019, at Silver Birches Resort, Lake Wallenpaupack, Hawley, PA., at 6:00 p.m. Dinner and Presentation of Eckstein's cartoons with Q & A and a book signing. www.waynelibraries.org 570-226-4620

Learn more : www.MeettheCreatives.Design Erik Marinovich is a San Francisco based lettering artist and designer, and is a co-founder of Friends of Type. Since 2009 he has drawn letters, logos and type for nice folks like: Nike, Target, Google, Hilton, Facebook, Sonos, Sharpie, The Criterion Collection, Air Canada, Gap, Ford Motor Company. In 2012 he co-founded Title Case, a creative work space that conducts workshops and lectures. Between client work, teaching and side-projects, you’ll find him on the road promoting Keep Fresh Stay Rad and Let’s Go Letter Hunting, two new releases from Friends of Type published by Princeton Architectural Press.

Using native plants to creatively interact with wildlife and avoid landscaping conflicts. In This Podcast: If you are a person who really cares about all wildlife and creatures great and small then it probably bothers you a lot if an animal is killed through human carelessness.  This is the podcast for you.  Nancy Lawson writes about smart gardening choices that can reduce the problems of invasive animals and insects, thereby reducing the need to cull or harm bothersome animals.  Even if you are not particularly protective of animals, she has ideas that can help reduce problematic visits and save your garden plants and veggies. Don't miss an episode! Click here to sign up for weekly podcast updatesor visit www.urbanfarm.org/podcast Nancy is a columnist for All Animals magazine, as well as the founder of Humane Gardener - an outreach initiative dedicated to cultivating compassion for all creatures great and small through animal-friendly, environmentally-sensitive landscaping methods. She speaks frequently to local & national audiences, and volunteers as both a master naturalist and master gardener in central Maryland. Nancy is the author of The Humane Gardener: Nurturing a Backyard Habitat for Wildlife, published by Princeton Architectural Press in April 2017 and highlighted in Oprah magazine, the Washington Post, and Library Journal Go to www.urbanfarm.org/humanegardener for more information and links on this podcast, and to find our other great guests.

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Sun comes back And the first quail calls Follow the Drinkin' Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin' Gourd. -“Follow the Drinkin' Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night,...

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices

When the Sun comes back And the first quail calls Follow the Drinkin’ Gourd. For the old man is a-waiting for to carry you to freedom If you follow the Drinkin’ Gourd. -“Follow the Drinkin’ Gourd” author unknown (possibly Peg Leg Joe) They left in the middle of the night, often carrying little more than the knowledge to follow the North Star. Between 1830 and the end of the Civil War in 1865, an estimated one hundred thousand slaves became passengers on the Underground Railroad, a journey of untold hardship, in search of freedom. Through Darkness to Light: Photographs Along the Underground Railroad (Princeton Architectural Press, 2017) presents a remarkable series of images following a route from the cotton plantations of central Louisiana, through the cypress swamps of Mississippi and the plains of Indiana, north to the Canadian border a path of nearly fourteen hundred miles. The culmination of a ten-year research quest, Through Darkness to Light imagines a journey along the Underground Railroad as it might have appeared to any freedom seeker. A person who explores her photography in this work may get the feeling they were actually there during this tumultuous time in American history. Framing the powerful visual narrative is an introduction by the author; a foreword by noted politician, pastor, and civil rights activist Andrew J. Young; and essays by noted historian Fergus M. Bordewich, journalism professor Robert F. Darden, and black studies scholar Eric R. Jackson. Author Jeanine Michna-Bales is a Dallas-based photographer. Her work explores the relationships between what has occurred, or is occurring, in a society and how people react to those events. She meticulously researches each topic considering different viewpoints, causes, and effects and political climates and often incorporates found or archival text and audio into her projects. Images from her Underground Railroad series have been exhibited throughout the United States and have appeared in numerous online and print publications. Her next book-length work will focus on the images and architecture of Cold War era nuclear fallout shelters in the United States. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org   Learn more about your ad choices. Visit megaphone.fm/adchoices

Martin Venezky is a graphic designer and educator based in San Francisco, California. Martin’s work blurs the boundaries between fine art, photography, collage, and commercial design. His studio Appetite Engineers ( http://www.appetiteengineers.com/ ) has created work for Adobe, Facebook, The New York Times, and Wired, as well as filmmaker Wes Anderson. A monograph of his work, It Is Beautiful...Then Gone, was published by Princeton Architectural Press in 2007. In 2015 Venezky was inducted into the esteemed Alliance Graphique Internationale (AGI). In this episode we discuss Martin's installation "Drops from a Faucet into a Pool" that he did at the Adobe HQ in San Francisco. This episode is sponsored by The Typographics Festival. To learn more, and purchase tickets, visit them at http://2017.typographics.com/ and enter promo code DISSECTION_50 when you checkout to save $50 off of your admission.

Jimenez Lai is the director of Bureau Spectacular, based in Los Angeles where he is also an Assistant Professor in the school of architecture at UCLA. Before founding Bureau Spectacular, Lai worked for various international offices, including OMA, as well as living and working in a desert shelter at Frank Lloyd Wright’s Taliesin and residing in a shipping container on the piers of Rotterdam at the enclave of Atelier Van Lieshout. In the past years, Lai began building structures at an architectural scale, including the Taiwan Pavilion at the 14th Venice Architectural Biennale for the exhibition which he curated, and a 52' tall object (pictured above) for the 2016 Coachella Valley Music Festival. Lai is widely exhibited and published around the world, including the MoMA-collected White Elephant. His first manifesto, Citizens of No Place, was published by Princeton Architectural Press with a grant from the Graham Foundation. Draft II of this book has been archived at the New Museum as a part of the show Younger Than Jesus. Amongst his other efforts, Lai organized the 14-volume Treatise publication series. Jimenez Lai’s work has been recognized with various awards, including the New York Architectural League Prize for Young Architects (2012) and the Debut Award at the Lisbon Triennale 2013. Lai is a graduate of the John H. Daniels School of Architecture, Landscape, and Design at the University of Toronto, and formerly an academic at University of Illinois.

"Is Climate an Architectural Design Problem?" Albert Pope is the Gus Sessions Wortham Professor of Architecture. He teaches in the school's Undergraduate and Graduate Program and is currently the director of the school’s Present/Future program.  Professor Pope holds degrees from SCI-Arc and Princeton, and taught at Yale University and SCI-Arc before coming to Rice. His design work has received numerous awards including national and regional awards by the American Institute of Architects as well as a design citation from Progressive Architecture. He is the recipient of numerous grants from a wide variety of funding agencies including the National Endowment for the Arts and the Shell Center for Sustainability. He is the author of the book-length study of the postwar American City, Ladders, recently reissued in a second edition (Princeton Architectural Press, 1997, 2015). Professor Pope has written and lectured extensively on the broad implications of post-war urban development. His current research addresses the urban implications of climate change. He is actively working on the formulation of new models of density in light of the extraordinary demands soon to be placed on the global urban environment.

This week on the Halftone my guest is Darius Himes. Over the course of his career Himes has been an editor of the photo-eye booklist, a director of Fraenkel Gallery in San Francisco and co-founder of photography imprint Radius Books. With Mary Virginia Swanson he is the co-author of Publish Your Photography Book, published in 2011 by Princeton Architectural Press. He's now International Head of Photographs at the auction powerhouse Christie's. We visited to discuss his life-long love of photography, his Iowa upbringing, travels in Israel and love of photography! This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander.

You probably don’t recognize George Tsypin’s name, but you’re almost certainly familiar with his projects. After training as an architect in Moscow, Tsypin moved to New York to study theater design, and it’s now safe to say millions upon millions of people have seen his work. He’s designed stage sets for the MTV VMA’s, operas, Broadway plays, and the 2014 Winter Olympics’ Opening Ceremony at Sochi, among many others. Tsypin's work is now captured in GEORGE TSYPIN OPERA FACTORY: Invisible City, released on October 18 by Princeton Architectural Press. We spoke about designing for theatrical and mass media performances, and how his architectural training grounds his practice. Our interview begins with Tsypin's account of working in 5Pointz, the infamous graffiti building in Long Island City. Special thanks to Princeton Architectural Press for helping coordinate the interview.  

Design/Build with Jersey Devil: A Handbook for Education and Practice is a wonderful mixture of history, interviews, experiments and how-to’s, all focused around the design/build pedagogy and practice of its 1970s pioneers, Jersey Devil. Author Charlie Hailey, who is also an architecture professor at the University of Florida, spoke with me about Jersey Devil's beginnings at Princeton University, and the implications of design/build pedagogy for today’s academic climate. Special thanks to Princeton Architectural Press for helping coordinate this interview. This episode's title is a reference to architect and writer Michael Sorkin's description of the firm: Jersey Devil “put the funk back in functionalism".

Karina Longworth is a film writer and the creator/host of You Must Remember This, a podcast exploring the secret stories of Hollywood. “For me the thing that’s exciting about it is that it’s research, and it’s reportage, and it’s criticism. But it’s also art. It’s creatively done. It’s drama. It consciously tries to engage people on that emotional level.” Thanks to MailChimp, Squarespace, and MasterClass for sponsoring this week's episode. Show Notes: @KarinaLongworth Longworth on Longform Longworth's LA Weekly archive vidiocy.com [8:00] Meryl Streep: Anatomy of an Actor (Phaidon Press • 2014) [8:00] Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951-1997 (Princeton Architectural Press • 2014) [15:00] Holy Motors (Leos Carax • Arte Cinema • 2012) [18:00] "1: The Hard Hollywood Life of Kim Novak" (You Must Remember This • Mar 2014) [26:00] "7: The Many Loves of Howard Hughes, Chapter 1" (You Must Remember This • June 2014) [32:00] "33: Star Wars Episode VII: Lena Horne" (You Must Remember This • Feb 2015) [33:00] "28: Star Wars Episode II: Carole Lombard and Clark Gable" (You Must Remember This • Jan 2015) [34:00] "44: Charles Manson's Hollywood: What We Talk About When We Talk About The Manson Murders, Part 1" (You Must Remember This • May 2015) [36:00] Manson: The Life and Times of Charles Manson (Jeff Guinn • Simon and Schuster • 2013)

Have you ever been invited to a Holiday dinner party and you are crunched for time and realize you didn't get the hostess gift?  You want to give something a little unusual, special some that represents the meaning of the season. Well, guest Alanna Stang, director of editorial strategy and development for TheDailyMeal.com, the  #1 site for food and drink trends will share her "Top 10 Tips" for effortless gifting with Steve Champagne our morning host.  Stang is the former editor-in-chief of Whole Living magazine and co-author of two books: Time For Dinner: Strategies, Inspiration, and Recipes for Family Meals Every Night of the Week (Chronicle Books, 2010) and The Green House: New Directions in Sustainable Architecture (Princeton Architectural Press, 2005). Prior to Whole Living, Alanna served as executive editor of Martha Stewart Living, founding executive editor of Cookie magazine, and executive editor of I.D. magazine. Steve Champagne is host, producer, and technical director of ArtSees Productions. He is also a professional writer, musician and Data/web Specialist for a local afterschool program.   http://www.thedailymeal.com/holidays/food-gifts-give-back where you will find links to the products as well as the beneficiary organizations. Happy Holidays!     

HAND-CRAFTED CANDY BARS (Chronicle Books) The beloved candy bars of childhood have grown up, but there is no need to go to the French Laundry to get your fix. Candy bar devotees Susie Norris and Susan Heeger show how to reinvent candy bars as they should be--thick and layered with nougat, crisp with toffee, and coated with fine chocolate. Familiar candy-store bars and other nostalgic favorites are re-created using the freshest ingredients, right down to the peanut-laden caramel and chocolate-drenched cookie crunch. A mix-and-match flavor chart inspires anyone with a sweet tooth to dream up custom treats of their own, such as covering marshmallows with molten chocolate. From the basics of candy making to tips on dressing up these luscious indulgences as elegant desserts, Hand-Crafted Candy Bars evokes the sweet memory of youth with simple, scrumptious sophistication. Susie Norris is a cookbook author, award-winning artisan chocolatier, pastry chef/instructor, and educational fundraiser.  Her first book was CHOCOLATE BLISS (Random House, 2008) and HAND-CRAFTED CANDY BARS (Chronicle, 2013) has just been released, Her chocolate work has been featured on Food Network, in Dessert Professional Magazine and many other publications. She recently taught baking at Le Cordon Bleu College of Culinary Arts and Sur La Table in Los Angeles.  Prior to her work in the food business, she was Vice President of Series Television at Disney Channel and held similar positions at Nickelodeon, CBS, NBC and Turner Network Television.  www.handcraftedcandybars.com Susan Heeger, co-author of Hand-Crafted Candy Bars, is a California native and graduate of Harvard University. A long-time magazine and newspaper feature writer, she specializes in garden, design, home, lifestyle, and food stories. She is a former staff writer for Martha Stewart Living and author of the newly released Landprints: The Landscape Designs of Bernard Trainor, published by Princeton Architectural Press. She also co-wrote From Seed to Skillet, a guide to edible gardening and cooking from the garden, published by Chronicle Books. Her feature stories have appeared in publications that include The Los Angeles Times Magazine, This Old House, Martha Stewart Living, Coastal Living, Country Living, and Cooking Light. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS ON JUNE 18, 2013. COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9781452109657

Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg's Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, Marina City: Bertrand Goldberg's Urban Vision (Princeton Architectural Press, 2010) authors Igor Marjanovicand Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg's career, the project's financing, the formal and structural successes of its modernist design, and Marina City's life in images after the project was complete. As you will learn from my interview with co-author Igor Marjanovic,what most people don't know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors' Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn't turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century's greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don't even have to give up your car (or your boat) to live there. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, Marina City: Bertrand Goldberg’s Urban Vision (Princeton Architectural Press, 2010) authors Igor Marjanovicand Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg’s career, the project’s financing, the formal and structural successes of its modernist design, and Marina City’s life in images after the project was complete. As you will learn from my interview with co-author Igor Marjanovic,what most people don’t know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors’ Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn’t turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century’s greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don’t even have to give up your car (or your boat) to live there. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly little scholarly attention. In their delightful book, Marina City: Bertrand Goldberg’s Urban Vision (Princeton Architectural Press, 2010) authors Igor Marjanovicand Katerina Ruedi Ray meticulously reconstruct the history of this building complex from all conceivable angles. Their chapters include discussions of Goldberg’s career, the project’s financing, the formal and structural successes of its modernist design, and Marina City’s life in images after the project was complete. As you will learn from my interview with co-author Igor Marjanovic,what most people don’t know are that these towers are only the most visible part of a block-sized complex that also includes a public plaza (that once had a skating rink), an underground shopping center, a theater, and a marina on the river. The project was conceived inside and out by Chicago-based architect Bertrand Goldberg and financed by the Chicago Janitors’ Union, which was looking to invest pension dollars in a prominent real estate project. The financial end of the deal didn’t turn out quite as expected, but Goldberg, who trained at Harvard and the German Bauhaus, managed to construct one of the twentieth century’s greatest urban apartment buildings. This address still attracts design-minded residents looking for compact residential living in the heart of Chicago, and you don’t even have to give up your car (or your boat) to live there. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anyone who has visited downtown Chicago will remember seeing the dazzling round towers of Bertrand Goldberg’s Marina City on the north bank of the river. Often photographed, always a curiosity, these iconic buildings have been featured in numerous magazines, postcards, album covers, and films, but until now have received surprisingly...

Professor Lars Lerup, Dean at the Rice School of Architecture, Rice University in Houston, Texas, writes on architecture, design, art and urbanism. Using predominantly field observation, Lerup relies on many disciplines for his continuously evolving point of view: sociology, philosophy, political theory, design theory and history. One of his main interests since his thesis at Harvard has been suburbanization and its architectural, urban and socio-economic consequences. Currently his work is concentrated on the proliferation of Suburbia, the possible existence of a “global suburbia” and the clash been progressivist notion of control and capitalist laisser-faire. Bart Lootsma (Amsterdam, 1957) is a historian, critic and curator in the fields of architecture, design and the visual arts. He is a Professor for Architectural Theory at the Leopold-Franzens University in Innsbruck and Guest Professor for Architecture, European Urbanity and Globalization at the University of Luxemburg. Before, he was Head of Scientific Research at the ETH Zürich, Studio Basel, and he was a Visiting Professor at the Academy of Visual Arts in Vienna; at the Akademie der Bildenden Künste in Nürnberg; at the University of Applied Arts in Vienna and at the Berlage Institute in Rotterdam. He held numerous seminars and lectured at different academies for architecture and art in the Netherlands. Bart Lootsma was guest curator of ArchiLab 2004 in Orléans and he was an editor of ao. Forum, de Architect, ARCHIS and GAM. Bart Lootsma published numerous articles in magazines and books. Together with Dick Rijken he published the book ‚Media and Architecture’ (VPRO/Berlage Institute, 1998). His book ‘SuperDutch’, on contemprary architecture in the Netherlands, was published by Thames & Hudson, Princeton Architectural Press, DVA and SUN in the year 2000; ‘ArchiLab 2004 The Naked City’ by HYX in Orléans in 2004. Bart Lootsma is Board Member of  architektur und tirol in Innsbruck and reserve-member of the Council for Architectural Culture at the Cabinet of the Austrian Prime Minister in Vienna. was a member of several governemental, semi-governemmental and municipal committees in different countries, such as the Amenities Committee in Arnheim, the Rotterdam Arts Council, the Dutch Fund for Arts, Design and Architecture, Crown Member of the Dutch Culture Council, Member of the Expert Committee 11. International Architecture Biennale, Venice 2008, at the German Ministry for Building and Planning as well as curator of the Schneider Forberg Foundation in Munich.

"Is George W. Bush actually the Anti-Christ?" Journalist Tim Apello finds that the president fits the description, and book designer Deb Wood talks about her work at the Princeton Architectural Press and the finer points of quotation marks.

"Is George W. Bush actually the Anti-Christ?" Journalist Tim Apello finds that the president fits the description, and book designer Deb Wood talks about her work at the Princeton Architectural Press and the finer points of quotation marks.