Podcasts about ryusuke hamaguchi

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Obsession. Directed by Curry Barker. With Michael Johnston, Inde Navarrette, and Cooper Tomlinson. After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Obsession The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Obsession by Ariel Shalom Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Obsession. Directed by Curry Barker. With Michael Johnston, Inde Navarrette, and Cooper Tomlinson. After breaking the mysterious "One Wish Willow" to win his crush's heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Obsession The Verdict: • Stephen: Must See • Christopher: Must See Music for this Episode: • Obsession by Ariel Shalom Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of I Love Boosters. Directed by Boots Riley. With Keke Palmer, Taylour Paige, and Naomi Ackie. A group of shoplifters take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • I Love Boosters The Verdict: • Stephen: Recommend with Caveat • Christopher: Recommend with Caveat Music for this Episode: • 24/7 by SZNS Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of I Love Boosters. Directed by Boots Riley. With Keke Palmer, Taylour Paige, and Naomi Ackie. A group of shoplifters take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • I Love Boosters The Verdict: • Stephen: Recommend with Caveat • Christopher: Recommend with Caveat Music for this Episode: • 24/7 by SZNS Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description Cannes 2026 just wrapped, and Zef is joined by producer Cole Howard to break down the films, winners, distributors, and festival buzz coming out of the world's most prestigious film festival. They discuss this year's Palme d'Or winner FJORD, Christian Mungiu's new family drama starring Sebastian Stan and Renate Reinsve, along with some of the biggest films on their watchlists, including James Gray's PAPER TIGER, Na Hong-jin's HOPE, Ryusuke Hamaguchi's ALL OF A SUDDEN, Nicolas Winding Refn's HER PRIVATE HELL, and A24's buzzy CLUB KID. Zef also shares stories from attending Cannes in 2014 and 2019, including seeing WINTER SLEEP before it won the Palme d'Or and attending the Cannes premiere of THE GANGSTER, THE COP, THE DEVIL. The conversation also touches on NEON's incredible run as a distributor, Cannes standing ovations, Korean cinema, long movies that earn their running time, recent Palme d'Or winners, director commentaries as film school, and why Cannes still matters as the ultimate launchpad for world cinema. Films discussed include: FJORD, PAPER TIGER, HOPE, ALL OF A SUDDEN, HER PRIVATE HELL, CLUB KID, WINTER SLEEP, THE GANGSTER, THE COP, THE DEVIL, KILLERS OF THE FLOWER MOON, TITANE, ANORA, PARASITE, ANATOMY OF A FALL, TRIANGLE OF SADNESS, SHOPLIFTERS, MY COUSIN VINNY, TWO LOVERS, WE OWN THE NIGHT, AD ASTRA, THE WAILING, MEMORIES OF MURDER, CITY OF GOD, and more.   Hosted by Zef Cota & Cole Howard

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Star Wars: The Mandalorian and Grogu. Directed by Jon Favreau. With Pedro Pascal, Brendan Wayne, and Lateef Crowder. Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Star Wars: The Mandalorian and Grogu The Verdict: • Stephen: Must Avoid • Christopher: Pass with Caveat Music for this Episode: • Skywarriors by Tilman Sillescu Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Episode Description: In this episode, Christopher Schnese and Stephen David Miller bring you a review of Star Wars: The Mandalorian and Grogu. Directed by Jon Favreau. With Pedro Pascal, Brendan Wayne, and Lateef Crowder. Once a lone bounty hunter, Mandalorian Din Djarin and his apprentice Grogu embark on an exciting new Star Wars adventure. Show Notes Hosts: • Christopher Schnese and Stephen David Miller Featured Review: • Star Wars: The Mandalorian and Grogu The Verdict: • Stephen: Must Avoid • Christopher: Pass with Caveat Music for this Episode: • Skywarriors by Tilman Sillescu Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey For more in-depth coverage from the festival, checkout Stephen's Cannes 2026 Dispatches over at David Chen's Substack: Decoding Everything: • Cannes 2026 Dispatch #1: Catching Up With New Films By Jane Schoenbrun, Ryusuke Hamaguchi, Paweł Pawlikowski, and Hirokazu Koreeda • Cannes 2026 Dispatch #2: No, An AI-Generated Feature Film Did Not Premiere At Cannes (And Reviews Of Things That Did) • Cannes 2026 Dispatch #3: The Palme d'Or-Winning 'Fjord' And Other Festival Highlights

Ep. 405: Justin Chang on Cannes 2026: All of a Sudden, The Samurai and the Prisoner, Coward, Fjord Redux Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. At the 2026 Cannes Film Festival I sat down with Justin Chang of The New Yorker for a chat about a few films we had missed to talk about. Among the titles discussed are All of a Sudden (directed by Ryusuke Hamaguchi), The Samurai and the Prisoner (Kiyoshi Kurosawa), Coward (Lukas Dhont), and Fjord (Cristian Mungiu), which at the time of recording had not yet won the Palme d'Or. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

durée : 00:04:55 - Le masque et la plume - par : Rebecca Manzoni - Le long-métrage "Soudain" de Ryusuke Hamaguchi aborde le thème du soin à travers l'amitié entre deux femmes, incarnées par Virginie Efira et Tao Okamoto. Le film, primé au festival, sortira en salles le 12 août. - réalisation : Stéphane Le Guennec, Ilinca Negulesco - invités : Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma, Nicolas Schaller Journaliste pour L'Obs, Jean-Marc Lalanne Critique de cinéma et rédacteur en chef du magazine Les Inrocks Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Le Festival de Cannes s'est terminé ce week-end avec sa célèbre Palme d'or… mais une autre récompense gagne doucement en importance : les prix Ecoprod.Car derrière les tapis rouges et les paillettes, le cinéma reste une industrie particulièrement polluante. Entre les déplacements en avion, les décors construits puis jetés, l'énergie consommée sur les tournages ou encore la logistique des équipes, l'impact écologique peut être énorme.Selon l'association Ecoprod, une heure de contenu audiovisuel représenterait en moyenne 16 tonnes de CO2. Cela équivaut à environ 70 000 kilomètres parcourus en voiture thermique.Face à ce constat, l'association Ecoprod accompagne depuis plusieurs années les professionnels du cinéma, de la télévision ou encore de l'animation pour encourager des pratiques durables. Elle propose des outils, des formations, des labels… et remet chaque année des prix au Festival de Cannes.Cette année, parmi les productions récompensées, on retrouve le film Soudain du réalisateur japonais Ryusuke Hamaguchi, avec notamment la Belge Virginie Efira.Au-delà du sujet du film - qui aborde les maisons de repos et le respect des personnes âgées - c'est aussi sa manière d'être produit qui a séduit le jury.L'équipe a limité au maximum les déplacements internationaux : beaucoup de réunions se sont déroulées à distance et une grande partie des techniciens ont été recrutés localement au Japon. Les décors ont également été pensés dans une logique circulaire, avec du mobilier de seconde main et des éléments laissés sur place après le tournage pour être réutilisés dans l'établissement ayant accueilli l'équipe.Résultat : la production aurait réduit de 35 % les émissions carbone initialement prévues.Autre projet remarqué : le film belge Notre salut, réalisé par Emmanuel Marre et situé dans les années 40 sous le régime de Vichy.Là aussi, la démarche écologique a influencé directement les choix artistiques.Plutôt que de reconstruire entièrement des décors historiques, l'équipe a tourné dans des lieux authentiques soigneusement repérés à l'avance. Pour éviter d'avoir à transformer tout l'environnement moderne autour des bâtiments - voitures, panneaux, enseignes - le réalisateur a privilégié des plans serrés et de nombreuses scènes en intérieur.Une contrainte écologique devenue… un véritable parti pris esthétique.Même la cantine du tournage a été pensée différemment : produits locaux, de saison, menus majoritairement végétariens et collaboration avec un prestataire régional engagé.Mais au final, le plus gros impact écologique de l'audiovisuel ne vient même pas toujours du tournage lui-même.Il vient du streaming.Le stockage des vidéos, les serveurs mobilisés et les flux de données qui transitent en permanence dans le monde entier représentent aujourd'hui une empreinte carbone gigantesque.D'où l'importance d'agir aussi à la source : dès la production des œuvres.Et dans le cinéma, un seul poste peut parfois représenter jusqu'à 80 % des émissions carbone d'un tournage : les transports.Comme quoi, derrière la magie du grand écran, il y a aussi tout un travail de réinvention pour imaginer un cinéma plus durable.Vous aimez ce contenu ? Alors n'hésitez pas à vous abonner, à lui donner des étoiles et à partager ce podcast autour de vous. Ça nous aide à nous faire connaitre et à essaimer les idées constructives qui rendent le monde plus joli ! Une chronique signée Leslie Rijmenams à retrouver (aussi) sur Nostalgie et www.nostalgie.be

durée : 00:58:40 - Les émissions culturelles de France Culture - par : Antoine Guillot - En direct du Festival International du Film de Cannes, entre Histoire et cinéma, avec Emmanuel Marre et Bertrand Mandico, mais aussi László Nemes, Pawel Pawlikowski, Ryusuke Hamaguchi, Cristian Mungiu, et même Mathieu Macheret. - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Emmanuel Marre Cinéaste, László Nemes Réalisateur et scénariste hongrois, Pawel Pawlikowski Cinéaste, Bertrand Mandico Cinéaste, Ryûsuke Hamaguchi Réalisateur et scénariste, Cristian Mungiu Réalisateur, Mathieu Macheret Critique de cinéma, journaliste au Monde et aux Cahiers du Cinéma Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:08:45 - Les interviews d'Inter - par : Ali Baddou, Marion L'Hour - L'actrice belge Virginie Efira remporte le prix d'interprétation féminine lors de la 79ᵉ édition du Festival de Cannes avec son homologue japonaise Tao Okamoto, pour le film "Soudain" de Ryusuke Hamaguchi. Elle est l'invitée exceptionnelle de France Inter ce dimanche 24 mai 2026. - invités : Virginie Efira Actrice belge Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

La película "Fjord" se alzó el sábado con la Palma de Oro a la Mejor película al término de la 79ₐ edición del Festival de Cannes. La elegante velada en el Palacio de los Festivales congregó a la crema y nata del cine mundial, con la presencia de artistas como Penélope Cruz, Zoe Saldaña o Geena Davis. El aclamado director rumano Cristián Mungiu alzó el sábado la segunda Palma de Oro de su carrera por "Fjord", un drama sobre las diferencias culturales entre los países de Europa a través de una piadosa pareja rumano-noruega que se instala con su familia en un fiordo. Cuando las maestras de los niños descubren moretones en sus cuerpos, la sociedad comienza a cuestionar las costumbres conservadoras de los padres evangélicos y estalla un álgido debate en medio de la atmosfera glacial nórdica. “Déjenme por favor saborear este momento. Un premio de esta categoría, por segunda vez… Hoy en día es un riesgo elevar la voz frente a los peligros que nos acechan. Hay cosas de las nadie quiere hablar. Las sociedades están fracturadas. Y esta es una película contra el autoritarismo”, dijo Mungiu al recibir la máxima recompensa del festival. Leer también"Siempre soy tu animal materno" de Valentina Maurel: miradas cruzadas en Cannes El director rumano es un invitado recurrente de Cannes, donde ha recibido numerosos premios, principalmente una primera Palma de Oro en 2007 por la extraordinaria “4 meses, 3 semanas, 2 días” sobre una chica que debe recurrir a un aborto clandestino en Rumania. Los españoles Javier Ambrossi y Javier Calvo fueron honrados con el Premio a la Mejor dirección por « La bola negra », junto al polaco Pawel Pawlikowski por su increible "Fatherland", sobre un viaje del escritor Thomas Mann y su hija por Alemania. El jurado decidió entregar su premio a la alemana "La aventura soñada" de Valeska Grisebach, mientras que "Minotauro" del ruso Andrei Zviaguintsev ganó el Gran Premio. Leer también"El ser querido" de Rodrigo Sorogoyen en Cannes: radiografía de un tóxico El Premio al Mejor guion fue para Emmanuel Marre por su cinta "Notre salut", un drama histórico ambientado en la Segunda Guerra Mundial, y que había recibido excelentes críticas por parte de la prensa francesa. Para esta película sobre un funcionario colaboracionista con el régimen nazi, Marre se inspiró de la historia de su bisabuelo. El premio a la Mejor interpretación masculina fue entregado a Emmanuel Macchia y Valentin Campagne, protagonistas de "Coward" de Lukas Dhont. De su lado, las actrices belga Virginie Effira y la japonesa Tao Okamoto fueron premiadas por sus respectivos papeles en "All of a sudden" de Ryusuke Hamaguchi. Leer también"Ceniza en la boca" de Diego Luna: migrar, maternar y empezar de nuevo en España La gala de cierre permitió entregar una Palma de oro de honor a Barbra Streissand por el conjunto de su carrera, anunciado por la diva francesa Isabelle Huppert. Streissand sin embargo no pudo estar presente, aunque envió un mensaje donde habló de su pasión por el cine y de su poder para "abrir corazones y mentes". En esta edición del Festival de Cannes se entregaron otros dos reconocimientos similares, a Peter Jackson y John Travolta. El primer premio anunciado durante la velada fue el galardón al Mejor Cortometraje, que fue para el argentino Federico Luis, por su cinta "Para los contrincantes", que cuenta el universo de las peleas de boxeo infantil en el barrio de Tepitos, en Ciudad de México.

On Truth & Movies this week, David Jenkins and Hannah Strong report live from the Cannes film festival, playing a special game of Cannes tombola and discussing new films from James Gray, Nicolas Winding Refn, Ryusuke Hamaguchi, Jordan Firstman and more…Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Après 6 jours de festival, on fait le point sur Cannes à mi-parcours en vous partageant nos coups de coeur, coups de gueules et découvertes en direct !Au programme : Gentle Monster de Marie Kreutzer, L'Être Aimé de Rodrigo Sorogoyen, Soudain de Ryusuke Hamaguchi, Mémoire de fille de Judith Godrèche, La Gradiva de Marine Atlan, Tangles de Leah Nelson et Sanguine de Marion Le Coroller.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Victoria FabyGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ep. 395: Jonathan Romney on Cannes 2026: All of a Sudden (Soudain), Gentle Monster, John Lennon the Last Interview Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2026 Cannes Film Festival is underway, and I sat down with regular guest Jonathan Romney, who is filing as usual for Screen Daily. We couldn't resist exchanging first (and differing) impressions of a few freshly premiered films: the much-anticipated new feature from Ryusuke Hamaguchi, All of a Sudden, plus the harrowing Gentle Monster from the director of Corsage, Marie Kreutzer, and finally the inventive new documentary John Lennon: The Last Interview from Steven Soderbergh, using an interview recorded just hours before Lennon's assassination. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ryusuke Hamaguchi, regista premio Oscar per Drive My Car, firma un altro film straordinario, sul potere salvifico del dialogo e dei rapporti umani.

With his latest drama Erupcja – starring Charli XCX as a young woman adrift in Warsaw – now playing select North American theaters, indie filmmaker Pete Ohs is here to explore the evocative world of Ryusuke Hamaguchi's Evil Does Not Exist, about a very polite collision of cultures in a Japanese mountain village. Your genial host Norm Wilner also thinks this was one of the best films of 2024.

Melbourne Cinémathèque's Adrian Danks joins the show to discuss their season of the films of Ryusuke Hamaguchi. Plus, Flick is joined by Will Cox and Cerise Howard to discuss Jim Jarmusch's latest anthology film Father Mother Sister Mother, as well as Rebel Wilson's aptly-named directorial debut The Deb.

On this episode, Shadan is joined by our own Maxance Vincent to discuss this year's Cannes lineup! The festival will see new films from the likes of Ryusuke Hamaguchi, Pedro Almodóvar, Pawel Pawlikowski, Hirokazu Kore-eda, Marie Kreutzer, Ia Sachs, Na Hong-Jin, Asghar Farhadi and many more! We are about to feast with this year's Cannes Film Festival. Visit https://insessionfilm.com/store for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIp today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @ShadanLarki

A world-cinema fixture who's earned the support of Martin Scorsese, M. Night Shyamalan, Olivier Assayas, Apichatpong Weerasethakul, Béla Tarr, Claire Denis, Christian Petzold, Tilda Swinton, and Ryusuke Hamaguchi––among many others––Carlo Chatrian reshaped the festival landscape with his work as artistic director of the Locarno Film Festival and Berlinale, his influence such that an abdication of his position at the latter in 2023 caused an honest-to-God outcry. He is now serving as director of the National Cinema Museum in Turin and, for the last couple weeks, also acted as head of the international competition jury at the Tokyo International Film Festival. While we were both there, I sought the opportunity to ask him about these responsibilities, and found myself engaged in a rigorous serious conversation about where he sees cinema culture at the moment, where it might be headed, and––amidst all this––reasons to be hopeful.

Our road trip movie list is underway, and we're talking about Ryusuke Hamaguchi's Oscar winning film, Drive My Car. Join Max, Doolin, Kyle, and Kenny as we review the and discuss the movie. If you haven't already, check out our previous episode on Nebraska! —————

A rural village braces itself for development from the big city in Ryusuke Hamaguchi's EVIL DOES NOT EXIST (2024), a beautiful movie that rhymed with certain things we've been feeling lately about democracy, capitalism, freedom, and community. PLUS: We parse Toronto Life's list of the 50 most influential Torontonians of 2024, and explore the exciting world of Eric Roberts. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/116329275

Kate, Jared, and Dan pile into a delightfully cherry red sedan to take a little road trip through Ryusuke Hamaguchi's Drive My Car. Check out Kate in American Horror Stories on Hulu coming October 15!PLEASE FOLLOW/RATE/REVIEW WHEREVER YOU LISTEN!Dan is now on Threads! @DanConcesssionsJared is still on Threads! @JaredConcessions

We workshopped a better title for Ryusuke Hamaguchi's new film and settled on, “Evil Does Not Exist… or does it?”Take a hike through the woods with us as we collect bird leaves and discuss the sinister evils of glamping. You can attend our town hall meetings via email, Twitter(X) or Instagram You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, JD and Brendan discuss Ryusuke Hamaguchi's phenomenal new film EVIL DOES NOT EXIST! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This week there's a music documentary, an eco-fable set in Japan, and Dave's favorite cinematic subgenre: Australian detective stories starring Eric Bana! To start things, Dave fills Megan and Evan in on Michael Lindsay-Hogg's remastered LET IT BE, which crawled so Peter Jackson's GET BACK could fuggin' sprint. Megan watched EVIL DOES NOT EXIST, said eco-fable, which focuses on a village near Tokyo and a clamping site being developed nearby. This is Ryusuke Hamaguchi's follow-up to the much-lauded DRIVE MY CAR. Finally, everyone saw FORCE OF NATURE: THE DRY 2, which features Bana reprising the role of Aaron Falk from THE DRY. (Aside: (Dave and Evan's alternate title: THE WET, as this story is set almost entirely in a rain forest.) Of course, Dave can't resist doing his bad Australian accent and giggling uncontrollably. But is THE DRY 2 good? We let you know! Over on Patreon we talk about the 1979 comedy THE FRISCO KID starring Gene Wilder and Harrison Ford.

When the Oscar-winning director Ryusuke Hamaguchi set out to make his latest film “Evil Does Not Exist,” the music kind of came before the idea. The film tells the story of a close-knit rural community in Japan and the city folk who have plans to build a glamping site in their hamlet. Hamaguchi joins Tom to tell us how the film was largely inspired by the music of his composer, Eiko Ishibashi.

Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko's second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching Ryusuke regarding providing visuals for her live performance. Evil Does Not Exist grew out of that, while also spawning the film Gift, a sort of "composer's cut" of Evil Does Not Exist, which removes spoken dialogue and focuses on Eiko's music. Not surprisingly, we compare and contrast her work on Evil Does Not Exist and her prior score, Drive My Car (the Oscar winner for Best International Film). Along the way, we also cover things like Eiko's approach to music and preference to giving control to the director, trends in Japanese film music, and more.  Note that this is an interpreted interview, so you'll hear snippets of Eiko's responses in Japanese but the answers are primarily via English translation. You can find out more about Eiko on her website. Eiko's score releases digitally and on physical media on June 28, and Evil Does Not Exist is currently in theaters.

Min 4: Sidney “Inmaculate” Sweeney El cine intenta estirar su momento dulce son una oferta en la que, esta vez, la variedad supera a la calidad. El plato fuerte llega en formato de terror y con el gran reclamo de otras actrices del momento, la joven Sidney Sweeney, cuyo protagonismo ha generado debate en el Filtro Luchini. ¿Morbo, miedo, provocación? ¿Cuál es el gran aval de la película dirigida por Michael Mohan? Min 17: Santiago “GARFIELD” Segura ¿Santiago Segura poniéndole la voz en español al mítico gato animado “Garfield”? Raquel Hernández nos explica el gran error de casting del que peca el doblaje de esta apuesta animada que saca al minino más aburguesado de su zona de confort. Si a Garfield le lanzas a una aventura “outdoor” y le despojas de su socarronería, puede quedar un producto demasiado infantil y descafeinado. Min 25: “LA CASA” o el legado de nuestros padres Después de triunfar en el Festival de Málaga y en otras muestras de calado, llega a los cines una propuesta española intimista cargada de buenos sentimientos y mejores interpretaciones. Álex Montoya dirige “La Casa”, en la que convierte a David Verdaguer, Óscar de la Fuente, Luis Callejo o Lorena López en los miembros de una familia marcada por la pérdida y por la incómoda herencia de una casa de campo. Min 32: MISIÓN HOSTIL Tras su exitoso y reciente paso por el cine de terror, el nuevo y maduro Russell Crowe vuelve a la carga con una peli de acción que nos plantea una situación que ya nos ha contado mil veces el cine americano, pero que da lo que promete. Misión de riesgo de las Fuerzas Armadas en Filipinas y un contratiempo que obliga a activar una agónica misión de rescate que tendrá que coordinar un “peso pesado” como Crowe. Min 36: EL MAL NO EXISTE: intimismo japonés Y para cerrar el círculo de una oferta variada y ecléctica, cine intimista con el sello y la mirada sabia y pausada de Ryusuke Hamaguchi. El aclamado realizador de “Drive my car” vuelve tras su parón creativo con una propuesta cuya cadencia y aparente sencillez ha dividido a nuestros críticos. Para Alberto Luchini, sus 15 minutos finales arruinan lo que habría sido una peli cinco estrellas. Min 42: LA CHAMPIONS DE LOS OSCARS: DE MONSTRUOS Y NÓMADAS Las oscarizadas “La Forma del Agua” (2017) y “Nomadland” (2020) se ven las caras en un nuevo cruce que nos permite seguir perfilando los cuartos de final de nuestra Champions de los Oscar. A la vencedora le espera un duro rival: “Spotlight” (2015) Min 48: ESPECIAL BSO: “RIVALES” Y en nuestra zona BSO queremos hacernos eco de la sorprendente, innovadora y arriesgada apuesta musical que eclosiona en la última película protagonizada por Zendaya. “Rivales” lleva la marca de agua de los oscarizados TRENT REZNOR y ATTICUS ROSS. Dos músicos que no son santo de la devoción de Ángel Luque, pero que aquí han virado hacia temas electrónicos y chocantes que merecen una pensada y un buen análisis.

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs "Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction, writing, ambiguous ending, and commentary on climate change. Academy Award-nominee Ryusuke Hamaguchi ("Wheel Of Fortune And Fantasy") became a household name after his previous film, "Drive My Car," was nominated for four Oscars, winning Best International Feature Film, so naturally, anticipation for his follow-up was sky high. He was kind enough to sit and talk with us about his latest work during the New York Film Festival last year, where it also screened. Please be sure to check out the film, which will be released this weekend in American theaters from Sideshow/Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

On a recent visit to London, Neil and Dario sat down to catch up about Dario's break from this season's shows, the present and future of the podcast and some recent film releases they've both seen and enjoyed.  They discuss two films they saw together across a relaxing shared weekend; Ilker Çatak's The Teachers' Lounge and Wim Wenders' Perfect Days. They also discuss Felipe Gálvez Haberle's The Settlers, which they have both seen, but separately.  Conversation covers the context of the films they watched together, waxing lyrical about The Garden Cinema in Covent Garden, where they watched The Teachers' Lounge, as well as the invitation to think and converse provided by watching Perfect Days at home. Elsewhere Dario talks about the experience of being up close and personal seeing Brian Cox in Eugene O'Neill's Long Day's Journey Into Night, and Neil discusses seeing Dev Patel's Monkey Man (2024) and Ryusuke Hamaguchi's Evil Does Not Exist (2023) which leads the pair into a discussion about the Japanese filmamker, a contemporary favourite of both Neil and Dario's. Oh, and very importantly, there were buns! Yep! Included in the episode is commentary and tasting of Dario's partner Bea's generous baking of cinnamon buns for your erstwhile hosts. (There are also in places some uneditable rogue coughs courtesy of two ageing podcast hosts. Apologies). --- You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. --- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

This week, one of Australia's foremost music supervisors Jemma Burns is in the Triple R studio to share what her job involves and the creative process behind music from tv shows like HEARTBREAK HIGH 2 to films like Ari Aster's BEAU IS AFRAID. Joining Jemma in the studio is host Flick Ford and guest critic Anthony Carew to review Luca Guadagnino's racy tennis drama CHALLENGERS starring Zendaya, Josh O'Connor, and Mike Daisy. CHALLENGERS, film by Luca Guadagnino. Next up for review this week is a haunting eco-fable EVIL DOES NOT EXIST from director Ryusuke Yamaguchi (DRIVE MY CAR) about a proposal for a glamping site that unsettles the inhabitants of a Japanese village. EVIL DOES NOT EXIST, a film by Ryusuke Hamaguchi. Follow us on socials:Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

We meet the filmmaker duo behind Hollywood rom-com The Fall Guy; the cinematographer of Luca Guadagnino's new tennis movie, Challengers; Japanese director Ryusuke Hamaguchi; and an interview from the archives with Eleanor Coppola.

On our April show Cinetopia's Amanda Rogers and show regular, Clara Strachan, review Alex Garland's CIVIL WAR, Dev Patel's MONKEY MAN, Ryusuke Hamaguchi's EVIL DOES NOT EXIST (spoiler alert!), and Simon Chamber's documentary, MUCH ADO ABOUT DYING Run of Show - 3:40 - CIVIL WAR 31:30 - MONKEY MAN 39:30 - EVIL DOES NOT EXIST 58:05 - MUCH ADO ABOUT DYING

This week we dive into the hallucinogenic world of Disco Boy, which stars European arthouse cinema's current It boy Franz Rogowski as an undocumented Belarusian immigrant who joins the French Foreign Legion. We also take a look at Evil Does Not Exist, the latest from Ryusuke Hamaguchi. This Japanese filmmaker has amassed a cult following but he's still to convince some of our hosts on the pod. Will Evil Does Not Exist change their minds? And with Lynne Ramsay's Ratcatcher getting a 25th-anniversary rerelease this month, we look back at the four feature films to date from this visionary Scottish filmmaker. TIMESTAMPS: Monster, Mr and Mrs Smith (2024), Sex, Lies & Videotapes and Irish Wish (1:50) Disco Boy review (10:55) Evil Does Not Exist review (23:54) The films of Lynne Ramsay (37:30) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Last Chance to help Fil's movie, THE REGULARS, get into Film Festivals – Please Share and/or Donate the fundraiser: https://www.indiegogo.com/projects/the-regulars-film-take-two#/This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas are back with the another edition of THE POD CHARLES CINECAST CLASSIC, expecting only good vibes in the month of April 2024!There is so much to see this month! So, join us as we discuss Sean Price Williams' THE SWEET EAST, Ryusuke Hamaguchi's EVIL DOES NOT EXIST, ONCE UPON A TIME IN HOLLYWOOD, KING KONG vs GODZILLA, ZODIAC, SUPERBAD, HOT ROD, THE PARALLAX VIEW, David Lynch's DUNE, THE LOST BOYS, JAWBREAKER, and so much more! Plus, there are even some mentions of STAR WARS: EPISODE I – THE PHANTOM MENACE (which is actually coming in May). There may even be some guitar playing and songs about The Crow... man.For full listings and tickets visit: princecharlescinema.com If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

Friend of the show Foster Harlfinger joins Rowan and Davis for an overview of this year's New York Film Festival, including new films from Wim Wenders, Ryusuke Hamaguchi, Hayao Miyazaki and more! Follow Davis: Letterboxd: ⁠⁠https://letterboxd.com/daveymjolnir/⁠⁠ Twitter: ⁠⁠https://twitter.com/davis_maths⁠⁠ Follow Rowan: Letterboxd: ⁠⁠https://letterboxd.com/Rowan_a_Boat/⁠⁠ Twitter: ⁠⁠https://twitter.com/bitsofjoel⁠⁠ The Lenient Critic: ⁠⁠thelenientcritic.com⁠⁠ ⁠⁠Follow us on TikTok!⁠⁠ Cover art by Claire Mitchell. --- Support this podcast: https://podcasters.spotify.com/pod/show/runtimebabe/support

After their respective trips to Colorado and Italy, Sean and Amanda convene to discuss the movies they watched at Telluride and Venice Film Festivals, including films from David Fincher, Sofia Coppola, Michael Mann, Yorgos Lanthimos, Bradley Cooper, Ryusuke Hamaguchi, and more (1:00). Then, they share some early Oscar predictions based on the quality and buzz surrounding the films coming out of the two festivals (1:10:00). Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the thirty-first episode of the Cinematic Odyssey, Tristen and Max dive into one of the best international films of recent memory with Ryusuke Hamaguchi and Japan's Drive My Car. The two spend a lot of time poring over the deeply layered script and the double and triple meanings behind every word spoken, Max gives a rundown on Uncle Vanya and Russian theatre, and Tristen defends the inaction of the main character. While it may be a slow drama, it remains absolutely captivating and spellbinding, drawing audiences in deep and not letting go. The emotional punches are many and Tristen and Max try to break down how symbolic the text actually is. This film is highly recommended by both Tristen and Max. 

本期摘要 朋友们四月好，过度分享的「异乡生活」系列还活着！在这期很特殊的节目里（哪里特殊听就知道），我（solo 出道的好小气）和之前读硕士时的导师Dave一起聊了聊他喜欢的东亚电影，又扯了一些关于今年奥斯卡的闲话。Dave是我遇到过阅读和观影经历最最丰富的人之一，也是我认识的美国人里为数不多会看非英语电影的人。作为影迷我们也有着比较类似的偏好，比如都喜欢看呈现混乱和复杂生活的电影，喜欢家庭伦理剧(aka dysfunctional family drama)，比起用电影呈现人性的光辉，我们更偏向于看到人物的脆弱和失败，看到"humanity being defeated." 我特别喜欢他在节目里说的，“人生时常很艰难，但也总有微小的快乐闪光。”希望大家听得开心！另外，本期的shownotes非常壮观。 为了方便大家收听，大概说一下我们聊了什么： 自我介绍：我让Dave大概聊了聊他看电影的历史。他成长于七十年代的美国中西部，小的时候每周会在父母的推荐下去镇上唯一的一家影院看那周唯一上映的电影；长大后在UIUC（李安的母校）读研究所，就开始看一些艺术院线里的非英语片，包括看的第一部李安的电影《饮食男女》。 我让他列了一个“最爱的东亚电影”前十名清单，大家可以在下面查看，然后我们从第十名到第一名聊了聊他为什么喜欢这些电影。 又不能免俗地聊了奥斯卡，我们俩对今年奥斯卡的喜好非常不同，但也没关系。 最后他推荐了自己最近读过很喜欢的两本书，都和美国的种族问题有关。他说，“作为美国人，种族问题是我们无法回避的历史遗产。” Intro: What The River Knows by Holizna Outro: Yumeji's Theme (Theme from 'in the Mood for Love') · Shigeru Umebayashi Dave最爱的十部东亚电影 （他每个导演只选了一部） Parasite (2019, Bong Joon-ho, South Korea) 奉俊昊 寄生虫 Crouching Tiger, Hidden Dragon (2000, Ang Lee, Taiwan) 李安 卧虎藏龙 Drive My Car (2021, Ryusuke Hamaguchi, Japan) 滨口龙介 驾驶我的车 Seven Samurai (1954, Akira Kurosawa, Japan) 黑泽明 七武士 Tokyo Story (1953, Yasujiro Ozu, Japan) 小津安二郎 东京物语 The Handmaiden (2016, Park Chan-wook, South Korea) 朴赞郁 小姐 The Farewell (2019, Lulu Wang, USA) 王子逸 别告诉她 Yi Yi (2000, Edward Yang, Taiwan) 杨德昌 一一 In the Mood for Love (2000, Wong Kar-wai, Hong Kong) 王家卫 花样年华 Shoplifters (2018, Hirokazu Koreeda, Japan) 是枝裕和 小偷家族 Dave推荐的书 The Love Songs of W.E.B. Du Bois Kindred 我们提到的其他电影 黄金时代 The Best Years of Our Lives 饮食男女 Eat Drink Man Woman 如父如子 Like Father Like Son 步履不停 Still Walking 分手的决心 Decision to Leave 斯托克 Stoker 指匠 Fingersmith 罗生门 Rashomon 豪勇七蛟龙 The Magnificent Seven 小妈妈 Petite maman 喜宴 The Wedding Banquet 推手 Pushing Hands 冰风暴 The Ice Storm 理智与情感 Sense and Sensibility 色，戒 Lust, Caution 瓦嘉达 Wadjda 一次别离 A Separation 关于伊丽 About Elly 一个英雄 A Hero 开罗紫玫瑰 The Purple Rose of Cairo 游客 Force Majeure 我们讲述的故事 Stories We Tell 罗密欧与朱丽叶 Romeo + Juliet 杀手没有假期 In Bruges 七个神经病 Seven Psychopaths 节目备注 好小气的电报频道 好小气的长毛象 支持我们 订阅听友通讯请点击这里。 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过200人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们的电报(Telegram)听友群：不丧电报群 我们播客的邮箱地址：busangpodcast@gmail.com 女主播“单飞不解散”新播客一人有一个 搜索节目名称或直接添加RSS收听：https://oneatatime.typlog.io/episodes/feed.xml

本期摘要 朋友们四月好，过度分享的「异乡生活」系列还活着！在这期很特殊的节目里（哪里特殊听就知道），我（solo 出道的好小气）和之前读硕士时的导师Dave一起聊了聊他喜欢的东亚电影，又扯了一些关于今年奥斯卡的闲话。Dave是我遇到过阅读和观影经历最最丰富的人之一，也是我认识的美国人里为数不多会看非英语电影的人。作为影迷我们也有着比较类似的偏好，比如都喜欢看呈现混乱和复杂生活的电影，喜欢家庭伦理剧(aka dysfunctional family drama)，比起用电影呈现人性的光辉，我们更偏向于看到人物的脆弱和失败，看到"humanity being defeated." 我特别喜欢他在节目里说的，“人生时常很艰难，但也总有微小的快乐闪光。”希望大家听得开心！另外，本期的shownotes非常壮观。 为了方便大家收听，大概说一下我们聊了什么： 自我介绍：我让Dave大概聊了聊他看电影的历史。他成长于七十年代的美国中西部，小的时候每周会在父母的推荐下去镇上唯一的一家影院看那周唯一上映的电影；长大后在UIUC（李安的母校）读研究所，就开始看一些艺术院线里的非英语片，包括看的第一部李安的电影《饮食男女》。 我让他列了一个“最爱的东亚电影”前十名清单，大家可以在下面查看，然后我们从第十名到第一名聊了聊他为什么喜欢这些电影。 又不能免俗地聊了奥斯卡，我们俩对今年奥斯卡的喜好非常不同，但也没关系。 最后他推荐了自己最近读过很喜欢的两本书，都和美国的种族问题有关。他说，“作为美国人，种族问题是我们无法回避的历史遗产。” Intro: What The River Knows by Holizna Outro: Yumeji's Theme (Theme from 'in the Mood for Love') · Shigeru Umebayashi Dave最爱的十部东亚电影 （他每个导演只选了一部） Parasite (2019, Bong Joon-ho, South Korea) 奉俊昊 寄生虫 Crouching Tiger, Hidden Dragon (2000, Ang Lee, Taiwan) 李安 卧虎藏龙 Drive My Car (2021, Ryusuke Hamaguchi, Japan) 滨口龙介 驾驶我的车 Seven Samurai (1954, Akira Kurosawa, Japan) 黑泽明 七武士 Tokyo Story (1953, Yasujiro Ozu, Japan) 小津安二郎 东京物语 The Handmaiden (2016, Park Chan-wook, South Korea) 朴赞郁 小姐 The Farewell (2019, Lulu Wang, USA) 王子逸 别告诉她 Yi Yi (2000, Edward Yang, Taiwan) 杨德昌 一一 In the Mood for Love (2000, Wong Kar-wai, Hong Kong) 王家卫 花样年华 Shoplifters (2018, Hirokazu Koreeda, Japan) 是枝裕和 小偷家族 Dave推荐的书 The Love Songs of W.E.B. Du Bois Kindred 我们提到的其他电影 黄金时代 The Best Years of Our Lives 饮食男女 Eat Drink Man Woman 如父如子 Like Father Like Son 步履不停 Still Walking 分手的决心 Decision to Leave 斯托克 Stoker 指匠 Fingersmith 罗生门 Rashomon 豪勇七蛟龙 The Magnificent Seven 小妈妈 Petite maman 喜宴 The Wedding Banquet 推手 Pushing Hands 冰风暴 The Ice Storm 理智与情感 Sense and Sensibility 色，戒 Lust, Caution 瓦嘉达 Wadjda 一次别离 A Separation 关于伊丽 About Elly 一个英雄 A Hero 开罗紫玫瑰 The Purple Rose of Cairo 游客 Force Majeure 我们讲述的故事 Stories We Tell 罗密欧与朱丽叶 Romeo + Juliet 杀手没有假期 In Bruges 七个神经病 Seven Psychopaths 节目备注 好小气的电报频道 好小气的长毛象 支持我们 订阅听友通讯请点击这里。 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过200人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们的电报(Telegram)听友群：不丧电报群 我们播客的邮箱地址：busangpodcast@gmail.com 女主播“单飞不解散”新播客一人有一个 搜索节目名称或直接添加RSS收听：https://oneatatime.typlog.io/episodes/feed.xml

Disclaimer: SPOILERS!! Kevin, Marc, and Juan review the 2021 film, "Drive My Car", directed by Ryusuke Hamaguchi, and starring, Hidetoshi Nishijima.

Chase Thomas is the Sports Renaissance Man, Atlanta Sports Guy, and Vol For Life. On today's program, he sits down with filmmaker and friend Philip Musey to catch up about life after a year away from the podcast, what the two have been up to, why 'Drive My Car' was so good for both, what director Ryusuke Hamaguchi got right in making the film, the tragic characters splattered throughout, what made each character's internal struggle so unique and interesting, what message the film was trying to convey, and so much more. Host: Chase Thomas Guest: Philip Musey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Japanese director, Ryusuke Hamaguchi powerful exploration of love, loss, creativity and guilt is without question, beautifully made, filmed, edited and acted but while John loved it the editor and Steve would have cut it down significantly. Still they both had a lot to say about this powerful and completely unique piece of cinema. Of course, if you want to watch John and Steve as well as listen you can see the video right here. https://www.youtube.com/watch?v=AgcBz-nLmFQ&t=27s Don't forget to like and subscribe. Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support

Next in our series of works by women filmmakers is director Joanna Hogg's loosely-autobiographical 2019 film, The Souvenir. Joining us to talk about the film is FemFreq Favorite and Managing Editor at Kotaku, Carolyn Petit! We've missed our former co-host and know you have, too; a good discussion is all but guaranteed when Caro's in the house, and today is no exception as we tackle the film's themes of addiction, power, art, self-discovery and more.  And be sure to check out our bonus episode this week! Usually a Patrons-only privilege, this week's Bonus is available wherever you get your podcasts or at Patreon.com/femfreqTime Stamps:44:19 - What's your Freq Out?Carolyn on the memoir Gentrification of the Mind: Witness to a Lost Imagination by Sarah Schulman AND on the film Drive My Car (2021) directed Ryusuke Hamaguchi based on the novel by Haruki MurakamiAnita on the film Sid and Nancy (1986) directed by Alex CoxSubmit your own FREQ out at feministfrequency.com/FREQOUTLinks Mentioned:Team Deakins podcast - https://podcasts.apple.com/us/podcast/team-deakins/id1510638084Follow Carolyn:twitter.com/carolynmichellekotaku.comFollow Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

With the Oscars right around the corner, Chris Ryan joins Sean and Amanda to draft their favorite Oscar winners from the 1990s (1:00). Then, Sean is joined by ‘Drive My Car' writer-director Ryusuke Hamaguchi to discuss his Oscar-nominated film (1:13:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Chris Ryan and Ryusuke Hamaguchi Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

A busy weekend of awards in Los Angeles ends with Jane Campion apologizing to the Williams sisters— are there more twists in the race in store? Plus a look back at the 2002 Oscars, the new thriller Deep Water, and conversations with Oscars producer Will Packer and Drive My Car director Ryusuke Hamaguchi. Sign up to receive texts from us at Subtext. Learn more about your ad choices. Visit podcastchoices.com/adchoices

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture "Drive My Car" had its world premiere at the 2021 Cannes Film Festival, winning the Best Screenplay prize. Then it went on to play at various other festivals before making history as the first Japanese film to be nominated for Best Picture at the Oscars. With wins from the New York Film Critics Circle, Los Angeles Film Critics Association, and National Society Of Film Critics for Best Film, Ryusuke Hamaguchi's nearly three-hour-long meditation on grief, regret, and artistic expression is one of the best-reviewed films of the year, also securing Oscar nominations for Best Director, Best Adapted Screenplay and Best International Feature Film. Josh Parham, Dan Bayer, Tom O'Brien & guest Jonathan Fujii aka. "The Film Drunk," joined me to discuss the film's themes, characters, filmmaking style, and more. If you have not yet seen the film, you can stream it currently on HBO Max. We highly recommend you do so before listening to our spoiler-filled review. Once you do, please come back, take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture