Podcasts about ryusuke hamaguchi

Our road trip movie list is underway, and we're talking about Ryusuke Hamaguchi's Oscar winning film, Drive My Car. Join Max, Doolin, Kyle, and Kenny as we review the and discuss the movie. If you haven't already, check out our previous episode on Nebraska! —————

A rural village braces itself for development from the big city in Ryusuke Hamaguchi's EVIL DOES NOT EXIST (2024), a beautiful movie that rhymed with certain things we've been feeling lately about democracy, capitalism, freedom, and community. PLUS: We parse Toronto Life's list of the 50 most influential Torontonians of 2024, and explore the exciting world of Eric Roberts. PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/116329275

En este episodio, analizamos Evil Does Not Exist, la última entrega de Ryusuke Hamaguchi. Una lucha entre tradición y modernidad, donde el agua, los bosques y el equilibrio natural están en juego. Con una banda sonora hipnótica de Eiko Ishibashi, exploramos el conflicto humano con la naturaleza.

Kate, Jared, and Dan pile into a delightfully cherry red sedan to take a little road trip through Ryusuke Hamaguchi's Drive My Car. Check out Kate in American Horror Stories on Hulu coming October 15!PLEASE FOLLOW/RATE/REVIEW WHEREVER YOU LISTEN!Dan is now on Threads! @DanConcesssionsJared is still on Threads! @JaredConcessions

Als Stadtmenschen müssen wir uns erst einmal Hamaguchis Entschleunigung ausliefern. Im Stil einer kontemplativen Dokumentation beobachten wir für eine ungewohnt lange Zeit, wie Takumi (Hitoshi Omika) Holz sägt, es spaltet, es ans Haus bringt, es aufstapelt, bevor er mit einem Freund Wasser aus einer Quelle schöpft, aufreizend langsam, Schöpflöffel für Schöpflöffel, Wasser, das später für den herausragenden Geschmack von Udon-Nudeln in einem Restaurant sorgen wird. Aber die düstere Musik von Eiko Ishibashi macht von Anfang an klar: Diese Idylle ist bedroht, wir spüren kommende Gefahren. Für Konflikte sorgen dann Vertreter einer Firma, die eine Glampinganlage in die Natur setzen will – und damit die Wasserversorgung des Dorfes beeinträchtigen würde.In den wenigen Dialogszenen werden die verschiedenen Denkweisen klar: Bemühen um Harmonie und Gleichgewicht auf der einen Seite, auch und gerade mit der Natur, und Gewinnstreben auf der anderen Seite. Der Spätkapitalismus kollidiert mit nachhaltigem Handeln. EVIL DOES NOT EXIST lässt Raum für Interpretationen und allegorische Ebenen: Das Bild von den Menschen, die am oberen Flußlauf wohnen und für die Menschen, die am unteren Flußlauf wohnen, Verantwortung übernehmen müssen, verweist auf die Verantwortung der Reichen gegenüber den Armen und auf die Verantwortung der Menschen für kommende Generationen. Aber während in den ruhigen Bildern solche Gedanken im Publikum aufkommen, und Takumi ein verlockendes Angebot bekommt, eskalieren die Konflikte zwischen Stadt und Land, zwischen Gier und Bescheidenheit. Im Podcast direkt nach dem Film müssen wir erst einmal das dramatische Ende verdauen und den Rätseln nachspüren, die Hamaguchi nicht auflöst. Am Mikrofon: Bettina, Johanna und Thomas.Wir haben den Film auf Mubi gesehen. Unser erster Eindruck von DRIVE MY CAR und WHEEL OF FORTUNE AND FANTASY.

We workshopped a better title for Ryusuke Hamaguchi's new film and settled on, “Evil Does Not Exist… or does it?”Take a hike through the woods with us as we collect bird leaves and discuss the sinister evils of glamping. You can attend our town hall meetings via email, Twitter(X) or Instagram You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode, JD and Brendan discuss Ryusuke Hamaguchi's phenomenal new film EVIL DOES NOT EXIST! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This week there's a music documentary, an eco-fable set in Japan, and Dave's favorite cinematic subgenre: Australian detective stories starring Eric Bana! To start things, Dave fills Megan and Evan in on Michael Lindsay-Hogg's remastered LET IT BE, which crawled so Peter Jackson's GET BACK could fuggin' sprint. Megan watched EVIL DOES NOT EXIST, said eco-fable, which focuses on a village near Tokyo and a clamping site being developed nearby. This is Ryusuke Hamaguchi's follow-up to the much-lauded DRIVE MY CAR. Finally, everyone saw FORCE OF NATURE: THE DRY 2, which features Bana reprising the role of Aaron Falk from THE DRY. (Aside: (Dave and Evan's alternate title: THE WET, as this story is set almost entirely in a rain forest.) Of course, Dave can't resist doing his bad Australian accent and giggling uncontrollably. But is THE DRY 2 good? We let you know! Over on Patreon we talk about the 1979 comedy THE FRISCO KID starring Gene Wilder and Harrison Ford.

When the Oscar-winning director Ryusuke Hamaguchi set out to make his latest film “Evil Does Not Exist,” the music kind of came before the idea. The film tells the story of a close-knit rural community in Japan and the city folk who have plans to build a glamping site in their hamlet. Hamaguchi joins Tom to tell us how the film was largely inspired by the music of his composer, Eiko Ishibashi.

Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko's second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching Ryusuke regarding providing visuals for her live performance. Evil Does Not Exist grew out of that, while also spawning the film Gift, a sort of "composer's cut" of Evil Does Not Exist, which removes spoken dialogue and focuses on Eiko's music. Not surprisingly, we compare and contrast her work on Evil Does Not Exist and her prior score, Drive My Car (the Oscar winner for Best International Film). Along the way, we also cover things like Eiko's approach to music and preference to giving control to the director, trends in Japanese film music, and more.  Note that this is an interpreted interview, so you'll hear snippets of Eiko's responses in Japanese but the answers are primarily via English translation. You can find out more about Eiko on her website. Eiko's score releases digitally and on physical media on June 28, and Evil Does Not Exist is currently in theaters.

Min 4: Sidney “Inmaculate” Sweeney El cine intenta estirar su momento dulce son una oferta en la que, esta vez, la variedad supera a la calidad. El plato fuerte llega en formato de terror y con el gran reclamo de otras actrices del momento, la joven Sidney Sweeney, cuyo protagonismo ha generado debate en el Filtro Luchini. ¿Morbo, miedo, provocación? ¿Cuál es el gran aval de la película dirigida por Michael Mohan? Min 17: Santiago “GARFIELD” Segura ¿Santiago Segura poniéndole la voz en español al mítico gato animado “Garfield”? Raquel Hernández nos explica el gran error de casting del que peca el doblaje de esta apuesta animada que saca al minino más aburguesado de su zona de confort. Si a Garfield le lanzas a una aventura “outdoor” y le despojas de su socarronería, puede quedar un producto demasiado infantil y descafeinado. Min 25: “LA CASA” o el legado de nuestros padres Después de triunfar en el Festival de Málaga y en otras muestras de calado, llega a los cines una propuesta española intimista cargada de buenos sentimientos y mejores interpretaciones. Álex Montoya dirige “La Casa”, en la que convierte a David Verdaguer, Óscar de la Fuente, Luis Callejo o Lorena López en los miembros de una familia marcada por la pérdida y por la incómoda herencia de una casa de campo. Min 32: MISIÓN HOSTIL Tras su exitoso y reciente paso por el cine de terror, el nuevo y maduro Russell Crowe vuelve a la carga con una peli de acción que nos plantea una situación que ya nos ha contado mil veces el cine americano, pero que da lo que promete. Misión de riesgo de las Fuerzas Armadas en Filipinas y un contratiempo que obliga a activar una agónica misión de rescate que tendrá que coordinar un “peso pesado” como Crowe. Min 36: EL MAL NO EXISTE: intimismo japonés Y para cerrar el círculo de una oferta variada y ecléctica, cine intimista con el sello y la mirada sabia y pausada de Ryusuke Hamaguchi. El aclamado realizador de “Drive my car” vuelve tras su parón creativo con una propuesta cuya cadencia y aparente sencillez ha dividido a nuestros críticos. Para Alberto Luchini, sus 15 minutos finales arruinan lo que habría sido una peli cinco estrellas. Min 42: LA CHAMPIONS DE LOS OSCARS: DE MONSTRUOS Y NÓMADAS Las oscarizadas “La Forma del Agua” (2017) y “Nomadland” (2020) se ven las caras en un nuevo cruce que nos permite seguir perfilando los cuartos de final de nuestra Champions de los Oscar. A la vencedora le espera un duro rival: “Spotlight” (2015) Min 48: ESPECIAL BSO: “RIVALES” Y en nuestra zona BSO queremos hacernos eco de la sorprendente, innovadora y arriesgada apuesta musical que eclosiona en la última película protagonizada por Zendaya. “Rivales” lleva la marca de agua de los oscarizados TRENT REZNOR y ATTICUS ROSS. Dos músicos que no son santo de la devoción de Ángel Luque, pero que aquí han virado hacia temas electrónicos y chocantes que merecen una pensada y un buen análisis.

SIGN UP FOR REGAL UNLIMITED W/ PROMO CODE - REGALNBP24 - https://regmovies.onelink.me/4207629222/q4j9urzs "Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction, writing, ambiguous ending, and commentary on climate change. Academy Award-nominee Ryusuke Hamaguchi ("Wheel Of Fortune And Fantasy") became a household name after his previous film, "Drive My Car," was nominated for four Oscars, winning Best International Feature Film, so naturally, anticipation for his follow-up was sky high. He was kind enough to sit and talk with us about his latest work during the New York Film Festival last year, where it also screened. Please be sure to check out the film, which will be released this weekend in American theaters from Sideshow/Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

On a recent visit to London, Neil and Dario sat down to catch up about Dario's break from this season's shows, the present and future of the podcast and some recent film releases they've both seen and enjoyed.  They discuss two films they saw together across a relaxing shared weekend; Ilker Çatak's The Teachers' Lounge and Wim Wenders' Perfect Days. They also discuss Felipe Gálvez Haberle's The Settlers, which they have both seen, but separately.  Conversation covers the context of the films they watched together, waxing lyrical about The Garden Cinema in Covent Garden, where they watched The Teachers' Lounge, as well as the invitation to think and converse provided by watching Perfect Days at home. Elsewhere Dario talks about the experience of being up close and personal seeing Brian Cox in Eugene O'Neill's Long Day's Journey Into Night, and Neil discusses seeing Dev Patel's Monkey Man (2024) and Ryusuke Hamaguchi's Evil Does Not Exist (2023) which leads the pair into a discussion about the Japanese filmamker, a contemporary favourite of both Neil and Dario's. Oh, and very importantly, there were buns! Yep! Included in the episode is commentary and tasting of Dario's partner Bea's generous baking of cinnamon buns for your erstwhile hosts. (There are also in places some uneditable rogue coughs courtesy of two ageing podcast hosts. Apologies). --- You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists. You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. --- Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.  

This week, one of Australia's foremost music supervisors Jemma Burns is in the Triple R studio to share what her job involves and the creative process behind music from tv shows like HEARTBREAK HIGH 2 to films like Ari Aster's BEAU IS AFRAID. Joining Jemma in the studio is host Flick Ford and guest critic Anthony Carew to review Luca Guadagnino's racy tennis drama CHALLENGERS starring Zendaya, Josh O'Connor, and Mike Daisy. CHALLENGERS, film by Luca Guadagnino. Next up for review this week is a haunting eco-fable EVIL DOES NOT EXIST from director Ryusuke Yamaguchi (DRIVE MY CAR) about a proposal for a glamping site that unsettles the inhabitants of a Japanese village. EVIL DOES NOT EXIST, a film by Ryusuke Hamaguchi. Follow us on socials:Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

We meet director David Leitch and producer Kelly McCormick, the husband and wife filmmaker duo behind The Fall Guy, a new rom-com about a stunt man set in Sydney, starring Ryan Gosling and Emily Blunt. An interview with Oscar winning Japanese director Ryusuke Hamaguchi, who's latest film Evil Does Not Exist looks at the environmental impact of glamping to explore themes of innocence lost and compassion.You'll also hear from Sayombhu Mukdeepro, the Thai cinematographer behind Luca Guadagnino's new film, an erotic tennis melodrama called Challengers starring Zendaya and Josh O'Connor. Plus, remembering Eleanor Coppola with an interview from the archives.Presenter, Jason Di RossoProducer, Sarah CorbettSound engineer, Russell StapletonExecutive producer, Rhiannon Brown

We meet the filmmaker duo behind Hollywood rom-com The Fall Guy; the cinematographer of Luca Guadagnino's new tennis movie, Challengers; Japanese director Ryusuke Hamaguchi; and an interview from the archives with Eleanor Coppola.

On our April show Cinetopia's Amanda Rogers and show regular, Clara Strachan, review Alex Garland's CIVIL WAR, Dev Patel's MONKEY MAN, Ryusuke Hamaguchi's EVIL DOES NOT EXIST (spoiler alert!), and Simon Chamber's documentary, MUCH ADO ABOUT DYING Run of Show - 3:40 - CIVIL WAR 31:30 - MONKEY MAN 39:30 - EVIL DOES NOT EXIST 58:05 - MUCH ADO ABOUT DYING

Hosted by Picturehouse's very own Sam Clements, The Love Of Cinema podcast is proudly supported by Kia. On this mini episode, Sam talks to director Ryusuke Hamaguchi and composer Eiko Ishibashi about their new film, Evil Does Not Exist, in cinemas now!  Takumi and his daughter Hana live in Mizubiki Village, close to Tokyo. Like generations before them, they live a modest life according to the cycles and order of nature. One day, the village inhabitants become aware of a plan to build a glamping site near Takumi's house; offering city residents a comfortable ‘escape' to nature. When two company representatives from Tokyo arrive in the village to hold a meeting, it becomes clear that the project will have a negative impact on the local water supply, causing unrest. The agency's mismatched intentions endanger both the ecological balance of the nature plateau and their way of life, with an aftermath that affects Takumi's life deeply. From the director of Oscar® and BAFTA winner Drive My Car. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Proudly supported by Kia. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

This week we dive into the hallucinogenic world of Disco Boy, which stars European arthouse cinema's current It boy Franz Rogowski as an undocumented Belarusian immigrant who joins the French Foreign Legion. We also take a look at Evil Does Not Exist, the latest from Ryusuke Hamaguchi. This Japanese filmmaker has amassed a cult following but he's still to convince some of our hosts on the pod. Will Evil Does Not Exist change their minds? And with Lynne Ramsay's Ratcatcher getting a 25th-anniversary rerelease this month, we look back at the four feature films to date from this visionary Scottish filmmaker. TIMESTAMPS: Monster, Mr and Mrs Smith (2024), Sex, Lies & Videotapes and Irish Wish (1:50) Disco Boy review (10:55) Evil Does Not Exist review (23:54) The films of Lynne Ramsay (37:30) CINESKINNY FILM CLUB TICKETS: https://www.theskinny.co.uk/tickets Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on Twitter, Instagram, Letterboxd and TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk; recorded at EHFM, Summerhall – ehfm.live Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license

Last Chance to help Fil's movie, THE REGULARS, get into Film Festivals – Please Share and/or Donate the fundraiser: https://www.indiegogo.com/projects/the-regulars-film-take-two#/This week on The Pod Charles Cinecast, presented by The Prince Charles Cinema, our hosts Jonathan Foster and Fil Freitas are back with the another edition of THE POD CHARLES CINECAST CLASSIC, expecting only good vibes in the month of April 2024!There is so much to see this month! So, join us as we discuss Sean Price Williams' THE SWEET EAST, Ryusuke Hamaguchi's EVIL DOES NOT EXIST, ONCE UPON A TIME IN HOLLYWOOD, KING KONG vs GODZILLA, ZODIAC, SUPERBAD, HOT ROD, THE PARALLAX VIEW, David Lynch's DUNE, THE LOST BOYS, JAWBREAKER, and so much more! Plus, there are even some mentions of STAR WARS: EPISODE I – THE PHANTOM MENACE (which is actually coming in May). There may even be some guitar playing and songs about The Crow... man.For full listings and tickets visit: princecharlescinema.com If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

After a speedy roundup of new releases and films playing at AFI Fest, including the latest by Alexander Payne, Wim Wenders, Ryusuke Hamaguchi, David Fincher, and Justine Triet, Cole and Zach dive into the season's biggest release, Martin Scorsese's Killers of the Flower Moon and discuss how it compares to the director's best, the year's best, and David Grann's book of the same name.

Friend of the show Foster Harlfinger joins Rowan and Davis for an overview of this year's New York Film Festival, including new films from Wim Wenders, Ryusuke Hamaguchi, Hayao Miyazaki and more! Follow Davis: Letterboxd: ⁠⁠https://letterboxd.com/daveymjolnir/⁠⁠ Twitter: ⁠⁠https://twitter.com/davis_maths⁠⁠ Follow Rowan: Letterboxd: ⁠⁠https://letterboxd.com/Rowan_a_Boat/⁠⁠ Twitter: ⁠⁠https://twitter.com/bitsofjoel⁠⁠ The Lenient Critic: ⁠⁠thelenientcritic.com⁠⁠ ⁠⁠Follow us on TikTok!⁠⁠ Cover art by Claire Mitchell. --- Support this podcast: https://podcasters.spotify.com/pod/show/runtimebabe/support

After their respective trips to Colorado and Italy, Sean and Amanda convene to discuss the movies they watched at Telluride and Venice Film Festivals, including films from David Fincher, Sofia Coppola, Michael Mann, Yorgos Lanthimos, Bradley Cooper, Ryusuke Hamaguchi, and more (1:00). Then, they share some early Oscar predictions based on the quality and buzz surrounding the films coming out of the two festivals (1:10:00). Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

On the thirty-first episode of the Cinematic Odyssey, Tristen and Max dive into one of the best international films of recent memory with Ryusuke Hamaguchi and Japan's Drive My Car. The two spend a lot of time poring over the deeply layered script and the double and triple meanings behind every word spoken, Max gives a rundown on Uncle Vanya and Russian theatre, and Tristen defends the inaction of the main character. While it may be a slow drama, it remains absolutely captivating and spellbinding, drawing audiences in deep and not letting go. The emotional punches are many and Tristen and Max try to break down how symbolic the text actually is. This film is highly recommended by both Tristen and Max. 

本期摘要 朋友们四月好，过度分享的「异乡生活」系列还活着！在这期很特殊的节目里（哪里特殊听就知道），我（solo 出道的好小气）和之前读硕士时的导师Dave一起聊了聊他喜欢的东亚电影，又扯了一些关于今年奥斯卡的闲话。Dave是我遇到过阅读和观影经历最最丰富的人之一，也是我认识的美国人里为数不多会看非英语电影的人。作为影迷我们也有着比较类似的偏好，比如都喜欢看呈现混乱和复杂生活的电影，喜欢家庭伦理剧(aka dysfunctional family drama)，比起用电影呈现人性的光辉，我们更偏向于看到人物的脆弱和失败，看到"humanity being defeated." 我特别喜欢他在节目里说的，“人生时常很艰难，但也总有微小的快乐闪光。”希望大家听得开心！另外，本期的shownotes非常壮观。 为了方便大家收听，大概说一下我们聊了什么： 自我介绍：我让Dave大概聊了聊他看电影的历史。他成长于七十年代的美国中西部，小的时候每周会在父母的推荐下去镇上唯一的一家影院看那周唯一上映的电影；长大后在UIUC（李安的母校）读研究所，就开始看一些艺术院线里的非英语片，包括看的第一部李安的电影《饮食男女》。 我让他列了一个“最爱的东亚电影”前十名清单，大家可以在下面查看，然后我们从第十名到第一名聊了聊他为什么喜欢这些电影。 又不能免俗地聊了奥斯卡，我们俩对今年奥斯卡的喜好非常不同，但也没关系。 最后他推荐了自己最近读过很喜欢的两本书，都和美国的种族问题有关。他说，“作为美国人，种族问题是我们无法回避的历史遗产。” Intro: What The River Knows by Holizna Outro: Yumeji's Theme (Theme from 'in the Mood for Love') · Shigeru Umebayashi Dave最爱的十部东亚电影 （他每个导演只选了一部） Parasite (2019, Bong Joon-ho, South Korea) 奉俊昊 寄生虫 Crouching Tiger, Hidden Dragon (2000, Ang Lee, Taiwan) 李安 卧虎藏龙 Drive My Car (2021, Ryusuke Hamaguchi, Japan) 滨口龙介 驾驶我的车 Seven Samurai (1954, Akira Kurosawa, Japan) 黑泽明 七武士 Tokyo Story (1953, Yasujiro Ozu, Japan) 小津安二郎 东京物语 The Handmaiden (2016, Park Chan-wook, South Korea) 朴赞郁 小姐 The Farewell (2019, Lulu Wang, USA) 王子逸 别告诉她 Yi Yi (2000, Edward Yang, Taiwan) 杨德昌 一一 In the Mood for Love (2000, Wong Kar-wai, Hong Kong) 王家卫 花样年华 Shoplifters (2018, Hirokazu Koreeda, Japan) 是枝裕和 小偷家族 Dave推荐的书 The Love Songs of W.E.B. Du Bois Kindred 我们提到的其他电影 黄金时代 The Best Years of Our Lives 饮食男女 Eat Drink Man Woman 如父如子 Like Father Like Son 步履不停 Still Walking 分手的决心 Decision to Leave 斯托克 Stoker 指匠 Fingersmith 罗生门 Rashomon 豪勇七蛟龙 The Magnificent Seven 小妈妈 Petite maman 喜宴 The Wedding Banquet 推手 Pushing Hands 冰风暴 The Ice Storm 理智与情感 Sense and Sensibility 色，戒 Lust, Caution 瓦嘉达 Wadjda 一次别离 A Separation 关于伊丽 About Elly 一个英雄 A Hero 开罗紫玫瑰 The Purple Rose of Cairo 游客 Force Majeure 我们讲述的故事 Stories We Tell 罗密欧与朱丽叶 Romeo + Juliet 杀手没有假期 In Bruges 七个神经病 Seven Psychopaths 节目备注 好小气的电报频道 好小气的长毛象 支持我们 订阅听友通讯请点击这里。 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过200人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们的电报(Telegram)听友群：不丧电报群 我们播客的邮箱地址：busangpodcast@gmail.com 女主播“单飞不解散”新播客一人有一个 搜索节目名称或直接添加RSS收听：https://oneatatime.typlog.io/episodes/feed.xml

本期摘要 朋友们四月好，过度分享的「异乡生活」系列还活着！在这期很特殊的节目里（哪里特殊听就知道），我（solo 出道的好小气）和之前读硕士时的导师Dave一起聊了聊他喜欢的东亚电影，又扯了一些关于今年奥斯卡的闲话。Dave是我遇到过阅读和观影经历最最丰富的人之一，也是我认识的美国人里为数不多会看非英语电影的人。作为影迷我们也有着比较类似的偏好，比如都喜欢看呈现混乱和复杂生活的电影，喜欢家庭伦理剧(aka dysfunctional family drama)，比起用电影呈现人性的光辉，我们更偏向于看到人物的脆弱和失败，看到"humanity being defeated." 我特别喜欢他在节目里说的，“人生时常很艰难，但也总有微小的快乐闪光。”希望大家听得开心！另外，本期的shownotes非常壮观。 为了方便大家收听，大概说一下我们聊了什么： 自我介绍：我让Dave大概聊了聊他看电影的历史。他成长于七十年代的美国中西部，小的时候每周会在父母的推荐下去镇上唯一的一家影院看那周唯一上映的电影；长大后在UIUC（李安的母校）读研究所，就开始看一些艺术院线里的非英语片，包括看的第一部李安的电影《饮食男女》。 我让他列了一个“最爱的东亚电影”前十名清单，大家可以在下面查看，然后我们从第十名到第一名聊了聊他为什么喜欢这些电影。 又不能免俗地聊了奥斯卡，我们俩对今年奥斯卡的喜好非常不同，但也没关系。 最后他推荐了自己最近读过很喜欢的两本书，都和美国的种族问题有关。他说，“作为美国人，种族问题是我们无法回避的历史遗产。” Intro: What The River Knows by Holizna Outro: Yumeji's Theme (Theme from 'in the Mood for Love') · Shigeru Umebayashi Dave最爱的十部东亚电影 （他每个导演只选了一部） Parasite (2019, Bong Joon-ho, South Korea) 奉俊昊 寄生虫 Crouching Tiger, Hidden Dragon (2000, Ang Lee, Taiwan) 李安 卧虎藏龙 Drive My Car (2021, Ryusuke Hamaguchi, Japan) 滨口龙介 驾驶我的车 Seven Samurai (1954, Akira Kurosawa, Japan) 黑泽明 七武士 Tokyo Story (1953, Yasujiro Ozu, Japan) 小津安二郎 东京物语 The Handmaiden (2016, Park Chan-wook, South Korea) 朴赞郁 小姐 The Farewell (2019, Lulu Wang, USA) 王子逸 别告诉她 Yi Yi (2000, Edward Yang, Taiwan) 杨德昌 一一 In the Mood for Love (2000, Wong Kar-wai, Hong Kong) 王家卫 花样年华 Shoplifters (2018, Hirokazu Koreeda, Japan) 是枝裕和 小偷家族 Dave推荐的书 The Love Songs of W.E.B. Du Bois Kindred 我们提到的其他电影 黄金时代 The Best Years of Our Lives 饮食男女 Eat Drink Man Woman 如父如子 Like Father Like Son 步履不停 Still Walking 分手的决心 Decision to Leave 斯托克 Stoker 指匠 Fingersmith 罗生门 Rashomon 豪勇七蛟龙 The Magnificent Seven 小妈妈 Petite maman 喜宴 The Wedding Banquet 推手 Pushing Hands 冰风暴 The Ice Storm 理智与情感 Sense and Sensibility 色，戒 Lust, Caution 瓦嘉达 Wadjda 一次别离 A Separation 关于伊丽 About Elly 一个英雄 A Hero 开罗紫玫瑰 The Purple Rose of Cairo 游客 Force Majeure 我们讲述的故事 Stories We Tell 罗密欧与朱丽叶 Romeo + Juliet 杀手没有假期 In Bruges 七个神经病 Seven Psychopaths 节目备注 好小气的电报频道 好小气的长毛象 支持我们 订阅听友通讯请点击这里。 欢迎通过微博关注我们的节目@不丧Podcast和女主播@constancy好小气。 关于线上读书微信群：由于目前群人数超过200人，无法继续通过扫码入群。想要入群的朋友可以先加我的微信号（ID: hongming_qiao），然后再拉你入群。 我们的电报(Telegram)听友群：不丧电报群 我们播客的邮箱地址：busangpodcast@gmail.com 女主播“单飞不解散”新播客一人有一个 搜索节目名称或直接添加RSS收听：https://oneatatime.typlog.io/episodes/feed.xml

Quais pistas a história do cinema japonês nos dá para pensar no futuro? Projetar os próximos anos passa por olhar para novas cineastas, como Naoko Ogigami e a jovem Yoko Yamanaka e esperar o retorno de Hayao Miyazaki, com suas animações. Analisar, ainda, o protagonismo de Hirokazu Kore-eda e Ryusuke Hamaguchi, e analisar temáticas contemporâneas.

Disclaimer: SPOILERS!! Kevin, Marc, and Juan review the 2021 film, "Drive My Car", directed by Ryusuke Hamaguchi, and starring, Hidetoshi Nishijima.

2 out of the 3 of us would make a Beatles joke here, but since it's Beau's week we'll just say: we really hope you watch Drive My Car (Dir. Ryusuke Hamaguchi). But for real. Watch it before you listen; it's better that way!  Coming AttractionThe African Queen (John Huston) Episode GuideDrive My Car discussion - 8:38Trivia - 40:27 Join the Club!LetterboxdInstagramMCFC Film Spreadsheet

Chase Thomas is the Sports Renaissance Man, Atlanta Sports Guy, and Vol For Life. On today's program, he sits down with filmmaker and friend Philip Musey to catch up about life after a year away from the podcast, what the two have been up to, why 'Drive My Car' was so good for both, what director Ryusuke Hamaguchi got right in making the film, the tragic characters splattered throughout, what made each character's internal struggle so unique and interesting, what message the film was trying to convey, and so much more. Host: Chase Thomas Guest: Philip Musey Learn more about your ad choices. Visit podcastchoices.com/adchoices

We know you're probably sick of hearing how good this movie is -- but it really is! Believe your friends!Theme Music "A Movie I'd Like to See" by Al Harley. Show Art: Cecily Brown  Episode Art: Victoria HarleyFollow the Show @freshmoviepod YouTube Channel abreathoffreshmovie@gmail.com

Exploring communication in Drive My Car (2021) directed by Ryusuke Hamaguchi.Links:Support Mind Theater on Ko-fiFollow Mind Theater on Instagram, Twitter, and TikTokMusic by Blue Dot SessionsAwaiting an ArrivalI RecallReferences/Sources:https://en.wikipedia.org/wiki/Road_movie#:~:text=The%20road%20film%20is%20a,journey%20rather%20than%20the%20goal.https://www.filmsite.org/roadfilms.htmlhttps://people.southwestern.edu/~bednarb/road-movies/articles/morris.pdfhttps://www.cinematary.com/writing/2022/1/3/drive-my-car-2021-by-ryusuke-hamaguchi

This week we review this year's winner for Best International Feature Film at the Academy Awards; Drive My Car! The movie is directed by Ryusuke Hamaguchi and stars Hidetoshi Nishijima, Toshiaki Inomata, and Toko Miura. We talk about our likes and dislikes for the film and also give some history about films from Japan being nominated and winning Oscars. Also we talk more about the Will Smith fallout from "The Slap" and discuss the Grammy Awards and Jon Batiste's win for Album of the Year! Follow the show on social media! Facebook: https://www.facebook.com/SilverScreenPodcast Instagram: https://www.instagram.com/podcastsilver/ Twitter: https://twitter.com/podcastsilver Be sure to rate and review the show wherever you listen! --- Send in a voice message: https://anchor.fm/thesilverscreenpodcast/message

This week, it's lights, camera, action! Asia Stream has gone Hollywood. Following an Oscars that made headlines for all the wrong reasons, we take a deeper look at the biggest awards in film and ask why they do such a poor job reflecting the scope of global cinema. Then, Asia Stream correspondent Monica Hunter-Hart takes a deeper dive into the history of Asian cinema, with a focus on Japan in particular, speaking to studio veterans, film critics, and historians. Click here for an exclusive offer to save 83% on a Nikkei Asia subscription Asia Stream is hosted by Jack Stone Truitt and produced by Monica Hunter-Hart and Nikkei Asia digital editor Wajahat S. Khan. Related to this episode: Japan's 'Drive My Car' wins Oscar for best international film, by Wajahat Khan A win for this Indian documentary would make Oscars history, by Mythily Ramachandran Oscar buzz builds for breakthrough Bhutanese film, by Nidup Gyeltshen and Phuntsho Wangdi Can Japanese director Ryusuke Hamaguchi follow renowned Kurosawa?, by Shigeki Koga Japan's 'Drive My Car' stokes 'Parasite'-esque Oscar buzz, by Shigeki Koga

Japanese director, Ryusuke Hamaguchi powerful exploration of love, loss, creativity and guilt is without question, beautifully made, filmed, edited and acted but while John loved it the editor and Steve would have cut it down significantly. Still they both had a lot to say about this powerful and completely unique piece of cinema. Of course, if you want to watch John and Steve as well as listen you can see the video right here. https://www.youtube.com/watch?v=AgcBz-nLmFQ&t=27s Don't forget to like and subscribe. Don't forget to support The Cine-Files at https://www.patreon.com/TheCineFiles and purchase any film we feature at https://www.cine-files.net Facebook: https://www.facebook.com/TheCineFilesPod/?ref=bookmarks John @therochasays Steve @srmorris The Cine-Files Twitter @cine_files Instagram thecinefilespodcast --- Send in a voice message: https://anchor.fm/thecine-files/message Support this podcast: https://anchor.fm/thecine-files/support

On the fourth episode of a special THE OSCARS SERIES for The Outlaw Nation, host and Tomatometer critic John Rocha welcomes director, editor and his The Cine-Files cohost Steve Morris to revisit and review DRIVE MY CAR. The film from director Ryusuke Hamaguchi stars Hidetoshi Nishijima, Tōko Miura, Masaki Okada and Reika Kirishima. The film follows Yūsuke Kafuku (played by Hidetoshi Nishijima) as he directs a multilingual production of Uncle Vanya in Hiroshima and grapples with the death of his wife, Oto. John and Steve discuss what they loved and didn't love about the film as they discuss the performances, direction, score, sound design and cinematography. They also discuss its Best Picture Oscars chances and where it has a best chance to take home a statue from the three other categories it is nominated in. This will be an ongoing series until The Oscars air on Sunday, March 27th. #DriveMyCar #Japan #Oscars Follow The Outlaw John Rocha: https://twitter.com/TheRochaSays Follow Steve Morris: https://twitter.com/srmorris --- Support this podcast: https://anchor.fm/the-outlaw-nation-network/support

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 2 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

Aired on Sunday, March 27, 2022 on ABCTo listen to Part 1 of this two-part episode, click here!Website: OscarsHere Are the Categories We Discussed Across Both Parts:International Feature Film*WINNER* DRIVE MY CARJapanFLEEDenmarkTHE HAND OF GODItalyLUNANA: A YAK IN THE CLASSROOMBhutanTHE WORST PERSON IN THE WORLDNorwayWriting (Adapted Screenplay)*WINNER* CODAScreenplay by Siân HederDRIVE MY CARScreenplay by Ryusuke Hamaguchi, Takamasa OeDUNEScreenplay by Jon Spaihts and Denis Villeneuve and Eric RothTHE LOST DAUGHTERWritten by Maggie GyllenhaalTHE POWER OF THE DOGWritten by Jane CampionWriting (Original Screenplay)*WINNER* BELFASTWritten by Kenneth BranaghDON'T LOOK UPScreenplay by Adam McKay; Story by Adam McKay & David SirotaKING RICHARDWritten by Zach BaylinLICORICE PIZZAWritten by Paul Thomas AndersonTHE WORST PERSON IN THE WORLDWritten by Eskil Vogt, Joachim TrierDirectingBELFASTKenneth BranaghDRIVE MY CARRyusuke HamaguchiLICORICE PIZZAPaul Thomas Anderson*WINNER* THE POWER OF THE DOGJane CampionWEST SIDE STORYSteven SpielbergActress in a Supporting RoleJessie Buckley in THE LOST DAUGHTER*WINNER* Ariana DeBose in WEST SIDE STORYJudi Dench in BELFASTKirsten Dunst in THE POWER OF THE DOGAunjanue Ellis in KING RICHARDActor in a Supporting RoleCiarán Hinds in BELFAST*WINNER* Troy Kotsur in CODAJesse Plemons in THE POWER OF THE DOGJ.K. Simmons in BEING THE RICARDOSKodi Smit-McPhee in THE POWER OF THE DOGActress in a Leading Role*WINNER* Jessica Chastain in THE EYES OF TAMMY FAYEOlivia Colman in THE LOST DAUGHTERPenélope Cruz in PARALLEL MOTHERSNicole Kidman in BEING THE RICARDOSKristen Stewart in SPENCERBest PictureBELFASTLaura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers*WINNER* CODAPhilippe Rousselet, Fabrice Gianfermi and Patrick Wachsberger, ProducersDON'T LOOK UPAdam McKay and Kevin Messick, ProducersDRIVE MY CARTeruhisa Yamamoto, ProducerDUNEMary Parent, Denis Villeneuve and Cale Boyter, ProducersKING RICHARDTim White, Trevor White and Will Smith, ProducersLICORICE PIZZASara Murphy, Adam Somner and Paul Thomas Anderson, ProducersNIGHTMARE ALLEYGuillermo del Toro, J. Miles Dale and Bradley Cooper, ProducersTHE POWER OF THE DOGJane Campion, Tanya Seghatchian, Emile Sherman, Iain Canning and Roger Frappier, ProducersWEST SIDE STORYSteven Spielberg and Kristie Macosko Krieger, ProducersActor in a Leading RoleJavier Bardem in BEING THE RICARDOSBenedict Cumberbatch in THE POWER OF THE DOGAndrew Garfield in TICK, TICK...BOOM!*WINNER* Will Smith in KING RICHARDDenzel Washington in THE TRAGEDY OF MACBETH See acast.com/privacy for privacy and opt-out information.

This week on Fresh Hop Cinema; Beer 1: "Cookies and Cream Double Jammer" from Burning Barrel Brewing Co (Rancho Cordova, CA). Style: Pastry Sour. ABV: 6.7% Ratings: Jonny - 8.4, Max - 9. Film: "West Side Story" directed by Steven Spielberg. Ratings: Jonny- 2.8, Max - 7. Beer 2: "Invasion of the Dankness" from Burning Barrel Brewing Co (Rancho Cordova, CA). Style: Imperial IPA ABV: 8.5% Ratings: Jonny - 7.1 Max - 7. Film: "Drive My Car" directed by Ryusuke Hamaguchi. Ratings: Jonny- 9.1, Max - 8. Inside Hot & Bothered: - Max - Stoble // The Commons // Bonus Webpage - Jonny - "100 Days Wild" & "Vikings Valhalla" ------ Episode Timeline: 0:00 - Intro, Ads, & Shoutouts 4:56 - Double Jammer 20:44 - "West Side Story" (No Spoilers) 37:19 - "West Side Story" (DANGER ZONE) 41:18 - Invasion of the Dankness 51:32 - "Drive My Car" (No Spoilers) 1:09:02 - Hot & Bothered Please leave us a rating and/or review on Apple Podcasts, or wherever you get your podcasts! Got a few bucks to spare? Support us on Patreon for as little as a dollar per week at www.patreon.com/freshhopcinema.

Next in our series of works by women filmmakers is director Joanna Hogg's loosely-autobiographical 2019 film, The Souvenir. Joining us to talk about the film is FemFreq Favorite and Managing Editor at Kotaku, Carolyn Petit! We've missed our former co-host and know you have, too; a good discussion is all but guaranteed when Caro's in the house, and today is no exception as we tackle the film's themes of addiction, power, art, self-discovery and more.  And be sure to check out our bonus episode this week! Usually a Patrons-only privilege, this week's Bonus is available wherever you get your podcasts or at Patreon.com/femfreqTime Stamps:44:19 - What's your Freq Out?Carolyn on the memoir Gentrification of the Mind: Witness to a Lost Imagination by Sarah Schulman AND on the film Drive My Car (2021) directed Ryusuke Hamaguchi based on the novel by Haruki MurakamiAnita on the film Sid and Nancy (1986) directed by Alex CoxSubmit your own FREQ out at feministfrequency.com/FREQOUTLinks Mentioned:Team Deakins podcast - https://podcasts.apple.com/us/podcast/team-deakins/id1510638084Follow Carolyn:twitter.com/carolynmichellekotaku.comFollow Us:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsSubscribe to our Star Trek PodcastTwitterInstagramtwitch.tv/femfreq (every Thursday at 6:30pm PT)

With the Oscars right around the corner, Chris Ryan joins Sean and Amanda to draft their favorite Oscar winners from the 1990s (1:00). Then, Sean is joined by ‘Drive My Car' writer-director Ryusuke Hamaguchi to discuss his Oscar-nominated film (1:13:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Chris Ryan and Ryusuke Hamaguchi Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

'Drive My Car' director Ryusuke Hamaguchi still in shock over Oscar nominations; Ukrainian humanitarian crisis continues; 101-year-old man finally receives his high school diploma

A busy weekend of awards in Los Angeles ends with Jane Campion apologizing to the Williams sisters— are there more twists in the race in store? Plus a look back at the 2002 Oscars, the new thriller Deep Water, and conversations with Oscars producer Will Packer and Drive My Car director Ryusuke Hamaguchi. Sign up to receive texts from us at Subtext. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Another jam packed episode is here, there's just so much to talk about. Kanye West's three-part documentary 'JEEN-YUHS' (1:53) has concluded on Netflix, the latest Pixar film 'TURNING RED' (24:33) hit Disney+, and Ryan Reynolds is back, playing himself again in the 'THE ADAM PROJECT' (43:02), also on Netflix. We also got the chance to check out some foreign films that have been getting awards recognition, 'DRIVE MY CAR' (57:49) the emotional drama from Japanese director Ryusuke Hamaguchi, and 'THE WORST PERSON IN THE WORLD' (1:11:59) from Norwegian director Joachim Trier. On the TV side of things, the animated anthology 'THE BOYS PRESENTS: DIABOLICAL' (1:22:53) released on Amazon Prime, with all of the shenanigans and fun of 'THE BOYS' in its DNA. 'WINNING TIME: THE RISE OF THE LAKERS DYNASTY' (1:31:35) has premiered on HBO Max, the drama miniseries following the rise of the Lakers franchise and the players that made it. Also on Prime Video is 'REACHER' (1:38:12), an action tv show based off the books by Lee Child that Jordan's been watching. The news of the week includes a discussion about new trailers for 'THE BOYS' season 3, 'OBI-WAN', 'MS MARVEL', and more. RIP William Hurt and Scott Hall 2BlackNerds.com (Song: These Walls x Kendrick Lamar)

This week, we continue our Oscar binge with the film from Japan that is nominated for this year's Best Picture, Best Foreign Picture, Best Adapted Screenplay, and Best Director. This one requires full attention for 3 hours, so prepare yourself for the watch. Drive My Car (2021), directed by Ryusuke Hamaguchi.

This week’s Nose doesn’t need you to tell it whether it’s cool or not, old lady. Licorice Pizza is the ninth feature film written and directed by Paul Thomas Anderson. The movie and Anderson are nominated for three Academy Awards: Best Picture, Best Director, and Best Original Screenplay. It is a coming-of-age story set in the San Fernando Valley in the 1970s and starring Alana Haim and Cooper Hoffman in their film debuts. Its ensemble supporting cast includes Sean Penn, Tom Waits, Bradley Cooper, Benny Safdie, Maya Rudolph, and John C. Reilly. And Drive My Car is an adaptation of the Haruki Murakami short story written by Ryusuke Hamaguchi and Takamasa Oe and directed by Hamaguchi. It is the first Japanese film ever nominated for Best Picture at the Academy Awards and just the sixth movie ever to win Best Picture from all three major U.S. critics’ groups after Goodfellas, Schindler’s List, L. A. Confidential, The Hurt Locker, and The Social Network. Some other stuff that happened this week, give or take: Mitchell Ryan, Lethal Weapon And Grosse Pointe Blank Actor, Dies At 88 If the Lockout Makes Baseball Better, It Will Have Been Worth It After tense negotiations, Major League Baseball and the players’ union both made gains in their desired areas. But more important, they avoided losses — of games and, potentially, their standing. Netflix Suspends Service in Russia Amid Invasion of Ukraine Moonfall Has Bombed Its Way Into The Record Books, And That’s Concerning ‘Black Panther’ Director Ryan Coogler Mistaken for Bank Robber “We deeply regret that this incident occurred. It never should have happened and we have apologized to Mr. Coogler,” Bank of America told The Hollywood Reporter in a statement about the January incident in Atlanta. Disney Censors ‘Overtly Gay Affection’ In Movies, According To Pixar Employees Denzel Washington tackles Shakespeare and life’s fourth quarter with grace ‘We can’t afford to lose them’: the fight to bring missing movies back Films such as The Heartbreak Kid and I Shot Andy Warhol remain unavailable on any platform but a new initiative is aiming to change that Why Isn’t Brittney Griner the Biggest Sports Story in the Country? GUESTS: Taneisha Duggan: A director, producer, and arts consultant James Hanley: Co-founder of Cinestudio at Trinity College Tracy Wu Fastenberg: Development officer at Connecticut Children’s The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Eugene Amatruda contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture "Drive My Car" had its world premiere at the 2021 Cannes Film Festival, winning the Best Screenplay prize. Then it went on to play at various other festivals before making history as the first Japanese film to be nominated for Best Picture at the Oscars. With wins from the New York Film Critics Circle, Los Angeles Film Critics Association, and National Society Of Film Critics for Best Film, Ryusuke Hamaguchi's nearly three-hour-long meditation on grief, regret, and artistic expression is one of the best-reviewed films of the year, also securing Oscar nominations for Best Director, Best Adapted Screenplay and Best International Feature Film. Josh Parham, Dan Bayer, Tom O'Brien & guest Jonathan Fujii aka. "The Film Drunk," joined me to discuss the film's themes, characters, filmmaking style, and more. If you have not yet seen the film, you can stream it currently on HBO Max. We highly recommend you do so before listening to our spoiler-filled review. Once you do, please come back, take a listen down below and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Let's talk Haruki Murakami!  In this episode, both Drive My Car, the 4-time Academy Award-nominated* critical darling, and Kafka on the Shore, the not-yet-adapted and debatably "unfilmable" 2002 novel, are covered somewhat extensively, with spoilers for both kept to a minimum.  Welcome, for the time being, to a brand-new world...*Best Picture, Best Director, Best International Feature, Best Adapted Screenplay (ceremony forthcoming)

Get out of our dreams and get into our car! Matt and Shahir are reunited for an in-person screening of Ryusuke Hamaguchi's "Drive My Car" , a Haruki Murakami adaptation about a theater director adapting Anton Chekhov's Uncle Vayna. Join us on the car ride back from the cinema as we discuss life, Oscar nominations and the depth of human suffering.You can call us an Uber by emailing us in at onlymoviepodcast@gmail.com or drive some traffic on Twitter feed at www.twitter.com/onlymoviepodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.