Podcasts about tackhead

A Black History Month special celebrating the contributions of pioneering Black musicians in shock rock, industrial rock, new wave, techno, electro, and more. Music by Screaming Jay Hawkins, Tackhead, Janet Jackson, Q Lazzarus, and interview with DJ Datura Prime (California).SOURCESAlcorn, Chauncey. (2021, March 9). The Grammys rarely award chart-topping Black artists with top honors, new study finds. CNN Business. https://www.cnn.com/2021/03/09/media/grammys-diversity/index.html Art Fein. (2008, November 8). Screamin' J Hawkins - interviewed on Poker Party [Video]. YouTube. https://www.youtube.com/watch?v=w563zV6Y8soBBC SNUB TV. (1990). Tackhead - Interview & “Dangerous Sex” live. YouTube. https://www.youtube.com/watch?v=W4HF1dysw7EBlistein, J. (2022, August 18). Q Lazzarus, cult favorite behind ‘Goodbye Horses' who disappeared for decades, dead at 61. Rolling Stone. https://www.rollingstone.com/music/music-news/q-lazzarus-diane-luckey-goodbye-horses-dead-obituary-1234577321/ Boxil-Clark, C. (2020). In search of Harmony in Culture: An analysis of American rock music and the African American experience. https://doi.org/10.33015/dominican.edu/2020.hum.04 Last.fm: Janet Jackson https://www.last.fm/music/Janet+Jackson Last.fm: Q Lazzarus https://www.last.fm/music/Q+Lazzarus Last.fm Screamin' Jay Hawkins https://www.last.fm/music/Screamin%27+Jay+Hawkins Last.fm: Tackhead https://www.last.fm/music/Tackhead/ The Jacksons Music. (2019, November 11). MTV Entrevista a Janet Jackson (1989) | Rhythm Nation 1814. [Video]. YouTube. https://www.youtube.com/watch?v=Q-3wodheX_M

Our guest is Doug Wimbish, one of the most renowned bass players of all time, known for his work with a wide range of artists, including Living Colour, Tackhead, Sugarhill Gang, Mick Jagger, Annie Lennox, and many more. He is also the founder of WimBash, a series of community-based charity events supporting music education. In this episode, John and Stewart talk with Doug about his extraordinary journey through the music industry. They discuss topics such as his start at All Platinum Records, the birth of Sugar Hill Records, recording "Rapper's Delight", his life-changing encounter with Jaco Pastorius, and his experiences touring with music icons. Doug also shares his thoughts on mentoring young musicians, the evolution of bass playing, and the importance of giving back to the music community. 

Joe Rihn is a DJ, musician and writer with endless enthusiasm for his hometown of Los Angeles. His show Audio Days explores the wide world of electronic music and beyond with particular attention to artists pushing the boundaries of sound. In this special interview episode of Audio Days, influential UK artist Mark Stewart discusses his body of work, his creative processes and the music that has inspired him along the way. After beginning his career as the frontman of Bristol's celebrated post-punk band The Pop Group, Stewart went on to break new ground in electronic music through his work with dub producer and On-U Sound Records head, Adrian Sherwood, along with drummer Keith LeBlanc, bassist Doug Wimbish and guitarist Skip McDonald. Having performed as members of the Sugar Hill Records house band on early hip hop classics including “The Message” by Grandmaster Flash and the Furious Five, LeBlanc, Wimbish and McDonald provided the instrumental foundation for Stewart's 1985 album, “As the Veneer of Democracy Starts to Fade,” as well as other projects such as Tackhead and Fats Comet. With his new record “VS.,” which releases April 8, 2022 on Emergency Hearts, Stewart continues in that collaborative spirit. In addition to including names like KK Null, Stephen Mallidner and Mike Watt in its roster of uncompromising artists, VS. features contributions from late musicians Lee “Scratch” Perry and Mika Vainio. Following the hour-long interview segment, this episode features a mix of industrial, synth-wave and left-field cuts from the orbit of Mark Stewart and beyond. --- Support this podcast: https://podcasters.spotify.com/pod/show/dublab-inconversation/support

Graham reports on his meeting with David Remfry, Britain's coolest artist, aged 81. Graham met him at his new exhibition, We Think the World of You - People and Dogs Drawn at The Mercer Gallery, Harrogate's only public gallery, once again proving itself indispensable with a high quality exhibition of national interest.Charles is fresh from seeing the Monet exhibition at York Art Gallery, a new exhibition and as part of the National Gallery bicentenary. York Art Gallery's Monet in York celebrates the National Gallery's National Treasures Exhibition with an exclusive commission entitled Una Sinfonia by acclaimed contemporary artist, Michaela Yearwood-Dan.As if two high quality exhibitions was not enough, Charles reviews sculptor, Tony Cragg's exhibition at Castle Howard.Graham remembers the American musician and producer Keith LeBlanc, drummer and member of Tackhead who has passed away.Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Welcome to the Nothing Shocking Podcast 2.0 episode 227 with our guest Bernard Fowler (The Rolling Stones; Nickelbag, Little Axe, Tackhead).  In this episode we discuss his recent collaboration with George Lynch and Jeff Pilson on the Heavy Hitters II album, and look back into his three solo albums, Inside Out, The Burn, and Friends with Privileges.  We also get a glimpse of the next projects he is working on and more!.     For  more information visit: https://bernardfowlerstore.teemill.com/ https://www.facebook.com/p/Bernard-Fowler-100044847466209/ https://www.instagram.com/bernardfowlersings/?hl=en https://rollingstones.com/tour/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Hello everyone! Billy Amendola here, and my show today is one of my “Billy's Bubble” segments, featuring Marshall Chess, the son of Chess Records founder Leonard Chess. Chess, a Polish/Jewish immigrant, and his brother Phil created what many describe as “America's Greatest Blues label.”    You've heard of Willie Dixon, Howlin Wolf, Bo Diddley, Chuck Berry, Muddy Waters, and other legendary blues musicians from The Rolling Stones, Led Zeppelin, and The Beatles. They all were pioneers on the legendary label.    My guest, Marshal Chess, now 81 years young, grew up in the studio and became vice-president in 1969 before going on to become president of GRT, and then creating Rolling Stones Records, and becoming executive producer of The Rolling Stones albums “Sticky Fingers” and “Exile on Main Street.    Also featured on the show is Marshal's long-time collaborator, producer/drummer/engineer Keith Leblanc. The two met at SugarHill Records and have worked together since.    They now have a new record, “The Chess Project,” featuring seasoned players and singers who reinterpret Chess gems from Howlin' Wolf, Muddy Waters, Memphis Slim, Little Walter, and Sonny Boy Williamson. The album is titled “New Moves.”    Keith, both an acoustic drummer and a pioneer in programming and playing drum machines and electronic loops, became known with his band Tackhead, who were successful in Europe, where Keith lived for a few years. His solo record, “No Sell Out,” is one of the first sample-based releases.    Keith kick-started his career at SugarHill Records and later Tommy Boy Records, two of the most successful labels in hip-hop and dance music.    In the '90s, Keith worked in the studio with producer Trevor Horn in the UK, programming, and playing drums with Annie Lennox, Tina Turner, and Seal's first album, among others.    Let's dive into this historical career with two pioneers in our industry and welcome Marshal & Keith to Drum Channel. Enjoy! 

I've been a fan of  @DougWimbishBass  and  @LivingColour  since my early teens with 'Stain' being a hugely inspirational and ear opening album for me so getting the chance to sit down with Doug and pick his brains was a really exciting. This interview was recorded after a 2hr masterclass with  @willcalhoun98  and Doug still had the graciousness to sit with me for 45mins and answer questions. A true giant of modern electric bass, Doug has been pushing boundaries with his incredible technique and use of FX for over 30yrs not just as part of Living Colour and Tackhead, but on hundreds of albums as a session player including the beginnings of hip hop with Sugarhill Records. Massive shout out and thanks to  @cmimusicaudio6455   @basscentre9621  Melbourne,  @SpectorBassCom  @OfficialSpector   @JMCAcademy  and  @stephenlane6630  for making all this possible. Links: INSTA: https://www.instagram.com/basslessonsmelbourne MY MUSIC https://open.spotify.com/artist/3DPXwb75biH3nUBuAULz0y FACEBOOK http://www.facebook.com/bassguitarlessonsmelbourne WEBSITE http://www.basslessonsmelbourne.com DOUG WIMBSH https://www.dougwimbish.com/ Bass Centre https://www.basscentre.com.au/

A conversation with Adrian Sherwood - master of dub music - producer, remixer, DJ and On U Sound record label founder who has worked with legends in the genre including Lee Scratch Perry, Horace Andy, Tackhead, Gary Clail, and remixed for Depeche Mode, Primal Scream, Nine Inch Nails and many more, who was in Tokyo for sold out live and DJ sets at Ebisu Liquid Room in September 2023. Sherwood talks about how blessed he is to have played in the studio with an array of musicians, and about being the "maitre d' washing the dishes".

In this episode, Jon talks with Keith LeBlanc, a drummer and record producer. Keith is also a member of the bands Little Axe and Tackhead. https://www.connvalley.net/podcast Check out Keith's MixCloud music here: https://www.mixcloud.com/jon-peckman/keith-leblanc-1/

 Daniel Darrow is a founding member of the Art rock collective, The Pull of Autumn. The band released their 4th LP called Beautiful Broken World via RBM Records, 15 tracks that involves a number of iconic artists, including Phillip Parfitt of The Perfect Disaster, Stuart Moxham of Rough Trade postpunk band Young Marble Giants, Luke Skyscraper James of I.R.S. recording artist Fashion and John Neff, who has contributed to multiple David Lynch films and a member of David Lynch's Blubob. The lead track in the album is called "Outlaw Empire," which features The Pop Group legend Mark Stewart and bassist Doug Wimbish (Living Color, Tackhead, The Rolling Stones, Sugarhill Gang) and remixed by the legendary producer Adrian Sherwood.The Pull of Autumn also teamed up in this album with Japanese dream pop outfit Once Grace Forever on a single called "Live Today."  https://thepullofautumn.bandcamp.com/album/beautiful-broken-worldhttp://www.rbmrecords.comPlaylist and podcast: https://djnocturna.comYouTube: https://www.youtube.com/c/DJNocturnaListen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on  Modsnap RadioKMOD: San Antonio 3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)#modsnapradio #postpunk #goth  #darkwave #DJNocturna #DJNocturnapresentstheQueenofWands

iTunes         Spotify         Youtube     Patreon   “I'm not just a Bass Player, I'm a Sound System” As bassist for the legendary rap label Sugarhill Records backing Grandmaster Flash & The Furious Five to the pioneering Living Colour, Doug Wimbish has lent his innovative and creative bass grooves and sounds to a roster of world-renowned musicians. Considered a pioneer in Hip-Hop bass playing and in the use of bass effects, alternate tunings and extended hand techniques, Doug's mastery of the bass is unparalled. As one of the most versatile session and touring bassists in the industry, Doug moves readily from pop and mainstream rock to hip-hop, funk, metal, symphonic metal, reggae, R&B, electronic, world and experimental music. Doug Wimbish is probably best known as the cutting edge lead bassist in the Grammy Award-winning hard rock band Living Colour, but looking beyond the obvious, one quickly sees that Doug's influence and impact on the world's musical culture is much more vast and significant than often written or realized.  Grandmaster Flash and The Furious Five's “The Message”, listed by Rollingstone.com as the #1 Greatest Hip Hop Song of all time, featured Doug's bass lines as do many other Sugarhill Records classics including “Apache”, “8th Wonder” and “White Lines”. Wimbish wrote the bass line on The Sequence's “Funk You Up”. To get an idea of the respect Doug has earned within the music industry, consider that in one week in 1991, Doug received personal phone calls from Living Colour, Bruce Springsteen and Seal, all asking him to work with them. Doug made the decision to work with Living Colour and joined the band, becoming its permanent bassist. He actively records and tours today with his band mates Vernon Reid, Corey Glover and Will Calhoun. The group's latest album, “Shade”, was released in September of 2017. In addition to his work with Living Colour, Doug's highly regarded career spanning all musical genres has also included recording, producing and touring with many world renowned artists including The Rolling Stones, Mick Jagger, Jeff Beck, Joe Satriani, Herb Albert, Annie Lennox, Madonna, Carly Simon, Seal, Al Green, Billy Idol, George Clinton, Depeche Mode, Talib Kweli, Kanye West, James Brown, Mos Def, Tarja Turunen, Ronnie Wood, Freddie Jackson, Michael Bolton, Schiller, Cheb Khaled, Hari Haran and Peter Wolf, to name a few. From his early days as one of Hip-Hop's earliest architects in the Original Sugarhill Records Rhythm Section, to his long-time membership in Living Colour, TackHead, Little Axe, Jungle Funk, HeadFake, and then on to more recent collaborations including DMD the Vibes with Daru Jones & Marcus Machado, Doug continues to prove himself as one of the world's finest, versatile and most sought after bass guitarists.   Special Mentions: Doug Wimbish Official Site, Hell on Wheels: A Tour Stories Compilation, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy - Girl on the Road: How to Break into Touring from a Female Perspective, Steve Walsh Gofund Me, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org  

JayQuan sits down with Sugar Hill Records and Tackhead drummer Keith LeBlanc to discuss his classic recording Malcolm X: No Sellout and his relationship with Malcolm's widow Betty Shabazz.Support the show

Conan Neutron's Protonic Reversal

Bassist Doug Wimbish credits his growth and continued development as an artist to an having an open mind and a love for learning from any musician and playing any type of music, regardless of genre. For proof of Doug's open-minded approach to music, all you need to do is scan his impressive resume. From his early days holding down the bottom end for seminal hip-hop label Sugarhill Records and artists such as Grandmaster Flash to his work with Tackhead, Living Colour, The Rolling Stones, Madonna, Annie Lennox, and various others, Doug has embraced a wide range of creative possibilities throughout his career.Through years of extensive touring and recording, he has drawn from those experiences to cultivate a distinct tone and style. On this episode of Bass Freq's, Doug talks with host and fellow pro bottom dweller Josh Paul, sharing engaging stories from his career as well invaluable tips on using gear and working with fellow musicians

We meet Adrian Sherwood, the founder of On-U Sound, who’s done things differently right from the start. He started the label at the height of London’s “punky-reggae” moment and quickly put out dozens of groundbreaking dub recordings from acts including Creation Rebel, African Head Charge, New Age Steppers and Tackhead. Drawing on a loose collective of improvisers and wildcards – including Ari Up, Annie Anxiety and Bonjo Iyabinghi Noah – Sherwood leveraged his lack of musical training to produce some of the most influential records of the ‘80s. In this episode he joins Chal from his home in Ramsgate to talk about squatting with Ari Up and Neneh Cherry, dub reggae philosophy, and why you should never trust a hippy. Check out the accompanying RELEVANT PARTIES Playlist on Spotify: https://bit.ly/relevantparties_playlist On-U Sound: http://on-usound.com | https://www.instagram.com/onusound | https://www.youtube.com/user/onusoundrecords Carhartt WIP: https://www.carhartt-wip.com | https://instagram.com/carharttwip

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 182, Part 2 of 2: Doug Wimbish, a renowned bass player and composer who has created some of his best-known music with Sugarhill Records, Tackhead and Living Colour.  Gifted with the skill and sensibility to traverse a multitude of musical genres, he has excelled in rock, funk, hip hop, industrial, R&B, fusion and pop contexts. In addition to also releasing adventurous solo works, his contributions have been extended to Mick Jagger and the Rolling Stones, Little Steven, Afrika Bambaataa, Melba Moore, Freddie Jackson, Peter Wolf, Billy Idol, Joe Satriani, Madonna, Al Green, Carly Simon, Seal, Annie Lennox, George Clinton, Garrett Shider, Bernie Worrell and Michael Bolton.  RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 182, Part 1 of 2: Doug Wimbish, a renowned bass player and composer who has created some of his best-known music with Sugarhill Records, Tackhead and Living Colour.  Gifted with the skill and sensibility to traverse a multitude of musical genres, he has excelled in rock, funk, hip hop, industrial, R&B, fusion and pop contexts. In addition to also releasing adventurous solo works, his contributions have been extended to Mick Jagger and the Rolling Stones, Little Steven, Afrika Bambaataa, Melba Moore, Freddie Jackson, Peter Wolf, Billy Idol, Joe Satriani, Madonna, Al Green, Carly Simon, Seal, Annie Lennox, George Clinton, Garrett Shider, Bernie Worrell and Michael Bolton.  RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 3 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 2 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 1 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 3 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 2 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 1 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

Gary Clail in conversation with David Eastaugh  Became a warm up act for On-U gigs. Clail first released a record in 1985. Several 12" singles were issued between 1985 and 1987, before Clail's first LP for Nettwerk, Tackhead Tape Time, a split effort between Clail and Tackhead. "Television: The Drug of the Nation" by The Beatnigs was remixed by Clail, Adrian Sherwood and Mark Stewart, on the Alternative Tentacles record label in 1988. In 1989, Clail issued his own album, billed as Gary Clail & On-U Sound System, on On-U Sound, which marked Clail's entrance to the electronicunderground scene in Bristol, eventually leading him to work with RCA a couple of years later. This output incorporated several singles and EPs, as well as the Emotional Hooligan album (1991).

Gee Vaucher isn't perhaps as well known as some of her punk peers, but she should be: she's one of the artists who defined punk's visuals of protest in the 1970s, especially with her arresting photo-montage covers for Crass, the cult band and art collective she was part of, who put anarchy into practice. She had a stint in Manhattan as a political illustrator for The New York Times and she's also designed album sleeves for bands like The Charlatans and experimental hip-hop group Tackhead. Her piece for the latter, Oh America, in which the Statue of Liberty covers her face with her hands, went viral and was published on the front cover of newspapers when Trump was elected as President of the United States.  Gee's art continues to be confrontational, whether she's painting or, as she shows us, making an absolutely enormous book filled with millions of hand-drawn stick figures – one for every single person that died in World War I.  She is radical in every sense of the word. In this episode, Gee invites us to Dial House, on the edge of Epping Forest in Essex – a tumbling old cottage with a difference: it's run by Gee and her collaborator Penny Rimbaud as an anarchic “centre for radical creativity” where anyone can turn up at any time for a cup of tea and a chat. So that's just what we did, to hear Gee talk about her working relationship with Penny, why punk was a disappointment and the 'perverseness' of her art. This episode was produced by Mae-Li Evans.

Today's Bombshell (Bombshell Radio) Bombshell Radio Thursday's 2pm-3pm EST 11pm-12pm PDT 7pm-8pm BST bombshellradio.com stereoembersmagazine.com Stereo Embers Magazine #StereoEmbers, #podcast, #RadioShow, #AlexGreen, #Alternative , #NewMusic ,#Nowplaying, #BombshellRadio, #podcast, #bernardfowler#newmusicalert

"Give This Album A Grammy And Get On With It” It’s hard to explain how brilliant Bernard Fowler’s new album Inside Out is. A percussive and poetic spoken word reimagining of The Rolling Stones’ songbook, Inside Out is an innovative and wildly creative collection. If there’s any justice in this world, this record will not only be nominated for an album—it will win one. A touring member of The Stones since 1989, the New York-born Fowler has one of the most distinctive voices in the business. In this interview he chats with Alex about having Mick Jagger hear his interpretations of his compositions, the magic of Ray Parker Jr. and the wisdom of age. He also talks about working with John Lydon and Duran Duran and he has a priceless reaction when Alex compares him to Frank Sinatra….

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Singer Bernard Fowler has been around for close to 40 years. In addition to fronting his own bands Sirrius and Nicklebag, he's been the frontman for Tackhead and performed on an unbelievable number of records, many of them as a member of Bill Laswell's company of musicians. Since 1989, he's also been a backup singer for the Rolling Stones, which is where his new album comes from. Inside Out is a collection of Stones songs, radically re-interpreted in a Gil Scott-Heron/Last Poets spoken-word style; it's one of the most fascinating projects I've heard all year, and really proves that Mick Jagger and Keith Richards are kind of underrated as lyricists. In this interview, we talk about his work with Bill Laswell and Adrian Sherwood, his solo career, his time with the Rolling Stones, and much, much more. Very few people have had a career as far-ranging as Bernard Fowler, or worked with as many people as he has, so I hope you'll enjoy this episode. I very much enjoyed talking to him. This episode has no sponsors of any kind, so please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Bernard Fowler, "Undercover of the Night" (Inside Out) Bernard Fowler, "Sister Morphine" (Inside Out)

Face it. Bernard Fowler has a better job than you. Not only does he release his own solo work, like his new album, Inside Out, he has also toured the world singing with the Rolling Stones for more than thirty years. He first started working with Mick Jagger on his solo album, She's the Boss, in 1985. Producer Bill Laswell had told Fowler he had a job for him in London, but didn't tell him with whom until he got in the same room with Jagger. As he tells me, he was more than surprised. But he aced the job, so when the Stones were getting ready to record Steel Wheels, Fowler got the nod to sing in the studio and on tour. He took charge of his part in the recording, going so far as to tell the guys to stop rolling tape so he could make suggestions. He has been firmly ensconced in that world ever since, touring and recording on Stones albums and solo albums, and writing with Ronnie Wood. As he says, he's watched their children grow up. The new album is a tribute to the Stones done in a spoken-word style, which helps brings out the stories in the lyrics. And it's not just a greatest hits package. He does “Sympathy For the Devil, which you heard on last week's episode, but other than that, Fowler takes a deeper dive with cuts like “Dancing With Mr. D,” “Sister Morphine,” and “All the Way Down.” Fowler is happy to report that after his recent heart problems, Jagger is looking pretty spry onstage. And Fowler thinks the Stones are a better band now than they ever have been, and tells me why later in the interview. He says what he's mainly learned from the band is that if you love what you do, you can do it for a long time, and at a very high level. He also says there are a few songs on the new tour's set list that might surprise people. Although it's obviously a big part of his world, there's more to Fowler than his work with the Stones. “When I'm not singing for the Rolling Stones,” he says, “in my world, I'm the Mick Jagger.” Over the years, he's been a part of bands like Tackhead, Nicklebag (that's “bag,” not “back”), and Little Axe. He's also done session work on albums by Herbie Hancock, Bootsy Collins, Philip Glass, Duran Duran, Public Image, Ltd., and many others. We even talk about a short stint working with Steven Seagal, which Fowler was not at all happy I brought up, but I do love his reaction to that line of questioning. I spoke to him before a rehearsal with the Stones in London for the new tour, which kicks off this week at Soldier Field in Chicago. You can actually hear him getting his things together to go toward the end, and there are a couple of places where the connection dips a bit, but I hated to lose any of the great stuff Fowler was saying.

Gary Clail in conversation - talking about the ups and down of his musical career. Gary Clail  English singer and record producer, and the founder of the Gary Clail Sound System. He was part of On-U Sound Records (and also the On-U Sound System) and led Gary Clail's Tackhead Sound System. They had a big hit in clubs with the 1991 song "Human Nature". During the mid to late 1980s based in Bristol, he became a warm up act for On-U gigs. Clail first released a record in 1985. Several 12" singles were issued between 1985 and 1987, before Clail's first LP for Nettwerk, Tackhead Tape Time, a split effort between Clail and Tackhead. "Television: The Drug of the Nation" by The Beatnigs was remixed by Clail, Adrian Sherwood and Mark Stewart, on the Alternative Tentacles record label in 1988.  In 1989, Clail issued his own album, billed as Gary Clail & On-U Sound System, on On-U Sound, which marked Clail's entrance to the electronic underground scene in Bristol, eventually leading him to work with RCA a couple of years later. This output incorporated several singles and EPs, as well as the Emotional Hooligan album (1991). Clail released a further album on Yelen Records, entitled Keep the Faith (1996).  In 2013 Clail formed the Gary Clail Sound System and began work on the album 'Nail It To The Mast'.  It was released on 15 December 2014. 

Echo Beach – more than 23 Years of DUB! Kaum ein kontinentaleuropäisches Label hat so viel für die Verbreitung, Pflege und Entwicklung jener exquisiten Geheimwissenschaft getan, die seit King Tubbys Tagen „Dub“ genannt wird, wie die Hamburger Institution Echo Beach. Die Geschichte begann vor 20 Jahren: Im Kooperation mit dem Musikmagazin Spex präsentierte Echo Beach mit KING SIZE DUB 1 die Sounds der britischen „Digidub“-Szene. King Size Dub entwickelte sich im Folgenden zur Kultserie mit insgesamt über 20 Folgen, darunter auch einem Schlaglicht auf deutsche und internationale Dub-Exkursionen mit zahlreichen exklusiven Versions. Echo Beach ebnete den Karriereweg des Berliner „Reggae-Dub-Pop“ Phänomens SEEED und erhielt für diese mehrfach „obilgatorische“ brachenübliche Edelmetall-Auszeichnungen. Weitere „signings“ von Bands wie DUB SPENCER & TRANCE HILL, iLLBiLLY HiTEC, DUBBLESTANDART, DUBXANNE, DUBMATIX u.v.a. sprechen nicht nur für aktuelle DUB-Dichte, sondern auch die unendlichen Co-Operations mit bedeuteten nationalen und internationalen Koryphäen des Genres wie DUB SYNDICATE, TACKHEAD, JAN DELAY, TON STEINE SCHERBEN, JAMARAM, LITTLE AXE, NOISESHAPER, ROB SMITH, RUTS DC, SLY & ROBBIE, Bally SaLEE SCRACT PERRY, THE SLACKERS, BAD BRAINS, ADRIAN SHERWOOD, ARI UP, AXIOM RECORDS, SENIOR ALL STARS, Up, BUSTLE & OUT, WILLIAM S. BURROUGHS, HORACE ANDY, DREADZONE, STEREO MC`s , UMBERTO ECHO, STEWART COPELAND, KLF, G.CORP, MANASSEH, CIDADE NEGRA, BLOOD & RIRE RECORDS, AFRICA UNITE, ALMAMEGRETTA u.v.a. Neben der „Verdubbung“ der BIBEL, finden sich auch spektakuläre Formate wie JAND DELAY IN DUB, TON STEINE SCHERBEN IN DUB, CHRISTMAS IN DUB, USA IN DUB, FRENCH DUB CONNECTION, NZ IN DUB, SOUTH AFRICA IN DUB und viele andere. Für unsere Sunday Joint Reihe legte der Labelchef nun einmal mehr selbst Hand an und setzt uns die Bass-Mütze auf. Zu hören gibt es heißen Stoff vom Label, aber auch abseitige Sound-Reminiszenzen mit einigen zwinkernden Sample Kommentaren, die in einem wabbernden Dub Monster münden.

Echo Beach – more than 23 Years of DUB! Kaum ein kontinentaleuropäisches Label hat so viel für die Verbreitung, Pflege und Entwicklung jener exquisiten Geheimwissenschaft getan, die seit King Tubbys Tagen „Dub“ genannt wird, wie die Hamburger Institution Echo Beach. Die Geschichte begann vor 20 Jahren: Im Kooperation mit dem Musikmagazin Spex präsentierte Echo Beach mit KING SIZE DUB 1 die Sounds der britischen „Digidub“-Szene. King Size Dub entwickelte sich im Folgenden zur Kultserie mit insgesamt über 20 Folgen, darunter auch einem Schlaglicht auf deutsche und internationale Dub-Exkursionen mit zahlreichen exklusiven Versions. Echo Beach ebnete den Karriereweg des Berliner „Reggae-Dub-Pop“ Phänomens SEEED und erhielt für diese mehrfach „obilgatorische“ brachenübliche Edelmetall-Auszeichnungen. Weitere „signings“ von Bands wie DUB SPENCER & TRANCE HILL, iLLBiLLY HiTEC, DUBBLESTANDART, DUBXANNE, DUBMATIX u.v.a. sprechen nicht nur für aktuelle DUB-Dichte, sondern auch die unendlichen Co-Operations mit bedeuteten nationalen und internationalen Koryphäen des Genres wie DUB SYNDICATE, TACKHEAD, JAN DELAY, TON STEINE SCHERBEN, JAMARAM, LITTLE AXE, NOISESHAPER, ROB SMITH, RUTS DC, SLY & ROBBIE, Bally SaLEE SCRACT PERRY, THE SLACKERS, BAD BRAINS, ADRIAN SHERWOOD, ARI UP, AXIOM RECORDS, SENIOR ALL STARS, Up, BUSTLE & OUT, WILLIAM S. BURROUGHS, HORACE ANDY, DREADZONE, STEREO MC`s , UMBERTO ECHO, STEWART COPELAND, KLF, G.CORP, MANASSEH, CIDADE NEGRA, BLOOD & RIRE RECORDS, AFRICA UNITE, ALMAMEGRETTA u.v.a. Neben der „Verdubbung“ der BIBEL, finden sich auch spektakuläre Formate wie JAND DELAY IN DUB, TON STEINE SCHERBEN IN DUB, CHRISTMAS IN DUB, USA IN DUB, FRENCH DUB CONNECTION, NZ IN DUB, SOUTH AFRICA IN DUB und viele andere. Für unsere Sunday Joint Reihe legte der Labelchef nun einmal mehr selbst Hand an und setzt uns die Bass-Mütze auf. Zu hören gibt es heißen Stoff vom Label, aber auch abseitige Sound-Reminiszenzen mit einigen zwinkernden Sample Kommentaren, die in einem wabbernden Dub Monster münden.

Echo Beach – more than 23 Years of DUB! Kaum ein kontinentaleuropäisches Label hat so viel für die Verbreitung, Pflege und Entwicklung jener exquisiten Geheimwissenschaft getan, die seit King Tubbys Tagen „Dub“ genannt wird, wie die Hamburger Institution Echo Beach. Die Geschichte begann vor 20 Jahren: Im Kooperation mit dem Musikmagazin Spex präsentierte Echo Beach mit KING SIZE DUB 1 die Sounds der britischen „Digidub“-Szene. King Size Dub entwickelte sich im Folgenden zur Kultserie mit insgesamt über 20 Folgen, darunter auch einem Schlaglicht auf deutsche und internationale Dub-Exkursionen mit zahlreichen exklusiven Versions. Echo Beach ebnete den Karriereweg des Berliner „Reggae-Dub-Pop“ Phänomens SEEED und erhielt für diese mehrfach „obilgatorische“ brachenübliche Edelmetall-Auszeichnungen. Weitere „signings“ von Bands wie DUB SPENCER & TRANCE HILL, iLLBiLLY HiTEC, DUBBLESTANDART, DUBXANNE, DUBMATIX u.v.a. sprechen nicht nur für aktuelle DUB-Dichte, sondern auch die unendlichen Co-Operations mit bedeuteten nationalen und internationalen Koryphäen des Genres wie DUB SYNDICATE, TACKHEAD, JAN DELAY, TON STEINE SCHERBEN, JAMARAM, LITTLE AXE, NOISESHAPER, ROB SMITH, RUTS DC, SLY & ROBBIE, Bally SaLEE SCRACT PERRY, THE SLACKERS, BAD BRAINS, ADRIAN SHERWOOD, ARI UP, AXIOM RECORDS, SENIOR ALL STARS, Up, BUSTLE & OUT, WILLIAM S. BURROUGHS, HORACE ANDY, DREADZONE, STEREO MC`s , UMBERTO ECHO, STEWART COPELAND, KLF, G.CORP, MANASSEH, CIDADE NEGRA, BLOOD & RIRE RECORDS, AFRICA UNITE, ALMAMEGRETTA u.v.a. Neben der „Verdubbung“ der BIBEL, finden sich auch spektakuläre Formate wie JAND DELAY IN DUB, TON STEINE SCHERBEN IN DUB, CHRISTMAS IN DUB, USA IN DUB, FRENCH DUB CONNECTION, NZ IN DUB, SOUTH AFRICA IN DUB und viele andere. Für unsere Sunday Joint Reihe legte der Labelchef nun einmal mehr selbst Hand an und setzt uns die Bass-Mütze auf. Zu hören gibt es heißen Stoff vom Label, aber auch abseitige Sound-Reminiszenzen mit einigen zwinkernden Sample Kommentaren, die in einem wabbernden Dub Monster münden.

Doug Wimbish is a bass player with an extraordinary resume. A key member of Living Colour and Tackhead, Doug has toured with Sugarhill Gang, Mick Jagger, Annie Lenox, Depeche Mode and many others. But Doug is much more than just a talented musician, he is a mentor, organizer, fund raiser and honorary uncle to dozens of up and coming performers. Doug has organized community-based charity events around the world putting young bands on stage and raising money for music education. Doug calls the event the WimBash and thinks of it as a handshake with the next generation. Doug honors HIS elders by being the best elder that he can be. When John and Stewart learned that Doug was organizing his 53rd WimBash this August 18th in New Haven Connecticut, they just had to get Doug into the club to learn about the genesis and history of the WimBash.

A Kick in the Eye tribute mix to the uncompromising genius that is Mark E. Smith, I'd like to think he would have hated it had he ever heard it. 01. Mark E. Smith & Ed Blaney - The Train Part 2 [Voiceprint] 02. The Fall - Funeral Mix [Cog Sinister] 03. Long Fin Killie feat. Mark E. Smith - The Heads Of Dead Surfers [Too Pure] 04. Tackhead feat. Mark E. Smith - Repetiton (Repetition) [SBK] 05. The Fall - Telephone Dub [Cog Sinister] 06. Inch feat. Mark E. Smith - Inch [Regal] 07. D.O.S.E. feat. Mark E. Smith - Plug Myself In (7'' Nero Mix) [Coliseum] 08. The Fall - Eat Y'Self Fitter [Rough Trade] 09. Elastica feat. Mark E. Smith - How He Wrote Elastica Man [Deceptive] 10. The Fall - How I Wrote 'Elastic Man' [Rough Trade] 11. The Fall - Totally Wired [Rough Trade] 12. The Fall - British People In Hot Weather [Cog Sinister] 13. The Fall - Hit The North (Zeus B. Held Remix) [Beggars Banquet] 14. Edwyn Collins feat. Mark E. Smith - Seventies Night [Setanta] 15. Shuttleworth feat. Mark E. Smith - England's Heartbeat [Yip-Yop]

Mr. Christopher sits don for an extensive interview with Living Colour's Doug Wimbish as he discusses his musical journey starting with Wood Brass and Stee and all the way through to the latest release from Living Colour, Stain. From Sugarhill Gang to Grandmaster Flash to Tackhead to Black Jack Johnson and many stop in between, it's a musical history lesson you just have to hear.

Greetings bunnies!!!! Happy Thanksgiving! Follow me on twitter @rachael. Follow me on instagram @1indienation!!!   I have a special mix from HOUSE superstar DJ MARKIE GEE. LONDON.NYC. follow him on his http://about.me/markiegee DJ Markie Gee is a dj who defies categorization playing bass-driven, underground dance music. Influenced heavily by Jersey Deep House, Detroit Techno, UK Rave and the Dutch New Beat and Gabber scenes, Gee seamlessly mixes beats and genres in a crowd- pleasing and original manner. With more than 20 years in the business as an international dj, promoter, music director and writer, his diverse vision brings party people together. Markie Gee cut his teeth doing local punk shows and parties as an undergrad at Trinity College in the early 80’s. Markie Gee’s eclectic programming of artists such as Front 242, Tackhead, Cabaret Voltaire, Arthur Russell and Marshall Jefferson lead to the creation of the CMJ RPM charts. Gee made a name for himself as a program/music director for college stations WWUH (1985 – 1987) and WESU (1996 – 1998). Later he went on to become a staple of the NYC/New England club and rave scene promoting and playing parties with Moby, That Kid Chris, Frankie Bones, SupaDJ Dimitry, Dave Dresden, Danny Tenaglia, Erick Morillo, Josh Wink, Pete Moss and Nigel Richards.Markie Gee developed his dynamic dj style cultivating his knowledge of disco, jazz, punk, house, funk and rock. Gee was a taste-making promoter and club dj as well as an influential writer for Dance Music Report, MixMag, Thousand Words, Dance Music Authority and Alternative Press. He’s held residencies in Boston, CT, Miami and NYC and headlined parties in London, Luxembourg, Montreal, Vancouver, San Diego, Philadelphia, Minneapolis, etc. Gee has been blessed to write about and perform with a who’s who of dance music including Roger Sanchez, Hector Couto, Oscar G, Todd Terry, Doc Martin, Stefano Noferini, Kenny Glasgow, Victor Simonelli, Robbie Rivera, Sonny Fodera, Harley & Muscle and Davidson Ospina. Gee maintains his global following with his popular iPhone app and a strong internet presence on WTC House Radio London and top rated WYBC 94.3 New Haven,CT. In addition he has had featured guest mixes on SS Radio UK, Radio Studio House France, RauteMusik FM Germany, IntergalacticFM Netherlands, DeepsoundFM London, Sobel Nation Radio NYC, Banana Network Canary Islands and KRCB Radio Free Sonoma. In 2011 Gee was voted a Top 15 artist by the West Coast website I Love House Music.