Podcasts about polish jewish

Send us a textAll Holocaust survivor stories are precious because of the unlikely odds of escaping the Nazi's comprehensive onslaught, but many have never been investigated, told, or understood.In the new book, FAMILY TREASURES LOST & FOUND, journalist Karen A. Frenkel (a co-author with Isaac Asimov on the book, Robots: Machines in Man's Image), chronicles the survival of her Polish Jewish parents, the journey to recover their history…and if her grandfather indeed hid jewels in their basement according to family legend. A gripping detective story and memoir, Frenkel's investigation shows what it takes to survive against seemingly impossible obstacles amidst the Nazi war machine.

Hollywood And Horsepower Show with Mark Otto Guest, Billy Koch Grandson of Film Producer Howard Koch Billy Koch is known for Jerry Maguire (1996), Little Nicky (2000) and Wayne's World (1992). Son of Rita (Litter) and Hawk Koch. Father of Cooper Koch and Payton Koch. Brother of Robby Koch and Emily Koch. Brother-in-law of Annie Meyers-Shyer and Hallie Meyers-Shyer. Grandson of Howard W. Koch. He is of Russian Jewish and Polish Jewish descent.

Tod Lending #OnTheSofaWithVictoria. A special featuring THE UMBRELLA MAKER'S SON, the Holocaust, interior character, documentary film and storytelling.THE UMBRELLA MAKER'S SON: Born to a secure, middle-class Polish Jewish family, seventeen-year-old Reuven works alongside his father, an artisan businessman whose shop creates the finest handmade umbrellas in Poland. But the family's peaceful life shatters when the Nazis invade their homeland, igniting World War II. With terrifying brutality, the Nazis confiscate their business, evict them from their home, and strip away their rights, threatening the lives of the city's Jewish population, including Reuven and Zelda, the girl he loves. Shortly after the Nazi occupation, Zelda and her family disappear, and Reuven and his father are forced into backbreaking physical labor that nearly kills them. For the young man and his family, the only chance to survive is escape--and some of them will die trying. Fleeing a Nazi ambush through the surrounding forest, shot and wounded, Reuven is found by a local farmer who has never met a Jew--and agrees to help because he needs the boy to work the farm with him. The farmer's wife, however, is not as kind. Her betrayal forces a desperate Reuven to escape. He embarks on a perilous journey through the Polish countryside, determined to reach the Kraków ghetto where he hopes to reunite with Zelda, whose life has also been forever changed by the horrors of occupation and war. A love story and a story of family, The Umbrella Maker's Son is a riveting, heartfelt, and beautiful tale of survival and unexpected hope in the face of terror and violence. A chronicle of triumph, it joins the ranks of The Tattooist of Auschwitz and other memorable works of modern Holocaust literature.Tod Lending is an Academy Award-nominated and national Emmy-winning producer, director, writer, and cinematographer. His work has aired nationally on ABC, CBS, NBC, PBS, and HBO; has been screened theatrically and received awards at national and international festivals, including the Sundance Film Fest.; and has been televised internationally in Europe and Asia. He is the president and founder of Nomadic Pictures, a documentary film production company based in Chicago. The Umbrella Maker's Son is his debut novel.Recommendations: Zorba the Greek , The Krakow Diary of Julius Feldman, Mila 18 Leon Uris, The Tattooist of Auschwitz Heather Morris.VICTORIA SELMANSundayTimes bestselling author of ALL THE LITTLE LIARSAmazon Author Page: https://amzn.to/3xmvMeSWebsite for news and giveaways: http://www.victoriaselmanauthor.comTwitter: @VictoriaSelmanWe love to hear from our listeners! Find me on Twitter @VictoriaSelman and join in the chat using #OnTheSofaWithVictoriaProduced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

In this episode, Małgorzata Mazurek (Columbia University) engages in a discussion with Thục Linh Nguyễn Vũ (RECET) on how Michał Kalecki and Ludwik Landau, Polish economists in the interwar period, responded to local and global challenges such as poverty and the Great Depression. Embedded in the Second Polish Republic — a fragile political entity — the economists in question generated innovative ideas about mass employment and economic development.   Małgorzata Mazurek is an associate Professor in Polish Studies in the History Department at Columbia University. Her interests include the history of social sciences, international development, the social history of labor and consumption in twentieth-century Poland, and Polish-Jewish studies. She published Society in Waiting Lines: On Experiences of Shortages in Postwar Poland (Warsaw, 2010), which deals with the history of social inequalities under state socialism. Her current book project, Economics of Hereness, revises the history of developmental thinking from the perspective of interwar Poland and its problem of multi-ethnicity. She has recently written about the idea of full employment in interwar Poland for the American Historical Review, history of social sciences for a survey handbook, The Interwar World, and the university as the Second-Third World Space in the Cold War for the volume Socialist Internationalism and the Gritty Politics of the Particular edited by Kristin Roth-Ey.

This week I have three stories for you, the first is about a young Polish Jewish girl whose parents buy her a ticket to move to America in the early 1900s and her father begs her to keep Shabbos, the second about the brother in law of the Baal Shem Tov, Reb Gershon Kitover who wants to see a hidden Tzadik and the last about Rabbi Moshe Rosen asking the Lubavitcher Rebbe to let him retire at 70. If you're enjoying these Chassidic stories, please take a quick moment to buy me a coffee. https://ko-fi.com/barakhullman Thank you! I deeply appreciate your support! Also available at https://soundcloud.com/barak-hullman/the-hug-meant-to-last-a-lifetime. To become a part of this project or sponsor an episode please go to https://hasidicstory.com/be-a-supporter. Hear all of the stories at https://hasidicstory.com. Go here to hear my other podcast https://jewishpeopleideas.com or https://soundcloud.com/jewishpeopleideas. Find my books, Figure It Out When You Get There: A Memoir of Stories About Living Life First and Watching How Everything Falls Into Place and A Shtikel Sholom: A Student, His Mentor and Their Unconventional Conversations on Amazon by going to https://bit.ly/barakhullman. My classes in Breslov Chassidus, Likutey Moharan, can be found here https://www.youtube.com/@barakhullman/videos I also have a YouTube channel of ceramics which can be found here: https://www.youtube.com/@thejerusalempotter

Episode Description Episode Description Sign up to receive this Unreached of the Day podcast sent to you:  https://unreachedoftheday.org/resources/podcast/ People Group Summary: https://joshuaproject.net/people_groups/14432 #PrayforZERO is a podcast Sponsor.         https://prayforzero.com/ Take your place in history! We could be the generation to translate God's Word into every language. YOUR prayers can make this happen.  Take your first step and sign the Prayer Wall to receive the weekly Pray For Zero Journal:  https://prayforzero.com/prayer-wall/#join Pray for the largest Frontier People Groups (FPG): Visit JoshuaProject.net/frontier#podcast provides links to podcast recordings of the prayer guide for the 31 largest FPGs.  Go31.org/FREE provides the printed prayer guide for the largest 31 FPGs along with resources to support those wanting to enlist others in prayer for FPGs

Send us a text The story of Countess Janina (Mehlberg) Suchodolska is something that would be rejected by Hollywood as too far-fetched, but it is a true story.  Janina was a Jewish Pole hiding in plain sight as a Polish noblewoman who then went on to rescue prisoners from one of the deadliest concentration camps.In this episode, I talk with historians Joanna Sliwa and Barry White about their incredible new book about Janina Mehlberg.  We talk about her incredible story, but also what it means for our understanding of rescue and Polish-Jewish relations.Joanna Sliwa is an historian and Administrator of the Saul Kagan Fellowship for Advanced Shoah Studies and of the University Partnership Program in Holocaust Studies at the Conference on Jewish Material Claims Against Germany.Elizabeth White is an historian who has worked as an historian in the US State Department's Office of Special Investigations tracking down Nazi war criminals and also at the United States Holocaust Memorial Museum. Sliwa, Joann and Elizabeth White. The Counterfeit Countes: The Jewish Woman Who Rescued Thousands of Poles During the Holocaust(2024)Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

The new film THE GOOD HALF, in theaters July 23rd & 25th Director: Robert Schwartzman talks with I Am Refocused RadioIn this heartfelt episode of I Am Refocused Radio, host Shemaiah Reed sits down with acclaimed director Robert Schwartzman to discuss his latest film, The Good Half. This gripping movie navigates the complexities of grief, family dynamics, and new beginnings through the story of Renn Wheeland (played by Nick Jonas), who returns home for his mother's funeral and faces his past head-on.Schwartzman opens up about the personal experiences that inspired him to create The Good Half, a film that blends heart and humor to depict the multifaceted nature of grief. He shares insights into the collaborative process with the talented cast, including Brittany Snow, David Arquette, Alexandra Shipp, Matt Walsh, and Elisabeth Shue."Whether you're navigating your own journey through loss or simply love a story that balances comedy and serious moments, The Good Half is the film for you this summer. Tune in to hear Robert Schwartzman discuss the making of this touching film and how it resonates on such a personal level." - Shemaiah ReedDon't miss this exclusive interview and discover why The Good Half is a must-watch for anyone seeking a film that captures the raw emotions and healing power of love.ROBERT SCHWARTZMAN BIO Robert started his career appearing in TThe Virgin Suicides & The Princess Diaries, and went on to form the platinum selling rock band Rooney. Robert directed and produced The Unicorn, Dreamland, The Argument, and his latest film is his directorial documentary debut, The Zombies documentary Hung Up on a Dream. The Good Half is Robert's 2nd Tribeca debut.ROBERT SCHWARTZMAN IMDB BIO Robert Schwartzman was born on 24th December 1982 to actress Talia Shire and producer Jack Schwartzman, in Los Angeles California. He was born into one of the film industry's most famous families, including uncle Francis Ford Coppola, cousin Nicolas Cage, cousin Sofia Coppola, (former) cousin-in-law Spike Jonze and brother Jason Schwartzman. His father was of Polish Jewish descent and his mother is of Italian ancestry.Robert was featured in his cousin Sofia Coppola's first short film Lick the Star (1998), and played Paul Baldino in her directorial debut The Virgin Suicides (1999). His breakthrough performance, however, came from playing the role of Michael Moscovitz in Disney's The Princess Diaries (2001), winning the role due to his musical ability.ABOUT THE GOOD HALF, IN THEATERS JULY 23RD & JULY 25TH VIA FATHOM EVENTS Nationwide Fathom Screenings on July 23rd and 25th, With Exclusive Virtual Conversation with Nick Jonas and director Robert Schwartzman Starring: Nick Jonas, Brittany Snow (Pitch Perfect). David Arquette (Scream), Alexandra Shipp (Anyone But You), Matt Walsh ("Veep") and Elisabeth Shue (Leaving Las Vegas)SYNOPSIS After years spent avoiding his problems, Renn Wheeland (Nick Jonas) is forced to face his greatest fear: the recent death of his mother, Lily (Elisabeth Shue). While traveling home to Cleveland for her funeral, he forges a new relationship with fellow passenger, Zoey (Alexandra Shipp), and later, heals an old one with his overbearing sister, Leigh (Brittany Snow). Together, with the help of his eager-to-connect father, Darren (Matt Walsh), an old high school friend, and a hoarder priest, Renn tries to confront his past, his problems, his step-father (David Arquette), his grief, and his new reality.Here's the trailer: Https://www.youtube.com/watch?v=pcZO8hYUuAI Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Today's poem is lovely, dark, and deep. Loneliness, Americana, Edward Hopper, literary illusions, clams: it has it all. Happy reading!Poet and editor Grace Schulman (b. 1935) was born Grace Waldman in New York City, the only child of a Polish Jewish immigrant father and a seventh-generation American mother. She studied at Bard College and earned her BA from American University and her PhD from New York University. She is Distinguished Professor of English at Baruch College, CUNY, and served as the poetry editor of the Nation from 1972 to 2006. She also directed the 92nd Street Y Poetry Center from 1973 to 1985. She has published nine collections of poetry, including Again, the Dawn: New and Selected Poems, 1976-2022 (Turtle Point Press, 2022) and Days of Wonder: New and Selected Poems (Harper Collins, 2022). Her collection of essays, First Loves and Other Adventures (2010), reflects on her life as a writer and reader.Typically written in a lucid free verse that occasionally reaches vatic heights, Schulman's poems often take on subjects of art, history, and faith. Schulman's history is usually that of her beloved New York City, where she has lived and worked as a dedicated poetry advocate all her life. Earthly moments and details of city life constantly suggest larger spiritual questions. Poet Ron Slate has described Schulman as “not only a poet of praise, but one who addresses the grounding questions of this mode. How and why do we find beauty in adversity?”Schulman names Hopkins, Donne, Shakespeare, Dante, Whitman, and Marianne Moore as her influences. When Schulman was a teenager she was introduced to Moore, who had a profound effect on her poetics. Schulman wrote on the poet in a critical study, Marianne Moore: The Poetry of Engagement (1986), and edited The Poems of Marianne Moore (2004). Schulman has received numerous awards for her work, including the Delmore Schwartz Memorial Award, the Aiken Taylor Award for poetry, and Pushcart prizes. She has received fellowships from the New York Foundation of the Arts and the Guggenheim Foundation. Her work has been published in the Nation, the New Yorker, and numerous other magazines and journals, and appeared in The Best of the Best American Poetry 1988–1998.She lives in New York City and East Hampton.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Σε περασμένες δεκαετίες στην παροικία μας, ιδίως σε αυτή του Σύδνεϋ, δραστηριοποιούνταν και έρχονταν σε ομογενειακές εκδηλώσεις, ένας Ελληνοεβραίος, ονόματι Αλμπέρτο Γιακοέλ. In past decades in our community, especially in Sydney, a Greek Jew named Alberto Yacoel was active and was attending community events. When it came to introducing himself in Greek, he did so by the name Alekos. Alberto Yacoel had served in the Greek army, then fought on the Albanian front and during the German occupation took part in the National Resistance. He was captured by the Germans and was one of the few survivors of the Holocaust. He later emigrated to Australia, maintaining close contacts with the local Greek community. Alberto Yacoel's daughter, Nina Angelo, was born in Athens in 1947. Recently she published a book titled "Don't Cry, Dance. The book is described as a Holocaust survival story in Auschwitz. It was there that her Greek-Jewish father and her Polish-Jewish mother had met. The family emigrated to Australia in 1949. Nia Angelo unravelled the tangle of her family history in a lengthy interview with our programme, SBS Greek.

ABOUT THE RAPAPORTS AND RAPAPORT'S REALITY Welcome to Rapaport's Reality with Kebe and Michael Rapaport. This is the launch of the reality television podcast that the whole reality world has been waiting for. Mr. & Mrs. Rapaport are bonded by their love of reality television and are inviting you into their living room. They are dissecting the drama and giving praise to the greatest form of entertainment on television today. They're diving into real-time shows and re-watching all the biggest and the best series.Episodes available here: https://www.iheart.com/podcast/1119-rapaports-reality-with-ke-171162927/ MORE INFO ON RAPAPORT'S REALITY (FROM RADIO ONLINE) iHeartPodcasts, together with Michael and Kebe Rapaport, have debuted the new weekly podcast entitled "Rapaport's Reality." New episodes will be available each Wednesday. Hosts actor/comedian and podcaster Michael Rapaport, and his wife, actor and soon-to-be podcast Rookie of the Year candidate Kebe Rapaport, are the new power couple in the world of reality television analysis. The Rapaports will invite fans into their living room to spill the tea, dissect the drama and give praise to the greatest form of entertainment on television today.Michael has appeared on Bravo's "Watch What Happens Live" over 30 times and has generated a fan base of dedicated reality television followers thanks to his honesty and call-it-like-he-sees-it breakdowns. Kebe, the apple of his eye, will be tagging into the limelight as these two encyclopedias of all things current, past and future reality TV give the scoop on all the drama."Rapaport's Reality" is co-produced by DBPodcasts and will join "I Am Rapaport: Stereo Podcast" as the second podcast with Michael Rapaport and iHeartPodcasts.MICHAEL RAPAPORT BIO (FROM IMDB) A New Yorker through and through, Michael Rapaport was born on March 20, 1970, in Manhattan, to June Brody, a radio personality, and David Rapaport, a radio program manager. He is of Polish Jewish and Russian Jewish descent.Rapaport moved to Los Angeles to try stand-up comedy following high school graduation (which came after a series of expulsions), but he never lost, forgot or deserted his New York roots. It's embedded in his work and is a major part of his low-keyed charm and ongoing appeal. His early idols were also New Yorkers (Robert De Niro, Christopher Walken, etc.).Within a short amount of time Michael moved from the live comedy stage to working in front of a camera. The two developed an immediate rapport. A guest spot on the TV series China Beach (1988) led to a starring role in the quirky interracial indie Zebrahead (1992), which clinched it for him. This, in turn, led to a string of standout parts in films, such as Christian Slater's pal in True Romance (1993), an edgy collegiate-turned-skinhead in Higher Learning (1995) and a sympathetic none-too-bright boxer in Woody Allen's Mighty Aphrodite (1995), all enabling him to build up a higher profile.In later years, Michael managed to show his ease at offbeat comedy, demonstrating a kid-like, goofy charm as Lisa Kudrow's cop boyfriend for a few episodes on Friends (1994) and as teacher Danny Hanson on Boston Public (2000).He later formed his own production company, Release Entertainment, in search of that one big breakout role that could nab top stardom for him. In later years, his offbeat character leads included an inducted mafioso in Kiss Toledo Goodbye (1999); a hit man in the action comedy A Good Night to Die (2003); a comic book fanatic in the sci-fi comedy Special (2006); a trouble-making buddy in crime drama Inside Out (2011); a man helping out his former gangster neighbor in the dramedy Once Upon a Time in Queens (2013); and a married guy trying to get his mojo back in the comedy My Man Is a Loser (2014). For the most part, however, he served extremely well in support of other prominent stars with weird-to-bizarre featured roles for Woody Allen in his crime comedy Small Time Crooks (2000); for Arnold Schwarzenegger in the futuristic actioneer The 6th Day (2000); for Will Smith in the romantic /comedy Hitch (2005); for Ray Romano and Kevin James in the comedy crimer Grilled (2006); for Billy Bob Thornton in the action comedy The Baytown Outlaws (2012); for Sandra Bullock and Melissa McCarthy in the crime comedy The Heat (2013); and for Tom Hanks in the biopic Sully (2016).Rapaport married writer Nicole Beatty in 2000 and divorced seven years later after having two children. In 2016, he married actress Kebe Dunn.#RapaportsReality #MichaelRapaport #KebeRapaport #RealityTV #PodcastLife #iHeartPodcasts #DBPodcasts #ComedyGold #ActingLegend #TVAddicts #PopCultureJunkies #BravoTV #WatchWhatHappensLive #RealityTVLovers #PodcastersOfYouTube #EntertainmentNews #CelebrityInterviewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Send us a Text Message.The story of Polish-Jewish relations during the Holocaust is an incredibly complex and difficult one.  On the one hand, Poles and Jews both suffered horribly under the Nazis.  On the other, however, the general climate in Poland was inhospitable to Jews and many Poles took advantage of the Nazi occupation to victimize their Jewish neighbors for a variety of reasons.In this episode, I talked with Jan Grabowski about the history of Polish-Jewish relations during the Holocaust.  We talked about the role of the Blue Police in hunting down and killing the Jews and we also talked about the polarizing memory battles and weaponization of this history in Poland today. Jan Grabowski is a professor of history at the University of Ottawa.  He is a renowned scholar of the Holocaust and author of several important books on the topic.  Grabowski, Jan. On Duty - The Polish Blue & Criminal Police in the Holocaust (2024)Grabowski, Jan. Night Without End: The Fate of Jews in German-Occupied Poland (2022)Grabowski, Jan. Hunt for the Jews: Betrayal and Murder in German-Occupied Poland(2013)Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

Content warning for discussion of genocide. Welcome to the first spisode of Have a Day! w/ The History Wizard. This episode will discuss the early days of the field of genocide, the process by which it became a crime undernational law, the life of Raphael Lemkin, in brief, and the first time a country was charged with this crime above all crimes Intro and outro music linked here: https://uppbeat.io/track/paulo-kalazzi/heros-time Episode Transcript to Follow: Hey, Hi, Hello. This is The History Wizard and thank you for joining me for the flagship episode of “Have a Day w/ The History Wizard”. As we embark on this journey together we're going to be talking about History, Politics, Economics, Cartoons, Video Games, Comics, and the points at which all of these topics intersect. Anyone who has been following me one Tiktok or Instagram, @thehistorywizard on Tiktok and @the_history_wizard on Instagram, for any length of time. Literally any length of time at all, will probably be familiar with some, if not all, of the information we're going to learn today. However, I hope that you'll bear with me as it is important to, before we dive into the meat of the matter, make sure we've got some bones to wrap it around… Yes, that is the metaphor I'm going to go with. I wrote it down in my script, read it, decided I liked it, and now you all have to listen to it.  For our first episode we are going to be diving into one of my favorite parts of my field of expertise, meta knowledge concerning the field of genocide studies itself. Yes, that's right. We're going to start with the definition of genocide. The United Nations established the legal definition of genocide in the Convention for the Punishment and Prevention of the Crime of Genocide, which was unanimously adopted by the 51 founding members of the UN in the third meeting of the General Assemble and came into full legal force in 1951 after the 20th nation ratified it. This, by the way, is why none of the Nazis in the Nuremberg Trial were charged with the crime of genocide. The crime didn't exist when they were on trial. But, to return to the matter at hand, the definition of genocide can be found in Article 2 of the Convention for the Punishment and Prevention of the Crime of Genocide and reads as follows: In the present Convention, genocide means any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such: Killing members of the group; Causing serious bodily or mental harm to members of the group; Deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; Imposing measures intended to prevent births within the group; Forcibly transferring children of the group to another group. It is important to note that definition of genocide that the UN adopted is not exactly the same as the definition that Lemkin first proposed to the UN. His definition included economic classes, as well as political parties. There was, significant, pushback against the inclusion of those two categories from the US and the USSR as both nations feared that their many of their own actions could be considered genocide. Lemkin didn't fight too hard for those categories to stay in the definition, he was more concerned with ethnicity, nationality, race, and religion for, what he called, their cultural carrying capacity. Now, despite Lemkin's concern over the destruction of cultures, there is no strict legal definition of cultural genocide. The inclusion of Article 2, subsection E: Forcibly transferring children of the group to another group, could be seen as a nod to this idea, but it's not nearly enough. There was some effort to rectify this oversight in 2007 with the passage of the UN Declaration of the Rights of Indigenous Peoples, which states that indigenous peoples have a right against forcible assimilation. But even that is barely a step in the right direction as the UN DRIP is a legally non binding resolution making it little better than a suggestion. Now, where did the word genocide come from? Who made it and why? The term genocide was the brain child of a Polish-Jewish lawyer and Holocaust survivor named Raphael Lemkin. Now, despite Lemkin being a Holocaust survivor and term not gaining legal recognition until 1948, Lemkin actually based his work on the Armenian Genocide, what he originally called The Crime of Barbarity. Fun fact about Lemkin, he spoke 9 languages and could read 14. Anyway, after reading about the assassination of Talat Pasha in 1921. Talat was assassinated by Soghomon Telhirian as part of Operation Nemesis (he was put on trial for the assassination and was acquitted) After reading about the assassination Lemkin asked one of his professors at Jan Kazimierz University of Lwów (now the Ivan Franko National University of Lviv) why Talat was unable to be tried for his crimes before a court of law. The professor replied thusly: "Consider the case of a farmer who owns a flock of chickens. He kills them, and this is his business. If you interfere, you are trespassing." Lemkin replied, "But the Armenians are not chickens". His eventual conclusion was that "Sovereignty cannot be conceived as the right to kill millions of innocent people" In 1933 Lemkin made a presentation to the Legal Council of the League of Nations conference on international criminal law in Madrid, for which he prepared an essay on the Crime of Barbarity as a crime against international law. This is where the world would first encounter the word “genocide” a word that Lemkin had created by combining the Greek root ‘genos' meaning race or tribe, with the Latin root ‘cide' meaning killing.  Lemkin was as a private solicitor in Warsaw in 1939 and fled as soon as he could. He managed to escape through Lithuania to Sweden where he taught at the University of Stockholm until he was, with the help of a friend, a Duke University law professor named Malcolm McDermott Lemkin was able to flee to the US. Unfortunately for Lemkin he lost 49 member of his family to the Holocaust. The only family that survived was his brother, Elias and his wife who had both been sent to a Soviet forced labor camp. Lemkin was able to help them both relocate to Montreal in 1948. After publishing his iconic book “Axis Rule in Occupied Europe” with the help of the Carnegie Endowment for International Peace Lemkin became an advisor for chief prosecutor of the Nuremberg Trials, Robert H. Jackson. It was during these trials that he became convinced, more than ever before, that this crime above all crimes needed a name and laws to prevent and punish it. Even after the passage of the Convention for the Punishment of the Crime of Genocide Lemkin didn't consider his work to be over. The UN was brand new and had little in the way of real authority (something that hasn't changed over the past 70 years). So Lemkin traveled around to world trying to get national governments to adopt genocide laws into their own body of laws. He worked with a team of lawyers from Arabic delegations to try and get France tried for genocide for their conduct in Algeria and wrote an article in 1953 on the “Soviet Genocide in Ukraine” what we know as the Holodomor, though Lemkin never used that term in his article. Lemkin lived the last years of his life in poverty in New York city. He died in 1959 of a heart attack, and his funeral, which occurred at Riverside Church in Manhattan, was attended by only a small number of his close friends. Lemkin is buried in Mount Hebron Cemetery in Flushing, Queens. The last thing I want to discuss in our first episode is the first country to be charged with the crime of genocide before the United Nations. As we have already established, despite the Holocaust being the western world's premiere example of genocide, no one at the Nuremberg Trials was tried for the crime of genocide. So who, I can hear you asking from the future, who was the first country charged with genocide? Why, dear listener, it was none other than the U S of A in a 1951 paper titled “We Charge Genocide, which was presented before the United Nations in Paris in 1951. The document pointed out that the United Nations Convention on the Prevention and Punishment of Genocide defined genocide as any acts committed with "intent to destroy" a group, "in whole or in part." To build its case for black genocide, the document cited many instances of lynching in the United States, as well as legal discrimination, disenfranchisement of blacks in the South, a series of incidents of police brutality dating to the present, and systematic inequalities in health and quality of life. The central argument: The U.S. government is both complicit with and responsible for a genocidal situation based on the UN's own definition of genocide. The paper was supported by the American Communist Party and was signed by many famous personages such as:  W. E. B. Du Bois, George W. Crockett, Jr., Benjamin J. Davis, Jr., Ferdinand Smith, Oakley C. Johnson, Aubrey Grossman, Claudia Jones, Rosalie McGee, Josephine Grayson, Amy and Doris Mallard, Paul Washington, Wesley R. Wells, Horace Wilson, James Thorpe, Collis English, Ralph Cooper, Leon Josephson, and William Patterson. It was Patterson who presented the paper and the signatures before the UN in 1951. The UN largely ignored Patterson and never deigned to hear his case against the US government. And upon his return journey Patterson was detained while passing through Britain and had his passport seized once he returned to the US. He was forbade to ever travel out of the country again. The history of the field of genocide studies is long, unfortunately, far longer than the existence of a word with a legal definition and laws to back it up. We'll be going through the history of genocide in future episode, interspersed with other historical events or pressing issues of great import as we take this educational journey together. I'm going to try and put an episode together once a week, and if that needs to change for any reason I will let you know. Next week, on March 26th, we'll be learning about the Gazan genocide and the vast amount of historical context that goes into this, currently occurring, genocide. I've been the History Wizard. You can find me on Tiktok @thehistorywizard. You can find me on Instagram @the_history_wizard. Have a Day w/ The History Wizard can be found anywhere pods are cast. If you cannot find it on your podcatcher or choice, let me know and I will try and do something about it. Tune in next week for more depressing, but very necessary information and remember… Have a Day!

In this episode of the Ideas on Stage podcast we spoke with Nicole Lowenbraun. Nicole offers a unique perspective on why what you say and how you say it matters, because she’s equal parts speech-language pathologist and business communication expert. Nicole has coached and written for thousands of clients, most of whom top the Fortune 100, with a focus on helping clients find their most authentic and powerful voice. After decades of helping others master their expressive communication skills, Nicole realized the business community (herself, included) was widely neglecting the receptive side of communication – listening. She’s now committed to teaching the world the value of improving both sides of the communication equation and continues to nurture her own skills as a writer, speaker, and listener. With a Master’s in Communication Disorders, Nicole is passionate about fostering more inclusive communication in the workplace, especially with neurodiverse populations. Nicole believes that acceptance of communication differences and a commitment to constant progress is the key to a happier future of work, regardless of industry, role, or experience. Nicole lives in Brooklyn with her plants and is a proud “pizza bagel”: half Italian-Catholic, half Polish-Jewish. She puts the Star of David on top of her Christmas tree. In this episode we talked about how to improve our listening skills. Key takeaways: - The Vital Role of Listening- Roadblocks to Becoming Great Listeners- Why Active Listening isn't Enough - The Art of Adapting Listening to Others- One Question to Improve Your Listening We hope you enjoy it! ———————Links: - Adaptive Listening by Nicole Lowenbraun and Maegan Stephens: https://amzn.eu/d/fIjY3kv- Adaptive Listening website: https://www.duarte.com/resources/books/adaptive-listening/ - The S.A.I.D. Listening Style Finder™: https://su.vc/adaptivelistening Nicole Lowenbraun’s social bios:- Instagram: https://www.instagram.com/nicole_lowenbraun/?hl=en - Facebook: https://www.facebook.com/nicole.lowenbraun - LinkedIn: https://www.linkedin.com/in/nicole-lowenbraun-ms-ccc-slp-22016432/ Maegan Stephens’ social bios:- Instagram: https://www.instagram.com/maeganstephens?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== - Facebook: https://www.facebook.com/maegan.stephens - LinkedIn - https://www.linkedin.com/in/maeganstephens/ Recommended books: - Nonviolent Communication by Marshall B Rosenberg- If I Understood You, Would I Have This Look on My Face? by Alan Alda ———————IDEAS ON STAGE RESOURCES Want to inspire your audience, increase your influence, and make a bigger impact? - Read the Confident Presenter book: https://amzn.eu/d/bKswMEe - To make the most of the book, take the Confident Presenter Scorecard to assess you presentation skills in less than 3 minutes, for free: https://ideasonstage.com/score - Attend the next Ideas on Stage web class: https://www.ideasonstage.com/uk/masterclass #IdeasOnStagePodcast #listening #ListeningSkills #AdaptiveListening #CommunicationSkills

In 2015, Paula Vogel's “Indecent” premiered at Yale Repertory Theatre. It took a relatively familiar format to the audience — the play within a play. “God of Vengeance” was a play from the 1920s, written by Polish-Jewish author and playwright Sholem Asch. The story centered on a respectable Jewish family who lives above a brothel. When their young daughter falls in love with one of the sex workers downstairs, chaos ensues. A play like this wouldn't be controversial in the 2020s, but with the rise of antisemitic violence in Poland, Europe and the world at the time, Sholem Asch's contemporaries were concerned about what a play like this would say about the Jewish people. Exploring censorship, sex work, relationships, antisemitism, and more, “Indecent's” telling of the production became a force to be reckoned with by the time it made it to Broadway in 2017. Seven years later, Nashville's premiere regional theater, Nashville Rep is mounting the production. This episode was produced by Elizabeth Burton. Special thanks to Amos Glass and LaTonya Turner.  Guests:  Paula Vogel, playwright Micah-Shane Brewer, Artistic Director at Nashville Repertory Theatre Sarah Aili, actor

An immigrant child of Polish Jewish parents, Jack Gance ended up disrupting several entire industries with HIS model of shopkeeping through suburban Australia. The pharmacist turned into an entrepreneur by chance really. After gaining his Pharmacy degree, Jack and his brother Sam started with just 1 pharmacy in the early 1970's, which they slowly built on. Along the journey, Jack Gance totally upended the way traditional pharmacies in Aussie suburbs operate, by essentially making all the other products chemists sell aside from prescriptions, much more enticing and cheaper for shoppers. He also built a distribution business in the process. After 51 years in business Jack Gance, with Sam and co-founder Mario Verrocchi spent the past two-plus decades building their Chemist Warehouse business and brand into a household name, thereby revolutionising not just the pharmacy model, but the entire retailing landscape, by offering discounts on every product in the store. Now with 500 partner/franchise stores and a recently announced deal to merge with Sigma Healthcare, in order to expand the business, we're replaying the interview we did in 2023 where Jack reflects, just a little, on that amazing entrepreneurial journey. And why he can't stop!See omnystudio.com/listener for privacy information.

Hello everyone! Billy Amendola here, and my show today is one of my “Billy's Bubble” segments, featuring Marshall Chess, the son of Chess Records founder Leonard Chess. Chess, a Polish/Jewish immigrant, and his brother Phil created what many describe as “America's Greatest Blues label.”    You've heard of Willie Dixon, Howlin Wolf, Bo Diddley, Chuck Berry, Muddy Waters, and other legendary blues musicians from The Rolling Stones, Led Zeppelin, and The Beatles. They all were pioneers on the legendary label.    My guest, Marshal Chess, now 81 years young, grew up in the studio and became vice-president in 1969 before going on to become president of GRT, and then creating Rolling Stones Records, and becoming executive producer of The Rolling Stones albums “Sticky Fingers” and “Exile on Main Street.    Also featured on the show is Marshal's long-time collaborator, producer/drummer/engineer Keith Leblanc. The two met at SugarHill Records and have worked together since.    They now have a new record, “The Chess Project,” featuring seasoned players and singers who reinterpret Chess gems from Howlin' Wolf, Muddy Waters, Memphis Slim, Little Walter, and Sonny Boy Williamson. The album is titled “New Moves.”    Keith, both an acoustic drummer and a pioneer in programming and playing drum machines and electronic loops, became known with his band Tackhead, who were successful in Europe, where Keith lived for a few years. His solo record, “No Sell Out,” is one of the first sample-based releases.    Keith kick-started his career at SugarHill Records and later Tommy Boy Records, two of the most successful labels in hip-hop and dance music.    In the '90s, Keith worked in the studio with producer Trevor Horn in the UK, programming, and playing drums with Annie Lennox, Tina Turner, and Seal's first album, among others.    Let's dive into this historical career with two pioneers in our industry and welcome Marshal & Keith to Drum Channel. Enjoy! 

As thousands of Jewish refugees scrambled for Curacao ‘visas' and Japanese transit visas, many others were skeptic regarding the visa scheme, while others thought it a downright dangerous maneuver. Not only were the Curacao visas dubious at best, but the very idea of applying for a Soviet exit visa was understood by many to be viewed as tantamount to criminal activity by the Soviet authorities. In the world prior to the Nazi invasion and the Final Solution, the greatest fear was deportation by the Soviet to Siberian gulag. Many advocated against applying for these visas due to the inherent dangers involved. Despite the opposition within the yeshiva community, Rav Leib Malin of the Mir Yeshiva encouraged the Mir contingent to apply for the visas as a group. Along with a few activists among the yeshiva students, the majority of the Mir Yeshiva students received Curacao and Japanese transit visas and prepared to join the throngs of Polish Jewish refugees headed for the east.                                       Cross River, a leading financial institution committed to supporting its communities, is proud to sponsor Jewish History Soundbites. As a trusted partner for individuals and businesses, Cross River understands the importance of preserving and celebrating our heritage. By sponsoring this podcast, they demonstrate their unwavering dedication to enriching the lives of the communities in which they serve. Visit Cross River at https://www.crossriver.com/   Subscribe to Jewish History Soundbites Podcast on: PodBean: https://jsoundbites.podbean.com/ or your favorite podcast platform Follow us on LinkedIn, Twitter or Instagram at @Jsoundbites For sponsorship opportunities about your favorite topics of Jewish history or feedback contact Yehuda at:  yehuda@yehudageberer.com

Meet Nate Leipciger, a 95 year old Holocaust survivor who lives in Toronto. Nate was born in Poland in 1928 and when he was 15 years old, he entered Auschwitz. Nate is one of the 11% of European Jewish children under sixteen who lived to see the end of WWII. This number drops to only 1% when you consider Polish Jewish children. Put another way, 89% of Jews (and 99% of Polish Jews) under sixteen were murdered and robbed of the chance to live and shape our world. In other words, Nate is a miracle. Not only is it a miracle that he survived the Holocaust, it is a miracle that at 95 years old, Nate is sharp, witty and mobile! You heard right in the introduction - Nate is still driving! Nate and I first spoke in June, and my normal process is to hold one conversation and then publish the episode. However, after speaking with Nate I realized 1) how ill-prepared I was to navigate a conversation with a survivor and 2) how important it is to tell as much of Nate's story as possible. As a result, Nate and I held additional conversations, the latest being this past Monday, October 23. This most recent conversation provides us all with an opportunity to hear Nate's thoughts on 10/7 and the atrocities Hamas unleashed on Israel. Our discussion on 10/7 begins shortly after the 60 min mark. In 2015, Nate published a book titled The Weight of Freedom. His book details the living hell he and his family navigated while living under the control of the Third Reich. Nate was 5 years old when the Nazis came to power and for the next 12 years he lived under the rule of Adolf Hitler. In 1939, hell touched down on earth, and Nate lived it. It looked like starvation, disease, firing squads, gas chambers, and sexual abuse by fellow prisoners. This wasn't war. This was depravity that was mainstreamed, normalized and systematized. The Nazis were purpose built to exterminate the Jewish people. And they almost achieved that goal having murdered ⅓ of the living Jews at the time. Nate and his family were forced from their home into a ghetto in 1939. And then on August 1, 1943 - Nate and his family were deported to the death camp, Auschwitz. Over 1.1 million people, including Nate's mother and sister, were murdered in Auschwitz. As you will hear, while in Auschwitz, Nate asked his father what they would do if they were marched into the gas chambers. Nate's father responded, “we will march with our heads held high in defiance and we will say the first line of the Shema over and over again.” This episode concludes with Nate saying the Shema and me joining him. I have muted my voice so each one of you will be able to say the Shema with him. Thank god Nate's final Shema was not lost in the darkness of Auschwitz. Instead, Nate's Shemas continue to this day and will be here, for eternity, for all those seeking Nate's courage. May we and god never forget Nate, his words and the wisdom and daas he has chosen to gift all of us.

An immigrant child of Polish Jewish parents, Jack Gance ended up disrupting several entire industries with HIS model of shopkeeping. The pharmacist turned into an entrepreneur by chance really. After university he and his brother started with just 1 pharmacy in the early 1970's, which they slowly built on. Along the journey, Jack Gance totally upended the way traditional pharmacies in Aussie suburbs operate, by essentially making all the other products chemists sell aside from prescriptions, more enticing and cheaper for shoppers. He also built a distribution business in the process. Over 51 years in business Jack Gance built up his Chemist Warehouse business and brand into a household name, thereby revolutionising not just the pharmacy model, but the entire retailing landscape. Now with 500 partner/franchise stores and around $8billion turnover a year, Jack reflects, just a little, on that amazing entrepreneurial journey.See omnystudio.com/listener for privacy information.

In this edition of his Search for Meaning podcast, Stephen Wise Temple Senior Rabbi Yoshi Zweiback hosts artist and educator Suzanne Horwich.Horwich, who hails from Rabbi Yoshi's hometown of Omaha, is the founder of Artists Giving Back, a program she started to bolster the spirits of Ukrainian refugees who have fled their warn-torn country for Poland.Horwich has long been drawn to the Syrian refugee crisis, but felt helpless as the world turned a blind eye to the horrors wrought by the Assad regime. When Russia invaded Ukraine in early 2022, she resolved to take action. She eventually connected with Jonathan Ornstein, a friend of Wise and the head of the Krakow Jewish Community Center, which has pivoted from rebuilding the shattered Polish Jewish community to providing food, aid, medical supplies, and housing to those fleeing Russian President Vladimir Putin's forces.The former Director of Curatorial Affairs for the Aspen (Colo.) JCC, she pitched the idea of using her expertise as an artist to address the psychological trauma experienced by those driven from their homes. A month after they were first introduced, Horwich was on the ground with Ornstein in Poland.By providing collaborative art therapy to those in need—particularly women, children, and the elderly—Artists Giving Back encourages refugees to get lost in their art, using their imagination and creativity to find healing and community.The project is funded by generous support from the Staenberg Family Foundation, the Goldrich Family Foundation, Tom and Darlynn Fellman, and Horwich herself. She  hopes to fundraise more to grow and expand the program.

Leela Corman is a painter, educator, and graphic novel creator, working in the realm of diaspora Ashkenazi culture and third-generation restorative work. Her books include the Unterzakhn (Schocken/Pantheon, 2012), which was nominated for the Eisner, the L.A. Times Book Award, and Le Prix Artemisia, and won the ROMICS Prize for Best Anglo-American Comic. Her latest, a short comics collection called You Are Not A Guest, was released by Field Mouse Press in 2023. Her graphic novel Victory Parade, a story about WWII, women's wrestling, and the liberation of the Buchenwald concentration camp, will be published by Schocken/Pantheon in 2024. Her short comics have also appeared in The Believer Magazine, Tablet Magazine, Nautilus, and The Nib. Corman works primarily with Polish-Jewish history and life, in both her fiction and nonfiction comics, as well as women's history, 20th-century New York history, trauma, loss and (occasionally) music. Interviewer Badr Milligan is a project manager by day and a podcast creator by night. Since 2012, he has been vocal in sharing his interests with the world and amplifying the stories of others. He's the creator and host of the award-winning podcast, The Short Box: A Comic Book Talk Show, and recently launched The Nexxt Spin podcast for music lovers. In 2018, he helped form the Jax Podcaster's United Group, a collective of podcasters and audio creators dedicated to helping one another through collaboration and community. Badr is also an FSCJ alumnus and veteran of the Florida Air National Guard, using both experiences to run his own small business, The Short Box Entertainment Company.  Check out Leela's work from the library: https://jkpl.ent.sirsi.net/client/en_US/default/search/results?qu=leela+corman&te= Unterzakhn by Leela Corman: A mesmerizing, heartbreaking graphic novel of immigrant life on New York's Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths. For six-year-old Esther and Fanya, the teeming streets of New York's Lower East Side circa 1910 are both a fascinating playground and a place where life's lessons are learned quickly and often cruelly. Leela Recommends “I am a recommendations factory!” Places to visit in Florida: The Springs! Visit with care and gentleness for their fragile ecosystems and be amazed at their hallucinatory beauty. They're Florida's best-kept secret! Chamblin's Book Mine in Jacksonville. Hear Again Records, the amazing Third House Books, and Volta Coffee, all in Gainesville. Podcasts Leela Recommends: Maintenance Phase! Essential listening for debunking all the wellness pseudoscience, diet culture, and anti-fatness we all grew up with. The BMI episode alone should be required listening. Plus it's very funny!   Conspirituality, a weekly deep dive into the intersection of cults, yoga and wellness culture, right-wing extremism, mis- and disinformation, and politics. On The Media, essential investigative journalism and media literacy. Reveal, one of the best investigative journalism podcasts I've heard, especially in the areas of systemic racism and abuses of power in the US, hosted by the fantastic Al Letson, who I believe is a Florida native. [Editor's note: An Orange Park High School grad!] Artists Leela Recommends: Wangechi Mutu Clarity Haynes Jinal Sangoi Jeanne Mammen Joan Semmel William Kentridge Kara Walker Television Leela Recommends: Reservation Dogs, a funny and heartbreaking series about contemporary Indigenous life in Oklahoma, created and starring Indigenous folks. Pose, set in the queer ballroom scene of New York in the late 1980s and early 90s, starring, among other greats, national treasure Billy Porter. This is going to sound strange, but I'm really into German detective shows on Netflix, especially Dogs Of Berlin, Same Sky, NSU German History X, and Kleo, all of which deal in various ways with the end of the Cold War, the rise of racist movements after the Wall fell, and the complexities of immigration and contemporary Germany. CW for violence and depictions of racism. Severance is an excellent sci-fi, reminiscent of the very best of Philip K Dick's work. Films/Directors Leela Recommends: Pedro Almodóvar Fatih Akin Ildiko Enyedi Jim Jarmusch Preston Sturges Busby Berkeley That documentary about Little Richard, I Am Everything. What a beautiful person he was!  Music Leela Recommends:  Come, the best band of the 1990s, who've been re-issuing their back catalog and playing reunion shows everywhere. Bill Orcutt Quartet, "Music For Four Guitars", very up my Branca/Verlaine alley. Chris Brokaw, "Puritan". Thurston Moore Group. Prose Leela Recommends: Lisa Carver books. Jewish Currents magazine, the best of contemporary diaspora thought and politics. Girls They Write Songs About by Carlene Bauer, the most pitch-perfect Gen X novel I have yet encountered. This Way for the Gas, Ladies and Gentlemen, by Tadeusz Borowski. A corrosive work written a few years after the author's release from Auschwitz, that is required reading for high school students in Poland. Comic Creators Leela Recommends: Emil Ferris Lauren Weinstein Rina Ayuyang Megan Kelso Jaime Hernandez 4Ever! Miscellaneous Recommendations: Casey Johnston's newsletter She's A Beast, in which she writes about weight lifting, debunking and dismantling diet culture and fitness pseudoscience and anti-fatness, and celebrates getting swole.     --- Never miss an event! Sign up for email newsletters at https://bit.ly/JaxLibraryUpdates  Jacksonville Public LibraryWebsite: https://jaxpubliclibrary.org/ Twitter: https://twitter.com/jaxlibrary Facebook: https://www.facebook.com/JaxLibrary/ Instagram: https://www.instagram.com/jaxlibrary/ YouTube: https://www.youtube.com/user/jaxpubliclibraryfl Contact Us: jplpromotions@coj.net 

A number of years ago, Steven Spielberg released a film called Schindler's List. It was based on the true life story of Oskar Schindler. The film follows Oskar Schindler, a German industrialist who saved more than a thousand mostly Polish-Jewish refugees from the Holocaust by employing them in his factories during World War II. At the end of the film he finds himself regretting he had not saved more people. People are truly what's important. Jesus came for people and we are in the people business. They inscribe a ring for him and it says, "Whoever saves one life saves the world entire." In the film, as the war is coming to an end, he resents his car, his gold pin, his watch and wasting money because it was lives that could have been saved. He weeps bitterly realising that lives were lost. I believe that it may be like that for us. One day will we weep over our ‘things' when we realise how many lives could have been saved?  We don't want to look back one day at what could have been. May we live our lives for the Kingdom of God and not ourselves.  We are all called to obedience. We are all called to obey what God has asked us to do. Not everyone can go to the foreign mission field. We are called to a life of obedience.

Néo-Romance marks a departure for STRÉLISKI in several ways, not just in terms of subject matter. Composing and recording in Europe for the first time, she also worked with several new musicians and collaborators - including, for the first time, a string trio; three members from the acclaimed Karski Quartet - and explored her family's past. The songs were written mainly in Rotterdam, where Stréliski moved to be with her partner. And in doing so, she discovered some surprising – and prescient – facts about her family history, their Polish Jewish origins, and her ancestors' penchant for art and creativity.Track Listing:1 (ouverture)2 a new romance3 Ad Libre4 Air de famille5 BORDERS6 Dans les bois7 Elegie8 In the air9 Lumieres10 one last dance11 Reveries12 The Breach13 the first kiss14 The hillsHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

The history of Warner Bros. is not just the tale of a legendary film studio and its stars, but of classic Hollywood itself, as well as a portrait of America in the last century. It's a family story of Polish-Jewish immigrants—the brother's Warner—who took advantage of new opportunities in the burgeoning film industry at a time when four mavericks could invent ways of operating, of warding off government regulation, and of keeping audiences coming back for more during some of the nation's darkest days.

The Vurke chassidic dynasty took a leading role in Polish Jewish life of the 19th century, and spawned several prominent offshoots such as Amshinov, Aleksander and Strikov among others. Established by Rav Yitzchak Kalish as a faction of Pshischa, it flourished among his descendants and students in central Poland. Rav Yitzchak of Vurke (1779-1848) was a great chassidic leader, and earned renown as a pioneering ‘shtadlan' or lobbyist, effectively ushering in a new era of Orthodox Jewish politics. In this capacity he represented the entire Jewish community of Poland, as his activities weren't limited to Vurke or chassidim in general. Rav Yitzchak was succeeded by both students and sons, with his younger son Rav Menachem Mendel remaining in Vurke, and known as the ‘Silent Tzadik'. He in turn was succeeded by his son Rav Simcha Bunim who eventually moved to the Land of Israel. Most of the Vurke community and leadership was decimated in the Holocaust.   For sponsorship opportunities about your favorite topics of Jewish history contact Yehuda at:  yehuda@yehudageberer.com   Subscribe To Our Podcast on:  PodBean: https://jsoundbites.podbean.com/ Follow us on Twitter or Instagram at @Jsoundbites You can email Yehuda at yehuda@yehudageberer.com

The fourth episode of the Sounding Jewish podcast features Dr. Julia Riegel. We discuss their initial entrance into the field of Jewish music studies, and ongoing work on the musical life of the Warsaw ghetto.Dr. Julia Riegel received their PhD in Modern European History at Indiana University Bloomington in 2021. They are currently a Harry Starr Fellow in Judaica at Harvard University. Their research interests include modern Polish-Jewish cultural history, the Holocaust, and music during war and genocide. As a Starr Fellow, they are working on their first monograph, In the Season of Hunger and Plague: Musical Life in the Warsaw Ghetto. This project uses sources written and preserved by ghetto residents to reconstruct how music performance represented, reproduced, and contributed to the ghetto's complex and contentious social and cultural dynamics. They are also writing an article on portrayals of Ludwig van Beethoven in Yiddish literature and developing a second book project on gender, sexuality, and perceived collaboration in the camps and ghettos during the Holocaust. Their publications include an article on the musician, ethnographer, and journalist Menachem Kipnis in Polin: Studies in Polish Jewry and articles for volumes III and VI of the Encyclopedia of Camps and Ghettos, 1933–1945.

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead.  This Was Not America: A Wrangle Through Jewish-Polish-American History (Cherry Orchard Books, 2022) is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead.  This Was Not America: A Wrangle Through Jewish-Polish-American History (Cherry Orchard Books, 2022) is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead.  This Was Not America: A Wrangle Through Jewish-Polish-American History (Cherry Orchard Books, 2022) is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead.  This Was Not America: A Wrangle Through Jewish-Polish-American History (Cherry Orchard Books, 2022) is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead.  This Was Not America: A Wrangle Through Jewish-Polish-American History (Cherry Orchard Books, 2022) is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elżbieta Janicka. It is illustrated with scores of photographs and documents. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).

Since the early 2000s, Poland has experienced a remarkable Jewish revival. Klezmer music, Jewish-style restaurants, kosher vodka, and festivals of Jewish culture have become popular, while new museums, memorials, Jewish studies programs, and Holocaust research centers reflect soul-searching about Polish-Jewish relations before, during, and after the Holocaust. In Resurrecting the Jew: Nationalism, Philosemitism, and Poland's Jewish Revival (Princeton University Press, 2022), sociologist Geneviève Zubrzycki examines this revival and asks what it means to try to bring Jewish culture back to life in a country where 3 million Jews were murdered and where only about 10,000 Jews now live. Drawing on a decade of participant-observation in Jewish and Jewish-related organizations in Poland, a Birthright trip to Israel with young Polish Jews, and more than a hundred interviews with Jewish and non-Jewish Poles engaged in the Jewish revival, Resurrecting the Jew shows how the revival has been spurred by progressive Poles who want to break the association between Polishness and Catholicism, promote the idea of a multicultural Poland, and resist the Far Right government. Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski's government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state's weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers? In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring.  James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski's government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state's weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers? In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring.  James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski's government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state's weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers? In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring.  James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski's government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state's weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers? In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring.  James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The early 1930s constituted an ambiguous moment for the roughly three million Jews that resided in the Polish Republic. On the one hand, as recent scholars have emphasized, Polish Jews found numerous opportunities to partake in flourishing cultural and political projects that spanned the ideological spectrum from Zionism to Yiddishism to Polish integrationism to various brands of socialism. In addition, Josef Pilsudski's government – while by no means an ally to Polish Jewry – was the lesser of two evils compared to the explicitly anti-Semitic Endecja regime that ruled the country by the end of the decade. At the same time, however, trouble lurked around every corner. Polish Jews found their earning opportunities deeply limited, due to both economic depression and a widespread social prejudice that blocked them from getting jobs. Even more concerning, the rise of fascist politics – in Poland and abroad – made clear the fledgling state's weaknesses, and cast a shadow of doubt over any sense that acceptance would prevail over national hatred. Polish Jews now grappled with the possibility that Jewish life in Eastern Europe might not be feasible going forward. What was to be done amidst these precarious circumstances? How was one to plan for the future, both as an individual and as a member of a minority community? How was one to handle the anxiety of unclear and multifarious dangers? In his new volume An Unchosen People: Jewish Political Reckoning in Interwar Poland (Harvard UP, 2021), Kenneth Moss has resurrected the mentalité of those that struggled daily with these questions, illustrating what it meant for Polish Jews to grope for meaning in the face of constant uncertainty and real dread. To accomplish this task, Moss has assembled and examined an astounding breadth of documents produced by people from throughout Polish Jewish society. Readers will find analyses of Polish Jewish intellectual luminaries like Max Weinreich, Jacob Lestschinsky and Chaim Grade, each of whom allowed recent events to influence and mutate their understandings of Jewish life and community. Moss also shines a light on more common Jews that no less vociferously sought to forge practical and pragmatic solutions to their increasingly dire situations. The result is a monograph dedicated to the daily experience of minority life in the modern world; a world permeated by a sense of unease at what tomorrow might bring.  James Benjamin Nadelis a Ph.D. student in the Department of History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Jane Seymour was born as Joyce Penelope Wilhelmina Frankenberg in 1951 in Middlesex, England, to a nurse mother and gynaecologist/obstetrician father. She is of Polish Jewish (father) and Dutch (mother) descent. She adopted the acting name of "Jane Seymour" when she entered show business as it was easier for people to remember (and the name of one of King Henry VIII's wives). She attracted the attention of the James Bond film producers when they saw her on British television. She was cast as the main Bond girl, "Solitaire", in Live and Let Die (1973). The role gained her international recognition but she was in danger of losing it all like the previous Bond girls, so she came to the U.S. A casting director advised her to lose her English accent and acquire an American accent to land roles on American television. She did and started getting roles, earning five Emmy nominations, resulting in one win for Onassis: The Richest Man in the World (1988) for playing Maria Callas. She won Golden Globe awards for both East of Eden (1981) and the American television series Dr. Quinn, Medicine Woman (1993), where she played the title role for 5 years. She occasionally appeared in feature films, memorably in Somewhere in Time (1980) and in Wedding Crashers (2005). Married and divorced four times, she gave birth to four children and is a stepmother to two. They have children of their own, making her a grandmother. As of 2018, she has been acting in television movies and making guest-appearances. - IMDb Mini Biography By: Pedro Borges/Robert Sieger Jane was born in Hillingdon and educated at Wimbledon High School until she was 13 then she transferred to an Arts Educational School to study ballet but developed cartilage trouble forcing her to abandon her career. At 7 she made her film debut in Oh! What a Lovely War, On leaving school she did some stage work and was seen as Ophelia in Hamlet and on TV in The Onedin Line where she was spotted by Cubby Broccoli who picked her to play Solitaire in the Bond film Live and Let Die. She did a tv commercial for perfume and a book The Guide to Romantic Living. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Seymour was born as Joyce Penelope Wilhelmina Frankenberg in 1951 in Middlesex, England, to a nurse mother and gynaecologist/obstetrician father. She is of Polish Jewish (father) and Dutch (mother) descent. She adopted the acting name of "Jane Seymour" when she entered show business as it was easier for people to remember (and the name of one of King Henry VIII's wives). She attracted the attention of the James Bond film producers when they saw her on British television. She was cast as the main Bond girl, "Solitaire", in Live and Let Die (1973). The role gained her international recognition but she was in danger of losing it all like the previous Bond girls, so she came to the U.S. A casting director advised her to lose her English accent and acquire an American accent to land roles on American television. She did and started getting roles, earning five Emmy nominations, resulting in one win for Onassis: The Richest Man in the World (1988) for playing Maria Callas. She won Golden Globe awards for both East of Eden (1981) and the American television series Dr. Quinn, Medicine Woman (1993), where she played the title role for 5 years. She occasionally appeared in feature films, memorably in Somewhere in Time (1980) and in Wedding Crashers (2005). Married and divorced four times, she gave birth to four children and is a stepmother to two. They have children of their own, making her a grandmother. As of 2018, she has been acting in television movies and making guest-appearances. When Bond (Roger Moore) investigates the murders of three fellow agents, he finds himself a target, evading vicious assassins as he closes in on powerful Kananga (Yaphet Kotto). Known on the streets as Mr. Big, Kananga is coordinating a global threat, using tons of self-produced heroin. As Bond tries to unravel the mastermind's plan, he meets Solitaire (Jane Seymour), a beautiful tarot-card reader, whose magic is crucial to the crime lord. Learn more about your ad choices. Visit megaphone.fm/adchoices

To learn more, please visit the website for Ms. Sliwa.Show Notes:2:45 inspiration for her career as a historian of the Holocaust and Polish Jewish history4:30 American Jewish Joint Distribution Committee (JDC)6:50 Conference on Jewish Material Claims Against Germany (the Claims Conference)8:00 Claims Conference's work on behalf of elderly survivors10:00 current issues blocking claims that she's encountered and how they differ between countries12:00 history of the plunder and anti-restitution approach/laws in Poland16:00 definition of who is a survivor for restitution purposes, e.g., exclusion of Jews who were in hiding during WWII from receiving pensions17:45 lack of understanding and education about the gravity of the theft and restitution issues from WWII19:00 claims like Menachem Kaiser 20:20 attitudes and behaviors towards Holocaust survivors and why claims are still ongoing23:00 heirless property24:00 JUST Act report's findings on Poland about archives 26:00 It Is Still Night authors Historian Jan Grabowski and Professor Barbara Engelking30:00 pursuit of the ‘Politics of Memory' by the current government in Poland, Law and Justice as a distortion of Holocaust history35:00 example of how Holocaust history is distorted: Poland's commemoration of a Polish railway worker who is said to have given water to Jews in boxcars en route to Treblinka versus acknowledging Poles who robbed Jews in boxcars in exchange for water41:00 Jewish Childhood in Kraków: A Microhistory of the Holocaust43:45 historical drama film Schindler's List45:45 Children With a Star: Jewish Youth in Nazi Europe by Deborah Dwork47:00 Counterfeit Countess: The Jewish Mathematician Who Rescued Poles during the Holocaust co-authored with Dr. Elizabeth (Barry) White, expert on Majdanek Concentration Camp52:00 genealogy methods supplemented research for Counterfeit Countess56:15 The Beginning of the Holocaust in Poland 1939-1941? Other upcoming projects?59:15 how Dr. Sliwa defines justice and how she sees her work facilitating justice 1:30:00 Dr. Sliwa's hope for her legacy: to educate and inspire future scholars of all genocideTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

New Talk Art!!! We meet London icon PHILIP SALLON at his home in St John's Wood!!! A legendary British club promoter, event organiser, socialite, style innovator, impresario, and clothing designer. He was born in London, England where he still lives and works today in his 70th year. He is particularly known for being a prominent member of the Punk sub-cultural and New Romantic pop cultural movements during the 1970s and 1980s.We discuss how he witnessed the birth of Punk, his friendship with Vivienne Westwood, the Blitz Kids and Boy George, more than 5 decades of his drawings, invitations and designs, supporting young graffiti artists back in 1983 all the way to more contemporary street artists like Stik and Ben Eine.Philip Sallon was born in London in 1951, the grandson of Polish Jewish immigrant tailors who moved to the UK in 1904. His father, Ralph Sallon, was a well-known caricaturist who married his mother Anna Simon in 1945. They had one son (Philip) and three daughters. He was educated at Harrow County School, later renamed Gayton school. In 1970 he enrolled on an arts foundation course at East Ham College. In 1975 he applied and was offered a place at Saint Martin's School of Art to study fashion.He then left St Martins to pursue a career in theatre and later club promotion. Sallon founded the Mud Club in Tottenham Court Road in the 1980s and is best known for his style and outgoing personality. Admirers describe how during one club night in the 1980s he wore a dress made entirely of pound notes; by the end of the evening, after fellow clubbers had helped themselves, he was practically naked.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Ryan Kaplan is the Director for the Jewish Community Center of Krakow's Ride for the Living, an annual cycling event from the gates of Auschwitz-Birkenau to JCC Krakow, giving participants the opportunity to immerse themselves in Krakow's Jewish past, present, and future. As many of you know, we've been working hard to evolve Charity Miles so that we can be more accessible to all the great charities that want to join us.  We're happy to say that we're now more able to do so, and JCC Krakow is one of the newest members of the Charity Miles community. In ordinary times, JCC Krakow provides social, educational and community-oriented services to the Jewish community of Krakow, offers programming open to the entire Krakow community to foster Polish-Jewish relations, and acts as a visitor center for the hundreds of thousands of tourists, many of them Jewish, who pass through Krakow. But these are not ordinary times. As of the date of this podcast, we are over a month into Russia's invasion of Ukraine, which has sent over 2 million Ukranian refugees to Poland. The Polish people are rising to the occasion, doing everything they can to support the refugees. JCC Krakow is stepping up as well.  Since the war began, they have served many thousands of Ukranians, an average of over 300 each day. They are housing and feeding over 200 Ukrainians, Jews and non-Jews, in hotel rooms and apartments in Krakow.   They have outfitted and opened a mother and child safe space with a local partner that provides day care for 25 young children, and Polish and English classes, psychological counseling, and job training for their mothers in a warm, cozy environment. And much more. I'm grateful that Ryan was able to take the time to share his perspective from the ground with us. If you'd like to support or learn more about the work that JCC Krakow is doing for Ukranian refugees, please click here.

2 of the 3 million refugees created by the Russian invasion into Ukraine have fled to Poland. Rabbi Mark Wildes speaks with the Chief Rabbi of Poland, Rabbi Michael Schudrich on how the Polish Jewish community is responding to the crisis. "For hundreds of years, Jews have fled out of Poland, but now Jews are fleeing to Poland." Donate here: https://fjc.org/news/crisis-in-ukraine/