Podcast appearances and mentions of Adrian Sherwood

I had the opportunity to talk to electronic-industrial pioneer MARK PISTEL, musician, music producer, engineer and founder of the legendary industrial band CONSOLIDATED founded in San Francisco in 1988.As a multi- instrumentalist, Pistel has been the driving force behind Consolidated and has made a significant mark in the music industry and in the electronic and industrial scenes, such as his collaboration with  Meat Beat Manifesto, Hercules and Love Affair and Until December. Pistel's career also includes remixing and engineering for a variety of artists across genres, showcasing his versatility and technical prowess. He has worked with many artists such as musician/ fashion icon Grace Jones,  flamboyant disco singer Sylvester, producer and dub innovator Adrian Sherwood-  and more recently, remixing  San Francisco's Octavian Winters' latest release "Velveteen" (Mark Pistel remix), and  releasing a single  with  multi-dimensional artist Rykarda Parasol,  a song called Northern Light  and so much more. His contributions to the music world are celebrated for pushing boundaries both sonically and socially.  He  continues to innovate, blending technology with musical artistry to create dynamic, impactful soundscapes in his recording studio called  ROOM 5 . To Watch The Interview on YouTube:  https://www.youtube.com/@DJNocturnahttps://www.markpistel.comhttps://markpistel.bandcamp.com

Kavus Torabi - The Horizontal Man (5:04) Agalloch - A Desolation Song (5:01) Chris Benstead - A Bag Full Of Nazi Hearts (4:56) Moor Mother - All The Money (Feat. Alya Al Sultani) (4:12) Son Of The Velvet Rat - Kindness Of The Moon (5:42) Ray Lamontagne - So, Damned, Blue, Long Way Home (4:01) Barry Andrews - Eating It (7:27) Adrian Sherwood, Creation Rebel - Movement In Space (3:10) Set - Lin (Mechurah) (5:39) Leop - Since The Day (4:05) The Breeders - Spark (2:39) Ruth Goller - I Have For You, Simple Truth (6:15) Kevin - Slow (3:14) Gnod - Luz Natural Spacemen 3 - Feelin' Just Fine (Head Full Of Shit) The Mining Co. - Planetarium Undone - Run To The Sun Katie Knipp - Stillness Chrystabell, David Lynch - The Answers To The Questions The Riverside Singers - I've Been In The Storm So Long PJ Harvey - To Bring You My Love Toechter - Me She Said Spc Eco - Dead To Me Teho Teardo, Blixa Bargeld - Starkregen Fin - Pre-Raphaelite Kate Bush - The Ninth Wave Watching You Without Me The Black Dog - It's Happening Now Truus De Groot & Cosmo Vitelli - Dopamine Dreams We Are Ghosts - This Is The Night Einsturzende Neubauten - Gesundbrunnen Tom Verlaine - Depot (1951) Skip James - Devil Got My Woman Yikii - Anomaly Of Silence אלעד זאב - אל תבכה ילד Martin Rev - Jomo Edward Ka-Spel - Dream Stealer Lee Underwood - Little Desert Cat Feet Kee Avil - Devil's Sweet Tooth Fad Gadget - Spoil The Child 3D, Gang Of Four, Nova Twins - Where The Nightingale Sings (Redux) The Oscillation - The Eternal https://www.facebook.com/fingeredfloodgate

Todays show is full of Leftfield Lo-Fi ditties that tickle the spine, deep down fantastically out there dub remixes, and drums powerful drums. Also Aphex Twin gets a spin, he released one of his best albums Syro, 10 years ago- it still sounds amazing and could have been released yesterday. Plus loads more. Just some of the music featured; David Holmes, Raven Violet, Panda Bear, Sonic Boom, Adrian Sherwood, Aphex Twin, Baianasystem, Marshall Jefferson, Orb…For more info and tracklisting, visit: https://thefaceradio.com/category/golazo/Tune into new broadcasts of ¡Golazo! with Matt Pape LIVE, Thursdays from 12 - 2 PM  EST /  5-7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

This weeks show starts off with classic music from Bob Marley & The Wailers, Peter Tosh, Michael Palmer & Aswad, Black Uhuru, Dennis Brown, Owen Grey, The Abyssinians, Mike Brooks, The Viceroys, Freddie McGregor, Israel Vibration, King Kong, Errol Flabba Holt, Learoy Green & Roots Massacre, and Leroy Smart. This week you will hear new music from The Co-Operators featuring Kitma, Benjammin and the 18th Parallel, Richie Culture, Taj Weekes & Zion Albert, Bunnington Judah and Don Fe, Akae Beka, Soul Medic, Jah Mason, Protoje with Jasshii, Capleton, Jhazahra, Bugle with Buju Banton and Damian Marley, Kumar Bent, Christopher Ellis, Manwel T, Pitch Black with Adrian Sherwood, Switchy Dub, Starlight and Med Dred, The Hempolics featuring Shumba Youth, Dr, Ring Ding, Twan Tee, Mykal Rose, and Olaf Blackwood with Shaggy. Enjoy! Bob Marley & The Wailers - Wake Up And Live - Survival - Tuff Gong Peter Tosh - Testify - No Nuclear War - EMI Michael Palmer & Aswad - Me Nah Run - Simba Black Uhuru - Shine Eye Gal/Shine Eye Gal Dub - Taxi Trax - Tabou1/Taxi Records Manwel T feat. Andres Cotter & Alberto Tarin - Dub Beach - Manwel T Music Dennis Brown feat. Dillinger - Here I Come/Flatfoot Hustling -  Open The Gate: Greatest Hits Vol. 2 - Heartbeat Records Niney The Observer feat. - Dennis Brown - Come Dub - Dennis Brown In Dub - Heartbeat Records Owen Grey - Fire Fire (Love Fire) - The British Roots Rockas - Dennis Bovell The Abyssinians - Satta Massagana - Satta Massagana Deluxe Edition - Heartbeat Records Mike Brooks - Who Have Eyes To See - The Earth Is The Fullness - Moll-Selekta The Viceroys - Ain't Nobody Love Nobody - Brethren & Sistren - Thompson Sound Freddie McGregor - Rasta Have Faith - Mr. McGregor -  VP Records Israel Vibration - Cool & Calm - Power Of The Trinity: Wiss Vibes - Ras Records King Kong - Come Down - Jah All Mighty 7” Sugar Minott - Love Of Jah/Love Of Jah Dub - Sugar & Spice - Ras Records Errol Flabba Holt - My Heart Is In Danger - Ohm Records Leroy Smart - Reggae Music - Wackies 7” The Co-Operators feat. Kitma - Nefarious - Sounds From The Fridge - Waggle Dance Records Benjammin & The 18th Parallel - Warmonger - Fruits Records Learoy Green & Roots Massacre - Fools Policy/Fools Policy Dub - Dub Addict  Richie Culture & Floyd Afrika - Murder Dem/Dub Dem - Tuff Scout Records Taj Weekes & Zion Albert - Cornerstone - Eyes To See - Skank Productions/Jatta Records Mighty Joshua - Dreaducation - Dreaducation - Mighty Joshua Music Bunnington Judah & Don Fe - Jah Children Must Rise/Jah Children Must Dub - Jah Catalyst Akae Beka - Psalm 72 - The Akae Beka Srolls - Go A Chant/Trinity Farm Music Midnite - No Rest For The Weary - Live At Tremont Music Hall Charlotte NC Reemah - May Day - Breaking News - Feel Line Records Soul Medic - Firm & Militant - Firm And Militant - Jah Kebra Music Jah Mason w/ Paul Lupa & Dubatrix - What's The Dealin' (dub mix) - Paul Lupa Music Protoje & Jashii - Where We Come From - Ineffable Records Jhazahra - Tru Mi Bad - Trey Drumz Capleton - Jah Guide My Step - Brimstone Riddim Deluxe Edition - Dutty Rock Productions Bugle feat. Buju Banton & Damian Marley - Thank You Lord - Apex - An9ted Ent./Evidence Music Kumar & The 18th Parallel - World Wide Love/World Wide Dub - Fruits Records Wayne Smith - No More Will I Roam - Youthman Skanking - VP Records Christopher Ellis - Miss You - Ghetto Youths International Horace Andy - Mind Your Own - The Final Battle: Sly & Robbie Vs Roots Radics - DubShot Records Sly & Robbie feat. Don Camel & Horace Andy - Mind Your Dub (Don Camel Dub) - Sly & Robbie Vs Roots Radics: The Dub Battle - DubShot Records JA-13 - Rude Boy Gone - World Radio Dub (Chapter One - JA-13 Cooperative Mafia & Fluxy feat. The Pharmacist - Dub De Rights - Introducing The Pharmacist - Mafia & Fluxy The Rifffs - Modern Society Dub (Manwel T Mix) - Manwel T The Twinkle Brothers - Jah Kingdom Come - Countrymen - Virgin The Twinkle Brothers - Kingdom Dub - Dub Massacre Part 1 & Part 2 - Twinkle Music Scientist & Hempress Sativa - Heathen Wage Dub - Scientist Meets Hempress Sativa In Dub - Conquering Lion Records Pitch Black - 1000 Mile Drift (Adrian Sherwood Mix) - Echoes Of The Night: The Adrian Sherwood Remixes - Dubmission Records Johnny Clarke & Libertad Sound System - To Be Prayed/To Be Dub - Libertad Records Jah Warrior - Hot Steppers - Jah Warrior Showcase Vol. 2 - Jah Warrior Switchy Dub - All In One - Re-Birth - Culture Dub Records Vibronics feat. Vanya O - Mountain Call - Woman On A Mission 2 - Scoops  The Hempolics feat. Shumba Youth - Rockin N' Sway/Rockin N' Sway Version - Hempolics Music  Starlight & Med Dred - Resident/Resident Dub - Dubophonic Records Med Dred & Shaky Norman - Forward Melodicas - Forward Melodicas - Dubophonic Records Green Lion Crew feat. The Movement - Forward I Will Go - Extra Heavy Riddim - Green Lion Crew Green Lion Crew feat. Medisun - Extra Heavy - Extra Heavy Riddim - Green Lion Crew Green Lion Crew feat. Anthony B - Dem A Murderah - Extra Heavy Riddim - Green Lion Crew Dr. Ring Ding - Follow Dis Yah Sound - Bass Jam - Anaves Music OBF & Iration Steppas - Love Sound System - Revelation - Dubquake Records Twan Tee - Put It Pon Replay - Outrospection - Baco Records Olaf Blackwood feat. Shaggy - Selector Pull It - Badman Riddim - VP Records/Ranch Entertainment Mykal Rose & Subatomic Sound System feat. Hollie Cook - Rockin' Like A Champion - Rockin' Like A Champion - DubShot Records  

Pochodzący z Londynu producent, DJ, wydawca i założyciel wytwórni On-U Sound odwiedził w czerwcu Lublin. Podczas festiwalu Wschód Kultury Inne Brzmienia można było nie tylko usłyszeć jego autorski set DJ-ski i koncert African Head Charge, ale także – obejrzeć wystawę dokumentującą związki artysty z Polską.… Czytaj dalej Artykuł Adrian Sherwood: „Nie jestem muzykiem w tradycyjnym sensie” pochodzi z serwisu Audycje Kulturalne.

Bonjo Iyabinghi Noah is the percussionist and vocalist behind African Head Charge, the experimental dub project he co-founded with legendary studio wizard Adrian Sherwood in the late 1970s. With dozens of albums to his credit, he's been established as an influential and singular performer with a sound all his own. Today I'm speaking with Bonjo about how he found his musical and spiritual calling in the Poco churches of Jamaica in his youth, how an encounter with Fela Kuti changed the course of his life, his collaborations with classic reggae and soul artists like Desmond Dekker, Prince Far I, Creation Rebel and the Foundations, how he turned an experimental studio project into a large live ensemble, and insights into African Head Charge's latest album, A Trip To Bolgatonga on Adrian Sherwood's On-U Sound label. Scherler Sundays is returning to downtown Olympia for summer 2024!! That means ten weeks in a row of free outdoor concerts and live interview tapings for future broadcast.  Come see your next favorite artist and get to know them in one fell swoop, week after week! This year's lineup includes Little Wings, Mirah, Tender Forever, Lois, Damien Jurado, Michael Hurley, Chris Cohen, Oh Rose, Jonny Kosmo and more than 20 others, all curated and hosted by yours truly.  It's happening every sunday at 3pm from July 21st through September 22nd. Find more info at ScherlerBeer.com If you're a fan of this show, please consider taking a moment to support this show by committing to a flexible monthly donation at patreon.com/lowprofile. It would mean the world to me if I could set aside a proper work week at a living wage every month, and I believe with enough of the regular listeners chipping in 5 bucks, it could happen.  So thanks a lot to those of you who have continued to support me on Patreon, and if you haven't yet, give it a try! It will be great for your karma, I bet! You can find links to more of their work on this episode's website at lowprofilepodcast.com, where you'll also find a treasure trove of oral history from exceptional musicians of all stripes. Low Profile is a part of the Ruinous Media podcast network, and this episode's artwork was drawn by Jack Habegger.  Thanks to Howard Wuelfing at Howlin' Wuelf Media for facilitating today's interview.

Joe Rihn is a DJ, musician and writer with endless enthusiasm for his hometown of Los Angeles. His show Audio Days explores the wide world of electronic music and beyond with particular attention to artists pushing the boundaries of sound. In this special interview episode of Audio Days, influential UK artist Mark Stewart discusses his body of work, his creative processes and the music that has inspired him along the way. After beginning his career as the frontman of Bristol's celebrated post-punk band The Pop Group, Stewart went on to break new ground in electronic music through his work with dub producer and On-U Sound Records head, Adrian Sherwood, along with drummer Keith LeBlanc, bassist Doug Wimbish and guitarist Skip McDonald. Having performed as members of the Sugar Hill Records house band on early hip hop classics including “The Message” by Grandmaster Flash and the Furious Five, LeBlanc, Wimbish and McDonald provided the instrumental foundation for Stewart's 1985 album, “As the Veneer of Democracy Starts to Fade,” as well as other projects such as Tackhead and Fats Comet. With his new record “VS.,” which releases April 8, 2022 on Emergency Hearts, Stewart continues in that collaborative spirit. In addition to including names like KK Null, Stephen Mallidner and Mike Watt in its roster of uncompromising artists, VS. features contributions from late musicians Lee “Scratch” Perry and Mika Vainio. Following the hour-long interview segment, this episode features a mix of industrial, synth-wave and left-field cuts from the orbit of Mark Stewart and beyond. --- Support this podcast: https://podcasters.spotify.com/pod/show/dublab-inconversation/support

The Orb are the biggest ambient act of all time - that's probably true but they were certainly THE ambient band of the 90s, selling enormous amounts of records, touring a live show which drew breathless comparisons to Pink Floyd, arguably inventing the concept of Chill Out, and generally occupying a unique space as a truly experimental group in the mainstream of music. Alex Paterson is the only constant member of The Orb, who last released an album in 2023, and has the scars of litigation to prove it - their 90s catalogue is till being argued over with its owners, Universal, and the lawsuits over uncleared samples have been numerous and acrimonious. So we talk about all that, plus his formative years as an unofficial member of and sometime roadie for The Killing Joke, doing A&R for E.G. Records in the 80s, starting The Orb with KLF legend Jimmy Caughty, DJing at the legendary UFO in Berlin the night the wall came down, and of course his new record with his other project, Sedibus. Some parallels here with the episode we did with Adrian Sherwood... it took a fair bit of work to get this one into shape, but I think it was worth it. You're gonna enjoy it!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a credit or debit card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation there in the public channels, so please do!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Hey friends of the marginal musical mindset - fiends of the beep - capturing psychedelic sounds from outer space and delivering them to your device! Loads of Dub Reggae, Psyche Rock and Old School Acid. Features Andrew Weatherall, Arthur Russell, The Orb, Moiré, Lee ‘Scratch' Perry, Adrian Sherwood, Derrick Carter and loads more. Tune into new broadcasts of Golazo, Wednesday 12 - 2 PM EST / 5 - 7 PM GMT.For more info visit: https://thefaceradio.com/golazo///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

1. Prvotsky - Golden 2. Prvotsky - April Beat 3. Gus Gus - Polyesterday 4. Cimatic - Infinita 5. Skyline - Silent Stream (Boris Carloff Remix) 6. ZKA4T - Jesenice 7. Juanita Juarez - Tampere Lullaby 8. Ecstasy of St. Theresa - Happy R (K-paxian rmx) 9. Apollo Four Forty - The Machine in The Ghost 10. Groove Armada - From The Rooftops 11. Air - How does it make You feel? (Adrian Sherwood version) 12. Nana Zorin - Food for The Farmer

Already in 2024 we have seen a slew of amazing Dub tracks being released. This is a continuous mixtape weaving together the classic foundation and the new excitement. Mexican Institute Of Sound's newest single (with Ceci Bastida) release is Stop! It accompanies an amazing album of career retrospective oro. Camilo Lara's music is always perfecto and he is an artist I play more than most on my radio shows. Black Grape are back with a new album Pumpkin Head, and in my opinion it's the best one since Isn't It Great…And this record is great and more. It's filled with slow burning dub sounds that are almost torch song ballads - and the emotional intelligence is more than we could have hoped for from a long term functioning twisted melon. It's bloody fantastic. Also featuring Panda Bear, Sonic Boom, Adrian Sherwood, MU, Kassa Overall, Andrae Murchison, Lee “Scratch” Perry, Manu Chao, LKJ, Dennis Bovell, Bacao Rhythm & Steel Band, Johnny Clarke, King Tubby, Sly & Robbie and loads more!This show was first broadcast on the 2nd of February, 2024For more info and tracklisting, visit: https://thefaceradio.com/matt-pape-mixtape/Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMT.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Una gla

Una gla

It was a truly great year of music and impossible to put together the best of the year in a 1 hour mixtape. These selections are just some of the songs that resonated most with me. These is no right or wrong, just subjective appreciation of artists with the longevity to rise to legendary status and new upstarts with nothing short of topical ideas and a DIY determination. The next generation will always come around and deliver the needed sounds. Featuring André 3000, Adrian Sherwood, Acid Arab, Wael Alkak, David Holmes, Raven Violet, Joshua Ammons, Lisa O'Neil, Lankum, The Dear Boys, Patrick Martin, Lady Wray and loads more. Music makes us human. Music is the best of us. Enjoy. Happy New Year. And let's go 2024. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Panda Bear (Noah Lennox) from Animal Collective and Sonic Boom (Pete Kember) from Spacemen 3 released a splendid psych-pop album called Reset last year. British dub producer Adrian Sherwood loved it so much, he rebuilt it from the ground up in dub form, with extra musicians. We'll hear two key tracks from Reset In Dub today, alongside some bracing New Brighton noise-pop from Blair Parkes and a slice of Brazilian funk from Rio's Almir Ricardi.

The 2023 Annual Not A Diving Podcast Pledge Drive is here!For the next week, support the show and receive special benefits...Option 1 - Patreon Musicality Tier (£8.50 per month)Pledge Drive Bonus = the 2024 Musicality t-shirt! Free of charge, postage and packing covered Option 2 - Patreon Solidarity Tier (£3.50 per month)Pledge Drive Bonus = a 50% off voucher to use on a basket containing any items at the Hotflush Bandcamp StoreOption 3 - a one-off donation of £8.50 or USD$10.00Pledge Drive Bonus = a 25% off voucher to use on a basket containing any items at the Hotflush Bandcamp StoreThanking you in advance for your support! On the show this week we welcome a true legend of UK music, and a legend of Dub... it's Adrian Sherwood!Listen to all (most of) the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981. This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

Adrian Sherwood — producer, mixologist, sonic innovator, dub technician and label runner joins Paul for an intimate exploration of his fascinating career, where they explore the profound influence of his dub techniques on the music industry, and his surprising contentment with remaining semi-underground. From working with Lee Scratch Perry and Prince Far I to Nine Inch Nails and Depeche Mode, you'll gain insight into not only his career, but also his recent work with African Head Charge, and his unique perspective on success.Sherwood eloquently describes his early experiences with Jamaican sound systems, his perspective on the advancement of audio technology, and the undeniable power of bass in music. The conversation explores the influence of culture and politics on music creation. As Sherwood narrates his encounters with influential figures like James Brown and Keith LeBlanc. We discuss the joy of creating club tunes in mere hours, the human element in music, and the profound impact of Ecstasy on England. You'll also learn about the ever-evolving world of music production technology, the importance of character and expression for artists, and the challenges of monetizing creativity. African Head Charge's new album A Trip To Bolgatanga is out now on On-U SoundLost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing here.Lost and Sound title music by Thomas Giddins

A conversation with Adrian Sherwood - master of dub music - producer, remixer, DJ and On U Sound record label founder who has worked with legends in the genre including Lee Scratch Perry, Horace Andy, Tackhead, Gary Clail, and remixed for Depeche Mode, Primal Scream, Nine Inch Nails and many more, who was in Tokyo for sold out live and DJ sets at Ebisu Liquid Room in September 2023. Sherwood talks about how blessed he is to have played in the studio with an array of musicians, and about being the "maitre d' washing the dishes".

Long standing favorites David Holmes and Adrian Sherwood working with Panda Bear and Sonic Boom, have new releases that are on the very top of my best of the year list. (If I made a list.) Just fantastic dance-e, dub-e, tracks from these two who never disappoint. Plus Willie Nelson covering Jimmy Cliff, Sister Nancy, ESG, Thee Oh Sees and loads more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Experimental musician and visionary guitarist Dustin Wong visits Bonefish HQ to discuss his new albums Perpetual Morphosis and Texture II, his former band Ponytail, musical improvisation in a live setting, evolving artistic processes, opening for Animal Collective, and much more (03:16). Then Christian and Justin chat about Reset in Dub, Adrian Sherwood's new spin on Panda Bear and Sonic Boom's latest opus (01:02:20). Music used in episode by Dustin Wong, Brin, Takako Minekawa, and Ponytail.  https://dustinwong.bandcamp.com/album/perpetual-morphosishttps://brinwong.bandcamp.com/album/texture-iiinstagram.com/bonefishpod

On this week's Talkhouse Podcast we've got two guys who were part of monumentally influential bands in the 2000s, and who continue to make groundbreaking music today: Paul Maroon and Noah Lennox.  Maroon is behind the incredible, instantly recognizable guitar sound of The Walkmen, a band that sort of split up a decade ago but reunited just this year for what has turned into an incredibly jubilant tour. The band is currently in Europe, where they just played a show in Lennox's adopted home country of Portugal, and they'll return for a string of U.S. dates this fall, culminating in a hometown—that'd be New York—show in October. Since the Walkmen split, Maroon has mostly turned his attention to composing classical music and the occasional film score. He put out a really engaging record with the pianist Jenny Lin called 13 Short Piano Pieces, with each of those pieces inspired by and named for a different place Maroon has lived—he currently calls Seville, Spain home. Check out “El Raval” right here, and go to Paulmaroon.co for info on his solo stuff, or thewalkmen.com for tour dates. Maroon released a seven-inch recently that featured singing from his friend Noah Lennox, who's perhaps better known by the name he uses as part of Animal Collective, Panda Bear. Lennox has been part of that massively influential experimental rock band for nearly 25 years, and he's released a ton of great music both with Animal Collective and as a solo artist. His latest release, though, is a collaboration with Pete Kember, also known as Sonic Boom. Kember was a member of Spacemen 3 way back when, and he's also released incredible music as Spectrum and E.A.R. He's also earned his production stripes over the years, producing records for Beach House, MGMT, and… Panda Bear. Last year, Kember and Lennox released a collaborative album they recorded during the pandemic called Reset, and they just followed it with a dub version of the album remixed by Adrian Sherwood called Reset in Dub. Check out “Gettin' to the Point” from Reset. In this conversation, we learn that Lennox was in attendance for the first-ever Walkmen show; we hear about their adventures living in Portugal and Spain, the difference between a good show and a bad show, and whether these two are “daily guys.” Lennox also makes an accurate prediction about the NBA Finals, even though, as you'll hear, this is not a basketball podcast. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Noah Lennox and Paul Maroon for chatting. If you liked what you heard, please follow us on your favorite podcasting platform, and check out all the goodness at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Part of the music industry for nearly 50 years, Kevin Metcalfe takes a break from enjoying his recent retirement to join me on this episode of The Paul Weller Fan Podcast.Kevin is an industry legend. A sound mastering engineer with an impressive repertoire of all kinds of artists and all types of musical styles under his belt. This fella has played a key role on hundreds, if not thousands, of singles and album releases over the years including David Bowie, Adele, U2, Queen, ELO, Depeche Mode, Pulp, Simply Red, The Who, Brian Eno, Lee “Scratch” Perry, Mark Stewart, Adrian Sherwood and more…This is one of those episodes where we hear the connections to Paul Weller ( he mastered Illumination, Studio 150, As Is Now and Catch-Flame) but also plenty of tales from a career that started in 1973, as a 20 year old cutting discs with cassettes and 8-track at RCA…He soon moved to Delane Lea / CTS Studios at Wembley ( or The Music Centre as it came to be known) - where they scored the Bond movies and the world's great reggae artists who'd pop in straight off the plane from Jamaica.It was at Utopia Studios from 1979 to 1983 that he really built his reputation as a sound and engineering mastering expert. Kevin worked with Roxy Music, Duran Duran, Ultravox and Japan. As the punk scene took off, Kevin worked with The Clash, Siouxsie Soux and more…Kevin got asked to join Virgin Records in 1982 (which later became part of EMI) and ended up staying for 15 years. He then went on to create his own company Soundmasters UK in 1997, which led to the work with Paul Weller, along with Adele, Damon Albarn, Can, Gary Clail (another personal favourite), Orbital, African Headcharge…We also have a few other PW connections with former podcast guests - Nick Heyward, Kathryn Williams and The Zombies!. Hosted on Acast. See acast.com/privacy for more information.

Today's Song of the Day is "Whirlpool Dub (Adrian Sherwood 'Reset in Dub' Version)" from Panda Bear & Sonic Boom's album, Reset in Dub, out August 18th.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estos días Panda Bear & Sonic Boom, el dúo formado por el Animal Collective Noah Lennox y ex Spacemen 3 Peter Kember, anunciaban Reset in Dub, versión dub de su último LP Reset de 2022, con versiones de los nueve temas realizadas por el legendario productor Adrian Sherwood. Esto nos hizo recordar que hace pocos meses los norteamericanos Spoon hicieron lo propio con su último disco, convirtiéndolo en 10 vaporosas piezas bautizadas como Lucifer on the Moon. De ahí hemos ido tirando de memoria, pensando en la cantidad de remezclas increíbles que ha ido realizando estas últimas décadas a aristas como Mark Lanegan, Primal Scream, Air, Blur, Beth Orton, Depeche Mode, Placebo, The Stone Roses o Death In Vegas entre muchos otros. Esto nos ha hecho recopilar unas cuantas en un nuevo Conexiones MZK y lo haremos como si de una sesión se tratara. Una hora y media de muchos de nuestros artistas favoritos en manos del gran Adrian Sherwood. Dirige Manuel Pinazo. Canciones: 01 - Panda Bear & Sonic Boom - Whirlpool Dub (Adrian Sherwood RESET IN DUB Remix) 02 - Spoon - Held (Adrian Sherwood Reconstruction) 03 - Mark Lanegan Band - Nocturne (Adrian Sherwood remix) 04 - Primal Scream - Revolutionary (Echo Dek) 05 - Air - How does It Make You Feel (Adrian Sherwood) 06 - Blur - Death of a Party (Well Blurred Remix) 07 - Nine Inch Nails - Down In It (Shred) 08 - Django Django - Wor (Adrian Sherwood's Hey Gringo Remix) 09 - Death In Vegas - Dirge (Adrian Sherwood Remix) 10 - Asian Dub Foundation - Naxalite [Bonus] (Mad Scientist Dub Mix) 11 - Pop Will Eat Itself - Bulletproof! (7" Adrian Sherwood remix) 12 - The Stone Roses - One Love (Adrian Sherwood 7" Version) 13 - Placebo - Taste in Men (Adrian Sherwood Go Go Dub Mix) 14 - Depeche Mode - Master And Servant (An On-U Sound Science Fiction Dance Hall Classic) 15 - Nitzer Ebb - Kick It (Adrian Sherwood remix) 16 - Einsturzende Neubauten - Yu-Gung (Adrian Sherwood Remix) 17 - Beth Orton - Anywhere (Adrian Sherwood Mixes) 18 - Lee Scratch Perry - Devil Dead Out (Adrian Sherwood Remix)Escucha este episodio completo y accede a todo el contenido exclusivo de Conexiones MZK. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/286835

Solénoïde (08.05.2023) - Paradis du carnaval, des rythmes lascifs et de la fête permanente, le Brésil est à l'honneur dans Solénoïde. Pour un temps limité à 55 minutes, nous vous délivrons des passeports afin d'atteindre sans encombre cet éden musical singulier, éden peuplé d'authentiques ambassadeurs de la bossa digitale et du hors-piste musical.

This is a re-upload of my conversation with the late great Mark Stewart Rest In Power!         For those who don't know  Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartm...

Operating on a relaxed schedule, playing a show by the river, and a collection of scattered tracks. Lucas Fitzsimons (The CUSP, The Molochs) "The CUSP, a change, a prophecy, a realization that what once was will soon be no more. For Los Angeles' Lucas Fitzsimons, The CUSP is not just apropos new solo project but a new creative beginning. Disillusioned and stymied by his former band The Molochs, Fitzsimons felt chewed up and spit out by a vague but all too familiar enemy. From Primavera Sound to pushin' popcorn at a local theatre, lost inspiration and a confused mind became good fodder for change. As Fitzsimons recalls, “It took a while to admit I didn't want to do my old band anymore. I just didn't wanna do it. After nearly a decade with the Molochs, I couldn't imagine starting something new without it seeming like some sort of desperate attempt to stay afloat. It was undeniable, though, and I had, I HAVE, no choice. A little part of me had to die in order for the Cusp to be born. Whatever died made room for something new.” Fitzsimons found new inspiration in the off kilter poetry-like lyrics of Happy Mondays' Shaun Ryder, The DIY philosophy of Nipsey Hussle and Tommy Wright III, the bass heavy dub productions of King Tubby and Adrian Sherwood, and the psyched out rhymes of P-Funk. “I started hearing something different in music… the Dylanesque wordiness was shoved away by bass lines, by groovy drum beats, by sparse (yet eloquent) lyrics. I found a sub bass had more to say to me than heady lyrical verses.”" Excerpt from https://thecuspofficial.bandcamp.com/track/gum-2 The CUSP: Instagram: @luquilasoda Bandcamp: https://thecuspofficial.bandcamp.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

 Daniel Darrow is a founding member of the Art rock collective, The Pull of Autumn. The band released their 4th LP called Beautiful Broken World via RBM Records, 15 tracks that involves a number of iconic artists, including Phillip Parfitt of The Perfect Disaster, Stuart Moxham of Rough Trade postpunk band Young Marble Giants, Luke Skyscraper James of I.R.S. recording artist Fashion and John Neff, who has contributed to multiple David Lynch films and a member of David Lynch's Blubob. The lead track in the album is called "Outlaw Empire," which features The Pop Group legend Mark Stewart and bassist Doug Wimbish (Living Color, Tackhead, The Rolling Stones, Sugarhill Gang) and remixed by the legendary producer Adrian Sherwood.The Pull of Autumn also teamed up in this album with Japanese dream pop outfit Once Grace Forever on a single called "Live Today."  https://thepullofautumn.bandcamp.com/album/beautiful-broken-worldhttp://www.rbmrecords.comPlaylist and podcast: https://djnocturna.comYouTube: https://www.youtube.com/c/DJNocturnaListen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on  Modsnap RadioKMOD: San Antonio 3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)#modsnapradio #postpunk #goth  #darkwave #DJNocturna #DJNocturnapresentstheQueenofWands

Colin Latter - Flux of Pink Indians - in conversation with David Eastaugh The band formed in Hertfordshire, England in 1980 from the remaining members of The Epileptics (who during the first half of 1979 changed their name to Epi-X, owing to letters of complaint from The British Epilepsy Association) by Colsk Latter (vocals) and Derek Birkett (bass guitar) with guitarists Andy Smith, Neil Puncher, and drummer Sid Ation (who was also a member of Rubella Ballet). The group signed with the Crass Records label in 1981. Their debut EP Neu Smell was released on Crass in 1981; it featured indie hit "Tube Disaster".[1] Flux of Pink Indians continued in 1982 with the album Strive to Survive Causing Least Suffering Possible released on their own label, Spiderleg. They released a second album in 1983, The Fucking Cunts Treat Us Like Pricks; this was banned by many British retailers, and copies were seized by Greater Manchester Police from the Eastern Bloc record shop, which was charged with displaying "Obscene Articles For Publication For Gain". Ation left the group to work full-time with his other band Rubella Ballet, and was soon replaced by Bambi, formerly of Discharge, while Smith was replaced by Simon Middlehurst. However, both departed quickly for their original band, The Insane.[1] While auditioning for their replacements, Puncher also left; the line-up was completed by former Darlex and Epileptics guitarist Kev Hunter, and drummer Martin Wilson. An extensive interview with the band appeared in No Class fanzine. By 1986, the band had shortened their name to Flux; in that year they released their third album, Uncarved Block, which was produced by Adrian Sherwood and featured several members of the On-U Sound Records label.  

Dans quelle nouvelle aventure est embarqué le duo créé par l'artiste belge Gabrielle Vincent ? Pourquoi le duo Charlotte Adigery/Bolis Pupul se retrouve-t-il dans plein de tops de cette fin d'année ? Comment le documentaire « Blitz » restitue-t-il une période cruciale pour la création musicale en Angleterre ? Quel est le concept de la nouvelle tournée de Raphaël ? Quelle histoire personnelle Noémie Lefort veut-elle à tout prix raconter dans son premier long-métrage « Mon héroïne » ? Comment le groupe Spoon revisite-t-il un de ses albums avec le producteur Adrian Sherwood ? Toutes les réponses à ces questions sont dans « La semaine des 5 heures » de ce mercredi 14 décembre

Recorremos el globo como el viento, a base de novedades discográficas que nos traen aires de Madagascar, Congo, Francia, Uganda, Norteamérica, Túnez, Jamaica, Inglaterra, Bulgaria, Rusia, Finlandia, Suecia, Australia, Brasil y Portugal. We travel the globe like the wind, with new recordings that bring us airs from Madagascar, Congo, France, Uganda, North America, Tunisia, Jamaica, England, Bulgaria, Russia, Finland, Sweden, Australia, Brazil and Portugal. Electric Vocuhila – Arthur never sleeps – Kiteky Montparnasse Musique – Bonsoir [+ Muambuyi, Mopero Mupemba] – Archeology Zikina – Tweyanze – Awaken Neyssatou – War – Adrian Sherwood presents: Dub no frontiers [V.A.] Kottarashky & The Rain Dogs – Gyuro – Doghouse Arnold Pelve & Polina Gotsmanova – Tsyganochka – Made in Orekhovo-Borisovo Uusikuu – Suklaasydän – Karuselli Anne-Mari Kanniainen – Pahkiajua – Valkean värit / The shades of fire Tuultenpesä – Vi’ du koma – Vindstilla Paul Carey – Samba de inverno – Suite brasileira Retimbrar – Vai não vai – Levantar do chão (Tuultenpesä – Omväg lång – Vindstilla) Imagen: / Image: Tuultenpesä (📸 Jimmy Träskelin)

Edición Limitada - 7 de Noviembre del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Crime & the City Solution, Holly Humberstone, Bastille, Old Fire featuring Emily Cross, Philip Selway, Dave Rowntree, Graham Coxon, The Waeve & Rose Elinor Dougall, Gorillaz, Bono, Low, En Attendant Ana, Hello Mary, Veps, Paul Weller, Squeeze, Girl Scout, Softcult, Duran Duran, Christine and the Queens presents Redcar, Noel Gallagher's High Flying Birds featuring Johnny Marr, Yo La Tengo, Luke Haines & Peter Buck, Fin del Mundo, The Primitives, Rhonda Star, Special Interest, Taleen Kali, ††† (Crosses), White Lung, Nancy, Iggy Pop, Spoon vs. Adrian Sherwood, Let's Eat Grandma, Junior Boys, Yves Tumor, Ja T'aime, Working Men's Club, Miss Grit, Freezepop, Danny Elfman, Kaiser Chiefs, Simple Minds, Yeah Yeah Yeahs, Nakhane featuring Perfume Genius, Parralox, Phoenix, Risk Risk, µ-Ziq, Synthetic Solution, Host, Technomancer, Null Device y Minuit Machine.

The slogan used to advertise Ridley Scott's science fiction film “Alien” is nothing more than a statement of fact: In space, no one can hear you scream. But isn't the idea of sound everywhere in space, which is permeated to the last corner by cosmic background radiation, like an echo of the Big Bang? Speakers: Sarj Lynch, Sasha Perera. Editing and production: Julia Vorkefeld. Recordings: Matthias Hartenberger. Concept and script: Arno Raffeiner. With quotes from works by Isaac Asimov, Jimmy Carter, Samuel R. Delany, Donna Haraway, N.K. Jemisin, Ursula K. Le Guin, Stanisław Lem, Sun Ra, Arkadi and Boris Strugazki. Music: Elysia Crampton – Morning Star-Red Glare-Sequoia Bridge; Hama – Terroir; Ornette Coleman – Science Fiction; Debit – 3rd Night; Bebe and Louis Barron – Ancient Krell Music (Forbidden Planet;); Muhal Richard Abrams – Conversations With The Three Of Me; HHY & The Macumbas – Gysin Version (feat. Adrian Sherwood); Chuck Berry – Johnny B. Goode; Mahi Musicians of Benin – Cengunmé; Sun Ra & His Arkestra – Space is the Place

De Blur a Giorgio Moroder, veterans. De Cuco a la barcelonina Lai Kali, el planter. M

De Blur a Giorgio Moroder, veterans. De Cuco a la barcelonina Lai Kali, el planter. M

Deep memory banks, green juice, and being a working lad. Lucas Fitzsimons (The CUSP, The Molochs) "The CUSP, a change, a prophecy, a realization that what once was will soon be no more. For Los Angeles' Lucas Fitzsimons, The CUSP is not just apropos new solo project but a new creative beginning. Disillusioned and stymied by his former band The Molochs, Fitzsimons felt chewed up and spit out by a vague but all too familiar enemy. From Primavera Sound to pushin' popcorn at a local theatre, lost inspiration and a confused mind became good fodder for change. As Fitzsimons recalls, “It took a while to admit I didn't want to do my old band anymore. I just didn't wanna do it. After nearly a decade with the Molochs, I couldn't imagine starting something new without it seeming like some sort of desperate attempt to stay afloat. It was undeniable, though, and I had, I HAVE, no choice. A little part of me had to die in order for the Cusp to be born. Whatever died made room for something new.” Fitzsimons found new inspiration in the off kilter poetry-like lyrics of Happy Mondays' Shaun Ryder, The DIY philosophy of Nipsey Hussle and Tommy Wright III, the bass heavy dub productions of King Tubby and Adrian Sherwood, and the psyched out rhymes of P-Funk. “I started hearing something different in music… the Dylanesque wordiness was shoved away by bass lines, by groovy drum beats, by sparse (yet eloquent) lyrics. I found a sub bass had more to say to me than heady lyrical verses.”" Excerpt from https://thecuspofficial.bandcamp.com/track/gum-2 The CUSP: Instagram: @luquilasoda Bandcamp: https://thecuspofficial.bandcamp.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

I spoke to groundbreaking electro-dub duo Ree-Vo.  The duo from Bristol, England, Andy Spaceland and T. Relly  recorded, produced and mixed their debut LP called "All Welcome on Planet Ree-Vo" ( Dell' Orso Records/ SRD) at Bristol's Christchurch Studios, known as the home of the Mezzanine-era of Massive Attack's most commercially successful album.In spring of 2022, Ree-Vo released a limited 7 inch of the "Spacebox" EP with stunning original artwork by American contemporary artist, activist and founder of OBEY clothing line, Shepard Fairey  featuring remixes by Batbirds (the duo of Joe Cassidy AKA Butterfly Child and Aaron Miller) and NOISE (the musical collective of Joe Cassidy , Shepard Fairey, Merritt Lear and John Goff). Ree-Vo also released "Combat" and a powerhouse remix of this track by iconic UK electronic music producer Surgeon (Tresor Records).T. Relly is Bristol hip-hop royalty- known in the community variously for his links to all of the city's major club nights, his passion and support for the most disadvantaged (through his work with the youth and prison leavers), through to compering stages at St. Paul's Carnival and his seminal 2018 album with DJ Rogue "Let Them Know." After leaving art school  (Where Brian Eno was his examiner), Andy Spaceland got involved in bass music upon moving to Bristol, first with Static Sound System and a collaborative 12" with Rudy Tambala (AR Kane) as Sugarboat Vs Sufi, before his band Alpha signed to Massive Attack's Melankolic label, whilst also become their tour DJ. His collaboration range from Smith and Mighty and Horace Andy to Elizabeth Fraser and Madonna, having released music on DJ Die's label Gutterfunk as White Bully. Andy is also part of 5 Billion in Diamonds with LA Producer Butch Vig (Nirvana, Garbage) and is working on new material with Mark Stewart (The Pop Group) as well as Adrian Sherwood.https://ree-vo1.bandcamp.comhttps://lnk.to/Ree-VoEDDA52

En Música de Contrabando, revista diaria de música en Onda Regional de Murcia (vamos de 23,05 a 01,00h). El festival de Glastonbury abre sus puertas tras el parón por la covid-19, y podrá celebrar su 50 aniversario , pese a la huelga de trenes - la organización está facilitando soluciones alternativas- Pulp, Paul McCartney. Grandmaster Flash actuará en Barcelona el próximo sábado . Joseph Saddler, es una leyenda viva y pionero del hip hop que influyó a varias generaciones inventando las reglas del juego, mezclando beats en el New York de mediados los años setenta y los primeros años ochenta. Pichón lanza el vídeo de Ciberzombi, single aperitivo del estreno de Tres Pomelos, su primer LP. Maestro Espada comparte dos vídeos interpretando 'Estrellica' y 'Murciana' en el Céntro Párraga, grabados durante su participación en el programa de Reactivos Culturales. A la tercera irá la vencida, y Wilco actuará este sábado en Murcia On. Tras Cheap Chinese Guitar de 2018, uno de los mejores discos de americana que se hayan publicado nunca. Fernando Rubio publica en digital (y pronto en formato físico), su nuevo álbum, 20th Century,, Editado por Perdición. Madness, con 40 años de trayectoria (sin contar el parón entre 1986 y 1992), actuarán en Murcia por segunda vez –ya lo hicieron hace años en el SOS 4.8-. Arde Bogotá actúa mañana en La Riviera con sold out. Les acompañarán sus paisanos Franvvi, que nos presenta un nuevo tema lleno de energía llamado “Por verte bailar”. Tan clásico y genuino como los Tarantos almerienses y tan moderno como un quejío autotuneado, Compro Oro presentan 12 cortes, donde fieles a su eclecticismo, los estilos se mezclan y abrazan como amantes. Toda esa energía es usada para contar cosas tan mundanas y terrenales como el amor que nos hace mantenernos en pie, pero también revolcarnos por el fango. Spoon estrena vídeo para "my babe", uno de los grandes momentos de Lucifer on the sofa, y remezcla a cargo el pionero del dub, Adrian Sherwood. Festival Brillante se celebrará en Chapinería, en la Sierra Oeste de Madrid, los días 16, 17 y 18 de septiembre. (Nacho Vegas). McEnroe celebran su 20 aniversario con “Veinte”, un EP de canciones escogidas y regrabadas por la banda junto a Jimena Lezón que se publica el 1 de julio y una gira del mismo nombre. Susana López, pionera de la música experimental, regresa a Elevator Bath, el sello de Austin, con la continuación de su aclamado álbum, "Crónica de un secuestro" (2020). Con "The Edge of the Circle", se emplearon técnicas similares, pero el producto final es un asunto mucho más siniestro, que depende en gran medida de la atmósfera en la creación de densas nubes de sonido hipnótico y aprensivo. Hablamos con Susana, que nos introduce en su disco de círculos concéntricos.

Mark Stewart is an artist, vocalist, producer and songwriter from Bristol. As a founding member of The Pop Group and as a soloist, Stewart has remained an anarchic and pioneering figure since the punk era, a constant source of discordance amongst the frontiers of post-punk, dub, industrial and electronic music. In a body of work driven by an explosive form of lyricism and inspired by radical politics, protest movements, theory, philosophy, technology, art and poetry, Stewart has fearlessly cultivated a revelatory collision of ideas, ideals and influences throughout an indisputably ground-breaking and seditious career. Empowered by the DIY incentives of punk Stewart initiated The Pop Group in 1977, subsequently producing some of the most original and combative music of both the post-punk and contemporary era. From 1977 until 1980 Stewart led the charge in a group that completely eschewed punk's formalism for something far greater. Producing epiphanic, irrepressible anthems, including She's Beyond Good & Evil and We Are All Prostitutes, both in 1979, as well as masterful, seminal albums including Y in 1979 and For How Much Longer Do We Tolerate Mass Murder? in 1980, The Pop Group ignited the revolutionary aesthetic potential of post-punk. The impact of this first incarnation left an immensely significant legacy ultimately leading to the group's reformation in 2010. With 2015's refined return Citizen Zombie and 2016's audacious left-turn Honeymoon On Mars, the group emphatically renewed their relevance, proving as incendiary as ever. Stewart continues to operate as a crucial impetus in the bands ongoing mission. In 1980 Stewart embarked on his solo career inspired by the sounds he had heard during a visit to New York the same year. The virtuosic scratching and early hip hop propagated by Kiss FM's Kool DJ Red Alert, coupled with the impact of a pile driver at a construction site Stewart happened to encounter there, was enough to encourage his visionary next step. In 1982 Stewart consolidated these encounters into coherent possibilities, forming a group called The Maffia and linking up with producer Adrian Sherwood and his cutting edge label On-U Sound. Alongside a rotating cast of session players, initially comprised of members of African Head Charge, Creation Rebel & Dub Syndicate, and later made up of Doug Wimbish, Keith LeBlanc and Skip McDonald (the erstwhile rhythm section of The Sugarhill Gang) Stewart & The Maffia fashioned an abrasive confection of dub reggae, early hip hop and industrial noise that was shattering, seismic and completely ahead of its time. Headed by an iconic version of William Blake's eponymous ancient poem, Stewart & The Maffia unveiled the Jerusalem EP in 1982, swiftly followed by their cult 1983 LP Learning To Cope With Cowardice. Stewart later moved to Mute Records in 1985 for the ferocious proto-industrial militancy of As The Veneer of Democracy Starts to Fade and successive appearances on the label continued to break untold new ground, from 1987's Mark Stewart to 1990's Metatron and 1995's Control Data. Stewart has continued to plot an utterly uncompromising and individual course into the 2000s, with a streak of solo material that has included Edit, The Politics of Envy, The Exorcism of Envy and Experiments. Preserving his vociferous energy and defiant stance whilst advancing, as always, into unfamiliar territories, this work bears all the traces of Stewart's enduring severity and modernism, an exploratory power reinforced by a host of legendary collaborators and artistic descendants including the likes of Primal Scream, Keith Levene (Public Image Ltd / The Clash), Richard Hell, Kenneth Anger, Daddy G (Massive Attack), Lee ‘Scratch' Perry, The Bug, Kahn (Kahn & Neek, Young Echo) and Factory Floor. Stewart continues to exert an inestimable impact on a disparate range of ensuing artists and scenes. His work has been acknowledged and celebrated as a vital inspiration by the likes of Nick Cave, Trent Reznor (Nine Inch Nails), James Murphy (LCD Soundsystem), Tricky, Massive Attack, St Vincent and countless others, while his eye for unorthodox extremity has instigated myriad new evolutions, blueprinting industrial, trip-hop, noise-hop, dance-punk and many other subsequent conceptions. Through a staunch, unrelenting desire to confront, deconstruct and make anew, Stewart has become of the most influential and forward-looking luminaries of post-punk, or indeed, any other form of music. An artist often imitated but never bettered. Mark's Info https://www.markstewartmusic.com/ https://www.facebook.com/markstewartmusic  

Welcome to Off The Beat & Track Podcast with me Stu Whiffen.This episodes special guest is producer and musician Adrian SherwoodI met with Adrian remotely and we had a wonderful chat, talking about growing up, school, creativity, clubbing, some great records and so much moreHope you enjoy this chat and if you do please feel free to support the podcast herehttps://supporter.acast.com/offthebeatandtrack orwww.patreon.com/offthebeatandtrackOTBAT is proudly sponsored by www.hotelchocolat.com Please also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/Support this show http://supporter.acast.com/offthebeatandtrack. See acast.com/privacy for privacy and opt-out information.

Kwadwo Adu Genfi Amponsah es un exitoso ilustrador y director creativo que, bajo el pseudónimo Kojey Radical, acaba de publicar uno de los mejores discos del año. La prensa musical lo describirá como una mezcla de hip hop grime, rap alternativo y spoken word. Kojey define mejor su propio estilo: Space & Bass. Y resulta irresistible.Es una de las propuestas centrales de esta nueva edición de Future Beats Radio Show. Tu host, Alex García Amat te guía a través de una ecléctica y emocionante selección de avances y novedades que incluyen a la joven parisina Crystal Murray; la compositora de Chelsea de ascendencia turca e irlandesa Nilüfer Yanya; el fabuloso sexteto de inadaptados Melt Yourself Down y su combinación de ritmos punk rock y escalas pentatónicas africanas; la compositora y vocalista venezolana/guatemalteca-estadounidense KAINA y su nueva perla bailable; el nuevo vibrante tesoro musical, Delv!s; el humeante nuevo trabajo del legendario Horace Andy producido por Adrian Sherwood y también las novedades de Mamas Gun y Lady Blackbird.Mención aparte merece el proyecto que ha unido a la banda de Ethio-jazz Arat Kilo junto a Mamani Keita y otros músicos en el exilio: Sowal Diabi. “Sowal” significa “pregunta” en persa, “diabi” significa “respuesta” en bambara. Este ambicioso proyecto se concibió por primera vez hace más de dos años mientras se reflexionaba sobre la difícil situación de los refugiados y su contribución a pesar de las actitudes un tanto hostiles que algunas personas muestran hacia ellos. Un álbum que ha reunido a artistas que han vivido el exilio, físico o cultural.Esta es la música que nos conmueve. Bienvenidos a Future Beats, un viaje personal al futuro inmediato del sonido global.

Chapters00:00 - Introduction00:48 - A Tape Op At Manor Studios02:25 - A Typical Day At The Manor03:45 - The Engineers And The Bands06:01 - Tape Editing07:56 - Switching To Digital09:18 - From House Engineer To Freelance09:42 - Hugh Padgham and Steve Lillywhite12:24 - Early Sampling13:03 - Using An SSL Desk17:45 - Scritti Politti Cupid and Psyche18:25 - Synchronising MIDI and Tape22:24 - Getting The Scritti Sound23:48 - Working With UB4028:01 - The Age Of Chance 28:15 - From Tape To Digital To HD Recording29:09 - Working With Slave Reels30:48 - The Change To Digital Tape31:58 - Preferred Recording Medium33:02 - Engineering Apollo 44034:31 - Recording A Jazz Quartet35:59 - Using Logic and Plug-insHoward Gray BiogHoward started out in the early 80s as a teenage razor-sharp tape operator at The Manor - Virgin Records' quintessential getting it together in the country recording facility, before graduating to house engineer at one of the first Solid State Logic console equipped studios, west London's legendary Townhouse. Sessions there included Kate Bush, Phil Collins, XTC, OMD, PIL, The Stranglers, Japan, Rip Rig & Panic, Van Morrison and ABC. He worked on countless classic 80's records with producers like Mick Glossop, John Leckie, Hugh Padgham, Steve Lillywhite, Adrian Sherwood and Trevor Horn, engineering albums such as Simple Minds' Sparkle in the Rain, and the paradigm shifting Cupid & Psyche for Scritti Politti.His first production credits with UB40 (Red Red Wine) led to more, including The Cure, Terence Trent D'Arby, Danny Wilson, Manic Street Preachers, Age Of Chance, Screaming Blue Messiahs, Pete Wylie, Tom Jones and Art Brut - at the controls in seminal London studios Air, Trident, Roundhouse, Sarm, Metropolis, Eden, Strongroom, as well as New York, Paris, Tokyo, Munich, Oslo, Baltimore and more.Witness to the dawn of digital and early adopter of the Sequential Circuits Studio 440, the possibilities of sampling led Howard in the early 90s to form dance/rock/dub combo Apollo 440, prolific producers and remixers of, amongst others, U2, Scritti and Shabba Ranks, Jean-Michel Jarre, James, Hotei, Puretone and Jeff Beck from their Camden Town ‘Apollo Control' base. The group delivered three albums for Sony Records, numerous top 40 singles, including international hit Stop The Rock, film themes Lost in Space and Charlie's Angels. He still regularly directs their live performance/Dub sound system at European festivals from FOH. Mixer of The Anfield Rap, co-writer and producer of Pass and Move (it's the Liverpool Groove), and now nearing 500 credits on Discogs. His recent projects include Jazz LPs and Baroque Opera.James Gardner BiogJames Gardner is a composer, synthesizer programmer, researcher, and broadcaster based in Tāmaki Makaurau (Auckland). Born in Liverpool, James played and programmed synthesizers in London during the 1980s, and in 1990 co-founded the band/remix team Apollo 440. Following encouragement from Michael Finnissy, he left the group in 1993 to concentrate on notated composition. Moving to Aotearoa/New Zealand in 1994, he established the contemporary music ensemble 175 East, which he directed until 2010.As well as composing, he has written and presented many programmes for RNZ Concert including features on Frank Zappa, Morton Feldman, John Barry's James Bond soundtracks, and These Hopeful Machines – a six-part series on electronic music. https://www.rnz.co.nz/concert/programmes/hopefulmachinesAs a teacher, Gardner has lectured on music and music technology at the University of Auckland, Unitec Institute of Technology and the University of Canterbury, Christchurch, where he is an Adjunct Senior Fellow. His primary research topic is the synthesizer company EMS, and the electronic music studio of Peter Zinovieff.Website: https://www.gardnercomposer.com/Twitter: @JEGcomposer

Rona Rougeheart also known as SINE is a musician, drummer, producer and mullt-instrumentalist from Austin, Texas who fuses dark electro with industrial alternative rock.In 2021 She released her latest album "Desire, Denial and Paramania" on the label eMERGENCY heARTS, Emergency Hearts bringing together selected highlights from SINE's back-catalogue from 2016-2020, along with new singles and remixes. Recent singles include remixes from the legendary UK Industrial, dub and tech pioneers Meat Beat Manifesto, Christopher Connelly of Revolting Cocks and Ministry, Curse Mackey from Evil Mothers and Pigface, Andee Blacksugar from KMFDM, dark pop duo NITE and acclaimed producer Sean Beavan just to name a few. Her latest SINE release from her forthcoming single, “Attack” is a remix by the legendary producer Adrian Sherwood to be released on 02-11-2022. http://www.ronarougeheart.comhttp://www.sine.bandPhoto by Teresa Jolie

The British Keyboard Wizard of Acid House | AdamskiAdam was destined for a life in the arts. Influenced by the likes of Malcolm Maclaren and the DIY culture of punk. Adam was making music with his brother on cheap recorders, when others were out playing cowboys and Indians. A firm favourite of John Peel, Adam set his sights on a career in the music industry. Influenced by Acid House, Adamski was born in 1989. Everyone booked him to play at their events, the journey took him around the country. The album Live and Direct featured a series of instrumentals produced at home in his bedsit. Singles such as NRG charted and Adamski appeared on Top of the Pops. This wouldn't be his last appearance on Britain's top music show. Adamski teamed up with Seal for the Number One track Killer. Adamski was the British poster-boy of Acid House who continues to produce music to this very day. Recently recorded with Boy George, Adrian Sherwood and a host of talented recording artistes.Host: Wayne Anthony (Genesis'88 / Class of 88 Author)Guest: Adamski (Live from Austria)Watch Video: https://youtu.be/shau-J3R9r4In this Episode*   Adamski Becomes Acid House Poster Boy*   Plugging Keyboards Straight into Mixing Desk at Events*   Playing One and Half Hour Sets*   Media Reports Adamski Playing at Disneyland for £150,000*   Record Company Spin Gets Adamski in Bother with Pet Shop Boys*   Going to Andrews (Genesis'88 partner) Parents Off License*   The Great Rock n Roll Swindle*   The Music Show The Tube on Channel 4*   Wayne Meets The Cure on Route to The Tube*   Amnesia Opening Party in Ibiza 1988 | DJ Alfredo*   Major Influences are Malcolm Mclaren and DJ Alfredo*   Living in Ibiza with DJ Alfredo and Hanging with Jimi Polo*   Performing at Amnesia Opening / Closing Parties 1989*   Sending Demo to Fast Product Records*   Getting slammed by Derrick May*   Performing live at Sin, Hacienda, Heavens, World Dance, Sunrise, Amnesia*   Living with Seal and collaborating on Number One Track Killer*   Performing at Confusion on Sundays*   Boy George Offers to Write Songs for Every Track on Album*   Mick Jones from the Clash was my Roadie*   Killer was the Soundtrack Playing When the Berlin Wall Came Down 1989*   Appearing on Top of the Pops*   The Lucozade Bottle Record Cover*   Energy at Westway Film Studio 1989*   Hip Hop Years*   Working with Fire Fly*   Producing New Versions of Killer with Boy George & Adrian Sherwood*   The Man That Introduced the Smiley Face as the Symbol of a Generation*   Mutoid Waste Ground Warehouse Parties 1980s*   Playing at Extinction Rebellion in Oxford Circus*   Adamski is Still Producing New MaterialResourcesAdamski Website: https://www.adamskiofficial.com/Adamski YouTube: https://www.youtube.com/channel/UCmeiLg5kWAhUR_hJwqxS5KgAdamski Soundcloud: https://soundcloud.com/officialadamskiSupporting the PodcastWe have only recently launched the video and audio podcast, which means we really need the support of our viewers and listeners. The team will provide high quality interviews at every endeavour. Once published we kindly ask YOU to help share the message. This is accomplished in the following ways. Tell everyone that will listen about the podcast. LIKE the posts wherever you see them. Leave a REVIEW and COMMENT, let us know how we're doing. It's important that you SUBSCRIBE to our Youtube Channel. SIGN UP for our newsletter, we don't spam. FOLLOW us on Social Media and SHARE, COMMENT. If you own a website feel free to EMBED our videos. We need YOUR help to grow, do it now before you forget.THANK YOUOur NetworkWebsite: http://theeightyeightpodcast.com/
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Lee "Scratch" Perry OD (born Rainford Hugh Perry; 20 March 1936) is a Jamaican music producer and inventor noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He has worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, the Beastie Boys, Ari Up, The Clash and many others.#leescratchperry #reggae #music #nowplaying

Pull It Up Show - Episode 34 (Saison 09) - 25 Mai 2018. Playlist : Ghetto Priest - Plant my herb (Adrian Sherwood mix) - Plant My Herb Sr. Wilson, The Island Defenders - Too Long - 24/7 Ras Mc Bean & Soulcraft - Warriors - Reggae On A Mission Collieman - Jungle Code - Jungle Code Dubmatix ft. Cornell Campbell& U Roy - She's In Love (Steppers Mix) - King Size Dub Special : Dubmatix Mellow Mood - Another Day - Large Aleighcia Scott - Treat Me Right - Forever In Love Mr. Diamond & Claire Angel - Sending My Praises Devon clarke - Jah Is in Everything - Call Me Bobo Saw Manudigital, Cali P - Digital Kingston Session Bost & Bim - April Riddim Tiwony - 2 poids 2 mesures Kenyon - Avec le temps Nico D - Money Come My Way SD Holis - True to Myself LMK - Mon tour Volodia - Raconte moi Brahim - L'essentiel Pierpoljak - Vétéran Mellow Mood - Sound of a War - Large Massive B - Massive B Presents Rude Boy Skank Riddim Junior Reid - Pull up Selector Burro Banton - Chemist Inna Dis Choppa Chop - I Feel So Elephantman - Rudeboy Skank Dubmatix - Easy Down ft. Mykal Rose (Original Unreleased Version) - King Size Dub Special : Dubmatix Chris Ellis - English - Peckings the Supreme Macka B - Eternal Loving - Peckings the Supreme DJ Gil - Dry Your Tears Riddim Blaiz Fayah - Over We King Kalabash - Ouvè Zié Aw Chico - True Love Meryl - Mes Failles Mes Limites Straika D - Snapchat R.E.C. - Keep Moving Swé & DJ Gil - Sa Ka Sanm Vou Loy - Vivan Otantik - Elle Pleure Meryl Feat. Straika D - Two Fo Alborosie feat. Chronixx - Contradiction Aleighcia Scott feat. Shanty B - Oh Mama Maximum sound - Twilight Riddim Christopher Martin - Bun Fi Bun Etana - Be Alright Sanchez - Share the Memory Duane Stephenson - Play That Song Jah Lil - Expensive Tears Lukie D - Treat You Better Mr Vegas - Black Princess Krysie - I Did Wrong Ginjah - Bring Heaven Down Shanty B - Call Di Doctor Sting feat. Shaggy - Don't Make Me Wait Dubmatix ft. Tippa Irie - Happy (Vibes Mashup) - King Size Dub Special : Dubmatix

Lee "Scratch" Perry OD (born Rainford Hugh Perry; 20 March 1936 in Kendal, Jamaica) is a Jamaican music producer and inventor noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He has worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, the Beastie Boys, Ari Up, and many others.After the demise of the Black Ark in the early 1980s, Perry spent time in England and the United States, performing live and making erratic records with a variety of collaborators. His career took a new path in 1985 when he met Mark Downie (Marcus Downbeat) with whom he worked on the 1986 album "Battle Of Armagideon" for Trojan. It was not until the late 1980s, when he began working with British producers Adrian Sherwood and Neil Fraser (who is better known as Mad Professor), that Perry's career began to get back on solid ground again. Perry also has attributed the recent resurgence of his creative muse to his deciding to quit drinking alcohol and smoking cannabis. In his earlier days, the act of producing for Perry was a frenzied and ritualistic one where he stated that "he blew smoke into the microphone so that the weed would get into the song. Perry stated in an interview that he wanted to see if "it was the smoke making the music or Lee Perry making the music. I found out it was me and that I don't need to smoke

Lee "Scratch" Perry OD (born Rainford Hugh Perry; 20 March 1936 in Kendal, Jamaica) is a Jamaican music producer and inventor noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He has worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, the Congos, Max Romeo, Adrian Sherwood, the Beastie Boys, Ari Up, and many others.#crsradio.http://www.crsradio.com

John arrived at this week's Quietus Hour recording with a bag of coffee so high-end it came in a packaging made of two eco-friendly materials. With that in mind, we decided to go for a two coffee show and opened with a pair of appropriately momentous bangers by Sex Swing and Robert Hood's Floorplan. OOOF! As well as more new music by Jenny Hval, Denis Sulta and The Invisible we've got a classic overlooked track by The Units, some Family Atlantica and some Adrian Sherwood, not to mention our usual look at the important music news of the day and The Persuader. Plus, Stone Roses fans - a real treat for you in an exclusive live clip from their recent surprise show in Halifax.