Podcasts about Alien Sex Fiend

Our guest today is a maverick of music, an agent provocateur whose visually arresting image, razor sharp humour and mentally challenging music helped forge that most enduring of sub-cultures; 'Goth'. Back in the early 1980s when the post-punk counter culture embraced film noir and turned the technicolor of glam into a more sinister monochromatic look, festooned with spider webs, skulls and too much eye-liner Nik Fiend was one of the original bad-taste makers at London's The Batcave club. 'Alien Sex Fiend' along with 'The Specimen' and 'Sex Gang Children' made regular appearances at the infamous Batcave. Together they helped establish the look and feel of the early Goth scene in the south, where the likes of Nick Cave, Siouxsie & the Banshees, Bauhaus, Foetus, Robert Smith and even a freshly crimped and spiked Elizabeth Hurley were all regular attendees. The world has of course never been the same, and while music and fashion constantly evolve there is alway the reverberation of the gothic asthetic. Mr & Mrs Fiend continue to create and celebrate chaos around the world, finding success on US college radio, getting 'big in Japan' and spreading their tendrils throughout continental Europe. Uncompromising, often hilarious, always a little bit shocking Alien Sex Fiend are a national treasure who have been hidden in the basement for far too long. Before we talk to Nik we do that thing we love to do, we talk about a completely different type of music! This month we are very pleased to speak to Alex Coles about his excellent book on Jazz Fusion. It is beautiful object and a fascinating discussion about how Jazz can be fused with all manner of musical styles and add to the overall effect. The discussion takes in Sinatra, Joni Mitchell, Charlie Mingus, Kendrick Lamar and Neneh Cherry.We also set aside a few minutes to discussing the giant hole in Deb's flat. Hosted on Acast. See acast.com/privacy for more information.

Frank Deserto in conversation with David Eastaugh https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set •    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE. •    4CD SET EXPLORING THE 1980s' DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES •    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP. •    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE', ‘SILHOUETTES AND STATUES' AND ‘STILL IN A DREAM'. •    SLEEVENOTES COURTESY OF FRANK DESERTO.

Dissociative disorder is a complex mental health condition characterized by a disconnection between thoughts, identity, consciousness, and memory. Individuals with dissociative disorder may feel detached from themselves or their surroundings, experiencing a sense of unreality. Symptoms can range from mild to severe, with some people experiencing amnesia or identity confusion. This disorder often stems from traumatic experiences, serving as a coping mechanism to protect the individual from overwhelming emotions or memories.Bands in this podcast episode include: Wau Y Los Arrrghs, Th' Losin Streaks, Demented Are Go, Alien Sex Fiend, The Monsters, and more. Join me on my Patreon page at patreon.com/radioblivion Blow Yer Radio Up, Baby!! If you cannot see the audio controls, your browser does not support the audio element DOWNLOAD | SUBSCRIBE

Delighted to be joined by guitarist, producer and bandleader, Kevin Armstrong on the podcast today. Kevin talks to me about his memoir, ‘Absolute Beginner' and time working and performing with David Bowie, Iggy Pop, Thomas Dolby and gothic rock band, Alien Sex Fiend. Kevin collaborated with Bowie on the soundtrack for the hit film Absolute Beginners and performed at Live Aid with him.  He also played on Mick Jagger's and Bowie's cover of ‘Dancing On The Streets, which charted at number one back in 1985.  He's due to head out on tour with the Lust For Life band, which also features Clem Burke from Blondie and ex- Sex Pistol, Glen Matlock.    The band will, once again, perform Iggy Pop's classic album, Lust For Life album in it's entirety, as well as playing songs from Blondie, Bowie and the Pistols  The Lust For Life tour starts in Colchester on Wednesday 28th February  For dates and tickets visit: https://www.lustforlifetour.com/tour

This week's edition of Into The Vault features Alien Sex Fiend!Playlist: Poison Ruïn - Tome Of IllusionMidnight Configuration - Decline And Fall (The Fall Of The House Of Usher)Tilda Snakeoil - Red Pill Alpha Male Slumber PartyHevvy Serve - AlaskaHot Garbage - Snooze You LoseAlien Sex Fiend - Lip's Can't GoAlien Sex Fiend - She's A KillerAlien Sex Fiend - Planet 2Protomartyr - Polacrilex KidClaud - WetViva Non - People Say A Lot Without SubstanceSpllit - Dorks TriedJhett Black - EulogyDebby Friday - Wake UpPelada - PilasSextile - LA DJWeb Peril - SooAerik Von - 1984 (Something In The Darkness)Blue Machine - Prelude / PathsEasy Idiot - Ratty CemeteryJoseph Michel - IT'S ALRIGHTUnpropped - VirolaEartheater - PowderBristol Manor - It's Been So LongVoid Comp - Reflectorwihtikow - Small TownLars Deutsch - Space BellsOhmu - Oil PrismNicole Dollanganger - Summit SongBodywash - No RepairSlowdive - Skin In The GameDaneshevskaya - Ice PigeonAbigayle Kompst - Worst GaslighterHalf Dreams - Begging HeavenDiamondtown - Gemini

Episode #313 of BGMania: A Video Game Music Podcast. This week on the show, Bryan and Bedroth from RPGera take a trip down memory lane with a very fun and eclectic spotlight on a studio we've recently discussed... Ocean Software! Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or whatever you want! Special thanks to our Executive Producers: Jexak & Xancu. EPISODE PLAYLIST AND CREDITS Main Theme from WWF European Rampage Tour [Andi McGinty, 1992] Music from Short Circuit [Fred Gray, 1987] Into the Unknown from Epic [Dean Evans, Unreleased] Clouds from Mr. Nutz [Raphaël Gesqua/Matt Furniss, 1994] Name Entry from Platoon [Jonathan Dunn, 1987] Inferno from Inferno [Barry Leitch & Alien Sex Fiend, 1994] Theme from Battle Command [Jonathan Dunn, 1990] Wormland from Super Turrican 2 [Chris Huelsbeck, 1995] Palace from Fighters Destiny [Hideya Nagata, Makoto Asai & Kenichi Sakata, 1998] Chemical Wasteland/Haunted Mansion from Jersey Devil [Gilles Léveillé, 1997] Map from Waterworld [Dean Evans, 1995] In-Game Music from Where Time Stood Still [Fred Gray, 1988] Chemical Industry from Batman: The Movie [Jonathan Dunn & Matthew Cannon, 1989] Music from Parallax [Martin Galway, 1986] SUPPORT US Patreon: https://patreon.com/rpgera CONTACT US Website: https://rpgera.com Discord: https://discord.gg/cC73Heu Twitch: https://twitch.tv/therpgera Twitter: https://twitter.com/OriginalLDG Instagram: https://instagram.com/bryan.ldg/ Facebook: https://facebook.com/leveldowngaming RPGERA PODCAST NETWORK Very Good Music: A VGM Podcast The Movie Bar --- Send in a voice message: https://podcasters.spotify.com/pod/show/bgmania/message

“Generations” is the theme of this week's Dark Nation Radio, the first half of which is old-school goth followed by a second half that is brand new dark electro. Hour one includes classics from Bauhaus, Siouxsie, Alien Sex Fiend, New Model Army, The Bolshoi, and The Cure, while hour two introduces new tracks from DEAD LIGHTS, Bara Hari, Unitcode:Machine, Owl Vision, and Techlash, among others. Hour 1 is familiar, hour 2 brand new, but both halves should appeal to fans of dark music! https://www.mixcloud.com/cypheractive/dj-cyphers-dark-nation-radio-15-october-2023/ And I hope you will make plans to join me for the annual Dark Nation Radio Halloween party this Sunday, October 22nd. I'll be expanding the show to three full hours to pack in as many terrifying treats as possible! The dreadful fun starts at 9 PM Eastern US time PM on sorradio.org and requests are always welcome during the “live” show. RSVP at https://fb.me/e/fXwgBucdf Thank you for your support! DJ cypher's Dark Nation Radio Playlist 15 October 2023 The Cure, “Like Cockatoos” Bauhaus, “Double Dare” The Danse Society, “Somewhere” The Chameleons UK, “Don't Fall” The Bolshoi, “Happy Boy” The Sisters of Mercy, “Flood II” The Birthday Party, “Release the Bats” Siouxsie & the Banshees, “The Playground Twist” New Model Army, “The Green and the Gray” Alien Sex Fiend, “I Walk the Line” Faith & the Muse, “Cantus” London After Midnight, “Kiss” Peter Murphy, “I'll Fall With Your Knife” DEAD LIGHTS, “Elevator Muzak in Heaven” VNV Nation, “The Game” Amulet, “Last Ditch (Stabbing Westward remix)” A Cloud of Ravens, “Nature of Artifice” Pixel Grip, “Club Mania” Slighter, “Nit S” Male Tears, “Never Again” Brigade Enzephalon, “Ohne Dich (F.O.D. remix)” Bara Hari, “Violence Rising (ESA remix)” Owl Vision ft. Aesthetic Perfection, “Joykill” Techlash, “Sound the Alarm” Curse Mackey, “O Blasphemy (Twin Tribes remix)” Unitcode:Machine, “Emptiness” DJ CYPHER'S DARK NATION RADIO—24 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

In 1990, two things happened that would change the course of my life forever. One. I heard the Nine Inch Nails song, Head like a Hole, for the first time . The second thing that happened was I told my friends that I liked it.Up until this point, I had been a kid of the eighties and early nineties. I liked a lot of the hair metal and a lot of the pop music that was around at the time. But there was something about the sound of this song that just drew me in and made me want to hear more.And so when I told my friends that I had been listening to Head like a Hole, they were like, oh, You like that? Have I got something for you. This Is when my world of music expanded and changed, and I got into a lot of genres I had never thought about before. I started listening to punk music, had a friend introduced me to the Dead Kennedys, and TSOL. The True Sound of Liberty. And the more he realized that I liked that band, especially songs like. Darker My, Love, the more he started introducing me to other bands like Siouxsie and the Banshees, The Cure, Sisters of Mercy, and eventually, we got into the really amazing goth music of Christian Death.There are so many bands I could list here. There's so many bands that I could talk about that really helped foster this change in my musical taste. And it's hard to say exactly what it was about this music that called out to me. It may have been the atmospherics. It may have been the tone. The sarcasm that's most of the singers delivered their lyrics with.It's hard to say exactly what it was that drew me first into Gothic music, but I can tell you what held me there, and what converted me into the scene and into the subculture. And that was the album Rise by Nosferatu . still to this day, one of my absolute favorite albums.From it's haunting intro track, to the title track Rise, Lucy is Red, I fell in love with the sound, the storytelling, this world that was being open to me. The more I got involved with the music, the more I got involved in the scene. The more I started dressing the part, playing around with the makeup.What I found in goth music was a community of like-minded individuals that had a sarcastic view towards life, a morbid curiosity, and who joked about death.I always find it funny when I hear people talk about goths and goth music, because they tend to confuse us with other scenes and other crowds. And I get it. The aesthetics are similar. But that's all that they are, aesthetics. Goth music is an umbrella term for a whole bevy of sub genres from coldwave to shock-a-billy, and everything in between. . It arose from the post-punk scene and took a lot of its cues from the New Romantics.Whether you believe the genre started with Siouxsie and the Banshees, Joy Division, or Magazine, there is one band that was at the forefront of the sound, and that was Bauhaus. Most people that have any familiarity with the goth scene, are familiar with them from the haunting sparseness of Bela Lugosi's Dead, to She's in Parties, to the myriad beautiful albums that Peter Murphy did after leaving the band.There's a haunting quality about goth music and it speaks to something deep down within you. It's not about telling our stories. It's not about connecting to real feelings.Goth is a dark fantasy world, where monsters lurk in the shadows, where technology is out to get us and to rob us from some of the simple joys of life.It's a genre that refuses to die, and continues moving on even to today with bands like. Vision Video and Male Tears. Though they aren't together anymore, O Children is one of the best goth bands of the last, maybe 10 years. Disco Dancers Dead is a quintessential goth track that if you haven't heard it, you need to check it out. It's a good entry point into the genre .And it's hard to explain exactly what the music is, because, like I said, it's an umbrella term for a lot of different genres. Shock-a-billy is rockabilly, think Elvis if he was a regular guest, on Elvira's show, talking about all of the splatter flicks and creature features that were coming out.Cold wave takes on the aesthetics of new wave music, but. It makes them more distant, more echoing more haunting, and of course, more synthesizers. And I would be remiss if I didn't point out if you wanted a really good example of this genre to check out the Frozen Autumn's wonderful song. I love you, but I've chosen synthesizers.And in that song, you get a sense of what I'm talking about. This sense of humor that pervades the Gothic music, from Christian Deaths. Jesus, if you love me, where's the sugar.To the sarcastic love songs, Spectre (love is dead) by Christian Death.There is. Just a macabre tongue in cheek humor that fills. All of the music. And unites the scene together.Now, if you ask two goths to define goth music, you will get four to five different answers, and that again is a problem because it's not one genre. There are many debates as to what actually constitutes a Gothic genre. And I feel like I should say since I started out talking about how my entry point to this world that led me to goth music was Nine Inch Nails, Nine Inch Nails and Marilyn Manson are not goth. They may share a certain aesthetics, especially in their early music videos. But. They have nothing to do with and no connection to the musical aesthetics, and goth is after all a music scene.When I first started thinking about writing this post, it came about because my friend, Megan McCarthy who writes is writing a post about her love for Emo, and my initial ideas for this post were, quite scathing of Emo because. Goth and Emo are both very different genres of music and they're often confused for each other. Again, because some of the visual aesthetics are the same, even though the lyrical content and the just style of instrumentation is so different. And so I have grown to have a distrust and a subtle dislike upon hearing about any emo act, or emo band. I'm getting better. I'm not as bad as I used to be about it, but it persists and it's still there.The biggest problem that I faced in writing this essay was asking myself, why does it matter?There are so many ways I could have approached this. I could have broken out the dynamics of the music and done a tear down of all the genres. I could have listed all of the bands that you should check out and I will list some I've already listed a few.But I think the most important reason for me to write something about goth music is just to say how much it's meant to me. Not just the songs. While, there are some songs that have over the years taken on a very special meaning to me.Time of Legends by NosferatuBlack Planet by Sisters of MercyAlmost anything Rozz Williams ever recorded for Christian death.The music and my love for it is important, but what goth really gave me was a sense of community.In so many ways goth music works like a shibboleth, if I mention a goth band that I like or a goth song that I really, really love, and I see somebody respond to it, while we may not be best friends forever, I know that we have certain things in common, and this is somebody I want to talk to. In fact, I've made a lot of friends over the years that way.Or people will be talking about music and something that they really love, or obscure bands that they're into that most people haven't heard of and I'll bring up like Clan of Xymox or Alien Sex Fiend, Virgin Prunes. And amongst people that are not in the scene, they start geeking out about the names of quite a few of these bands. But when somebody reacts knowingly. I know that I can have a conversation with them.We probably share certain aspects of our sense of humor in common. We've probably read a lot of the same books, watched the same movies, and have a similar taste in common. That goes beyond just that band.Got music is a scene after all.And that sense of community has been so important for someone like me who has a hard time making friends. I am not a big fan of talking to strangers. I am fairly introverted and don't like putting myself out there. And to have this kind of a shorthand, where I can just mention something in conversation and see where my people are. I've done this with other things too, with Star Trek and Star Wars and some of the other literary and film and TV franchises that I am fond of. But goth music has been much more consistent in bringing my attention to people that would become valuable, and integral parts of my life. People that I would talk to for years, decades. Build longterm relationships and friendships with.And I'll forever be grateful. To this dark, moody and broody genre for bringing that to me. Because it seems like such a paradox that a music genre known for its obsession with death and murder, and vampires, and demons, and dark stories. Would be able to bring people together, and to bring them together in ways that are so fulfilling. But it happens.Now don't get me wrong, not all goth scenes are perfect, or good. And there are a lot of toxic goths out there. There are toxic people in every scene. But to this day, my love of all things, goth and Gothic, has not only inspired my art, brought comfort in the darker times in my life, brought me humor in the good times, and brought me friends. When I needed the most. It's been a gift.And if you're not familiar, maybe you should check it out. It's not for everyone, but if it is for you. You know what? We might have more in common then you think. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.projectshadow.com/subscribe

Soothe that dromedary! Get ready for nine hump free songs from The Melmacs, Undertakers, Red Stains, Muck And The Mires, Alien Sex Fiend, Looks Like Eve, Uphill Avenue, Futhermuckers Feat. The Space Sharks and Night Punch.The Melmacs, Voice of Jeff, Comedy Suburbs, Undertakers, Tony has your Facebook comments, review us, last week, Tony has started looking for a band, Glastonbury, Elton John, From the Vaults, Tony's International Gig Guide, Paulyb picks a gig in the world yeah, Dammit Records, this week, work meetings, sit ups, no Izzatwat, Poetry Corner and a reminder of the ways you can listen.Song 1: The Melmacs – Can't You SeeSong 2: Undertakers - FreedumbSong 3: Red Stains - FluidSong 4: Muck And The Mires – Cool ImposterSong 5: Alien Sex Fiend – Back To The EggSong 6: Looks Like Eve – All About Me NowSong 7: Uphill Avenue – She's A DickSong 8: Futhermuckers Feat. The Space Sharks – The Road To RuinSong 9: Night Punch – Half Baked

Durante la década de los 80s la música electrónica vivió su madurez como género, se ramifico y llego a más oídos, durante los 70s fue surgiendo lentamente gracias a gente como Kraftwerk, Cerrone, DAF y varios más. Durante la explosión del Punk comenzaron a surgir movimientos electrónicos en distintos puntos del planeta, principalmente en Europa. El EBM (Electronic Body Music) surge a principio de década y se desarrolla principalmente en países como Inglaterra, Alemania y Bélgica. Influenciado por la música Industrial, el Post Punk y la electrónica pionera germana de la década anterior. Sus características son los golpes duros bailables en 4x4, voces claras mezcladas con gritos o gruñidos y líneas repetitivas de sintetizadores. En este Podcast podréis escuchar parte de aquel sonido, además de sus influencias en otros artistas. Los belgas Front 242, formados a principios de los 80s, aún siguen en activo, aunque actualmente son un grupo de culto. Su época de mayor reconocimiento y éxito fue a partir de mitad de década hasta entrados los 90s. Su mayor éxito fue “Headhunter”. Los alemanes D.A.F. o lo que es lo mismo “Deutsch Amerikanische Freundschaft” comenzaron a finales de los 70s experimentando con el Punk, la música Industrial y Experimental para volcarse principalmente al EBM con el cambio de década. Las dos canciones que suenan en el Podcast pertenecen a su tercer álbum “Alles Ist Gut” el mas exitoso de su carrera. Los británicos Nitzer Ebb (suenan a marca de helados) fueron posiblemente el grupo mas exitoso y famoso del circuito del EBM, con varios singles ubicados en los primeros puestos de las listas europeas. “Warsaw Ghetto (12inch Mix)” y “Let Your Body Learn” son las dos canciones elegidas para este Podcast. Cabaret Voltaire surgen durante los 70s, influenciados por el Dadaísmo cogieron el nombre de un club de Zúrich que fue el epicentro del movimiento Dadaísta. Con los años han logrado fusionar el EBM, House, Pop, Industrial, y la música de baile ochentera. Aquí escuchareis dos de sus canciones mas bailables “Yashar (John Robie Mix 1)” y “I Want You (7 inch Version)”. Liaisons Dangereuses grupo alemán que surgió a principio de los 80s. Su único disco nació a partir de 4 cintas de cassettes grabadas en 1981. El single “Los niños en el parque” fue de gran éxito en la escena Underground e influyo a muchos DJs del House de Chicago y el Techno de Detroit. Y fue sampleado centenar de veces gracias a su característica línea de bajo creada con una Korg MS-20. Tuvieron una carrera efímera. Procedente de la escena New Wave/Synth Pop tenemos a Grauzone y Fad Gadget. La efímera trayectoria de los suizos Grauzone con solo un disco y un puñado de singles fue mas que suficiente para convertir en culto la canción “Eisbär”, una mezcla de Industrial, New Wave y Synthpop. El musico y vocalista Fad Gadget, cuyo nombre real era Francis John Tovey, surgió de la escena New Wave de Gran Bretaña, sus actuaciones era muy teatrales a diferencia de otros artistas de la misma escena. Su sonido ha sido influenciado por la electrónica (Industrial, Synthpop, EBM). Aquí podréis escuchar su tema mas emblemático “Lady Shave”, que originalmente fue publicado como cara B del single “Make Room” del año '81. Robotoko Rejecto y Bigod 20 dos artistas alemanes surgidos en la segunda mitad de la década, procedentes de la escena, convulsionada en aquel momento, del EBM. En aquel entonces ya sonaba el New Beat procedente de Belgica, el Acid House de Chicago y el Techno de Detroit y su influencia se dejó notar. Ambos temas podrían clasificarse como Acid House tanto como EBM. Y para finalizar los Alien Sex Fiend que a pesar de ser un grupo procedente de la escena del Goth Rock siempre han coqueteado con los sintetizadores y las máquinas de ritmo, aquí tenemos una versión del “Under The Thunder (Ignore The Dub)” influenciada por el EBM y el Industrial, como mezclar a los Sex Pistols con Front 242. Espero disfrutéis con la selección. TRACKLIST: 01 - Nitzer Ebb - Let Your Body Learn (Instrumental Slow Version) 02 - A Split Second - Flesh (Slow Belgium Version) 03 - Cabaret Voltaire - Yashar (John Robie Mix 1) 04 - Liaisons Dangereuses - Los Niños Del Parque 05 - Nitzer Ebb - Warsaw Ghetto (Original 12 Mix) 06 - Fad Gadget - Lady Shave 07 - Grauzone - Eisbär 08 - Robotiko Rejekto - Rejekto (Presentation Mix) 09 - Bigod 20 - America 10 - Front 242 - Headhunter 11 - Alien Sex Fiend - Under The Thunder (Ignore The Dub) 12 - D.A.F. - Der Mussolini 13 - Cabaret Voltaire - I Want You (7 inch Version) 14 - D.A.F. - Als Wars Das Letzte Mal

Durante la década de los 80s la música electrónica vivió su madurez como género, se ramifico y llego a más oídos, durante los 70s fue surgiendo lentamente gracias a gente como Kraftwerk, Cerrone, DAF y varios más. Durante la explosión del Punk comenzaron a surgir movimientos electrónicos en distintos puntos del planeta, principalmente en Europa. El EBM (Electronic Body Music) surge a principio de década y se desarrolla principalmente en países como Inglaterra, Alemania y Bélgica. Influenciado por la música Industrial, el Post Punk y la electrónica pionera germana de la década anterior. Sus características son los golpes duros bailables en 4x4, voces claras mezcladas con gritos o gruñidos y líneas repetitivas de sintetizadores. En este Podcast podréis escuchar parte de aquel sonido, además de sus influencias en otros artistas. Los belgas Front 242, formados a principios de los 80s, aún siguen en activo, aunque actualmente son un grupo de culto. Su época de mayor reconocimiento y éxito fue a partir de mitad de década hasta entrados los 90s. Su mayor éxito fue “Headhunter”. Los alemanes D.A.F. o lo que es lo mismo “Deutsch Amerikanische Freundschaft” comenzaron a finales de los 70s experimentando con el Punk, la música Industrial y Experimental para volcarse principalmente al EBM con el cambio de década. Las dos canciones que suenan en el Podcast pertenecen a su tercer álbum “Alles Ist Gut” el mas exitoso de su carrera. Los británicos Nitzer Ebb (suenan a marca de helados) fueron posiblemente el grupo mas exitoso y famoso del circuito del EBM, con varios singles ubicados en los primeros puestos de las listas europeas. “Warsaw Ghetto (12inch Mix)” y “Let Your Body Learn” son las dos canciones elegidas para este Podcast. Cabaret Voltaire surgen durante los 70s, influenciados por el Dadaísmo cogieron el nombre de un club de Zúrich que fue el epicentro del movimiento Dadaísta. Con los años han logrado fusionar el EBM, House, Pop, Industrial, y la música de baile ochentera. Aquí escuchareis dos de sus canciones mas bailables “Yashar (John Robie Mix 1)” y “I Want You (7 inch Version)”. Liaisons Dangereuses grupo alemán que surgió a principio de los 80s. Su único disco nació a partir de 4 cintas de cassettes grabadas en 1981. El single “Los niños en el parque” fue de gran éxito en la escena Underground e influyo a muchos DJs del House de Chicago y el Techno de Detroit. Y fue sampleado centenar de veces gracias a su característica línea de bajo creada con una Korg MS-20. Tuvieron una carrera efímera. Procedente de la escena New Wave/Synth Pop tenemos a Grauzone y Fad Gadget. La efímera trayectoria de los suizos Grauzone con solo un disco y un puñado de singles fue mas que suficiente para convertir en culto la canción “Eisbär”, una mezcla de Industrial, New Wave y Synthpop. El musico y vocalista Fad Gadget, cuyo nombre real era Francis John Tovey, surgió de la escena New Wave de Gran Bretaña, sus actuaciones era muy teatrales a diferencia de otros artistas de la misma escena. Su sonido ha sido influenciado por la electrónica (Industrial, Synthpop, EBM). Aquí podréis escuchar su tema mas emblemático “Lady Shave”, que originalmente fue publicado como cara B del single “Make Room” del año ’81. Robotoko Rejecto y Bigod 20 dos artistas alemanes surgidos en la segunda mitad de la década, procedentes de la escena, convulsionada en aquel momento, del EBM. En aquel entonces ya sonaba el New Beat procedente de Belgica, el Acid House de Chicago y el Techno de Detroit y su influencia se dejó notar. Ambos temas podrían clasificarse como Acid House tanto como EBM. Y para finalizar los Alien Sex Fiend que a pesar de ser un grupo procedente de la escena del Goth Rock siempre han coqueteado con los sintetizadores y las máquinas de ritmo, aquí tenemos una versión del “Under The Thunder (Ignore The Dub)” influenciada por el EBM y el Industrial, como mezclar a los Sex Pistols con Front 242. Espero disfrutéis con la selección. TRACKLIST: 01 - Nitzer Ebb - Let Your Body Learn (Instrumental Slow Version) 02 - A Split Second - Flesh (Slow Belgium Version) 03 - Cabaret Voltaire - Yashar (John Robie Mix 1) 04 - Liaisons Dangereuses - Los Niños Del Parque 05 - Nitzer Ebb - Warsaw Ghetto (Original 12 Mix) 06 - Fad Gadget - Lady Shave 07 - Grauzone - Eisbär 08 - Robotiko Rejekto - Rejekto (Presentation Mix) 09 - Bigod 20 - America 10 - Front 242 - Headhunter 11 - Alien Sex Fiend - Under The Thunder (Ignore The Dub) 12 - D.A.F. - Der Mussolini 13 - Cabaret Voltaire - I Want You (7 inch Version) 14 - D.A.F. - Als Wars Das Letzte Mal

Estamos a finales de los 70s, el movimiento Punk se estaba diluyendo y otros surgen de sus cenizas, por un lado el Post-Punk y por otro el Goth Rock (Rock Gótico, Darkwave, Siniestro, Dark, depende en que país te encuentres, tiene su propio nombre). A simple vista, quizás suenen similares el Post-Punk y el Goth pero hay diferencias. Hay quienes dicen que primero surgió el Post-Punk y luego como un derivado surgió el Goth Rock. El primero es más introspectivo y existencialista en cuanto al segundo fue seducido por lo oscuro, lo siniestro. Rostros pálidos y fantasmagóricos, vestimentas negras que en muchos casos se trataba de ropa de finales del siglo XIX, principios del XX. En 1978 salen el primer disco de Siouxsie & The Banshees “The Scream”, “Unknown Pleasures” de Joy Division, ambos influenciados por el Post-Punk y “Three Imaginary Boys” de The Cure. Tres nombres que son considerados por muchos como la santísima trinidad del Rock Siniestro, sin embargo Joy Division estaba a mitad de camino entre el Post-Punk y el Goth. Siouxie abrazo el Rock Gótico con el cambio de década. Y en el caso de The Cure, Robert Smith fue influenciado por Siouxsie cuando formo parte de la banda a principios de los 80s, de allí surge la “trilogía siniestra”: “Faith”, “Seventeen Seconds” y “Pornography”. Pero muchos coinciden que el comienzo del Rock Siniestro comenzó con el lanzamiento del primer single de Bauhaus “Bela Lugosi's Dead” durante 1979. Todo su discografía y estética eran 100% siniestras. Durante la primera mitad de los 80s surgieron decenas de bandas influenciadas por el sonido siniestro. Y en que consiste este sonido? Voces barítonas o andrinas con efecto de eco normalmente, guitarras etéreas y un bajo que destaca sobre el resto de instrumentos, creando una melodía oscura y tensa. Muchos grupos denominados Post-Punk tienen en su discografía canciones o discos enteros influenciados por el sonido siniestro, Killing Joke, Echo & The Bunnymen, The Cult. En el caso de Cocteau Twins son un rara-avis entre la New Wave, el Post Punk, Synth-Pop y elementos del Goth. Estamos a mediados de los 80s y la primera ola de siniestros estaba desapareciendo. Bauhaus se había separado. Siouxsie y The Cure estaban evolucionando hacia nuevos horizontes con letras no tan introspectivas y leve cambio de imagen. Luego de la muerte de Ian Curtis, el resto de integrantes de Joy Division crearon New Orden, alejándose completamente del Post-Punk/Goth Rock. Surge una segunda ola de grupos siniestros, algunos venían desde principios de década y no fue hasta la mitad que lograron ser escuchados, ejemplos: Alien Sex Fiend, The Sisters of Mercy, The Mission, Gene Loves Jezebel, Lords of The New Church y un largo etc. Con el trascurso de la década muchas de estas bandas desaparecieron o continuaron hacia otros sonidos, como el Industrial, el Hard Rock, la Psicodelia. Hoy en día siguen surgiendo bandas con sonido o estética “siniestra” desde el Pop hasta el Heavy Metal. El Goth Rock ha influenciado a varias generaciones de almas solitarias y perturbadas. En este podcast podréis escuchar un breve resumen de lo que fue el Goth Rock de los 80s. TRACKLIST: 01 - Siouxsie and The Banshees - Dear Prudence 02 - Joy Division - Atmosphere 03 - Cocteau Twins - Pearly-Drewdrops' Drops 04 - The Cure - Charlotte Sometimes 05 - Bauhaus - She's In Parties (Single Edit) 06 - The House Of Love - Christine 07 - Peter Murphy - Final Solution (Club Mix) 08 - The Sisters Of Mercy - Dominion 09 - Bauhaus - Kick In The Eye (Single Remix) 10 - Killing Joke - Love Like Blood 11 - Siouxsie and The Banshees - Dazzle 12 - Joy Division - Transmission 13 - The Cure - A Forest (7' Version) 14 - The Cult - She Sells Sanctuary (Long Version) 15 - Alien Sex Fiend - The Impossible Mission (Mix 2) 16 - The Sisters Of Mercy - This Corrosion

Estamos a finales de los 70s, el movimiento Punk se estaba diluyendo y otros surgen de sus cenizas, por un lado el Post-Punk y por otro el Goth Rock (Rock Gótico, Darkwave, Siniestro, Dark, depende en que país te encuentres, tiene su propio nombre). A simple vista, quizás suenen similares el Post-Punk y el Goth pero hay diferencias. Hay quienes dicen que primero surgió el Post-Punk y luego como un derivado surgió el Goth Rock. El primero es más introspectivo y existencialista en cuanto al segundo fue seducido por lo oscuro, lo siniestro. Rostros pálidos y fantasmagóricos, vestimentas negras que en muchos casos se trataba de ropa de finales del siglo XIX, principios del XX. En 1978 salen el primer disco de Siouxsie & The Banshees “The Scream”, “Unknown Pleasures” de Joy Division, ambos influenciados por el Post-Punk y “Three Imaginary Boys” de The Cure. Tres nombres que son considerados por muchos como la santísima trinidad del Rock Siniestro, sin embargo Joy Division estaba a mitad de camino entre el Post-Punk y el Goth. Siouxie abrazo el Rock Gótico con el cambio de década. Y en el caso de The Cure, Robert Smith fue influenciado por Siouxsie cuando formo parte de la banda a principios de los 80s, de allí surge la “trilogía siniestra”: “Faith”, “Seventeen Seconds” y “Pornography”. Pero muchos coinciden que el comienzo del Rock Siniestro comenzó con el lanzamiento del primer single de Bauhaus “Bela Lugosi’s Dead” durante 1979. Todo su discografía y estética eran 100% siniestras. Durante la primera mitad de los 80s surgieron decenas de bandas influenciadas por el sonido siniestro. Y en que consiste este sonido? Voces barítonas o andrinas con efecto de eco normalmente, guitarras etéreas y un bajo que destaca sobre el resto de instrumentos, creando una melodía oscura y tensa. Muchos grupos denominados Post-Punk tienen en su discografía canciones o discos enteros influenciados por el sonido siniestro, Killing Joke, Echo & The Bunnymen, The Cult. En el caso de Cocteau Twins son un rara-avis entre la New Wave, el Post Punk, Synth-Pop y elementos del Goth. Estamos a mediados de los 80s y la primera ola de siniestros estaba desapareciendo. Bauhaus se había separado. Siouxsie y The Cure estaban evolucionando hacia nuevos horizontes con letras no tan introspectivas y leve cambio de imagen. Luego de la muerte de Ian Curtis, el resto de integrantes de Joy Division crearon New Orden, alejándose completamente del Post-Punk/Goth Rock. Surge una segunda ola de grupos siniestros, algunos venían desde principios de década y no fue hasta la mitad que lograron ser escuchados, ejemplos: Alien Sex Fiend, The Sisters of Mercy, The Mission, Gene Loves Jezebel, Lords of The New Church y un largo etc. Con el trascurso de la década muchas de estas bandas desaparecieron o continuaron hacia otros sonidos, como el Industrial, el Hard Rock, la Psicodelia. Hoy en día siguen surgiendo bandas con sonido o estética “siniestra” desde el Pop hasta el Heavy Metal. El Goth Rock ha influenciado a varias generaciones de almas solitarias y perturbadas. En este podcast podréis escuchar un breve resumen de lo que fue el Goth Rock de los 80s. TRACKLIST: 01 - Siouxsie and The Banshees - Dear Prudence 02 - Joy Division - Atmosphere 03 - Cocteau Twins - Pearly-Drewdrops' Drops 04 - The Cure - Charlotte Sometimes 05 - Bauhaus - She's In Parties (Single Edit) 06 - The House Of Love - Christine 07 - Peter Murphy - Final Solution (Club Mix) 08 - The Sisters Of Mercy - Dominion 09 - Bauhaus - Kick In The Eye (Single Remix) 10 - Killing Joke - Love Like Blood 11 - Siouxsie and The Banshees - Dazzle 12 - Joy Division - Transmission 13 - The Cure - A Forest (7' Version) 14 - The Cult - She Sells Sanctuary (Long Version) 15 - Alien Sex Fiend - The Impossible Mission (Mix 2) 16 - The Sisters Of Mercy - This Corrosion

Today on Line Noise we welcome Grammy-winning producer, Killing Joke bass player, Paul McCartney collaborator, psychedelic trance innovator and so much more: Youth. We talk about his new album with Gaudi, Stratosphere; punks and electronic music; Alien Sex Fiend; Goa Trance; writing number one hits; Little Fluffy Clouds; the KLF; being in The Fireman with Paul McCartney and so much more.

Today on Line Noise we welcome Grammy-winning producer, Killing Joke bass player, Paul McCartney collaborator, psychedelic trance innovator and so much more: Youth. We talk about his new album with Gaudi, Stratosphere; punks and electronic music; Alien Sex Fiend; Goa Trance; writing number one hits; Little Fluffy Clouds; the KLF; Paul McCartney and so much more.

Learn about the roots of dub in our chat with local musician and DJ, Dave Rout, and hear the influences on the music we know and love. Our producer insisted on this episode, and we enjoyed exploring. Our playlist includes Autosuggestion by Joy Division, Under The Thunder (Ignore The Dub) by Alien Sex Fiend, Black Panta by The Upsetters, Now We Lustre by Tones on Tail, Turn To Red by Killing Joke, I Love A Man In A Uniform (Dub Version) by Gang of Four, African Roots by King Tubby, Super Dub (feat. Mark Stewart) by Nun Gun, and She Is Beyond Good And Evil by The Pop Group.

Learn about the roots of dub in our chat with local musician and DJ, Dave Rout, and hear the influences on the music we know and love. Our producer insisted on this episode, and we enjoyed exploring. Our playlist includes Autosuggestion by Joy Division, Under The Thunder (Ignore The Dub) by Alien Sex Fiend, Black Panta by The Upsetters, Now We Lustre by Tones on Tail, Turn To Red by Killing Joke, I Love A Man In A Uniform (Dub Version) by Gang of Four, African Roots by King Tubby, Super Dub (feat. Mark Stewart) by Nun Gun, and She Is Beyond Good And Evil by The Pop Group.

Today is the first episode of the new season with all your awesome request and a little bit of my spice in the mix. Today's post punk new wave set includes Plasmatics, The Sugarcubes, O.M.D. Kate Bush, The Creatures, Alien Sex Fiend, Kim Wilde, Tones On Tail, Visage, The Human League, The Cure, Ministry, Dead Or Alive, Soft Cell, David Bowie, Siouxsie & The Banshees, Billy Idol, Madonna, The Virgin Prunes, Divinyls, . The "Post Punk New Wave" mix is every Wednesday from 12pm-2pm(pst) on the Danny Diess Show. To see a full setlist of todays show see chapter list on episode page.© Copyright Danny Diess 2022.

Hoy os dejamos un nuevo programa dedicado a la Historia del Rock Gótico en La Gran Travesía, y donde podréis escuchar a Bauhaus, The Cure, The Damned, Joy Division, Alien Sex Fiend, Siouxsie and The Banshees, Killing Joke... Y recordad que si os gusta el programa podéis apoyarnos y colaborar con nosotros por el precio de una cerveza al mes, y así podréis acceder además a todo el contenido extra con más de 500 programas en exclusiva!! Muchas gracias a todos los mecenas. Lourdes Pilar, José Diego, Dora, Raf, Suibne, Dani, Miguel Ángel Torres, Santi Oliva, familia Pignatelli, Jesús Miguel, Leticia, Sementalex, Azimut, Zimmy, Enrique FG, Sergio Castillo, Elliot SF, Aida, Mati, Redneckman, Guillermo Gutiérrez, Daniel A, Raúl Andrés, Luis Miguel Crespo, Gonzalo Fernández, Tole, Álvaro Oliva, Vlado 74, Toni Sureda, Luis Benedicto, Luis Palo, Álvaro Pérez, Karlos Martínez, Vicente DC, Marcos París, Ángel Hernández, Quijovi, Milo Stone, Luisa, Edgar Cuevas, Okabe 16, Victor Vosgos, Millo, Jit y a los colaboradores anónimos.

The latest episode of the podcast which asks; does playing Legend by Bob Marley constitute a hate crime?Finally, Chart Music gets off its fat arse, gets on its bike and starts looking for a job, and it's a particularly fraught one: rummaging through an episode from the arse-end of the Yellow Hurll era in an attempt to find anything nourishing and skill. It's the other side of Easter '84, and your panel are a) not bothering to revise for CSEs which are useless in Thatcher's Britain, b) failing to understand the Greek alphabet and wondering why anyone in Coventry would need to learn it, and c) playing gigs in a Barry shopping centre and trying to make acoustic guitars sound like the Jesus and Mary Chain. The good news is that Top Of The Pops is still a beacon of Pop Nowness. The bad news: over a year ahead of schedule, the Dinosaurs of Pop have come lumbering back and Simon Bates – frighteningly – doesn't look out of place in the studio for the first time ever. This, Pop-Crazed Youngsters, is your Dad's Top Of The Pops – a half-hour Radio 2 of the soul. Musicwise, oh dear; there's only one teenager on stage in the entire episode. Morrissey shows how right-on and inclusive he is by letting Sandie Shaw borrow his band for a while. A cursed Mayan mask with the mouth of Phil Collins soundtracks some horrific morning dog-breathed snogging. Belle and the Devotions prepare to be booed at in Luxembourg. Island Records de-Rastacise Bob Marley by 110% and recreate the opening credits of Pigeon Street. Duran Duran make their long-awaited return to the UK and demonstrate that reports of their demise are premature. Willie Nelson and Julio Iglesias practically come on to each other. Our Bands are represented by Echo and the Bunnymen. The Flying Pickets have one last warm against the brazier of the charts before the Massive Clay Head pulls us into its orbit. Neil Kulkarni and Simon Price join Al Needham for a long, hard stare at 1984, whirling off into such tangents as having Xmas ruined by Ed Sheeran, the majesty of studded gauntlets, recreating images of Bob Marley with football mascots, getting punched in the stomach by Eurovision winners, Effing and Jeffing in an Osmonds' house, now not to commence that vital gig in a Chilean prison, petals in beer at Cardiff Uni, and the proud parents of Alien Sex Fiend. GO FOR IT, Pop-Crazed Youngsters – and enjoy all that lovely swearing… Video Playlist | Subscribe | Facebook | Twitter | The Chart Music Wiki | PatreonSubscribe to Our Neil's Substack See acast.com/privacy for privacy and opt-out information.

Happy holidays to you from us at Spoken Word with Electronics. Primary music in track two is goth santas Alien Sex Fiend, whose Stuff the Turkey should be sung around every chimney. We also review an Electro-Voice RE20, whose flat frequency curve at 5K makes it the far better microphone for this show than any Shure product. That mic comparison (RE20 vs SM57 vs SM7B) is discussed in the introduction. Enjoy the season. Oh, Mariah! This track: Demo of RE20 on a shockmount in an untreated room. Comparison of Shure SM7B and Shure SM57 to an Electrovoice RE20.

Happy holidays to you from us at Spoken Word with Electronics. Primary music in track two is goth santas Alien Sex Fiend, whose Stuff the Turkey should be sung around every chimney. We also review an Electro-Voice RE20, whose flat frequency curve at 5K makes it the far better microphone for this show than any Shure product. That mic comparison (RE20 vs SM57 vs SM7B) is discussed in the introduction. Enjoy the season. Oh, Mariah! This track: Demo of RE20 on a shockmount in an untreated room. Comparison of Shure SM7B and Shure SM57 to an Electrovoice RE20.

Edicion Limitada - 1 de Noviembre del 2021. Programa Especial de Halloween. Producción y realización: Francisco J. Brenes. Presentando música de Insides, Florence and The Machine, Tricky, Depeche Mode, Jehnny Beth, Radiohead, Tori Amos, PJ Harvey, Nick Cave & The Bad Seeds, Siouxie & The Banshees, Erasure, The Raveonettes, Little Boots, The Cure, Black Rebel Motorcycle Club, Editors, Nine Inch Nails, The Psychedelic Furs, INXS, Peter Murphy, Frank Black, Tim Burgess, Noel Gallagher's High Flying Birds, Pixies, The Smiths, The Clash, The Wombats, Placebo, Bloc Party, Hooverphonic, Pulp, The Cult, Sneaker Pimps, Pet Shop Boys, The Last Shadow Puppets, Arctic Monkeys, New Order, Death Cab for Cutie, Pulp, Saint Etienne, She Wants Revenge, Ministry, Death In Vegas, White Lies, Play Dead, Alien Sex Fiend, Bauhaus, The Sisters Of Mercy, Killing Joke, Front 242, Nitzer Ebb, My Life With The Thrill Kill Kult, Front Line Assembly y Die Krupps.

This week's edition of Into The Vault features Alien Sex Fiend!Playlist: Hélène Barbier - Jersey SwapWitch Of The Vale - FeverN0V3L - Group DiseaseDry Cleaning - Unsmart LadySpirit Award - Work It OutAlien Sex Fiend - New Christian MusicAlien Sex Fiend - Dead And Re-BuriedAlien Sex Fiend - Depravity Lane (Think I'll Take A Trip)Anybodys - Do We Disgust YouThe Pink Noise - On TrialSquid - G.S.K.Voltaire - You Married A FoolMurder By Death - We Only Come Out At NightLOUISAHHH - Not DeadVarious Artists, featuring Nebulæ Complex - DitherWorking Men's Club - Teeth 2 (Minsky Rock Remix)Ian Daniel Kehoe - Let's Be RecklessVarious Artists, featuring Phillipi - 9000Kinlaw - Potential Control Freakglass beach - Jhariah Dies And Goes To HellNevada Brown - Distorted BitsActive Dark Filament - Cyclic PermutationsUlrich Schnauss & Jonas Munk - NarkomfinAGATH CHRIST - Ok (All That We Can)FOG - The Will Of SkiesAim Low - Bird Footprints In The SnowJune Thrasher - Sleep Through The NightOla Sweet - Frivoloussun june - Once In A WhileLaurence-Anne - Pajaros

Media Monarchy plays Yola, The Tibbs, Alien Sex Fiend and more on #PumpUpThaVolume for April 29, 2021. ♬

Im Gespräch mit Hauke. Wir reden über die Entdeckung von Dead Kennedys in England, der Plattenladen Salzmann in Wolfsburg, Konzerte im Jugendhaus Ost, The Accüsed, zum Geburtstag zu McDonald´s, Mentally Murdered von Napalm Death, Elektromusik von Front 242 & Alien Sex Fiend, Straight Edge, das erste Konzert mit Wizo & Extreme Noise Terror, der wichtige Einfluß von Rainer & Holger Ohst, ein sehr frühes Konzert mit Peace of Mind, Intricate & Freedom Begins, der komische Zusammenhang von Wolfsburg & VW, pre-Age-Bands wie Knupsi & Waidmanns Unheil, der Umgang von Erwachsenen mit schiefen Jalousien, dass Menschen nichts schnallen, das jugendliche Erwachen, der Wunsch nach Veränderung, 8 Jahre nicht in Autos steigen, lernen sich in Außenseitersituationen zurechtzufinden, Glück im Leben haben, der Wob-Mob, Aufnahmen im Soundbunker Ludwigshafen, keine Ehrfurcht vor Menschen, der Kern von DIY, der Umzug nach Bremen führte zum Ende von Age, ideologische Uneinigkeiten, mit dem Begriff Kollektiv nichts anfangen können, Emo-Heini sein, die große Liebe zu Berit, Haukes andere Bands wie Assay, Zodiac & Mizanthrop, mit der Mucker-Szene nix zu tun haben, ein großer Stinkefinger, nach dem Geschichtsstudium keine Ahnung was zu tun, alles Scheiße finden, 14 Kilo Senf zuhause, dass nichts Sinn hat, die Erfüllung als Journalist zu arbeiten, eine Blamage mit Ursula von der Leyen, die Filme Deadly Nam & City Kill, der coole Titeltrack von Amos, Aussehen wie Bender von Futurama, ein Roman namens Pech, wirres Zeug reden, besoffen wahrscheinlich schwer zu ertragen sein, "Tierisch gut auch ohne Fleisch: Der Auflauf von Hauke Hirsinger", Veganismus im Mainstream, der Hass auf Spiritualität, der größte Idiot von allen sein, der Wunsch nach mehr Rationalität, 100.000 Jahre alt werden wollen, eine potentielle Zeitreise in die Weimarer Republik, Mittelstands-Kind mit allen Möglichkeiten sein, ein Graustufen-Typ sein, uvm.

Punk 4 The Homeless welcome the new year and say a big feck off to 2020! Join Rachel, Eagle, Alan and Alex - a couple of days before the GIRLS ARE LOUD 1st Birthday Bash - for another round of fantastic tunes from the likes of: Dag Nasty, Alien Sex Fiend, Rotvelt, Bob Vylan, Omega Tribe, Rumjacks, Reptilians From Andromeda, Elvis Costello, Moff Skellington, Brains & Virgin, Blow-Up, Crash Test Dummies, Rats From a Sinking Ship, Leg Puppy, Snide, Pet Needs, Those Poor Bastards, Mad Sin, Petrol Girls, anarchistwood, track not found ... If you can please donate to Compass Children's Charity for their vital work with at-risk and street kids: https://www.compasschildrenscharity.org.uk/donation/ - In loving memory of Bob Booth RIP -

Edición Limitada - 31 de Octubre del 2020. Especial de Halloween. Producción y realización: Francisco J. Brenes. Presentando música de U2, Trent Reznor & Atticus Ross, Danny Elfman, Nick Cave & The Bad Seeds, The Glove, The Psychedelic Furs, Echo & The Bunnymen, Talking Heads, Editors, Joy Division, Nine Inch Nails & Peter Murphy, David Bowie, The Sisters of Mercy, Sneaker Pimps, Tricky, Siouxie & The Banshees, La Unión, Alaska y Dinarama, The Smiths, New Order, Arctic Monkeys, Death In Vegas, Franz Ferdinand, Bloc Party, TV On The Radio, Radiohead, Delerium, Pet Shop Boys, Hot Chip, Depeche Mode, Marsheaux, VNV Nation, Front 242, Primal Scream, Lords Of Acid, KMFDM, Alien Sex Fiend, Rob Zombie y Ministry.

"Remember last year, when we were worried that Halloween in 2020 wouldn't feel like Halloween? 'We can't bob for apples, the season is ruined!' Well now some time has passed, it's October again and I haven't even seen an apple in 7 months." - Micah Bravo, host of Tracks of the Damned You think this year was a clusterfuck, you ain't see nothing yet. Live, from the radio station of the third most prestigious community college in the greater Baton Rouge area, DJ Micah Bravo (Regina Linn) surveys a decimated post-nuclear landscape and does what they do every Halloween: get high and party with another great mix of weird and wild spooky tunes. The pumpkins may have mutated a new skin that's impervious to knives but Halloween will never die! ACT ONE 1. What Lurks On Channel X? by Rob Zombie 2. Concerto for Organ, Strings & Timpani in G Minor, FP 93: I. Andante by Francis Poulenc 3a. Troma Team Title Music 3b. Clip #1 of The Masque of the Red Death read by William S. Burroughs 3c. Silver Shamrock Jingle by John Carpenter & Alan Howarth 4a. Halloween by Betty Grable & David Wayne 4b. Slaughterhouse by Ganksta NIP 5a. Spookshow Trailer 5b. Experiment in Terror by Harry Mancini 6a. Dracula (1979) trailer 6b. Stage 4-3 Bram Stoker's Dracula for Genesis by Andy Brock 6c. Clips from Dracula (1979), Nosferatu (1979), Count Dracula (1970), Bram Stoker's Dracula, Count Dracula (1977), Spanish Dracula (1931) 7. Bela Lugosi by Severed Limb 8a. Dream Clinic scene from A Nightmare on Elm Street 8b. Bury a Friend by Billie Eilish 9a. Ghost in the Machine trailer 9b. Hex from The Andromeda Strain by Gil Mellé 10a. Carvel, Kooky Spooks Make-Up commercials 10b. The World Television Premier of John Carpenter's Halloween 10c. John Carpenter's Halloween by Trent Reznor and Atticus Ross 11a. To Raise The Dead by Vincent Price 11b. Zombie Jamboree by Harry Belaftone 12a. Living Dead Beats by Sek 12b. "Are they slow moving, chief?" from Night of the Living Dead 13. "I Love The Dead" by Alice Cooper ACT TWO 1. The Spook by Pete Drake 2. Theme From Cannibal Ferox by Roberto Donati and Fiamma Maglione 3. Clip #2 of The Masque of the Red Death read by William S. Burroughs 4a. "Whoa, psychedelic!" from Terrorvision 4b. Terrorvision Theme by The Fibonaccis 5. Night of the Vampire by The Moontrekkers 6a. Halloween Saftey (1985) clip 6b. Fall Children by AFI 7a. "All the different ways of dying. Violently?" clip from Return of the Living Dead 7b. Transylvanian Concubine by Rasputina 8. Dead & Buried Suite by Joe Renzetti 9. Now I'm Feeling Zombified by Alien Sex Fiend 10a. Sadismo trailer 10b. Shadowman by Link Wray 11a. 781 Redrum by Brotha Lynch Hung 11b. Pass The Shovel by Gravediggaz 12. Boo! from The Canterville Ghost by Gordon Getty ACT THREE 1. The Munge by Genki Genki Panic 2. Werewolf & Witchbreath by The Troll 3. Clip #3 of The Masque of the Red Death read by William S. Burroughs 4a. The Hills Have Eyes Opening Theme by Don Peake 4b. Sammy Terry Nightmare Theater opening 5. Dr. Holmes (He Stripped Their Bones) by Macabre 6a. Abby Trailer 6b. Day of Wrath Funk Breaks by The Rite of Exorcism 7a. Penn Jillette on Monstervision: Ed Wood defense 7b. Opening Theme to Ed Wood by Howard Shore 8a. Hot Rod Herman clip 8b. The Munsters theme by The Surf Dawgs 9a. Subway scene from Possession (1981) 9b. Demon Host by Timber Timbre 10a. Don't by Garden on a Trampoline 10b. New Jim Jones (live) by Dre Dog

Justin and Ed are back for Chapter 8, and bring with them an impressive selection of tunes for your enjoyment. From goth classics by Alien Sex Fiend to brand new industrial bangers by Be My Enemy and Violent Vickie, this show will satisfy even your darkest desires. Special thanks to Violent Vickie for sharing her new song “The Blame” from her forthcoming album Division! Click the bandcamp link below to listen to more Violent Vickie, and preorder the new album, due out September 2020. https://violentvickie.bandcamp.com/album/division Twitter: https://twitter.com/violentvickie Facebook: https://www.facebook.com/ViolentVickieMusic/ The Arcane Machine is a monthly show with supplemental content on Facebook, Twitter, and Discord throughout each month. If you like what you hear, please visit the artists' pages linked below and buy some music! Social Media: The Belfry: A Home for Dark Culture: The Belfry is the home of excellent podcast Cemetery Confessions, plus interviews, art, and other podcasts rooted deeply in dark/ alternative lifestyles. Join our Facebook group for discussion and bonus content: https://www.facebook.com/groups/TheArcaneMachine/ Follow The Arcane Machine on Twitter: @arcane_machine Follow The Arcane Machine on Instagram: @the_arcane_machine Use the Discord Widget on the side of the page to join our server and chat with us Listen here or find us on iTunes, Google Play Music, or your favorite podcast app! The Tracklist:   1 – “Night Riders” by Stromkern from the album Night Riders (2001) (Website) 2 – “The Angel of Anarchy” by Be My Enemy from the album All That I Love, I Destroy (2020) (Bandcamp) 3 – “Ignore the Machine” by Alien Sex Fiend from the album Who's Been Sleeping in My Brain? (1983) (Website) 4 – “Please Remain Calm” by SKOLD from the album Never is Now (2019) (Bandcamp) 5 – “Oh My Goth!” by Razed in Black from the album sacrificed (1999) (Bandcamp) 6 – “Voices Of Doom” by MONO INC. from the album Voices of Doom (2009) (Website) 7 – “SS Deathstar Supergalactik” by Hanzel und Gretyl from the album Uber Alles (2003) (Website) 8 – “Too Late to Love You” by JUNEBUG (Ben Babbitt) from the album Kentucky Route Zero Act 3 (2014) (Bandcamp) 9 – “The Blame” by Violent Vickie from the album Division (2020) (Bandcamp)

Edición Limitada - 25 de Noviembre del 2019. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Thom Yorke, Modest Mouse, Soccer Mommy, William Patrick Corgan, Noel Gallagher's High Flying Birds, U2, Beck, Nada Surf, SRSQ, Grimes, Isobel Campbell, Je Suis France, Pale Saints, Ratboys, Honeyroot, Le SuperHomard, of Montreal, Peter Bjorn and John, Kaiser Chiefs, Je T'Aime, Saint Etienne, J.B.O., Alien Sex Fiend, St. Vincent y Squarepusher.

In den tiefsten Tiefen des Universums der musikalischen Grundlagenforschung macht sich der Mitternachtsreigen auf die Suche nach dunkler Materie. Nach ganz dunkler Materie. Hey, keine Angst, man muss nicht ein Doktoratsstudium in Quantenphysik absolvieren, um Dark Wave oder Post Punk richtig zu erfassen, lasst euch einfach auf eine Lektion in dunklen Sounds der grauen Vorzeit ein, die euch der Mitternachtsreigen erteilt, Mit theoretischen Ansätzen halten wir uns nicht lange auf, der spannende Stoff, vorgetragen von Alien Sex Fiend, Siouxsie & The Banshees, Warsaw oder Batz Without Flesh führt zu ungeahnten Erkenntnissen: "They Can See In The Dark-" Wer denn nun, fragt ihr euch wohl. Nun, dem und anderen dunklen Geheimnissen werden wir in einer Stunde Mitternachtsreigen auf den Grund gehen.

Since their emergence in the early 1980s, Alien Sex Fiend have remained one of the most loved and longstanding pioneers of the Goth movement. Fusing themes of horror, humour, inner turmoil and outer space with an industrial and electronic sound years ahead of its time, the band scored countless indie chart hits, found success across Europe, America and Japan and won a dedicated, adoring fanbase which exists to this day.

October is always a special month for Punky, and it's extra special this month as we've had lots of great music come through from Cherry Red - so expect some interesting compilations over the next few weeks and of course there will be the Halloween special coming! In the meantime, get ready for nine great songs from Splodgenessabounds, Off Beat, Indonesian Junk, Iron Lamb, Howard Jones, Alien Sex Fiend, Mark Sultan, Johnny Mafia and The Fall.Truncheon Meat Salad?, Cherry Red, no Poetry Corner this week, sandcastle star, Tony has your Facebook comments, Facebook song, Paulmas Nottingham Tour, WHAMBOLT, The Beatles, it's all about the spice?, last week, Tony went to Sherwood Forest, The Major Oak, Nutty Nottingham tour, door handle madness, new lodger, From the Vaults, Tony's International Gig Guide, Pornscars, Alien Sex Field, the week ahead, Tony may hire some hire, Paul's off to Oslo, no Izzatwat, Izzatwat theme tune, Podchaser and a reminder of the stations which feature us.Song 1: Splodgenessabounds – Truncheon Meat SquadSong 2: Off Beat – Little SensationSong 3: Indonesian Junk – C’mon And Love MeSong 4: Iron Lamb – Apocalypse ExpressSong 5: Howard Jones - ConditioningSong 6: Alien Sex Fiend - CarcassSong 7: Mark Sultan – Let Me OutSong 8: Johnny Mafia – Each SideSong 9: The Fall – Venice With The Girls

This week we celebrate all things zombie. We do so with two films form the continent of Australia and an American anthology. First, Darryll and Desmond review Peter Jackson's early effort of comedy gore: Dead Alive (AKA Braindead). Then, Desmond goes solo to review the book Nights of the Living Dead, edited by Jonathan Maberry and George A Romero. Finally, Tom Deja and Desmond take a look at the grim-dark, but hopeful, Australian zombie apocalypse film Cargo. Don't forget songs: "Drunken Zombies Killing Spree" by Space Chaser, "Braindead" by Zombina and the Skeletones, "Night of the Living Dead" by Michale Graves, "Suicide Carload (Drag that Weight)" by Woods of Ypres, and "Now I'm Feeling Zombified" by Alien Sex Fiend. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week we celebrate all things zombie. We do so with two films form the continent of Australia and an American anthology. First, Darryll and Desmond review Peter Jackson's early effort of comedy gore: Dead Alive (AKA Braindead). Then, Desmond goes solo to review the book Nights of the Living Dead, edited by Jonathan Maberry and George A Romero. Finally, Tom Deja and Desmond take a look at the grim-dark, but hopeful, Australian zombie apocalypse film Cargo. Don't forget songs: "Drunken Zombies Killing Spree" by Space Chaser, "Braindead" by Zombina and the Skeletones, "Night of the Living Dead" by Michale Graves, "Suicide Carload (Drag that Weight)" by Woods of Ypres, and "Now I'm Feeling Zombified" by Alien Sex Fiend. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week we celebrate all things zombie. We do so with two films form the continent of Australia and an American anthology. First, Darryll and Desmond review Peter Jackson's early effort of comedy gore: Dead Alive (AKA Braindead). Then, Desmond goes solo to review the book Nights of the Living Dead, edited by Jonathan Maberry and George A Romero. Finally, Tom Deja and Desmond take a look at the grim-dark, but hopeful, Australian zombie apocalypse film Cargo. Don't forget songs: "Drunken Zombies Killing Spree" by Space Chaser, "Braindead" by Zombina and the Skeletones, "Night of the Living Dead" by Michale Graves, "Suicide Carload (Drag that Weight)" by Woods of Ypres, and "Now I'm Feeling Zombified" by Alien Sex Fiend. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This week we celebrate all things zombie. We do so with two films form the continent of Australia and an American anthology. First, Darryll and Desmond review Peter Jackson's early effort of comedy gore: Dead Alive (AKA Braindead). Then, Desmond goes solo to review the book Nights of the Living Dead, edited by Jonathan Maberry and George A Romero. Finally, Tom Deja and Desmond take a look at the grim-dark, but hopeful, Australian zombie apocalypse film Cargo. Don't forget songs: "Drunken Zombies Killing Spree" by Space Chaser, "Braindead" by Zombina and the Skeletones, "Night of the Living Dead" by Michale Graves, "Suicide Carload (Drag that Weight)" by Woods of Ypres, and "Now I'm Feeling Zombified" by Alien Sex Fiend. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, and www.kccinephile.com.

This episode of We Have A Technical doubles down on ur-goth realness with discussion of early records by Alien Sex Fiend and Sopor Æternus and the Ensemble of Shadows. In addition, we've got takes on the new Nine Inch Nails track and a recent line performance from Merzbow. All that plus all the horsing around you've come to expect from the official IDieYouDie.com podcast!

(English version below) Manchmal stolpert man über Musikprojekte, welche sich bei näherem Hinsehen oder vielmehr Hinhören als überaus produktiv, spannend und äußerst „catchy“ erweisen; so ging es dem Mitternachtsreigen mit dem US-Projekt Zwaremachine – eine junge Truppe rund um Mach Fox, deren Sound man die Liebe zu Drum Machines und synthetischen Drum-Sounds unmittelbar anhört. Aus einer Industrial-EBM-Welt heraus wurde gerade das Debut-Album „Be A Light“ veröffentlicht, welches mit unglaublich akkuraten und modernen Sounds, Beats – eben sprichwörtlicher Electronic Body Music – zu begeistern vermag. Grund genug für den Mitternachtsreigen zu erfragen, woher Mach Fox, Frontman und kreativer Geist des Projektes, seine Inspiration und Energie bezieht, was denn seine musikalischen Favoriten sind, was ihn denn neben Zwaremachine noch bewegt. Euch erwartet eine großartige Zusammenstellung seiner Allzeit-Favoriten, Helden und Lieblingstracks, z.B. von Alien Sex Fiend, Klinik, Foetus oder PTP u.v.m. Homepage: Zwaremachine Bandcamp: Zwaremachine Facebook: Zwaremachine Sometimes you get to hear sounds by bands that are amazingly productive, exciting and catchy; well, Zwaremachine is one of this kind: a trio devoted to minimal and militant EBM with a darkwave influence producing music that unevitably transfers their love for drum machines and synthetic drum sounds. Out of their industrial-electric world their first album „Be A Light“ was released, which impresses with incredibly accurate and modern sounds, beats - literally Electronic Body Music. Reason enough to ask Mach Fox, frontman and creative spirit of the project, about his musical favorites, where he sources his inspiration and energy from, what moves him next to Zwaremachine. You can expect a great compilation of all-time favorites, heroes and favorite tracks by Alien Sex Fiend, Klinik, Foetus, PTP and others - selected by Mach Fox.

Julie Brister talks about being goth in Texas, the aesthetics of darkness, standing out in the crowd, Throbbing Gristle, Christian Death & Alien Sex Fiend, being the subject of a college newspaper article about weirdos, the beginnings of ecstasy, a gay bar called the Boathouse, a Halloween party with a real pig's head, not wanting to have dreads in her headshots, adding color to her wardrobe, gloomsters, Cathy Cowboy, fights with frat boys, and wanting to be a plant lady. https://twitter.com/bristahsouljah

As we come to terms with not being at the Psychobilly gig in Pineda this year, we compromise by bringing you nine great songs from The Rippers, The Franklys, Danny Cleaver, The Jackets, Alien Sex Fiend, Energy, Suicide Generation, Jo Carley And The Old Dry Skulls and Rattanson.The Rippers, additional material, Ben James, The Dukes Arms, Tony has your Facebook comments, Ann K and Graham get in touch, Tony talks about Alcohol, new Facebook page, Paul talks about his night in Nottingham, Greek Orthodox, The Diamond in Sutton, Silhouettes And Statues, From the Vaults, ripped off in the Lace Market, Tony's International Gig Guide, Glastonbury, Radiohead, Liam Gallagher, Chic, The Jacksons, Psychobilly Meeting, the week ahead, Paul's off to Crazy Golf, Roving Comedy Night in Tring, Izzatwat, iTunes and a reminder of the stations and drinking establishments that carry the show.Song 1: The Rippers – Stop To Drive Me MadSong 2: The Franklys – Bad NewsSong 3: Danny Cleaver – You’re GrossSong 4: The Jackets – Be MyselfSong 5: Alien Sex Fiend – Dead And Re-BuriedSong 6: Energy – A Prayer For RainSong 7: Suicide Generation - NoraSong 8: Jo Carley And The Old Dry Skulls – Into The FireSong 9: Rattanson – Teenage Barbarian

It's Punkymas time, mince pies and wine... Well it's finally that most special of times, when it's time to remember what's most important in life. We do mean of course US, and to prove it we bring you 9 great chunks of festive fuckery from Destination Venus, The Darts, The Deadites, Blaha, Alien Sex Fiend, The Quitters, Lucy And The Rats, The Runouts and The Kirkz.The best way to a white Christmas, Phoenix and Los Angeles, Gnarley Wave, The Deadites, Evil Dead 3, Tony has your Facebook comments, Tony's front step, the Cat Milker has cat advice, Tony talks about his band, the braces are gone!, The Bleach Boys, Big Kev, bad news about Alien Sex Field, 2016 has been a shocking year, From the Vaults, Tony's International Gig Guide, Paulyb Picks A Gig In The World, Yeah, Marshall in Milton Keynes, Lemmy, Tony's slightly disorganised Christmas, Paul is working Christmas Day, Izzatwat and we will be back next week with our between the wars special!Song 1: Destination Venus – I Just Can’t Wait For ChristmasSong 2: The Darts – I Want Your FunSong 3: The Deadites – Do Not What You WantSong 4: Blaha – It’s Christmas Time (And I Have Nothing Left To Lose)Song 5: Alien Sex Fiend – Stuff The TurkeySong 6: The Quitters – Chronic ChristmasSong 7: Lucy And The Rats – This SituationSong 8: The Runouts – Feculent CreaturesSong 9: The Kirkz – Let’s Get Hammer’d

Dom and JD shamble into the B-Ward to discuss the molestation of their inner-children by the creators of the new Reanimator "sequel" that isn't actually a sequel, ALF's closet-racism, cheap Bruce Campbell ripoffs, and... THE UNDEAD!!!This episode was sponsored by Amazon.com and Cousin Biff's Capybara Dairy. It features music by Rudimentary Peni, The Damned, The Misfits, and Alien Sex Fiend.http://www.postmortemshow.com

Alien Sex Fiend are an iconic band of both the Deathrock and Batcave scene with a dedicated following. Thus, we felt it was important for us to open a discussion about this band. This week we discuss their emergence from the the Batcave and the release of their first four albums as well as their relevance to Goth and Deathrock subculture. We hope you enjoy this episode (as it may a controversial one) and all of our other content. As always, stay spooky!Click here to listen

Programa numero 13 de Haunted Mansion En esta ocasión podrán escuchar un DJ Set que fue parte de la celebración Bat Beat Party 4 Pre The Cure Tributo. Un set con variedad entre generos como el Deathrock, Post Punk, Rock Gótico, Darkwave y mas.. Bandas como Alien Sex Fiend, Neva, Christian Death, The Frozen Autumn, Scary Bitches, Lebanon Hanover, Malaria!, Siouxsie & The Banshes, The Cure entre otros. Este set es una aproximación, en vivo fue algo diferente e incluyo un para de temas adicionales. Lista de Canciones: XIII. Století - Bela Lugosi's Dead Strange Dolls Cult - Urban comedy Bloody Dead And Sexy - Bloody rose Musta paraati - Peilitalo The Wake - Christine The Cure - The Walk Alien Sex Fiend - Ignore The Machine Eyaculación Post-Mortem - Doctor Frankenstein Violet Stigmata - Sleeping People Clan Of Xymox - Blue Monday Neva - Outlive Die Selektion - Du Rennst Lebanon Hannover - Totally Tot The Frozen Autumn - Is everything real All Gone Dead - Newspeak (Room 101) Scary Bitches - cold callers Siouxsie & The Banshees - Honh Kong Garden Christian Death - Figurative Theatre Xmal Deutschland - Qual Malaria! - Geld The Cure - A Forest

Programa Numero 8, especial Halloween 2012 Un repaso por algunos temas que nos recuerdan esta interesante fecha, desde bandas clasicas como Siouxsie & The Banshees, The Cramps, 45 Grave, Skeletal Family, Alien Sex Fiend, hasta algunas actuales, con temas de horror, monstruos, fantasmas, y también de películas clásicas de terror. Una oportunidad para revivir todo eso que nos encanta de la noche de halloween o de brujas como algunos la conocemos. Haunted Mansion esta mas embrujada que nunca

Programa numero siete de Haunted Mansion con un set anticipando lo que se podrá escuchar en la Fiesta Bat Beat Party III que evocara la vieja escuela gótica y las nuevas bandas que mantienen el espiritu del club Batcave. Podremos escuchar bandas como Alien Sex Fiend, Siouxsie & The Banshees, The Cure, Specimen, Cinema Strange, Neva, Ausgan, Tragic Black, New Days Delay, Eyaculacion Post Mortem, Castrati, All Gone Dead, Joy Division. Dirigido por SpiritualBat como adelanto de una fiesta en la que difrutaremos la escencia batcave

JUNIOR ASPIRIN XMAS PODCAST NUMBER ONE  2011with Yo-Ho Ho's Andy Cooke & Nathaniel MellorsRecorded live OUTSIDE TIME, nowhere.PODCAST HERE Tracklisting:Christmas with the Devil - Spinal TapNo Xmas for John Quays - The FallIt's Christmas once again - Frankie LymonIf we make it through december - Merle HaggardSanta goes straight to the ghetto - Snoop DoggStuff the turkey - Alien Sex FiendSilent Night - Phil SpectorChristmas in Jail - The YoungstersHappy Christmas (i don't want to fight) - The RamonesChristmas at Ground Zero - Weird Al JankovicThe 8 days of Christmas - Destiny's ChildThe Christmas Orphan - John ShuttleworthXmas Everyday - The RebelLou Reed's Christmas messageChristmas in February - Lou ReedBack Door Santa - Clarence CarterStuart Christmas Stuart - Miles DavisSilent Night - John Fahey