Podcast appearances and mentions of Bernard Fowler

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Bernard Fowler's tenure with The Rolling Stones began in 1989. How has he kept a decades-long relationship with Mick and Keith? We chat his youth, Stones career, current projects, plus his friendship and recent photo with Guns N' Roses original, the elusive, Izzy Stradlin. Follow Bernard at: x.com/bernardfowler instagram.com/bernardfowlersings facebook.com/p/Bernard-Fowler-100044847466209/ OUR WEBSITE: www.afdpod.com

Making a Scene Brings you an interview with Emanuel CasablancaEmanuel Casablanca is an ideal example of an artist who possesses the ability, ingenuity and the passion that drives him to succeed. Happily, the combination has paid off. The Brooklyn-based guitarist, singer and songwriter has worked with an array of A-list performers over the course of his career, among them such luminaries as bassist and producer Bill Laswell, drummer Daxx Nielsen, a prominent member of Rock and Roll Hall of Fame honorees Cheap Trick, vocalist Bernard Fowler, a touring member of the Rolling Stones, bassist Doug Wimbish of the Grammy-winning band Living Colour, and others. http://www.makingascene.org

Welcome to the Nothing Shocking Podcast 2.0 episode 227 with our guest Bernard Fowler (The Rolling Stones; Nickelbag, Little Axe, Tackhead).  In this episode we discuss his recent collaboration with George Lynch and Jeff Pilson on the Heavy Hitters II album, and look back into his three solo albums, Inside Out, The Burn, and Friends with Privileges.  We also get a glimpse of the next projects he is working on and more!.     For  more information visit: https://bernardfowlerstore.teemill.com/ https://www.facebook.com/p/Bernard-Fowler-100044847466209/ https://www.instagram.com/bernardfowlersings/?hl=en https://rollingstones.com/tour/   Please like our Facebook page: https://www.facebook.com/nothingshockingpodcast/  Follow us on twitter at  https://twitter.com/hashtag/noshockpod.   Libsyn website: https://nothingshocking.libsyn.com For more info on the Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org 

Flamenco y rock vuelven a cruzar sus caminos en OCO, The Show, que regresa a Madrid seis meses después de su debut mundial con un elenco encabezado por Estrella Morente y más de veinte músicos. Entre ellos, destacan el cantaor Antonio Carbonell, los bailaores Yiyo y Belén López y la participación estelar de los míticos Tim Ries y Bernard Fowler, de los Rolling Stones.En el informativo 24 horas de RNE conversamos con su creador Pino Sagliocco, promotor musical y presidente en España de la multinacional Live Nation. El italiano cuenta que descubrió el flamenco en los años setenta y ochenta, cuando llegó a España por primera vez: "El flamenco es una arena movediza que nunca sabes cómo moverte en ella, pero desde luego es un lenguaje universal capaz de abrazar cualquier disciplina de forma completamente única". Considera que no se le otorga el valor que merece, por lo que el objetivo de su nuevo espectáculo es darle una proyección internacional y desvincularlo del folklore: "El mundo aún no ha tenido la suerte de poder vivir el flamenco de la manera que le corresponde".Escuchar audio

Dokken and Lynch Mob legend George Lynch is my guest to discuss a new album he put together with ex-Dokken bassist Jeff Pilson. Heavy Hitters II is the duo's second album of cover songs, done as heavy rock tracks. This time out, the two former bandmates enlisted the soulful Bernard Fowler, backup singer from the Rolling Stones, to lend his voice to the proceedings. The new record pulls from several genres and eras, but the music delivers what you've come to expect (and love) from Lynch & Pilson. George also talked about his musical beginnings, his love of old R&B, his time in Dokken, and much more. Learn more about his work at georgelynch.com.  Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com. I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more. 

Date: June 7, 2023Name of podcast: Backstage Pass RadioEpisode title and number:  S4: E17: Dave Schulz (Goo Goo Dolls, Berlin, Wang Chung / Fastball) - The Grand Funkster of the Funk DollsArtist Bio -Dave Schulz is an American keyboardist, vocalist, producer, composer and recording artist well known for his live and studio work with a wide range of notable artists and musicans including Andrew Cole, Andy Vargas, Angelo Moore, Berlin, Bernard Fowler, Bo Diddley, Bonnie Pointer, Bran Van 3000, Brooke Moriber, Bumblefoot, Carmen and Camille, Carmine Rojas, Chambers Brothers, Cherie Currie, Daniel Lanois, Danny Saber, Durga McBroom, English Beat/General Public, Eric Sardinas, Esthero, Fabienne Shine, Fastball, Fernando Perdomo, Fuel, Garry Shider/Andre Foxxe (P-Funk), Glenn Hughes, Goo Goo Dolls, Hensley, Jay-J, Jazz All-Stars w/ Phil Upchurch, Jean-Michel Byron, John Blackwell, Katja Rieckermann, Kristine W., Kristinia Debarge, Lee Sklar, Little Dove. Louis Conte, Maceo Parker, Macy Gray, Maxayne Lewis, Mike/Steve Porcaro, Mitch Perry Group, Nik West, Nikka Costa, One Tribe Nation / Michael Sanders, Pink, Prairie Prince, Randy Cooke, Rick Springfield, Rusty Young, Ryan Cabrera, Sleepy Brown, Sonny Cool, Stacy Michelle, Stevie Wonder, Sweet, Taylor Dayne, The Fizzies, The Rembrandts, Tony Levin, Wang Chung, Warrant, When In Rome, and XYZ.Music was a part of Dave Schulz's life from the beginning. Born in Buffalo NY, his father wore two hats as pianist and conductor of the Buffalo Philharmonic Orchestra. He would seat Dave in the orchestra pit during performances as early as seven years old. Dave's brother Robert would soon become a multiple Grammy-nominated classical percussionist, and his sister an accomplished rock/soul singer. Shortly after his father's passing when Dave was 10, he suddenly took an interest in the piano that was sitting idly in the living room. Osmosis? Within six months Dave had mastered the C Sonata by Mozart,and began an obsession with XTC, Herbie Hancock, Yes, Todd Rundgren and of course, DEVO. Pretty diverse for an 11 year old. He clearly made the right choice. By the age of 17, he was one of the top keyboardists in his hometown, winning multiple awards consistently for seven years. Finally the big break came, when Robby Takac of the Goo Goo Dolls called and left a simple message from sunny LA: “you wanna come out and tour with us for a year?” In a matter of one day Dave went from playing in front of 300 in a local Buffalo bar to playing Woodstock in front of 65000. This led to a two-and-a-half year relationship with the Goo Goo Dolls that took Dave around the world twice as touring keyboardist/vocalist for the “Dizzy Up The Girl” tour, the landmark album that spawned five top ten singles between 98 and 2000. That experience sealed his fate. Where else do you get to open up for the Rolling Stones?Current Projects:Producing / Arranging / Scoring projects for emerging and established artists / filmmakers out of his Los Angeles home recording studio, aptly titled “Dave Cave”Session / Booking info HERECoVideoStars an eclectic series of musical collaborations with various artists Dave has been producing since the pandemic started. Latest video features Cherie Currie of Runaways fame.Into The Frequency world electronica / trip-hop duo project with vocalist / cellist Ruti CelliDave Schulz and the Funk Dolls 10-piece funk / soul band of LA's best female musicians, fronted by Dave

Greetings! Phase One of today's program highlights a number of new releases, concluding with the emotional, "Journey's End," Neil Rolnick's reflection on the battle with cancer experienced by the his wife of 45 years, Wendy. The piece was commissioned and performed by Kathleen Supové who, as a personal friend of the couple, witnessed Wendy's heroic fight with the disease and Rolnick's role in caring for her throughout her illness.  In Phase Two, we celebrate the 86th revolution around the sun of Philip Glass, featuring some lesser known pieces. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Twitter: https://twitter.com/envpusher1     2-4-23 PTE Playlist   Part II / Part III -  George Winstone w/ Ben Monder - Odysseus - digital self-release (2023) https://georgewinstone.bandcamp.com/album/odysseus   The Difference Is The Buildings Between Us - No Hay Banda / composer: Mauricio Pauly - I Had A Dream About This Place - No Hay Discos (2022) https://nohaybandamtl.bandcamp.com/album/i-had-a-dream-about-this-place   Over The Hill - Van der Graaf Generator - The Bath Forum Concert - Esoteric (2023) https://www.cherryred.co.uk/product/van-der-graaf-generator-the-bath-forum-concert-2cd-blu-ray-dvd-box-set-4-disc/    Journey's End - piano: Kathleen Supové / electronics - composer: Neil Rolnick - Lockdown Fantasies - Other Minds Records (2023) https://othermindsrecords.bandcamp.com/album/lockdown-fantasies   "Happy 86th Birthday, Philip Glass!"   Phaedra: Scene 2 for String Trio - violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 4 for Percussion & String Trio - percussion: Glenn Freeman / violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 6/Scene 14 for Guitar & String Trio - guitar: Paul Vondiziano / violin: Christina Fong / viola: Christopher Martin / cello: Karen Krummel - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Phaedra: Scene 15A for Percussion - Grand Valley State Univeristy Percussion Ensemble - Phaedra: The Non-Mishima Music / Modern Love Waltz - OgreOgress Productions (2011) https://ogreogress.bandcamp.com/album/ph-dra-modern-love-waltz   Truman Sleeps - Philip Glass - Soundtrack: The Truman Show - Milan (1998) https://philipglass.com/films/truman_show/   Changing Opinion - The Philip Glass Ensemble - vocal: Bernard Fowler / composer: Philip Glass / lyrics: Paul Simon - Songs from Liquid Days - Sony Masterworks (1985) https://philipglass.com/recordings/songs_from_liquid_days/   from Wichita Vortex Sutra - The Philip Glass Ensemble / Allen Ginsberg / composer: Philip Glass - Hydrogen Jukebox - Nonesuch (1993) https://philipglass.com/recordings/hydrogen_jukebox/   Offering - Ravi Shankar (raga melody) & Philip Glass (composition) - Passages - Private Music (1990) https://philipglass.com/recordings/passages/   #2 For Gaia - Phillip Glass, Mickey Hart, Kitaro - Freedom Chants From The Roof Of The World - Rykodisc (1989) https://folkways.si.edu/the-gyuto-monks/freedom-chants-from-the-roof-of-the-world/music/album/smithsonian        

interview with the legend Bernard Fowler Rolling Stone vocalist

As we embark on 1995 in our INXS career anthology, Michael Hutchence started to stretch himself musically, teaming up with icon Gang of Four co-founder Andy Gill and Tim Simeon to assist in writing and recording his first pure solo album—an album we shall do a deep dive on in future episodes.   However, it served to highlight how respected and liked Michael was within the music industry despite the negative comments by a certain Mancunian songwriter (who shall remain nameless) around this time.   With artists such as Joe Strummer, Bernard Fowler, and famed drummer Kenny Aronoff lending their efforts to the recordings, it inspired me to look back and delve into the many famous artists that were inspired to work with both Michael and INXS: in the studio, on stage, and on film.   Love and peace ✌️     To bid for Richard Simpkin's book check the link below https://www.inxsaccessallareas.com/post/episode-132-michael-hutchence-s-recording-friends   Subscribe to our Newsletter here https://www.inxsaccessallareas.com/newsletter   Sign the petition to get INXS Inducted https://www.change.org/p/induct-inxs/sign

«La música cura todo», dijo Bernard Fowler, vocalista de los Rolling Stones, cuando le preguntamos sobre la muerte del baterista Charlie Watts. Además, nos contó la anécdota épica sobre cuando conoció a Charly García en una fiesta. Y como si fuera poco, nos deleitó con 3 canciones acústicas en la terraza de Urbana Play. ¡No te pierdas el momentazo de Perros de la Calle! --- Send in a voice message: https://anchor.fm/urbanaplayfm/message

Episode 78 Strange Synths Little Heard Sounds from Unique Synthesizers Playlist David Behrman, “Pools Of Phase Locked Loops,” from My Dear Siegfried (2005 XI Records). Synthesizers (homemade), David Behrman, Katharine Morton Austin. Recorded live at Radio Bremen in May 1972 and commissioned by Hans Otte. At a time when commercial models of analog synths were widely available, Behrman and other musicians such as Gordon Mumma and David Tudor insisted on creating purpose-built instruments using the same principles. Behrman explains, “The homemade synthesizers had 32 voltage-controlled triangle-wave generators built around a chip utilizing a circuit design called the Phase Locked Loop. The chip made smooth glides possible from one pitch to another. The homemade synthesizers also had voltage-controlled amplifiers, rows of small knobs and frequency counters with the aid of which the performers could retune individual oscillators during a performance.” 14:00 John Ridges, “Fugue In G” (Bach) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). This work was made using a computer-controlled music synthesizer which its makers dubbed Mesmerelda. It was comprised on 200 integrated circuits that could create 96 different pitches assigned to six separate channels. Only one waveform was used, a square wave, and there was no envelope control. Hence, the simple organ-like tone of the piece. 4:49 John Ridges, “Ruffles” (Ridges) from Computer Controlled Synthesizer Performances (1977 Tesseract Records). From the same album comes “Ruffles” performed by composer John Ridges. This track featured a slightly more advanced computer music synthesizer they called the AD8. It featured up to eight synthesis boards each one relating to a single channel. So, eight pitches could be played at a time and there was filtering, waveform generation other than square waves, and simple envelope generation to provide a slightly more advanced sound. As Ridges wrote in the liner notes, with pride, “these pieces are generally free of the bizarre noises usually found on electronic synthesizer albums.” The pieces were recorded in real time without overdubs. 2:36 Patrick Gleeson, “Star Wars Theme (Luke's Theme)” (Williams). (1977 Mercury). Recorded and mixed at Different Fur, San Francisco, July 1977. The piece showcases various beds, rhythms, and sounds made using the E-mu modular synthesizer, also known as an Eµ synthesizer (it's original name). "Selections from the film performed on the world's most advanced synthesizer." Drums, Billy Cobham, Harvey Mason, James Levi, Ronnie Beck; Lyricon, Lenny Picket; Vocals, Sarah Baker; keyboards, performer (Breath Controller), engineered, produced, arranged, and conducted by Patrick Gleeson. 5:36 Bennie Maupin, “Crystals” from Moonscapes (1978 Mercury). Eµ synthesizer (E-mu Modular Synthesizer) programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned an Eµ modular synthesizer (see the earlier Star Wars album which also featured this same synth.) Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, Eµ Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the Eµ synthesizer and other instruments. 1:19 Sylvester, “You Make Me Feel (Mighty Real)” from Step II (1978 Fantasy). One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizers. String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects , Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 6:34 Pere Ubu, “I Will Wait” from Dub Housing (1978 Chrysalis). This second album from this Ohio group always figured high on my playlist of favorites. I was mostly fascinated by the synthesizer fills and hijinks by Allen Ravenstine that punctuated much of the group's music with the quirkiest of sounds, all blended and mixed to provide many weird hooks and twists. This is another example of the EML, Electro-comp duphonic modular synthesizer although almost used in a polar opposite way than Sylvester. This is a unique sound from the time. Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Ravenstine is still active and an electronic musician although he has left the EML for other synthesizer frontiers. He remains very much the experimental improviser. 1:45 Pere Ubu, “Navvy” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:40 Pere Ubu, “On the Surface” from Dub Housing (1978 Chrysalis). Performers, Allen Ravenstine, David Thomas, Scott Krauss, Tom Herman, Tony Maimone. Engineered by Ken Hamann at SUMA Studios, Painesville, Ohio, 8-9/78. Features sounds of the EML Electro-comp modular synthesizer by Allen Ravenstine. 2:37 Pascal Languirand, “O Nos Omnes” from De Harmonia Universalia (1980 Polydor). I am featuring a track that uses, among other instruments, the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 7:16 Moebius, “Clone Zone” from Moebius (1979 Plastic Poison). Yes, a progressive rock group that utilized the modular synthesizers developed by Serge Tcherepnin, Rich Gold, and Randy Cohen at CalArts in late 1972. By the mid-1970a, Tcherepnin left CalArts and began to manufacture his instruments in Hollywood. Serge modules were designed to bring many elements of the circuits controllable by the performer, patching them in unusual ways beyond what was considered normal for a given module. The model used on this album probably had a 16-stage sequencer introduced by the company, and I think you can hear such patterns in this song. Listen for the bubbling, sequenced sounds that are contrasted to the monophonic solos of the Minimoog and patch sounds of the ARP Odyssey. I think the track opens with the Serge pattern. Drums, Evan Kaplan; Minimoog synthesizer, Bruce Courtois; Roland Sh3a, AP 2600 synthesizers, Steve Roach; Serge modular, Minimoog synthesizer, vocals, written by, Bryce Robbley; Serge modular synthesizer, Doug Lynner. 4:55 Moebius, “Song For Lya,” from Moebius (1979 Plastic Poison). Serge, Oberheim, and Minimoog synthesizers, vocals, written by, Bryce Robbley; Serge, Oberheim synthesizers, written by, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 3:15 Henry Kucharzyk, “Play Dot Sam” from Walk The Line - Three New Works By Henry Kucharzyk (1985 Artifact Music). This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. Samson stands for the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 3:06 Salvatore Martirano, “The SalMar: Part One” from The SalMar Construction (2014 Sub Rosa). Another escapee from the 1970s was this performance at IRCAM in Paris in 1983. Salvatore Martirano, an American composer, invented the one-of-a-kind Sal-Mar Construction designed for real-time performance of electronic music. It was created from 1969 to 1972 at the University of Illinois. The analog synthesizer looked like a large drawing table with an array of 291 touch-sensitive connections to enable the sound generating circuits. Behind it all were some computer circuits salvaged from the Illiac II computer music system and they generated random sequences with which the performer could interact while managing four parallel processes governing the 16 oscillators, applying pitch, timbre, amplitude and envelope parameters to the sound. Martirano toured the world with the performing/composing music machine and described his live performances in the following manner: “The composer, in performance, interacts with the machine as it composes, creating spontaneously four melodic lines which move throughout the concert space via a network of 24 overhead speakers.” This performance was by Martirano while in Paris at IRCAM. 18:59 Herbie Hancock, “Rough” from Future Shock (1983 Columbia). Hancock was well known as an experimenter of new synthesizer technology. During the early stages of the home computer revolution, Hancock used an AlphaSyntauri synthesizer as part of his ensemble of instruments. The AlphaSyntauri was an add-in synth for the Apple II computer, with its own sound-generating circuit board. The company was around from about 1980 to 1985. Its claim to fame what that it was much more affordable than the digital synthesizers made by New England Digital and Fairlight, each of which cost in the $30,000 to $50,000 range. The AlphaSyntauri was $1500. At this price you got 16-voice polyphony, 16 digital oscillators, and envelope generator, keyboard, and a sequencer capable of storing up to 7000 notes. It's affordable sequencing was a major attraction. This was before the Apple Macintosh was introduced, and with that the AlphaSyntauri was made immediately obsolete. But not before Hancock was able to work it into some of his electronic jazz tracks. If you listen carefully you can pick-out the sounds of the AlphaSyntauri because of all of the other synths and instruments on this track. Backing Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Fairlight CMI Synthesizer, AlphaSyntauri Synthesizer, Emulator Synthesizer, Herbie Hancock; Prophet-5 Synthesizer, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 6:55 Opening background music: P.F.M. (Premiata Forneria Marconi), “Storia In "LA"” from Jet Lag (1977 Asylum Records). Italian progressive rock band founded in 1970. Album recorded at Kendun Recorders, Burbank, California, January, 1977 and Scorpio Sound Studio, London, February, 1977. Mixed at Scorpio Sound Studio, February 1977. Mastered at RCA Studio, London. Bass, Moog B12 Synthesizer, Patrick Djivas; Drums, Percussion, Franz Di Cioccio; Electric Piano, Organ, Moog Synthesizer, Flavio Premoli. 6:28 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Making a Scene Presents an Interview with Emanuel CasablancaEmanuel Casablanca is an ideal example of an artist who possesses the ability, ingenuity and the passion that drives him to succeed. Happily, the combination has paid off. The Brooklyn-based guitarist, singer and songwriter has worked with an array of A-list performers over the course of his career, among them such luminaries as bassist and producer Bill Laswell, drummer Daxx Nielsen, a prominent member of Rock and Roll Hall of Fame honorees Cheap Trick, vocalist Bernard Fowler, a touring member of the Rolling Stones, bassist Doug Wimbish of the Grammy-winning band Living Colour, and others.

Bernard Fowler has been a member of The Rolling Stones touring band since 1989 and has provided backup vocals on every Stones record since Steel Wheels. Along the way, he has collaborated with some of the biggest names in music as a singer, performer, and producer. In a special extended interview, we take an inside look at The Rolling Stones and Bernard's solo career, and the process of making legendary music. Join the club as we discuss a hidden fondness for falconry and Arabian horses, an appetite for Japanese food, and the masterpiece that is Sticky Fingers by The Rolling Stones.

On this special interview episode of the Banned Biographies podcast Tom Austin-Morgan talks to Chris Constantinou, who is probably better known to Adam Ant fan as Chris DeNiro - the bassist in Adam's post-Ants solo band. Chris has also played in The Wolfmen with Marco Pirroni, JackieOnAssid, and One Thousand Motels with Rat Scabies of The Damned which cover everything from blues to dance music. In between these he's also played on songs and albums with Annabella Lwin from Bow Wow Wow, Guy Chambers before he started his partnership with Robbie Williams, The Slits, Sinéad O'Connor, Daler Mehndi, Holy Holy, Brant Bjork & Sean Wheeler, Andreas Grega, Nerina Pallot and Earl Slick and Bernard Fowler. He also sometimes plays flute live with The Dandy Warhols. Currently, he is about the release a new mini-album called Femme Power with rapper, Jenna Dickens in a punk rap project called Rude GRL + CC. Femme Power will be available to stream and buy on the 6th of May 2022 and is released through Ingrooves (part of the Universal Music Group).  In June, they'll also be releasing a double A-side through Cleopatra Records, the tracks are I'm Good (mixed by Nick Hodgson of the Kaiser Chiefs) and the second track is a version of Adam Ant's Goody Two Shoes. So, keep your eyes peeled for those dropping. On top of all this he also has stories of playing on Top of the Pops, Live Aid, convincing Guy Chambers not to give up on a career in music, and recording in the Palm Desert scene with members of various bands including Masters of Reality, Queens of the Stone Age, etc and all the madness involved in that, supporting King Crimson and Hawkwind as a 13-year-old and so much more As you can see, Chris has lived a hell of a life and I feel like I only just scraped the surface. Hopefully, there'll be a follow up episode in the future. If you get a fraction of joy listening to our conversation as I did having it I'm sure you'll be supremely satisfied. I'd like to thank Chris for being so generous with his time as well as for being so candid and warm. An extra special thank you must also go to my friend Rhiannon Ifans for setting this up. Let me know what you thought of it by commenting on the social media post, and be sure to share it - and the podcast as a whole - with your friends. Find Rude GRL + CC here: Spotify Facebook Twitter YouTube Find One Thousand Motels here: https://onethousandmotels.com/  Facebook Twitter Instagram YouTube Contact Twitter: @BannedBiogs Facebook: @BannedBiographies Instagram: @bannedbiographies E-mail: bannedbiographies@gmail.com

¡LUJAZO EN TODO PASA! El corista de los Rolling Stones la rompe toda en la terraza. --- Send in a voice message: https://anchor.fm/urbanaplayfm/message

Episode # 173 - Deborah Bonham and Peter Bullick talk New Album, Band Name Change, Jeff Beck and so much more!! Talking Points: Livestream Show Challenge of playing cover tracks Selection process of songs Bernard Fowler's "See You Again" from his album "The Bura" Albert King's "See What You're Doing To Me" Mark Lanegan's "Bleeding Muddy Waters" Jeff Beck Story Produced by Deborah and Mixed by Tim Oliver at Peter Gabriel's Studios Special Guests on the Album Live Shows Band Members 2018 Stars Align Tour with Paul Rodgers, Jeff Beck and Ann Wilson 2022 Tour begins in UK and hope in the US in the fall Peter's Guitar tone and much more!! Subscribe to Pat's Soundbytes Unplugged Podcast, Pat's Soundbytes IGTV and Pat's Soundbytes Unplugged - Podcast Radio Show on YouTube for all the interviews and incredible content. Instagram: Pat's Soundbytes Twitter: @PatsSoundbytes Facebook: Patrick Calamari or Pat's Soundbytes Unplugged! Patreon Page: Pat's Soundbytes

Bernard Fowler background singer of the Rolling Stones talks about his ROCK SCENE

1 West Island The Invisible Session 03:50 echoes of africa 2 Hole In My Pocket Ruthie Foster 04:42 Runaway Soul 3 Bridges Instead Of Walls Staple Singers 04:01 Be What You Are 4 Top Ten Gregory Isaacs 03:24 Cool Ruler Come Again 5 Roots Of Love (Bonus Alternative Mixes) Quiet Elegance 04:12 The Complete Quiet Elegance On Hi Records 6 Treat Her Right Roy Head 02:32 Texas Soul & Country Man:Crazy Cajun Recordings 7 It's Not Your Business Sharon Clark & The Product Of Time 02:59 Eccentric Soul: The Young Disciples 8 She's Looking Good (Galaxy) Roger Collins 02:24 Get Back Up Again 15 9 Keep on sockin it to me Sam Moore 02:53 The Lost Album 10 get out of my way Batti Mamzelle 04:05 11 Middle of Love Beverley Knight 04:11 Soulsville 12 Ruby Lee Bill Withers 03:17 +'Justments 13 Subway Joe Joe Bataan y Los Fulanos 03:32 King Of Latin Soul 14 High On Your Love Kings Go Forth 04:14 The Outsiders Are Back 15 The Speech DeRobert & The Half-Truths 03:45 I'm Tryin' 16 Supernatural Thing Ben E King 04:11 Sampled Volume 4 (Disc 1) 17 Over The Rainbow BIM SHERMAN 06:17 Miracle 18 World War Three Barbara Mason 10:04 Lady Love 19 Overcome Soothsayers 03:51 Tradition 20 Daddy Sweet Feat. Pat Kalla Guts 06:20 Philantropiques 21 The Fixer Brass Knuckle Brass Band 03:19 Split Lip 22 IN THE DARK with NICHOLA RICHARDS THE MIGHTY MOCAMBOS 03:12 SHOWDOWN (Mocambo Records MLP 1008) 23 Nervous Like Me The Dap Kings 04:07 Modern Funk 24 She's Hooked - (with Reggie Wa Soulive 04:02 Break Out 25 Hey Girl Sonny Knight & The Lakers 02:52 I'm Still Here 26 Thank You ft. Amad Henderson, Bernard Fowler & Fred Fowler Shango 07:27 Shango Funk Theology 27 Don't Joke With A Hungry Man feat. Spanky Wilson Quantic 05:18 Mishaps Happening 28 you've always got the blues Bobby 'Blue' Bland 04:07 Get On Down With

Welcome to Episode 5 of The Sync Report Podcast with this week's guest Danny Saber. 2 Sense  Music presents The Sync Report, where you will meet industry experts and top level songwriters as we pull the curtain back on music placement and scores, build vital relationships and provide real opportunities to our listeners. Listen to indie filmmakers present their latest productions and describe specific scenes as they consider music submitted by our audience. Hosted by music supervisor and former Sony Epic Executive Jason P. Rothberg and the Godmother of Indie Films, Rose Ganguzza. American musician, producer, remixer, engineer and DJ Danny Saber joined us to talk about his incredible music career; from being one of the first artists signed to Madonna's Maverick Records label (as part of the band Proper Grounds), to joining Black Grape with Shaun Ryder, (after the Happy Mondays), to producing and remixing some of the world's biggest artists and working with some of the world's best movie directors, including Baz Luhrmann. Find out how Saber writes and records music for movies,  what it was like to work with Joe Strummer, to work on Michael Hutchence's music, working with music supervisors and much more. With guest host Sean Hurwitz and a guest appearance by American musician Bernard Fowler (he's worked with The Rolling Stones, Sly & Robbie, Yoko Ono, Duran Duran, Public Image Ltd, Little Axe, Alice Cooper and more). Plus we talk through the sync opportunity for the marketing of KP Films "The Life of Life" movie, with Executive Producer Patti Price and Film Producer Sandy Perry. Danny Saber American musician, producer, remixer, engineer and DJ Danny Saber joined us to talk about his incredible music career; from being one of the first artists signed to Madonna's Maverick Records label (as part of the band Proper Grounds), to joining Black Grape with Shaun Ryder, (after the Happy Mondays), to producing and remixing some of the world's biggest artists and working with some of the world's best movie directors, including Baz Luhrmann. Find out how Saber writes and records music for movies,  what it was like to work with Joe Strummer, to work on Michael Hutchence's music, working with music supervisors and much more. With guest host Sean Hurwitz and a guest appearance by American musician Bernard Fowler (he's worked with The Rolling Stones, Sly & Robbie, Yoko Ono, Duran Duran, Public Image Ltd, Little Axe, Alice Cooper and more). Plus we talk through the sync opportunity for the marketing of KP Films "The Life of Life" movie, with Executive Producer Patti Price and Film Producer Sandy Perry. Danny Saber | Social Media Website Youtube IG Facebook Twitter Music from our featured artists for this episode: Reggie Riff (Instrumental) By: NIgel McLean Skank It (Instrumental)  By: Babbat d Bastille Hammond Thing (Instrumental)  By: Nigel McLean King Fu (Instrumental)  By: Danny Saber Harmony (Instrumental) By: Danny Saber Crazy Show (Instrumental) By: Nigel McLean Funny Music (Instrumental) By: Ron Rogers  Swinger (Instrumental) By: Babbat d Bastille & Nigel McLean Pick Me Up (Instrumental) By: Nigel McLean Mark It (Instrumental) By: Babbat d Bastille Son Rise (Instrumental) By: Nigel McLean  Music is the difference between a good film and a great one.  Please tell your friends about us, and remember to rate, comment, & subscribe to us on Apple Podcasts and across all platforms.   And find us at The Sync Report here TSR Website  Facebook  Instagram Twitter Youtube Linkedin Tik Tok 

In this episode we depart from our normal format in order to celebrate the milestone that is our 100th episode. Barney, Mark & Jasper look back over highlights of the previous 99 "shows", listening to amusing clips from interviews with Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Loyd Grossman and John Harris. Along the way they relive the podcast's inception and evolution — and the crucial importance of Mark Pringle's inimitable laugh.The podcast's "power trio" wish a happy 80th birthday to contributor Keith Altham, express their deep appreciation for his support over the past 20 years, and discuss three of his 450 pieces on RBP. They also talk a bit about the Black Keys, R. L Burnside & the North Mississippi hill country blues sound that inspired the Keys' new Delta Kream album. Clips from a 1991 audio interview with Donald Fagen prompt conversation about The Nightfly, the Rock & Soul Revue, and the all-round greatness of Steely Dan.Finally, Mark regales us with quotes from new library pieces about the Velvets & the Mothers live, the Bee Gees' Barry Gibb and Cameo's Larry Blackmon. Jasper talks us out with remarks on Coldplay live and Lil Jon.Many thanks to all our guests, contributors and listeners for joining us for one hundred episodes.The Rock's Backpages podcast is part of the Pantheon podcast network.Pieces and episodes discussed: Episode 1, Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Barbara Charone, Loyd Grossman, John Harris, Keith Altham at 80, Monterey Pop, Marc Bolan, The Beatles, North Mississippi Hill Country Blues, R. L. Burnside and Junior Kimbrough, Billy Gibbons and Dan Auerbach, Donald Fagen audio, the Velvet Underground & the Mothers of Invention, Barry Gibb, Miles Davis, Cameo, Public Enemy, Coldplay, Lil Jon, Junglepussy, Christina Aguilera and Keith Altham.

In this episode we depart from our normal format in order to celebrate the milestone that is our 100th episode. Barney, Mark & Jasper look back over highlights of the previous 99 "shows", listening to amusing clips from interviews with Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Loyd Grossman and John Harris. Along the way they relive the podcast's inception and evolution — and the crucial importance of Mark Pringle's inimitable laugh. The podcast's "power trio" wish a happy 80th birthday to contributor Keith Altham, express their deep appreciation for his support over the past 20 years, and discuss three of his 450 pieces on RBP. They also talk a bit about the Black Keys, R. L Burnside & the North Mississippi hill country blues sound that inspired the Keys' new Delta Kream album. Clips from a 1991 audio interview with Donald Fagen prompt conversation about The Nightfly, the Rock & Soul Revue, and the all-round greatness of Steely Dan. Finally, Mark regales us with quotes from new library pieces about the Velvets & the Mothers live, the Bee Gees' Barry Gibb and Cameo's Larry Blackmon. Jasper talks us out with remarks on Coldplay live and Lil Jon. Many thanks to all our guests, contributors and listeners for joining us for one hundred episodes. The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces and episodes discussed: Episode 1, Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Barbara Charone, Loyd Grossman, John Harris, Keith Altham at 80, Monterey Pop, Marc Bolan, The Beatles, North Mississippi Hill Country Blues, R. L. Burnside and Junior Kimbrough, Billy Gibbons and Dan Auerbach, Donald Fagen audio, the Velvet Underground & the Mothers of Invention, Barry Gibb, Miles Davis, Cameo, Public Enemy, Coldplay, Lil Jon, Junglepussy, Christina Aguilera and Keith Altham.

In this episode we depart from our normal format in order to celebrate the milestone that is our 100th episode. Barney, Mark & Jasper look back over highlights of the previous 99 "shows", listening to amusing clips from interviews with Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Loyd Grossman and John Harris. Along the way they relive the podcast's inception and evolution — and the crucial importance of Mark Pringle's inimitable laugh.The podcast's "power trio" wish a happy 80th birthday to contributor Keith Altham, express their deep appreciation for his support over the past 20 years, and discuss three of his 450 pieces on RBP. They also talk a bit about the Black Keys, R. L Burnside & the North Mississippi hill country blues sound that inspired the Keys' new Delta Kream album. Clips from a 1991 audio interview with Donald Fagen prompt conversation about The Nightfly, the Rock & Soul Revue, and the all-round greatness of Steely Dan.Finally, Mark regales us with quotes from new library pieces about the Velvets & the Mothers live, the Bee Gees' Barry Gibb and Cameo's Larry Blackmon. Jasper talks us out with remarks on Coldplay live and Lil Jon.Many thanks to all our guests, contributors and listeners for joining us for one hundred episodes.The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces and episodes discussed: Episode 1, Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Barbara Charone, Loyd Grossman, John Harris, Keith Altham at 80, Monterey Pop, Marc Bolan, The Beatles, North Mississippi Hill Country Blues, R. L. Burnside and Junior Kimbrough, Billy Gibbons and Dan Auerbach, Donald Fagen audio, the Velvet Underground & the Mothers of Invention, Barry Gibb, Miles Davis, Cameo, Public Enemy, Coldplay, Lil Jon, Junglepussy, Christina Aguilera and Keith Altham.

In this episode we depart from our normal format in order to celebrate the milestone that is our 100th episode. Barney, Mark & Jasper look back over highlights of the previous 99 "shows", listening to amusing clips from interviews with Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Loyd Grossman and John Harris. Along the way they relive the podcast's inception and evolution — and the crucial importance of Mark Pringle's inimitable laugh. The podcast's "power trio" wish a happy 80th birthday to contributor Keith Altham, express their deep appreciation for his support over the past 20 years, and discuss three of his 450 pieces on RBP. They also talk a bit about the Black Keys, R. L Burnside & the North Mississippi hill country blues sound that inspired the Keys' new Delta Kream album. Clips from a 1991 audio interview with Donald Fagen prompt conversation about The Nightfly, the Rock & Soul Revue, and the all-round greatness of Steely Dan. Finally, Mark regales us with quotes from new library pieces about the Velvets & the Mothers live, the Bee Gees' Barry Gibb and Cameo's Larry Blackmon. Jasper talks us out with remarks on Coldplay live and Lil Jon. Many thanks to all our guests, contributors and listeners for joining us for one hundred episodes. The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces and episodes discussed: Episode 1, Jennifer Otter Bickerdike, Neil Tennant, Amy Linden, Bernard Fowler, James Fox, Stewart Lee, Caroline Boucher, Barbara Charone, Loyd Grossman, John Harris, Keith Altham at 80, Monterey Pop, Marc Bolan, The Beatles, North Mississippi Hill Country Blues, R. L. Burnside and Junior Kimbrough, Billy Gibbons and Dan Auerbach, Donald Fagen audio, the Velvet Underground & the Mothers of Invention, Barry Gibb, Miles Davis, Cameo, Public Enemy, Coldplay, Lil Jon, Junglepussy, Christina Aguilera and Keith Altham.

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 189, Part 2 of 2: Superlative guitarist, singer, composer and producer Stevie Salas! A prominent solo artist in his own right, he has recorded on more than 70 albums with a diverse range of artists spanning George Clinton, Bootsy Collins, Bernard Fowler, Buddy Miles, Doug Wimbish and Jara Harris to Justin Timberlake, T.I., Mick Jagger, Rod Stewart and Zack Wylde.  Salas has further distinguished himself by branching out into television, film, as an author and more. Those undertakings include working on the “American Idol” show, his book about touring with Rod Stewart called “When We Were Boys,” and exec producing the award-winning documentary “RUMBLE: The Indians Who Rocked the World.”  So expansive is his career that it would take multiple episodes of this show to do it justice. This go-round, the focus is primarily on his experiences and contributions to the world of funk-rock. RECORDED FEBRUARY 2021 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 189, Part 1 of 2: Superlative guitarist, singer, composer and producer Stevie Salas! A prominent solo artist in his own right, he has recorded on more than 70 albums with a diverse range of artists spanning George Clinton, Bootsy Collins, Bernard Fowler, Buddy Miles, Doug Wimbish and Jara Harris to Justin Timberlake, T.I., Mick Jagger, Rod Stewart and Zack Wylde.  Salas has further distinguished himself by branching out into television, film, as an author and more. Those undertakings include working on the “American Idol” show, his book about touring with Rod Stewart called “When We Were Boys,” and exec producing the award-winning documentary “RUMBLE: The Indians Who Rocked the World.”  So expansive is his career that it would take multiple episodes of this show to do it justice. This go-round, the focus is primarily on his experiences and contributions to the world of funk-rock. RECORDED FEBRUARY 2021 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c400

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 3 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 2 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM Member at https://www.patreon/truthinrhythm. Featured in TIR Episode 179, Part 1 of 3: Bernard Fowler, an extraordinary singer and composer who since the late 1970s has lent his voice to a massive amount of wonderful and envelope-pushing music, and in doing so has defied his work being simply categorized.  Perhaps best known for his 35+ years recording and touring with the Rolling Stones as well as its individual members, he has also collaborated with an incredible list of other A-list and leading-edge artists. They include Bill Laswell and Material; Herbie Hancock; Lenny White; Gil Scott-Heron; Sly & Robbie; Bootsy Collins; Duran Duran; Living Colour; Bonnie Raitt; Alice Cooper; Willie Nelson; Herb Alpert; Yoko Ono and many others.  In addition, he is a member of the industrial funk band Tackhead and has released three solo albums. The most recent is 2019’s Inside Out, which deconstructs Stones’ classics and deep cuts. RECORDED DECEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 3 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 2 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

** PLEASE SUBSCRIBE ** Brought to you by FUNKNSTUFF.NET and hosted by Scott "DR GX" Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove.  New! Become a TRUTH IN RHYTHM member at https://patreon.com/truthinrhythm. Featured in TIR Episode 178, Part 1 of 3:  Keith LeBlanc, a trailblazing drummer, composer and producer who since 1979 has explored and often fused funk, rap, rock, hip hop, electronic, industrial and other genres.  Along with being a member of the progressive and experimental band Tackhead (also including Doug Wimbish, Skip McDonald and Bernard Fowler), LeBlanc has released several cutting-edge solo albums and collaborated with numerous well-known artists. That impressive list includes the Sugarhill Gang, Afrika Bambaataa, R.E.M., Seal, Peter Gabriel, Nine Inch Nails, Lou Rawls, Annie Lennox, Living Colour, Depeche Mode and Tina Turner. Here he details his musical journey and evolution, how he came to embrace diverse influences and break boundaries, and studio and stage memories that include those listed above along with lots more, such as Parliament-Funkadelic. RECORDED NOVEMBER 2020 LEGAL NOTICE: All video and audio content is protected by copyright. Any use of this material is strictly prohibited without expressed consent from original content producer and owner Scott Goldfine, dba FUNKNSTUFF. For inquiries, email info@funknstuff.net. TRUTH IN RHYTHM is a registered U.S. Trademark (Serial #88540281). Get your copy of "Everything Is on the One: The First Guide of Funk" today! https://www.amazon.com/gp/product/1541256603/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1541256603&linkCode=as2&tag=funknstuff-20&linkId=b6c7558ddc7f8fc9fe440c5d9f3c4008

TRUE HOUSE STORIES WITH LOUIE VEGA (MASTERS AT WORK)INTERVIEW BY LENNY FONTANA PODCAST 022 (PART 2) A leader in global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul. What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on his musical creations. In 2020, his production team Masters At Work with Kenny Dope Gonzalez will revamp their label Maw Records, and will be releasing their full catalog worldwide via digital and streaming outlets. New Masters At Work Remixes for Dua Lipa (Via The Black Madonna's Mix Tape), DJ Krust (on Crosstown Rebels), and new productions for the Maw Imprint by The Masters At Work. Louie Vega has also teamed with The Martinez Brothers for a second single entitled “Let It Go” with Marc Bassy released July 10, 2020 on the titan record label Defected. In NYC, Vegas' weekly residency night has inspired him to record an album for Nervous Records release coming early 2021 featuring his friends : Robyn, Honey Dijon, Bernard Fowler, Moodymann, Kerri Chandler, Anané, Lisa Fischer, Joe Claussell, Tony Momrelle, Karen Harding, & the super band Unlimited Touch. Breaking down musical barriers and bringing people together through a love of music has always been Vega's aim; his contributions continue to positively influence global dance music. Join Lenny Fontana as he interviews Louie Vega about his incredible career in the music industry making him one of the biggest names in the business.

Turn it up Podcast with your host Gerry Casey and Interview with Gerry Quigley!1-Anthony Gomes,Make A Good Man(Wanna Be Bad) New Single)2-61Ghosts,Requiem (New 2020)3-Black Stone Cherry, Ringin In My Head( New single)4-The Cold Stares , Jailbreak( New Single)5-Angus Gill And Season’s Of Change ( featuring Steve Earle),The New Old Me(New Single)6-Minefield, Alone Together (New Single)7-Rebecca Downes (Featuring Alan Nimmo),Wave Them Goodbye (New Single)8-Chris Smithers,Let It Go (New Single)9-Doyle Bramhall 2nd+Smokestack,Thin Dream(Welcome 2001)"10- Gerry Quigley And The Nomadic Druids ,Conception (Yesterday,Today,And Tomorrow 2019)""11-Gerry Quigley And The Nomadic Druids ,Prelude To Today (Yesterday, Today, And Tomorrow 2019)"12-Beth Blade And The Beautiful Disasters, (Give It All You Got(Show Me Your Teeth 2019)13-The Muggs ,Rattlesnake Shake(Straight Up Boogaloo 2015)14-Kilfeather,Never Stop(New Single)15-Leaves’ Eyes,Chain Of The Golden Horn( New Single)16-U2/Elton John, Get It On ( Bang A Gong (New Single)17-Vanilla Fudge, Immigrant Song (New Single)18-Skam,Green Eyes-(New Single)19-Willie And The Bandits, Retribution (Paths2019)20- Suzanne Santo + Gary Clark Jr,Fall For That (New Single title track from  new album)21-Billy F.Gibbons , Missing Yo’ Kissing ( The Big Bad Blues2018)22-Kris Barras Band , Lovers Or Looser’s (The Divine And The Dirty 2018)23 Laurence Jones,All I Need(What’s It  Gonna Be 2015)24-Sterling Kotch,Blow My Mind(Let It Slide 2013)25-The Blues Band , Boom Boom Out Go The Lights (Official Blues Band Bootleg album re-issued 2013)26-Lance Lopez , El Paso Sugar (Higher Ground 2007 )27- Pontus Snibb,Wreck Of Blues Theme (To Late To Die Young 2018)28-Bernard Fowler,Shake It(The Bura 2015)29- Colm’s Pick,Soundgarden -No Attention (Down On upside1996)30-Colm’s Pick,Riot-Swords And Tequila (Fire Down Under1981)31-Smoking Joe Kubeck And Bonis King,Have Blues Will Travel (Title Track 2010)32-Savoy Brown,Rockin In Louisiana (Ain’t Done Yet 2020)33-Steve Miller, Going To The Country (Away From The Getto 1973)"34-Dion Van Morrison Joe Louis Walker,(Blues With Friends 2020)""35-Pete Townshend Ronnie Lane,My Baby Gives It Away(Rough Mix 1977)"36-24 Pesos,I Am The Blues(Flesh And Bone 2019)"37-Gerry Quigley And The Nomadic Druids ,Today.( Yesterday, Today, And Tomorrow 2019)"38-Tinsley Ellis, Last One To Know(Ice Cream In Hell 2020)39-The Rolling Stones, Dancing With Mister D( Goats He"1-Gerry Quigley And The Nomadic Druids ,Prelude To Yesterday (Yesterday,Today And Tomorrow 2019)""2-Gerry Quigley And The Nomadic Druids ,Yesterday ( Yesterday, Today, And Tomorrow 2019)"The Turn It Up interview with the Celtic Wizard Gerry Quigley  

Episode # 59 - Singer, Songwriter & Member of The Rolling Stones Band - Bernard Fowler - 4-1-2020. Bernard talks a year after the release of his incredible album Inside Out and much more!!

Bernard Fowler promoting his latest solo release "Inside Out" and much more!!

DJ Adam Wise - Deep Reflux Sylvio - Utopia Martin Eyerer feat. Sian Kosheen - Your Move [Namito Remix] Sasha - Smoke Monk [Original Mix] Kai Tracid - Discreet Charm Sebastien Leger - Rocket To Lee's Little Cloud [Original Mix] Mr. ID feat. Kawtar Sadik - Salat Ala Nabina [Main Mix] Robert Miles - Children [Mica Remix] Spirit Catcher & Compuphonic - Other Side of the Game Monakhov & Que - Hola [Original Mix] Louis Botella - Sueno Latino [Paradise Slave Original Mix] Maya Jane Coles - Parallel Worlds [Original Mix] Chab - Lover [Satoshi Tomiie 3D Dub] DJ Project - Privirea Ta [N!men! remix] Nic Fanciulli feat. Bernard Fowler & The Peechboys - Caller ID Josh Wink - Counter Clock 319 [Chateau Flight Remix] Mauro Picotto - Zeitwerk [Reset Robot Remix] Loco Dice - Breakfast At Nina's Maya Jane Coles - Cutting It Fine [Original Mix] Kollektiv Turmstrasse - Sorry I Am Late [Original Mix] Rachael Starr - 'Till There Was You [John Creamer and Stephane K club mix] John Dahlback - Ooh Oh I E [Sebo K. Remix] DJ Robert Georgescu feat. Steel and White - Do You Know

Today's Bombshell (Bombshell Radio) Bombshell Radio Thursday's 2pm-3pm EST 11pm-12pm PDT 7pm-8pm BST bombshellradio.com stereoembersmagazine.com Stereo Embers Magazine #StereoEmbers, #podcast, #RadioShow, #AlexGreen, #Alternative , #NewMusic ,#Nowplaying, #BombshellRadio, #podcast, #bernardfowler#newmusicalert

"Give This Album A Grammy And Get On With It” It’s hard to explain how brilliant Bernard Fowler’s new album Inside Out is. A percussive and poetic spoken word reimagining of The Rolling Stones’ songbook, Inside Out is an innovative and wildly creative collection. If there’s any justice in this world, this record will not only be nominated for an album—it will win one. A touring member of The Stones since 1989, the New York-born Fowler has one of the most distinctive voices in the business. In this interview he chats with Alex about having Mick Jagger hear his interpretations of his compositions, the magic of Ray Parker Jr. and the wisdom of age. He also talks about working with John Lydon and Duran Duran and he has a priceless reaction when Alex compares him to Frank Sinatra….

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Singer Bernard Fowler has been around for close to 40 years. In addition to fronting his own bands Sirrius and Nicklebag, he's been the frontman for Tackhead and performed on an unbelievable number of records, many of them as a member of Bill Laswell's company of musicians. Since 1989, he's also been a backup singer for the Rolling Stones, which is where his new album comes from. Inside Out is a collection of Stones songs, radically re-interpreted in a Gil Scott-Heron/Last Poets spoken-word style; it's one of the most fascinating projects I've heard all year, and really proves that Mick Jagger and Keith Richards are kind of underrated as lyricists. In this interview, we talk about his work with Bill Laswell and Adrian Sherwood, his solo career, his time with the Rolling Stones, and much, much more. Very few people have had a career as far-ranging as Bernard Fowler, or worked with as many people as he has, so I hope you'll enjoy this episode. I very much enjoyed talking to him. This episode has no sponsors of any kind, so please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Bernard Fowler, "Undercover of the Night" (Inside Out) Bernard Fowler, "Sister Morphine" (Inside Out)

Phil Freeman talks to singer Bernard Fowler.

1.Jesus StreetbyLeandro Di 2.The Deep Mood (David R Maddocks remix)byDr Yohanson & Banbaten 4.Move Is YoubyAbriviatura IV 5.Blues FeelingbyChrono 6.Rescue MebyGroove Armada 7.Back To (Frank Johnson & Mario Cabrera remix)byMarco Tisano 8.La Sorgente Di JafarbyMax (Italy) & Federico Mandelli 9.Hold On Rodion (feat Jeppe Kjellberg & Khan - Bostro Pesopeo Midnight dub mix)byRodion 10.Autumn BluesbyThe Cheapers 11.Moon ModulebyTuccillo 12.ScubarubyBen Nook 13.Long Way Down (dub version)byDrauf & Dran 14.We Need Suboxones (Brett Johnson remix)byThe Garris Ground 15.Itas Time To Go (original mix)byBoyd Jarvis 16.So Lonely (feat Shatti - Vincemo Hang Session mix)byKqueSol & DOOP 17.Gloss (feat Ann Di - Long Garden Avenue dub mix)byAlexey Lisin Feat. Ann Di 18.Theme (Night Talk remix)byBenotmane 19.Out DoorbyCharles Ramirez & Gary DF 20.Chains (JR From Dallas raw mix)byMax Duke 21.Chemistry (John Adam remix)byMike Robia 22.Tribal Chemistry (feat K'Osmos)byMoIsh 23.Caller ID (feat Bernard Fowler and The Peechboys)byNic Fanciulli 24.RainbowsbyDeep Sector 25.Last Change (Jay Shepheard mix)byPablo Bolivar 26.Break It Down (Phunk Da Fried Chicken mix)byThe Wisemen & Johan Greaves 27.Unified (As One) (feat Indeya & Titus Fotso - S & E Motherland Chant mix - remastered)byGroove Junkies 28.A Track For____ (vocal mix)bySophisticatedA Noise

Bernard Fowler is a singer, songwriter, producer known by millions as the background singer and percussionist for The Rolling Stones. His new album ‘Inside Out' uniquely interprets Rolling Stones tracks using a Beatnic style with a focus on their lyrics. Jason Barnard talks to Bernard to hear his musical story. For more information visit bernardfowler.com […] The post Bernard Fowler – The Rolling Stones appeared first on The Strange Brew.

On an episode of the Goldmine Magazine Podcast, singer Bernard Fowler talks about his work with the Rolling Stones (he's currently on tour with the band) and his newest solo album, "Inside Out," a spoken word tribute to the Stones. ► Learn more about your ad choices. Visit megaphone.fm/adchoices

On an episode of the Goldmine Magazine Podcast, singer Bernard Fowler talks about his work with the Rolling Stones (he's currently on tour with the band) and his newest solo album, "Inside Out," a spoken word tribute to the Stones. ►

Face it. Bernard Fowler has a better job than you. Not only does he release his own solo work, like his new album, Inside Out, he has also toured the world singing with the Rolling Stones for more than thirty years. He first started working with Mick Jagger on his solo album, She's the Boss, in 1985. Producer Bill Laswell had told Fowler he had a job for him in London, but didn't tell him with whom until he got in the same room with Jagger. As he tells me, he was more than surprised. But he aced the job, so when the Stones were getting ready to record Steel Wheels, Fowler got the nod to sing in the studio and on tour. He took charge of his part in the recording, going so far as to tell the guys to stop rolling tape so he could make suggestions. He has been firmly ensconced in that world ever since, touring and recording on Stones albums and solo albums, and writing with Ronnie Wood. As he says, he's watched their children grow up. The new album is a tribute to the Stones done in a spoken-word style, which helps brings out the stories in the lyrics. And it's not just a greatest hits package. He does “Sympathy For the Devil, which you heard on last week's episode, but other than that, Fowler takes a deeper dive with cuts like “Dancing With Mr. D,” “Sister Morphine,” and “All the Way Down.” Fowler is happy to report that after his recent heart problems, Jagger is looking pretty spry onstage. And Fowler thinks the Stones are a better band now than they ever have been, and tells me why later in the interview. He says what he's mainly learned from the band is that if you love what you do, you can do it for a long time, and at a very high level. He also says there are a few songs on the new tour's set list that might surprise people. Although it's obviously a big part of his world, there's more to Fowler than his work with the Stones. “When I'm not singing for the Rolling Stones,” he says, “in my world, I'm the Mick Jagger.” Over the years, he's been a part of bands like Tackhead, Nicklebag (that's “bag,” not “back”), and Little Axe. He's also done session work on albums by Herbie Hancock, Bootsy Collins, Philip Glass, Duran Duran, Public Image, Ltd., and many others. We even talk about a short stint working with Steven Seagal, which Fowler was not at all happy I brought up, but I do love his reaction to that line of questioning. I spoke to him before a rehearsal with the Stones in London for the new tour, which kicks off this week at Soldier Field in Chicago. You can actually hear him getting his things together to go toward the end, and there are a couple of places where the connection dips a bit, but I hated to lose any of the great stuff Fowler was saying.

Nathan Ballingrud has a wonderfully demented imagination. He has a way of reaching into your brain and finding all of those creepy little corners where you hide the things that make you cringe and make your skin crawl. In his first collection of stories, North American Lake Monsters, there was a bit more realism in his stories and characters. Hulu has optioned that, and will start shooting an anthology series this summer. In Wounds: Six Stories from the Border of Hell, he goes for broke, to the point where he was worried he might be going over the top. Not worried enough, though, to pull anything back. In “Atlas of Hell,” a decapitated skull allows a mob lackey fetch demons and objects from the underworld. In “The Diabolist,” a young girl is left alone in her scientist father's mansion when he dies with an imp trapped in a tank, and starts to fight back against the town that has always ostracized her. In “Skullpocket,” flesh-eating ghouls sponsor a deadly fair for children. In “The Visible Filth,” which is now a film called Wounds on the festival circuit starring Armie Hammer, Dakota Johnson, and Zazie Beets, a bartender in a New Orleans dive fights his own jealousy and a mysterious stranger who contacts him through a phone left behind at the bar after a fight. Nightmare creatures attack a town and flay its inhabitants to make giant, singing skin structures in “”The Maw,” and pirates take, quite literally, a journey to the shores of Hell in “The Butcher's Table.” I talked to Ballingrud about his inspiration for these stories, which included Stephen King and Mike Mignola, how they're all connected, the new film, and more. He finds all of this creepiness quite fun, which is good for us, because he's got more stories on the way, and a full-length book he's working on to release in 2021, which he says is set on Mars in 1930. You can find out more about his work on nathanballingrud.com and find him on Twitter under @NBallingrud. Our featured track this week is a cover of the Rolling Stones' “Sympathy for the Devil” from their longtime backup singer Bernard Fowler. This is a spoken-word version of the song, as are all of the Stones covers on the new album, Inside Out. Fowler has been singing with the Stones for more than three decades now, and had the idea that he could put the lyrics up front by covering the songs in this style. He started doing it at soundchecks on tour with the Stones, and told Mick Jagger at one point he planned to cut an album. Jagger apparently gave his blessing, and the album was born. Fowler is getting ready for the new Stones tour now, and I caught him before a rehearsal to talk about his album and his history with not only the Stones, but Herbie Hancock, Bootsy Collins, and more. Tune in next week for that. If you want to check out more of his work, you can find it on Spotify and check out his site at bernardfowler.com.

Bernard Fowler of Rolling Stones fame called into the show to discuss his new album, 'Inside Out'.

Three guests in one day, two of them who have the word "shit" in the title of their book. We didn't plan this. If we had, Bernard would have sworn a lot more. Stop Doing That Sh*t: End Self-Sabotage and Demand Your Life BackBook Link- amzn.to/30mANUXSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Gabe Morency and Joe Raineri open up the program talking about the big issues in last night playoffs games, where we saw the Raptors fall apart in one quarter, and we saw the San Jose Sharks playing ‘handball' in their Conference Final win against the Blues. Joe talks about how he may need psychiatric help after watching his Raptors falls apart, and also saw a few of his bets go down the drain within a matter of minutes. Rolling Stones backup vocalist Bernard Fowler joins the show to promote his latest record, and his work with one of the greatest rock bands of all-time. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers See omnystudio.com/listener for privacy information.

Enfin Stones News le Podcast est de retour ! Au sommaire, les deux David parlent des dernières news : l'opération de Mick Jagger et le report de la tournée américaine, la sortie de Honk, le Record Store Day, la réédition de Talk Is Cheap, les sorties de Voodoo In Japan et de Stones In Bremen et l'édition 50th anniversary de Beggar's Banquet.  Puis ils discutent de l'avenir musical des Stones, entre fonds de tiroirs et nouveautés. Pour participer à la rubrique Souvenirs de Stones, envoyez-nous vos enregistrements (entre 5 et 10 minutes) à podcast@sympathyforthedevils.com et nous les passerons dans une prochaine émission. Et on parle des dernières sorties : Marianne Faithfull (album Negative Capability) Paul McCartney (rééditions de Wings Wild Life et de Red Rose Speedway) The Beatles (rééditions du double blanc) Alain Bashung (album En Amont) Louis Bertignac (album Origines) David Bowie (Glastonburry 2000) Bernard Fowler (album Inside Out) Vous pouvez nous retrouver sur chronicast.com, nous suivre sur Twitter @ChronicastFRet bien entendu nous rejoindre sur le site du fan club des Stones sympathyforthedevils.comainsi que sur Twitter @sympathyftd. Vous pouvez aussi suivre David sur Instagram, @vinylophyle. 

We could’ve talked all night and I’d still have wanted more. Thoughtful, generous, revealing, insightful, and oh so fun, legendary, Grammy Winning bassist, Will Lee, took us on a thrill ride through his stellar, illustrious and industrious, career… growing up in Texas, seeing The Beatles on Ed Sullivan and that very night blowing the dust off his untouched drums and deciding he was going to be a musician. For Life. He made good on that choice. From playing his first gig in a parking lot and getting paid $6 to do it; playing in six bands a night, six days a week, to landing his first major gig with his dream come true, Dreams––alongside Billy Cobham… to playing Bette Midler’s first tour with theretofore unknown Barry Manilow; playing with Ace Frehley, Chaka Khan, the late, great, Hiram Bullock; alongside Paul Schaffer, from the from the very first Late Night with David Letterman to the very last Last Show… some of his favorite Letterman memories: singing a featured MacArthur Park, backed by a full orchestra and Jimmy Webb, the yearly Darlene Love, Baby Please Come Home––the first time in sweatshirts with the 4 piece World’s Most Dangerous Band, to the last, formal extravaganza; Jay Thomas, Warren Zevon, James Brown! Session work, his ongoing life’s blood. Getting loaded then getting sober, 33 years ago, playing through it all. There was praise for Bernard Fowler, Tommy Allen, loving memories of Geoff Emerick, who was at Will’s Fab Faux gig this past Saturday night, where I was blessed to be, just three days before he passed. Will talked Beatles throughout, shared some Ringo insight, how he prepped Revolution 9 as a newlywed, the upcoming Fab Faux Beacon gig celebrating George, and a few other projects he’s orchestrating which are close to his heart and celebrated his beloved Sandrine’s IPA Award for her book, Nudescapes. And then, he played, and sang… so chill… so Will. I couldn’t adore the man more. Humble, focused and true. Will Lee on Game Changers with Vicki Abelson Wed, 10/318, 7pm PT/ 10pm ET With Jason Reid DP Christinna Guzman Live on the Facebook Full show replay here: https://bit.ly/2Oycqk2 All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj This week's BROADcast is brought to you by Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com And, Nicole Venables of Ruby Begonia Hair Studio Beauty and Products for tresses like the stars she coifs, and peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/ Her fabulous Ruby Begonia Products can be purchased and shipped from http://www.frendsbeauty.com/ Nudescapes: Private Dreams in Public Places https://bit.ly/2y1fLOY

Bernard Fowler On Game Changers With Vicki Abelson by Vicki Abelson

In this episode we are joined by Robert Davis of Animal Waves. We kick the show off with reviews of the stunning new Alter Bridge concert film, and the fantastic new album from Clutch - both of which come out this Friday. We then get into our talk with Robert, and he discusses the forthcoming debut EP from Animal Waves (Sept 28th), how the sound developed, working with Nathaniel Cox, what Charles Salvaggio and Matt Zavorski bring to the band, how the Led Zeppelin / Tom Petty mashup came about, lyrical content, Jim Wilson, adding singing to his repertoire, Bernard Fowler, Slash, what he learned working with Lauryn Hill, playing Warped, and a ton more. We also play a new song from XIII Minutes, play one of the new Clutch singles, and talk about Metallica’s first night back on this leg of the Hardwired tour. Thanks for listening, and please share! #AllKillerNoFiller #AnimalWaves #AlterBridge #Clutch #podcast #GiveMeANaturalLightAndSomeBrisket This episode is brought to you by DEB Concerts. Follow the Streets Gone Wild page to get updates on upcoming shows from Sebastian Bach, Tom Keifer, KIX, LA Guns, Junkyard and more! Become a Thunder Underground #patron on Patreon: www.patreon.com/thunderunderground Listen to us every Monday night at 7pm CST on 102.7 WSNR and stream us anytime everywhere podcasts are heard.

In this episode we are joined by Jim Wilson. Jim talks with us about his new solo album “Now Playing,” how he started working with Phil Jones, collaborating with Mike Campbell and Marc Ford, future writing and collaborations with Bernard Fowler, new music coming from Motor Sister, writing with Scott, John, Joey in Motor Sister, working with Rocco DeLuca, Henry Rollins reaction to the new album, working with Henry in the Rollins Band, the early days of Mother Superior, Spotify, and a ton more! We kick off the episode with a track from Dusty Grant. Thanks for listening, and please share! #JimWilson #AllKillerNoFiller #MotorSister #DustyGrant This episode is brought to you by DEB Concerts. Follow the Streets Gone Wild page to get updates on upcoming shows from Dokken, Faster Pussycat, Steelheart, Beasto Blanco, KIX, Sebastian Bach and more! This episode is also brought to you by V.I.T's Screen Printing. Check out VIT's for your band's or business' t-shirts and other screen printing needs. Become a Thunder Underground #patron on Patreon: www.patreon.com/thunderunderground Listen to us every Monday night at 7pm CST on 102.7 WSNR and stream us anytime everywhere podcasts are heard.

Listen in to KMOVE Radio with Lisa Fischer talk on multiple subjects from Grand Baton, learning a new song, upcoming appearances and more!

KMOVE Radio can't get enough of Bernard Fowler! He's one talented songwriter, singer, producer, and so much more! Listen in as he gives singing lesson tips to Clay, talks about his new CD, The Bura, and his tour!

KMOVE Radio had the opportunity to interview Bernard Fowler, an extrodinary singer, songwriter, producer, etc!!! Listen in as Clay and Lorraine play some of his songs from his newest CD, The Bura! 

Bernard Fowler discusses his life and career. From singing on the street corner at 16 to his 27 years working with Mick Jagger and the Rolling Stones (as well as solo albums by Ronnie Wood and Charlie Watts). He discusses his early projects with The Peech Boys and Herbie Hancock, to Nickelbag (who changed their name to The IMFs because of Nickelback) with Stevie Salas, and his new solo record The Bura. Bernard has lots of great stories from his amazing career.

Stevie Salas & Bernard Fowler present the IMFs 2010. Interview with Stevie and Bernard and some cuts from the Live-Show with Dave Abbruzzese and T.M. Stevens.

Bernard Fowler (Rolling Stones) und Stevie Salas (Rod Stewart) zu Gast im JazzrockTV-Studio, Teil 1. Das ganze Interview gibt´s bald hier auf JazzrockTV.